Address Unknown (1944) Full Movie ｜ Paul Lukas, Carl Esmond, Peter van Eyck [Full Movie] [Hot 2026]Full EP - Full - video Dailymotion

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Address Unknown (1944) Full Movie ｜ Paul Lukas, Carl Esmond, Peter van Eyck [Full Movie] [Hot 2026]Full EP - Full

Transcript

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00:03:50for why max you never told me that before genzer brown schnitzel koenigsberger klops

00:04:00sourbraten but sour you are breaking my heart almost you make me feel that it's my duty to

00:04:05leave elsa here i'm leaving the recipes for everything behind with griselle where do you

00:04:09taste her sourbraten oh you mean griselle she she's not going with you max i'm afraid not

00:04:19but why the plans are all made why only a moment ago you didn't want her to leave you

00:04:24i don't understand what's happening

00:04:28well it was heinrich's secret i happen to know that today my son was planning to ask her a certain

00:04:33question is it you're you're sure yeah i have it on the best possible authority my friend

00:04:43oh this is wonderful it isn't that he wanted to keep a secret from you max oh i knew of

00:04:51course i

00:04:51knew do you think i'm blind i've seen it coming for months a thousand little signs

00:04:57little griselle married before long we'll be grandfathers i don't mind it so much for myself but

00:05:04i don't know how i feel about being married to a grandmother oh hello everybody hello hello

00:05:11are we late no you're just on time good we thought we were going to be late didn't we heinrich

00:05:18we sure

00:05:18did aren't you being festive yes aren't we come on join us thank you thank you maybe we'll want to

00:05:28drink a toast to something maybe do you want to tell them no you better do it

00:05:44well we're not getting married

00:05:49why griselle now before you get all unhappy about it let me explain

00:05:54heinrich and i talked the thing over thoroughly didn't we heinrich yes thoroughly and we decided

00:06:01there was no sense in getting all emotional and upset about something that well that

00:06:11i can't help it if i want to be an actress if i don't want to change all the things

00:06:15i've

00:06:16hoped and planned for so long can i can i no no dear of course not

00:06:31it'd be perfectly absurd for me to try to be a a wife and an actress at the same time

00:06:37it wouldn't be fair to either of us

00:06:41so i'm going ahead with my plans for a year and when i come back from germany what

00:06:49we'll be married yes of course

00:07:03don't you understand of course we do there aren't many children who could be that sensible

00:07:11anyway it'll be some time until i am a grandmother oh that's something

00:07:22and you're not angry with me of course i'm not how could i

00:07:30a great actress you're a dear

00:07:39heimrich

00:07:45my daughter you'll be all right

00:07:49can we eat now ma yes yes sit down

00:07:52ho ho ho ho ho ho ho ho ho

00:08:05hi

00:08:30It's your mother!

00:08:57How would you say it in German?

00:08:59It's a letter from Uncle Max.

00:09:03Hier ist ein Drei von Uncle Max.

00:09:06Von Uncle Max.

00:09:08That's right. That's fine.

00:09:11Martin! Martin!

00:09:12The only question in my mind is whether it will be quite big enough.

00:09:16Nein, Martin, nein.

00:09:17With such a belt, you must take care, or else I will grow to finish.

00:09:21Yeah, oh, five more boys, and I'll fit it just nice and snug.

00:09:24Well, maybe next time it'll be a daughter.

00:09:26Daughter? A girl?

00:09:29Don't worry, it'll be a boy.

00:09:31Once Elsa forms a habit, you know, it is very hard to break her.

00:09:34Why, Martin, shake it!

00:09:35Hey, son, me!

00:09:37Oh, it's a letter from Uncle Max!

00:09:39Oh, what a student, what a student.

00:09:42Ah, San Francisco.

00:09:44It's nice to see Max's handwriting again.

00:09:49Well, well.

00:09:51He said San Francisco is an empty place without you and Elsa.

00:09:55Even the California sunshine isn't as warm as the sunshine of our friendship.

00:10:00Oh.

00:10:04Oh, looks like a storm's coming up.

00:10:09Oh, yeah.

00:10:11Oh, that fellow is going to get wet.

00:10:18Why, it's a baron from Thrice, sir.

00:10:22What, are you sure?

00:10:23Oh, of course I'm sure.

