Skip to playerSkip to main content
  • 9 hours ago
Bergerac S02E06 [Full Movie] [Watch Free Online]Full EP - Full
Transcript
00:10What else was I supposed to do?
00:12He told us the photograph of Bermuda. He knew we forged the guard.
00:16Where's his phone?
00:17You did take his phone, didn't you?
00:19Yes, he did.
00:22Move his car round the back.
00:26Then what? What were you going to do?
00:29What I always do, Michael.
00:32I'm going to clear up your mess.
00:35You have a fag.
00:38Emma was at yoga.
00:40You were all she could talk about.
00:43Such fun, she kept saying.
00:46Usually when she says fun, she thinks someone's deranged.
00:51But in your case, I think she really...
00:53Nigel!
00:58Where are you?
01:01Where are you?
01:10I think it's a good-looking man.
01:15I think we have to drill in the series with one of the two characters.
01:15Just ask.
01:15You're all you dealt with.
01:16I do not know.
01:16I know.
01:17I know.
01:23I know.
01:30the number you have dialed is no longer in service please check and try again the number
01:36you have dialed is no longer in
01:58I notice you still haven't undied me what's the what's the plan then you know strangle me
02:12gonna suffocate me that's up to you what won't hurt how about old age
02:19huh where's Alan now if he's not in Bermuda you're sitting on him
02:36wow okay
02:41they were fighting about Alan leaving and um Michael pushed him
02:49Alan hit his head on the table I came home and found them it was an accident but I knew
02:56how it looked and Michael wouldn't survive prison so we didn't tell anyone and we put Alan down here
03:09is that what no more secrets meant
03:13did Tony know and that's what got him killed
03:15I didn't kill Tony
03:17that was nothing to do with me
03:19what about Michael
03:19was it another argument
03:21that got out of control
03:22it wasn't Michael either
03:24but he did
03:27kill Alan
03:29so why isn't Michael here
03:31why am I having this conversation with you
03:33I'm stronger than him
03:36you've met him
03:37he's just a child
03:41do you have any children
03:44yeah
03:45yeah I do I have a daughter
03:48she's called Kim
03:49she's actually leaving Jersey
03:51in 24 hours
03:52she's
03:53she's going to this big music school
03:55don't tell me about her
03:57sorry
03:58but I know what you're doing
04:15don't you want to protect her
04:17I want her to be brave
04:20I want her to take responsibility
04:22for her actions
04:23must be lovely
04:24loving someone like that
04:26you're crossing a line now
04:29both of you are
04:31listen
04:32Michael
04:32Michael
04:34complete manslaughter
04:35he could just be looking at a few years
04:37and you
04:37helping him conceal it
04:39you're his mum
04:39even the jury will understand that
04:41you might even get a non-custodial
04:42but if you kill me now
04:43I swear to god
04:45we're talking life
04:45no for all
04:46no
04:47no early release
04:48for good behaviour
04:48you are never
04:49ever coming out
04:50I don't understand
04:50why you don't understand
04:52you've got a daughter
04:53you'd fight bears for her
04:55you'd fight armies
04:58you'd kill one dangerous man
05:01someone will find out
05:03the police know I'm here
05:05someone is going to come looking for me
05:06you'll be long gone by then
05:09hey
05:09hey
05:11shush
05:13hi Michael
05:14is Monica there
05:16I tried her house
05:17no
05:17is that
05:18isn't that her car outside
05:22then yes
05:23Ruth
05:24hi
05:25I'm here
05:25hi
05:26Michael let Ruth in
05:29hello
05:30I was just clearing out
05:31some of Alan's things
05:32oh
05:34sorry to tell
05:35I'm a counsellor
05:44could you call the police
05:45we need to get Tony's body
05:47released
05:48I've asked them
05:49but I just
05:51I think it would sound better
05:52coming from you
05:53oh you've cut yourself
05:55oh
05:56I was opening a can
05:58what with a sword
05:59have the police
06:01spoken to you Ruth
06:02have they given you
06:03any indication
06:03of what they're thinking
06:05haven't you heard
06:06they've arrested Nicola
06:10what
06:11I spoke to them
06:12not Bergerac
06:13a different one
06:15about an hour ago
06:17well
06:17why would they think
