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16:13I can't see if they were one of your customers there.
16:19Can we do it first?
16:25Come.
16:27Let me take your hand.
16:44One night to be confused.
16:47One night to speed up truth.
16:50We had a promise paid.
16:52Four hands and then away.
16:55Both under influence.
16:58We had given sense.
17:01To know what to say.
17:04Mind is a grace of faith.
17:07To call from hands of above.
17:11To we know.
17:13Wouldn't be good enough.
17:17We know.
17:23One night a magic rush.
17:27The stars a simple touch.
17:29One night to push us crazy.
17:33And then we dream.
17:34Ten days of broken till.
17:37The sun is red and blue.
17:40We had a promise paid.
17:44We were in love.
17:48To call from hands of above.
17:52To be known.
17:54Wouldn't be good enough.
17:57To be in love.
17:59To call from hands of above.
18:02To be known.
18:05Wouldn't be good enough.
18:09And you.
18:12You knew the hand of the devil.
18:19And you.
18:22You knew the hand of the devil.
18:35How'd he ask it to go home.
18:42What's going on?
18:51What should I say?
18:53What should I say?
18:54And later,
18:55everything does want to be...
18:58...
18:58..
18:58...
18:58What a hint of nothing came.
18:58The arrow is tied
18:59Shit!
19:09Hey, there, koagile, he's very good.
19:11I'll do the same thing.
19:25A red ledstierna.
19:33Oh
19:57What do you say there?
19:58Hold on, Link!
20:28...and what do I say there is a magic max.
20:30...and what does this look like?
20:33...we get this a new one.
20:36...and what do I say there is a magic fin?
20:38That's it!
20:52...and what do I say there is a magic fin?
20:55Oh, sure, sure.
20:57I'm going to talk to you.
21:06Don't worry.
21:09Don't worry.
21:10Don't worry about it.
21:12Oh, Finn!
21:15Finn!
21:17Finn!
21:26It's 6.00pm, and this is the new one.
21:29The police still stands out in the case, with two deaths and one escape in Oslo.
21:35The Fremskrittsparty says that the police must be out of the room.
21:42When the police doesn't get out of the room, they must be out of the way.
21:47What are you talking about? You contaminate us.
22:06I'm not sure what's going on here.
22:12What's going on with that?
22:14No.
22:16It costs a 6.00pm.
22:19See you at the game of the album.
22:50I'm not sure what's going on here.
23:09Hey.
23:11It's because of me and Ole.
23:16But it's not that.
23:19It's because of the death.
23:22It's the only one who can decide to do.
23:24It's the only one who can.
23:33It's the only one.
23:42It's the only one.
23:47It's the only one.
23:50Let me hold on.
23:51Hey, Beate.
23:53I write a PETA-A-Gramm on a folio-arc 72 degrees between the överens.
23:56What's going on?
24:03I'm not sure what you're trying to do.
24:09I'm not sure what you're trying to do.
24:13Hey Harry, I thought you would take him to the other side.
24:16He's always.
24:20What do you do with him?
24:23I'm looking for our man.
24:25He's like the elders.
24:26Like the elders?
24:34Can I take the project a bit closer?
24:36Yes.
24:38Are you okay?
24:41Kelterne...
24:43Kelterne brukte pentagrammene til å bestemme hvor katedalene skulle ligge.
24:47PÃ¥ kassetten sier han at et femkantet kors skal vise vei, ikke sant?
24:51Se her. Camilla Lohen.
24:54Lisbeth Barley. Barbara Sensen.
24:57Dette er kartet han bygger etter.
25:06Dette er de andre.
25:10De går opp.
25:14Det er en kode vi burde ha sett for lenge siden.
25:18Fikk det i klartekst.
25:20Han merker alle de han har drept med en diamant.
25:24Hvilken form?
25:25Fem taget.
25:26Han har kuttet en av fem fingre, har vært av offrene.
25:29Drapene og forsvinningen skjedde i tre påfølgende uker.
25:33Ennåsvis fredag, onsdag og mandag.
25:36Hvor mange dager er det mellom her?
25:37Fem.
25:39Klokkeslett?
25:39Rundt fem.
25:40Det er det som er koden. Det er bare et siffer. Fem.
25:42Offrene er tatt ut fra det som virker som helt tilfeldige adresser.
25:45Men det er en likhet.
25:49Og det er ikke husnummer.
25:51Det er...
25:51Femte etasje.
25:53Femte etasje.
25:54Men hvorfor fem?