00:10:25He's a very important man.

00:10:27Oh, it's raining harder.

00:10:29Oh, he'll get wet.

00:10:30We must ask him in.

00:10:31Hey, baron, hey, baron, come in.

00:10:34Come in, sir, come in out of the rain.

00:10:41Hurry up, the door is unlocked.

00:10:47Taking it all in all,

00:10:49baron from Thrice seems to be one of the most gracious and charming men I've ever met.

00:10:53His family is among the wealthiest and oldest in Germany.

00:10:58And yet, when the storm forced him to take refuge in our house,

00:11:02you would have thought it was a castle as big as his own.

00:11:04The confusion of moving didn't bother him.

00:11:09When he was the first to arrive,

00:11:11it is the sort of charm and courtesy that one finds only in the old world.

00:11:16All right, but what about Griselle?

00:11:19Let's see.

00:11:20Oh, he says she's gone to Vienna.

00:11:24Yes.

00:11:29I'm sorry she left the family.

00:11:31Oh, there's nothing to worry about.

00:11:36She worries me.

00:11:37She's so young and strong-minded and daring.

00:11:43You'll see.

00:11:50You go talk to her.

00:11:52Why pick on me?

00:11:53Because I'm the boss.

00:12:19How do you do, Mrs. Delaney?

00:12:20How do you do?

00:12:22This is an interesting thing.

00:12:25I don't seem to recognize the brushwork, though.

00:12:28Whose is it?

00:12:30It's an unknown artist.

00:12:32Oh, a new man.

00:12:34Yes.

00:12:35My father just sent it from Germany.

00:12:38What do you think of it?

00:12:39I think it says something, don't you?

00:12:44Quite, quite.

00:12:45I seem to feel a certain spiritual facility in it, don't you?

00:12:49Why, yes.

00:12:50Some artists, you know, paint with their hand.

00:12:52Others paint with their hand.

00:12:54What do you think this one painted with?

00:12:59I wouldn't care to say.

00:13:00I'll buy it.

00:13:01What's the price?

00:13:02I'll give you a thousand cash.

00:13:03Oh, no, Mr. Delaney.

00:13:04You haven't promised it to someone else?

00:13:05No, not that, but...

00:13:06Fifteen hundred, then.

00:13:07I can tell a good painting when I see it.

00:13:11I'm sorry, Mrs. Delaney, but that is not for sale.

00:13:13I'll meet any reasonable price.

00:13:15Somebody's offered you two thousand, I suppose.

00:13:17Oh, no.

00:13:18More?

00:13:18Twenty-five hundred?

00:13:19Look here.

00:13:20Mrs. Delaney.

00:13:20Three thousand.

00:13:22Why?

00:13:22Wait a minute.

00:13:23I know you're an honest man.

00:13:25Has anyone offered you more than three thousand?

00:13:27No.

00:13:28All right, three thousand it is, then.

00:13:30I'm a very good client of yours, Mr. Eisenstein.

00:13:33It's only right that you let me make this little discovery.

00:13:36But...

00:13:36Send it to my house at once.

00:13:38I'll give the messenger the check.

00:13:40Yes.

00:13:44I wouldn't give that outrage to my worst enemy.

00:13:46But I'm sure father sent it only for a joke.

00:13:50Put it in the cellar, Heinrich.

00:13:52Maybe if she doesn't see it the next time she comes in, she'll forget about it.

00:13:55All right.

00:13:56I was going to write your father a letter today, anyhow.

00:13:58I think I'll start off with a few things he won't forget in a hurry.

00:14:15Max and I used to come here years ago.

00:14:17Yes?

00:14:25It's changed.

00:14:27Has it?

00:14:28Well, I've been living in Munich for 25 years and I've never been here before.

00:14:34I don't see a waiter.

00:14:36It's probably an half hour.

00:14:39Well, anyway, listen.

00:14:42Mrs. Delaney is making my life miserable trying to buy the ugly beans you sent me.

00:14:47You know, I sent him a very bad painting, a nightmare in oil.

00:14:51And a very wealthy connoisseur is trying to bully him into taking $3,000 for it.

00:14:56Max is fighting to the last ditch.

00:14:58Good old honest Max.

00:15:00Yes.

00:15:01Personally, he says, I think you and I are very lucky that we have such a sound following for the

00:15:06gallery.

