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Peaky Blinders - Series 1- Episode 3 Watch Isode For Free
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00:00When I've achieved what I've set out to achieve,
00:03I will let you know where to find the guns.
00:05So what shall I do?
00:07Get close to him.
00:08Find out where those guns are heading.
00:12Raise a hand all those who want to strike!
00:16Freddy Thorne is at the very top of my list.
00:18We'll cross him off.
00:20I'll make him part of our deal.
00:22To hell with them.
00:23The more they're trying to stop us, the madder I'll be.
00:26Times like these,
00:27communists in the family is bad for business.
00:29You have to leave the city.
00:33You are also at war with the leaves, Mr. Kimberl, am I right?
00:36Together we could beat them, divided.
00:38Maybe not.
00:52I'll get it out of that, sir.
00:53Yeah?
00:54You have to keep rest in it.
00:55I'll get it out.
00:57I'll get it out of that.
01:00God, he's getting big now.
01:03He's going to not be with the back.
01:05Not at all.
01:08He's very nice, don't be big.
01:24So, how was London?
01:27It's crackling with revolution.
01:29The poplar docks on strike.
01:31Did our friends give us what we asked for?
01:37How much?
01:38200 pounds.
01:40Who did you meet?
01:41And that's a shave from the Russian embassy.
01:44In the Chinese restaurants.
01:46Our revolution is international.
01:49And it grows by the day.
01:50It grows by the day.
02:06Jeremiah, Jeremiah, what do you see?
02:09Your sister and Freddie got back this morning.
02:11I tried following them.
02:14But Freddie's so good at getting away.
02:16He's like a fish.
02:18Right.
02:19We'll keep fishing, eh?
02:20You'll be shrinking the soul.
02:22But there won't be a single thing that you can do.
02:26These are�s.
02:28Here's the camper.
02:40Here's the camper way.
02:43There's the camper.
02:47Lost bits there
02:48Yeah, I've spent all your rent money, Charlie
02:51That's your starters, gentlemen
02:53No more bits
02:54I was there on time
02:57Finished
02:59I've had to tip off
03:00I need this bet
03:01Right, you're starting, mate
03:02Please
03:02No
03:04Fine
03:05Get rid of him
03:06I said no
03:07Now get out
03:09All right, all right, I'm off
03:10I'm off
03:27All right, let's just read
03:29See you, Lord
03:29See you, Lord
03:30Okay
03:31Okay
03:50It's a good day
03:51Where's John?
03:53John's in the garrison
03:54Says he wants a meeting about a family matter
03:58After he's said his piece
03:59He'll come back and take his place with Scudboat
04:03Scudboat
04:04John will be here in ten minutes
04:05All right
04:06Five
04:07Six
04:07Six
04:16Six
04:17Six
04:18Six
04:35Good boy.
05:02Good boy.
05:20Good boy.
05:20This is my child.
05:22We're just taking him out of our ties.
05:25There's money here!
05:26Search everywhere!
05:34All right, John.
05:35There's only one right now.
05:36There's only one man guard in the house.
05:39What's troubling you?
05:41Right.
05:42Polly, you know what it's been like since Martha died.
05:46God takes the best first.
05:48Truth is, my kids have been running bloody rings around me.
05:54Running barefoot with the dogs until all hours.
05:58Oh, give them ten bob for some new shoes.
06:00Is that it, John?
06:01Tommy, we'd be better to do this without you.
06:05Now, what's your point?
06:08What the kids need is a mother.
06:14So that's why I'm getting married.
06:17Does this poor girl know you're going to marry her or are you just going to spring it on her
06:22all of a sudden?
06:22I've already proposed and she said yes.
06:26I think there's a shell about to land and go bang.
06:34It's Lizzie Stark.
06:40John, Lizzie Stark's a strong woman and I'm sure she provides a fine service for her customers.
06:46I won't hear the word.
06:48Understand, do not use that word.
06:51What word is that, John?
06:54You know what word that is.
06:56Everybody bloody knows.
06:58Everybody can go to hell.
07:00Whore, that word.
07:01Or prostitute.
07:03How about that one?
07:04Right, I want it known.
