- 10 hours ago
A wicked boy (1992) Horror⧸Psychological thriller [Full Movie] [Latest Version]Full EP - Full
Category
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Short filmTranscript
00:00:00I
00:00:30Oh, my God.
00:01:17Oh, my God.
00:01:56Oh, my God.
00:02:18Oh, my God.
00:02:39Oh, my God.
00:03:12Oh, my God.
00:03:30Oh, my God.
00:04:03Oh, my God.
00:04:24Oh, my God.
00:04:53Oh, my God.
00:04:54Oh, my God.
00:04:54Oh, my God.
00:04:56Oh, my God.
00:05:24Oh, my God.
00:05:32Oh, my God.
00:05:46Oh, my God.
00:05:50Oh, my God.
00:05:55Oh, my God.
00:05:59Oh, my God.
00:06:26Oh, my God.
00:06:27Oh, my God.
00:06:28Oh, my God.
00:06:37Yes?
00:06:38Marcus?
00:06:39It's Paul on the phone from Paris.
00:06:42He wants to talk to you.
00:06:44Okay.
00:06:45Come in.
00:06:56Hello?
00:06:57Hello, Paul.
00:06:59Yes.
00:07:00Chickenpox.
00:07:01That's right.
00:07:03The flight was fine.
00:07:06Yes?
00:07:09She's very beautiful.
00:07:10That goes without saying.
00:07:13I'm sure we will.
00:07:15Quite sure.
00:07:17Okay.
00:07:18Here she is then.
00:07:19Who wants to speak to you?
00:07:21Paul?
00:07:22Huh?
00:07:23Oh, darling.
00:07:24It's a terrible line.
00:07:26What?
00:07:27What?
00:07:28What?
00:07:28What?
00:07:28Yes?
00:07:29Saturday night dinner with Clive.
00:07:33No, no.
00:07:34No, he'll understand.
00:07:37Huh?
00:07:41You...
00:07:42You don't have to explain.
00:07:45Paul?
00:07:47No, no.
00:07:48He'll understand.
00:07:48I must go.
00:08:17Well, I'm sure we can see it.
00:08:17We can see it before.
00:08:17We will find our coffee.
00:08:17We did stay ready.
00:08:17We can see it now.
00:08:18He is quite as easy for us.
00:08:18Good to see it.
00:08:18We can see it.
00:08:19We can see it.
00:08:20We can see it.
00:08:23Let's see it.
00:08:29Marcus
00:08:34Marcus
00:08:36Breakfast
00:09:20Marcus
00:09:21Oh, one for you already?
00:09:22Oh, a book club circular.
00:09:24Anything interesting?
00:09:25No, they're a nuisance. They even send them here.
00:09:28Anything for me?
00:09:29Don't think so. Here.
00:09:32Expecting one from Paris.
00:09:33You never know your life.
00:09:35Do you want me to write to them for you?
00:09:37What?
00:09:38The book club. Take you off their list.
00:09:41No, let them waste their money.
00:10:10Oh, here. Let me.
00:10:16Tell me if you feel queasy.
00:10:17Yes.
00:10:22Don't want you catching chicken pox.
00:10:24No.
00:10:28Right.
00:10:31Good.
00:10:35Marcus.
00:10:36What?
00:10:38Don't you have any friends?
00:10:40Of course.
00:10:42I meant round here.
00:10:45Not here.
00:10:46No.
00:10:47Not at all?
00:10:48No.
00:10:50Pity.
00:10:51Why?
00:10:52It's a shame to waste a pool.
00:10:55I suppose so.
00:10:57Paul and I use it so little.
00:10:58You look lonely all by yourself.
00:11:01I've got Trotsky.
00:11:03Marcus.
00:11:05That letter, Marcus.
00:11:07What letter?
00:11:09From the book club.
00:11:10I tore it up.
00:11:12Without opening it?
00:11:14Yes.
00:11:17You're sure it was a circular?
00:11:19Yes.
00:11:21Addressed to you?
00:11:23You're mysterious this afternoon.
00:11:26Just inquisitive.
00:11:28One of my biases.
00:11:31Salt.
00:11:32What?
00:11:34A pillar of salt.
00:11:35Lots wide.
00:11:36In the Bible.
00:11:38Turned to salt for looking back.
00:11:41Curiosity was her downfall.
00:11:44Sounds like a slogan for a horror film.
00:11:47All virgins, bangs and hairy faces.
00:11:52Why do you try to talk like Paul?
00:11:54Do I?
00:11:55All the time.
00:12:01I can see your eyes.
00:12:04But you can't see mine.
00:12:24I can see your eyes.
00:12:28heres.
00:12:29But you can't see mine.
00:12:48She's gone, she will hear from us.
00:12:48She's gone, she's gone!
00:12:54Or she's gone.
00:12:56You can see her in a miing room.
00:12:56She's gone, she's gone.
00:13:20Did he like the book idea?
00:13:23So-so.
00:13:24What went wrong?
00:13:26Oh, it'll be all right.
