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Young Sherlock S01E04 [Full Movie] [Latest Version]Full EP - Full
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00:08Mr. Hopes!
00:18Mother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:29Oh, what a good idea.
00:32Sit down.
00:35The man with the bird's claw.
00:37Did you say those words to anyone else?
00:39No.
00:40You didn't tell anyone apart from me and Mycroft.
00:43I tried to tell you. He's coming back for me.
00:47Who's he?
00:48They're listening.
00:51The worrying. The worrying. Always the worrying.
00:56I couldn't understand why you wouldn't believe me.
01:10Can you hear it now?
01:11Can you hear it now?
01:22I do.
01:24I hear it.
01:32Shut up!
01:35What in God's name?
01:39Oh, what, Father?
01:42Dad.
01:43Dad.
01:44Dad.
01:55What is it?
01:58Some sort of listening device.
02:05You were right, Father.
02:09Someone has been recording you.
02:14Open the door!
02:15Time to leave.
02:17Open up!
02:22It's the house!
02:24Wait.
02:33Sherlock!
02:48shall we take the floor
02:55no i never was very good at this you did try to teach me
02:59you always had two left feet still do one two three one two three one two three one two three
03:08look at me mother just us you me and the music
03:50see how you like it
04:03are we making an escape
04:08yes
04:09hey son
04:16i'm looking forward
04:18you're aiming backwards
04:20i'm just i'm sure
04:22have you had enough
04:25are you feeling rough
04:27but your skull hurt
04:29well it feels rough
04:36i'm real
04:39right here now
04:41i'm real
04:43for someone
04:45or something
04:47to take me
04:49to take me over
04:51please
04:53please
04:55please
04:55i've forgotten
04:59now we shall
05:00only
05:02should be forgotten
05:07how
05:08disappear
05:19you've got an appointment princess
05:23yes
05:42two bushels
05:44what you won't just approximate
05:47for the drop
05:50because if the rope's too short then your neck won't snap and then you'll be left slowly choking
05:55it's a rather undignified way to shuffle off this mortal coil wouldn't you agree
05:59Einstein i'd guess
06:00seven foot ten inch drop
06:03did you know that the first account of execution by hanging is in homer's odyssey
06:07no i did not know that sir
06:09fascinating
06:10is this supposed to intimidate me
06:12no it's supposed to kill you
06:13i know about british justice
06:15you're not allowed to play both judge and executioner
06:18here we go
06:25in five
06:28in four
06:29are you counting down
06:30why are you killing my scientists
06:33in three
06:35handler
06:37i work through a handler
06:40and he works for
06:41and he works for
06:41not my place to ask
06:42only my place to light the fuse
06:44and walk away
06:45in two
06:47i receive instructions
06:49i'm a hired gun
06:50that is all
06:51then you're of no further use to me
06:53in one
06:54what the hell are you doing
06:56i think you'll find i don't answer to you my crop
06:58we don't torture prisoners sir
07:01there are rules
07:02protocol
07:03this woman is trying to destroy me and i will have my satisfaction
07:08and you have every right sir
07:10every right
07:11but consider this if you would
07:14you're out of favour with the foreign secretary are you not
07:17do you really wish to alienate him further by not consulting with him on such a delicate matter as this
07:22may i remind you she is our only link
07:25to whoever is killing your scientists sir
07:31i was merely endeavouring to loosen their lips
07:33but we are englishmen
07:35has to mean something
07:37and in a changing world how much do you think you're going to achieve with your queensberry rules
07:40your absurd sense of fair play
07:48loosen the ropes
08:05and there's a few things
08:08and you know
08:15the
08:16and you know
08:21and it's the only thing you know
08:26Alas, pour me on
08:29I knew me, Horatio
09:00I'm afraid there's going to have to be some changes around here
09:05I'm needed abroad
09:06On an expedition
09:09Bycroft
09:09I've arranged a government clerkship for you in London
09:13Thank you, Father
09:16Sherlock
09:19I know you're not going to want to hear this
09:21But your mother and I think it's best if you went to boarding school
09:30I don't want to leave
09:35Be strong, my boy
09:49Mother
09:51My hair
09:54Oh
10:03Oh, you brought me home
10:11You're safe now
10:25Yes, let's get you sat down and I'll light the fire
10:27Oh, who's that?
