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The Crown S03E01 [Full Movie] [Watch Free Online]Full EP - Full
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15:18Just one of those
16:12Jesus Christ
16:13As a large majority
16:43of those things
17:13people, so people, so actively заem,
17:15people, so any Americans, so many of us, many, so, and the most, any, so, all of us, and, so,
17:15let's just, we have to hear the celebration.,
17:18so, let us, all our, we may be like the celebration.
17:25Our nation's name is here
17:30We'll be good at our home again
17:51Sir, the protocol is as follows
17:54When you're announced, you bow from the neck
17:56First time you see the queen, you say your majesty
17:57After that, it's man
17:59Runs with hand until you leave
18:01Then it's your majesty again
18:02Don't sit until her majesty does
18:04Don't talk until she does
18:05Absolutely no physical contact
18:07Other than taking a hand
18:08If and only if she offers it
18:10No small talk unless she invites it
18:12At the end, she'll buzz and I'll come and get you
18:15Bow from the neck and walk back towards me
18:29The leader of the opposition, your majesty
18:32Mr. Wilson
18:35Thank you
18:42Your majesty
18:44The country's spoken
18:46Your party has won the election
18:48The duty befalls me as sovereign
18:50To ask you to form a government in my name
18:54Congratulations, Prime Minister
19:10Well, I suppose I should kick things off with an apology
19:14Whatever for?
19:15Winning
19:17I'm aware of your affection for my predecessor
19:19And doubtless you'd have preferred him to have continued in office
19:22It is my duty not to have preferences
19:25Well, we all do though, don't we?
19:27We can't help it, it's human nature
19:29And I can see the attraction of someone like Bosh Alec
19:32Someone you can chat with about the racing
19:33Someone well-bred, high-born
19:36Who knows how to hold his cutlery
19:37As opposed to a ruffian like me
19:40Hardly
19:40Still, the country said otherwise
19:43They'd had enough of the mess those conservatives left us
19:46And the havoc they wreaked
19:49Soaring land and house prices
19:50Race riots
19:51Sex scandals
19:53Large-scale unemployment
19:54Rejection from the EEC
19:56And an annual trade deficit of £800 million
20:02Yes, it's an unenviable legacy
20:06What will you do about the balance of payments?
20:08Will you devalue?
20:09No, ma'am
20:12A Labour government devalued the pound once before
20:15With little success
20:16And my party cannot risk being seen
20:18As the party of devaluation
20:22It is also a matter of national pride
20:25This is still a great country
20:27And the pound is a powerful symbol
20:33Can't have been an easy one to get used to
20:36What's that?
20:37Were you being part of that symbol
20:39Your face on every coin and banknote?
20:43No
20:45I remember seeing my father's face on a shilling for the first time
20:48And thinking how odd it looked
20:51At the same time realising I would probably one day have to look at my own face
20:56But one never knows what destiny has in store for one
21:00Did you ever imagine you'd be Prime Minister?
21:02Goodness, no
21:04How could you have done?
21:06Mr Gateskill was still such a young man
21:08He was
21:10No one could possibly have foreseen his death?
21:13No
21:14So sudden?
21:15Yes
21:16And unexpected?
21:18Yes
21:20Still, we make of our destiny what we can?
21:23Indeed
21:27I'm not sure what I was expecting
21:29Each of his predecessors
21:31Churchill, Eden, Macmillan, even Ellick
21:34Each in their own way
21:35Was formidable
21:37Statesman-like
21:38But Wilson
21:39Is neither old nor young
21:42Tall nor short
21:43Loud nor quiet
21:45Warm nor cold
21:47He seems to have come from nowhere
21:49And is entirely unremarkable
21:52Best qualities in a spy
21:54What did you say?
21:56Aren't those the best qualities in a spy?
21:59Well, it should be forgettable
22:01Unremarkable
22:02Not stand out in a crowd
22:03We used to say that about Henry
22:05Didn't we, dear?
22:06What?