00:13:32If I had chickenpox, I could stay in bed.
00:13:39Show me your tongue.
00:13:42Put it away.
00:13:45De Grey sends his love.
00:13:47He says you can come and work for him whenever you like.
00:13:51Lovely old lech.
00:13:57Whist of煙, do you want to go by?
00:13:58Let's go.
00:14:30Lovely.
00:14:34Why an English school?
00:14:38Odd question.
00:14:42Sarah wanted it.
00:14:45Oh, sorry. I didn't...
00:14:49Forget it.
00:14:53You witch.
00:14:55Come on.
00:14:58Ah!
00:15:00Oh, oh, oh!
00:15:02Oh, oh!
00:15:06Oh!
00:15:20Oh!
00:15:21Oh!ğim
00:15:24Is
00:15:25Marcus happy at school? Getting
00:15:29all parental. Has
00:15:32he got any friends? Of
00:15:34course. Know
00:15:37any of them?
00:15:39He isn't all cranium and pebble lenses, surrounded by chest sets.
00:15:47He is a great kid.
00:15:50You only have to watch him.
00:15:53I do.
00:16:06Knees, or whatever it is, twelve-year-olds get dirty.
00:16:18I would like to learn Chinese.
00:16:20Why, for Christ's sake!
00:16:22Then I could read Confucius in the original.
00:16:25Confucius?
00:16:26He gave the instructions on the training necessary to become a superior man.
00:16:31The great learning, it was called.
00:16:34Sounds hip.
00:16:35They had most things in perspective.
00:16:37Especially wives.
00:16:41Seven basic reasons for divorce.
00:16:44Disobedience, barrenness, lewdness...
00:16:47Jealousy...
00:16:48garrulousness...
00:16:49leprosy...
00:16:51and stealing.
00:16:53No corruption or stupidity.
00:16:58Utopia.
00:17:03Did you borrow some money, Elise?
00:17:07Borrow?
00:17:08From my desk.
00:17:11Marcus paid for his car coming from the airport.
00:17:14Three hundred pesetas.
00:17:17You told me...
00:17:18I thought you told me a thousand pesetas.
00:17:21No, Elise.
00:17:24Doesn't matter.
00:17:25I'm sure you told me a thousand pesetas.
00:17:28When?
00:17:30In the hall.
00:17:31I mentioned no amount.
00:17:34Look, forget it.
00:17:36How much is missing?
00:17:38Elise, forget it.
00:17:39I shouldn't have said anything.
00:17:41I just thought that...
00:17:43perhaps Consuelo...
00:17:44She's so honest.
00:17:45She wouldn't take a biscuit without asking.
00:17:47All right.
00:17:49I didn't have any Spanish money.
00:17:56Elise...
00:17:58Elise made a mistake.
00:18:03Would any of you feel insulted if I asked for a...
00:18:06spoon and fork?
00:18:07I'm starving.
00:18:31Whoated...
00:18:43Whoated...
00:18:44Whoated...
00:18:46Whoated...
00:18:53De восpergation.
00:18:54I have your skin.
00:18:55What the...
00:18:55Did...
00:18:55To Heys.
00:18:55A vous talons...
00:18:55Toe the Organization المكان.
00:18:57His bureau's nerves work.
00:19:56Come on in, Paul. The waltz is lovely.
00:19:59Coming!
00:20:11Paul, do you love me?
00:20:15Odd question.
00:20:16Do you?
00:20:16Of course I do. Why so serious?
00:20:20Do you love her?
00:20:22Very much. And her, it's Elise.
00:20:29Sorry.
00:20:30What's wrong?
00:20:31She doesn't like me.
00:20:34Not so loud. She can hear you.
00:20:37She doesn't. I can tell.
00:20:40You idiot.
00:20:42And she thinks I stole your money.
00:20:45That isn't funny, Marcus.
00:20:47You heard her.
00:20:50She was mistaken.
00:20:53She's out of my room.
00:21:08She's out of my room.
00:21:08I'm not sure.
00:21:14I can tell you a little bit.
00:21:14I don't care.
00:21:18I need to try her.
00:21:18You're right, Zoe.
00:21:19I'm sorry.
00:21:19I need to try her.
00:21:22I need to try her.
00:21:23I need to try her.
00:21:43Did you search Marcus's room?
00:21:49Does he think I did?
00:21:50Yes.
00:21:52Do you think I did?
00:21:54I hope not.
00:21:57But you're not sure.
00:21:59No.
00:22:02What do I suppose to have been looking for?
00:22:06The money.
00:22:09I see.
00:22:11Well.
00:22:14Well, what?
00:22:18Did you?
00:22:39What's the school?
00:22:42Berkshire.
00:22:44Beautiful.
00:22:46Cookham near Windsor.
00:22:48Is he happy there?
00:22:51He doesn't complain.
00:22:54Paul.
00:22:55Hmm?
00:22:58Does he resent me?
00:23:00No.
00:23:03It's going to take time.
00:23:06We both knew that.
