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Man.On.Fire.S01E07.540p.X265.AAC [Full Movie] [Full Episodes]Full EP - Full
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Short filmTranscript
00:24You know it's kind of ironic to happen being involved is the only thing that's broken
00:29our way. How could that possibly be a point in our favor? Because I know how he operates.
00:36A deal with a dictator only lasts as long as they want it to. Once you become inconvenient they take
00:42you out. Tapping likes to take that option off the table. What do you mean? Tapping likes to use a
00:49dead man switch. I couldn't be more supportive of your goals. What I'm talking about is how you
00:55achieve them. You can take control at the barrel of a gun but you'll never be able to put that
01:01gun
01:01away. Or you can have everything you want handed to you in response to tragedy. I believe the phrase
01:08is what's in it for you. Once your control is permanent and secure you'll be able to aid in
01:14regional matters that will ultimately help me elevate my own position. Tapping tells his partners
01:19that not only has he collected and recorded evidence of their crimes but that if anything
01:26happens to him that that evidence gets automatically released to the press and law enforcement all
01:32around the world. That means they can't take him out without taking themselves out. But if I
01:38eliminate Tapping that triggers his dead man switch and Carmo and Sores goes down and whenever he had
01:44over them comes out. We can't be sure he made this kind of agreement. Tapping was the man on the
01:49motorcycle. Poe saw his face that makes him a liability. If he didn't have anything over them
01:54he'd be dead already. Well that's all well and good but how are you planning to take out Tapping if
01:59you can't even go out for a soda? I turn myself in. I see how that gets you killed. They
02:10won't get rid of
02:10me until they have Poe. If I get into a room with Tapping I can take him out. Even if
02:17that were true
02:18how are you planning to get out of the room? You can't go in there just to sacrifice yourself. That's
02:22not your decision to make. That doesn't mean I'm gonna sit here and watch you make the wrong one.
02:27Can you come with me please? Why? Because I fear I might yell at you and I don't want to
02:33wake up the
02:33others. You have to stop doing this. You don't even understand what's going on right now.
02:45What? Tell me. It wasn't even supposed to be her building. It was supposed to be the other tower
02:51until her dad brought me in to help. And with the two of us working together Tapping knew that it
02:57was
02:57only a matter of time before we figured out that something was wrong with the operation and that
03:01made him nervous. And so he blew up his building. Everybody around me keeps dying and I keep on making
03:10it out and I don't know why. Listen to me. You didn't blow up that building. They did.
03:30But if you do this alone and don't come back to Paul, she will suffer all over again.
03:41Because she needs you. Not just to finish this, but to survive what comes after.
04:05This idea that if a rise recorded a tape isn't true, but Carmel doesn't know that.
04:09So?
04:11So we make our own and use it to lure them out.
04:15Mossop says he could definitely get something on the tape, but nothing strong enough to kill them.
04:20It doesn't need to kill them. It just needs to be strong enough to scare them. I'll take care of
04:23the rest.
04:26How do we get the tape to tap in?
04:28My father has a condo in the city by way of a shell company. We could use that as a
04:31honeypot for the tape.
04:35That's good.
04:43I know this isn't a voice that you were expected to hear.
04:48And that's just the beginning of all your problems.
05:07You weren't greasy.
05:08Everything you've been telling us is getting us nowhere.
05:11A tunnel?
05:14There's no fucking tunnel like the one you described.
05:19I never said I saw it. I said a tunnel is what Gracie told me he was going to use
05:27to get out.
05:33Listen to me.
05:34It's become clear that applying pain to you isn't improving your answers.
05:40So we're going to start applying it to your family.
05:44Is that what you want?
05:46For them to suffer so that you can what?
05:52Protect Carisi?
05:54Come on.
05:58I don't know.
05:59I told you it was...
06:03I don't know.
06:05What the fuck are you doing here?
06:08How did you get to do that?
06:12I got it.
06:14Whoa, whoa, whoa!
06:18What the fuck are you doing?
06:21Have you lost your fucking mind?
06:24He's been white to us.
06:25What are you talking about?
06:26The whole time spinning bullshit.
06:28Running us in circles when an FRP unit staged a raid to free his fucking family.
06:33How the fuck could he connect with the FRP?
06:36Gracie helped him.
06:37And while he's had us chasing ghosts, Gracie had the time to plan almost anything.
06:42Well then what?
06:43We should check the security guard.
06:44You are coming with me.
06:46What?
06:47Thanks to that little dead man's switch insurance policy, you've worked out for yourself.
06:51You'll receive the same level of protection as President Carmel.
06:54Yeah.