10:28Mother, mother
10:29This is James, James Moriarty
10:31He's a friend of mine
10:32Hello
10:33Oh, I'm so glad
10:35Darling, Sherlock never had any friends
10:38Oh, really?
10:41Well, it's a pleasure to meet you, Mrs. Holmes
10:44Darling, can you hear that music?
10:48Oh, that sound
10:52That's you
10:54That's you
10:54That's you
10:54That's you
10:55That's you
11:02That's you
11:04Be
11:07Oh, Beatrice
11:08Oh, my darling
11:21Oh, my darling
11:28Be
11:30Why are you running away from me?
11:33Bea
11:34Where are you running off to?
11:38I want to crown you
11:41I want to crown you
11:43Come
11:50Beatrice!
11:51Bea?
11:53Beatrice?
11:55Perhaps
11:57Perhaps we should sit down for a moment, Mother
12:01All right
12:02Let's, uh, let's take a seat
12:15She is absolutely exhausted
12:17Will you light the fire?
12:18She needs warmth, rest and food
12:20Yes, Sherlock
12:21Where is your father in all of this?
12:23This shouldn't all be on your shoulders
12:25He's in Vienna
12:26He's a busy man
12:27It's all right
12:28I'm here
12:30And I'm dealing with this
12:32What?
12:33By breaking her over to the asylum?
12:36They were recording her in there, James
12:38They were listening to every single word she said
12:40I had no choice
12:40And Schwan knew about it
12:42There's a man with a bird's claw
12:43He's coming back for me
12:46How did she know?
12:51Sherlock
12:53Mother
13:01Mother
13:02Mother
13:03Mother
13:05Mother
13:18Mother
13:26No!
13:28I have to find her!
13:31She's not! She's gone!
13:33She's gone!
13:36I think she's gone!
13:51Let's get you warm and dry.
13:57Stop right there! You are not taking her!
13:59Master Holmes!
14:01Crowell!
14:03I do apologize.
14:04I heard the commotion.
14:06Yes.
14:07Mrs. Holmes!
14:08Mr. Crowell, it's so delightful to see you.
14:11You too, Mrs. Holmes.
14:12We weren't expecting you, or we would have had the house ready.
14:16Tell me, does Dr. Maltby still live in the village?
14:18He does, yes.
14:19Would you fetch him, please?
14:20How is Mrs. Crowell?
14:22Oh, she's well, thank you.
14:23Right away, please, Crowell. I rather need his help.
14:25Yeah, of course.
14:33For your head.
14:40What?
14:41What trouble is she's worth?
14:42The electric shock has clearly fried your faculties, Philpott.
14:46No Cordelia Holmes.
14:49No money.
14:51No money.
14:51I rather like money.
14:55Do you follow?
15:00Find her.
15:02And quickly.
15:03As you wish.
15:06As you wish.
15:08Sir.
15:15Razor talons.
15:18Sharp as knives.
15:20So vivid.
15:23Sweetheart.
15:25There is nothing you can do.
15:27There is nothing you can do.
15:27He is coming back for me.
15:28The man with the bird's claw.
15:30Who is it you're talking about?
15:31Mrs. Holmes.
15:34Right.
15:34Stand by, please.
15:35Let's, um, not grab a patient.
15:38Ah.
15:40Hello, Cordelia.
15:43I can't tell you how pleased I am to see you again, even in such circumstances.
15:47But don't you worry.
15:48We're going to get you writer's reign.
15:50Do you know what she was prescribed at the asylum?
15:54Alkaloids, I believe.
15:55Ah, right, yes.
15:56Well, she's obviously suffering from withdrawals.
15:59Perhaps I could give you something else.
16:00Something to clear the fog a little.
16:02It's all right, mother.
16:03He's not like the others.
16:04He's here to help you.
16:05Right.
16:05Cordelia.
16:07I want you to take two of these with some water, please.
16:13Here we go.
16:14Down the hatch.
16:20Your mother's in trouble, Sherlock.
16:22She'll get better?
16:23Yes.
16:24I believe that she will.
16:25But that's not what I'm referring to.