06:19that she had anything
06:19to do with it
06:20she didn't even know
06:21Tony
06:21oh well
06:22they didn't say
06:23look
06:24Nicola and I
06:25were in touch
06:27she thought you killed
06:29Alan and Tony knew
06:30and well
06:31that's what I thought
06:32that's why I came
06:33to see you yesterday
06:35I'm
06:35I'm so sorry
06:37Monica
06:37I just
06:38I assumed you'd been told
06:46mum
06:48needs to be alone
06:50oh
06:51yes
06:51no
06:52of course
06:54sorry
07:06and you'll speak
07:07to the police
07:08about releasing the body
07:09yes sir
07:10leave that with us
07:10thank you
07:11now Ruth
07:11I just think
07:12it's really important
07:33barney
07:35forensics have come back
07:35with a final report
07:36on the card
07:37from Alan Barton
07:37yeah I've seen a report
07:38the card is genuine
07:40yeah that was the
07:40interim
07:41this is the full file
07:43Simon give me the headlines
07:44okay so
07:45they compared the card
07:46with three samples
07:47from friends
07:47they said the handwriting
07:49is superficially adept
07:50but upon further examination
07:51there are enough
07:53inconsistencies
07:53to suggest it was not
07:54written by Alan Barton
07:56what
07:57it was principally
07:58in the letter formation
07:58the pressure
07:59slant and the spacing
08:00hang on
08:00so Michael forged the card
08:02does it say that
08:02it does yeah
08:03basically in the conclusion
08:04at the end
08:09it wasn't suicide
08:10it wasn't Monica
08:13it was Michael
08:22David
08:22get two cars ready
08:24yes what
08:24Tara
08:25fuck it
08:26everyone
08:27listen up
08:53let's go
09:22Why have you arrested Nikola?
09:25She was out of the way.
09:26That's a lie.
09:27No.
09:28There are pictures.
09:30There was blood on her coat.
09:32And five years ago she said one day she was going to take away the thing you love most in
09:37the world.
09:38Monica, just listen to me.
09:40Shut up.
09:42Shut up.
09:45Monica.
09:46Shut up.
09:47Just be quiet.
09:51Because I need to think.
09:58OK.
09:59And then.
10:00And then.
10:02And then.
10:02And then it's over.
10:03And then it's over.
10:03And then it's over.
10:07And then it's over.
10:09You never answered my question about the best way to die.
10:14What's suffocation like?
10:16It's pretty unpleasant.
10:17I imagine.
10:18Worse than this.
10:26Well then.
10:42What are you doing?
10:43I'm looking for a plastic bag.
10:45Happyusters.
10:49I've decided.
10:50And if you're tired of it.
10:55I'm burning.
11:06Bye-bye.
11:10Leave us.
11:13Bye.
11:14I'm sorry.
11:15Yes, I have to act out.
11:15So if you're there.
11:24You, Christ, you, you have fucked my life.
11:32Do you know that?
11:33I've lost two husbands and now my daughter because of what you did.
11:37So what's next, Michael?
11:38What's the next plan?
11:40I've got some aunts and uncles.
11:41Do you want their addresses?
11:42You could set fire to their houses.
11:49You've taken everything from me.
11:53Every last scrap.
11:57You've eaten me alive.
12:04So come on then.
12:08Where are we going?
12:11The cellar.
12:28Oh, Jesus.
12:30Fuck.
12:31Oh, my God.
12:33Michael killed Alan.
12:34They're going to kill me too.
12:35Oh, my God.
12:41Oh, my God.
12:52Oh, my God.
12:54Oh, my God.
12:58Where is he?
12:59I don't know.
13:03Oh, my God.
13:07Oh, my God.
13:09Michael, no.
13:09Oh, my God.
13:14Hey.
13:14Stop.
13:15Stop.
13:15Michael, don't do this.
13:17Look, I spoke to your mom.
13:19She said it was an accident.
13:20I understand that.
13:21Let me go.
13:22Let me run away.
13:23Put the knife down, and we can talk.
13:27Michael.
13:28Hey.
13:29Hey.
13:30Oh, God.
13:33It's all right, Michael.
13:34Oh, God.
13:35It's all right.
13:35Come on.
13:36It's over, Bob.
13:38Come on.
13:38We've got to face facts.
13:39We've got to be big and brave, and we've got to say, come on, do your worst.
13:46But you know that already, though, don't you?
13:48You're so clever.
13:48I tell everyone.
13:49He runs rings around me, I say.
13:53What's your chess ranking?
13:56200?
13:57I'm not an 88 in the world.
14:01Well, there you are, though.
14:02So, come on.
14:03Let Ruth go now.
14:05Come on.
14:06Poor Ruth.
14:06Look, she's so rumpled.
