- 54 minutes ago
Address Unknown (1944) Full Movie ｜ Paul Lukas, Carl Esmond, Peter van Eyck [Full Movie] [High Quality]Full EP - Full
Category
🎥
Short filmTranscript
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00:03:34OH DARN
00:03:37HURRYUP
00:03:37YOU DON'T WANT US TO STARF TO DEAD
00:03:38DO YOU
00:03:39EVER COMBINEN
00:03:41TO ELSA
00:03:42TO ELSA
00:03:45OH
00:03:46I FEEL ASHAMED OF MYSELF
00:03:48WHEN I THINK OF WHAT I'M GONNA MISS ELSA MOST FOR
00:03:50Aii
00:03:51MAX
00:03:51YOU NEVER TOLD ME THAT BEFORE
00:03:52eben
00:03:57S 저는
00:03:58Oh, Königsberger Klops, Sauerbraten, but Sauerbraten.
00:04:02You are breaking my heart.
00:04:03Almost you make me feel that it's my duty to leave Elsa here.
00:04:06I'm leaving the recipes for everything behind with Grisel.
00:04:09Wait till you taste her Sauerbraten.
00:04:12You mean Grisel, she's not going with you?
00:04:17Max, I'm afraid not.
00:04:19But why? The plans are all made.
00:04:21Why, only a moment ago you didn't want her to leave you.
00:04:24I don't understand.
00:04:25What's happening?
00:04:28Well, it was Heinrich's secret.
00:04:30I happen to know that today my son was planning to ask her a certain question.
00:04:38Is it?
00:04:39Yeah.
00:04:40You're sure?
00:04:41Yeah, I have it on the best possible authority, my friend.
00:04:44This is wonderful.
00:04:47It isn't that you wanted to keep a secret from you, Max.
00:04:49Oh, I knew, of course I knew. Do you think I'm blind?
00:04:53I've seen it coming for months, a thousand little signs.
00:04:57Little Grisel, married.
00:05:00Before long, we'll be grandfathers.
00:05:02I don't mind it so much for myself, but I don't know how I feel about being married to a
00:05:06grandmother.
00:05:09Hello, everybody.
00:05:11Hello.
00:05:11Hello.
00:05:12Are we late?
00:05:13No, you're just on time.
00:05:15Good.
00:05:16We thought we were going to be late, didn't we, Heinrich?
00:05:18We sure did.
00:05:21Aren't you being festive?
00:05:23Yes, aren't we?
00:05:24Come on, join us.
00:05:27Maybe we'll want to drink a toast or something, hmm?
00:05:30Mm-hmm.
00:05:30Maybe.
00:05:36Do you want to tell them?
00:05:37No, you better do it.
00:05:44Well, we're not getting married.
00:05:49Why, Grisel?
00:05:50Grisel.
00:05:50Now, before you get all unhappy about it, let me explain.
00:05:54Heinrich and I talked the thing over thoroughly, didn't we, Heinrich?
00:05:58Yes, thoroughly.
00:06:00And we decided there was no sense in getting all emotional and upset about something that...
00:06:05Well, that...
00:06:11I can't help it if I want to be an actress.
00:06:14If I don't want to change all the things I've hoped and planned for so long.
00:06:18Can I?
00:06:24Can I?
00:06:26No.
00:06:27No, dear.
00:06:28Of course not.
00:06:31It'd be perfectly absurd for me to try to be a wife and an actress at the same time.
00:06:37It wouldn't be fair to either of us.
00:06:42So, I'm going ahead with my plans for a year, and when I come back from Germany, what?
00:06:49We'll be married.
00:06:51Yes, of course, darling.
00:07:03Don't you understand?
00:07:05Of course we do.
00:07:07There aren't many children who could be that sensible.
00:07:11Anyway, it'll be some time until I am a grandmother.
00:07:14Oh, that's something.
00:07:17I'm not sure, Norma, can we ever do that?
00:07:19Shh!
00:07:19Oh, baby.
00:07:22And you're not angry with me?
00:07:24Of course I'm not.
00:07:26How could I?
00:07:28I'm not a great actress.
00:07:32You're a dear.
00:07:39Heinrich.
00:07:45My darling, you'll be all right.
00:07:49Can we eat now, Mom?
00:07:50Yes, yes, yes, yes, sit down.
