- 6 hours ago
Citadel Season 2 Episode 5
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00:14Here's all you need to know.
00:16They needed to help me find my wife.
00:19Was this Paola Braga the billionaire?
00:20And head of the wealthiest Manticore family.
00:22Where can I find him?
00:23Here's our mark.
00:24Ah-Joon Yoo.
00:25He and his wife will be co-hosting the Greenpeace gala tomorrow night.
00:29Like, we have to get him before Braga does.
00:31I have a program and there's only one person in the world who can finish it.
00:36Edison.
00:36They never expect a woman.
00:38You are Edison.
00:40It seems like I should be negotiating with your wife.
00:45Don't make a fucking sound.
00:48I want my wife.
00:51Drive.
01:24I can do it.
01:32Hey!
01:35Hey!
01:39Hey!
01:51Turn that shit off.
01:53It's Etta Jones, you twat.
02:01Show a little respect.
02:03This driver doesn't deserve respect.
02:05Well, then your mother does.
02:07Not my mother.
02:09I came here tonight, didn't I?
02:21You know, you had the voice of an angel.
02:25Don't you remember?
02:26Our last year in London, you were in The Nutcracker.
02:31I mean, the chorus, of course.
02:34Oh, you could hear your voice above all the other little imps.
02:39That you were a cherub.
02:44Cute and round and...
02:47And you had a little solo.
02:50Oh, God, your voice.
03:02You really don't remember?
03:06Not at all.
03:07Huh.
03:09But I never heard...
03:11Well, that's a shame.
03:14It's a good memory.
03:18One of the few.
03:31If he was here for us, he'd pull us over.
03:38Smile.
03:38He's on radio.
03:42Smile.
03:44What?
03:46Smile.
03:52Easy.
04:07Easy.
04:08Easy.
04:32What the fuck did you just do?
04:35Things change quickly when you have a man in the trunk of your car.
04:37He was a kid.
04:38He was a cop.
04:40There are cameras on every street corner.
04:42In no time, they'll identify the make and model of the unmarked vehicle near the Plymouth estate at the time
04:48of Paolo Braga's kidnapping.
04:50And it won't be long before they use those cameras to track us where we're heading.
04:54You want your wife back?
04:55Your boy had to die.
04:57It's maths.
05:06Your weak need, like your father.
05:10At least Kyle is.
05:13Thankfully, Mason's here to get Kyle's wife back.
05:17At least he takes after me.
05:18He's a fucking monster.
05:20Mm-hmm.
05:21The thing about monsters is we get things done.
05:25God, this was a mistake.
05:28Coming back to you, trusting you again.
05:33We never learn in this family.
05:54We never learn in this family.
06:04Hutch.
06:05Yo.
06:06Tell me you have Edison.
06:07We lost Edison.
06:09No.
06:09Paolo just killed Edison.
06:12That's not Edison.
06:14It's the wife.
06:15She's the hacker.
06:16What are you talking about?
06:17No, I'm confused.
06:19I may have fudged the truth a little bit.
06:22You fudged the truth a little?
06:24What?
06:24We got cruising on the beach to Kettison.
06:27We'll find her!
06:28Dick.
06:30We lose Paolo and this is over.
06:36What the fuck you mean he's gone?
06:39Kane took him.
06:41Where?
06:42We don't know.
06:44Is he hurt?
06:46We don't know.
06:50I want you to call in
06:51every fucking favor.
06:54Metro Police.
06:56Ten Downing.
06:58I don't give a fuck.
07:01Call them all.
07:03Yes, ma'am.
07:04Now!
07:06Now!
07:17Fuck!
07:41Fuckin' idiot.
07:44Fuckin' idiot.
07:54You're friends, or his, will find us here.
07:59I'd say we have two hours till they do.
08:02Why don't you go and clean up?
08:21I don't know.
08:22I don't know.
08:22Where would Mason go?
08:23He's laying low until they fly Abbey to London to make the exchange.
