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Looking For Trouble (1934) Full Movie ｜ Spencer Tracy, Jack Oakie, Constance Cummings [Full Movie] [Full Storyline]Full EP - Full
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Short filmTranscript
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00:04:10WHAT FOR INSTANCE?
00:04:12WELL IT SEEMS
00:04:13THAT MAH BELL
00:04:14WANTS TO SHOW HER APPRECIATION
00:04:15FOR THE QUALITY OF WORK
00:04:16YOU'VE BEEN GIVING HER.
00:04:18I GOT NOTICED FROM THE GENERAL OFFICE TODAY
00:04:20THAT STARTING MONDAY YOU'RE PROMOTED.
00:04:22YEAH, PROMOTED DOWN TO WHAT?
00:04:24PROMOTED UP, MY BOY.
00:04:26FOREMAN'S JOB.
00:04:27FIFTH DISTRICT.
00:04:28OH, NO.
00:04:28NO, THANKS.
00:04:29I'LL STAY RIGHT HERE.
00:04:30WELL, YOU LOST YOUR MIND.
00:04:32YOU'LL HAVE 14 MEN UNDER YOU.
00:04:34BETTER HOURS.
00:04:35EASIER WORK.
00:04:36YEAH, YEAH.
00:04:36GET CALOUSES IN MY CAN
00:04:37FROM SITTING IN THE STUFFY OFFICE ALL DAY
00:04:39AND DOUBLE MY LAWNRY BILL
00:04:39SENDING OUT THOSE WHITE COLLARS.
00:04:41NO THANKS, MR. EGAN.
00:04:41I'M OKAY WHERE I AM.
00:04:44THAT SOUNDS GREWY TO YOU, I SUPPOSE,
00:04:46BUT I'M A VERY FUNNY GUY.
00:04:47SOME PEOPLE LIVE FOR RICHES AND LUNGJUY.
00:04:50OTHERS LIKE A FIRE SIDE.
00:04:51THE SHADY TREE, A COMFORTABLE BEAR.
00:04:53BUT I'M A GUY THAT LIVES FOR THE THRILL AND EXCITEMENT
00:04:55I GET OUT OF LIFE.
00:04:57I BROKE MY OLD MAN'S HEART
00:04:58WHEN I WOULDN'T GO TO WORK IN THIS PAINT SHOP.
00:05:00THAT WAS TEN YEARS AGO.
00:05:01EVER SINCE THEN I'VE BEEN DOING THE THINGS
00:05:03I WANTED TO DO MOST,
00:05:04NO MATTER WHAT AND WHERE THEY ARE.
00:05:05AND RIGHT NOW I THINK BEING A TROUBLESHOOTER AS WELL.
00:05:08THE CONSTANT HURRY, THE EVERLASTING CHANGE,
00:05:10THE UNEXPECTED ADVENTURES GOT UNDER MY SKIN.
00:05:13I DON'T KNOW, MAYBE MY OLD MAN
00:05:14DROPPED ME ON MY NUT WHEN I WAS A BABY,
00:05:16BUT THAT'S THE WAY IT IS TO DO IT.
00:05:18I WISH WE HAD MORE LIKE YOU, JOE.
00:05:20YEAH, YOU TELL US THAT.
00:05:23GET DIRTY AGAIN, MY LITTLE MAN.
00:05:24WE GOT NIGHT WORK TO DO.
00:05:26NOT TONIGHT, I CAN'T.
00:05:27MEANS OVERTIME.
00:05:28I KNOW, BUT I GOTTA.
00:05:30MY MOTHER'S BEEN VERY ILL,
00:05:31I PROMISE TO SEE YOU TONIGHT.
00:05:33IT'S ALL RIGHT,
00:05:33I'LL TAKE CARE OF THESE JOBS MYSELF.
00:05:34IT'LL BE A RELIEF.
00:05:38OKAY.
00:05:40WAIT A MINUTE.
00:05:41I GOT SOMEBODY TO GO ALONG WITH YOU.
00:05:44HEY, CASEY.
00:05:46YES, YOU.
00:05:50THIS IS CASEY.
00:05:52HE'S FROM AZUSA,
00:05:54WHERE HE WAS TOP TROUBLESHOOTER,
00:05:56CHIEF COMEDIAN,
00:05:57AND FILLER OF THE CHURCH.
00:05:59TAKE HIM ALONG WITH YOU,
00:06:00SO WE CAN SHOW YOU HOW TO DO THOSE JOBS
00:06:01THE WAY THEY SHOULD BE DONE.
00:06:02THIS IS JOE GRAHAM.
00:06:03HELLO, JOE.
00:06:05I TOLD YOU, A COMEDIAN.
00:06:07NOW ASK HIM FOR A MATCH.
00:06:09OH, NO, MR. REGAN.
00:06:10I NEVER REPEAT THE SAME GAG ON THE SAME DAY.
00:06:12NOW ASK HIM.
00:06:13YEAH, HOW WOULD YOU LIKE TO PICK UP THOSE TOOLS
00:06:15AND ASK HIM YOURSELF OUT TO THAT TROUBLE WAGON?
00:06:17OKAY, JOE, OLD BOY.
00:06:19IT ONLY TAKES A MINUTE.
00:06:21RIGHT ON THE JOB AT ALL TIMES.
00:06:28PUT THE TOOLS IN THE CAR.
00:06:29I'LL BE WITH HIM IN A MINUTE.
00:06:30THE CAR.
00:06:34INFORMATION, PLEASE.
00:06:36INFORMATION.
00:06:37NEVER MIND.
00:06:42INFORMATION, PLEASE.
00:06:44INFORMATION.
00:06:45INFORMATION.
00:06:46INFORMATION.
00:06:46NEVER MIND.
00:06:51INFORMATION, PLEASE.
00:06:53HI, SWEETEART.
00:06:55GOT YOUR QUICK ADNUSUAL THIS TIME.
00:06:58WHAT INFORMATION DO YOU WISH, PLEASE?
00:07:00WHAT'S THE MATTER?
00:07:01IS SUPERVISOR HANGING AROUND?
00:07:03SAY, LISTEN, THAT'S WHEN I'M STUCK AGAIN.
00:07:04I'VE GOT TO DO OVERTIME.
00:07:05ONE MOMENT, PLEASE.
00:07:07COMPLE ADD.
00:07:11LISTEN, JOE, THIS IS THE FOURTH TIME YOU STOOD ME UP.
00:07:14HONEY, I CAN'T HELP IT.
00:07:15IF THERE'S WORK TO DO, I'VE GOT TO DO IT, DON'T I?
00:07:17BUT I NEVER KNOW WHEN I MAKE A DATE WITH YOU
00:07:18WHETHER YOU'RE GOING TO KEEP IT OR NOT.
00:07:21WHAT'S HE DOING, DOGGING IT AGAIN?