00:08:03Prost!
00:08:04Prost!
00:08:26Prost!
00:08:28Prost!
00:08:31It's from Michael Mann!
00:08:32It's a doctor!
00:08:33Stand by me!
00:08:34Let me see!
00:08:35I'm coming!
00:08:36Shut up!
00:08:39What's that?
00:08:50It's a...
00:08:57How would you say it in German?
00:08:59It's a letter from Uncle Max.
00:09:03Hier ist ein Brief von Uncle Max.
00:09:06Von Uncle Max.
00:09:08That's right.
00:09:09That's fine.
00:09:11Martin!
00:09:11Martin!
00:09:12The only question in my mind is whether it will be quite big enough.
00:09:16Nein, Martin, nein.
00:09:17With such a belt you must take care, or else I will grow to fit it.
00:09:21Yeah, oh, five more boys and I'll fit it just nice and snug.
00:09:24Well, maybe next time it'll be a daughter.
00:09:26Daughter?
00:09:27A girl?
00:09:29And don't worry, it will be a boy.
00:09:31Once Elsa forms a habit, you know, it is very hard to break her.
00:09:34Why, Martin, shape?
00:09:35It's not Brief!
00:09:37Oh, it's a letter from Uncle Larry!
00:09:39Oh, what a student, what a student.
00:09:43San Francisco.
00:09:44It's nice to see Max's handwriting again.
00:09:50Well, well.
00:09:51He says San Francisco is an empty place without you and Elsa.
00:09:55Even the California sunshine isn't as warm as the sunshine of our friendship.
00:10:04Oh, looks like a storm's coming up.
00:10:09Oh, yeah.
00:10:11Oh, that fellow is going to get wet.
00:10:17What?
00:10:19What?
00:10:21What?
00:10:23What?
00:10:34What?
00:10:43What?
00:10:48What?
00:10:49What?
00:11:10What?
00:11:13What?
00:11:14What?
00:11:29What?
00:11:39What?
00:11:43What?
00:11:43What?
00:11:44What?
00:11:49What?
00:11:53What?
00:11:54Because I'm the boss.
00:12:19How do you do, Mrs. Delaney?
00:12:21How do you do?
00:12:22This is an interesting thing.
00:12:25I don't seem to recognize the brushwork, though.
00:12:28Whose is it?
00:12:30It's an unknown artist.
00:12:32Oh, a new man.
00:12:34Yes.
00:12:35My father just sent it from Germany.
00:12:38What do you think of it?
00:12:39I think it says something.
00:12:42Don't you?
00:12:44Quite, quite.
00:12:45I seem to feel a certain spiritual facility in it, don't you?
00:12:49Why, yes.
00:12:49Some artists, you know, paint with their hands.
00:12:52Others paint with their head.
00:12:54What do you think this one painted with?
00:12:59I wouldn't care to say.
00:13:00I'll buy it. What's the price?
00:13:02I'll give you a thousand cash.
00:13:03Oh, no, Mrs. Delaney.
00:13:04You promised it to someone else.
00:13:05No, not that, but...
00:13:06Fifteen hundred, then.
00:13:08I can tell a good painting when I see it.
00:13:11I'm sorry, Mrs. Delaney, but that is not for sale.
00:13:13I'll meet any reasonable price.
00:13:15Somebody's offered you two thousand, I suppose.
00:13:17Oh, no.
00:13:17More?
00:13:18Twenty-five hundred?
00:13:19Look here.
00:13:20Three thousand.
00:13:22What?
00:13:22Wait a minute.
00:13:23I know you're an honest man.
00:13:25Has anyone offered you more than three thousand?
00:13:28All right.
00:13:29Three thousand it is, then.
00:13:30I'm a very good client of yours, Mr. Eisenstein.
00:13:33It's only right that you let me make this little discovery.
00:13:36But...
00:13:36Send it to my house at once.
00:13:38I'll give the messenger the check.
00:13:44I wouldn't give that outrage to my worst enemy.
00:13:46But I'm sure father sent it only for a joke.
00:13:50Put it in the cellar behind me.
00:13:52Maybe if she doesn't see it the next time she comes in, she'll forget about it.
00:13:55All right.
00:13:56I was going to write your father a letter today, anyhow.
