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#Ḭmperfect #Women S01E01 [Full Movie] [Must See]Full EP - Full
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00:16It feels cheap to call it a friendship.
00:21It was something else, like a kinship from deep in our souls.
00:29We could face anything that life would throw in our path as long as we had each other to
00:34come back to.
00:37We were supposed to grow old together.
00:41What we had was powerful and essential, and it was supposed to last forever.
00:57But that's not what happened.
00:58What happened?
01:05What happened?
01:21What happened?
01:24What happened?
01:43What happened?
01:54What happened?
01:59No.
02:06What happened?
02:08What happened?
02:08that that was yesterday.
02:10You know, everything feels
02:12just so different now.
02:19Can I ask how?
02:23What happened?
02:25Was she robbed?
02:27Was she raped?
02:29Oh, that's not information
02:31we can share just now.
02:33We're hoping you can help us.
02:35Yes, however I can.
02:37What can I do?
02:38You may have been the last person
02:40to talk to your friend
02:41before the assailant,
02:43so you can tell us
02:45anything that you remember
02:46from last night.
02:56Okay, okay, okay, okay.
02:58Here we go.
03:05Let's go!
03:06Thank you, thank you, thank you.
03:09I would like to thank my coworkers
03:11on the South Asian team
03:12for letting me win.
03:16And I have to thank
03:17our fearless leader, Eleanor,
03:19for the two most rewarding,
03:21challenging years of my life.
03:22May I say something?
03:23Of course.
03:24So, these somewhat ridiculous cornhole contests
03:30do serve a purpose.
03:32And it's not just to bring some joy
03:34and levity to the really difficult
03:36but crucial work
03:38that all of you are doing
03:39all over the world.
03:40These moments also mark passageways.
03:44So, Kumal,
03:45we raise our compostable cups
03:47to you today
03:48because we are so proud
03:50of everything that you have accomplished
03:52at Rescue and Relief,
03:53and we are even more proud
03:55of all the work on your horizon.
03:59To Kumal!
04:01Everyone, please eat!
04:02I don't want to waste any food!
04:12Good speech, boss.
04:13What?
04:14I was just, you know,
04:15giving you a compliment.
04:16Oh, don't do that.
04:19What's up?
04:20Do you have a second to talk?
04:21I don't.
04:22I'm so sorry, I don't.
04:23But maybe we can find some time later?
04:25Yeah.
04:27Yeah?
04:27I'll see you later.
04:28Mm-hmm.
04:28Okay.
04:34I'm waiting for you now.
04:35Aw.
04:35I'm watching.
04:37Wait, do I have to do this?
04:40It's your tradition.
04:42Yeah.
04:42From college.
04:43Yes.
04:43When we were young,
04:44we had that taste.
04:45Elle, help me.
04:46I do not make the rules.
04:49Happy birthday.
04:49Happy birthday.
04:53Oh.
04:53Ah!
04:54It's hot.
04:55No.
04:55It's gotten worse.
04:57Yeah.
04:57It's disgusting.
04:58It's really bad.
04:59Okay, honey,
04:59how has the day been?
05:00Have you been adequately worshipped?
05:03Absolutely.
05:04Artemis woke up at 6 a.m.
05:05to start worshipping me.
05:07Why?
05:07By demanding pancakes.
05:09No, they were so sweet,
05:10the girls,
05:10and Howard had them
05:11write me little poems.
05:13That is sweet.
05:14Yeah, I know.
05:14It's kind of cheap.
05:15It's personal.
05:16Oh, Nancy.
05:17She deserves to be showered with gifts.
05:20Excuse me.
05:21Oh.
05:21Potato mini galettes
05:22with a tomato confin
05:24paired with champagne.
05:25Compliments of the chef.
05:26Oh, thank you.
05:27Please thank Porco for me.
05:28Will do, Miss Boucher.
05:31Amazing.
05:31Yeah, they look very nice.
05:33I mean, they're tater tots, right?
05:34No, they are very fancy,
05:37artisanal tater tots.
05:39Very rude.
05:40I love it when you sleep with chefs.
05:42Oh, how's it going with the coworkers?