16:27Sue Ann knows about those recordings.
16:29Now, we don't know whether she's responsible for them.
16:30But either way, this does connect your mother to the murders in Oxford.
16:35So how can we say that she's safe here?
16:38We can't.
16:39The man with the bird's claw.
16:41You have no idea what she means.
16:46My mind is blank.
16:49Well, then maybe it's not a person.
16:51Bird's claw, it's a phrase or a place or a thing.
17:02Perhaps it's some sort of crest.
17:05The bird's claw.
17:06Good.
17:06Good.
17:07So whose crest?
17:09Someone at the asylum?
17:11Or someone at Oxford.
17:16Sherlock.
17:19I've got nothing.
17:23Perhaps I was wrong.
17:24Words I never thought I'd hear you say.
17:26No, perhaps I was wrong about the crest.
17:28Perhaps it's some other sort of symbol.
17:31The answers to many of life's problems lie at the bottom of the glass.
17:39The best thing in nature.
17:43For drowning your sorrows.
17:48Or raising your joy.
18:01Make my ojos sure that I'm scared.
18:03Now that I'm sure I can't find.
18:03But I can't find a object in which I can't.
18:04I can't find a object in shock.
18:05Like the other point in which I have to read.
18:07I'm sure I've got to walk and stop.
18:07I can't go.
18:07We're not, I'm just going to work.
18:20This is a real power of me,
18:21I've seen it somewhere, where have I seen it?
18:35It's Professor Malik.
18:36Well, go on.
18:38Professor Malik has a cane.
18:40Yes.
18:41And his cane...
18:42Yes.
18:43...has a bird's claw.
18:45All right.
18:47Bravo!
18:48Oh.
18:49So if I am correct, if it is Malik, what's his business with my mother?
18:53What's his why?
18:54What's his incentive?
18:55Well, Shuan knows about those recordings.
18:58So perhaps she can answer that.
19:00So perhaps you need to ask her.
19:03I took the liberty of rustling a little something up, Master Holmes.
19:08I thought you'd be hungry after the night you've had.
19:11Yes, thank you, Mrs. Crow.
19:12That's very, very thoughtful, but we need to pop into town for a few hours,
19:16so I'll need you to look after my mother.
19:17She'll want for nothing, Master Holmes.
19:21There's ammunition in my father's study.
19:23Don't let anyone into this house.
19:26Understood.
19:28And if you need to send word, you can reach us at Oxford Police Station.
19:32James?
19:34A man can't think on an empty stomach.
19:37Thank you, Mrs. Crow.
19:39Thank you, O'Helken.
19:40Thank you, Mrs. Crow.
19:42Stolen.
19:45Poor road.
19:46Lovely.
19:48Lovely.
19:48Lovely asylum.
19:50I'm starting to appreciate your thieving ways, Sherlock.
19:52Get on!
19:53It's a flower cloy from a pocket watch.
20:03Would you stop creeping up on me?
20:06Well?
20:07What is it?
20:11You did what?
20:13She is at home and she is safe.
20:15Mrs. Crow is looking after her.
20:17They were recording her, Mycroft.
20:18I don't know what you expected me to do.
20:19How about not breaking her out of the asylum, for starters?
20:23How about going one single day without breaking the law?
20:26Sounds a very disappointing life.
20:29I can't imagine what father's going to say.
20:30I would imagine he'd be pleased that one of us showing some initiative.
20:33We should wire him.
20:34He could sort this out.
20:35Are you quite well?
20:36Have you fallen down and bumped your head on something hard?
20:38Professor Malick was at the asylum.
20:41He must have been the one recording her.
20:43Mother gave me a description.
20:44Of him?
20:45Of his cane.
20:46The man with the bird's claw.
20:47You were there, Mycroft.
20:48Sherlock, she rambles.
20:49There's always an outside chance she's going to accidentally say something half plausible.
20:53Apis melephora.
20:54No, no, no, no.
20:55The honeybees.
20:56Yes, I know about the honeybees.
20:57The honeybees.
20:57Yes, I know about the honeybees.
20:58I don't.
21:06When we were little, we had a hive, Apis melephora.
21:10I watched the bees and I told Mycroft that I'd seen them dancing.