07:06If anyone calls her a whore again, I will push the barrel of more revolver down their throats
07:13and blow the word back down into their hearts.
07:15Men and their cocks never cease to amaze me.
07:19John, Lizzie Stark never did a day's work vertical.
07:22She's changed.
07:23Alright?
07:24People change.
07:25Like, like, like, with religion.
07:27Oh, Lizzie Stark's got religion, eh?
07:30No, no, she doesn't have religion, but...
07:33Well, she loves me.
07:36Now, listen.
07:37Now, Tommy.
07:38I won't do it without your blessing.
07:41But of all the people in the world...
07:45I want you to see it...
07:49as brave.
07:50Oh, it's brave, alright.
07:51Brave is going where no man's gone before.
07:55And with Lizzie Stark, John, that is really not what you'll be doing.
07:59Listen, Tommy.
08:00Welcome her to the family.
08:02As someone who's had a hard life.
08:05Alright?
08:06Because I need someone.
08:09Alright?
08:10The kids need someone.
08:13Tommy!
08:13We've been done over!
08:15What?
08:21Jesus Christ!
08:23What the bloody hell happened?
08:25The ladies.
08:27All of them.
08:29Cousins, nephews.
08:30Even the bastards.
08:32They've taken anything they can lay their hands on.
08:37Four cash boxes.
08:41I left these.
08:42Wire cutters?
08:44I mean, why would they leave wire cutters?
08:45Nobody move.
08:49I think our friends are playing the game.
08:51What game?
08:52Oh, don't.
08:53Don't.
08:54Anything.
08:57Erasmus Leigh was in France.
09:00Shit.
09:05And we gave up ground to the Germans.
09:09We'd leave yarn booby traps.
09:12Fill up with wires.
09:14And we'd leave wire cutters.
09:16As part of the joke.
09:18Somewhere in here there's a home grenade.
09:21Holy Jesus.
09:24Attached to a wire.
09:27Don't move any chairs.
09:31Don't open any doors.
09:35Go easy, John boy.
09:37Easy.
09:38No.
09:39Boys, no.
09:41It's not in here.
09:43If it was in here it would have blown by now.
09:46It was my name.
09:47On that bullet Erasmus sent.
09:51He set up a trap alright.
09:56He set it up just for me.
10:10He's been in.
10:12He didn't stay exactly where you are.
10:16He-he, I was pretending I was you.
10:22Which door did you open to come in for?
10:24I didn't. I climbed in.
10:27I want you to climb out exactly the same way you climbed in, OK?
10:34No, no, no, Finn!
10:37Clear!
10:38Clear!
10:39Clear!
11:01That's why you should never pretend to be me, OK?
11:06OK?
11:44I got you ten minutes for talk.
11:49You can't even say thank you. It's easier to see the poor these days.
11:52Look, I was only going out of here.
12:07Bye.
12:24Put your hand on the Bible.
12:26Well, I believe.
12:29Anyway, I didn't come here to lie.
12:32This war is cutting us all off.
12:42You're all children.
12:44Say enough.
12:46Your boys tried to kill me.
12:48Didn't work.
12:52So I'm beneath the edge of hope, Robynary.
12:59What do you think about it?
13:01I'm glad you asked Saldredes.
13:04No wonder you won't touch a Bible.
13:06I have ambitions.
13:08You want to play a switch?
13:10I need your boys.
13:11For what?
13:12Kimber's not the brains.
13:14There's a Gadz here who runs the races.
13:16I'm collecting smart people, but I need strong men, too.
13:21Now, you boys should know this.
13:24We now get the winner in one of every three races before the race even starts.
13:28No need for chokers or rafflers.
13:31I'm talking certainties.
13:32You come in here boasting you're going to do someone down,
13:34and in the same breath ask me to trust you.
13:39On my mother's side, we are kin.
13:44That's a nice avoir bin, just we need a familia.
13:57Ada, can you do my back?
14:02Ada.
14:05I know what was in the envelope.
14:08I looked.
14:10Money.
14:11And that bloke that we met in London who you said was a Frenchman.
14:14He was Russian.
14:15I'm not an idiot, Freddie.