00:23:09Let's get them.
00:23:13Let's go.
00:23:21He doesn't complain.
00:23:28That would go.
00:23:30Whalerser.
00:23:34It's not.
00:23:35It's not that we go.
00:23:37Marcus.
00:24:19Will you wait, please?
00:24:21Yes.
00:24:37Good afternoon, Mrs. Bazant.
00:24:39My secretary told me you'd phoned from the airport.
00:24:43Please, sit down.
00:24:47To be quite frank, I had expected Mr. Bazant to have contacted me before now.
00:24:53He's been away almost constantly,
00:24:55working flat out on a new book for his French publishers, on surrealism.
00:25:01I read his articles in the Sunday Times.
00:25:05It must be very difficult, coping with so many boys.
00:25:08I have a first-class staff.
00:25:11I meant all the cuts and bruises,
00:25:14measles and chicken pox.
00:25:18Well, touch wood, we've only had one broken wrist
00:25:20and the usual assortment of colds, sister.
00:25:24Dr. Kessel, as you no doubt realize, Marcus is my stepson.
00:25:30I met him for the first time when he came home.
00:25:34Forgive me if I seem a little blunt, but I would prefer to discuss this matter with your husband.
00:25:42I was hoping I could protect him from the worry.
00:25:45Your husband has seen my letter.
00:25:48Not yet. I wanted to speak to you first.
00:25:51I see.
00:25:55I haven't seen the letter.
00:25:57But, uh...
00:25:59Marcus destroyed it.
00:26:00I found some small pieces in a book.
00:26:04I found this very disturbing.
00:26:09I think perhaps you should, uh, see this letter.
00:26:19I just didn't realize.
00:26:27What were these serious of unfortunate incidents?
00:26:31Why did you expel Marcus?
00:26:32I found this very distressing, Mrs. Berland.
00:26:36It must have been serious.
00:26:37Always quite brilliant, the most outstanding...
00:26:39Difficult.
00:26:40Embarrassing.
00:26:41But I can't do anything to relieve the situation unless I know all the facts.
00:26:57It, uh...
00:26:59Started with these drawings.
00:27:28I had a series of complaints from local people.
00:27:32A prowler.
00:27:33A face at the window.
00:27:34A wire.
00:27:35A boy from the school.
00:27:36They were all quite certain.
00:27:38Marcus?
00:27:39Fitted in with, uh, previous patterns in his behavior.
00:27:43Previous patterns?
00:27:44One of the groundsmen rescued him from a beating one night.
00:27:48Oh, sorry.
00:27:50The old pavilion is very popular among courting couples in the village.
00:27:54Apparently, Marcus had engineered, uh, some spy holes at various vantage points.
00:28:01You mentioned a beating?
00:28:03One of the lads from the village caught Marcus spying on him and his girl.
00:28:09If Clayton hadn't been around, he might have ended up in hospital.
00:28:14But why didn't you report these incidents as they occurred, Dr. Castle?
00:28:19Mrs. Byzant, I think we are at some variance.
00:28:21I've had several meetings with your husband concerning the boy.
00:28:25Oh, I'm sorry.
00:28:28I just wasn't aware.
00:28:30At first, we naturally attributed his behavior as a reaction to his mother's most distressing death.
00:28:35But, uh, that was nearly two years ago.
00:28:56He stole a cat and killed it after torturing it.
00:29:02With the other incidents, serious as they were, it was possible to understand, overlooking.
00:29:08I can cope with most things, but this was horrifying.
00:29:13Frankly, I didn't know how to deal with it and didn't feel much like trying.
00:29:17I'm very sorry.
00:29:18I had no alternative but to remove the boy.
00:29:48He was doing the kids' death by the time.
00:29:54I was trying to see the horses.
00:29:54Oh, I was trying to see the horses.
00:30:05I came to see the horses.
00:30:05It's in my home.
00:30:06I can't see the horses, but I was trying to see the horses.
00:30:12And, I was trying to see the horses and horses.
00:30:14I'm not trying to see them in the car.
00:30:27You look so beautiful.
00:30:47You look like a table.
00:31:04Enter, enter.
00:31:12There's no one here but me.
00:31:14Sophie, me.
00:31:16That rhymes.
00:31:18Sophie, me.
00:31:21And me, baby.
00:31:22I'm the hostess.
00:31:24And I've had the mosties.
00:31:28Oh, here. Let me.
00:31:32Oh, lovely.
00:31:33Oh, too sorry.
00:31:36Much too much.
00:31:38My own party, too.
00:31:40But I don't like the people.
00:31:42None of them.
00:31:46I think what you need is some coffee.
00:31:49What I need, my lovely lady, is a very big nun with very rough hands.
00:32:03This place, doesn't it give you the creeps?
00:32:09No. Why?
00:32:11Why?
00:32:11Sarah.
00:32:15She was my friend.
00:32:18Under the water.
00:32:22What happened?
00:32:25Dead.
00:32:29Sophie, tell me what happened.
00:32:33Must not get on morbid.