00:07:23MORE OVERTIME.
00:07:25I CAN'T TALK ANYMORE, JOE.
00:07:26SHE'S COMING BACK NOW.
00:07:27YES, I'M GOOD AND MAD.
00:07:29OH, WAIT A MINUTE, WAIT A MINUTE.
00:07:30DON'T GO AWAY.
00:07:31WILL I SEE YOU AT LUNCH TOMORROW?
00:07:32I'M SORRY, SIR.
00:07:33WE DO NOT HAVE THAT INFORMATION.
00:07:36I'M SORRY, SIR.
00:07:37WE DO NOT HAVE THAT INFORMATION.
00:07:54NEVER A DULL MOVE WITH CASEY, THAT'S MY MOTTO.
00:07:57YOU'RE BUILDING YOURSELF UP FOR A GOOD CLIP ON THE CHIN,
00:07:59YOU KNOW THAT, DON'T YOU?
00:08:01NO SENSE OF YOU LOOK.
00:08:03WHAT KIND?
00:08:05IN A GOOTHER, I AIN'T LIKING A-
00:08:23SAY YOU KNOW SOMETHING, PAL?
00:08:24ME AND YOU IS GOING TO WORK TOGETHER.
00:08:26DON'T YOU THINK WE OUGHT TO KNOW A LITTLE ABOUT EACH OTHER?
00:08:28ALL RIGHT, GO ON.
00:08:29TELL ME ALL ABOUT YOURSELF.
00:08:30I CAN HIDE ME WAIT.
00:08:32NO, NO, THAT WOULD TAKE WEEKS AND WEEKS.
00:08:34WHAT I MEAN IS, I, UH, WELL, YOU OUGHT TO KNOW BY NOW
00:08:37THAT I'M PRETTY ATTRACTIVE TO THE LADIES.
00:08:40WHAT ARE YOU TRYING TO DO, WARN ME THAT YOU'RE ABLE TO STEAL MY GIRL?
00:08:43OH, NO, NOTHING LIKE THAT.
00:08:45I DIDN'T EVEN KNOW YOU HAD A GIRL.
00:08:47NO, I NEVER KIND OF FELL OUT.
00:08:48THAT ISN'T, UH, UNLESS THE BROOD IN ME, IT'S BEYOND CONTROL.
00:08:57IS HE DEAD?
00:08:59THOROUGHLY.
00:09:00GEEK.
00:09:01DON'T TOUCH THAT.
00:09:03I'M JUST TRYING TO RECONSTRUCT A CRIME.
00:09:05YOU GET YOUR FINGERPRINTS ON THAT RECEIVER AND YOU'LL RECONSTRUCT YOURSELF AT THE END OF A ROW.
00:09:09WHAT DO WE DO?
00:09:10ON A CASE LIKE THIS, IT'S BEST TO CALL YOUR OWN INVESTIGATOR, SAVE YOU BEING TRIED FOR MURDER.
00:09:13YOU WAIT HERE AND DON'T TOUCH ANYTHING.
00:09:15MOVE.
00:09:26HEY!
00:09:31COLD IN A MACKLE.
00:09:46HELLO?
00:09:47GIVE ME REGAN, PLEASE.
00:09:51HELLO, MR. REGAN?
00:09:52THIS IS GRAEM, DREXEL 6542.
00:09:55RECEIVER OFF THE HOOK.
00:09:57THERE'S A STEF LAYING ON THE FLOOR IN THE LIVING ROOM.
00:09:59YOU'LL BETTER PHONE THE INVESTIGATOR.
00:10:00TELL HIM TO BRING A COP WITH HIM.
00:10:01IT MIGHT BE DIRTY WORK.
00:10:02OKAY, JOE.
00:10:03I'LL HAVE THEM RIGHT OVER.
00:10:04YOU WAIT UNTIL THEY GET THERE BEFORE YOU GO ON YOUR NEXT ASSIGNMENT.
00:10:07YEAH.
00:10:07I GOTTA RUN BACK.
00:10:08I LEFT THAT AZUZA WITH THE STEF.
00:10:09ANYTHING'S LAD WILL HAPPEN.
00:10:11OKAY.
00:10:16WELL, JOE GRAEMS.
00:10:18WELL, WE GOT THE GOODS ON YOU AT LAST, EH?
00:10:20HI, LIEUTENANT.
00:10:21CAPTAIN, YOU LUCK HAVE BEEN PROMOTED.
00:10:22WELL, YOU KNOW WHERE THE BODY'S BURIED, HUH?
00:10:27OH, CAPTAIN FLYNN, I WANT YOU TO MEET CASEY.
00:10:29HE'S GOT A THEORY ON HOW THIS HAPPENED.
00:10:30YEAH.
00:10:31MURDER, PLAIN MURDER.
00:10:33WELL, THAT GLASS THERE SMELLS OF WHISKEY.
00:10:34IF YOU'LL NOTICE VERY COASTLY, OVER THERE IN THAT AZE TRADE,
00:10:37THERE'S TWO DIFFERENT BRANDS OF CIGARETTE STUBS.
00:10:39YEAH.
00:10:41WELL, HERE'S YOUR TWO BRANDS OF CIGARETTE RIGHT IN HIS POCKET.
00:10:45THERE IS WHISKEY IN THE GLASS, BUT THIS GUY WAS A BOOZY.
00:10:47YOU CAN TELL THAT BY LOOKING AT HIM.
00:10:49WELL, THERE'S NOTHING HERE FOR ME.
00:10:51CASE OF HEART FAILURE.
00:10:52PROBABLY FELLA COMING ON, TRIED TO GET THE PHONE.
00:10:54BEFORE HE COULD TALK, HE DROPPED DEAD.
00:10:58WELL, GIVE ME A RING SOMETIME, JOE.
00:10:59YOU'RE QUITE A STRANGER.
00:11:00YEAH, IF I EVER GET IN A JAM, I'LL LET YOU GET ME OUT.
00:11:02YOU GET IN A JAM, I'LL FRAME YOU AND STEAL AND THROW AWAY THE KEY.
00:11:06SCRAM, WAS THERE?
00:11:07THAT GUY'S ALL TOGETHER TOO COCKY.
00:11:09WHY, IF THIS THING HAD HAPPENED IN AZUSA, WE'D HAVE HAD THE MURDER IN THE PEN RIGHT NOW.
00:11:12UH-HUH, I CAN IMAGINE.
00:11:13COME ON.
00:11:16WELL, LEAD YOUR FINGER PRINCE ON THAT PHONE.
00:11:29YEAH?
00:11:30TELEPHONE MEN.
00:11:31THERE'S NOTHING WRONG WITH OUR PHONE.
00:11:33WE'VE GOT TO GET YOUR TERMINAL IN THERE TO MAKE SOME CHANGES ON THE MAIN LINE.