14:16How is it that you take all the risks and Stanley Chapman gets the money?
14:22It's money for the cause.
14:24You're blind.
14:26I would be if your brothers had anything to do with it.
14:28This isn't about them.
14:30This is about you.
14:31And me.
14:32And this.
14:37You're a dreamer, Freddie.
14:41You give money away while we rot in here.
14:45You talk about revolution.
14:48I need to know.
14:54Who are you loyal to, Freddie?
14:59I said, who are you loyal to?
15:27I said, who are you loyal to?
15:40Did you have something to do with this?
15:44I asked an acquaintance for an address.
15:47She said she'd only give it to me anonymously.
15:49She was afraid of the consequences.
15:53Who's address is it?
15:55Tommy, I'd like to suggest a strategy.
16:18Your message said, you have an address for me?
16:29You promised me Freddie Thorne.
16:35It's instead of Freddie Thorne.
16:38No deal.
16:39Inspector, Stanley Chapman is a bigger fish than Freddie Thorne.
16:46He's currently holding £200 in cash given to the Communist Party by the Russian government.
16:55That's right.
16:57Chapman has snow in his boots and all you need is a shovel.
17:01If he talks, you'll have proof.
17:05You might even get that medal.
17:11Now, before I give you the address, I want your word that you'll let Freddie Thorne and my sister leave
17:21the city.
17:26Very well, you have my word.
17:33I say our little truce is proving quite productive for both of us, Inspector.
17:37I'll get information and protection.
17:43And you?
17:46Well, you get Bolsheviks.
17:55But on a more pressing matter, I'm afraid that Mr. Churchill is becoming impatient.
18:05And I fear that if you don't get back those stolen weapons soon, I will be replaced.
18:14That'll be the finish for me, that's for sure.
18:17When my business with Kimber is done, the guns will be returned.
18:21That was the deal.
18:22And I'm in your hands completely.
18:26You hold all the cards.
18:30But I hope to God that my dismissal doesn't come before your decision to hand back those guns.
18:37And I say this for your sake.
18:39Because if I were to be fired and it were your fault, I would do things that would shame the
18:49devil.
18:49Well, my fury is a thing to behold.
18:56On my last day in power, for example, I would see to it that you and your scum brothers have
19:04your head stoved in with mallets and spades.
19:09And your sister too.
19:12A baby insider would be of no consequence to me.
19:16The only one to be spared would be your little brother Finn.
19:22He would, however, be lifted as a juvenile and dumped in that part of the adult prison where men have
19:31the most appetite for boys like him.
19:36Oh, that would be a dark day indeed, Mr. Shelby.
19:39If my dismissal comes before your decision, you understand.
19:49I know this.
19:53The clock is ticking.
20:09I know this.
20:34I know this.
20:37.
20:46Stanley, get in!
20:50I've got a knife, mate!
20:51I've got my knife, mate!
20:52I've got my knife!
20:52Stanley!
20:53Oh!
20:58I've got my knife!
21:00Ah!
21:01Ah!
21:02Ah!
21:02Oh!
21:02Look what we found.
21:03Ah!
21:04I've seen Stanley Chaplin really does have snow in his boots.
21:17Mr. Chaplin.
21:20You're fucked.
21:37He, er, still refuses to say where it came from.
21:42I'm sure with a little persuasion, he'll tell us everything he knows.
21:48Including the whereabouts of Freddie Thorne.
21:52Sir?
21:53Your face is a picture.
21:55I thought you'd done a deal.
21:57Oh, is that what you thought?
21:59Well, you gave your word.
22:02My word.
22:06Do people still talk about such things in this idiotic century?
22:10My word to who?
22:14To a Peaky Blinder.
22:17My.
22:19Go and interrogate Mr. Chaplin until he tells us where we can find Freddie Thorne and his wife.
22:25The source of the money is of secondary importance.
22:30You think my campaign against Shelby has become personal?
22:35Correct.
22:36Spot on, as they say in London society.
22:40Now, go and interrogate Mr. Chaplin.
22:45And do not make the mistake of being too gentle.
22:49Right, sir.
22:56Oh, God.
23:01What do you think of being too gentle?