05:44That's still...
05:45Yes, we are still connecting
05:48here and there.
05:50You know?
05:50Yeah.
05:51It's very casual, though.
05:52Does he know that?
05:53Yes.
05:54Nancy, you good?
05:56What?
05:57Is everything okay?
05:58Yes.
06:00Ladies, I wanted to say...
06:02This is going to be long
06:03because I have to pee.
06:04No.
06:05No, I'm just checking.
06:05I just wanted to say
06:07that I'm so happy to be here
06:09with the two people
06:10that I love most,
06:10who I feel most loved by
06:12in all the world.
06:13We do love you.
06:13There's an Irish saying...
06:15Oh, God.
06:16Please, though.
06:16I'm just kidding.
06:17Good girl.
06:18Happy birthday, beauty.
06:22All right, I'll be right back.
06:25We have your table ready,
06:26Ms. Richie.
06:27Oh, fantastic.
06:28We don't have to grab that.
06:31Nancy, what is going on?
06:33Are you okay?
06:34Yeah.
06:35No.
06:36Um...
06:37What's happening?
06:38That guy...
06:39It's still happening.
06:41What?
06:42I thought you were
06:43breaking it off.
06:44I tried.
06:44I know.
06:45It's complicated.
06:46What does that mean?
06:48Mary doesn't know.
06:49Can you not say anything?
06:50I...
06:50I don't want to make her upset.
06:54But it's okay for me
06:55to be upset.
06:57Well, it's not like
06:58you're monogamous.
07:00Nancy, if you were being
07:02honest with Robert
07:03about what you were doing,
07:05that would be fine.
07:07I mean, open marriages
07:07are like open kitchens
07:08these days.
07:09Everybody's putting them in.
07:10It's not exactly
07:11Robert's style.
07:12But this thing
07:13that you were doing,
07:15it's not liberating you.
07:17It's just making you
07:18miserable.
07:19I know.
07:19I know.
07:23It's just when I'm with him,
07:24I feel powerless.
07:29Do you remember
07:30what you said to me
07:31about the difference
07:32between love
07:33and infatuation?
07:36What did I say?
07:38You said
07:39that love
07:40fills you up
07:41and infatuation
07:42depletes you.
07:43Are you sure
07:44I said that?
07:44Yes.
07:44That sounds more like Mary.
07:46No, you said it to me
07:47about Robert
07:48the day that he proposed.
07:52Sometimes I think
07:53you see my life
07:54more clearly
07:54than I do.
07:55No, I just...
07:57Hi.
07:58Hi.
07:59It's beautiful, right?
08:01What are we talking about?
08:04Just Eleanor's
08:05entanglements.
08:07Well,
08:08oh,
08:08I was offered
08:09cocaine
08:09in the bathroom.
08:10Oh, yeah.
08:11What?
08:11I didn't take it,
08:12but, you know,
08:13it's nice to be asked.
08:13You still got it.
08:34Hey.
08:35Eleanor,
08:36it's Robert.
08:37I'm sorry to bother you
08:38so late
08:38or so early.
08:40It's okay.
08:41What's up?
08:41Well,
08:42Nessie didn't come home
08:43last night.
08:43She's not answering
08:44her phone.
08:45She didn't go home
08:46with you after dinner
08:47by any chance.
08:49Are you there?
08:51You okay?
08:52Yeah, yeah.
08:53I'm sorry.
08:54Are you not alone?
08:55No, no.
08:55Um,
08:57can you just
08:57give me a second?
09:01Okay.
09:08Okay.
09:08Okay, so
09:11Nancy hasn't come home yet?
09:12No,
09:13and I've left
09:14half a dozen messages
09:15and texts.
09:15There's no response.
09:16Um.
09:16Very concerning.
09:18Yeah,
09:18I don't,
09:19I don't know,
09:20Robert.
09:21I mean,
09:21we ate
09:21and then
09:23she left.
09:25And she told you
09:25she was coming home?
09:28I mean,
09:28she didn't say that
09:29exactly,
09:30but I assumed.
09:34That's it.
09:35I'm calling the police.
09:36No, Robert.