00:15:07That's admonishing me to be more careful in the future.

00:15:10Oh.

00:15:12And, well, that's all for that.

00:15:14And, oh, who is this Adolf Hitler who seems to be rising to power in Germany?

00:15:20I do not like what I read of him.

00:15:22Good afternoon, Herr Schultz.

00:15:24Oh, Herr Baron.

00:15:26Good afternoon.

00:15:28Would you come sit with us?

00:15:30This is my friend, Professor Schmidt, Baron von Freischem.

00:15:35May I take your hand?

00:15:44So, uh, he doesn't like what he reads, hmm?

00:15:49Oh, oh, the letter.

00:15:52It's my partner, Max Eisenstein, in the United States.

00:15:57Does he know the conditions he doesn't like?

00:16:00Oh, no, no.

00:16:01It's just what he reads in the American papers, is it?

00:16:03I find that hard to understand.

00:16:05I myself would hesitate to form conclusions without first-hand evidence.

00:16:11You must set him right.

00:16:14I suppose it isn't easy for a foreigner to understand the agonies our people have suffered

00:16:19since the Treaty of Versailles.

00:16:22What years of less and less spread, of leaner bodies, of the end of hope.

00:16:27Oh.

00:16:28Oh, thank you.

00:16:31The quicksand of despair held us.

00:16:34Then, just before we died, a man came and pulled us out.

00:16:43You are a native of Munich, Professor.

00:16:45Well, look.

00:16:46You have witnessed this deliverance.

00:16:50If it is a deliverance.

00:16:55You know, there's a surge, my friend.

00:16:58A surge.

00:16:59Our whole despair has been thrown aside like a forgotten coat.

00:17:04No longer do we wrap ourselves in shame.

00:17:07What can be wrong about a man who affects people so?

00:17:11When people are hungry, they do not care what kind of a man it is who gives them bread.

00:17:18We of Germany have found our destiny.

00:17:21The future sweeps toward us in an overwhelming wave.

00:17:25I wish we could be sure that the wave would not engulf us.

00:17:28Sweep us on to destruction.

00:17:30We must go with it, Herr Schulz.

00:17:33The days of hopelessness and stagnation are over.

00:17:37Our movement needs the sympathy and help of all right-thinking men.

00:17:41Men of substance, Herr Schulz.

00:17:44Leaders who can command respect in the fatherland.

00:17:48They are the men who will rise with a new Germany.

00:17:53The others...

00:18:06Come here a moment.

00:18:10That's what I mean.

00:18:13Chins up.

00:18:14Heads high.

00:18:16Strength through joy.

00:18:19You see, Herr Schulz?

00:18:29Martin!

00:18:31Aren't they pretty?

00:18:32Even in California, we never have better flowers.

00:18:35Beautiful darling, I have wonderful news.

00:18:38We've been invited to dinner.

00:18:40The Baron von Freische.

00:18:42When?

00:18:42Tonight.

00:18:44Oh, isn't that a shame?

00:18:46Just when Grandma and Herman and Otto are coming.

00:18:50Oh.

00:18:51Well, maybe he'll ask us again.

00:18:58Well.

00:19:00The Baron is a very important man.

00:19:03Why, indeed he is.

00:19:04And it's a great honor, his invitation.

00:19:06But I've asked Mama and the boys a week ago.

00:19:09It's too bad, Martin, but there's nothing we can do.

00:19:12Oh, my goodness, they're probably on their way now.

00:19:15You'd better hurry and change.

00:19:20We'll dine at the Baron's.

00:19:37I tell you, Max, I think in many ways, Hitler is good for Germany.

00:19:46The man is like an electric shock, strong as only a great orator and a zealot can be.

00:19:56It is true that his Branshoi troops are of the rattle.

00:19:59They pillage and have started a bad Jew-bake.

00:20:02But these may be minor things.

00:20:04The little surface is coming when a big movement boils up.

00:20:08The old despair has been thrown aside like a forgotten coat.

00:20:11The leader is found.

00:20:13Yet, sometimes, cautiously to myself, I ask, the leader to where?

00:20:20Publicly, as is natural, I express no doubt.

00:20:23I am now an official and a worker in the new regime.

00:20:26I exalt very loud, indeed.