23:02Oh, God.
23:09Oh, God.
23:11Oh, God.
23:11Oh, God.
23:12Oh, God.
23:13God.
23:13Oh, God, God.
23:23Today's her birthday.
23:27I know you never miss it.
23:29And I'm lucky you're not a copper.
23:32What do you want?
23:33I came to warn you.
23:36They've lifted Stanley Chapman.
23:39How do you know?
23:40Police don't spill that information.
23:42I know because it was me and Tommy who took them off.
23:44Tommy did a deal.
23:46Returned a safe passage for you and Ada.
23:47He's given them Stanley and the money.
23:50Money? What money?
23:55Who told you about the money?
23:56Who do you think?
23:59Yeah, it was Ada's idea.
24:01That's how desperate she is to get out of that rat hole you're keeping her in.
24:07She didn't mind if you knew.
24:09She just didn't want to be here when you found out.
24:11Sometimes women have to take over.
24:13Like in the war.
24:14Who the hell do you think you are?
24:15You fucking shardous.
24:16Don't you swear every mother's grave?
24:20You play your tune.
24:22You expect the whole world to dance to it.
24:23You don't have time for this, Freddie.
24:26You did a deal for me.
24:28You did flatter yourself.
24:29For Ada.
24:30And you think this copper will keep his word?
24:33If he does, you're safe.
24:35If he doesn't, Chapman will give you up.
24:37You'll still have to leave town.
24:38Same result.
24:40So neat.
24:41So leave.
24:43Except there's one thing that you got wrong.
24:45Stanley won't be able to give up my address because he doesn't know it.
24:49That's how it works.
24:51None of us know each other's addresses.
24:54So you've wasted your fucking time.
24:58And they'll keep beating him and beating him for information he doesn't have.
25:02So all you've done is sign the death warrant of a good man.
25:07So you won't leave?
25:09No.
25:09I won't fucking leave.
25:11And if you want me out of Birmingham, you'll have to be in a wooden box.
25:20You'll lay your hand on our aid and I'll put you in a wooden box myself.
25:34But there's a stubborn one there, Ari.
26:04You told me to carry on.
26:06I want you to stop.
26:08He had some kind of seizure.
26:16So you killed him.
26:19Did he give you an address?
26:22What's the matter with you?
26:23He fell down some stairs.
26:24This is not bloody Belfast.
26:27Not yet, but if men like him get their way, it soon will be.
26:31So find some stairs, throw him down and call the coroner.
26:37Use Grayson.
26:39If he has any awkward questions, ask about the welfare of his mistress and Southplay.
26:45That'll shut him up.
26:52Do you think I used to live in a shithole like this?
26:55Bloody animals.
26:57The Shelbys really are doing an excellent job for us.
27:01We haven't lost a single penny to raffers or chalkers in eight race meetings.
27:05The bookies are purring.
27:07So we throw the dog a bone.
27:10I think so.
27:17Mr. Kimber, Mr. Roberts, come on, have a look around.
27:29After you.
27:30Come on, Frey.
27:31The cafe...
27:32Good luck.
27:32Good luck.
27:34Good luck.
27:35Good luck.
27:39We heard that the Leeds turned you over.
27:41You shouldn't listen to gossip, Mr. Kimber.
27:43This way.
27:43Come on, boys.
27:44Chop, chop.
27:44This way.
27:47Business is good.
27:50Especially since now you know which horse is going to win before you set the odds.
27:54Information is very much appreciated.
27:58All right, well, where are they?
28:01John.
28:02Lovelock.
28:03Scudbow, it's in here.
28:09This is my team.
28:11They will take up their pitch at your convenience, Mr. Kimber.
28:15John is the book.
28:16Scudbow is the bad man.
28:17And, of course, they bring around protection.
28:22Warwick, next Saturday, at least 50 yards from the beer tent.
28:55Gentlemen and lady, I have in my hand a legal betting licence issued by the Board of Control.
29:04So, the Shelby family has its first legal racetrack pitch.
29:14The Shelby family has its first legal racetrack pitch.
29:38These cigarettes have a strange smell, Arthur.
29:41They smell like rotting water.
