00:28Transcription by CastingWords
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02:36because
02:38when everything is on the line
02:40you always do better with someone
02:41that's trying to solve you
02:43than someone that's trying to save you
02:47I know that this is hard
02:49but for right now
02:51we're going to put all of our emotions
02:53behind and we're going to go out there
02:56and we're going to be a couple
02:58of surgeons
03:02surgeons
03:03surgeons
03:05Jokes.
03:36It's not a moral.
03:37It's not a moral.
03:39You'll be separated five minutes after the other.
03:49When you're in position, you don't do anything.
03:51You're going to send.
04:07Why haven't you asked me about what I saw?
04:10Time comes, I will.
04:14I would like to make sure you only have to relive that once.
04:39You're a man who's going to leave.
04:41Abandoned to the left.
04:41Command to the side.
04:42Command to the right.
04:46Command to the left.
04:57Command to the left.
04:58Wait, let's go.
05:21Are they with us?
05:22Hey, we need to divert them.
05:24What?
05:24They're on the buildings and we got a car pacing us about a block away.
05:27The route is compromised.
05:29Divertment.
05:29Now.
05:34What's your diversion target?
05:36They've got a military facility on secure lockdown.
05:38Distance?
05:3912 kilometers.
05:45Are we good?
05:47Just keep your eyes real.
05:48Cris, that doesn't sound like an answer to my question.
05:51Senhor, mantenham as posições.
05:58We have only a search team.
06:08It's happening.
06:09You decide right now.
06:10Come to the park.
06:11Come to the park on the right.
06:12On the right.
06:13On the right.
06:20Send the one.
06:21He's saying.
06:24I'm going to the right.
06:24Desviando para o alvo de vista a guard.
06:27Suspende.
06:30Acabou.
07:18My sincere apologies.
07:21Sadly, even after yesterday's act of violence, we still continue to receive threats
07:25from the FRP, given the circumstances.
07:28It seems prudent to conduct the interview here, and then we've arranged a military transport
07:32to fly directly back to the U.S., okay?
07:39In there?
07:40Yes.
07:44Come on, Paul, we're just gonna chat for a second.
07:53You can record the interview.
07:55I'll make sure all your questions get asked, but I don't want anyone else in the room when
07:58I'm talking to them.
07:59You seem to be under the impression that you have some authority here, Mr. Chrissy.
08:04You know, regardless of what you decided when you met me, you need to recognize that not
08:09only am I offering you my help, but that you need it.
08:13They had men staged all along the convoy route.
08:15That's a clear indication that there's a leak somewhere in your chain of command, and if
08:21you can't trust the men below you, you'd do well to reconsider the man in front of you.
08:31Would you trust the person I saw in that interview the other day?
08:37Job interviews are not my specialty.
08:41Unfortunately, this has turned into something I'm much more familiar with.
09:03I know that thinking about what happened is painful, so just for the moment, let's not.
09:11As much as you can, I want you to stick to how you felt and what you saw before anything
09:18happened at the building before.
09:21That's where all the information that we need is waiting.
09:24Do you understand?
09:26Good.
09:28So when you woke up, you were at your boyfriend's?
09:30He's not really who I am, but yeah, he snuck out.
09:41I wasn't planning on staying out, but then when I woke up, I realized if I didn't rush,
09:49Dad will be awake, and...
09:51Stay at number four.
10:00So you had to get on.
10:02I took Liam's motorcycle.
10:06I remember thinking I was going to make it.
10:09The streets were empty.
10:10I was going fast.
10:12And I was coming through this last turn.
10:14I mean, I had the light, but it's like I just sent something coming before I saw it.
10:20So I slammed the brakes, and then these two fans, they just came flying through the intersection.
10:27And then a motorcycle, like a sport one, or a racing one.
10:32Tell me more about the motorcycle.
10:35I think it was black.
10:38Like everything.
10:39The writer was in black clothes, black helmet.
10:43Yeah, that's all I remember.
10:45What about the vans?
10:47White.
10:48They look new or old?
10:49New?
10:50They look like work vehicles or some personal vehicles.
10:52Look, I don't know.
10:53Work, maybe.
10:55Okay, let's come back to that.
10:57What happened after they passed?
10:59I took the bike around the corner.
11:03Maybe another half block, and I parked it.
11:07I was basically staring right at the building.
11:11But he was there.
11:14Who?
11:18My dad.
11:20He was getting in his car, and he saw me.
11:26And he was calling me, and then...
11:28Okay, okay, let's stop right there.
11:30That's good.
11:31That's very good.
11:32Let's take a little break.
11:35It's not worth it.
11:39You didn't even ask her about the bombing.
11:41The suspects were gone before the bombing.