00:20:29All of us officials who cherish whoreskins are quick to join the National Socialists.

00:20:33But this is not only expedience.

00:20:37There is something more.

00:20:39A feeling that we of Germany have found our destiny.

00:20:44And that the future sweeps toward us in an overwhelming wave.

00:20:50We must move with it.

00:20:53Of course, there are wrongs being done.

00:20:56The stormtroopers are having their moment of victory.

00:20:59And there are bloody heads and sad hearts to show for it.

00:21:04But these things pass.

00:21:07If the end in view is right,

00:21:10they pass and are forgotten.

00:21:13History writes a clean new page.

00:21:20A clean new page?

00:21:22Yes, I've heard of that page.

00:21:24How they deal with the people who will not join that overwhelming wave.

00:21:29Floggings.

00:21:30Quarts of tastoil through clenched teeth.

00:21:32The people who disappear.

00:21:37I wish Grisel were back here.

00:21:53Hello, France.

00:21:54Anybody home?

00:21:55Uncle Martin around?

00:21:56He is in a study, Miss Grisel.

00:21:58Oh, thank you.

00:21:59Uncle Martin!

00:22:02Oh, I was looking for Uncle Martin.

00:22:07Martin Schulz?

00:22:08Yes.

00:22:10He just stepped out for a moment.

00:22:11I am a friend of your uncle's.

00:22:16Baron von Fleischer.

00:22:18How do you do?

00:22:20I am Grisel Stone.

00:22:23The actress.

00:22:25Oh, yes.

00:22:27I am Grisel.

00:22:30Why didn't you let us know?

00:22:31I didn't know myself until tonight.

00:22:33I've taken the part in Berlin.

00:22:35Oh, wonderful.

00:22:36That's fine.

00:22:37You met the Herr Baron, haven't you?

00:22:39We introduced ourselves.

00:22:42You know, she's determined to become a very great actress.

00:22:45I'm sure she will be.

00:22:48Well, you're probably talking about something important.

00:22:50Where's Aunt Elsa?

00:22:52Upstairs.

00:22:52But you'd better call out as you go up,

00:22:54or she will faintly surprise.

00:22:55All right, I will.

00:23:00A very charming girl.

00:23:02She's studying in Vienna, you know.

00:23:06Oh, I never saw a woman yet

00:23:08who didn't leave things strewn all over the house.

00:23:11G.E.

00:23:13Am I mistaken?

00:23:14I understood your niece to say her name was Stone.

00:23:18Grisel Stone.

00:23:19Oh, oh, yes.

00:23:20That's her stage name.

00:23:21Her real name is Eisenstein.

00:23:25Heisenstein.

00:23:27Well, she's not my real niece, you know.

00:23:31She's the daughter of my partner in San Francisco.

00:23:34Jewish?

00:23:36Why, yes, but...

00:23:37Oh, your partner.

00:23:39The man whose letter you are reading

00:23:41that being the Ratzkeller?

00:23:43Yes.

00:23:47I'm sure I don't need to tell you

00:23:49how important this question is to us in Germany.

00:23:51Oh, but the daughter of a very old friend, I...

00:23:55I must be going.

00:24:04You're going to have to choose, Herr Schultz.

00:24:06You can't sit on two stools at once.

00:24:10At least not here in Germany.

00:24:12I understand.

00:24:15Ah, ah, ah, ah, ah, ah, ah, ah.

00:24:26Ah, ah, ah, ah.

00:24:59We must, for the present, discontinue...

00:25:16...to maintain.

00:25:22That often, Father?

00:25:23Yes, yes.

00:25:25This isn't bad news, is it?

00:25:27No.

00:25:34We rise in our might.

00:25:37We go singing through our valleys with strong muscles tingling.

00:25:43Tingling for a new work.

00:25:45Then from the mountains ring the voices of Wotan and Thor, the old strong gods of the German race.

00:25:51What in the world are you talking about?

00:25:53I don't know.

00:25:54Can I look at that?

00:26:02We must, for the present, discontinue writing to each other.

00:26:07I understand that it's a person of your race.

00:26:15That must be insane.

00:26:17No, no, no.

00:26:18There's a new censorship in Germany, Heinrich.

00:26:20We must remember that.

00:26:22I'm certain your father was writing this for the censor, not for me.