06:56Well, you can tell President Carmel I can look out for myself.
06:59I'm much more efficient looking for crazy...
07:01Listen to me, goddammit!
07:05Carmel doesn't give a fuck about looking out for you.
07:09He's looking out for himself.
07:10As long as your death puts him at risk, he's not taking any chances.
07:15So, you can be escorted to safer quarters, or I can have you dragged there.
07:33Okay, let's be quick.
07:35Take all these paintings now.
07:38Respect those calves.
07:41One or two.
07:58Where's the saw?
08:01Where's the saw?
08:05Nico was supposed to grab him.
08:15What happened?
08:19What happened?
08:19Someone took us to see her.
08:36What do you got?
08:54L-E-S.
09:02L-E-S.
09:06S-R-1.
09:23Hey.
09:25I thought you might be thirsty.
09:28We'll be together.
09:33You're getting ready?
09:36Yeah.
09:38You're not scared?
09:40No.
09:43No, I am.
09:45But I remember why I'm doing it.
09:50What is L-E-S-R-1?
09:57It's left, straight forward, stereo on the right, first four.
10:01No.
10:02No.
10:03My dad used mnemonics all the time to remember everything.
10:07We even had a family mnemonic made out of the first letters of all of our names.
10:13Because, you know, we moved around a lot.
10:16So, he always said, no matter where we are, as long as we're together, we're always, we're always in the
10:27studio.
10:39True.
10:41True.
10:43True.
10:47True.
10:54True.
11:03I don't know.
11:31I don't know.
11:55In que mais de 600 vidas inocentes foram ceifadas por esses crimes abomináveis, nós vamos caçá-los.
12:03E o americano John Tracy e as pessoas que o ajudaram.
12:26Looks like a robbery to me.
12:28Who's doing the breadcrumbs?
12:31You all for it?
12:34Yeah.
12:35Yeah.
12:37Fudeu, fudeu!
12:38You're for it.
12:47Let's go, everybody.
12:48Let's go, let's go, let's go, let's go, let's go, let's go, let's go.
12:56Hey, hey, vai!
12:57Go, go.
12:58Go, go, go.
13:23Go, go, go, go, go.
13:25Go, go, go, go.
13:40He said it, make his way back, just go.
13:41Go, go, go, go.
14:05O que você tá fazendo?
14:07As pistas.
14:08A gente não deixou nada.
14:10O que?
14:10Se isso não vai funcionar.
14:12Vai, vai.
14:14O que você tá fazendo?
14:16Pico!
14:18Go, go, go!
14:22Oh, fuck!
14:23Wait, wait, wait, wait, wait, wait, wait!
14:25って...
14:36Cor рассing for...
14:37Oh!
14:39Oh!
14:40Horá!
14:43Oh!
14:46Oh!
14:47Oh!
15:16Oh
15:17Oh
15:27Hey, are you okay?
15:30Yeah, fine, fine, fine.
15:38Where's Vico?
15:39He jumped out of the van in the garage.
15:42What?
15:42Why?
15:43He was afraid that no one had left the necessary clues.
15:46No, I could have handled that.
15:49I could have handled that.
15:51I'm sorry.
15:54Fuck.
15:58It's the way.
16:03That was supposed to be the easy part.
16:14Where's Poe?
16:29Where's Poe?
16:31No.
16:32Why is Poe?
16:35Go!
16:39This is bullshit, you know, you can't just keep me here like a prisoner
16:45Dab, dash thoughts aqui
16:48Chrissy hit this place earlier today
16:52Middle of the city in broad daylight with the entire world looking for him and he robs an apartment
16:57Whatever wasn't here he thought was worth the considerable risk
17:01Money
17:02I could think of 20 other ways he could get his hands on cash
17:07Well then what?
17:13I don't know
17:16You know
17:19For all your talk of
17:22Understanding how Chrissy operates and all that shit
17:24You don't seem to be any better at figuring out his next move than the rest of us
17:31Prepara todo mundo que a gente vai sair
17:34We picked up one of the guys that hit the condo with Chrissy
17:39We wanna get out of this room
17:40Come talk to him and get some actionable information
17:42Because if we don't figure out what Chrissy's up to
17:45I have a strong feeling he's going to show us
17:47And I don't think we're gonna like it
17:49Water
17:50Water
18:10What's going on?
18:15I got in
18:17I got in
18:17You found a password
18:19That's a good thing
18:20I just wanted to see their faces again
18:29Thought it'd make me feel better
18:30But uh
18:33Thought it'd make me feel better
18:33But uh
18:37It's like all the memories that have been poisoned
18:39Working
18:39I'm gonna
18:39find
18:41I think
18:44I'm gonna
18:46I'm gonna
18:57I think
18:57We're gonna
18:59They're gonna
19:00They're gonna
19:07They're gonna
19:08They're gonna
19:19Where was this?