09:37Just don't,
09:37don't do that.
09:38Okay,
09:39so,
09:40but you,
09:41you do know
09:41where she is?
09:43Not exactly.
09:45Eleanor,
09:45what the hell's going on?
09:48Um,
09:50I'm gonna throw
09:50some clothes on
09:51and come to you.
09:52That's not necessary.
09:53If you could just
09:54tell me.
09:54Robert,
09:55stop,
09:55stop.
09:56Do not call the police
09:57until we talk,
09:58okay?
09:58Please.
10:00Okay.
10:00Okay.
10:01Okay,
10:02I'm on my way.
10:03Shit.
10:07Hey,
10:08Jordan.
10:10Can I take
10:11these jeans?
10:12Yeah.
10:13Sorry.
10:15You are.
10:16Are you ready?
10:17Yeah,
10:18but it's fine
10:19because I was
10:21never here,
10:22remember?
10:23Remember?
10:25� Minuten,
10:26you can't take
10:27and you can't
10:28Bye.
10:28Bye.
10:35Bye.
10:44Bye.
10:47Bye.
10:49Bye.
10:52Bye.
10:53Bye.
10:53I don't know.
11:20I don't know.
11:28I don't know what she's thinking, and she hasn't said that.
11:33What?
11:33Jesus, come on.
11:34You came all the way over here.
11:35You might as well just tell me.
11:36Is she seeing someone else?
11:40I'm so sorry.
11:45Well, there it is.
11:49I really don't want to be in the middle of all this.
11:54Who is he?
11:56She told me it was over, but you know how Nancy is, right?
11:59Like, sometimes she's very clear, and then another...
12:01Then I need a name.
12:04David.
12:05David who?
12:06I don't know.
12:07She says that she met him through work.
12:09The museum?
12:11The ballet?
12:12Hospital?
12:12Where did she find this guy?
12:14She hasn't told me.
12:18So this dinner with you and Mary last night, that's what?
12:22Her alibi?
12:24No.
12:24We had dinner.
12:25We were celebrating Mary's birthday.
12:27Don't lie to me.
12:29Been lied to enough.
12:30Not by me.
12:31I have never lied to you.
12:33Not once.
12:34We all had dinner.
12:36And then she left.
12:40Would you like a drink?
12:43I quit.
12:44What?
12:46When?
12:47Two weeks ago.
12:49Feels like a year.
12:51Did it for her.
12:57Is this new?
12:59No.
13:00She's always moving the art around.
13:02Says it keeps things fresh.
13:03Is she really that unhappy with me?
13:06I know she shares everything with you and Mary, but...
13:09Don't do that, Robert.
13:11It's not you.
13:12She is unhappy with herself.
13:20Thanks for coming, but I need to get myself together.
13:37Can we ask you to sit, sir?
13:41I'd rather stand.
13:44A body was found early this morning that we have reason to believe is your wife's.
13:49Nancy's.
13:53How do you know it was her?
13:55A wallet containing her identification was found with the body.
14:00Yeah, well...
14:05Where?
14:06In Roseco Park, sir.
14:08Under the Colorado street bridge.
14:09There's a lot right there.
14:11There's a lot right there.
14:11I know the Arroyo I've been messing in my life.
14:14What happened to her?
14:16The evidence suggests there was an assault that killed her.
14:21And unfortunately, those are all the details we can tell you right now.
14:28We will need someone from the family to identify the body.
14:35I'm sorry.
14:37I'm sorry.
14:38What did you just say?
14:41We need someone to identify the body.
15:03No.
15:08Yes.
15:10That's her.
15:11It's...
15:14It's Nancy.
15:23Miss Boucher.
15:25Miss Boucher.
15:27I asked how long you and the deceased had known one another.
15:31We've been best friends.
15:33For 25 years.
15:35With Mary.
15:36I have to call Mary because she can't read about this.
15:41You told Mr. Hennessy that she was seeing another man.
15:45Yes.
15:46What do you know about him?
15:49Not a lot.
15:50His name is David.
15:53They met at work.
15:55At work?
15:55Yes.
15:57Mr. Hennessy tells us she was a homemaker.