00:32:36Ask Paul.
00:32:39My lovely lady.
00:32:41Thanks for thee.
00:33:00That was your house.
00:33:02Yes.
00:33:03Her house.
00:33:05Yes.
00:33:07Now it's Sophie's.
00:33:08Why didn't you tell me?
00:33:11I sold it after Sarah died.
00:33:15Haven't been back there until tonight.
00:33:18I was trying to prove to myself that...
00:33:22that it was over.
00:33:24No ghosts.
00:33:26You didn't think about me.
00:33:29We're going to share our lives.
00:33:32Remember?
00:33:34Please, let's forget it.
00:33:36You bastard.
00:33:37What are those people going to think?
00:33:39The majority are incapable.
00:33:41The damn place was choked with zombies.
00:33:45Don't you have a normal friend?
00:33:51Tell me what happened.
00:33:54It was a heart attack.
00:33:56She was bathing.
00:33:58She slipped under the water.
00:34:00She had a weak heart.
00:34:02I didn't even know it.
00:34:06Anyway, what does it matter?
00:34:08Bath or bed or where?
00:34:09She is dead.
00:34:15Your performance in the Chinese restaurant.
00:34:19First night we went out together.
00:34:22Marcus took that money for.
00:34:26Did he?
00:34:27I think you know he did.
00:34:32I found it.
00:34:34Caught in the back of the drawer.
00:34:35That was all.
00:34:36He put it back.
00:34:40Accusations are becoming a...
00:34:41a thing with you.
00:34:44And your third master?
00:34:46Have you seen on this conspiracy?
00:34:49Castle?
00:34:52Have you spoken to Castle?
00:34:55I've been to the school.
00:34:58I took the early morning train the day you went to Barcelona.
00:35:05Paul.
00:35:07There was no chicken pox.
00:35:10Marcus destroyed a letter.
00:35:13Castle wrote to explain it.
00:35:16I've been so busy with the book.
00:35:19So tired.
00:35:20I only wanted to help him.
00:35:22Help you.
00:35:23I suppose he took you through the complete chamber of horrors.
00:35:26The drawings.
00:35:28The complaints.
00:35:29He was never identified by any of those people.
00:35:31The police reports.
00:35:32The pavilion incident.
00:35:35Paul.
00:35:36Why didn't you tell me?
00:35:42Marcus is over all that.
00:35:51He killed the cat.
00:35:55He tortured it.
00:36:01Castle can't deal with him anymore.
00:36:05He can't overlook it this time.
00:36:09Marcus was expelled.
00:36:14I've got to talk to him.
00:36:35Talk to him?
00:36:36What do you want me to do?
00:36:39Beat him within an inch of his life?
00:36:41Lock him under the stairs, shave his head?
00:36:47You've done nothing for Therese.
00:36:52Accusing him, searching his room, going to his school.
00:36:58You made your mind up before you met.
00:37:01That you weren't going to like him.
00:37:04That's a terrible thing to say.
00:37:06While you were listening to Castle crucifying my son.
00:37:10Did you ever stop to think why?
00:37:13Why?
00:37:16Or were you only interested in...
00:37:19in exposing him?
00:37:23I wanted to help him.
00:37:25To do that, you have to face facts.
00:37:28You're just pretending.
00:37:30Never happened.
00:37:32Like Sarah's death.
00:37:34Sell the house.
00:37:36Forget.
00:37:38Close your mind.
00:38:00I just feel confused.
00:38:05And frightened for us all.
00:38:07Do I have to spell it out for you?
00:38:10Are you that obtuse?
00:38:18Marcus.
00:38:18Marcus.
00:38:19Found his mother in the bath.
00:38:26Marcus.
00:38:32A few months later...
00:38:35the incident started.
00:38:53Oh, my God.
00:41:21Thought you were here.
00:41:23Did you want something?
00:41:25Are you busy?
00:41:27No.
00:41:29Paul has to go to Paris again soon.
00:41:32I was wondering if there's something special you like to do.
00:41:35We could go out, anywhere.
00:41:38Not really.
00:41:39I like it here.
00:41:40I've got all I want.
00:41:45I don't know.
00:41:49I don't know.
00:41:51I was in the attic.
00:41:53I was in the attic.
00:41:54What's up there?
00:41:56I found some clothes and things.
00:41:59In an old trunk.
00:42:02Did you?
00:42:03I know those Sarah's things.
00:42:06I shouldn't think so.
00:42:07You see, Paul threw all the clothes away.
00:42:09Didn't he tell you?
00:42:11I'll talk to him if you like.
00:42:13I'll talk to him if you like.
00:42:13You could keep them in here, if it helps.
00:42:16I don't know what you're talking about.
00:42:19I'm sorry, at least.
00:42:23What was she like?
00:42:25Sorry, you won't want to talk about it.
00:42:29I don't mind.
00:42:31Was she beautiful?
00:42:32No.
00:42:36Attractive?
00:42:37To some, maybe.
00:42:40Was she tall, short, dark, fair?