19:22It's a park.
19:28And you went there just to take the picture?
19:30Yeah.
19:31Yeah.
19:33It's supposed to be a Christmas card.
19:39And my dad thought we only needed a camera and a tripod.
19:43My brother's out.
19:49They weren't paying attention, so all the pictures kind of came out awful.
19:54And we started arguing, and my mom took the camera and just gave it to a stranger.
20:09It's all I've done.
20:15And at the end, when he gave the camera back, he said we were a beautiful family.
20:38That's not poison.
20:49Everything you care about, it's all still in there.
20:56That doesn't mean that you won't have pain.
21:01But you don't have to go through that alone.
21:03Yeah.
21:07I was going to be there.
21:24I will.
21:29Really?
21:30Yeah, it's mine.
21:37Okay.
21:53What now?
21:58He's bouncing the signal all over the place.
22:00If they really put their back into it, they could walk the call back to Rio, but nothing closer.
22:06Untraceable.
22:13Are you good?
22:16Yeah, I'm good.
22:30I'm good.
22:38Well?
22:41His name is Vico from a local favela. He hasn't said much and I haven't let the locals ask.
22:47What are we waiting for? I just...
22:49With all the respect, Mr. President, we don't know what Chris may have told him.
22:53What's happened and I will interrogate him personally.
22:55I want him to cut into pieces until the answers start to flow.
22:59I will not tolerate one man operated with impunity, making a mockery of...
23:03I'm sorry, sir.
23:07But I'm in a connection here that I think you'll want to help.
23:10It's John Creasy.
23:28Mr. Creasy.
23:30I know you've got a lot going on right now, Mr. President, so I'm not gonna keep you for too
23:34long.
23:36I just want to let you know that I'm coming to see you.
23:40Is that so?
23:43Unfortunately, when I get there, we won't have much time to talk.
23:47You know it's illegal to make threats like that, even in jest.
23:51Oh, I'm dead serious.
23:53I know what you did, Mr. President.
23:57You, Torres, and Tatna.
24:00And I'm gonna make sure that each one of y'all pay.
24:04I just called to make sure that you have the opportunity.
24:07That the Redburns and all the other families in that building didn't have.
24:11The opportunity to say goodbye to the people that you love.
24:20to the people that you love.
24:38That the Redburns and all those other families in that building didn't have.
24:42The opportunity to say goodbye to the people that you love.
24:46Because I am coming to see you, Mr. President.
24:49And by then it will be too late.
24:52I want an honest assessment.
24:55Is this man actually capable of making a bid at an assassination?
25:00Absolutely.
25:04But I don't think that's what's happening here.
25:06What does that mean?
25:09Creasy doesn't phone you up to tell you he's gonna kill you.
25:13He just kills you.
25:15Something's not right.
25:16I want this dealt with once and for all.
25:20We didn't come this far to let one man screw it all up.
25:22You're absolutely right, Mr. President.
25:26I think it's time we pay a visit to the member of Creasy's crew you picked up.
25:30Yes.
25:32Sir.
25:34We will get this handled.
25:36I can assure you.
25:49Zora.
25:51Sempre.
25:53Who can't pay me?
25:55No money I can't pay this.
26:00Why?
26:02Think, answer Him.
26:05They paid me for a cofre.
26:07What money was in the cofre?
26:09There was only a keys to a bank box.
26:13I can't believe it.
26:14That's what I opened.
26:16I had a key to there and I could even ask you how they're going to pay with this dumbass.
26:22You were hoping to find money in the box.
26:26And now they're hoping to find money in this box.
26:31It wasn't money, it was something they wanted to sell.
26:37Like...
26:38I don't know, but I heard them talking about a recording.
26:43Or a tape.
26:45Yeah.
26:47It's a guy talking to the President.
26:49President Calma?
26:51It was the President Calma.
26:52It was the President Calma.
26:54Who was the fool?
26:55Ferraz.
26:58Ferraz.
26:59Do you know that it's a recording of the President Calma with Ferraz?
27:05Time.
27:06What?
27:06What's the thing?
27:14What?
27:20What?
27:23What?
27:24I'm going to kill him.
27:36Go!
27:39Come on!
27:40Come on!
28:33Fuck.
28:57Hello, gentlemen.
29:00I know this isn't the voices you were expected to hear.
29:05And that's just the beginning of all your problems.