08:27But how'd he disappear so quickly?
08:29I don't know.
08:30Coming in, there was a car parked.
08:32Just off the road.
08:33It was a gray Fiat, but I didn't get the plates.
08:36Well, I got some friends at the Met.
08:38They might be able to help with that.
08:39You think he stole the car, or...?
08:41Or someone else was waiting there for him.
08:44Search all property records in London.
08:46Ever owned by a Dahlia Archer or a Thomas Kane.
08:49Yep, you got it.
09:09Look at you bringing us back together.
09:12Mending old wounds.
09:17You know this is suicide.
09:20How does this play out?
09:21Get in touch with your people.
09:23Make a trade.
09:25I get my wife, they get you.
09:28There's one big problem with your Arthur.
09:30I don't even know if she's still alive.
09:33It would be very bad for you if she isn't.
09:35It would be very bad for you if anything's happened to her.
09:39He has a son.
09:43Must be what?
09:45Ten by now?
09:47Yeah.
09:49I would bring him his wife.
09:52I know you have little regard for children, seeing as you once tried to kill your own.
09:58But if you ever speak about my son again, I will burn you to death like your husband.
10:06We're out of time.
10:08We need to call you people.
10:10We need a number.
10:11How do I know you'll hold up your end of the bargain?
10:15You don't.
10:15How do you want to play this?
10:38How do you want to play this?
10:44How do I know you've met with her?
10:49How do you want to buy the ainda?
11:03How do you want to pick your head out and put some other head around?
11:05How do we put yourself up asivenence?
11:05Why aren't we gonna tighten the money here?!
11:06Is it!"
11:10How...?
11:10We need to step out.
11:11We have Addison now.
11:11So all this, it's meaningless.
11:15Unfortunately for you, I don't give a fuck about your satellites,
11:18or the assassin, or anything else.
11:21I'm just here for my wife.
11:23And you really trust your mother to make the call?
11:28Maybe she's negotiating for something more
11:30and will sell you out in the process.
11:32At least she's not here negotiating with you.
11:36So you don't trust her?
11:45I've been looking for you for a while now.
11:48And here you are.
11:52Here I am.
11:53I mean, you have to wonder.
11:57Maybe I wanted to be here.
11:59Tied up.
12:01Mano-mano.
12:03To finally have a private audience with Mason Kane.
12:07I felt a kind of kinship with you.
12:12Kinship.
12:13We both have parents that wanted the worst for us.
12:16I'd fucking applaud you if my hands weren't tied.
12:22You wanna give to your daughters, to your wife, a life worth living.
12:31Mason, that's what I want for my boy.
12:35I've been looking for you not to kill you.
12:36I wanna make you an offer.
12:40You and I.
12:43We can create peace.
12:45A world free from war, violence, greed.
12:51Isn't that what we want for our children?
12:54For Asha.
12:55For Hendrix.
13:03Don't talk about my kids.
13:07Not interested in your offer.
13:28Who is this?
13:31Lovely to hear your voice dear.
13:32Though you do sound a little stressed.
13:35Listen, if you want him back, bring Abby Conroy to London immediately.
13:40This is you, Dahlia.
13:42Well...
13:43When your kid's in a pickle...
13:44We have everyone on this.
13:46We'll find you within the hour.
13:48So I suggest you bring him back to us before we do find you.
13:53I'll make sure that they don't...
13:55You make my death quick and painless?
13:57No.
13:58You really are.
13:58Out of your depth, you ridiculous twat.
14:01I'll call back with a location.
14:22Time to go.
14:29Is that you, Chris?
14:31How's it going, Frank?
14:32Frank Sharp.
14:36Sharp.
14:37The name's Sharp.
14:39Nope.
14:39It's not ringing any bells.
14:41Okay.
14:41That's fine.
14:42Nothing on Mason yet.
14:45Hello.
14:46Can I ask Mr. Richard, please?