00:11:39THIS IS A PELLA CLUB.
00:11:40I'VE GOT TO BE COWED HERE.
00:11:41ALL RIGHT, IT WON'T TAKE US LONG.
00:11:44COME ON.
00:11:54IT'S THE BACK OF THIS.
00:11:55THANKS.
00:11:55YOU FELL THE STEP ON IT, WON'T YOU?
00:11:57YEAH, YEAH, SURE.
00:12:02COME ON, CONTROL YOUR MIND, AZUSA.
00:12:03WE'VE GOT WORK TO DO.
00:12:05BEAUTIFUL SKIN.
00:12:06WHICH ONE?
00:12:07THE ONE SHE'S SITTING ON, THE TIGER.
00:12:12SHIN IT UP THAT POLL OUT THERE IN THE ALLEY AND MAKE THOSE CROSS CONNECTIONS.
00:12:15THEN TALK BACK TO ME ON THE FIRST LINE.
00:12:16NO SOONER SAID THAN DONE.
00:12:17YOU KNOW, EVEN AS A KID, I USED TO LIKE THEM.
00:12:20TIGERS.
00:12:24GIVE IT BACK, PLEASE.
00:12:25THAT'S ALL I'VE GOT.
00:12:26PLEASE.
00:12:27I'VE SPENT PLENTY ON YOU.
00:12:28IT WON'T HURT YOU TO GIVE ME BACK A LITTLE.
00:12:30HERE, HERE.
00:12:31HE GOT TEN DOLLARS AWAY FROM ME.
00:12:33OH, CUT IT OUT, DANA.
00:12:34GIVE IT BACK TO HER.
00:12:34OH, BLOW, I KNOW WHAT I'M DOING.
00:12:36SHE OUTS ME A LOT MORE THAN TEN BUCKS A LITTLE.
00:12:39PLEASE, DAN, YOU'RE CAUC-EYED.
00:12:41YOU CAN KEEP THE MONEY ON IT.
00:12:42GO AWAY.
00:12:43I'M NOT LEAVING UNTIL I'M GOOD AND RIGHT.
00:12:44HEY, YOU'RE KIND OF ROUGH WITH YOUR SICK MOTHER, AIN'T YOU?
00:12:47WHAT ARE YOU DOING HERE?
00:12:48MY MOTHER'S LITTLE HELPER.
00:12:56I SUPPOSE YOU'RE GONNA SHOOT OFF YOUR MOUTH TO RIGGIN' ABOUT THIS.
00:12:59I SUPPOSE YOU'RE GONNA SHOOT OFF YOUR MOUTH TO RIGGIN' ABOUT THIS.
00:12:59I NEVER DID LIKE YOU AND I NEVER WILL.
00:13:01SEE, AND NOW THAT I KNOW YOU'VE GOT MORE WAYS THAN WANNA MAKING MONEY,
00:13:03IT'S GONNA BE SWELL WITH ME WHEN YOU GET FIRED.
00:13:05AND I WON'T HAVE TO HELP EITHER, THIS RIGGIN' AIN'T SO DUMB.
00:13:07YOU'VE GOT ONE FOOT ON A BANANA PEEL AND YOUR FANTIES AIM RIGHT FOR THE SIDEWALK.
00:13:11NOW GO ON HOME AND SLEEP IT OFF BEFORE I LOSE MY TEMPER AND LET YOU HAVE IT.
00:13:16WANT ME TO HELP YOU?
00:13:17I'M DOING ALL RIGHT, SCREW.
00:13:23I'LL GET MYSELF SOME BLACK COFFEE.
00:13:25YEAH, YOU NEED IT.
00:13:29THAT'S CELLING THEM, BIG BOY.
00:13:32YOU WORK TOGETHER?
00:13:34YEAH, MORE LESS.
00:13:35DAN AND I ARE OLD FRIENDS.
00:13:37IT'S FUNNY I NEVER MET YOU BEFORE.
00:13:38DAN AND I DON'T MIX SOCIALLY.
00:13:40THAT'S TOO BAD.
00:13:41BECAUSE THEN I'D HAVE MET YOU SOONER.
00:13:43WELL, YOU FINALLY GOT YOUR BREAK, DIDN'T YOU?
00:13:45HELLO, CASEY.
00:13:50HOW'S IT?
00:13:51COME ON, PERROW, CIRCULATE.
00:13:52LOTS OF PEOPLE COMING IN.
00:13:54CASEY.
00:13:56HEY, CASEY.
00:13:58WHO'S ON THIS LINE?
00:13:59THIS IS POLICE HEADQUARTERS.
00:14:01OH, I'M SORRY.
00:14:02THIS IS THE TELEPHONE MAN.
00:14:03I WAS UP OFF.
00:14:04HELLO, HELLO.
00:14:05WILL YOU PLEASE GET OFF?
00:14:08HELLO.
00:14:09HELLO.
00:14:10MURPHY?
00:14:11I'M HERE, CHIEF.
00:14:12WE'VE HAD A LOT OF COMPLAINTS ABOUT THAT GAMBLING JOINED AT FOOT.
00:14:151483 UNION.
00:14:16CLOSE IT UP.
00:14:17BRING IN THE PROPRIER OF THE DAY.
00:14:20OKAY, CHIEF.
00:14:22I'M SORRY, JOE.
00:14:23I DON'T WANT YOU TO THINK I'LL LAY DOWN ON YOU.
00:14:25ALL RIGHT, NEVER MIND.
00:14:26HEY, DID YOU HEAR THAT?
00:14:27THEY'RE GONNA RAID THIS JOINT.
00:14:28HIDE DOWN.
00:14:28WELL, I'M ONLY TELLING YOU.
00:14:30ALL RIGHT, YOU TOLD ME.
00:14:31NOW SHUT UP.
00:14:32DON'T BE SORRY, JOE.
00:14:33IT WON'T HAPPEN AGAIN.
00:14:34ALL RIGHT, ALL RIGHT.
00:14:35FORGET IT.
00:14:39OH, THANK YOU.
00:14:39COME ON, ASUSA, LET'S GO.
00:14:44JUST GOT THE WORD THEY'RE GONNA RAID THE JOINT.
00:14:47JUST THIS MINUTE.
00:14:48Goodbye, number sixty-two.
00:14:52I'll be seeing you.
00:14:57There you go, fair-looking dame.
00:15:02All through?
00:15:03Yeah.
00:15:06Is anything wrong, Joe?
00:15:07You never can tell.
00:15:29You never can tell.
00:15:47I'll be seeing you.
00:15:58I'll be seeing you.
00:15:59Hi there, boys.
00:15:59I got something for you.
00:16:00What you've got I can do without?
00:16:02This is Casey, a big shot from Azusa.
00:16:04This is Miss Greenwood.
00:16:05How do you do?
00:16:06How you do?