14:09It's all right.
14:10Come on.
14:10It's over, love.
14:12It's over.
14:15That's it.
14:15Good boy.
14:16Good boy.
14:17There we are.
14:24That was it.
14:28That's my Michael.
14:32It's all right.
14:34Mom's here.
14:36Mom's here now.
14:37Come on.
14:38It's all right.
14:39It's all right.
14:40You're all right.
14:41You're all right.
14:43It's all right, Michael.
14:45Mom's here.
14:47Mom's here.
14:47Mom's here.
14:50You know, the most interesting thing about all this is, no Jim Bergerac.
14:53Now, I'm not saying he was holding us back, but it is funny how the whole thing resolves the minute
14:57he steps away.
14:58What?
15:05Can't we've found him?
15:16Lots of families around here, so, you know, lots of birthdays.
15:20Sounds like a great idea.
15:22Would you excuse me?
15:24Would you excuse me one second?
15:24I'll read of that.
15:26Can I help?
15:27Yes, I'm looking for Nigel.
15:28Nigel Morton.
15:29Right.
15:30I think you've got the wrong address, so.
15:32But this is his restaurant.
15:34Um, no.
15:35This is, well, it's not really anything right now.
15:39Well, they want to turn it into one of those paint-your-own-pottery places, but I sort of feel
15:43that's had its day.
15:45But we, um, we came here a couple of days ago.
15:50He showed me around.
15:52Wait, was this Tuesday?
15:53Because we did hire it out that day.
15:55Who to?
15:56Um, students.
15:58They were making a film, I think.
16:00We wouldn't normally do that sort of thing, but then we thought, you know what?
16:03Let's give something back.
16:05But then, well, this, um, older gentleman came in to collect the keys.
16:09He could have been a mature student, I suppose.
16:11What did he look like?
16:13Slightly balding.
16:14Late 60s.
16:15Absolutely charming, to be fair.
16:18Are you all right?
16:19Yes.
16:20Uh, thank you.
16:22I'm sorry to interrupt.
16:41I'm sorry to interrupt.
17:13You should have told us you were coming here.
17:14Yeah, it was just a spur-of-the-moment thing.
17:16Ah, getting with this learning wolf bullshit.
17:19I know.
17:20This changes nothing about Nicola.
17:22We are charging her with Tony's murder.
17:23That makes sense.
17:24Yeah, and I don't want you within ten miles of it.
17:27I won't be.
17:28We had an agreement, Jim.
17:29It's all yours, Bonnie.
17:32We were on our way here.
17:34Clearly.
17:36It's no more for bullshit.
17:52It's no more for shit, but we're on our way here.
17:59I hope you're on your goal.
18:07You'll be kind to Michael, won't you?
18:09Yeah, we're kind to everyone, Monica.
18:12How's Nicola?
18:13I don't know.
18:14She's at the station.
18:16She'll be charged later today.
18:21When Tony said no more secrets, what do you think he meant?
18:28Indulge me.
18:29I don't know.
18:29Maybe he was talking about the accident.
18:31No, not Alan.
18:32Not where his body is.
18:33Tony didn't know anything about Alan.
18:35So I keep coming back to this cottage.
18:37Tony didn't have any money, so you needed to sell it.
18:39But you said no, and what?
18:41He was just fine with that?
18:42Well, it was my house.
18:43Yeah, I reckon he could be pretty persuasive, though.
18:45And what else was he going to do?
18:46He didn't have any money.
18:47Didn't have anywhere to live.
18:49And the solution to all that is right there.
18:54Look, here's what I think.
18:56Either you had to tell Tony about Alan.
18:58You can't sell a cottage with a dead body buried under it.
19:01And you know what?
19:02I think he was probably okay with that.
19:03I mean, he had secrets of his own.
19:05But then he's saved by the brother of the woman whose death he caused.
19:10He has this road to Damascus conversion.
19:12He stands up.
19:13That's it.
19:13No more secrets.
19:15And you panic.
19:17Because that means Michael goes to prison.
19:19I told you.
19:20Tony didn't know about Alan.
19:21Why was he talking to you when he said it?
19:23He was looking at you in a mirror.
19:26Just like I am now.
19:27In all the hula-pula, I've forgotten that.
19:30Monica, there is nothing you can do to protect Michael anymore.
19:35It's Nicola who needs you now.
19:37Don't let her go down for this.
19:53I spoke to Tony after the speech.
19:57And I said, please don't do this.
20:01But he'd made up his mind.