14:47You let him get to you.
14:49It's Francis Sharp.
14:51Yeah, I'll say it again.
14:52Francis Sharp.
14:53I didn't.
14:54If you didn't keep your daughter's very existence from him...
14:58Not a long time ago.
14:59All right.
15:00Best to your family.
15:01He never would have flown off the handle.
15:04And he never, ever would have betrayed Citadel.
15:10And we would not be in all of this shit.
15:14You are to blame.
15:15You created him.
15:17You did.
15:18What's the first rule of the agency?
15:20Do not get involved with another agent.
15:23Oh.
15:23And you two were fucking around like it was fucking spring break.
15:28You compromised everything.
15:30Is your mother there?
15:32Sure.
15:32Everything that I built, you compromised.
15:35And had you not murdered his father and created him, maybe the agency would still be standing
15:39today.
15:41Why did you bring him into this, Bernard?
15:42You knew he was a mole.
15:44You knew he was a mole.
15:46He's the best killer I have.
15:48You have five killers, including yourself and me and that Paddington bear shaped motherfucker.
15:53So why did you bring him into this?
15:54He was supposed to work!
16:00He's still...
16:08Fuck.
16:14And when do you think about you walking home?
16:17When do you think about you walking home?
16:18When do you think about you walking home?
16:19Shit.
16:22The things you build are flawed.
16:26Because you are flawed.
16:36Is that you, Malcolm, you lazy-eyed bastard?
16:40It's Frank Sharp.
16:43He's hung up.
16:45Oh no, he's back.
16:47Frank Sharp.
16:48No, he's hung up.
17:09You always did have a temper.
17:11What'd they say?
17:12Can I get off the ground now?
17:14Go and pick up your mess.
17:34They're on route.
17:37We should burn the car, steal another one to transport him.
17:40You'll probably be better at that than me.
17:42You got him?
17:44No.
17:45Don't worry.
17:46Gorgeous young men like him don't excite me like they used to.
17:49Yes, I've got him.
17:52You go.
17:53Time's ticking.
18:23Did you charm him with your wiles?
18:27That's right.
18:33Good to see you again.
18:38It's been a while since you signed my death warrant.
18:46You're looking more and more like your father.
18:52Oh.
18:57Change in.
19:03What's he need for you?
19:06Helping him.
19:12Love.
19:18Love.
19:19Love.
19:22Maybe I wanted to make amends to him.
19:28I was a mantic or mole in the highest echelons of British government.
19:36He knew what I did.
19:39He could have posed a threat.
19:41So you wanted him killed.
19:46I had something greater to protect.
19:50I was helping to build a safer world.
19:53Where the things that happened to my family, to good innocent people would never happen again.
20:01That's why I built Manticore.
20:04You built Manticore to set the world on fire.
20:08Just like they did to your husband.
20:09So the world could know your pain.
20:11My father rescued you.
20:16I'm here to do it again.
20:21So are we gonna negotiate or what?
20:27I'm here to help my son.
20:34But I don't have you tagged, do I?
20:49Is that Claude with the curved cock?
20:51Good.
20:52It's Frank Sharp.
20:54Yeah.
20:55Yeah there Frank Sharp.
20:57I'm good.
20:58How are you?
20:59Listen, I need a favour.
21:01I need eyes on the Plymouth Estate, Windsor.
21:05It's a great Fiat at around 10.20 this evening.
21:08You can thank me later.
21:10Well you haven't done anything yet.
21:11Except finally get someone to remember your name.
21:13Fiat 95.
21:14Great, yeah.
21:15That's it.
21:15The Plymouth Gallery to Croydon.
21:18Okay, thanks very much.
21:20The camera's lost the car on the outskirts of Croydon, but it's definitely them.
21:23Okay.
21:29Here.
21:3037.
21:31Saint Anne's Way.
21:48I'm in here love.
21:50I'm in here love.
21:59What's this?
22:08Well, I'm starving.