00:16:07And that is Miss Braisey-Bren.
00:16:12How are you, Miss Braisey?
00:16:14Hungry.
00:16:16Oh, Weiscracker.
00:16:17Here, huh?
00:16:19Coming.
00:16:27Saw it?
00:16:28Shouldn't I be?
00:16:29Uh-huh.
00:16:30I'm never going to make a date with you again.
00:16:32Oh, sure you are, in about a month.
00:16:34I'm going to be silly enough to ask you,
00:16:35and you're going to be silly enough to say yes.
00:16:39Glad at me again?
00:16:40No, I'm not.
00:16:41Why?
00:16:42I just heard you turned on an offer of promotion.
00:16:44That's right.
00:16:45Oh, Joe, why did you?
00:16:47Now, listen, baby.
00:16:48If you want me, and I don't see how you can help it,
00:16:50you've got to take me as I am.
00:16:51And I ain't the sort of a guy that can sit in an office all day.
00:16:53You know that.
00:16:54And I can't wear white collars.
00:16:55They don't fit the size or the color of my neck.
00:16:58I've got to work with my hands.
00:16:59Yes, because you haven't got any brains.
00:17:01Uh-uh.
00:17:02Come on.
00:17:02I wouldn't have picked you if I had your brains, would I?
00:17:08Come on, let's eat.
00:17:21You have got brains, Joe.
00:17:22You just won't use them.
00:17:23I don't want to use them.
00:17:24It gives me a headache.
00:17:25What are you going to eat?
00:17:26Oh, some salad, I think.
00:17:27What are you talking about?
00:17:28How are you going to take care of those kids on salad?
00:17:30Give her some roast beef rare.
00:17:31I'll take the same.
00:17:32What kids?
00:17:33There's seven or eight that are going to call you mama and me papa.
00:17:36Joe, what are you ever serious?
00:17:39Aren't you interested in making more money?
00:17:40More dough?
00:17:41No, I'll do it all right.
00:17:42I've got money.
00:17:44Any vegetables left?
00:17:45No, I'll never be able to finish this roast.
00:17:47Double order spinach for both of us.
00:17:49Joe, I don't like spinach.
00:17:50It's good for you.
00:17:51It puts hooses in your watches.
00:17:55You going to bully me all my life?
00:17:56Yep.
00:17:57Taking care of you is bullying you.
00:17:58That's what I'm going to do.
00:17:59Two hunks of that apple pie.
00:18:01Joe, I never eat pie.
00:18:02You'll eat this or wipe it off your chin.
00:18:05Oh, you'll have me weighing a ton.
00:18:07That's swell.
00:18:08That'll be more of your love.
00:18:09If you don't mind my saying so, Miss Bren, you don't eat enough.
00:18:12Are you trying to reduce?
00:18:14Well, I could take off a couple of pounds and still sit comfortable.
00:18:20No, that's a mistake.
00:18:22I believe every woman should have what nature intended her to have.
00:18:24And in all the places she intended her to have it.
00:18:26Well, if you think nature's been skimping on me, honey.
00:18:31Oh, ain't nature grand.
00:18:44Oh, ain't nature grand.
00:18:52How are you two getting along?
00:18:54Oh, fine.
00:18:55Mr. Casey just gave me an interesting little nature talk.
00:18:58Oh, yes.
00:18:59I just tell Miss Bren that she ought to keep what she's got.
00:19:02Don't worry.
00:19:03I intend to.
00:19:06Over the way, where's Dan?
00:19:07I left him downstairs.
00:19:09He's got a little hangover he's trying to get rid of.
00:19:10Oh, don't be so high hat.
00:19:12I like a guy that takes a drink once in a while and gives him something.
00:19:15I don't care if he drinks, but the guy's a lug.
00:19:17He's no good in spades.
00:19:18He's going to get the air someday and I wouldn't be surprised if I gave it to him.
00:19:21If you ask me, I think your boyfriend's burned up because you went out with Dan the other.
00:19:25You did what with whom?
00:19:27Well, you were working overtime.
00:19:29So you're two timey when I...
00:19:30I'm not married to you yet.
00:19:31And if I want to go out...
00:19:33Not with him, you won't.
00:19:33Not if you want to keep me hanging around.
00:19:35Well, if that's the way you feel, I'm not so sure I want you hanging around.
00:19:39You're entirely unreasonable, Joe.
00:19:41You've been everywhere.
00:19:42All around the world, seen everything and done everything.
00:19:44You never want to go out at night because every place is an old, old story to you, but it's
00:19:47not to me.
00:19:48I get a kick out of stepping out and enjoying myself like any normal girl would.
00:19:52If you didn't think so much about working your fool head off and risking your life just for the super
00:19:56thrill of it,
00:19:57we'd be a lot more congenial.
00:19:59After we're married, if we ever are, I'll be perfectly willing to sit at home and don your socks and
00:20:03listen to your stories about Asia and Africa and South America or what have you.
00:20:07But right now, I want a little fun and a few laughs.
00:20:09And if I feel like going out with Dan or anybody else who's been nice to me, I'm going.
00:20:12If I hurt your feelings, I'm sorry.
00:20:18What's the matter with Ethel? She looked like she was crying.
00:20:22Mr. Graham, aren't you?
00:20:23Yeah.
00:20:24Mr. Regan wants to see you in his office with your helper right away, please.
00:20:28Oh, come on. You heard what she said, didn't you?
00:20:33Well, I hope there'll be no gunplay.
00:20:36Well, if there is, I hope you're in it.
00:20:39Want to see me, Regan?
00:20:40This is Joe Graham, one of our ace troubleshooters, Sergeant Murphy.
00:20:44Dan Sutter, Joe's assistant.
00:20:46You were testing at 1483 Union last night, weren't you?
00:20:49Yeah.
00:20:49You happened to cut in on a conversation between the Chief of Detectives and Sergeant Murphy here?
00:20:53Uh-huh, that's right.
00:20:54How much of that conversation did you overhear?
00:20:55Frankly, not. I dropped off as soon as I found I was on a busy line.
00:20:59You overhear that conversation?
00:21:01I wasn't working with Joe last night.
00:21:03Oh, yeah. I know.
00:21:05That Azusa goof was with you, Casey.
00:21:07So that's it.
00:21:09Why, what's this all about, boss?
00:21:10Well, Sergeant Murphy here got orders to close that joint you were working in.
00:21:14Somebody overheard the conversation and tipped them off.
00:21:16When the police got there, the place was empty.
00:21:21Casey overhear this conversation, too?
00:21:23Yeah.
00:21:24That probably explains it.
00:21:25Get Casey here.
00:21:26Wait a minute.
00:21:29Casey didn't do it, boss.
00:21:32Well, are you gonna come clean or do I have to slap it out of you?
00:21:34What are you talking about?
00:21:35What are you trying to do, make me the patsy?