20:03He was going to come clean about Alan and about the accident as well.
20:07He said that he and Michael would be liberated.
20:11Even if they went to prison, they'd be free.
20:16So when I went back to the room with the knife, he was sleeping.
20:25It was peaceful.
20:26He didn't feel a thing.
20:28I mean, I don't care if you believe me or not.
20:31I was there.
20:32It was peaceful.
20:37Tony didn't have children, so he didn't understand.
20:40And you do.
20:43You'd fight armies for your child.
20:46You'd fight bears.
20:48You'd kill one dangerous man.
21:15She's all yours.
21:22Your phone.
21:22It's not evidence.
21:24There's a seven missed calls from Kim.
21:27We can let Nicola go.
21:29Whoa, whoa, whoa.
21:30What?
21:30Why?
21:31Monica killed Tony.
21:32She confessed.
21:33And I arrested her.
21:36Hi, love.
21:37Look, sorry.
21:38Something happened at work.
21:39I just have to go to the station.
21:40And then...
21:42What is it?
21:44What's wrong?
21:55I got worried when you didn't turn up when I rang Granny.
21:59I made her come here.
22:00Where is she?
22:09Charlie?
22:12Charlie?
22:12Charlie?
22:13Charlie?
22:13Charlie?
22:18I'm so sorry.
22:21Kim says you gave him some money.
22:25It was for his restaurant.
22:27How much?
22:28Charlie, I know it's uncomfortable I need to establish if a crime has been committed.
22:36A hundred and twenty thousand pounds.
22:40Right.
22:45Listen, listen, people have lost more, so, you know, don't feel bad, but, um, now we have
22:53some options, okay?
22:55Did he, did he, did he, did he threaten you?
22:57Did he, did he coerce you?
23:00At first, he wouldn't take it.
23:02I had to convince him to.
23:04That's a common, that's, you know, it's manipulation.
23:08They make it seem like it was your choice.
23:09It's, that's what they do.
23:10I mean, I'm not an imbecile.
23:13Oh, some, some, some love-struck teenager.
23:16I can think, I can reason.
23:18I ran a business.
23:21I was a magistrate.
23:22I, I've written fucking books.
23:24Hey, no one is blaming you, Charlie.
23:26And he took me to the restaurant.
23:27He showed it to me.
23:28And, and, and he had a business plan, and there was, there was some partner, someone
23:32he was working with.
23:33Okay, yeah, but they were working together, you know?
23:36Sometimes, maybe they switch roles.
23:37Nigel is, is the business partner, and, and the other guy is the, the, Nigel.
23:47We were lovers.
23:50I know.
23:55Like I said, look, we have some options now.
23:58These options, they will require me to press charges, don't they?
24:03Well, yeah.
24:04I won't do that.
24:06Charlie.
24:06I won't do that.
24:08I'll be humiliated.
24:11I'll be a punchline.
24:13I'll be Millie Fabersham.
24:16I'm sure you think a reputation is a quaint thing.
24:21Your reputation waxes and wades.
24:23You don't care anymore.
24:24How lovely for you.
24:29But for the rest of us,
24:33it's a pile of poker chips.
24:42I'll say I ended the relationship.
24:46I might even throw in something longer and salacious.
24:50It was terrible in bed.
24:53People will laugh.
24:55And I'll seem powerful.
25:01To the rest of the world.
25:04I'll still be me.
25:10So, there we are.
25:17What happened to you?
25:19You look terrible.
25:38You can't do this.
25:44Sue me.
25:45Sadly, I don't have the time.
25:46I'm flying back to the mainland just waiting for my taxi.
25:50You know, I have sympathy for some of the people I deal with.
25:52Yeah, they're unlucky.
25:54They're desperate.
25:55But then there are the ones like you.
25:57The ones that just have a fundamental part of their humanity missing.
26:00Yeah, even other criminals know it.
26:02That's why men like you don't do well in prison.
26:05So, who are you, really?
26:06I'm sorry, Jim.
26:07I'm lost.
26:09Men like me.
26:10Yeah.
26:12And I've done nothing wrong.
26:13My girlfriend gave me some money for a business opportunity that has frustratingly gone away.
26:18And now that relationship has come to an end.
26:22Am I missing something?
26:24Is any of that illegal?
26:25Obviously, you know the law better than I do.
26:30Wait, you don't think this was a scam?
26:34Oh, no wonder you'll cross.
26:37Look, if Charlie thinks there's been any kind of double dealing, then she should press charges and we should go
26:43to the police station right now.