22:10You must be famished.
22:12No?
22:14I thought it would be nice, you know, a little, um, family dinner.
22:22Not sure when we get the chance again.
22:25Come on.
22:26I'll be landing in an hour.
22:28Sit.
22:28Eat.
22:35I remember this smell.
22:37Your chicken.
22:39It's favorite.
22:42Smells never leave you.
22:45Chicken cacciatore.
22:48Drugstore perfume.
22:51Burning flesh.
23:02The moment I met your father, I knew he was the love of my life.
23:09It wasn't an act or a decision.
23:14It just was.
23:15That's right.
23:15It was.
23:17It was.
23:17He was.
23:18Brilliant.
23:21And intoxicating.
23:24And certain.
23:29And he was dishonest and cruel.
23:34and small
23:38and I loved him
23:40not because of all
23:43despite those things
23:44but because one to one
23:49I was his and he was mine
23:53and here you are risking the woman you love
23:56for the woman you married
23:59I love Abby
24:02do you?
24:04she's my wife
24:08doesn't mean that you love her
24:12Nadia
24:19you're fucking with me
24:22excuse me?
24:25you're fucking with me
24:30no dear
24:31I'm
24:31yes dear
24:35I'm simply not
24:37I can't
24:37did you make a deal with him?
24:42of course not
24:44he tried to kill me
24:45yeah you tried to kill me
24:47a few times
24:54we entered negotiations but
24:59a deal I didn't make
25:04eat up
25:06and then I'll call
25:07Joanna
25:10and you can get him ready
25:18smells just like I remember
25:28you're looking more and more like your father
25:35not a shred
25:36not me
25:37I know
25:37I can get it
25:49and you can get it
25:50not a Jacobs
25:50mĆg
25:50no
25:50I can get it
25:50no
25:51I can get it
25:59I can go
26:00no
26:00no
26:01I can get it
26:06no
26:27You're making a mistake.
26:30Under the Hamath Bridge, East End, 4 a.m.
26:35Don't be late.
26:47So you tried to cut a deal with her?
26:50No.
26:51I didn't try to cut a deal with her.
26:54She tried to cut one with me.
26:56But it didn't make.
26:58Is that what she said?
27:04I'm playing with you.
27:06I wanted something she wasn't willing to give.
27:12Or maybe she gave it.
27:19Is that your father?
27:23Do you often think of him?
27:26No?
27:27You know, I dream of my father sometimes.
27:33It's the same dream.
27:37We're in the ocean.
27:38Off the coast of St. Louis.
27:41It's just him, me, and we're droning.
27:52The boat is out in the distance.
27:56Closer and closer, the boat comes.
28:00And just as my father realizes that the boat sees us will save us.
28:14I push him under the water, I hold down his skull until he goes leap.
28:50It was cancer that took him.
28:56Not in the dream.
28:59Pancreatic.
29:01Never thought that fair.
29:04Not that it took him.
29:07Just...
29:09I wasn't the one to do it.
29:14I heard once that we become our true selves when our father dies.
29:28I suppose you had a lot more time than me to figure out who that is.
29:40Your father was...
29:42a saint.
29:44What was that like?
29:46I'm done talking about my father.
29:48Why?
29:49I find that it's so interesting that your father was killed with hundreds of others.
29:58And then you killed thousands to avenge his death.
30:06Do you think he will be proud of you?
30:08What you did for him?
30:10Is this...
30:11Oh, you think you're going to get to me?
30:13I don't think you have any intention of following through on your end of this bargain.
30:20I think I'll leave here.
30:23Dead man.
30:26So, you're players.
30:29Flattery didn't work earlier.
30:31I'm thinking maybe...
30:34guilt could.
30:54We can't remake the world the way your father saw it.
30:56I told you I'm done talking about my father.
30:59Because he would be ashamed of you, that you're his son.
31:04Because he would be.
31:06I'm giving you a choice.