00:21:37Son, I was at that gambling joint last night as a guest.
00:21:40I dropped off the line as soon as I found the cops were talking.
00:21:42Casey didn't.
00:21:43He hung on.
00:21:44Then he came in and told me what he overheard.
00:21:45He was with us.
00:21:47Then as Casey and I were leaving the joint, we saw the proprietor hand this son of a...
00:21:50This guy's some dough.
00:21:52It's a dirty lie.
00:22:11Anything else, Mr. Reagan?
00:22:13No, that's all, Joe.
00:22:14Thanks.
00:22:14You're welcome.
00:22:24Check in your tools, draw what's coming to you, then get out of here.
00:22:28So you're taking Joe Grange's word against mine?
00:22:31Any time and on anything.
00:22:33Now get out.
00:22:41Yeah?
00:22:43Who?
00:22:45Oh.
00:22:46Wait a minute.
00:22:48It's the pride of Azusa, Casey.
00:22:51He wants to come up and see me.
00:22:53Well, have him up.
00:22:54I guess I can stand it.
00:22:56Oh, I don't know.
00:22:56He ain't much of a bargain.
00:22:58And his intentions are probably strictly dishonorable.
00:23:04Come right up, Mr. Casey.
00:23:07Uh-huh.
00:23:15When are you gonna get that guy off of your mind?
00:23:18Well, I did think at least he might try to get in touch with me.
00:23:21Say, listen.
00:23:22If I had what you got, I wouldn't be worried about anything running around in pants.
00:23:28There's the wonder boy now.
00:23:32Hello, y'all.
00:23:33I was Colonel Wilburton from Dallas, Texas.
00:23:37I'll extend my greetings to you lovely ladies.
00:23:40Well, quit posing in the door there, Colonel.
00:23:42We recognize you.
00:23:44Yes, ma'am.
00:23:45Yes, ma'am.
00:23:45Say, I brought a friend along.
00:23:47Step in, Mr. Graham.
00:23:49I want you to meet these lovely ladies.
00:23:50Miss Brown, Miss Greenwood, Mr. Graham.
00:23:54Step on in a little.
00:23:55The lovely ladies are so happy to see us.
00:23:58Aren't you ladies?
00:24:02Oh, it's that good old southern hospitality.
00:24:08It's been a very jovial evening.
00:24:10We want to thank you for the tea and cakes.
00:24:13Graham, get the horses.
00:24:18Well, now that you're in, you might just as well park it.
00:24:22You see?
00:24:23They want us.
00:24:23They need us, Mr. Graham.
00:24:24Step in a little.
00:24:26Mr. Graham, or Joe, as we laughingly call him down in Dallas,
00:24:30has invited us all out for the evening.
00:24:35I'm sorry.
00:24:36I'll try not to be jealous again.
00:24:38And I promise not to lose my temper again.
00:24:42Lookie here, lookie here.
00:24:43If I'm Joe's assistant, well, I've got to do the things he's got to do.
00:24:51Whew.
00:24:52Did that come all the way from Azusa or Dallas?
00:24:56No, ma'am.
00:24:57That's just my Dallas.
00:24:58I ain't Azusa yet, but I'll get to all that later.
00:25:02Oh, honey, I can hardly wait.
00:25:05You are a lucky woman.
00:25:06Come on, get on your bits and tuckers, girls.
00:25:08We're going to the grove.
00:25:09Quick, we're going to the grove.
00:25:10Yeah, we're going to the grove.
00:25:13Oh, yeah.
00:25:16Hello?
00:25:17Who?
00:25:19Oh, no, I can't see you now.
00:25:20Who is it?
00:25:21I'm going out, Dan, some other time, please.
00:25:24Couldn't I come up for just a minute, Ethel?
00:25:26I've got something important to tell you.
00:25:28No, no, don't come up.
00:25:30Well, I'll come down.
00:25:35Dan, he wants to see me for a minute.
00:25:36He has something important to tell me.
00:25:38You don't mind, do you?
00:25:39Sure, I mind.
00:25:41Oh, now, you're going to start all over again.
00:25:42You said just a minute ago you wouldn't be jealous.
00:25:45What is it, Joe? Don't you trust me?
00:25:51Well, if you want to wait, I'll be back in a minute.
00:25:58Dan, you mustn't come here anymore.
00:26:00Joe's upstairs and he doesn't like it.
00:26:02After all, we are going to be married,
00:26:03and you know he's terribly jealous.
00:26:05Yeah, I can second that.
00:26:06Why, what do you mean?
00:26:07He got me fired today.
00:26:09He didn't.
00:26:09I ought to know.
00:26:12He told Reagan a rotten lie.
00:26:14Then to top it off, he sucked me.
00:26:16In the stomach.
00:26:17You can't tell him he did it for any other reason
00:26:19except that he knows that I'm...
00:26:21one of that I like you.
00:26:23Oh, I'm terribly sorry, Dan.
00:26:25I know Joe's awfully hot-blooded and all that,
00:26:27but I certainly didn't think he'd carry it that far.
00:26:34What number do you call to get the riot squad?
00:26:38Listen, Dan, I don't want any more trouble with you.
00:26:41But if you don't stay away from Ethel,
00:26:42what I did to you this afternoon
00:26:43is just going to be a sample of what I'm going to do to you.
00:26:46Joe, please.
00:26:47Please, you've caused enough unpleasantness already.
00:26:49Oh, so you're taking his side, are you?
00:26:52Oh, you're impossible.
00:26:52I never seem to be able to do anything but quarrel with you.
00:26:55I don't want to.
00:26:57Oh, I'm sick of it.
00:26:57I wish you'd go.
00:27:00Okay.
00:27:01That's all I wanted to hear.
00:27:07Don't cry, honey.
00:27:08He isn't worth it.
00:27:09I got a car outside.
00:27:10We'll take a drive down to the beach.
00:27:12Oh, he's so unreasonable.
00:27:13Sometimes I could kill him.
00:27:15Some fresh air will do you good.
00:27:17Come on, Ethel.
00:27:17Come on.
00:27:22Maisie, I'm going out with Dan.
00:27:23I'll be home early.
00:27:25Well, things seem to have been happening downstairs.
00:27:29Ethel's going out with Dan.
00:27:30I suppose Joe is going far into the night.
00:27:35Leaves us at the exact point of where we started.
00:27:40Well, what do we do now?
00:27:43What do you mean, what do we all do now?
00:27:54Oh, I'm heading for the last roundup.
00:27:59We-de-de-de-dee-bee-dee-doo-doo-doo.
00:28:02Oh, me.
00:28:08Okay.
00:28:09Give me the colors.
00:28:11Just a minute.
00:28:13Eh.
00:28:20Give me the flyers.
00:28:29Hey, what's the idea?
00:28:33Gee, you might have killed that guy, Joe.