15:59Yes.
16:00She does a lot of philanthropic work.
16:02She sits on the board of several different organizations.
16:05I'm sure that Robert could give you a complete list.
16:08We're talking to you right now.
16:11Is there anything more that you can tell us about her lover?
16:15Hair color.
16:17Age.
16:18Race.
16:19Height.
16:20Weight.
16:20No.
16:21I'm sorry.
16:22I wish there were.
16:23My wife has a best friend from college.
16:26Can't get them off the phone with each other.
16:30Is that a question?
16:33It just seems she might have told you more than a first name.
16:38Well, she didn't.
16:40As it happens.
16:47Am I being held?
16:49Or am I free to go?
16:52Somewhere else you need to be?
16:53You are free to go.
16:55Just do us a favor and stay in town.
16:57Of course.
17:03Of course.
17:33Hi.
17:35Hey.
17:36Ellie.
17:38I got a cut on my toe.
17:40It's infected.
17:41Whoa.
17:41I got a cat.
17:42She started feeding a cat.
17:43It's not hers.
17:44Yes, it is.
17:45No, it's not.
17:46Yes, it is.
17:46Stop lying, you liar.
17:47Mom, tell her it's not her cat.
17:48This is a nice surprise.
17:49It is my cat.
17:50No, it's not.
17:51No, you don't.
17:52Yes, I do.
17:53No, you don't.
17:53Yes, I do.
17:54Come on, girls.
17:55Who wants some iPad time?
17:56It's not yours.
17:57iPad!
17:58Ellie and Mommy need some grown-up time.
18:03What is it?
18:08It's Nancy.
18:11What?
18:13Oh, Mary.
18:14What?
18:18She's gone.
18:19What do you mean she's gone?
18:22Mary, she's dead.
18:25What do you mean she's gone?
18:27What do you mean?
18:30When you saw her body, what was it?
18:35What did they do to her?
18:38The wound is on the back of her head.
18:42So, her face was still perfect.
18:50What the fuck was she doing in the Arroyo?
18:53I don't know for sure.
18:56But...
18:56What do you mean for sure?
18:58Do you know anything else?
19:01She was meeting someone.
19:03What?
19:04What do you mean she was meeting someone?
19:06Somebody that she was seeing.
19:07Oh, my God.
19:11Oh, my God.
19:15Is this what you two were talking about last night when I came back from the bathroom?
19:19Yes.
19:20But, Mary, she didn't...
19:22She barely told me anything.
19:24But you knew.
19:27Who was he?
19:28I don't know.
19:29I don't know much.
19:30I just know that he was texting her and she was upset and so...
19:34They must have still been seeing each other and...
19:37Still?
19:38Yes.
19:38Still seeing each other?
19:39Yes.
19:41How long have you known about this?
19:44I don't know, maybe a couple of weeks?
19:47My God.
19:48Jesus, Ellie.
19:49It wasn't my business to tell you.
19:51And I thought that she was gonna end it.
19:53I did not think it was gonna be a big deal.
19:54I did not think she...
19:58Okay.
19:59Okay.
20:02Did she tell you anything else about him?
20:05She told me that his name is David and that they met at work.
20:10Did you tell the police?
20:12Yes, of course.
20:13I told them everything.
20:14Well...
20:14Yeah, but neither of you told me, so...
20:18What did you think?
20:19I was gonna be judgmental.
20:21Is that what she thought?
20:22No, Mary, I think she...
20:24You know, you can be more judgmental than me sometimes.
20:27Okay?
20:28You know?
20:28Yes.
20:29Fine.
20:29Maybe that's why she told me, Mary.
20:31Because she knew that I would be harder on her.
20:33And I was.
20:34I am the one who told her that she had to break it off with him.
20:37And so she went to see him.
20:38And now she's dead.
20:40Are you blaming yourself?
20:41I don't...
20:42You cannot do that.
20:43What happened?
20:46Hey, Marcus.
20:47Hi, sweetheart.
20:48Hey.
20:48How was it with your caseworker this morning?
20:50Mom, I'm an actual person now.
20:52You can talk to me.
20:55What...
20:56What's going on?