00:13:58I think I'll start off with a few things he won't forget in a hurry.
00:14:15Max and I used to come here years ago.
00:14:17Yes?
00:14:26It's changed.
00:14:27Is it?
00:14:28I've been living in Munich for 25 years and I've never been here before.
00:14:34I don't see a waiter.
00:14:36It's probably an half hour.
00:14:39Well, anyway.
00:14:40Listen.
00:14:42Mrs. Delaney is making my life miserable trying to buy the ugly beans you sent me.
00:14:47You know, I sent him a very bad painting.
00:14:49A nightmare in oil.
00:14:51And a very wealthy connoisseur is trying to bully him into taking three thousand dollars for it.
00:14:56Max is fighting to the last day.
00:14:58Good old honest Max.
00:14:59Yeah.
00:15:01Personally, he says, I think you and I are very lucky that we have such a sound following for the
00:15:06gallery.
00:15:07That's admonishing me to be more careful in the future.
00:15:10Oh.
00:15:12Well, that's all for that.
00:15:14And, oh, who is this Adolf Hitler who seems to be rising to power in Germany?
00:15:20I do not like what I read of him.
00:15:22Good afternoon, Herr Schultz.
00:15:24Oh, Herr Baron.
00:15:26Good afternoon.
00:15:28Would you come sit with us?
00:15:30Yes.
00:15:30This is my friend, Professor Schmidt, Baron von Freischen.
00:15:34Hello.
00:15:35May I take your hand?
00:15:44So, uh, he doesn't like what he reads, hmm?
00:15:49Oh!
00:15:50Oh, the letter.
00:15:52It's my partner, Max Eisenstein in the United States.
00:15:57Does he know the conditions he doesn't like?
00:16:00Oh, no, no.
00:16:01It's just what he reads in the American papers, is it?
00:16:03I find that hard to understand.
00:16:05I myself would hesitate to form conclusions without first-hand evidence.
00:16:11You must set him right.
00:16:14I suppose it isn't easy for a foreigner to understand the agonies our people have suffered since the Treaty of
00:16:20Versailles.
00:16:21What years of less and less spread, of leaner bodies, of the end of hope.
00:16:27Oh.
00:16:28Oh, thank you.
00:16:31The quicksand of despair held us.
00:16:34Then, just before we died, a man came and pulled us out.
00:16:43You are a native of Munich, Professor.
00:16:45Well, look.
00:16:46You have witnessed this deliverance.
00:16:49If it is a deliverance.
00:16:56You know, there's a surge, my friend.
00:16:58A surge.
00:16:59Our whole despair has been thrown aside like a forgotten coat.
00:17:04No longer do we wrap ourselves in shame.
00:17:07What can be wrong about a man who affects people so?
00:17:11When people are hungry, they do not care what kind of a man it is who gives them bread.
00:17:18We of Germany have found our destiny.
00:17:21The future sweeps toward us in an overwhelming wave.
00:17:25I wish we could be sure that the wave would not engulf us.
00:17:28Sweep us on to destruction.
00:17:31We must go with it, Herr Schulz.
00:17:33The days of hopelessness and stagnation are over.
00:17:36Our movement needs the sympathy and help of all right-thinking men.
00:17:41Men of substance, Herr Schulz.
00:17:44Leaders who can command respect in the fatherland.
00:17:48They are the men who will rise with a new Germany.
00:17:53The others...
00:18:06Come here a moment.
00:18:10That's what I mean.
00:18:13Chins up.
00:18:14Heads high.
00:18:16Strength through joy.
00:18:19You see, Herr Schulz?
00:18:29Martin!
00:18:31Aren't they pretty?
00:18:32Even in California we never have better flowers.
00:18:35Yes, beautiful darling.
00:18:36I have wonderful news.
00:18:38We've been invited to dinner.
00:18:40The Baron von Freische.
00:18:42When?
00:18:42Tonight.
00:18:44Oh, isn't that a shame.
00:18:46Just when Grandma and Hermann and Otto are coming.
00:18:50Oh.
00:18:51Well, maybe he'll ask us again.
00:18:58Well.
00:19:00The Baron is a very important man.
00:19:02Why, indeed he is.
00:19:04And it's a great honor, his invitation.
00:19:06But I've asked Mama and the boys a week ago.