00:28:35I don't know what's the matter with me. I'm all sons.
00:28:37I don't know what's the matter with you.
00:28:38So do you, but you ain't doing nothing about it.
00:28:40Give me another pair of flyers.
00:28:43We're lazy talks, you know.
00:28:44Ethel feels just as bad about things as you do.
00:28:46Who told you I felt bad about it?
00:28:48Them flyers you just dropped.
00:28:51You know what a trouble with you is, Joe.
00:28:53You don't realize. I mean, you don't understand the psychology of women.
00:28:56Now, out in Azusa...
00:28:57If you mention Azusa to me again, you're going to follow those flyers.
00:29:00All right. No sense of humor.
00:29:06She ain't working at the telephone company no more.
00:29:08You mean she got fired?
00:29:09Nah, she quit. She's working in an office downtown.
00:29:12Doing what?
00:29:13I don't know. That's all Maisie told me.
00:29:16Of course, she quit the company, so there'd be no chance of running into me, huh?
00:29:19No, I don't think it was like that.
00:29:21Well, I'm quitting, too.
00:29:22You're doing what?
00:29:23I'm quitting. Tomorrow or Saturday?
00:29:26I think I'll run down to San Pedro and get on the boat for China or someplace.
00:29:29This town and this job are getting on my nerves.
00:29:31Ah, listen. You won't like it in China?
00:29:33I've been there, and I like it fine.
00:29:36Maybe I'll get on the boat that don't touch shore for six months.
00:29:38That's better still.
00:29:39And I've done that, too, and it's all right.
00:29:40All right, all right. I see you're in no mood for further enlightenment on a subject to love,
00:29:45so I'll just give up.
00:29:47Where are we going now?
00:29:48It's around here somewhere.
00:29:57This is it.
00:29:59What's the grief here?
00:30:00That match.
00:30:01Get the tools.
00:30:06Which one of these joints is it?
00:30:08I'm leaving the state office.
00:30:21Telephone, man. What's wrong with your telephone?
00:30:35Hello, Joe Graham. Bandai 3476.
00:30:37Reported in trouble. Call me back, will you?
00:30:41There's nothing wrong with that phone.
00:30:45Hello?
00:30:46Okay.
00:30:48What did you send for a repairman for?
00:30:50Nobody called from here.
00:30:53Oh, in that case, Casey's building himself up for a good clout in the chin.
00:31:14Like your new job?
00:31:16Yes, it's all right.
00:31:19Getting a lot of dough?
00:31:21Enough.
00:31:24We seem to be running out of conversation, don't we?
00:31:29Haven't you got anything to say to me?
00:31:31Well, I think it's you who should do all of the talking.
00:31:33All right, I will do the talking.
00:31:34I'm blown town.
00:31:35Tomorrow's the next day.
00:31:36Goodbye and good luck.
00:31:37Oh, Joe.
00:31:47I don't know which one of us was at fault, but these last few weeks I've been very...
00:31:52Yeah.
00:31:53Yeah.
00:31:54Yeah, me too.
00:31:56Oh, let's stop being foolish.
00:32:00Let's...
00:32:03Let's...
00:32:04Any phone calls, anything?
00:32:06No, none.
00:32:08Anybody come in?
00:32:10No, no one.
00:32:24Hello, number 62.
00:32:26Remember me?
00:32:32Dan's working here, too, huh?
00:32:34Yes, he's the manager.
00:32:35Nice going.
00:32:36And you're working for him.
00:32:37That's dandy.
00:32:44Hiya, Peggy.
00:32:46Oh, I see you're a long time.
00:32:48Telepresenters?
00:32:49Oh, no.
00:32:49I have an apartment of my own now.
00:32:51You had the phone, too.
00:32:53No, kid.
00:32:54That's an innovation.
00:32:55Why don't you come up and fix it for me?
00:32:57What's the matter with it?
00:32:58Not a thing, only come up and fix it anyway.
00:33:01Why, certainly, certainly, certainly.
00:33:03Anything to oblige a lady?
00:33:05Pearl is her name, and the address is...
00:33:09Wait a minute, I'll write it down for you.
00:33:12Pencil, please.
00:33:27Thanks.
00:33:28All that holds.
00:33:29Will you come in a minute?
00:33:48What did he...
00:33:49Why, he, uh...
00:33:50He didn't come here to see me.
00:33:52No, he, um, he came about the telephone.
00:33:55Was there anything wrong with it?
00:33:57Yes.
00:33:58I could have taken care of that.
00:34:01But it's all I had for.
00:34:02That's all for now.
00:34:11He had me worried for a minute.
00:34:13Do you think he suspects anything?
00:34:14No.
00:34:16Say, why were you so interested in him?
00:34:18What's wrong with saying hello?
00:34:20I don't like him.
00:34:21That's enough, ain't it?
00:34:22Ah, dry up you two.
00:34:23You're getting to sound more like Gracie and Alan every day.
00:34:26Come on, Watton.
00:34:29Come on.
00:34:47Listen, sweetheart.
00:34:48If I want to talk to somebody, I'm going to do it whether you like it or not.
00:34:52You don't own me.
00:34:53And don't you forget I was the one that introduced you to Max and Martin.
00:34:56And another thing, what's the idea of having that good-looking dame always hanging around?
00:35:00She's just working here.
00:35:01I catch on.
00:35:03Nice work if you can get it.
00:35:05If you don't like it, you can get out.
00:35:07I've got my belly full and you might as well know it.
00:35:09That's swell.
00:35:10I've had all I can stand, too.
00:35:12Only when you get paid off, I want my cut, see?
00:35:16And if I don't get it, I'm going to yell so loud you can hear me all the way to
00:35:19the police station.
00:35:19You'll get your check, only hurry up and blow.
00:35:22You're giving me a headache.
00:35:23You're giving me a headache.
00:35:36Have you got them?
00:35:37I'm connected with their office wire, but there's nothing happening.
00:35:51Hello?
00:35:52Oh, yes.
00:35:53How are you, Mr. Puller?
00:35:54Hello, Parsons.
00:35:55Say, listen.
00:35:57I'm just telephoning to tell you I have all the stocks I need at this particular moment,
00:36:01and I shan't be doing any more buying for the next couple of months.
00:36:05I say I shan't be doing any buying for the next few months.
00:36:12What's the matter?
00:36:13Can't you hear me?
00:36:14There seems to be something the matter with this phone.
00:36:16I haven't been hearing well of it for the last couple of weeks.
00:36:19Somebody's beating me to the punch.
00:36:21Every stock I'm interested in jumps before I get a chance to buy it.
00:36:25It almost appears as if some other person are getting information as to my activities.
00:36:31Well, I'm afraid that winds us up.
00:36:33What do you mean?
00:36:34Fuller's quit dealing with our next-door neighbor.