26:51What's that, lassie?
26:53She hasn't.
26:55Oh, then I'm confused again.
26:59Cab firm said ten minutes.
27:02How'd you know where I was, by the way?
27:04On your second date, you took flowers for Charlie.
27:07You ordered them online from a local florist.
27:11And you had them sent to this address.
27:15You should be a detective.
27:16Yeah.
27:18People have said that.
27:21While I've got you here,
27:24I just want to say I think you're too hard on yourself.
27:28I'd be a gibbering wreck for years if I'd been through what you have,
27:31but you're holding yourself together.
27:34Solving crimes.
27:37Never mind what Charlie says, I think you're a great father.
27:41Give yourself a pat on the back.
27:45Did you even lose a child?
27:48No.
27:50Not as such.
27:51Look, I'm not proud of that.
27:52What can I say?
27:53I was intoxicated, but I wanted to find a connection, so yes.
27:57Little white lie, like inflating your income or saying you love Downton Abbey when it makes you want to gouge
28:03your eyes out.
28:07Don't admit it.
28:10There's a part of you that thinks she deserves this.
28:15She's my family.
28:16Oh, come on.
28:18You don't even like her.
28:20She certainly doesn't like you.
28:24In case you thought it was all just banter.
28:27It raises an interesting question, doesn't it?
28:30About those men, why they exist.
28:34The people they target tend to be venal and callous.
28:40They live for the schadenfreude.
28:44Makes their eyes roll back in their head, Jim.
28:47And these women, they're cowards.
28:51If they were decent or brave, those men would have to drop post offices.
28:58I'll convince Charlie to press charges.
28:59You could still be arrested on the mainland.
29:01Great.
29:01Yeah, looking forward to seeing you in court, etc.
29:07Look, I hate to ask, but you couldn't give me a lift to the airport, could you?
29:19It's Barney Crows here.
29:20Can I get five minutes with Emma today?
29:23Yes, it is urgent.
29:316.15.
29:32Yeah, that works.
29:33Thank you, Wendy.
29:55Ah, finally.
29:57Where is everyone?
29:58The pub?
29:59Waiting for you.
30:00It's not every day we solve two murders for the price of one.
30:02Especially not two in the same family.
30:05I mean, my mum and dad are naturists.
30:08Shut up.
30:09Yeah.
30:10They spend half their year playing table tennis with other naked pensioners.
30:15And I thought that was weird and dysfunctional.
30:17But anyway, great result, boss.
30:20Uh, yeah.
30:22Yeah, it is.
30:23Tell your face.
30:25I'm sorry.
30:26I was, uh, a bit of a crisis, um...
30:30Oh, uh, there's some chat about nominating Ruth Salinger for an award for bravery.
30:35Good idea.
30:36Yeah.
30:36Um, I'll pop by her office later.
30:38I didn't get a chance to thank her properly.
30:40Did you hear?
30:41That big sale of her company just went through.
30:43Who told you that?
30:44It's on the news.
30:46Uh, has Nicola gone?
30:48Yeah, you said release her.
30:49No, I know.
30:50I, um, I just, I need to talk to her.
30:53What time did she leave?
30:54About half an hour ago.
30:55I'm sure you can catch her at a hotel.
30:57Kara, that's not my distance.
31:00We owe her an apology.
31:01Hmm.
31:02I believe you.
31:03Tell your face.
31:07I'll go see her now.
31:08I'll go see Ruth.
31:08Um, there's news about all this company.
31:10Where is it?
31:11Oh, uh, the business bit.
31:21After years of building, growing, and learning alongside an incredible team, I'm proud to
31:27announce that we have officially completed the sale of our company.
31:32Building this company has been my life's work.
31:35We have always fought to be at the forefront of discovery and development, and with this
31:40partnership, we can do that.
31:43Huge thanks to everyone at Hobart's.
31:46Thank you very much.
31:47Well done.
31:53Good on her, I say.
31:55Where is everyone?
31:56The pub.
31:57I've been waiting for you too.
31:58He wasn't here and you'd vanished.
32:00I was printing something off.
32:03We have a printer here.
32:05How's your head?
32:07Uh, yeah.
32:11So are you coming then?
32:12I can't drink.
32:13I'm on these painkillers.
32:15I heard that some pubs have started doing non-alcoholic drinks.
32:20Look, it's not about the drinks.
32:22It's about marking the winds.
32:24Everyone's waiting.
32:24They want to do a toast.
32:25Oh, mate, I am trying my best here.