00:19:09It's too bad, Martin, but there's nothing we can do.
00:19:12Oh, my goodness, they're probably on their way now.
00:19:15You better hurry and change.
00:19:20We'll dine at the Baron's.
00:19:46We'll dine at the Baron's.
00:19:47The man is like an electric shock.
00:19:49Strong as only a great orator and a zealot can be.
00:19:56It is true that his Branche troops are of the rattle.
00:19:59They pillage and have started a bad Jew bait.
00:20:02But these may be minor things.
00:20:04The little surface is coming when the big movement boils up.
00:20:08The old despair has been thrown aside like a forgotten coat.
00:20:11The leader is found.
00:20:13Yet, sometimes, cautiously to myself, I ask the leader to where?
00:20:20Publicly, as is natural, I express no doubt.
00:20:23I am now an official and a worker in the new regime.
00:20:26I exalt very loud, indeed.
00:20:29All of us officials who cherish whoreskins are quick to join the National Socialists.
00:20:33But this is not only expedience.
00:20:37There is something more.
00:20:39A feeling that we of Germany have found our destiny.
00:20:44And that the future sweeps toward us in an overwhelming wave.
00:20:50We must move with it.
00:20:53Of course, there are wrongs being done.
00:20:56The stormtroopers are having their moment of victory.
00:20:59And there are bloody heads and sad hearts to show for it.
00:21:04But these things pass.
00:21:07If the end in view is right, they pass and are forgotten.
00:21:13History writes a clean new page.
00:21:20A clean new page?
00:21:22Yes, I've heard of that page.
00:21:24How they deal with the people who will not join that overwhelming wave.
00:21:29Floggings.
00:21:30Quartz of tastoil through clenched teeth.
00:21:32The people who disappear.
00:21:37I wish Grisel were back here.
00:21:53Hello, France.
00:21:54Anybody home?
00:21:55Uncle Martin around?
00:21:56He is in a study, Miss Grisel.
00:21:58Oh, thank you.
00:21:59Uncle Martin!
00:22:02Oh.
00:22:05Oh, I was looking for Uncle Martin.
00:22:07Martin Schulz?
00:22:08Yes.
00:22:10He just stepped out for a moment.
00:22:12I'm a friend of your uncle's.
00:22:15Baron von Freische.
00:22:18How do you do?
00:22:21I'm Grisel Stone.
00:22:23The actress.
00:22:25Oh, yes.
00:22:28Grisel!
00:22:30Why didn't you let us know?
00:22:31I didn't know myself until tonight.
00:22:33I've taken the part in Berlin.
00:22:35Oh, wonderful.
00:22:36That's fine.
00:22:37You met the Heberon, haven't you?
00:22:39We introduced ourselves.
00:22:42You know, she's determined to become a very great actress.
00:22:45I'm sure she will be.
00:22:48Well, you're probably talking about something important.
00:22:51Where's Aunt Elsa?
00:22:51Upstairs.
00:22:52But you better call out as you go up, or she will faint with surprise.
00:22:55All right, I will.
00:23:00A very charming girl.
00:23:02She's studying in Vienna, you know.
00:23:06I never saw a woman yet who didn't leave things strewn all over the house.
00:23:11G.E.
00:23:13Am I mistaken?
00:23:14I understood your niece to say her name was Stone.
00:23:18Grisel Stone.
00:23:19Oh, oh, yes.
00:23:20That's her stage name.
00:23:21Her real name is Eisenstein.
00:23:25Eisenstein?
00:23:27Well, she's not my real niece, you know.
00:23:31She's the daughter of my partner in San Francisco.
00:23:34Jewish.
00:23:36Why, yes, but...
00:23:37Your partner?
00:23:39The man whose letter you are reading to Dane the Ratzkeller?
00:23:43Yes.
00:23:47I'm sure I don't need to tell you how important this question is to us in Germany.
00:23:52Come on.
00:23:53But the daughter of a very old friend, I...
00:23:56I must be going.
00:24:04You are going to have to choose, Herr Schulz.
00:24:06You can't sit on two stools at once.
00:24:10At least not here in Germany.
00:24:13I understand.
00:24:22The family is ready.
00:24:23Oh, we have to.
00:24:25Yeah?
00:24:26We have to.
00:24:29We have to.
00:24:33We have to.