00:42:45Tall, fair.
00:42:49If you really don't...
00:42:50No, you want to know.
00:42:52I thought it might help to talk about her.
00:42:54So you're not just being inquisitive.
00:43:00Not this time.
00:43:02Sarah was...
00:43:04exposed.
00:43:07In what way?
00:43:08She never knew when Paul and I were joking.
00:43:13I sympathize.
00:43:17What did you think when Paul told you about the accident?
00:43:22Accident?
00:43:24Sarah's accident.
00:43:28She had a heart attack.
00:43:30Didn't Paul explain?
00:43:34No.
00:43:36I wonder why not.
00:43:40What did happen?
00:43:43I'm sorry.
00:43:44If Paul...
00:43:45I want to know.
00:43:46I can't.
00:43:47I have a right to know.
00:43:49Then you must ask your husband.
00:44:23I have a right to know.
00:44:24Paul refuses to talk about it.
00:44:26I can't force the issue.
00:44:28What has he said?
00:44:31She died from a heart attack while she was bathing.
00:44:34Just that?
00:44:35Just that.
00:44:48I don't know.
00:44:49Please, Sophie.
00:44:50It could mean a great deal to me.
00:44:56Please, Sophie.
00:45:20Please, Sophie.
00:45:21Nearly two years ago.
00:45:22You with your stupid suspicions.
00:45:26Him with his innuendoes.
00:45:29I'm like a...
00:45:30I'm like a punch bag.
00:45:35Oh, God.
00:45:38I thought I'd got away from all this.
00:45:42All what?
00:45:46You are beginning to sound like Sarah.
00:45:50You're even beginning to look like her.
00:46:07how toáoú.
00:46:10The
00:46:14You are the better performance którego
00:46:14don't matter.
00:46:18You don't know?
00:46:21The
00:46:21You are the better performance.
00:46:35You are the better performance at the end of the field.
00:48:45Hello, genius.
00:48:48What are you reading?
00:48:51Death, sir?
00:48:57Did you love her?
00:49:01Did you love your mother?
00:49:03I don't think so.
00:49:09Did Paul?
00:49:10Ask him.
00:49:12I'm asking you.
00:49:15His grief was...
00:49:17transitory.
00:49:19He's hiding behind big words as cold as a fish.
00:49:27You're not a child.
00:49:29You're a...
00:49:32You're a...
00:49:39You're a...
00:49:41freak.
00:49:45Tell you to circus.
00:49:49She looked like a fish.
00:49:52A dead fish under the water.
00:49:55Her mouth wide open.
00:49:59What did you do?
00:50:01What did you do, Marcus?
00:50:02Were you frightened?
00:50:05Did you scream?
00:50:08Cry?
00:50:10Ran away?
00:50:11I laughed.
00:50:14I laughed.
00:50:15She looked so surprised.
00:50:20So ridiculous.
00:50:24So vulnerable.
00:50:30You laughed.
00:50:33When Paul came, he was sick.
00:50:36She wasップ.
00:50:38Huh?
00:51:04How could she Bond music passes?
00:51:09Oh, you're actually sweating.
00:51:13Well, lots of mortals do sometimes.
00:51:15You do at the airport in an hour.
00:51:17Linear, go!
00:51:32What's the matter?
00:51:34Why don't you go and lie down?
00:51:41You're impossible.
00:52:12They're going to fall.
00:52:18I'm not sure if they get the water.
00:52:21Let me just go and lie down.
00:52:21Let me just go and lie down the door.
00:52:35I'll drive you to the airport.
00:52:39No.
00:52:41Why not?
00:52:44Because you're drunk.
00:52:46And you're a mess.
00:52:48I'll have a shower.
00:52:50No!
00:52:52I'll be ready in 15 minutes.
00:52:55I'll take a taxi.
00:52:58Paul.
00:53:00Paul, I'm sorry.
00:53:02Please.
00:53:05You're too drunk.
00:53:28What else?
00:53:39Come inside.
00:53:40Oh no!
00:53:45Oh no!
00:53:47Oh no!
00:53:51I need to get back room in my hotel room now!
00:54:19Oh, my God.
00:54:42Oh, my God.
00:55:00Oh, my God.
00:55:22Oh, my God.
00:55:50There's a large trunk.
00:55:53And underneath the floorboards have been cut away.
00:55:56You've been spying on Paul and me.
00:55:58Of course.
00:56:01But why?
00:56:03To use Paul's self-conscious chit-chat, it turns me on.
00:56:10Sarah.
00:56:11You spied on Sarah, too?
00:56:13She wasn't as entertaining.
00:56:15No acrobatics.
00:56:16Then Paul's getting older.
00:56:19Did he have anything to do with Sarah's death?
00:56:21My mother died from a heart attack.
00:56:24After the accident with electric heater.
00:56:29You know, don't you?
00:56:30Do I?
00:56:32Yes.
00:56:33You think I would give you this information?
00:56:36Not freely.
00:56:38Are you suggesting some sort of exchange?