21:01Um...
21:04Okay.
21:07Um...
21:08Your...
21:09Your...
21:11Nancy was killed last night.
21:13They found her.
21:15Honey, I'm sorry.
21:16Mom.
21:17Oh, God.
21:19Oh, my God.
21:20Mom, I'm so sorry.
21:23It's okay, sweetie.
21:25It's okay.
21:26I'm sorry.
21:30I'm okay, sweetheart.
21:32I'm okay.
21:58You're done.
21:58You're двух.
22:00It's okay.
22:01It's okay.
22:03When you look out for me too
22:12How could I
22:22Ever forget about you
22:32It's too hard
22:33The victim's husband is Robert Hennessey, whose father is the founder of Hedge Grove Capital
22:43Tributes poured in today on social media where Mrs. Hennessey amassed thousands of followers
22:49Do they really think this will help?
22:52It might. It might make people care about her
22:56Oh, come on. Be honest. If all you saw was this highlight reel
23:01Of her life, don't you think you would hate her?
23:04Well, hate's an ugly word
23:10Envy maybe
23:11That's all I saw
23:13This wasn't even the real her
23:16Yeah, it was, Ellie
23:17It just wasn't the whole her
23:22Have you seen Cora?
23:28No
23:29Not yet
23:54I didn't even know my mom owned any black clothes
23:57She used to have this gorgeous black leather jumpsuit that she wore when we went to the club
24:04I can't picture that at all
24:06She always wanted to take me shopping
24:08I never let her
24:10I get that
24:12Mothers and daughters
24:13It's very complicated
24:16No, but I would roast her for all the shopping she did
24:19Now I'm like
24:21Digging through her clothes, trying to find something to wear to her funeral
24:25Cora
24:27If this feels like too much
24:30We don't have to do this right now
24:34I can't feel anything, Ellie
24:36I think you might be in shock
24:39Is that what it is?
24:40Because I feel like something's wrong with me
24:42Nothing is wrong with you, okay?
24:47I remember being in this room with your mom when you were just an infant
24:53And she was holding you in her arms
24:55And she was so in love with you
25:00Nothing made her happier than being your mom
25:05And all I did was push her away
25:09And it's too late now
25:14It's okay
25:16Oh, I'm here
25:22Would you stay with us?
25:25Really?
25:26I don't want to be alone with my dad
25:30Oh, Cora, I...
25:33Okay
25:34I know
25:36That he struggles with his emotions
25:38But trust me, I have known him since I was barely older than you
25:42It's not just the emotions
25:45I don't feel safe with him right now
25:55I don't need a publicist
25:57I need them to find out who killed my wife
26:01It's a crisis firm, Robert
26:04And...
26:05Daddy just wants to make the introduction, that's it
26:08Ultimately, it's your choice
26:11Have you given any more thought to the idea of a reward?
26:15I hate the idea of a bounty hunt
26:18I know, no one wants to put any pressure on you
26:20But at this point, it's just about controlling the narrative
26:23Hey
26:23I mean, we're in...
26:25Oh, Eleanor
26:26Didn't know you were here
26:27Sorry to interrupt
26:29No, come on in
26:30Come on in, you've been such a good friend
26:32To be here with the family for this long
26:39I was just headed to the kitchen
26:41Does anyone else need a drink?
26:43No, thank you
26:49Is it cold in here?
26:51My sister's just trying to help
26:52Finish all the alcohol in the house
26:55Yes, I think she's doing that
26:59Cora asked me if I would stay with you guys for a while
27:03Okay, so how do you feel about that?
27:07It's not about how I feel
27:10It's about figuring out what's best for Cora
27:13If I thank you for everything that you're doing
27:16Don't do that, please, Robert
27:19No, it's something I forget to do
27:22Or I can be a real asshole like that sometimes
27:24Just taking everyone around me for granted
27:27How did Cora seem to you?
27:32Is she scared of me?
27:34She didn't use the word scared exactly
27:40Yeah, it can't be easy
27:43Losing her mother
27:45Seeing them treat me like a suspect
27:47They're not calling you a suspect, are they?