11:43Unless we do it the right way, strong emotions can warp memories.
11:46If I bring all her feelings up to the surface, that's likely to get us less useful intel, and not
11:51more.
11:51I'm going to get everything that we need.
11:55Right now, what I need from you are pictures of the most common white van sold in the last five
12:01years.
12:02I'm asking you for a little faith here.
12:06You think you want to get these people any more than I do any more than she does?
12:11If you still have questions after I come out, I won't say anything if you want to go in and
12:16ask for yourself.
12:17Is that fair?
12:23I'm also going to need a couple of rags or a small towel.
12:30What are we doing?
12:33I want you to think back to being on that bike.
12:39Now, 20 minutes ago, you were asleep.
12:43But from the minute you realized you had to get home, you've been wide awake, adrenaline pumping, yes?
12:49Yes.
12:50All right, and now you're so close.
12:52You reach that intersection, and then you slam on the brakes.
12:56Because you sense something coming out, does that make you feel?
12:58How does what make me feel?
13:00Something coming out of nowhere. You have to stop or you're going to get smashed.
13:03How do you feel?
13:07Shocked. Surprised.
13:13Point to the van you saw.
13:15Look and point, don't think, just remember.
13:30That's just my friend.
13:36I love you.
13:43You're so close.
13:43All right, now I want you.
13:47You're so close.
13:58It looks like this she is a very sweet hair.
14:08the writer just just for a second but i saw it okay okay good oh now just hold the story
14:16right
14:17there stay with the writer stay with the writer
14:47what about the sketch artists sketch artists
14:51can be hit or miss they end up creating false memories just as often as they bring something
14:55back CIA has a good one she can sit with for now we should pull the traffic and security cameras
15:01in
15:01the area from the morning of the bombing maybe we get not only a sighting but a plate i'll put
15:06the
15:06word out immediately yeah see but that's the thing how do you run down the lead when you know you
15:10got
15:10a leak somewhere i'm due to brief president karma personally we will hand select a small team and
15:16make sure to keep the circle as tight as possible for now the plane is fueling and we'll be ready
15:20to return poe to us within an hour i can't help but notice you only mention poe given there is
15:27a leak
15:27i can see the potential value in having an outsider assistance but you need to understand that i am
15:35in charge listen we both want the same thing i can't help but notice that you didn't acknowledge
15:40that i will be in charge you will be in charge i'll have a transport arranged for you after i
15:48brief the president
16:00you know your friend rayburn said we would see that having something to fight for
16:05would bring out the best in you
16:09did you believe
16:10i have seen many situations mr creasy where having something to fight for
16:17is what brings out the worst in people
16:21and i suppose that's what continues to trouble me
16:49why can't you just come with me no you don't want that i do
16:54i promise i do have to do here
16:57but you're not only gonna make it home safe you're gonna have a long life ahead of you
17:01but for that to turn out well you're gonna have to find a way to leave all this behind
17:05the way to do that it starts right now you get on that plane
17:09with your best memories
17:12and you leave everything else including me right here never to be thought of again
17:21you moved there when when i didn't have anyone else
17:29it's not something i plan on forgetting
17:37okay time for you to go
17:56thank you
18:00okay
18:06okay
19:13Get out, get out, get out, get out!
19:15Decoa! Decoa!
19:17Levante as estadas!
19:19Abaixa! Get down!
19:53Come on, come on, come on!
19:54Come on, come on!
20:21Come on!
20:33Come on!
20:38Why isn't it turning?
20:42Let's go! Let's go!
20:44Get out of here! Let's go!
20:47Come on!
20:57Jesus!
21:30Oh!
22:17I'm trying to take out the engine.
22:19Hold on tight.
22:20Why?
22:24Oh!
22:25Oh!
22:31Creasy!
22:35Creasy!
22:37Oh!
22:38Oh!
22:42Creasy!
22:44Creasy!
22:45Creasy!
22:45Creasy!
22:45I'm dead!
23:01Creasy!
23:03Creasy!
23:03Creasy!
23:05Creasy!
26:39All sorts of things.
27:09Can you help me?
30:24We're done.
32:25We're right back.
34:12We're right back.
35:29You're going to leave.
36:59We're right back.
37:35Hey.
38:30It's kind of...
38:47She might be right.
38:55How old are you?
38:58Sixteen.
39:02And coming to Brazil wasn't something you were excited about.
39:07You have me tell.
39:12Well, when you drive a car, you know, you just meet lots of different people.
39:18You learn to really see them.
39:26What else do you see?
39:30Someone who needs a friend.
39:41¿Tú hablas español?
39:45Sí.
39:47¿Te gustan las películas?
39:51¿Cómo te das cuenta cuando alguien ha visto muchas películas?