32:27He's not drinking, and he's...
32:32We don't know.
32:34Oh, God.
32:35What?
32:49Sorry to interrupt.
32:50No, it's okay.
32:54You haven't really had a moment, just the two of us.
32:59How are you feeling?
33:00Ah, yeah, it's been a day.
33:01I know, right?
33:02I know, right?
33:06Ah, I finally got a date for the cremation.
33:10Four weeks tomorrow.
33:13Why does it take so long?
33:16It's like we're waiting in case his condition improves.
33:21I'm sorry we have to take him back.
33:23We have other tests to do.
33:25I've ordered a much more detailed post-mortem.
33:26I want to check for poisons.
33:28Poisons?
33:28He was stabbed.
33:29No.
33:30No, you can't do that.
33:33He's mine now.
33:34You had your chance.
33:35You had days.
33:35You know who did it.
33:36You have to leave him alone now.
33:40Ruth, I think you killed him.
33:46Theories are like...
33:49a line of dominance.
33:51You're nowhere.
33:52And then...
33:53something happens and one topples.
33:55Which knocks the next one.
33:57Which knocks the next one.
33:58On and on.
33:59Unstoppable.
34:00And the first domino was...
34:03you'd have known about those payments.
34:05Tony paid Ian 50 grand for swapping the bloods.
34:08And he paid Carl for changing his statement.
34:11Here's what I don't understand.
34:12How did he sneak those payments past Ruth?
34:14Right, so you're saying she knew about the payments?
34:16I'm saying she authorised them.
34:17The first time I met Ruth, she said she handled the products and the finances.
34:22While Tony did the networking and the schmoozing.
34:25In your press release today, you said you built this company.
34:28You know it.
34:29Inside out.
34:30I don't think your staff can buy a paper clip.
34:34Without your approval.
34:35We could run a forensic audit on the company.
34:37See if we can find the payments.
34:38Well, hang on.
34:38Let's just play this out.
34:39Say she did authorise the payments.
34:40I'm sure she wasn't exactly thrilled.
34:42But it meant that Tony didn't go to prison.
34:43Scandal didn't capsize the company.
34:45But then, fast forward 15 years, Tony gets up and he says, no more secrets.
34:50And that was the second author.
34:51He tells Monica, he means her and Alan and the car accident.
34:57Tony going to prison would have been bad enough, but you helped cover it up.
35:00That's you screwed as well.
35:02That's your whole company.
35:03Your life's work.
35:05Gone.
35:05And so I wanted to kill him.
35:08How is that less of a risk?
35:09Well, it was a calculated risk and paid off.
35:13Because look, Sal went through their fine.
35:15But it was Monica.
35:17She confessed.
35:18Yeah.
35:19And a confession is usually a bit of a conversation stopper.
35:22But then one of my colleagues said something.
35:25Dominant number three.
35:26Right.
35:26There was one weird thing.
35:28When Ruth came in earlier, she was asking about when we'd released Tony's body for cremation.
35:33It's gone already, hasn't it?
35:34Why is that weird?
35:34I don't know.
35:35Maybe just the way she said it.
35:36Maybe it wasn't.
35:37First time I met Ruth, she said the exact same thing.
35:40I mean, Tony's body wasn't even cold at this point.
35:42And then when you came around to Michael's house and I was in the cellar,
35:45I heard you telling Monica she should hurry us up and get Tony's body released.
35:48Yes, because I wanted closure.
35:51And that was the last domino.
35:53When Monica was arrested, she said Tony never felt a thing.
35:57He was asleep, she said.
35:59A knife plunged through all that flesh, muscle and sinew.
36:03You wouldn't wake up.
36:04What are you saying?
36:05I'm saying when Monica stabbed Tony, he was already dead.
36:11You don't think it's possible she said that just to distance herself from what she did.
36:15And Tony had been drinking all day.
36:16He could have passed out.
36:17He could have taken a sleeping pill.
36:19There was nothing like that in his post-mortem.
36:21That's the thing with tests like that.
36:22Especially with such an obvious cause of death.
36:24They're looking for context.
36:26Not cause.
36:26This is...
36:29No.
36:29Bruce?
36:30Bruce?
36:34No.
36:35No, just...
36:39Can you let me...
36:40Can you...
36:41Let me out.
36:43Can someone help me, please?
36:45Um, I'm locked in.
36:48Oh, jeez.
36:50Hello!
36:51You just...
36:51You leave me alone.
36:56You are insane.
36:58You are deluded.