00:24:39We have to.
00:24:41The family is ready, we have to.
00:24:44The family, we have to.
00:24:59We must for the present discon...
00:25:16...to maintain.
00:25:21That often, Father?
00:25:23Yes, yes.
00:25:25This isn't bad news, is it?
00:25:27No.
00:25:34We rise in our might.
00:25:37We go singing through our valleys with strong muscles tingling.
00:25:43Tingling for a new work.
00:25:45Then from the mountains ring the voices of Wotan and Thor,
00:25:49the old strong gods of the German race.
00:25:51What in the world are you talking about?
00:25:53I don't know.
00:25:55Can I look at that?
00:26:02We must for the present just continue writing each other.
00:26:08I don't understand it.
00:26:09So I'm the person of your race.
00:26:15That must be insane.
00:26:17No, no.
00:26:18There's a new censorship in Germany, Heinrich.
00:26:21We must remember that.
00:26:22I'm certain your father was writing this for the censor, not for me.
00:26:26I had written a few things in my own letters that might cause an embarrassment.
00:26:30It's no more than right that he should want the officials to think that he doesn't agree.
00:26:34But there's still a way that we can exchange letters
00:26:37without their having to go through the censor.
00:26:56What do you think of?
00:27:07Hey boy!
00:27:31No way.
00:27:34Very personal manner.
00:27:37Wait.
00:27:40Did it ever occur to you that Herr Schultz might get pretty sore if you don't let me in there?
00:27:45Now you go in and tell him there's a man out here from San Francisco,
00:27:48and I'll bet you a steel engraving of Adolf Hitler, suitably framed, that he'll see me.
00:28:10You may go in.
00:28:11See?
00:28:11What'd I tell you?
00:28:29You wish to see me?
00:28:30Yes.
00:28:31I'm a friend of Max Eisenstein's.
00:28:33We're neighbors back home.
00:28:35I'm just...
00:28:35Yes?
00:28:38You are Martin Schultz?
00:28:40I am.
00:28:41You're a partner of Max's in San Francisco?
00:28:44I was associated with him at one time.
00:28:49He asked me to give you this.
00:28:51In person.
00:28:55Okay, Kraut.
00:29:13Martin, my old friend, I'm sending this by a neighbor who plans to visit Munich shortly.
00:29:19I cannot believe what I read in the last letter you sent me.
00:29:23I am sure you wrote as you did, only from fear of the censor.
00:29:27I do not write now because I doubt you.
00:29:30I know that you have not changed, that you hate injustice and violence as much as I do.
00:29:37But there is so much madness in the world these days that I need a word of reassurance.
00:29:41You must give me that word, Martin.
00:29:44I do not ask for a long letter, Martin.
00:29:46Nothing that will embarrass you in the office of censorship.
00:29:50Just one word will do.
00:29:52The word, yes.
00:30:01The answer is no.
00:30:04I can't believe he's my father.
00:30:08What are you going to do?
00:30:09I'm going to cable Griselle to get out of Germany, now.
00:30:12Wait.
00:30:14A letter will do as well.
00:30:15With a maniac like that loose in the country, I don't want her to stay there another minute.
00:30:20This is an important day in Griselle's life, Heinrich.
00:30:23She's dreamed of it for a long time.
00:30:26Yes.
00:30:27I suppose she'll be nervous enough tonight without any cables from me.
00:30:32You don't want to do anything to upset the leading lady, you know.
00:30:38We'll write her.
00:30:58One moment, ladies. I'm sure I don't need to remind you.
00:31:01Since we are opening tonight, if we don't get it right now, we'll never have another chance.
00:31:05Please, lady.
00:31:06Hurry up, girls.
00:31:07Let's try it again.
00:31:09Ready, Miss Stone?
00:31:11Ready, Herr Director.
00:31:13All right. Start again.
00:31:15Let's go.
00:31:25Let's go.