27:49That's where this is headed
27:50You know, I have no alibi
27:52I was home alone that night until I spoke to you
27:56Sorry
27:56I can understand having you around
28:00Like, make her a little more comfortable right now
28:04I'm gonna come by as often as I can
28:07But I...
28:09I don't think it's a good idea for me to stay here
28:11Yeah, okay
28:14Okay
28:14Thank you
28:26Good afternoon
28:26Hey, Mr. Shea
28:28Oh, Sam, you changed your hair
28:30I like it
28:32Hey
28:32Hey
28:33Hi
28:33We didn't think you'd be coming in yet
28:35We would have gotten more prepared
28:36Uh, I'm just coming in to grab a few things
28:38I didn't want to disrupt the flow
28:40Hi, you're the boss, you can do whatever you want
28:42Thank you
28:43I just thought you might need some more time
28:45Yeah, I don't want to make a big deal of it here at the office
28:47I am so deeply, deeply sorry for your loss
28:50I can't even imagine
28:51Thank you
28:52There are no words, no words
28:54Okay, you've said it, Olivia
28:59Thank you for that
29:02Some detectives were here earlier asking a few questions about the timing of that night
29:08I told them I was already gone by then, so I couldn't help them
29:12Yeah, they're just ticking boxes, trying to establish their timeline
29:16Right
29:17We will have to postpone the Middle East trip
29:19Of course
29:20There's too much going on right now for you to worry about that
29:23They don't want me to leave town
29:28If there's anything I need to know, you would tell me, right?
29:34Yes
29:43Hey
29:45Hey
29:46We're trying to reach you
29:47Yeah, it's not a great time
29:52You going somewhere?
29:53I mean, you're not like, leaving, right?
29:56No, I'm just grabbing stuff in case I have to work from home
29:59I might maybe going to my friends to help
30:02Who's helping you?
30:04What?
30:05I said, who's helping you?
30:10This is your loss too
30:14Okay, Jordan
30:16I think what would be most helpful right now
30:18Is your discretion
30:23Okay?
30:23Yeah, sure
30:25Okay, thank you
30:45I did not go away
30:45My husband
30:45Is your 추천ing here?
30:45I can't provide you
30:46No matter how much
30:53No matter how much
30:54You will not be all
30:54You will not be bothered
30:54What?
31:06I want to be bothered
31:07You will not be bothered
31:25Oh, ma'am.
31:26Ma'am.
31:28Are you smoking again?
31:30What?
31:31Yes.
31:32It's not a cigarette.
31:33It's an emotional crutch.
31:36I don't understand why we had to have this memorial so quickly.
31:40Because Robert wanted to get it over with, I think.
31:44Here they come.
31:45Will you just hold this one?
31:46What?
31:47Please, please, please.
31:47Hold it.
31:47Hold it.
31:48Hold it.
31:48There.
31:49Hey, guys.
31:50Aunt Ellie, you're smoking?
31:54It's a bad habit, but it doesn't make her a bad person.
31:57Oh, thank you, Howard.
32:00We'll save two seats for you.
32:08Now they think I smoke.
32:09Oh, I'm sorry, but I don't think we should have brought them.
32:12Howard said we shouldn't shield them from grief.
32:14Oh, well, Robert's family planned this, so there's not going to be a lot of grief.
32:18We'll get elegance and waspy denial.
32:35When does the bride come out?
32:37It's not a wedding.
32:38It's a funeral.
32:39Actually, it's a memorial.
32:41Because there's a body.
32:43We don't believe in shielding them from grief.
32:45Yes, I heard.
32:49Isn't that crazy?
32:50Does this smell like something?
32:53It's rose pulp.
32:55We had the paper made from linen and rose petals from Nancy's garden.
33:00That's so lovely.
33:01You just smashed up her roses and, yes, of course.
33:07You are so kind to come.
33:09Oh, no, please.
33:12Such beautiful little girls.
33:15I'm so sorry you couldn't find child care on such short notice.
33:31No.
33:32No.
33:51You're up.
33:52Oh.
34:26She walks in beauty.