29:45Look, rats have gotten into some of them.
29:48They're stolen, are they not?
29:50Don't ask.
29:51They smell because you keep them in a boat.
29:53What are you, Ken?
29:54Can you come and check my adding up, please?
30:02You know, you should make a new start for this place.
30:05Do it properly.
30:06These cigarettes are not for to sell.
30:08Smells like Gallipoli.
30:10You should find a new place to store them.
30:12It has to be far away from coppers.
30:15But not rats.
30:16All the wharves have rats, Grace.
30:20What's wrong with a dry warehouse?
30:22Tommy's orders.
30:25What orders?
30:27Always keep contraband near petrol boat moorings.
30:31Don't boats get searched?
30:32We moor them at junctions.
30:35So there's more than one way out.
30:37Now, it looks within a mile, so we can move that stuff fast.
30:42Your brother doesn't obey the law, but he has rules.
30:45Versace man, your brother.
30:47Is my heading up, Rach?
30:48It is now.
30:52One.
30:54Two.
30:55Three.
30:57And four.
30:59And we'll search them one by one.
31:07Please, Lord, at that which I seek, be fine hair.
31:27Not so much as a bullet, just more cigarettes and whiskey.
31:41Arthur tells me you've been asking questions
31:45about how we run our business
31:48and how we get our booze
31:49and where we keep it.
31:51I'm just trying to hunt.
31:55Assuming we go for a walk.
31:58Where to?
31:59Come on.
32:01Come on.
32:10Why here?
32:14You're a good Catholic girl, aren't you?
32:18Yes.
32:19Well, then you know it's here people come to confess.
32:24After you.
32:36Well, here it is, Grace.
32:40I confess.
32:43I need someone.
32:47Kimber has an advisor by the name of Roberts.
32:50He talks well.
32:51Keeps the accounts.
32:53Runs the legal side of the business.
32:56And you need a Roberts?
32:59Arthur tells me you have ideas.
33:01I'm not an accountant, nor a lawyer.
33:04No.
33:05No, but you have something I need.
33:08Class.
33:12I need someone who looks right at the big meetings.
33:15Epsom.
33:16Ascot.
33:16Is this a job interview?
33:18Arthur says you're good with numbers.
33:19Well, that's relative.
33:21He's quite poor.
33:23You keep the books in order.
33:25They're chaotic.
33:27But you're a liar.
33:34No Catholic girl would enter a church and forget to make the sign of a cross.
33:41You're very perceptive.
33:42First you lied to me about that pub you used to work in.
33:45Now I find out you're a Protestant.
33:50Do you care?
33:51No.
33:53I like to fit in.
33:56You pull a pint like someone who's thinking about it.
33:59This isn't an interview.
34:00This is an interrogation.
34:01Sit down.
34:08Look, Grace.
34:12You're washed up in a place you don't belong.
34:14For whatever reason.
34:17My good fortune.
34:18And perhaps mine.
34:26You know that most of what I do is illegal.
34:28I'm not blind.
34:30And yet you'd still be willing to work for me.
34:35Are you offering me the job?
34:41Then I accept.
34:44There's something else you should know.
34:47A very important detail about my reasons for employing it.
35:11You disappoint me.
35:16Do you resign?
35:20No.
35:23My appetite for the work has only increased.
35:32Tomorrow I'll show you around.
35:46Lizzie.
35:48Hello, Lizzie.
35:51That bag looks heavy.
35:53Jump in.
35:54It's T's.
35:55You like kids?
35:57Yeah.
35:58Good.
35:59Because John's got four of them.
36:02It's all right.
36:03I'm not going to try and talk you out of it.
36:21I just want to talk.
36:23You're not against us.
36:26John is his own man.
36:28And you're your own woman.
36:34Now, Lizzie.
36:36Since I came back from France, I've come to you on any occasion.
36:41Tommy, you didn't tell him.
36:43No, I didn't tell him.
36:45Just like you didn't tell him.
36:48Now, why didn't you tell him, Lizzie?
36:51Why didn't you tell him that you've been serving his brother for the past two years?
36:57Because the past is the past.
37:01I don't want to lose him.
37:02He's a good man.