00:31:48thank you by order of the department of censorship the following line should be deleted from this
00:31:56play oh yeah blessed are the meek for they shall inherit the earth
00:32:13blessed are the peacemakers
00:32:15for they shall be called the children of god blessed are they which are persecuted for
00:32:21righteousness sake for theirs is the kingdom of heaven so but look here if you cut these passages
00:32:29out it destroys the meaning i am sure you will be able to solve that difficulty you artists what's
00:32:36wrong with the lines they are not acceptable they aren't even the authors i'm aware of that
00:32:41there is no need to concern yourself here director with anything except to see that these lines are
00:32:46not spoken from this stage again those are your government's orders disobedience is treason
00:33:00can that little man do this yes i'm afraid he can
00:33:10so
00:33:40CHOIR SINGS
00:34:07CHOIR SINGS
00:34:20Blessed are the poor in spirit, for theirs is the kingdom of heaven.
00:34:34Blessed are the meek, for they shall inherit the earth.
00:34:54For they shall be filled in the earth.
00:35:02Stop!
00:35:02Stop!
00:35:06Stop!
00:35:10Stop!
00:35:19Blessed are the merciful, for they shall obtain mercy.
00:35:24I demand that this performance cease!
00:35:27Stop, I say!
00:35:31Herr Direktor!
00:35:43The Direktor had nothing to do with this.
00:35:45I am the one who restored those lines.
00:35:47Oh, you are.
00:35:51Hen, please forgive this interruption.
00:35:54Today at rehearsal, this man came here and ordered us to delete from our play the lines which I have
00:35:59just spoken.
00:36:00I disobeyed him because I believe he exceeded his authority.
00:36:04I do not believe that your government desires to censor the word of God.
00:36:09I do not believe that your government or any government wants to censor goodness and gentleness and truth.
00:36:16Fräulein?
00:36:17Fräulein?
00:36:17What is your name?
00:36:19Grisel.
00:36:20You would do well to remain where you are, Herr Direktor.
00:36:23Well, Fräulein?
00:36:24Or is it a secret?
00:36:26You know my name.
00:36:28Grisel Stone.
00:36:30No, Fräulein.
00:36:31I mean your real name.
00:36:34The name you have kept secret.
00:36:37My real name is Eisenstein.
00:36:41I see.
00:36:43Eisenstein.
00:36:45I changed it because it was not a good name for the theater.
00:36:48It was too long.
00:36:49It didn't look well in lights.
00:36:53Yes, Yudin!
00:36:57It is a word you hear a great deal in your country lately, isn't it?
00:37:00Yudin.
00:37:01The letter J painted on the door.
00:37:03As if by calling a man a Jew, you robbed him of his humanity.
00:37:07No!
00:37:07As if you took away our hands and eyes.
00:37:09Our power to love and hate with just that one word.
00:37:13Yudin!
00:37:14Yudin!
00:37:15Yudin!
00:37:16Yudin!
00:37:17Yudin!
00:37:18Yudin!
00:37:18Yudin!
00:37:19Yudin!
00:37:19Yudin!
00:37:20Yudin!
00:37:21Yudin!
00:37:21Yudin!
00:37:24Yudin!
00:37:32Yudin!
00:37:34Yudin!
00:37:35Yudin!
00:37:36Yudin!
00:37:37Yudin!
00:37:38Yudin!
00:37:39Yudin!
00:37:39Yudin!
00:37:40Yudin!
00:37:40Yudin!
00:37:42Yudin!
00:37:42Yudin!
00:37:43Yudin!
00:37:43Yudin!
00:37:46Yudin!
00:37:48Yudin!
00:37:49Yudin!
00:37:50Yudin!
00:37:51Yudin!
00:37:52Yudin!
00:37:53Yudin!
00:37:56Let me in! Open this door! Open this door!
00:38:30Open this door!
00:38:58Open this door!
00:39:04For the sake of our friendship, Martin, and for the sake of the love your son bears, Griselle, you must
00:39:09help her.
00:39:10I know that wherever she may be, if she's still alive and free, she will try to get to your
00:39:14house.
00:39:15I must hope that God will let her succeed.
00:39:18Heinrich and I commend her to your care, old friend.
00:39:21Our prayers are with you both.
00:40:45THE END
00:41:20THE END
00:41:48THE END
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00:44:48THE END
00:45:13Adolf Martin Schulz, I baptize thee in the name of the Father.
00:45:19And of the Son, and of the Holy Ghost. Amen.
00:45:26Protect, dear Lord, the life of this little child and keep him ever as thy own for Jesus' sake.
00:45:34The blessing of Almighty God the Father, the Son, and the Holy Ghost be with you all. Amen.