29:09I'm afraid that if you're still listening to this part of the recorder,
29:14that you've already released the toxins that will kill you.
29:18What?
29:21Now, you might be feeling a slight burning sensation in your nostrils.
29:26I want to assure you that it will not last long.
29:29In 20 to 30 minutes, you will be dead.
29:33It's toxic!
29:35Come on now!
29:38Oh!
29:53Hello? Come in.
29:56Yeah.
29:57Chrissy?
29:58Gloria?
30:00I'll success targets you're incoming.
30:03Copy that.
30:19you know your part yeah i go in i make sure they see me and draw security so they can
30:27get to happen
30:27i have a girl you ever want a place yeah you grew an eye set
30:48hey i'll be okay
30:59crazy check-in all right we said we said we said
31:15oh
31:16oh
31:16oh
31:17oh
31:18oh
31:19oh
31:26oh
31:34We're here.
31:57We're here. We're here. We're here.
32:00We're here. We're here.
32:01We need more militantes.
32:15Shit!
32:18Polko, come in.
32:21What are you doing here?
32:22Someone found me, but they're not here yet.
32:24What's up?
32:26All right, just walk away. We'll find something else.
32:28Just give me a second, okay?
32:33Polko, get up. Get up.
32:37No.
32:39I can do this.
32:41Here.
32:42There.
32:43Close the door.
32:46What's going on?
32:47What's going on?
32:48What's going on?
32:49What's going on?
33:11Fuck you.
33:13Fire!
33:15Fire!
33:16Fire!
33:17Fire!
33:25What's the location for?
33:32Ooh!
33:42Paul.
33:44It's your location, Paul.
33:53Oh, you can hear me on one more way?
33:58Stand down, Christy. I've got her. Security's been drawn off. You have the green light for Tap and Bella. We're
34:03headed to the staircase.
34:04Okay, go.
34:21Come on, Vico. How did you get out of here?
34:27I'm a bitch. I didn't want to get out of here.
34:31We're moving to the meeting point.
34:34Get out of here. Get out of here.
34:36Hey, you've posed here, and then so it's crazy.
34:40This is a fucking shame.
34:42I am.
34:44A moment of what's happening.
34:50All right, lock it down. Get on the radio. Lock it down.
35:17Fuck!
35:24Oh, shit!
35:28Oh, shit!
35:31Oh, shit!
35:32Oh, shit!
35:33Oh, shit!
36:04Let's go.
36:13Let's go.
36:39Headed out now.
36:45Exit 1, pole 9, floor 2, headed northwest with the assistance.
36:49Okay, we're on our way.
37:11Let's go.
37:19Stop fucking shooting!
37:34Get out of the way!
37:35Get out of the way!
37:40Let's go!
37:43Get out of the way!
37:44Get out of the way!
37:58Get out of the way!
38:14Are you okay?
38:15Yeah!
38:16Stay here!
38:28Chrissy, Chrissy.
38:29We're pinned to the second floor in the southern area.
38:32We're gonna run out of ammo before they do.
38:34Can you get to us?
38:34Get out of the way!
38:46Are you okay?
38:58Get out of the way!
39:01Get out of the way!
39:16Get out of the way!
39:23Here's the grenade!
39:24We can either hold them or the grenade!
39:25We can't do both!
39:26Get out of the way!
39:27Melo!
39:28Now!
39:28Go!
39:29Go!
39:31Go!
39:43Go!
39:45Go!
39:46Go!
39:48Go!
39:48Go!
39:48Go!
39:48Go!
39:49Go!
39:51Go!
40:02Go!
40:03Go!
40:04Go!
40:13I gotta give it to you.
40:15That tape...
40:17That tape was some expired shit.
40:19Yeah, that's the Chrissy I used to know.
40:22You know?
40:23One who I had high hopes for.
40:25So Mexico City got you all fucked up.
40:28So let's think about this.
40:29I mean, let's really think about this ration.
40:32You ain't getting out of here without my help.
40:35And neither is that girl.
40:37So I think it's time we start talking about your options.
40:40You think I'm negotiating with him?
40:42Yeah.
40:42I think you should be.
41:02Keep running!
41:04I'm the same guy!
41:05You can go!
41:07No, no, no!
41:16I have no idea.
41:16No, no!
41:16No, no!
41:18I know it!
41:21I know it!
41:22Precy, you've got to hurt!
41:23Help him get!
41:26Precy!
41:35I don't want to die.
41:37Get back up!
41:38No!
41:42No!
41:43No!
41:44Precy!
41:48Credit!
41:53Arrgh!
41:55Katie!
41:56Ariana!
41:58Cameraman....
42:01Good, good, good.