21:13And you called me foolishly.
21:15Witless was the word I used.
21:16I then went and checked with father.
21:17And he said that honeybees do a little circling dance to communicate with each other.
21:22It's called the Tarantella.
21:23It's called the Tarantella.
21:24And you called me a half-wit.
21:25Witless was the word he used.
21:28Well, I wasn't witless because I was right.
21:30Glad to see you're not holding onto a grudge there, Sherlock.
21:33This is the honeybees all over again, Mycroft.
21:36Just because something appears to be random, it doesn't mean that it is.
21:39Mother said that they were listening to her.
21:41They were.
21:41She's mentioned the man with the bird's claw.
21:44Professor Malik has a cane with a bird's claw.
21:47Yes, but it's not exactly case closed, is it?
21:50Tell me.
21:53Where is Professor Malik now?
21:58Well, we are not exactly sure.
22:00He seems to have vanished after last night's events.
22:03Why would he vanish?
22:05If Shuan is in a cell, if the threat is gone, then why would he vanish?
22:17Yeah.
22:22Ten minutes with Shuan.
22:26No.
22:27Nine minutes.
22:34Sherlock!
22:35Mr. Patton!
22:37What are you in for this time?
22:38I'm just visiting today.
22:40Remember, prison is in here.
22:43He's very...
22:44I don't know, Mycroft, what's the word?
22:47Bothersome.
22:50Vexatious.
22:53Unbarren.
22:54I could empty the dictionary.
22:56Oh, no, no, no.
22:57I was thinking he's very...
22:59intense.
23:00Hmm.
23:03What was he like?
23:04He was a small boy.
23:07Well...
23:08Growing up in the same house.
23:12Yes, I can only imagine.
23:19No, actually, I can't.
23:22Tell me.
23:23Put it this way.
23:25I took a job in the Foreign Office in pursuit of an easier life.
23:29Wars.
23:30Famine.
23:32That sort of thing.
23:36I wondered when you and I would be seeing each other again.
23:39I must admit, life has become somewhat tepid without you.
23:44Do you mind if I sit?
23:45Please.
23:46Take the royal throne.
23:52Princess.
23:57What game are we playing today?
23:59What game would you like to play?
24:01I'll let you decide.
24:02How very kind.
24:03Why don't we start by you telling me how my mother is involved?
24:06Ah.
24:07English boys and their mothers.
24:09Very touching.
24:10How did you know what she said to me in the asylum?
24:13First principles.
24:14The likeliest explanation is always the simplest.
24:16The likeliest explanation would be that you heard her say it.
24:22The recordings.
24:25You had access to them.
24:26Oh.
24:27Lightning fast.
24:30Professor Malick.
24:32Is there a question there?
24:33Why did he visit my mother?
24:35How do you know it was him?
24:36The man with the bird's claw?
24:38Clearly a reference to his walking cane.
24:41That was Malick.
24:46There's a place where I met my handler.
24:48A safe house.
24:49They're listening to me.
24:51I'm wearing all the time.
24:53There's a man with a bird's claw.
24:56He's coming back.
24:57This safe house?
24:59Do you think it's possible Malick is still there?
25:02Imagine if we combined our talents.
25:06You want Malick?
25:07I want him too.
25:09For very different reasons.
25:12I want to find out why he was recording my mother.
25:15You, on the other hand,
25:19want to kill him.
25:21Then let's help each other.
25:23The final act we can debate later.
25:29Where is this safe house?
25:33You are going to have to give up something.
25:37I very much doubt Hodge is going to let you out of here until you do.
25:42But that is preposterous.
25:44Slanderous.
25:45Professor Malick works for me.
25:46Why, why on earth would he be at this, this, this...
25:48Safe house, sir.
25:49Safe house.
25:50There is nothing in Malick's file to suggest any nefarious activity.
25:54All I know is what I saw.
25:55Should have hanged you this morning.
25:56Get her out of here.
25:57Hold on.
26:00I didn't see him at the gala.
26:02Who?
26:04Professor Malick.
26:05When I came through the wall at the gala, I didn't see him.
26:08All of the other professors were there at the table except him.
26:11Yes, but...
26:14He left.