00:46:00But you, Edsel, would hardly know this is a christening.
00:46:07How long is this to go on?
00:46:11Nothing is going to spoil the day for him
00:46:14Look at that little chap
00:46:18He has a fine new name
00:46:23Nothing in this world that I could have done would have helped Griselle
00:46:29If I had brought her into this house, it would have meant perhaps that all of us would be
00:46:31Take your hand of me, Martin
00:46:37I hope I'm not including
00:46:39Oh no, no, not at all
00:46:41Come in
00:46:45A cable grab just came for you
00:46:47I thought it might be important
00:46:49Oh, thank you
00:46:50Pardon me
00:46:53A handsome young man as I congratulate you both
00:46:56Perhaps I should say the three of you
00:46:58Thank you
00:46:58Thank you
00:46:59You sound tired
00:47:02Five fine boys here
00:47:03And one in America
00:47:05You have done more than your duty
00:47:08You must rest a while
00:47:10I think when the baby is old enough to travel, I may go away
00:47:14Perhaps to Switzerland
00:47:15That should be very nice
00:47:34Not bad news, I hope
00:47:37No
00:47:42Not at all
00:47:44A message of congratulations to little Adolf
00:47:48Shall we go into the other room?
00:47:49I mustn't forget I'm the host and the father, you know
00:48:01Thank you
00:48:23Come in.
00:48:28Kneel, sir.
00:48:30Put it down here.
00:51:09Good afternoon, Herr Schultz.
00:51:46Heinrich, my son, I'm writing to you because there is no one else who can help me.
00:51:50That crazy cable, these letters in code, another one has just come and now even the servants are
00:51:55beginning to look at me in a strange way. Only if you lived in Germany could you understand
00:51:59what will happen to me unless they stop. As you are my son, Heinrich, you must see that
00:52:04there are no more. You must go to any length as you are my son.
00:52:33The End
00:53:35Have her own. What a delightful surprise. I thought you were in Berlin.
00:53:39I got back this afternoon.
00:53:41Oh. I haven't been home yet.
00:53:45Why, you... You stopped to see me first?
00:53:48Yes.
00:53:49Well, sit down.
00:53:51Won't you have a drink?
00:53:52Thank you. I'll only stay a minute.
00:53:54Oh, I have some of your favorite schnapps.
00:53:57Did you have a pleasant journey?
00:53:59Not too bad.
00:54:02I ran into a friend of yours.
00:54:04Oh?
00:54:05Who was it?
00:54:07Oh, he's an artist, I believe.
00:54:09By the way, that was you a lion, wasn't it?
00:54:11Before you came to Germany.
00:54:13Paintings and so forth.
00:54:15Yes.
00:54:16And, uh, have you sent back a great many, uh, Picasso's and Cezanne's and things since you have been here?
00:54:25Few.
00:54:36You know, Martin, it's illegal in Germany to send or receive letters written in code.
00:54:45Yes, I understand it.
00:54:48Uh, yes, sir.
00:54:54I...
00:54:54Really?
00:54:57Are you sure?
00:54:58Of course.
00:54:59Of course I'm sure.
00:55:03Martin, you wondered why I stopped in to see you before I went to my own house.
00:55:07Tell me.
00:55:09Something to tell me?
00:55:16No, nothing.
00:55:28Thanks for the drink.
00:55:32You know, I like this so much better than that imported stuff.
00:55:36Of patriotism either.
00:55:39Just that with liquor that has crossed the ocean.
00:55:43There's always something.
00:55:46A taste of something fallen.
00:55:51Yes.
00:55:54The meal, sir.
00:56:01France, will you get my hat and coat, please?
00:56:04Yes, sir.
00:56:04I will.
00:56:14That's what I was talking about.
00:56:33Why did you interrupt us?
00:56:35Why did you bring that letter in there?
00:56:37I thought you would want it, sir.
00:56:40It was from America.
00:56:41It was from America.
00:56:43It was from America.
00:57:30Max, do you know what you do?
00:57:33I shall have to try to smuggle this letter out.
00:57:36I write an appeal from a despair you cannot imagine.
00:57:39This crazy cable, these letters you have sent.
00:57:42I am called in to account for them.
00:57:45They demand I give them the code.
00:57:47A code.
00:57:48Already the results of your madness are terrible.