37:04That was the answer I was hoping you'd give.
37:06The past is the past.
37:08You see, our John says you've changed.
37:10And I believe him.
37:11And that's good.
37:13Change is good.
37:16These are new times, I'm told.
37:22So I wish you both every happiness.
37:25And I want you to see that as my wedding gift to you.
37:31And our farewell.
37:33The pleasure's gone by.
37:47You mean, one last time?
37:52One last time.
37:54You and me.
37:58Save bloody pounds.
38:20So where should we go?
38:25Tommy, should we go to my lodging?
38:30So the past is not the past.
38:35You can keep the money, Lizzie.
38:36Just get out of the car.
38:37Tommy, please.
38:38Just get out of the car.
38:39I love him, Tommy.
38:40Really.
38:43Really.
38:52John will make his own decision.
38:55But he will have the facts.
39:00Your brother is ten times the man you are.
39:14Oh, that I have no doubt.
39:35He's obviously not stupid.
39:38All we found was stolen tobacco and whiskey.
39:40Would you have left in place?
39:42Of course.
39:43It would never endanger you.
39:50You're doing well, Grace.
39:53I've been working on Arthur.
39:55He's easier.
39:56And Thomas.
39:58Yes.
39:59Less intelligent.
40:01Yes.
40:03Is that a word you'd use about Thomas?
40:06It's your word.
40:09He has promoted me.
40:11He wants me to be his bookkeeper and secretary.
40:16A God's rope gangster with a secretary.
40:20The pretensions of these hoodlums are quite breathtaking.
40:23Are they not?
40:25Yes, quite breathtaking.
40:30He's obviously fallen quite heavily for you.
40:34I thought you'd be pleased.
40:36I just hope you remember who you're dealing with here.
40:39A man who cuts off ears and cuts out tongues.
40:43I know what he is, sir.
40:47The difficulty with undercover work, Grace,
40:49is to remember what you are.
40:53I come here with good news and I get this.
40:59Grace.
41:18I need a favour.
41:21I want to borrow the car.
41:23I want to take Lizzie for a ride in the country with the kids.
41:26I'm going to celebrate getting the licence.
41:28That's the problem, John.
41:31I need the keys.
41:35Look, John, you're my brother.
41:39There's something I have to tell you.
41:43Yesterday, in the front seat of that car,
41:46I offered Lizzie some money.
41:49And John, she said yes.
41:55Now, that's a fact.
41:57You do with it what you want.
41:59You take the keys.
42:01Take Lizzie to the country.
42:03Marry her.
42:04If you want.
42:06But you have to know,
42:09she said yes.
42:11Oh.
42:12Oh, yes.
42:12Oh, yes.
42:14Oh, yes.
42:15Oh, no.
42:16Oh, yes.
42:18Oh, yes.
42:19Oh.
42:30Oh, yes.
42:33Oh.
42:54Get another glass.
43:06Can you make a toast?
43:08I'm Irish. I can make a million toasts.
43:11May you be in heaven a full half hour before the devil knows you're dead.
43:22What are we celebrating?
43:24Contract of employment.
43:28Bookkeeper, Shelby Brothers Limited.
43:31Don't like that word, limited.
43:34To be respectable, you have to be limited.
43:36That's what worries me.
43:39I had the phone put in.
43:43It's in the back.
43:46Well, if we knew someone else had a phone, we could call them.
43:52And since we're celebrating,
43:55I had this delivered from Rackham's department store.
44:02Would you open it?
44:05No.
44:07Save it for a special occasion.
44:10Right, your first job for the company.
44:13I want you to get that to my sister.
44:15I don't see her.
44:16No one does.
44:18She's hiding from me.
44:21I'm told she goes to a bathhouse on Montague Street on women only days.
44:27She goes in disguise, so I need to get someone inside.
44:30What am I delivering?
44:34It's an invitation.
44:36To a family occasion, I want her there, so tell her there'll be a truce.
44:40Am I delivering bait for a trap?
44:43If you check that contract, I think you'll find it doesn't say anything about asking questions.
44:48Just give her the invitation.
44:51And put that thing in a cupboard till I say.
44:54Just give her a consultation.