34:30Like the night of cloudless climes and starry skies
34:34And all that's best of dark and bright
34:37Meet in her aspect and her eyes
34:42Thus mellowed to that tender light
34:48Which heaven to a gaudy day denies
34:53One shade the more
34:56One ray the less
35:07It was lovely.
35:08Don't get me wrong.
35:09It just wasn't her.
35:11Yeah.
35:12Yeah.
35:13Well, Kit runs a tight ship.
35:15Mm-hmm.
35:15You know, she made me send her that Byron poem for accruval, and then she told me no jokes,
35:21No tears.
35:21No tears.
35:22Jesus.
35:23Yeah.
35:24Did you see that guy in the denim jacket at the church yesterday?
35:30No, I don't think I saw him.
35:31Why?
35:34You don't think anybody from Nancy's family would have come, right?
35:38No.
35:40Ellie, they wouldn't have dared.
35:42Right.
35:45Hey, so, um, well, Howard had this thought, it was a favor, really, to ask.
35:52Okay.
35:53We wanted to know if it was possible, maybe Marcus could volunteer with you, because we thought
35:59if he saw some real suffering in the world, he could maybe get some perspective, and then
36:03Yes, yes, yes, yes, I will find something for him.
36:06If he's willing.
36:08Thank you so much, Ellie.
36:09That is very...
36:10Mary.
36:11They found him.
36:13Breaking footage of David Haji Boyette, also known as D.H. Boyette.
36:18There he is.
36:19We can confirm has been officially made...
36:21No fucking way.
36:23That's the guy?
36:24Yeah, that's what they're saying.
36:27Do you know him?
36:28How would I know him?
36:31Why did you ask me that?
36:35I'm sorry.
36:36I shouldn't have assumed...
36:37No, I have never met this person.
36:40Mom's listed on his website as one of his patrons.
36:42You know, she supported artists.
36:45He is a painter.
36:47D.H. Boyette, also known as David.
36:50There's Kit right on here.
36:54Do you think this is the guy?
36:55I think we need to be very careful to not rush to judgment.
36:59Let's let them talk to him.
37:00Oh, my God.
37:01While L.A. artist D.H. Boyette was named a person of interest...
37:06What?
37:07What?
37:08Oh, my God.
37:09What?
37:11Ellie?
37:15Oh, shit.
37:17Oh.
37:18D.H. Boyette, she just put this one up, didn't she?
37:20Right before she died.
37:21That's him.
37:23Is that Mom?
37:30Hey, hey, Robert.
37:32Dad, what are you doing?
37:33Stop.
37:34Dad, stop it.
37:35What are you doing?
37:36Dad, Ellie.
37:37Hey, Dad, stop.
37:38Please, Robert.
37:39You're right, Robert.
37:41Dad.
37:41You're something.
37:42Robert.
37:44Dad.
37:44Where are you going?
37:45Dad.
37:45Stop.
37:46Dad, Dad.
37:47Dad, stay here, please.
37:47Stop it, Robert.
37:49Oh, my God.
37:50Robert, you have to stop.
37:51You have to take a beat.
37:53Jesus.
37:54Robert, what are you doing?
37:58Can't we talk about this inside?
37:59I just want you to take a beat.
38:01I want you to take a breath.
38:06Robert, please.
38:07She never belongs to me.
38:08Please stop it.
38:09I always wanted to be all mine, but she never was.
38:12There was always a piece of her that wouldn't be.
38:14And I always fucking knew it.
38:16Robert, I think that they have people watching.
38:18Fuck.
38:19Fuck.
38:19I understand that you're angry.
38:21You need to calm down.
38:22Hey, don't tell me how I should feel.
38:27Jesus Christ, Alon.
38:28You don't know everything, all right?
38:30She's my fucking wife.
38:47Does he have an alibi?
38:49David?
38:50Yeah, the guy she was sleeping with.
38:52Kind of.
38:53Kind of.
38:53He was maybe at this art event of some sort, but he left early.
38:58Honestly, they don't have a lot of information.
38:59I just, I don't think it's him.
39:01She only told you his first name.
39:03We have nothing to go on.
39:04It could absolutely be him.
39:06She would have told me if he was black.
39:08She hardly told you anything about it.