36:59You're not fit for purpose.
37:25You're chippy fat.
37:29He wasn't going to tell the police about me.
37:33We were loyal that way.
37:35So why did you do it?
37:38I knew if he confessed.
37:41The police would want to know how he got away with it.
37:45And they would look at the blood test.
37:48And they would pull at that thread.
37:50Until they find Ian and Carl.
37:53And they would keep pulling.
37:55And eventually they would find me.
37:59Just like you did.
38:02What was the poison?
38:05It would help us to know what we're looking for.
38:12Hemlock water dropwort.
38:14Oh, an anthe crocata.
38:17I did my dissertation on natural poisons.
38:20A bit macabre.
38:22Perhaps.
38:25I had some in my car.
38:26Can you believe?
38:28I found it in my garden last week.
38:31I wanted to study it.
38:33It's been used to treat hepatitis.
38:37Did you know that?
38:39I thought, my God.
38:40The lives I could save.
38:44Oh, God.
38:50I thought.
39:16Hello, welcome to the Clifton.
39:18Hi, this is DCI Bergerac.
39:20I'm trying to reach Nicola Barton.
39:21She's not answering her phone.
39:22Can you put me through?
39:23She's in room 410.
39:24Uh, Miss Barton.
39:26Oh, she checked out about an hour ago.
39:28We ordered her a taxi to the airport.
39:56Oh, my God.
39:57I ran.
39:59I was jumping over the trolley things and had to show my warrant card at Passport Controller.
40:06I actually knew I could do that.
40:08They released me two hours ago?
40:10Yeah, I'm sorry.
40:12But things got really...
40:15We've arrested Ruth.
40:17She did it too.
40:19It's complicated.
40:21Your mother stabbed Tony's corpse.
40:27I'm going to be in therapy for the rest of my life.
40:30Flight 3096 to Manchester is now boarding at gate number two.
40:36That's me.
40:36Please have your boarding passes ready.
40:40Well, um...
40:41Thanks for letting me know that this could have been an email.
40:46Albeit a long, really weird one.
40:48I wanted to tell you to your face.
40:50A Zoom, then.
40:51We could have done this on Zoom.
40:53No, I wanted to stop you leaving.
40:58In the beginning, nothing could happen because of the case, but...
41:03We're not there yet, but it's different now.
41:06You could be seen with me.
41:08Yeah, well, I'm not saying it would raise a few eyebrows.
41:11I've been doing that all my life.
41:17My flight's boarding.
41:20It's not the last helicopter out of Saigon.
41:22There'll be other flights.
41:23Yeah, but my luggage is on there.
41:24Well, they send it back.
41:25What do you need?
41:26What do you need?
41:26We've got shops from several shops in Jersey.
41:28And I've checked out of my hotel, though I think they were pleased to see me go.
41:32You know we have to pay for that door?
41:35Isn't it covered by their insurance?
41:37Well, that depends on the policy, you know.
41:38Sometimes in situations when there's damage, Tom...
41:40Are you actually answering that question?
41:48Give me an hour.
41:51Just give me a week.
41:55No.
41:59Tony...
42:00Monaco, Michael, Jesus.
42:02No, Ruth, it's too much.
42:04There was a time when I'd be buzzing with the horror and the drama of it all,
42:08but I don't want that now.
42:11You'll say you don't want it either,
42:13but you love having your finger hovering over the self-destruct button.
42:17It's what makes you good at your job.
42:20But I can't be around that.
42:23I like myself too much.
42:29And that's the other thing.
42:31You didn't believe me.
42:34I told you about Monica and you didn't listen.
42:37You didn't trust me.
42:40And I've spent too much of my life being called crazy.
42:42You're not crazy.
42:43No.
42:45But you might be.
42:48And for once,
42:50I need to make a healthy decision.
42:54Would you describe yourself as a healthy decision?
43:04No.
43:09Not right now.
43:31Good luck,
43:33Jim Bergerac.
43:34Good luck, Jim Bergerac.
43:58Hey.
43:59Have you found Nigel?
44:00Yeah.
44:01But there's nothing I can do without Charlie.
44:05You should go.
44:07It's okay.
44:08I wasn't doing anything today.
44:09We can just watch our own shifts.
44:10Oh, to London.
44:11To the school.
44:13We've talked about this.
44:14Yeah, we did.
44:15But you weren't completely honest with me,
44:16were you?
44:18Do I need a liar?
44:19Don't get me wrong.
44:20I think you are worried about me.
44:26But, um...