26:22Of her majesty's empire.
26:24Don't take the empire for granted.
26:28We may live to regret it.
26:30During your speech, sir.
26:31I thought it hard at the time.
26:33Why would anyone leave my speech?
26:36Assume the poor fella had bladder issues.
26:38Were you given an exact time to carry out the explosion?
26:41Eight o'clock.
26:42My instructions were quite explicit on that point.
26:45Unless Malick had a conveniently life-saving desire to urinate,
26:49I think it fair to say he knew the bomb would go off a date.
26:52If he is in this safe house, sir,
26:54and if he is indeed working against your interests,
26:57wouldn't you rather know?
27:00Let's go, councilman.
27:02Front and back doors are sealed with plate metal.
27:05Bars on the windows half an inch thick.
27:07Basement has a coded lock.
27:08I want an officer by her side at all times.
27:10I'll take Sherlock.
27:12You think she gets to choose who babysits her?
27:15No, sir.
27:16No, sir.
27:17Sherlock or no one.
27:20Or send me back to my cell.
27:21And you can find Malick yourself.
27:40Why are you doing this?
27:42Because there's a chance it keeps me alive.
27:45No, why are you after Malick?
27:47Why are you killing professors?
27:49It's what I'm paid to do.
27:51I don't believe that.
27:53Do you trust me?
27:54Of course I don't trust you.
27:56You know I don't trust you.
27:59And nor I you.
28:05The code is Hydras.
28:07Seventeen stars in the southern sky.
28:20Come on.
28:22Come on.
28:26Bye.
28:26Bye.
28:27Bye.
28:30Bye.
28:31Bye.
28:32Bye.
28:33Bye.
28:35Bye.
28:48All yours
28:53Don't force my hand
28:58Right, come on
29:01Thank you
29:02No, thank you
29:03I'm in love
29:07I'm there
29:22I'm in love
29:23You are in love
29:24I'm in love
29:25I'm in love
29:28I'm going to go to the office of the
29:33Yohannes.
29:35May I present to you the real Princess Shua?
29:40Your Highness Sir Bucephalus Hodge.
29:42I only wish that our first meeting had been under more salubrious circumstances.
29:47Trust me when I tell you that I have spent no expense in my search for you.
29:51Roche, send a wire immediately to the Foreign Secretary.
29:55Roche, be sure.
29:58Thank you for telling I found her.
29:59Yes, sir.
30:00This is where I saw Professor Malik listening.
30:08Sherlock?
30:10Your mother.
30:12All of her recordings.
30:26I had a little pony.
30:28His name was Dapple Grey.
30:30I lent him to a lady to ride a mile.
30:33She ripped him and she slashed him.
30:35I'm so sorry.
30:55I'm so sorry.
31:07This man.
31:09No.
31:10You say I knew he would never have been embroiled in this unsavory business, Mycroft.
31:15You see, unlike you, Professor Malik understands the meaning of loyalty.
31:19You recognize his name?
31:21Yes.
31:21They mentioned him.
31:22Perhaps you miss her.
31:23I did not.
31:24I did not.
31:24Only yesterday they talked of visiting him.
31:27Your Highness.
31:28Did they say where?
31:30At Abdon.
31:31Behind the locks.
31:34That's all I heard.
31:39Sherlock, all of these are transcripts of the recordings.
31:44Her entire life is laid out in here.
31:48This is a record of her visitors.
31:50Myself.
31:51My brother.
31:52My father.
31:55There's a Lawson Jaggers.
31:57A lawyer.
31:58Is that someone you know?
31:59No.
32:00When did Jaggers' last visit?
32:03Friday, August 11th.
32:05Ten o'clock.
32:06Sherlock, that page has been torn out of the transcriptions.
32:09August 11th.
32:11Ten o'clock.
32:12Yes.
32:20Mr. Jaggers here to see you.
32:24Mrs. Holmes.
32:27Very charming to see you again.
32:28I'll leave you two to talk.
32:32Hmm.
32:34New rooms I see.
32:36Very nice.
32:38Now, perhaps you might continue with our previous matter of business.
32:52It's been scratched.
32:53The cylinder.
32:54It's sabotaged.