00:56:41Why not?
00:56:42What do you have that I could possibly want?
00:56:49Money?
00:56:51Really?
00:56:52What, then?
00:56:55Anything?
00:56:57Anything.
00:56:57You.
00:57:01Your natural presence.
00:57:18Was Sarah's death an accident?
00:57:20No.
00:57:27It was murder.
00:57:35Was it murder?
00:57:49Yes.
00:57:53Are you sure?
00:57:55Yes.
00:58:00You knew all the time
00:58:03and said nothing?
00:58:06Yes.
00:58:14I did.
00:58:16How?
00:58:17I found a letter
00:58:18from a specialist.
00:58:22And you told Paul?
00:58:24No.
00:58:25You little bastard!
00:58:27You knew nothing.
00:58:29All lies.
00:58:30Just a deaf little schoolboy.
00:58:31No.
00:58:33No.
00:58:33Dirty drawings.
00:58:34Peepholes.
00:58:35No.
00:58:36Killing cats.
00:58:38Think.
00:58:38A dirty little schoolboy couldn't murder his mother.
00:58:44I did.
00:58:47I did, Elise.
00:58:56Yes.
00:59:17Look.
00:59:18Look.
00:59:19That.
00:59:20You knew about it.
00:59:23That was cut by one of the electricians to locate the main cable.
00:59:26before we moved it in.
00:59:28Did he cut that, too?
00:59:30What?
00:59:32That.
00:59:34Small hole in the plaster.
00:59:38There. Covered with gauze.
00:59:50There's nothing, Elise.
00:59:54A peephole.
00:59:57Show me.
00:59:59Where?
01:00:01There.
01:00:05It was.
01:00:08It was there.
01:00:10You could see everything.
01:00:13The bed. Everything.
01:00:16A spy hole into our room.
01:00:22The bed.
01:00:32Elise.
01:00:34He must have filled it in.
01:00:36No, Elise.
01:00:37He filled it in.
01:00:38He knew I showed you.
01:00:41Elise.
01:00:45I know how it is.
01:00:46Oh, for Christ's sake, stop understanding everything.
01:00:49Everyone.
01:00:50Me and...
01:00:51And?
01:00:52Start facing a truth about Marcus.
01:00:55A truth?
01:00:57You accuse him of stealing money.
01:01:00Search his room.
01:01:01Now it's peepholes in ceilings.
01:01:03You dragged me all the way back from Paris with neurotic phone calls for this.
01:01:10It was a hole.
01:01:12It was.
01:01:14I wouldn't have dragged you back from Paris for nothing.
01:01:23All right.
01:01:25I'll see him.
01:01:27Talk to him.
01:01:28I promise.
01:01:30Now?
01:01:34All right.
01:01:37I'll see him.
01:01:45Talk to him.
01:01:45All right.
01:01:52Well?
01:01:55I couldn't make much sense out of any of it.
01:01:59But you did question him about the hole.
01:02:03Yes.
01:02:05He denies it.
01:02:07Yes.
01:02:09Of course he would.
01:02:11He is my son.
01:02:13He's Sarah's son, too.
01:02:15What does that mean?
01:02:16Well, he told me...
01:02:19What?
01:02:20Paul.
01:02:22You do believe me about the hole.
01:02:25I don't know what to believe any longer.
01:02:28But, Paul, I swear.
01:02:30All right.
01:02:33All right, perhaps you are right.
01:02:35What do you mean?
01:02:37Perhaps he should see someone.
01:02:39A psychiatrist.
01:02:41Paul.
01:02:43Oh, he'd be much happier.
01:02:46Maybe.
01:02:47Oh, I know I'm right.
01:02:49Maybe.
01:02:52Paul.
01:02:55It's the only way we can start all over again.
01:03:00Yes.
01:03:19Where's Paul?
01:03:21Madrid.
01:03:22Seeing Dr. Bjorn.
01:03:23Yes.
01:03:24How boring.
01:03:27She bores you.
01:03:29All psychiatry bores me.
01:03:32Have you told her yet?
01:03:35That I despise her?
01:03:37No, what you told me.
01:03:41What did Paul say when you told him?
01:03:48Sarah was drinking coffee.
01:03:50I'm not interested.
01:03:52The cup was floating on the water.
01:03:54Tell Dr. Bjorn.
01:03:55Paul knew as soon as he saw her.
01:03:59Did he say as much?
01:04:00No, but he knew.
01:04:04Your mother died from a heart attack.
01:04:07I organized that heart attack.
01:04:11Now you want Paul to give you the credit.
01:04:14Yes.
01:04:33That word.
01:05:00He's in distance.
01:05:00Yeah, I all had fun.
01:05:01I might be wine and wine.
01:05:35Marcus is going to kill me.
01:05:56I tried to reach it with a stick.
01:06:00I'll see to it.
01:06:01I thought dogs could swim.
01:06:05It could.
01:06:31I'll see to it.
01:06:32I'll see to it.
01:06:35I'll see to it.