39:10I know, but I am her best and only black friend.
39:12And this would have come up.
39:14Okay.
39:19I gave the police the name David.
39:22What if it's not the stubby person?
39:23And we still don't know who killed our best friend.
39:29I've never seen Robert that angry.
39:31Oh, he, he has a temper.
39:34Especially when he drinks.
39:37Or when he's jealous.
39:39No, he, you know, he loved her more than anything.
39:43Anger isn't the opposite of love.
39:46Sometimes it's the truest expression of it.
39:49You can't see it.
39:52Because Robert is your...
39:53My what?
39:55My friend?
39:56He's your friend.
39:57You and Robert have...
39:59A connection.
40:02Yes.
40:02Her name is Nancy.
40:04Outside of Nancy.
40:05And Nancy knew it too.
40:10What are you saying?
40:13You're not the only person she confided in.
40:19That's all.
40:39Oh, God.
40:40I'm sorry.
40:42I'm going to frighten you.
40:43How did you get in here?
40:46Someone propped up the door.
40:47I should have texted.
40:48Yes.
40:51So, can we...
41:08Look, I, um...
41:14I owe you an apology.
41:16The way that I was behaving and what I said was cruel.
41:22She was my wife.
41:24But, uh...
41:26I know you guys were everything to each other.
41:31I'm sorry.
41:40I don't think I realized how much I needed to hear that from you.
41:43So, are you going to tell me why you're so dressed up?
41:48This is dressed up to you?
41:50This is how I leave the house after sundown.
41:54Where are you going?
41:57You know how Nancy loves the ballet and how I...
42:03Don't.
42:03You hate it.
42:04I don't hate it.
42:05I just...
42:05I find it...
42:06What's that French expression?
42:08It's fucking boring.
42:10That's not French.
42:11My legs don't fit in the seats.
42:13What?
42:17Anyways, we're supposed to go to the opening tonight.
42:22And...
42:23I don't know what to do.
42:24I'm just banging around in the big empty house alone.
42:27I can't sleep.
42:29I'm just walking around looking for her.
42:32But she's not there.
42:34So, I was thinking that...
42:36I don't know.
42:37Maybe at the ballet I could...
42:40You could feel her with you.
42:42Yeah.
42:46Yeah.
42:48Exactly.
42:49Do you think that's possible?
42:52I don't know what's possible anymore.
42:58I can't...
42:59She was just here.
43:02You know, we were all just here playing stupid fucking card games.
43:08And now she's just gone forever.
43:11It's like I can't...
43:14It doesn't make any sense.
43:16So, why shouldn't I be able to go to a place that she loved so much and feel her?
43:24I think you have to try.
43:28But will you try with me?
43:35You want me to go?
43:37Yeah.
43:39No.
43:40Why not?
43:42Uh, I can't.
43:44I just can't.
43:45I mean, the optics.
43:47Fuck the optics.
43:48Who cares about the optics?
43:49I do.
43:50You should.
43:51We can't just get dressed up and have a night out on the town together.
43:56I'm sorry.
43:58I'm sorry.
44:01It was...
44:03It was a stupid idea.
44:05I'm sorry.
44:06I'm sorry.
44:15I'm sorry.
44:19I'm sorry.
44:22I'm sorry.
44:26I'm sorry.
44:26I'm sorry.
44:26I'm sorry.
44:27I'm sorry.
44:27I'm sorry.
44:28I'm sorry.
44:29I'm sorry.
45:36Sometimes I hid it so well, I couldn't even see it myself.
45:49Miss Boucher.
45:51Yeah.
45:52I thought you were worried about the optics.
45:54I was.
45:56But then I remembered that French expression, fuck the optics.
46:02Right.
46:03Shall we?
46:30I hope this isn't inappropriate.
46:32But the boss's daughter cleans up real nice.
46:37Just try to give me a usable shot this time, okay?
46:42I'll see you next time.
46:43I'll see you next time.
47:38I'll see you next time.
47:39I'll see you next time.
47:41I'll see you next time.
47:42Bye.
47:43Bye.
47:47Bye.
47:49Bye.
47:50Bye.
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