25:54Er det et ondt tall?
25:58Ja, det er meget brukt.
26:01Heksekunst og satanisme og solmagi.
26:05Vi har fem senser. Det er fem livs.
26:07Er det noe?
26:08Er det noe?
26:08Er det noe?
26:12Det viktigste mønstret her er dette.
26:15Han tegnet et pentagram.
26:17La det over byen og lot stjernetagene her peke ut i de stedene som han skulle drepe.
26:22Og så ventet han.
26:24Til rett dag, til rett tidspunkt.
26:26Han kledde seg ut som et cykelbud.
26:28Drog til Ullevålsveien.
26:29Ringt på femte etasje.
26:31Og den som svarte var Camilla Loh.
26:33Lisbeth Barli, da?
26:34Om han plokker henne ut på gaten, du vet han ikke at hun bor på femte våningen.
26:37Han plokker henne ikke ut på gaten.
26:38Han stod inn i gangen, så at så kom heisen fra femte.
26:42Så han følger efter henne ut på gaten, og...
26:45Uansett, da.
26:45Offrene er tilfellige.
26:47Nøkkelen her er åstedende.
26:48Om det var Willy Barli som hadde tatt heisen ned fra femte etasje den dagen og ikke kona,
26:53så er det han som ville vært offeret.
26:54Nå som vi har koden, så vet vi ikke bare hvor de neste to drapene vil skje.
27:00Vi vet... når.
27:01Og fem dager mellom hvert drap, det blir...
27:03På lårdag.
27:04I morgen.
27:05Og han jobber med klokka.
27:08Så det neste åsted er etter all sannsynlighet her.
27:10Det er studenthjem på kampen.
27:12Jeg informerer rett og forskningsgruppa.
27:14Nei.
27:15Vi har ikke råd til enda en lokkasje.
27:17SÃ¥ Tom og Delta sjekker studenthjemmet HB Alta, og jeg tar den femte adressen.
27:21Snakker du med?
27:22Ja, vi er her.
27:23Det er en masse enremslegenheter, men studentene er på sommerlov.
27:26Det finnes ingen femte våning.
27:27Ja, det er jo hus inne på selve situasjonsområdet her.
27:31Det er ikke noe femte etasje her, eller.
27:32Ok.
27:33Vi går inn og ser hva vi kan rygge til.
27:40God dag.
27:42Hei.
27:43Hei.
27:44Jeg kommer fra politiet.
27:45Jeg stiller en spørsmål.
27:46Følgelig i byplanskontoret ble det bygget i 1934 som tuberkulosehjem.
27:50Senere gjort ham til studenthjem.
28:02Ja.
28:03Det er sønnen min, da.
28:05Ja.
28:07Du...
28:08Ja.
28:09Du har kanskje lest om de drapene på de unge jentene de siste ukene.
28:14Ja.
28:15Jeg har jo hørt at det har skjeldt, men jeg leser sjelden om den slags.
28:19Nei, vi mistenker at du dreier seg om en selimorder, og at et av hans to neste mål på en
28:23synligvis.
28:29Ja, altså, kan sønnen din bo her hos deg i morgen?
28:34Eller om du kan bo hos ham?
28:38Han bor i utlandet, da.
28:40Det blir vanskelig, da.
28:43Men, skulle det gå bra om noen av oss her i morgen?
28:46Ja.
28:47Det er hyggelig.
28:48Hva er det som skal skje i morgen?
28:51Sannsynligvis ikke.
29:01Takk.
29:02Hade du verkligen tenkt å sige til henne at hun var nästa som skulle dø?
29:14Det er bra å gå litt rundt grøten ibland.
29:17Elmbræde, og sånn sier det.
29:18Så du har hørt om det? Det er bra iallafall.
29:21Jeg har vel aldri vært så god på å prate med folk.
29:27Kona de ble skutt på Kloss Hall.
29:29Det var ingen mening i det.
29:30Den ladningen gikk tvers gjennom hjernen, så den...
29:33...
29:53– Hey der. – Hei.
29:55– Er du den gruten? – Tror du jeg fant ut av den koden?
30:02Eh...
30:02But what?
30:06No, it's...
30:08It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like that he's removed from the offer.
30:17Yeah, he's cut his finger on the right hand in the right hand.
30:21He starts with the finger finger, so the finger finger, so the finger finger.
30:53A little systematical there.
30:54I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:03Promise.
31:05I can't promise that.
31:09I'm pregnant.