00:36:37It says somebody seems to have a lot of information about his stock deals.
00:36:42Well, that's that.
00:36:44Anyway, it was good while it lasted.
00:36:48I'll make out your checks.
00:36:49Make out three separate ones this time, will you, Martin?
00:36:52Just as you wish.
00:36:54You coming, Max?
00:36:55No, I'll hang on a little while longer.
00:36:56You never can tell.
00:37:01This is for your partner.
00:37:03All right.
00:37:05Hey, Max, here's your cut.
00:37:07Okay.
00:37:11Here's yours, Dan.
00:37:16Oh, by the way, what's that young lady's name?
00:37:19Who?
00:37:20Oh, Pearl, uh...
00:37:22As a matter of fact, she's got so many names, I don't know which one she'd want her to check.
00:37:25Well, I'll leave the namespace blank.
00:37:27She can fill it in.
00:37:28We'll see that she gets it?
00:37:29Sure thing.
00:37:35Goodbye, Miss.
00:37:36Goodbye, Mr. Martin.
00:37:45Busy?
00:37:46No, just changing the ribbon.
00:38:08You seem to be having a tough time.
00:38:11I don't know why you ever hired me as a secretary.
00:38:13That's why I'm firing you.
00:38:16Oh.
00:38:18Well, I can't blame you.
00:38:20I suppose I shouldn't have taken the job in the first place.
00:38:22I wasn't fitted for it.
00:38:24Might as well give you your closing check now.
00:38:29Better see if I got the amount right.
00:38:33Well, what's this mean?
00:38:34Not enough.
00:38:35No, I don't understand.
00:38:36I just sold Martin a big chunk of real estate.
00:38:39That check represents having a commission.
00:38:41I want you to have it because...
00:38:42I want you to look on us as partners, Ethel.
00:38:45You and me.
00:38:46Well, I can't take it, Dan.
00:38:48Why not?
00:38:49Well, because we're not partners.
00:38:50We will be.
00:38:51I'm going down to Mexico City soon.
00:38:53I'm sort of a combined business and pleasure trip.
00:38:56I want you to come with me.
00:38:58That check is so you can play your own way.
00:39:01Just so you won't feel indebted.
00:39:03You know that won't do.
00:39:04Why not?
00:39:05I don't take trips to Mexico with anybody.
00:39:08I'm really in love with you, Ethel.
00:39:10Crazy about you.
00:39:12The Mexico City is a swell place for a honeymoon.
00:39:15A friend of mine wants me to inspect his property down there.
00:39:17A big ranch.
00:39:19We'd have a wonderful time.
00:39:21What do you say, Ethel?
00:39:22I don't know what to say.
00:39:26Take this in the meanwhile.
00:39:27Please.
00:39:28Just as a gift.
00:39:31I can't take that till I make up my mind.
00:39:34Oh, I've smudged it.
00:39:36That doesn't matter.
00:39:382000 is still 2000.
00:39:41Even if it is a little dirty.
00:39:43Hey, Dan.
00:39:43Come in here, quick.
00:39:51I told you hanging out with that phone wouldn't hurt.
00:39:52I just heard the cashier talking to the Federal Reserve.
00:39:55They're expecting a shipment of treasury certificates.
00:39:57Two million dollars worth of negotiable securities.
00:40:00So what?
00:40:00Just this.
00:40:01That stuff will be kept in their vault over the weekend.
00:40:03Till Monday morning.
00:40:05Well, what about it?
00:40:05What about it?
00:40:06Come here.
00:40:07Look, that vault's just the other side of this wall.
00:40:10Not 20 feet away from us.
00:40:12Come to.
00:40:12You're not thinking of...
00:40:13Listen.
00:40:13I can get a couple of guys that'll go through that wall like it was tissue paper.
00:40:16Two million.
00:40:18Two million bucks worth of negotiable securities.
00:40:21I in?
00:40:22Take it easy.
00:40:23Why?
00:40:23Toppen's tough enough, but bank robbery's good for 20 years.
00:40:2620 years if they catch you.
00:40:27Two million bucks if they don't.
00:40:29Oh, well, never mind.
00:40:30I'll get the guys and do the job myself.
00:40:32You clear out.
00:40:32Wait a minute.
00:40:33What do you mean, clear out?
00:40:35This place is in my name.
00:40:36They'll hook me as an accessory.
00:40:37In that case, your choice is limited.
00:40:39You can either come in and get your piece of the dough or get out and get your can in
00:40:43the cooler.
00:40:51You're absolutely set on this, are you, Joe?
00:40:53Yep, Mr. Regan, absolutely set.
00:40:55Sure you're not making a mistake?
00:40:56Probably.
00:40:57Pulling up anchor and going places making a mistake, I'm making it, but I've been doing it all my life.
00:41:01Here is, Zuzza.
00:41:02You admire this for a long time.
00:41:04It's yours.
00:41:05Oh, listen, Joe, that sets you back 20 bucks.
00:41:06That's okay.
00:41:07I won't need it in Tahiti.
00:41:08You know, just a G-string.
00:41:10When's your ship sail, Joe?
00:41:11In about an hour.
00:41:12Baker, can you use these?
00:41:13Oh, sweetie, steel.
00:41:14Thanks, Joe.
00:41:15Here's some other stuff you can use.
00:41:16Oh, thanks, Joe.
00:41:17You bet.
00:41:17That's okay.
00:41:18That's all my own stuff, boss.
00:41:19Yeah, I know that, Joe.
00:41:20Well, that's that, I guess.
00:41:23Goodbye, Mr. Regan.
00:41:24It's been nice working for you.
00:41:25I think you've lost your mind, Joe.
00:41:27I never had much to lose, boss.
00:41:29Well, good luck to you.
00:41:30Anytime you want to come back, there's a job open for you.
00:41:32Thanks very much.
00:41:33I won't want it for a long time, if ever.
00:41:38Lug, you ought to be tickled to death I'm going.
00:41:40You'll probably get my job.
00:41:41Who wants your job?
00:41:43Listen, you're the only guy I ever met that I'd ever work under.
00:41:45I'm a first-class troubleshooter of my own right and a good one, too.
00:41:48You just ask anybody in Azusa.
00:41:50The reason I worked under you is because...
00:41:53Well, of course.
00:42:00So long, boys.
00:42:01Good luck to you all.
00:42:02Goodbye.
00:42:02So long, boys.
00:42:03Take care of yourself.
00:42:04Take care of yourself.
00:42:05It's been swell working with you, fellas.
00:42:07Don't think too harshly of me for walking out on you.
00:42:09But I've got quicksilver in my pants, and I can't sit still in any one place very long.
00:42:12Now, when you guys are working up to your hips in the mud,
00:42:15or you're up on top of a pole, splicing wires in the high wind and the rain,
00:42:18think of me.
00:42:19On the high seas, under a beautiful blue sky.