45:09To a family is a school project,
45:12No, no, no.
45:13You're not alone.
45:13No, no, no, no, no.
45:14No, no, no, no, no, no.
45:17No, no, no, no.
45:17No, no, no, no.
45:18No, no, no, no, no.
45:36What the hell, John?
45:37I couldn't get it, Lee. Couldn't even do that.
45:40What do you want to be smoking that for?
45:42Same reason as you.
45:44Pain in the head.
45:56I spoke to Lizzie.
45:58Told her what you told me.
46:02She said your brother Tommy is a dirty liar.
46:06But then I spoke to her sister and her cousin.
46:09Bought them a couple of drinks.
46:12Just a few regulars, they said.
46:15That's warm.
46:18To keep the wolf on the door, she still sees.
46:20A couple of regulars.
46:24And that's the thing I'm an idiot.
46:36I think you're the first Shelby in history
46:39to have a legal licence for anything.
46:44What would our grandad say, eh?
46:47He'd be turning in his grave.
46:50Honest bloody money, eh?
46:53In this house.
46:54Here.
46:55You always used to do voices when we were kids.
47:01Well, we're not kids now, John.
47:06But we still have to look out for each other, right?
47:11Yeah.
47:15Come on.
47:17Come on.
47:17Go home.
47:19Get some sleep.
47:21We've got a big day tomorrow.
47:23We have?
47:26Tomorrow, we finish the war with the Lees for once and for all.
47:31Since when?
47:32Since just now.
47:35Ten o'clock tomorrow.
47:39I'll be ready for anything.
47:49How'd you get, boys?
47:53Ready, boys?
47:56John, ready?
47:57Yeah.
47:58Yeah, I'm fine.
47:58Have a drink.
48:07I'm fine.
48:08What?
48:08What are you staring at me for?
48:10What?
48:11Good.
48:12Let's go.
48:15What?
48:27Tommy, what are you staring at?
48:29We're in Shotgun Ranch.
48:36John, before you go into battle, there's something you're going to need.
48:43What are you bloody doing, Tommy?
48:47Smile, John.
48:48It's a wedding.
48:49It was bloody wedding.
48:50Now, if we told you, you wouldn't have come.
48:53There's a girl in the Leigh family who's gone a bit wild, and she needs Malia.
48:58Oh, fuck.
48:59John, boy!
48:59John, John, boy!
49:00What?
49:01John!
49:02You have no bloody watch.
49:03Tommy.
49:04Listen to me.
49:05Listen to me.
49:08A girl who needs a husband, a man who needs a wife.
49:12Tom, I'm not bloody marrying some fucking mushroom picker.
49:17Shh, John, boy.
49:18Come on.
49:19Listen.
49:21I've already betrothed you.
49:24So if you're back out now, there's going to be one fucking mighty war breaking out here
49:28that's going to make the Somme look like a fucking tea party.
49:32But if you marry her, our family and the Leigh family will be united forever.
49:39And this war will be over.
49:40Now, it's up to you, John.
49:43War.
49:45Peace.
49:49Let go of me.
50:04Right.
50:05You should see the size of her dad.
50:08A what?
50:10Her dad's given you a car.
50:21Well, they do.
50:29They'll do.
50:30Yay!
50:38Here she is.
50:39She'd better be under 50.
50:42Come here.
50:43Go on.
50:53We're here today to join in matrimony.
50:56This man.
50:58And this woman.
51:00You look well.
51:02And harmony.
51:04And togetherness.
51:07Which is sanctioned and honoured by the presence and the power of these two families around us.
51:15Do you, John Michael Shelby, take Ismay Martha Lee to be your beautiful wife?
51:20To have, to hone through sickness and health until death.
51:25And to have, to hone through sickness and health until death.
51:26Family day.
51:28Your husband couldn't make it.
51:30He's not speaking to me.
51:32And when he does, he calls me a fucking Shelby.
51:35even though I'm a thorn now thorn in my side that's for sure my god Tommy you
51:45admire him don't you there remains one more part of the ceremony it's the
51:49mingling of the two bloods but the two families become the one family I now
51:59pronounce your man and wife
52:34yeah
52:36oh
52:39yeah
52:41yeah
52:41yeah
52:41yeah
52:43yeah
52:45yeah
53:01And again! Come on, bring me round here!