42:31Good, good, good.
42:59Good, good.
43:14Good.
43:19Good!
43:21Good!
43:22Good!
43:23Good!
43:30I'm gonna go!
43:32I'm gonna go!
43:34I'm gonna go!
43:35I'm gonna go!
43:53Come on!
43:54Come on!
44:10Shut her mouth!
44:25Come on!
44:28My Tooth!
44:29Come on, get out of here.
44:33Moon!
44:35Moon!
44:38Moon!
44:41Moon!
44:42Moon!
44:45Moon!
44:46Moon!
44:47Moon!
45:35Go, go, go, go!
45:39Go left, go left.
45:47Just go, I'll be right there.
45:49No, Creasy, I can't just leave you like this, Creasy.
45:51Go on, Paul.
45:52Shit.
46:01Shit.
46:06Shit.
46:14Shit.
46:17Shit.
46:38Stop right there.
46:40Don't move.
46:45You shoot her, you're dead.
46:46One second.
46:50Yes, I know.
46:53Given that you've killed Teppan, I'm not seeing a lot to look forward to.
47:01So, drop your fucking gun or the last thing you see will be another dead Rayburn.
47:07Drop it!
47:24Good boy.
47:28Now, stand up.
47:32I'll give you the honor of going first.
47:37Stand up!
47:38Uh!
47:49Uh!
47:50Uh!
47:55I'll give you the light.
48:02No!
48:11Yes!
48:47Oh, my God.
49:09Oh, my God.
49:11Oh, my God.
49:12Oh, my God.
49:13Oh, my God.
49:14Okay, just stay with me, okay?
49:16Okay.
49:17Okay.
49:17You're okay.
49:18No, just stay with me.
49:19It's okay.
49:21Oh, my God.
49:22Oh, my God.
49:33Oh, my God.
49:38Oh, my God.
49:52and a rogue American CIA agent named Henry Tappet
49:55to conspiracy to use the FRP as a front to conduct the bombing of a residential tower in Rio.
50:00John Creasy, at one point implicated in the bombing,
50:03instead turned out to have been coordinated with a girl orphaned by the bombing
50:06and a small group of Brazilian citizens in a high-risk effort to expose the conspiracy.
50:10Ah, até agora eu nem acredito.
50:12Ei, mãe, olha quem eu achei.
50:13Melo.
50:14Tudo bem?
50:15Tudo bem, e você?
50:16Tudo bem, bom te ver.
50:17Tava falando pra Marina que eu não acredito te ver no jornal.
50:21Minha vizinha ajudando a derrubar o governo.
50:23Que loucura é essa?
50:24Você acha uma loucura, imaginei eu.
50:26Escuta, e que boato é esse que vocês estão indo embora?
50:29Ah não, a gente não vai pra lugar nenhum.
50:32Então vocês acham que as coisas vão melhorar com a saída do Carmo?
50:35Acho difícil de acreditar, hein? Tô preocupado.
50:38Eu também.
50:39Mas se todo mundo ficar preocupado, as coisas vão melhorar, né?
50:43Grandes merda.
50:45Vibração.
50:47Foi pra ser flaminha de párpura.
50:49Ivan disse que você precisa trabalhar em inglês antes de qualquer coisa.
50:56Você que não fala porra nenhuma de inglês.
50:58E vagabundo tá cagando pra isso.
51:01Se você preferir aprender russo,
51:03então vai trabalhar também.
51:04O que é isso?
51:21O que é isso?
51:24O que é isso?
51:28O que é isso?
51:29O que é isso?
51:31O que é isso?
51:32O que é isso?
51:35O que é isso?
51:42O que é isso?
51:47O que é isso?
52:02O que é isso?
52:05O que é isso?
52:18O que é isso?
52:21O que é isso?
52:46O que é isso?
52:48O que é isso?
52:50O que é isso?
53:02O que é isso?
53:17O que é isso?
53:21O que é isso?
53:26O que é isso?
53:28O que é isso?
53:29O que é isso?
53:37O que é isso?
53:51Ok.
53:51Bem, eu...
53:55Eu aceito um apósito.
53:56Não um apósito, João.
53:58É uma convidação.
54:00Eu tenho uma situação que eu quero olhar para você.
54:03Eu sou que você já tem amigos para isso?
54:06Eu não, eu não, eu não.
54:08Deixa a longa ouvir, em fato.
54:09E ninguém mais tem uma experiência com esses amigos.
54:13E eu?
54:14do? Yeah, you ran into them in Mexico City. I guess the only question is, if that's something
54:22you're ready to revisit. Send me what you got.
59:03You
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