44:27Charlie saw your computer.
44:29She saw you'd been looking for advice
44:31about the first year nerves.
44:35We missed all the clues.
44:36I'm really sorry.
44:40But fear can't control your life.
44:43If you could do this,
44:45then I promise you,
44:46nothing will ever be this scary again.
44:49But if you don't,
44:50if you let fear win,
44:53then nothing will ever be this easy.
44:56It's not just about you now, is it?
44:59What about Granny?
45:00Oh, I'll take care of her.
45:02Yeah, there's a lot less inheritance,
45:03so we might as well keep her around.
45:08Are you sure you can both manage?
45:11Honestly?
45:14It's not your concern.
45:22Okay.
45:24I'll tell Granny.
45:28That's a chair, Rob.
45:44I'm handing in my nose.
45:46I wanted you to be the first to know.
45:49I've really enjoyed my time on the Force,
45:51but what happened with Ian?
45:52That was a wake-up call.
45:53I've allowed the job to take precedence
45:56over other areas of my life,
45:58and I think it's time I take stock
46:00and investigate other challenges.
46:05And the non-bullshit version?
46:07Although I think I can probably guess.
46:09Jim.
46:11Nobody works with Jim.
46:13We attend.
46:14He considers rules and protocols,
46:16even the most basic precepts of policing,
46:18to be a serving suggestion that don't apply to him,
46:20but it never matters,
46:21because he keeps fucking winning.
46:23He keeps getting results.
46:26When you say he doesn't follow rules,
46:28I mean, that's hardly a shock,
46:29but is there anything specific I should know?
46:58Jim is Jim,
46:59but this dynamic is turning me into someone I don't like.
47:01I'm jealous.
47:02I'm bitter.
47:03I can't do anything about it.
47:05I tried to get a transfer.
47:06You saw how that went.
47:08If I stay,
47:09I'm cursed to spend my whole career
47:11sat opposite Jim Bajrak.
47:16There might be another option.
47:18Richard Gibbon has decided to take early retirement.
47:22Obviously, that doesn't have anything to do
47:24with wanting to limit the IPOC's investigation of Ian.
47:27I couldn't possibly comment.
47:29That means there'll be a quick game of musical chairs
47:31as people move up or sideways.
47:34So,
47:35how would you feel about switching lanes
47:39and taking a more managerial route?
47:47You mean, be his boss one day?
48:05Is it too early to start drinking?
48:09I'm asking the wrong person.
48:11She seemed okay.
48:12She seemed excited.
48:14She did, didn't she?
48:16You needn't have said anything.
48:17She could have stayed,
48:18gone next year.
48:20I respect you for not doing that.
48:23Well, sometimes the best thing you can do
48:24for the people you care about
48:25is to
48:27take yourself out of the equation.
48:32We don't have to be friends now.
48:34I'm sure you find
48:36constantly biting your tongue
48:37as exhausting as I do.
48:39All this time,
48:40you've been biting your tongue?
48:41Oh, trust me.
48:51We got on when Rachel was alive.
48:56We were different people then.
49:00The world was different with Rachel in it.
49:06All this
49:08was Fields.
49:14I'd like us to be friends again.
49:22I don't want your pity, Jim.
49:24Well, you can have my sympathy.
49:26It's different.
49:30I'm not sure I ever gave you much sympathy.
49:33I think Rachel would have been
49:35disappointed in me
49:36for that.
49:38I think she'd be disappointed in me
49:39for lots of things,
49:40not least.
49:42The example I'm setting her daughter.
49:47Did we prepare Kim for the world?
49:51We did our best.
49:54But
49:55did we prepare
49:57the world for Kim?
49:59I mean,
50:02are we making it safer for her?
50:08What I mean is
50:10you do.
50:11I know you do all the time.
50:14But
50:17what am I doing?
50:22Perhaps like you,
50:25I need to take myself
50:26out of the equation.
50:50You wanted to see me.
50:52Charlie, this is Cara,
50:53who I work with.
50:54Cara, this is my
50:55mother-in-law.
50:57Charlie Hungerford.
50:58Hi, Mrs. Hungerford.
50:59How did you?
51:00Very good.
51:01Cara will look after you.
51:02I'll be just that side.
51:03She'll explain.
51:26I want to report a crime.
51:27I want to report a crime.
51:29I want to report a crime.
51:30I want to report a crime.
51:32I want to report a crime.
51:34I want to report a crime.
51:34I want to report a crime.
51:34I want to report a crime.
Comments

Recommended