31:17I...
31:27Please, say something.
31:37Visit my mother.
31:39What?
31:40You're always wondering what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother in the city?
31:52Where else could I miss Anna?
31:55What?
31:59Since you are carrying our child now, I need you to know exactly what I do.
32:08What I really am.
32:40What are you doing?
32:41What are you doing?
33:02Are you very sure that you don't want to try anything better?
33:05Yes, thank you. I know.
33:09There's nothing to do with it.
33:13No. It matters life in general.
33:23This is a real coffee. It's much better than your coffee.
33:30This is what we did at home.
33:41I can't wait to see it on me.
33:46What?
33:47We're not together.
33:51I can't wait to see it on me.
33:52I can't wait to see it on me.
33:54I can't wait to see it.
34:00If we want, we want to see it on me.
34:08I like to see it on you.
34:12I like to see it on me.
34:24I don't know.
34:27I can't wait to see it on you.
34:32I…
34:33I…
34:35I can't…
34:36Oh, it's a great place.
34:42It's okay.
34:53Is it Rachel?
34:58Oh my God, it's full of dags.
35:07I wonder if I can go to the theater.
35:15Sorry, I'll just...
35:21You have a new letter.
35:23It's time 19.45.
35:26It was...
35:30It was nothing.
35:44It was nothing.
36:05Hey.
36:06It's...
36:17It's...
36:18It's...
36:22It's...
36:26Is that what you want to find out?
36:33Harald is loving her...
36:36...of her?
36:39She's a little bit with her lady here, too.
36:42She's nice.
36:46And she's...
36:50...a very dangerous person for me.
36:53And you.
36:57Yeah.
36:59Okay.
37:04What I'm trying to say is that...
37:11...that my lady has died more in my life than anything else.
37:16Now I'll help you.
37:20And you can let her sit down.
37:22You can stop there, okay?
37:25Yeah, if I also don't manage to stop.
37:32If you...
37:35...if you don't dek her again...
37:39...then...
37:39...then you're...
37:49...and you're doing better.
37:55I don't know.
37:55If you and mother are together again,
37:58then we will never drink again.
38:18I don't have my microphone.
38:21Don't you have to sound right now?
38:23I cannot.
38:24Does that sound right now?
38:24I don't have any respirator.
38:26I mean, I'm not a virus in the moment.
38:26I'm wondering about it.
38:27You are listening to it.
38:28I'm not an eye-winter.
38:30Do you think the guest has agreed to close and stay in between 4 and 6?
38:34Yes.
38:36Is it good?
38:37Yes.
38:38We're going to be in a few hours before 5.
38:4024 people in all.
38:411 on 3.
38:41Gas, gas, gas, gas.
38:43They're ready to auction on the bus.
38:45Do they have it when they hit it or try to take it back?
38:50We'll just wait until 5 o'clock.
38:52We'll be fine.
38:57Amlon in the morning, I'll find you at 6 o'clock.
39:01That's fine.
39:03What do you want to do?
39:05I thought a dress.
39:07I bought it in Hegdal-Svein, in May.
39:09It's dark.
39:11Yes, that's the dress you have.
39:13Yes, it's definitely the dress.
39:15Yes.
39:19Yes.
39:19But you, I...
39:23What?
39:26I actually said yes, because...
39:30I thought it was a good reason to...
39:35It's something I want to tell you.
39:38Okay.
39:41Yes.
39:43But we'll take it when we see you.
39:46Yeah.
39:47Have a...
39:48Have a...
40:08What happened?
40:09Where did we happen?
40:10We had a civil officer to get out of the house.
40:12Yes.
40:12Love you.
40:13Some police officers have been told us today.
40:13we know that they have come out of the house to LA.
40:14That's what we need to get in the house to be in 303.
40:16But they're here.
40:17That's the one that I want to call 911 that's in the house.
40:17They're in the house to talk to the police station.
40:17They're in the house reminding us.
40:17The police officers are in the house to be in the house since then.
40:18They're sitting on the house and we've got a lot of friends'.
40:19So all the other are prepared.
40:26Then we'll get tea.
40:28You like tea?
40:29I love tea.
40:31Fine.
40:48Was it so much when your son was little?
40:51Kose and smile?
40:54He grew up together with me.
40:57I got married when I was 15 years old.
41:01That was a scandal.
41:05My husband had to send us back.
41:08But...
41:10How was it for you?
41:12You were so young and...
41:15You just sent out your son and...
41:20They gave me a choice.