00:26:26I had written a few things in my own letters that might cause an embarrassment.

00:26:29It's no more than right that he should want the officials to think that he doesn't agree.

00:26:34But there's still a way that we can exchange letters without their having to go through the censor.

00:26:56He turns out to me.

00:27:07Hey, boy.

00:27:34Very personal matter.

00:27:37Wait.

00:27:40Did it ever occur to you that Herr Schultz might get pretty sore if you don't let me in there?

00:27:45Now, you go in and tell him there's a man out here from San Francisco,

00:27:48and I'll bet you a steel engraving of Adolf Hitler, suitably framed, that he'll see me.

00:28:10You may go in.

00:28:11See? What'd I tell you?

00:28:29Do you wish to see me?

00:28:30Yes. I'm a friend of Max Eisenstein's. We're neighbors back home.

00:28:35Yes?

00:28:38You are Martin Schultz?

00:28:40I am.

00:28:41You're a partner of Max's in San Francisco?

00:28:44I was associated with him at one time.

00:28:49He asked me to give you this. In person.

00:28:55Okay, Kraut.

00:29:13Martin, my old friend.

00:29:15I'm sending this by a neighbor who plans to visit Munich shortly.

00:29:19I cannot believe what I read in the last letter you sent me.

00:29:23I am sure you wrote as you did, only from fear of the censor.

00:29:27I do not write now because I doubt you.

00:29:30I know that you have not changed, that you hate injustice and violence as much as I do.

00:29:37But there is so much madness in the world these days that I need a word of reassurance.

00:29:41You must give me that word, Martin.

00:29:44I do not ask for a long letter, Martin.

00:29:46Nothing that will embarrass you in the office of censorship.

00:29:50Just one word will do.

00:29:52The word, yes.

00:30:01The answer is no.

00:30:04I can't believe he's my father.

00:30:08What are you going to do?

00:30:09I'm going to cable Griselle to get out of Germany.

00:30:11Now.

00:30:12Wait.

00:30:14A letter will do as well.

00:30:15With a maniac like that loose in the country, I don't want her to stay there another minute.

00:30:20This is an important day in Griselle's life, Heinrich.

00:30:23She's dreamed of it for a long time.

00:30:26Yes.

00:30:27I suppose she'll be nervous enough tonight about any cables from me.

00:30:32You don't want to do anything to upset the leading lady, you know.

00:30:38We'll write her.

00:30:58One moment, ladies.

00:30:59I'm sure I don't need to remind you.

00:31:01Since we are opening tonight, if we don't get it right now, we'll never have another chance.

00:31:05Please, lady.

00:31:06Hurry up, girls.

00:31:07Let's try it again.

00:31:09Ready, Miss Stone?

00:31:11Ready, Herr Director.

00:31:13All right.

00:31:14Start again.

00:31:15Let's try it again.

00:31:47Let's try it again.

00:31:53By order of the Department of Sanctorship, the following lines should be deleted from this

00:31:56play.

00:31:58Blessed are the poor spirit for the kingdom of heaven.

00:32:00Oh, yeah.

00:32:03Blessed are the meek, for they shall inherit the earth.

00:32:07Blessed are the meek, for they shall inherit the earth.

00:32:09Blessed are the peacemakers, for they shall be called the children of God.

00:32:19Blessed are they which are persecuted for righteousness' sake, for theirs is the kingdom of heaven.

00:32:26So, but look here.

00:32:27If you cut these passages out, it destroys the meaning.

00:32:31I am sure you will be able to solve that difficulty.

00:32:34You, artists.

00:32:36What's wrong with the lines?

00:32:37They are not acceptable.

00:32:39They aren't even the authors.

00:32:40I'm aware of that.

00:32:41There is no need to concern yourself, Herr Director, with anything except to see that these lines

00:32:45are not spoken from this stage again.

00:32:48Those are your government's orders.

00:32:50Disobedience is treason.

00:33:00Can that little man do this?

00:33:02Yes.

00:33:03I'm afraid he can.

00:33:21Men with him.

00:33:30Yes.

00:33:32And the父母 of the Lord.

00:33:37Those are your countries now.

00:33:39Souser 2.

00:33:40Vinyl 630.

00:33:49Souser 3.

00:34:21Blessed are the poor in spirit, for theirs is the kingdom of heaven.