31:08To absolve yourself from what you've done.
31:11To reject what you are.
31:16That's why he became a spy, isn't it?
31:18Because it was the only way to hide your true nature, your true soul.
31:24It was survival, wasn't it?
31:27To hide even you from yourself.
31:29Because if you saw what you really were, you wouldn't be able to go on.
31:34You've brought only pain and death to everyone who loved you.
31:40And your daughters will grow up and they'll have to spend the rest of their lives scrubbing themselves.
31:47Of any residue of you so, so horrified that they're yours.
31:53That they'll dream about drowning you out in an ocean.
31:56And wonder why the world didn't allow them the chance to kill you themselves.
32:19Oh, God.
32:22Oh, fuck.
32:28Mom?
32:35Mom?
32:40Fuck!
32:42Fuck!
32:43Fuck!
32:45Fuck!
32:51Oh, fuck.
33:31ORCHESTRA PLAYS
33:49This was Grandpa Arthur's chair, right?
33:53I remember him. Bad breath.
33:59How'd he die?
34:01He shot himself.
34:05Despite my mother who loved him.
34:08And did it in that chair to spite me who loved that chair.
34:25You may have just killed your wife.
34:31What are we gonna do?
34:42What size suit you wear?
35:05Lights are on.
35:11Oh, my God.
35:36Oh, my God.
36:06Oh, my God.
36:41Oh, my God.
36:46Oh, my God.
36:49Oh, my God.
36:49Oh, my God.
36:51Oh, my God.
36:55Oh, my God.
36:56Oh, my God.
37:09Oh, my God.
37:19Oh, my God.
37:21Oh, my God.
37:23Oh, my God.
37:25Oh, my God.
37:28Oh, my God.
37:30Oh, my God.
37:43Oh, my God.
37:47Oh, my God.
37:54Oh, my God.
37:59Let's do this.
38:00Let's do this.
38:01Let's do this.
38:02Oh, my God.
38:32Oh, my God.
38:52Oh, my God.
38:56Oh, my God.
39:12I don't know.
39:58I don't know.
40:19I don't know.
40:20I don't know.
40:20Stop that!
40:21Joe, don't pull anything.
40:23No one's doing anything.
40:27Where's Mason?
40:29Well, someone has to keep eyes.
40:30I'm certain you're doing the same.
40:36Just the two of you.
40:37Slowly.
40:58I don't know.
41:00I don't know.
41:08I don't know.
41:08Just know.
41:10I go.
41:13He goes.
41:15She's not fucking around.
41:16Shut up!
41:17Okay, let's just relax.
41:26A girl walks to me.
41:29And I let Paolo go.
41:31No.
41:33You let him go first.
41:34No, that's not happening.
41:36I'll kill him where he stands.
41:37And I'll kill her.
41:38I will fucking do it!
41:40Help me!
41:41Same time.
41:42What's my guarantee, dear?
41:44What's mine, Dahlia?
41:46What's mine, Dahlia?
41:49Come on, Dahlia?
41:53Doh.
42:02No, sorry!
42:05Thank you, Diego, Dave,carier.
42:10I can't talk to you.
42:11You did make me a good job.
42:11Come on and DM math some food of you.
42:14No, it's so gross to everyone.
42:16ŃŠµŠ»lless.
42:18You're smart, Mavs.
42:20Always a pleasure, Dahlia.
42:35All right. Go.
42:39You're safe now.
42:40Am I?
43:00You're safe now.
43:32I told you to go!
43:34Fuck off.
43:42Down!
43:47Ow!
43:48You're hit!
43:51I'm fine.
43:54Abby, are you okay?
43:58You mean Celeste?
44:04Yes.
44:06Yes.
44:10Yes.
44:11Yes.
44:11Yes.
44:12Yes.
44:13Yes.
44:13Yes.
44:13Yes.
44:14Yes.
44:16Yes.
44:17Yes.
44:32Yes.
44:44Yes.
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