01:06:51I'll see to it.
01:07:00that night we went out for dinner and the next and the next we were married in three weeks
01:07:08he's most attractive man yes he told you about the boy a little and the mother yes that she had
01:07:17died a heart attack did this bother you i don't think so when you knew he had a child not
01:07:26at all
01:07:27you didn't mind no did he talk much about marcus not very much not often you thought this in any
01:07:36way odd no we were too full of each other how long was it before you actually met the child
01:07:45three months he was away at school but you saw photographs only one paul doesn't like photographs
01:08:01tell me about your first meeting with the child paul was in paris again
01:08:10it was very hot afternoon i'd been to the cleaners to collect some clothes
01:08:29we just stood there
01:08:32i can remember his exact words i hired a car took some money from the desk and then a thousand
01:08:42pesetas but he denied this without turning a hair why do you think to test paul to test him
01:08:52to see who he would believe him or me and who did he believe i'm not sure there was an
01:09:02argument
01:09:03not really marcus admitted the theft you're kidding you were mistaken no he took that money
01:09:13a thousand pesetas wasn't it 1500 it probably was but he told me a thousand he even lies about his
01:09:24lice
01:09:28wasn't the money found at the back of the drawer he put it back you saw this no
01:09:37no someone saw this uh consuelo no but you're certain certain so what did you do i looked through his
01:09:50room hoping to discover the stolen money yes to what purpose
01:09:56well to prove to paul he was lying this was important to you yes even though you knew it might
01:10:02cause paul pain
01:10:03the truth has to be faced
01:10:09is paul very affectionate towards the child
01:10:14very
01:10:16you sound slightly negative
01:10:21he's always touching him
01:10:24over affectionate
01:10:25yes you could say that
01:10:30you found a letter
01:10:32part of a letter
01:10:33from marcus's school
01:10:34when i was looking for the money
01:10:37it was hidden
01:10:38in a book
01:10:51when the headmaster told you
01:10:53that paul knew about those incidents
01:10:55what did you feel
01:10:56i was surprised
01:10:58angry
01:10:59yes angry
01:11:00betrayed
01:11:01yes
01:11:02and when you saw the erotic drawings
01:11:04what did you feel
01:11:06nothing at first
01:11:08i was so amazed
01:11:09amazed at what
01:11:11i don't know
01:11:12that marcus should be so advanced
01:11:15advanced
01:11:17knowledgeable
01:11:17yes it was that i suppose
01:11:20were you disgusted
01:11:21no
01:11:22embarrassed
01:11:23no
01:11:24the drawings were good
01:11:26good
01:11:28accurate
01:11:29very
01:11:30almost
01:11:32yes
01:11:34almost beautiful
01:11:36i see
01:11:38but when he told you about the cast
01:11:40i felt sick
01:11:44you say dr kessel suggested that marcus should see a psychiatrist
01:11:47yes
01:11:48and you told this to paul
01:11:49yes
01:11:50why
01:11:51why do you think
01:11:54what i think is irrelevant
01:11:55sane people don't walk around killing animals
01:12:00you think marcus is insane
01:12:04it's not well
01:12:07he frightens you
01:12:10in a way
01:12:13tell me
01:12:15he says things
01:12:17that frighten you
01:12:18not frighten exactly
01:12:20then what
01:12:23i can't say exactly
01:12:26do you think
01:12:27you ever frightened him
01:12:29no
01:12:30never
01:12:31never
01:12:31but you were suspicious of him
01:12:33i
01:12:34after the incident at the chinese restaurant
01:12:37there were other
01:12:39deceptions
01:12:40lies
01:12:43all the time
01:12:45he creates difficulties
01:12:47yes
01:12:48between paul and you
01:12:50yes
01:12:52emotional difficulties
01:12:53yes
01:12:54with his lies
01:12:58lots of things
01:13:00he can just sit
01:13:02saying nothing
01:13:04and say everything
01:13:11do you dislike the boy
01:13:12no
01:13:13do you like him
01:13:14i want to help him
01:13:16does he like you
01:13:18i don't know
01:13:21do you think
01:13:22he might hate you
01:13:25i suppose he could
01:13:26why should he hate you
01:13:28not hate
01:13:30resent
01:13:32yes
01:13:33because of his mother
01:13:34no
01:13:34you seem very sure
01:13:36i am
01:13:37why is that
01:13:38well you must have talked about sarah
01:13:40yes
01:13:41what did he say
01:13:42oh
01:13:43many things
01:13:44he talks a lot about her
01:13:46like what
01:13:47oh
01:13:49um
01:13:50going to buy the dog
01:13:52his puppy
01:13:53and
01:13:54them museum trips together
01:13:57the chocolate ice cream story
01:13:59childish
01:14:00ephemeral things
01:14:02you seem surprised
01:14:05even you
01:14:08even you
01:14:09even you can't tell when he's lying
01:14:20when you found this
01:14:22um
01:14:23peephole
01:14:24what did you first think of
01:14:30what
01:14:31kessel told me
01:14:32about the child
01:14:33oh
01:14:33for christ's sake
01:14:34stop calling him a child
01:14:35he's not a child
01:14:36he's as honest as you or i
01:14:38certainly not a child
01:14:44about marcus
01:14:47yes
01:14:48and what did you do
01:14:52i tried to contact paul at the airport
01:14:54to bring him home
01:14:56yes
01:14:56to show him
01:14:58what else
01:15:00and what did you do in the meantime
01:15:04do
01:15:06nothing
01:15:07what could i do
01:15:23why did you take your clothes off in front of the child
01:15:32why did you take your clothes off in front of the child
01:15:38What? What?
