05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to tell me about that.
05:52What are you going to tell me about that?
05:54What are you going to tell me about that?
05:54I was wondering when you noticed.
05:55Oh.
05:58It's a cyanide rose finch.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Mm-hmm.
06:09Reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:25So, come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archaeology, Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, um, that's, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:14So.
07:15I'm going to have an apartment.
07:17You know, a place on campus from which you and I could live together.
07:28I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:32No, no, um, no, no, no, no, that, that, that is, uh, big, um.
07:41Big?
07:42No, um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:47No, I know.
07:47It's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:51Listen, I love that we get to meet up in hotels all over the world and that we actually
07:57want to have sex with each other all the time.
08:00But.
08:02I want this job.
08:05You know, I want to build a life that's mine, not just uncovering other people's.
08:13We have to make a decision.
08:15You and me, like, Tom, I, I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:38And I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:49Oh.
08:51Even in New Jersey?
08:57Especially in New Jersey.
09:01Oh.
09:11Oh.
09:16Oh.
09:17Oh.
09:18Oh.
09:19Oh.
09:19Oh.
09:21Oh.
09:22Hey. Uncle Brian. He's in London. Why don't you go downstairs, order some breakfast?
09:29The train's at 10.30.
09:52Lucy.
10:01Wow.
10:06Hi.
10:08Sorry. Brian talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian
10:27has called in a favor.
10:30Oh, my God. Are you kidding?
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42Well, I feel it's very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45Completely, yes.
10:58Don't.
10:59Stay there.
11:01It's almost over.
11:10Oh, that's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're travelling through previously occupied France.
11:19What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nine.
11:27For you.
11:44Hi.
11:44Hello.
11:46Uh.
11:48Sorry, I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51I don't have any phone.
11:57One second.
11:58Yeah.
11:59Alright, one second.
12:03You are on vacation with your wife?
12:05Oh, yeah.
12:07In the salon, Aron.
12:09Yeah.
12:10And he's not my husband, he's my boyfriend.
12:13I'm sorry.
12:13Yeah, if you're like, I can't put a friend.
12:17Okay.
12:18Okay.
12:29I'm sorry.
12:37I'm sorry, I'm sorry, I'm sorry.
12:37I'm sorry, but I'm sorry.
12:37You are, my boyfriend.
12:43Oh, yeah.
12:43I'm sorry, I'm sorry.
12:43...
12:45...
12:46...
12:47...
12:51...
13:08Ladies and gentlemen, hello, our TGV train from Marseille-Saint-Charles will arrive at Avignon in a few minutes, Avignon,
13:175 minutes left.
13:27Thank you very much.
14:04Did my boyfriend return?
14:06Mon ami?
14:08Uh, no.
14:10I know.
14:11Desiree.
14:13So weird.
14:15Where are you?
14:20Oh.
14:23Hi, this is Tom Parker.
14:25Watching him unavailable.
14:26Leave a message after the time.
14:39Tom?
14:46Oh, my God.
14:54Ladies and gentlemen, our TGV arrive in Gare d'Avignon in a few moments.
14:58Come to make sure to recover all your baggage.
15:01I'm sorry.
15:02I'm sorry.
15:05Got my hands.
15:09I'm sorry.
15:17Got my hands.
15:24I'm sorry.
16:24I didn't... I thought you were so...
16:27Yeah, just...
16:38Excuse me, did you see him walking?
16:43No.
16:51Excuse me.
16:54Is there a problem, madame?
16:55My...
16:55Mon ami?
16:57He's gone.
16:59He's...
16:59He...
17:00I can't find him.
17:01He's kind of...
17:02Desperou.
17:03He's gone to Avignon.
17:05No, we're supposed to go to Arl.
17:06Is-ce que vous avez essayé de l'appeler?
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:12He's asking you if you have tried to call him.
17:15Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:21But if he was leaning against a door and maybe fell into the track, is that possible,
17:25Matt?
17:25He's on the quête de savoir s'il aurait pu, éventuellement, s'appuyer contre la porte
17:28et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK.
17:43They only open at this place.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
17:47Je comprends très bien, ça, madame.
17:50Continue à l'appeler.
17:51Je suis sûr qu'il va finir par vous répondre.
18:02I'm sorry, I'm sorry, but what's in here?
18:07OK.
18:08It's in...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers sont pas autorisés à rentrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:16Elle a juste un oeil, c'est la rassurance.
18:17C'est le règlement, c'est comme ça, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux, may I please...
18:25Please look inside, I...
18:26Non.
18:26It's important, I...
18:28C'est contre-lange, je me l'ai dit.
18:32Oh, my God.
18:37Tom, I've been looking all over from you.
18:39Where...
18:41Tom, are you there?