00:42:22Or on the beach at Pego Pego, under a great big yellow moon.
00:42:25Mr. Regan, the special agent's office, very important, Rush.
00:42:28Yes, sir.
00:42:29Going places and doing things.
00:42:30That's your great idea.
00:42:32Say, this is something.
00:42:35Vickery, this is your district.
00:42:36Suspicion of a wiretapping job.
00:42:37George, where's that complaint from?
00:42:39They're a Securities Investment Corporation, 16th and Flower.
00:42:42From where?
00:42:51Hey, look, boss, I resigned, didn't I?
00:42:52Yeah.
00:42:52Well, I'm unresigning.
00:42:53I'm working for you again.
00:42:54I'm starting with this job.
00:42:55Come on, Case, get the tools.
00:42:57All right, boys, you've got to give me back.
00:42:58I know we don't need this.
00:43:00Sorry, Case, I'll be needing this.
00:43:01Are you ready, kid?
00:43:03Let's go!
00:43:04Oh, wait!
00:43:05Well, come on, will you tell a pal what it's all about?
00:43:10You heard what he said, didn't you?
00:43:12Suspicion of a wiretapping job.
00:43:13Security Investment Corporation.
00:43:14Well, what's that gut you so hot and bothered about?
00:43:16Well, I'll tell you, my little mental genius.
00:43:18The Security Investment Corporation is next door to the Globe Realty Company, which is run
00:43:22by my old playmate, Dan Sutter.
00:43:24Real estate model.
00:43:26I'll do a little subdividing on his schnozzle before I get through with him.
00:43:31I can't understand what in heaven's name you're hesitating about.
00:43:34I can't see what there is to decide.
00:43:36Well, you don't understand, Maisie.
00:43:38I love Joe.
00:43:40And I'm not so sure about Dan.
00:43:42Well, it seems to me it's just as easy to fall in love with a guy with money as a
00:43:46guy
00:43:46without it.
00:43:46It's just a habit.
00:43:48You've got the wrong habit, that's all.
00:43:50Yeah, but after all, I do love Joe.
00:43:53Well, I just can't turn him off like I'd turn off the water faucet.
00:43:58I've got to be sure.
00:44:02I'm going to call him and give him one more chance.
00:44:04Go ahead, if he'll make any happier, he'll probably hit you with a phone.
00:44:22Hello, hello.
00:44:24Joe's not in, lady.
00:44:25He's not in.
00:44:27Oh, well, will you just tell him that he'll call?
00:44:28I can't do that, lady.
00:44:30I can't do it.
00:44:30I can't holler that loud.
00:44:32He's on his way to China.
00:44:33You checked out this morning.
00:44:35Oh.
00:45:15Max.
00:45:15Yeah?
00:45:16They're moving in the stuff.
00:45:17Good.
00:45:19I'm going to have to hurry.
00:45:21I'll do it, boys.
00:45:23By this time tomorrow, we'll be retired capitalists.
00:45:25What about that girlfriend of yours?
00:45:27She has to get back to the luncheon.
00:45:28Yeah, we'll give her the afternoon off.
00:45:35Hello, Wettle.
00:45:36Just finished talking long distance to my friend of Mexico City.
00:45:39He wants to leave right away.
00:45:41Drive to Nogales tonight.
00:45:42Leave him there tomorrow on the train.
00:45:44Have you been taking it over, honey?
00:45:47Uh-huh.
00:45:48Well, yes or no?
00:45:51Yes.
00:45:52Okay.
00:45:52Here.
00:45:54Now, look.
00:45:55Take the rest of the afternoon off.
00:45:57Welcome to load yourself up in a new wardrobe.
00:46:00I'll arrange for the bank for you to get this cashed.
00:46:02Oh, you can leave it.
00:46:03I have enough to get what I want.
00:46:04We'll leave sometime after midnight.
00:46:06I'll call you after dinner and arrange all the details.
00:46:13Well, I'll wait for your call.
00:46:21Hurry.
00:46:31Yeah, what did I tell you?
00:46:31Right in the attic of Dan's place.
00:46:33Now, you might be right after all.
00:46:34Yeah, maybe.
00:46:35I was once before.
00:46:37I'd better get on down there.
00:46:38Yeah, take it easy.
00:46:38Take it easy.
00:46:39They might be down there.
00:46:40If they hear us, it wouldn't be so good.
00:46:41Besides, I'm going to do this alone.
00:46:43Who said you're going to do it alone?
00:46:44Come on.
00:46:45Give me a hand.
00:46:51Come on.
00:46:51Come on.
00:46:55You ain't here.
00:46:56We have a hole in this thing.
00:46:58I'm coming.
00:47:10Seems to be empty.
00:47:12Saturday afternoon.
00:47:13Maybe they're out playing golf or something.
00:47:14Yeah, maybe.
00:47:15Come on.
00:47:16Give me your hand.
00:47:16Get over here.
00:47:24Come on.
00:47:24Lower them down.
00:47:30There you go, buddy.
00:47:31You're behind the eight ball.
00:47:32They got me, Chase.
00:47:33Get the cops.
00:47:41Come on, buddy.
00:47:41Reach for the clouds.
00:47:49So we meet again.
00:47:50The rover boys to the rescue.
00:47:52Climb up, boys.
00:47:54Nice and tight.
00:47:56Nice and tight.
00:48:20And.
00:48:31Oh, my goodness.
00:48:32Nice and tight.
00:48:38Congratulations.
00:48:39James I'm going to let anybody know.
00:48:39Love you.
00:48:40Good.
00:48:42Bye.
00:48:45Bye.
00:49:10It won't be long now.
00:49:12My car's around the corner.
00:49:13I'll bring it into the alley.
00:49:29I'll bring it into the alley.
00:49:44I'll bring it into the alley.
00:50:13Hey, what's up?
00:50:14Wait a minute.
00:50:27Oh, it's alarm.
00:50:28Looks like somebody gave us a runaround.
00:50:30Don't see anything that looks like a fire around here.
00:50:32All right, let's go home, boys.
00:50:35Come on, bring it out.
00:50:36Bring it out.
00:50:55Somebody must have turned in the fourth alarm.
00:50:56they're leaving how you coming any minute now say wait I had an idea that maybe but
00:51:29it's alright hello Apple hiya honey that's good listen dear I called you up to tell you that hey
00:51:36we're in just a minute honey you're in the vault yeah honey I called you up to tell you we're
00:51:42leaving right away yes in about an hour listen sweet throw some things together and meet me up
00:51:48at my apartment yeah you know on South Harvard all right dear I'll be expecting you goodbye
00:52:13you
00:52:43you
00:53:13you
00:53:43you
00:54:13you
00:54:43you
00:55:13you
00:55:43you
00:56:13you
00:56:36you
00:56:37you
00:56:38you
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