32:55Someone must have been rather keen to make sure we don't find out what's on them.
32:58Ah, Sherlock.
33:00What's all this?
33:06What's all this?
33:08The recordings.
33:10Of our mother.
33:13All of them.
33:18Well, why would someone do this to us, Sherlock?
33:21We are working on that.
33:22We have a lead on the potential whereabouts of Professor Malick.
33:26Um, obviously, Hodge wants to pursue it himself, but...
33:30No, you find Professor Malick.
33:32Right.
33:32You find out why he's been doing this, Mycroft.
33:34You have my word.
33:35And we will pay a visit to this Lawson Jaggers fellow and see what business he's had with
33:39our mother.
33:40Wait, who's there?
33:40Where is she?
33:42Suano.
33:43Not the hell her real name is, was she?
33:50She was here just a moment ago.
33:52Tell me, Herms, if she's escaped, you'll be held personally responsible.
33:55Well, I have men and I'll be darsed.
33:56There's no way she could have got out.
33:58How could she have possibly slipped?
33:59Wait.
34:02Hodge, consider yourself my hunting hound.
34:05Don't bring her back.
34:21This is why she brought us here.
34:24You're an idiot, Herms.
34:25She duped you.
34:27Get out of the way!
34:30Wait!
34:31Stop!
34:33Wait!
34:48Stop right there!
35:18There is no Abden on the map.
35:20She said behind the locks.
35:22Now, could it be somewhere on the canal?
35:25Could Abden be the name of the boat?
35:27We keep a register of boats and vessels somewhere.
35:29But where is O'Shea?
35:30Well, he hasn't reported back yet, sir.
35:32This is becoming a bloody fiasco!
35:34Fine Professor Malick, damn it, man!
35:36Thinks he can betray me or rip his bloody head off.
35:39Might I ask exactly what the princess said to her?
35:41She said they were meeting Professor Malick at Abden, behind the locks.
35:47Abden and Sennon.
35:49They're ancient Catholic martyrs, if I may.
35:54There's a ruined medieval abbey not far from Oxford.
35:56It was once dedicated to them.
35:58Behind the locks?
35:59The locks.
36:00The locks of Marian.
36:02Oh.
36:03An old relic believed to have been kept at the abbey.
36:06According to legend, it was the hair of Mary, mother of Jesus.
36:10Well, I never read it.
36:11How did you know this?
36:12My father encouraged me to read, sir.
36:15Hmm.
36:16Why don't you know this, Mycroft?
36:18Oh, a little scratchy on my esoteric Christian martyrs, sir.
36:24Hmm.
36:25Where is this ruined abbey?
36:28There, sir.
36:29Shuan's making a good habit of beating you.
36:32Nonsense.
36:33As a matter of fact, I think you'll find I helped her to regain her liberty.
36:37Oh, I see.
36:38So you knew about the passageway?
36:40You knew she was going to escape?
36:41I simply decided the world was a more interesting place with her in it.
36:45Mm-hmm.
36:47What a lot of shite.
36:55Ah.
36:57Last in Jaguars, I swear.
37:07Smells interesting.
37:21Are you all ready?
37:27There's more than one way to skin a cat, James.
37:30Well, this is how I like to skin my cats.
37:52Oh, dear Lord.
37:55Mr. Larson Jaguars, I swear.
37:58This is how I like to skin a charming scene.
38:05That blood.
38:08Sign of a struggle.
38:11He got in the scrap.
38:17So someone erases his conversations with my mother.
38:21And then he finds himself unceremoniously erased.
38:23A rather convenient suicide, don't you think?
38:28Diaries.
38:29I tell you what business he had with your mother.
38:31I am going to report this.
38:33To the police?
38:34Yes.
38:35And do their jobs for them?
38:36Because I have been suspected of murder before,
38:39and I would rather it didn't happen again.
38:41Seneca says the problem with this life is not that it's short.
38:45It's not that we were wasting an awful lot of a dick in a boat.
39:20I'd like to report a death Lawson Jaggers solicitor for Alba Lane and you
39:28are Sherlock Holmes Holmes we have a wire for you
39:37Sherlock
39:56Sherlock!
39:57Sherlock!
39:57No!
39:58Get her!