18:53Tom...
18:54Tom...
18:54Tom...
18:55Tom...
19:29Do you know Marseille?
19:32No, no, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Arles, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been so helpful. Thank you. I'm just kind of... I'm...
19:52Where is the police station?
19:53Ah. It... You go down the hill. It's on your right. You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine. I'm... Positive this is all a big misunderstanding, so...
20:11You know, if you need help, I'm Hélène.
20:19Alice, thanks.
20:26So... Good luck, Alice. And don't worry. It's going to be okay.
20:33Bye.
20:34Bye.
20:35Bye.
20:35Bye.
20:36Bye.
21:15Excuse me.
21:16Can someone help me?
21:17My boyfriend's gone missing.
21:20Please.
21:25Do you know how many people are reported missing each day in France?
21:30Six hundred on a good day.
21:33Okay, well that cannot be an excuse to not help me.
21:36It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:49Just one second.
22:02I don't... I don't understand.
22:12How long have you known your boyfriend?
22:16Well...
22:17We've been dating for four years.
22:20We met in Jordan.
22:21That's where he heads the region for SOS Global.
22:24It's a...
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist.
22:37I'm a...
22:37Do you two or you fight?
22:40What?
22:41Fights.
22:42Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And you agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so you got off the train at Avignon without telling you, eh, voilà?
23:29He would never do that.
23:31You don't know Tom.
23:32I'm no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
23:57No less.
24:09Oh, oh, oh.
24:13Oh, oh.
24:15Oh, oh.
24:26Oh, my God.
24:59Oh, my God.
25:36Hey, are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:49Right.
25:51What's in there?
25:53Uh, uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:02Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you better hop in.
26:34Thank you!
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You, too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:14What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:55I know how to get dirty.
27:56I know how to get dirty.
27:56Yeah, that's a good thing.
28:10I know how to get dirty, right?
28:11Yeah, I know how to do it.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see the play.
28:54Let's see the play.
29:33Let's see the play.
30:20Let's see the play.
30:33Let's see the play.
30:42Let's see the play.
31:28Let's see the play.
31:43Oh my God, it's Tom.
32:12Let's see the play.
32:21Let's see the play.
33:08Let's see the play.
33:08Let's see the play.
33:31Let's see the play.
34:04Let's see the play.
34:37Let's see the play.
34:43Let's see the play.
35:00Let's see the play.
35:07Let's see the play.
35:14Let's see the play.
35:15Let's see the play.
35:18Let's see the play.
35:28Let's see the play.
35:31Let's see the play.
35:32Let's see the play.
35:38Let's see the play.
36:26Mr. Tom! Mr. Tom, I want you here!
36:30All right. Salma, Salma, one sec. Can you take these in there?
36:34Yeah. Just tell me, they need to be in the fridge right away.
36:46Hi. Who are you?
36:49I just gave Tom a lift. You broke down?
36:52Yes, he did.
36:53It's the second time this week. The man couldn't change a tire. His life depended on it.
36:58He said these need to be refrigerated.
37:00Right. I know.
37:04Wait, what's happening? Stay back.
37:12What's he doing?
37:17What's he doing?
37:19Stop!
37:20Go, stop, go, go, go.
37:21Hey, hey, hey!
37:23You're not taking him. You're not taking him!
37:25You're not taking him!
37:29No, no, no, no.
37:34You're not taking him.
37:37You're not the best of me.
37:49Yana!
37:51Who are they?
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli.
38:00Sell them to traffickers for a king's ransom.
38:04He's stopped them before?
38:06Yep.
38:07He may be useless with cars, but he could talk a dog off a meat truck.
38:19I don't know.
38:48You look like you need a drink.
38:53Something must have happened to Tom before it happened to you on.
38:56I just feel like the conductor had something to do with that.
38:58I mean, you saw him yourself, the way he was acting, all shifty.
39:01What do you think happened?
39:04Okay, this is going to sound insane, but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Oh, you're rich?
39:14No.
39:14So why would someone kidnap him?
39:18Maybe it's not about money.
39:20It's always about money.
39:25What is...
39:29Oh.
39:30Diabetes.
39:31Diabetes.
39:32Wow.
39:36Okay, so what do I do?
39:38The police are either useless or corrupt.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archaeologist.
39:55Yes, yes, yes.
39:56You're like me.
39:58You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone, so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:17Who has he been in touch with lately?
40:26Has he said anything strange?
40:30I don't know.
40:34Find something more than a piece of Twingo man.
40:37Maybe I can help.
40:39What do you think?
41:22Uncle Brian, he's in luck, he's in luck, he's in luck.
42:22It's a semi-rose finch.
42:23It reminds me of you.
42:24It reminds me of you.
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