00:34:34Blessed are they that mourn, for they shall be comforted.

00:34:49Blessed are the meek, for they shall inherit the earth.

00:35:01Stop!

00:35:03Blessed are they which do hunger and thirst after righteousness, for they shall be filled.

00:35:10Stop, I say!

00:35:17Stop!

00:35:20Blessed are the merciful, for they shall obtain mercy.

00:35:24I demand that this performance cease!

00:35:27Stop, I say!

00:35:42The director had nothing to do with this.

00:35:45I am the one who restored those lines.

00:35:47Oh, you are.

00:35:51Hen, please forgive this interruption.

00:35:54Today at rehearsal, this man came here and ordered us to delete from our play the lines which I have

00:35:59just spoken.

00:36:00I disobeyed him because I believe he exceeded his authority.

00:36:04I do not believe that your government desires to censor the word of God.

00:36:09I do not believe that your government, or any government, wants to censor goodness and gentleness and truth.

00:36:16Fräulein?

00:36:17Fräulein?

00:36:17What is your name?

00:36:19Grisel.

00:36:20You would do well to remain where you are, Herr Direktor.

00:36:23Well, Fräulein?

00:36:24Or is it a secret?

00:36:26You know my name.

00:36:28Grisel Stone.

00:36:30No, Fräulein.

00:36:31I mean your real name.

00:36:34The name you have kept secret.

00:36:37My real name is Eisenstein.

00:36:41I see.

00:36:43Eisenstein.

00:36:45I changed it because it was not a good name for the theater.

00:36:48It was too long.

00:36:49It didn't look well in lights.

00:36:54Yes, Yudin.

00:36:57It is a word you hear a great deal in your country lately, isn't it?

00:37:00Yudin.

00:37:01The letter J painted on the door.

00:37:03As if by calling a man a Jew, you robbed him of his humanity.

00:37:07As if you took away our hands and eyes.

00:37:09Our power to love and hate with just that one word.

00:37:13Yudin.

00:37:14Yudin.

00:37:14Get out of here.

00:37:15You're a lot of here.

00:37:18Look out of here!

00:37:19Come on.

00:37:21No, no, I'm not afraid of him.

00:37:24Let her get away from here to show them.

00:37:25I'm not afraid of him.

00:37:26Don't let her escape.

00:37:28Get her.

00:37:39No, no, let me go.

00:37:40I won't run away.

00:37:42I'm not afraid.

00:37:43Let me go.

00:37:44They're cowards, all of them.

00:37:45I'm not afraid.

00:37:46Please, let me stay.

00:37:48They won't.

00:37:49They're cowards.

00:37:50They won't run away.

00:37:52Give me.

00:37:53No.

00:37:56Let me in.

00:37:57Open this door.

00:37:59Open this door.

00:38:30Open this door.

00:39:04For the sake of our friendship, Martin, and for the sake of the love your son bears, Griselle, you must

00:39:09help her. I know that wherever she may be, if she's still alive and free, she will try to get

00:39:14to your house. I must hope that God will let her succeed. Heinrich and I commend her to your care,

00:39:20old friend. Our prayers are with you both.

00:43:20Let this be a lesson to you, Mr. Eisenstein.

00:43:23Never try to hide a masterpiece from a connoisseur.

00:43:27You'd like my picture?

00:43:29It sure don't look much like you.

00:43:34A letter for you, Mr. Eisenstein, from Joymany.

00:43:37Did you hear what I just says to that dame?

00:43:39She says to me, did I like her picture?

00:43:41And I says, it sure don't look much like you.

00:43:46And it sure didn't.

00:43:50Dear Max, Heil Hitler, I regret I have bad news for you.

00:43:55Your daughter is dead.

00:44:29Dear Max, Heil Hitler, I regret I have bad news for you.

00:44:33Your daughter is dead.

00:44:36Dad, I regret I have bad news for you.

00:44:45Thank God.

00:45:03Are you kidding me?

00:45:13Adolf Martin Schulz, I baptize thee in the name of the Father, and of the Son, and of

00:45:23the Holy Ghost. Amen. Protect, dear Lord, the life of this little child and keep him

00:45:30ever as thy own for Jesus' sake. The blessing of Almighty God the Father, the Son, and the

00:45:37Holy Ghost be with you all. Amen.