41:22As they said, but you always have a choice.
41:26I'm in trouble.
41:28I know what he knows.
41:33What does he do today?
41:35He works with import.
41:37Yeah.
41:38I think he said that he importered goods from Europe.
41:42It's fine.
41:44It's not always been so.
41:46I would believe you'll find your archive.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He says so much about himself.
41:59But I think he found a friend like a friend.
42:02He told me he had a new one.
42:04He didn't want to say anything before he came home.
42:06He came home?
42:08Yes, he came home at night.
42:09He went home first.
42:11And then he went home to the town in the morning.
42:13And then he came back.
42:15To?
42:15To Pra.
42:17.
42:17.
42:39That's great.
42:41What happened?
42:41It's like a car that's coming.
42:45Do you think they're right here?
42:50I must have seen kilometer 303 go there.
42:54No.
42:57I'm gonna check it.
42:59I don't think there's a risk.
43:01No.
43:05Alpha to Charlie 2, come in. Over.
43:07Charlie 2.
43:08Klerer 303.
43:10Got it. Klerer 303.
43:35Klerer 303.
43:36I killedads, but it's too late.
43:37Klerer 303.
43:38Klerer 303.
43:42One girl and one girl.
43:43Begge ubevepnet, nakne og veldig i livet.
43:47Fuck!
43:49Bare få på de klær, ta den tilbake til posisjon, Charlie 2.
43:57NÃ¥ er det der.
43:59Den som gikk inn i gang, så er det ikke helt inn i heisen.
44:01Alpha til alle enigheter, mulig objekt, går inn i heisen. Stand by.
44:13NÃ¥ er det der.
44:36Mulig objekt, kom inn i sekto til Bravo 2.
44:51Mulig objekt, stikker hånda i lomma.
44:53Mulig våpen, sælger hånda.
45:06Hælta politiet! Stå i ro!
45:09Hælta endre!
45:11Læk dig ned!
45:12Læk dig ned!
45:13Læk dig ned!
45:13Læk dig ned!
45:15Læk dig ned!
45:17Læk dig ned!
45:39Læk dig ned!
45:42Læk dig ned!
45:44Læk dig ned!
45:46Læk dig ned!
45:49Læk dig ned!
46:04When Martin comes here, he's alone.
46:06Yes, I think it's a bit lonely here.
46:11Yes, but when Martin is here so often as he has been,
46:14he's going to complain.
46:16But he's been here for the last few days?
46:19Yes, one week or four weeks.
46:22No, it's actually often.
46:24Every 5th day he's been here.
46:26The last time he's been here, he's been here for me.
46:29The last time he's been here, he's been here for the last few days.
46:35Hi, it's a spontaneous event.
46:38I've been here to Marokko together with Georg, a guy I've met.
46:41We're going to live with his parents,
46:43in a small village village called Hassan.
46:47We've got a bad phone and network.
46:49I'll contact you once I come home.
46:52Just.
47:02When I'm out walking, I struggle, I stop.
47:05And I'm so slow, slow, slow.
47:07I'm high as a kite, I just might stop.
47:10No, no, no.
47:13When I'm out walking, I struggle, I stop.
47:15And I'm so slow, slow, slow.
47:17When I'm high as a kite, I turn my, stop.
47:21Checking out.
47:22Fighting beef, I stay my sheep.
47:25I don't even know why
47:27My girlfriend, she's at the end
47:30She is starting to cry
47:32When I'm talking
47:33Strongest I look at
47:35I'm so strong now
47:36I'm high as a guide
47:38And I just love my things
47:40I do, take a bow
47:41Let me go on
47:44Like I blister in the sun
47:46Let me go on
47:49Big hands, I know you're the one
47:53Body and beats, I stain my sheets
47:56I don't even know why
47:58My girlfriend, she's at the end
48:01She is starting to cry
48:02Let me go on
48:05Like I blister in the sun
48:08Let me go on
48:10Big hands, I know you're the one
48:34When I'm out walking
48:35I strut my stuff and I'm so strung out
48:38I'm high as a kite
48:40I just might stop to check
48:43When I'm out walking
48:45I strut my stuff and I'm so strung out
48:48I'm high as a kite
48:50I just might stop to check
48:53When I'm out walking
48:55Body and beats, I stain my sheets
48:56I don't even know why
48:59My girlfriend, she's at the end
49:01She is starting to cry
49:04When I'm out walking
49:05I strut my stuff and I'm so strung out
49:43Thank you
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