00:57:51I am bluntly told I must resign my office.
00:57:54In the name of heaven, Max, do you see what that means?
00:57:57Do you know what it is to be taken to a concentration camp?
00:58:00Would you stand me against a wall and level a gun?
00:58:04I beg of you, stop.
00:58:08I beg of you, stop.
00:58:09We beg of you, Steve.
00:58:10Come on, sir.
00:58:18Yes, sir.
00:58:20Yes, sir.
00:58:26So you are off, huh?
00:58:27Yes.
00:58:31Yes, sir.
00:58:32I know why you are going away.
00:58:34Will you do something for me?
00:58:37What?
00:58:38Yes, sir.
00:58:49You can send it by the post.
00:58:51Yes, sir.
00:58:57You are off, huh?
00:59:00Martin.
00:59:02If you need me.
00:59:04If I can help you, perhaps I should stay with you.
00:59:09No.
00:59:10You must go.
00:59:11This letter must go.
00:59:12Here.
00:59:16Yes, sir.
00:59:16Auf Wiedersehen, Martin.
00:59:17Goodbye, sir.
00:59:20Goodbye, sir.
00:59:23Goodbye, sir.
00:59:24Goodbye, sir.
00:59:26Goodbye, sir.
00:59:28Goodbye, sir.
00:59:29Goodbye, sir.
00:59:32Goodbye, sir.
00:59:33Goodbye, sir.
00:59:34Goodbye, sir.
00:59:34Goodbye, sir.
00:59:34Goodbye, sir.
00:59:34Goodbye, sir.
00:59:35Goodbye, sir.
00:59:36Goodbye, sir.
00:59:38Goodbye, sir.
01:00:42Come in.
01:00:44Come in.
01:00:48I want to talk to you.
01:00:51Of course.
01:00:59Close the door.
01:01:03No one will hear us.
01:01:06I've dismissed the servants.
01:01:14I warn you, Herr Schultz, if that is your name, I told you it was a crime in Germany to
01:01:21send or receive letters in code.
01:01:26Perhaps I should have added that it is treason to try to smuggle such letters out of the country.
01:01:33What do you mean?
01:01:35Last night, your wife was stopped at the Swiss border.
01:01:38She had a letter addressed to San Francisco, which she destroyed before we could read it.
01:01:43I thought perhaps you might care to tell me the contents.
01:01:48That was for Max.
01:01:49I begged him not to write to me anymore.
01:01:52That letter proved I'm innocent.
01:01:53If you had only read it.
01:01:55But surely Elsa must have told you.
01:01:57You questioned her, didn't you?
01:01:59We allowed her to go on into Switzerland.
01:02:01She's a simple, rather stupid woman, after all.
01:02:04Harmless enough, I dare say, without you.
01:02:07But I tell you, the whole thing was a plot to destroy me.
01:02:10There was no code, really.
01:02:12That's all it ever was, you see.
01:02:14You received a cablegram the day of the christening.
01:02:16You said it was a message of congratulation to little Adolf.
01:02:21That was a lie.
01:02:28If it was a plot, why didn't you tell us?
01:02:33I thought you wouldn't understand.
01:02:37You have gone to a great deal of trouble with your story.
01:02:40But I should call it rather ingenious than convincing.
01:02:47Herr Schulz, I give you a last chance to name your accomplices.
01:02:55But Herr Barone, I...
01:02:56There were no accomplices.
01:02:59I am innocent.
01:03:01If you could only have questioned Elsa,
01:03:04I am sure you would have believed her.
01:03:07We will question you.
01:03:09You are foolhardy, my dear friend.
01:03:12I shall go.
01:03:14But there will be others come to question you.
01:03:17And they will not be as gentle as I.
01:03:20Our government has very little patience with its enemies.
01:03:28You might still save yourself.
01:03:34But I told you the truth.
01:03:38Very well.
01:03:56And I advise you not to make any plans to leave.
01:03:59I would love to leave.
01:03:59Yeah.
01:04:10Yeah.
01:04:21The End
01:04:46The End
01:05:19The End
01:05:50The End
01:05:56The End
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01:08:57The End
01:09:10The End
01:09:20The End
01:09:30The End
01:09:58The End
01:10:49The End
01:10:51The End
01:11:30The End
01:11:51The End
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