39:59I'm going!
40:00She now requires help she needs to be somewhere she can be cared for
40:03I'm so sorry Sherlock I was only gone for a moment
40:05Don't you worry Crow they won't be taking her anyway
40:07I believe you'll find I have jurisdiction over her
40:11And I believe you'll find I have jurisdiction over this
40:21Is the double barrel 12-bore hammer gone not persuasive enough for you?
40:27Let her go
40:28Thank you
40:29We're only acting in her best interests
40:34You knew didn't you?
40:36You knew about the recordings about Professor Malick
40:40Why did he do it?
40:42We'll have to ask him
40:43I was merely paid to look the other way
40:48I am so sorry mother
40:50I am so sorry
40:51I should never hurt you
40:51I've never loved you
40:53Can I respectfully suggest that you'll fuck off
41:13Right! Move up!
41:17You're quite sure this is the place?
41:19Quite sure sir
41:20I'm quite sure sir
41:28Mr. Strahd I wanted on the record that I was the one who blew this case wide open
41:32Yes of course sir
41:36I think I saw movement by the church sir
41:46I wish to be the one to apprehend him
41:48Very good sir
42:04Very good sir
42:22I don't know.
42:41What day do you, Persephalus?
42:43Kishore Malik.
42:46Oh, it's true.
42:47My very own personal Judas.
42:50There is nothing that can't be sacrificed in the pursuit of science.
42:54Knowledge is the wing wherewith we fly to heaven.
42:56Don't croak the bard at me, sir.
42:59Don't dress up your grubby greed in noble sentiment.
43:01You were going to sell my project to the highest bidder.
43:04What was it? I wasn't paying you enough?
43:07Greed.
43:08Pure and simple.
43:09As if you stand for anything else?
43:11I stand for queen and country, sir.
43:13To be an Englishman is to win the lottery of life,
43:15something I remind myself of each and every day.
43:18Can I help it if I stand to make the odd penny
43:20from my tireless dedication to the cause?
43:22I did not betray you, sir, for money.
43:24I betrayed you because what I discovered could change the world entirely.
43:29And I couldn't bear to see you take credit for my discoveries.
43:34For history to forget me.
43:35Nobody will, sir.
43:36No, I will go down as the man who built the empire.
43:38You, on the other hand, will be forgotten even by your own mother.
43:43Oh, just one request before I bid you adieu.
43:48I mean, if you'd be so accommodating.
43:50Who did you betray me for?
43:52The Prussians?
43:54The Ottomans?
43:57Take your hand out of your pocket, man.
44:10Hodge.
44:12Hodge!
44:17Right, stand out!
44:18Man, it can't have come far!
44:21Hodge!
44:22Hodge!
44:23Has he been shot?
44:26There's, there's, there's no blood.
44:30There's no bullet hole, nothing.
44:33Serbiussepolis?
44:34Oh.
44:37He's not, he's not breathing.
44:43He's dead.
44:50Gons and hot tuddies.
44:52Jesus, you're a woman after my own heart, Mrs. Crow.
44:56Mrs. Crow.
45:00You're welcome.
45:04Must have felt very good, that slap.
45:07Oh, James.
45:10It was such a tonic.
45:13So what now?
45:16We're still no closer to figuring out why you were involved in any of this.
45:24The likeliest explanation is always discipline.
45:27He's coming back.
45:28He's coming back.
45:28Our previous matter of business is.
45:30I was merely paid to look the other way.
45:41Done.
45:47Sherlock, my boy, I heard you had a spot of bother.
45:55There's a man going round, taking names, and he decides who to free and who to blame.
46:05Everybody won't be treated all the same.
46:10There will be a golden ladder reaching down.
46:16When the man comes around, the hairs on your arm will stand up at the terror in each sip and
46:30in each suck.
46:32Will you partake of that last offered cup, or disappear into the potter's ground, when the man comes around?
46:47The whirlwind is in the thorn tree.
46:52It's hard for thee to kick against the prince.
46:57In measured a hundred weight and penny pound, when the man comes around.
47:16And I heard a voice in the midst of the four beasts.
47:52And I heard a voice in the midst of the three beasts.
47:55I'm going to talk to you soon.
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