39:58Mira si sacan una batería de un auto y te dicen que van a trabajar en ti.
40:05That's bullshit.
40:07Car battery never broke nobody.
40:09You want information?
40:11It's not the battery that's key.
40:13It's what's inside.
40:14Acido sulfúrico.
40:21Unless you were...
40:24That take time.
40:26You know, if you mix it.
40:30But hydrogen peroxide, mix it and they call jugo de piraña.
40:35Tú sabes que hacen las perañas, ¿no?
40:39Ellas comen tu carne.
40:42Yo soy un terco hijo de puta y te lo digo ya.
40:47They got everything out of me.
40:52Do this one scar right here.
40:57Put this on your forehead.
41:01It's going to eat away at your skin.
41:03Then slowly drip down.
41:06Once it get into your eyes, slice out.
41:11Literalmente.
41:14Once it's on, you got about two minutes before it get into your eyes.
41:17So talk fast.
41:19Hey, hey, hey.
41:21Don't look like that.
41:21You're going to get this all alone.
41:23¿Qué es, por?
41:24Yo falo.
41:25Yo falo.
41:26Yo falo.
41:27¿Me dices que quieres intentar hablar?
41:30Sí.
41:35Estoy dispuesto a intentar, pero me das penajaras y me aseguro que te arrepientas.
41:41¿Está claro?
41:42Sí.
41:44¿Cuál es tu nombre?
41:46Chihuahua.
41:46¿Quién te contrató para matarnos?
41:49Yo, yo no sé.
41:51Yo no sé.
41:53Yo no sé.
41:55Él solo me dijo que podíamos llamarnos mal.
41:58¿O qué?
41:58Pero no creo que sea su verdadero nombre.
42:04Tú le ayudaste con el bombardeo también.
42:10Bombardeo, bombardeo.
42:11Yo no sé nada sobre el bombardeo.
42:12Yo no sé bombardeo.
42:13Yo no sé nada.
42:14Yo no sé nada sobre el bombardeo.
42:16¡Puera!
42:16¡Puera!
42:18¡Puera!
42:21¡Puera!
42:24¡Ah!
42:24¡Ah!
42:25¡Ah!
42:26¡Ah!
42:28You better come up with some answers.
42:30Un abrazo.
42:30I'm not with David, I'm not with David.
42:33F.O.P.
42:33Please.
42:35Please.
42:36That's the people of Osman.
42:37Yes, Osman.
42:39I don't know us.
42:41Please.
42:42I work with the Pakistan outside of Huyuk.
42:45Osman has contacted us after paying us for a goal.
42:49We don't know how to do it.
42:51Even in the morning, please.
42:53Please, please.
42:54I'm talking.
42:55You didn't know how to get to the base.
42:57Osman has done the attack on the boat.
43:00He said that the base would be where he would want.
43:03Please.
43:04Please.
43:05He said that he would be with little personnel
43:07for the attacks that the IP was doing everywhere.
43:11Please.
43:12Please.
43:13Please.
43:16Please.
43:17Please.
43:18Please.
43:19Please.
43:21Please.
43:21No.
43:23No.
43:25No!
43:27No!
43:30No!
43:32No!
43:33No!
43:33the issue is this Mr.cciones.
43:35I need your assurance he is being extracted as well.
43:38It's one thing when he was offering to work with us,
43:41it's another to have a loose cannon who goes completely unresponsive
43:44while I'm having to deal with terrorists and tragedy,
43:48not to mention an upcoming election.
43:49Honestly, President Carmo, I spoke to Creasy,
43:52and right now he doesn't trust anyone.
43:54Even if Creasy delivers us the girl,
43:57everything I know about him leads me to believe that he's not leaving
43:59until the people that brought that building down are dead.
44:06Director Moncrief,
44:08I wonder how your government would react
44:10if you had a foreign national on the loose in your country
44:13operating independently, without authority,
44:16and in a way that potentially jeopardizes your investigation
44:19and response to a massive terror attack.
44:26I'm sure we would contain him using whatever means necessary.
44:33Hey, how did he go?
44:35I made a car.
44:36Why? What happened?
44:38There's a way I could get this guy to lead us to the people coming after Pope.
44:41So she's not going home?
44:42No.
44:43Not until I know everything we have, I guess.
44:45Okay, I'll see what I can get.
44:49How is it?
44:52Not well.
44:54Which is in good hands.
44:58Okay.
45:13Good time to go?
45:17Not yet.
45:28I need your help with something first.
45:31What?
45:36How do you feel about the sight of blood?
46:01How do you feel about the sight of blood?
46:03How do you feel about the need?
46:09How do you feel about the sight of what you feel about?
46:10How do you feel about the wind or the shade of the blue.
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