53:04You should tell Ada to slow down.
53:06Didn't she listen to me?
53:08Tried stopping her, but she's been drinking.
53:11Been stuck in that little basement for weeks, what do we expect?
53:13She's going off like a firecracker.
53:16Oh, Christ, Tommy, please.
53:21All right, it's Ada.
53:23Come, I've got rest. Sit down.
53:24Come and look, Esme.
53:26Come and look at the family you've joined.
53:28Come and look at the man who runs it.
53:30Chooses his brother's wives for them.
53:32He hunts his own sister down like a rat,
53:35and he tries to kill his own brother-in-law!
53:37And now he won't even let me have a fucking dance!
53:41Not even at a fucking wedding!
53:43Sit her down.
53:44Calm down, Ada.
53:45Ada, calm down.
53:48Holy shit.
53:50Water.
53:51Right.
53:52Come on, Ada.
53:53Bloody hell, you go and pick your toys.
53:56Come on, Tom.
53:57Come on.
53:57Come on, lads.
54:03Down it, down it, down it!
54:05Whoa, whoa, blow her up!
54:07Blow her up.
54:08Nice and easy.
54:09Restoring your fucking life off her.
54:11Right, we're here.
54:15Come on.
54:18Nice car, John.
54:20How's she run?
54:21Yeah, beautiful.
54:22Really smooth.
54:23Your sister's in there giving birth.
54:24You're talking about the bloody car.
54:25Not much us men can do now, Paul.
54:27Except go get drunk.
54:28Right, come on.
54:29This one man should be here.
54:35You're right, Paul.
54:37Freddie should be here.
54:39He's got a heartbeat I hear inside that chest.
54:42The truth lasts till sunrise.
54:44On my out.
54:45Tell Freddie it's safe.
54:46Ada!
54:48Right, boys.
54:49That's what this baby's had.
54:54Keep going.
54:55That's right.
54:56Oh, sure.
55:02I think it might be the wrong way around it.
55:05I'll tend to three sisters.
55:09Yeah, I think you're right.
55:10We should be here for you.
55:11Come on, Ada.
55:13Right, come on.
55:15It's not long to go now, darling.
55:19Push.
55:20Two.
55:20Three.
55:22Two beautiful women.
55:24Oh, I should go.
55:26I should go.
55:27It's not very much.
55:28Now, you sit down.
55:30You'd rather be among women when there's a baby coming.
55:33Have another.
55:33So you think her husband would take the same advice and stay away?
55:36No, I'm afraid he'll be there.
55:39Nothing will keep him away.
55:41Tommy said it's all right for him to be there.
55:43Is that right, Tommy?
55:45It's right.
55:46I'm all out tonight.
55:52You know what, John?
55:55I think it's that lovely barmaid,
55:58that pretty barmaid that just walked out
56:00that's made our brother go all soft.
56:03Drink to that.
56:20Ada!
56:26Come on, open up.
56:32There you go, look.
56:38It's beautiful.
56:43It's a boy, Freddie.
56:52It's a beautiful baby boy.
57:05There you go.
57:08Welcome to the world, son.
57:12Welcome.
57:17Freddie?
57:19He can't come in here.
57:20There's a baby.
57:21Freddie!
57:22There's a baby.
57:23Don't do this all.
57:24Don't hurt him.
57:25Freddie!
57:27You're hurting him.
57:28Leave him alone.
57:29You're hurting him.
57:29You're taking me away from me.
57:32Ada!
57:33Freddie!
57:50You mind me to open that champagne, though?
57:54It's a boy.
57:58Holly!
58:00Holly!
58:00Holly!
58:01Holly!
58:03But the police came and took his father away.
58:05Don't you dare look at me like that!
58:17You liar!
58:18You liar!
58:37It was good in the house.
58:38You liar!
58:46You liar!
58:47Take a little walk to the edge of town...
58:51And go across the track...
58:53It was good in the house.
58:57You liar, I'm sure you didn't know it.
59:01You liar!
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