00:46:00Even yet you, Ansel, would hardly know this is a christening. How long is this to go

00:46:08on? Well, nothing is going to spoil the day for him. Look at that little chap. He has

00:46:18a fine new name. Well, nothing in this world that I could

00:46:24have done would have helped Griselle. If I had brought her into this house, it would have

00:46:30meant perhaps that all of us would... Take your hand of me, Martin. I hope I'm not

00:46:38including. Oh, no, no, not at all. Come in. A cable grab just came for you. I thought

00:46:48it might be important. Oh, thank you. Pardon me. A handsome young man as I congratulate you

00:46:56both. Perhaps I should say the three of you. Thank you. Thank you. You sound tired. Five

00:47:02fine boys here, and one in America. You have done more than your duty. You must rest a while.

00:47:10I think when the baby is old enough to travel, I may go away. Perhaps to Switzerland. That

00:47:34not bad news, I hope. No. Not at all. A message of congratulations to little Adolf. Shall

00:47:48we go into the other room? I mustn't forget I'm the host and the father, you know.

00:47:51He mm-hmm...

00:48:22Come in.

00:48:28Come in, sir.

00:48:30Put it down here.

00:51:10Good afternoon, Herr Schulz.

00:51:25Have you got the meal, sir?

00:51:26That was nothing.

00:51:27Nothing important.

00:51:46Heinrich, my son, I'm writing to you because there is no one else who can help me.

00:51:50That crazy cable.

00:51:51These letters in code.

00:51:53Another one has just come and now even the servants are beginning to look at me in a strange way.

00:51:57Only if you lived in Germany could you understand what will happen to me unless they stop.

00:52:01As you are my son, Heinrich, you must see that there are no more.

00:52:04You must go to any length as you are my son.

00:52:11The End

00:52:12The End

00:53:42I haven't been home yet.

00:53:45Why, you...

00:53:46You stopped to see me first?

00:53:48Yes.

00:53:50Sit down.

00:53:51Won't you have a drink?

00:53:52Thank you. I'll only stay a minute.

00:53:54Oh, I have some of your favorite schnapps.

00:53:57Did you have a pleasant journey?

00:53:59Not too bad.

00:54:02I ran into a friend of yours.

00:54:04Oh?

00:54:05Who was it?

00:54:06Oh, he's an artist, I believe.

00:54:09By the way, that was you a lion, wasn't it?

00:54:11Before you came to Germany.

00:54:13Paintings and so forth.

00:54:15Yes.

00:54:16And have you sent back a great many Picassos and Cezanne's and things since you have been here?

00:54:24Few.

00:54:30Prost.

00:54:31Prost.

00:54:37You know, Martin, it's illegal in Germany to send or receive letters written in code.

00:54:45Yes, I understand it.

00:54:48Yes, sir.

00:54:54Really?

00:54:57Are you sure?

00:54:58Of course.

00:54:59Of course I'm sure.

00:55:02Martin.

00:55:04You wondered why I stopped in to see you before I went to my own house.

00:55:07Tell me.

00:55:09Something to tell me.

00:55:16No, nothing.

00:55:28Thanks for the drink.

00:55:32You know, I liked it so much better than that imported stuff.

00:55:36I don't have patriotism either.

00:55:39Just that with liquor that has crossed the ocean.

00:55:44There's always something.

00:55:46A taste of something fallen.

00:55:51Yes.

00:55:54The meal, sir.

00:56:00France.

00:56:02Will you get my hat and coat, please?

00:56:04Yes, I have a walk.

00:56:14That's what I was talking about.

00:56:33Why did you interrupt us?

00:56:35Why did you bring that letter in there?

00:56:37I thought you would want it, sir.

00:56:40It was from America.

00:56:41It's true.

00:56:48Oh, my God.

00:57:12Oh, my God.

00:57:41The letters you have sent, I am called in to account for them.

00:57:45They demand I give them the code.

00:57:47The code.

00:57:48Already the results of your madness are terrible.

00:57:51I am bluntly told I must resign my office.

00:57:54In the name of heaven, Max, do you see what that means?

00:57:57Do you know what it is to be taken to a concentration camp?

00:58:00Would you stand me against a wall and level a gun?

00:58:03That time I should stop.

00:58:26So you are off, huh?