01:15:41You stripped in front of the child.
01:15:48He made me.
01:15:50Forced you?
01:15:51It was a game.
01:15:53A game?
01:15:55He was telling me things.
01:15:58What sort of things, Elise?
01:16:02I offered him money.
01:16:04What for?
01:16:06For the information.
01:16:07What information?
01:16:09About Paul and Sarah.
01:16:10What about them?
01:16:12I was wrong.
01:16:13How, Elise?
01:16:15I suspected Paul.
01:16:17It wasn't Paul.
01:16:19You wanted the child to see your body.
01:16:21He's not a child!
01:16:22You thought he would admire your body.
01:16:24It was the only way.
01:16:27What for, Elise?
01:16:28To find out what happened.
01:16:30Ask him.
01:16:31He suggested it.
01:16:32Ask him.
01:16:33He suggested it.
01:16:34He'll only tell you lies.
01:16:37Did you harm the dog?
01:16:43Can't you remember?
01:16:49He murdered the cat.
01:16:51Why not the dog?
01:16:54It was his dog.
01:16:56He could have murdered it.
01:16:59He could have murdered it.
01:17:01Murdered?
01:17:03Killed.
01:17:04You said murdered.
01:17:06Killed!
01:17:07Killed!
01:17:07Killed!
01:17:14Killed!
01:17:15Killed!
01:17:19Killed!
01:17:21Killed!
01:17:24Killed!
01:17:26Killed!
01:17:29Killed!
01:17:31Killed!
01:17:33Killed!
01:17:34Killed!
01:17:35Killed!
01:17:35Killed!
01:17:36Killed!
01:17:37There's nothing to water!
01:18:35There's nothing to water!
01:18:37Ah! Ah!
01:18:41Ah!
01:18:45Ah!
01:18:49Ah!
01:18:51Ah!
01:18:54Ah!
01:19:08Ah!
01:19:09Ah!
01:19:15Ah!
01:19:18Ah!
01:19:20Ah!
01:19:21Ah!
01:19:22Ah!
01:19:25Oh, excuse me.
01:19:29Ah!
01:19:40Let's go.
01:20:07Oh, oh, oh, oh, oh, oh.
01:20:40Oh, oh, oh.
01:21:07Oh, oh, oh, oh.
01:21:38Oh, oh, oh, oh.
01:21:40Oh, oh, oh, oh.
01:21:45Oh, oh, oh, oh.
01:22:40Oh, oh, oh, oh.
01:23:01Oh, oh, oh.
01:23:26Oh, oh, oh, oh.
01:23:40Oh, oh, oh, oh, oh.
01:23:49Hello, Elise.
01:23:51Hello, Marcus.
01:23:53How are you?
01:23:54Very well.
01:23:55This is Hannibal, a birthday present from Paul.
01:23:59You're very handsome.
01:24:04Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
01:24:43I'm glad I'm back.
01:24:45So am I.
01:24:46It was very lonely.
01:24:48I was lonely too.
01:24:50You did try.
01:24:52Yes, I tried.
01:24:53But they wouldn't believe me.
01:24:56Couldn't expect them to.
01:24:58I suppose not.
01:25:01I used to lie awake at night thinking about Sarah.
01:25:05You...
01:25:06I wanted to share it with Paul.
01:25:09I know.
01:25:11I thought it would stimulate him.
01:25:16He does know.
01:25:18He can't understand.
01:25:20He has a talent for understanding everything but essentials.
01:25:25He bores me.
01:25:29I just hadn't realized how old he is.
01:25:32You're nearer to me than him.
01:25:36He wants a family.
01:25:38I enjoyed your performance with Hannibal.
01:25:43I knew you wanted to talk.
01:25:47Now we appreciate one another.
01:25:53Would you have killed me?
01:25:55Yes.
01:25:57How?
01:25:58Your car.
01:26:01Prosaic.
01:26:02Not what I had in mind.
01:26:08Perfection?
01:26:09Absolutely.
01:26:11He bores me too.
01:26:13Perhaps...
01:26:16Perhaps...
01:26:20Is he insured?
01:26:23Exorbitantly.
01:26:32more videos, please.
01:26:35Who believe me?
01:26:36New York City.
01:26:36I née about you.
01:26:42All right?
01:26:53East Niliation.
01:26:54Let's see me step in here.
01:27:21It's terrible!
01:27:24Ah!
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