00:58:27Yes.

00:58:31Yes, sir.

00:58:32I know why you are going away.

00:58:34Will you do something for me?

00:58:37What?

00:58:48You can send it by the post.

00:58:51Elsa!

00:58:52Elsa!

00:58:58You are destroying me.

00:59:01Martin, if you need me...

00:59:04If I can help you, perhaps I should stay with you.

00:59:09No, you must go.

00:59:11This letter must go.

00:59:12Here.

00:59:16Auf Wiedersehen, Martin.

00:59:17Goodbye, sir.

00:59:47I'll see you next time.

00:59:48Oh, my God.

01:00:39Oh, I have the room.

01:00:41Good evening.

01:00:42Come in.

01:00:44Come in.

01:00:48I want to talk to you.

01:00:51Of course.

01:00:59Close the door.

01:01:03No one will hear us.

01:01:06I've dismissed the servants.

01:01:14I warn you, Herr Schultz, if that is your name.

01:01:19I told you it was a crime in Germany to send or receive letters in code.

01:01:26Perhaps I should have added that it is treason to try to smuggle such letters out of the country.

01:01:33What do you mean?

01:01:35Last night, your wife was stopped at the Swiss border.

01:01:38She had a letter addressed to San Francisco, which she destroyed before we could read it.

01:01:43I thought perhaps you might care to tell me the contents.

01:01:48That was for Max.

01:01:49I beg you not to write to me anymore.

01:01:52That letter proved I'm innocent.

01:01:53If you had only read it.

01:01:55But surely Elsa must have told you.

01:01:57You questioned her, didn't you?

01:01:58We allowed her to go on into Switzerland.

01:02:01She's a simple, rather stupid woman, not for all.

01:02:04Harmless enough, I dare say, without you.

01:02:07But I tell you, the whole thing was a plot to destroy me.

01:02:10There was no code, really.

01:02:12That's all it ever was, you see.

01:02:14You received a cablegram the day of the christening.

01:02:16You said it was a message of congratulation to little Adolf.

01:02:21That was a lie.

01:02:28If it was a plot, why didn't you tell us?

01:02:33I thought you wouldn't understand.

01:02:37You have gone to a great deal of trouble with your story.

01:02:40But I should call it rather ingenious than convincing.

01:02:47Mr. Schultz, I give you a last chance to name your accomplices.

01:02:55But, Herr Barone, there were no accomplices.

01:02:59I am innocent.

01:03:02If you could only have questioned Elsa, I'm sure you would have believed her.

01:03:07We will question you.

01:03:09You are foolhardy, my dear friend.

01:03:12I shall go, but there will be others come to question you.

01:03:17And they will not be as gentle as I.

01:03:20Our government has very little patience with its enemies.

01:03:28You might still save yourself.

01:03:34But I told you the truth.

01:03:38Very well.

01:03:46Bye, Herr Schultz.

01:03:54Herr Barone, can I advise you not to make any plans to leave?

01:03:59I don't know.

01:04:04Let's go.

01:04:10We'll see.

01:04:14Bye.

01:04:24THE END

01:04:52THE END

01:05:24THE END

01:05:50THE END

01:05:51THE END

01:05:53THE END

01:05:55THE END

01:05:56THE END

01:05:57THE END

01:05:58THE END

01:06:02THE END

01:06:13THE END

01:06:14THE END

01:06:27THE END

01:06:33THE END

01:06:35THE END

01:06:36THE END

01:06:37THE END

01:06:38THE END

01:06:42THE END

01:06:43THE END

01:06:46THE END

01:06:47THE END

01:06:48THE END

01:06:50THE END

01:06:50Oh, my God, my God, my God, my God.

01:07:33Rizal

01:07:35Rizal

01:07:36Rizal

01:07:37Rizal

01:07:49Rizal

01:08:17Rizal

01:08:46Rizal

01:08:57Rizal

01:08:58Rizal

01:08:59Rizal

01:09:04Rizal

01:09:08Rizal

01:09:09Rizal

01:09:11Rizal

01:09:12Rizal

01:09:14Rizal

01:09:16Rizal

01:11:29I don't understand.

Address Unknown (1944) Full Movie ｜ Paul Lukas, Carl Esmond, Peter van Eyck [Full Movie] [Hot 2026]Full EP - Full

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