22:07That you would have made the perfect spy
22:08Because no one could remember having met you
22:13I'd say that was marginally better than
22:15Everyone having nightmares having met you
22:30Of course we do tease each other
22:32With Tony, one never knows quite whom one's going to get from one moment to the next
22:37It's changeable
22:39Goes from loving to hating
22:40Mummy, you're not listening
22:43Of course I am, darling
22:45Tony doesn't hate you
22:47I think he may be starting to
22:49You must try not to let him consume you like this
22:55Two of you have your trip to America coming up
22:57Yes
22:58You'll be with each other round the clock
23:00Working together as a team
23:02Your father and I always found those trips very bonding
23:05I hope you're right
23:10All right
23:10All right
23:11All right
23:29Hello, everybody
23:30You're last all round
23:32You're last all round
23:35I love you
23:56Thank you
23:58Sir?
23:58Margo
24:00Margo
24:01How did you know?
24:03Margo
24:0417 minutes door to door
24:05I'm claiming that as a land speed raffle
24:08Is there any food left?
24:10Have you eaten at all?
24:10Your Majesty
24:13Your Majesty
24:14A thousand apologies
24:18Happy birthday, Henry
24:19Tony, where were you?
24:20Hello
24:21Hello, darling
24:22Tony, darling
24:25Come and sit next to your wife
24:26Why would I do that?
24:27I see her all the time
24:28She was just saying
24:29She sees you none of the time
24:31Because he's always working
24:33Travelling
24:33Or
24:34Water skiing
24:35It's my new passion, ma'am
24:37Your Majesty
24:38There's a telephone
24:38On the label
24:39Oh, it's lovely
24:41There's a ghastly little pond
24:43Pat, I think it's fine
24:44I think it's fine
24:46You're singing
24:46You have to wind it up
24:48Oh, the general
24:49Thank you so much
24:57Happy birthday to you
25:01Happy birthday to you
25:05Happy birthday, dear Henry
25:09Happy birthday to you
25:18Winston is dead
25:41Fire!
25:42Fire!
25:43Fire!
25:43Fire!
25:45Oh, my God.
26:37Sir, the CIA's director of counterintelligence on the phone.
26:42I'll call him back.
26:44He called on Juliet, sir.
26:47Heads of states from around the world are arriving,
26:51crowding in to this great mother church of the Commonwealth.
26:54I'll call him back.
26:55I'll call him back.
26:57I'll call him back.
27:19Jim?
27:21Martin.
27:22A man by the name of Michael Strait has surrendered himself to us at the DOJ.
27:28He claims to be a sleeper agent working for the Russians.
27:31He says he has information that will uncover a senior KGB mole at the top of the British establishment.
27:58Where is he now?
27:58Washington.
27:59We can have him flown into you by tomorrow.
28:03We are assembled here as representing the people of this land to join in prayer on the occasion of the
28:13burial of a great man
28:14who has rendered memorable service to his country and to the cause of freedom.
28:24We shall think of him with thanksgiving that he was raised up in our days of desperate need to be
28:32a leader and inspirer of the nation for its dauntless resolution and untowling vigilance.
28:41My name is Michael Strait.
28:44And since all men are subject to temptation and error, we pray that we, together with him, may be numbered
28:54among those whose sins are forgiven and have a place in the kingdom of heaven.
29:02I attended Cambridge University, and it was during this time that I was first approached by members of the Communist
29:12Party.
29:23Right?
29:33I'll confirm with them, Majesty, and come back to you straight away.
29:46Director General of MI5, Mr. Furnival Jones, Your Majesty.
29:55Your Majesty.
29:57Thank you for seeing me.
30:06It gives me no pleasure to tell you that we have been approached by a former Russian agent who has
30:11identified a mole at the top of the British establishment.
30:16So it's true.
30:18Ma'am?
30:19I'd heard the rumors.
30:21Initially, I dismissed them.
30:22But spending time with him personally, in close proximity, one had become more and more suspicious.
30:29Indeed.
30:30And that he should have been able to carry on for so long, undetected, is a subject of enormous embarrassment
30:37to all of us.
30:39This obviously needs to be handled very delicately.
30:42That's what I've come to talk to you about, to see if we might find a way to contain it.
30:48What?
30:50We can't do that.
30:51Have a Russian spy in Downing Street.
30:57Those rumors.
30:58You were talking about Harold Wilson.
31:01Yes.
31:01I'm so sorry, ma'am.
31:03Yes, it's widely accepted that repeated attempts were made by the KGB to recruit Wilson when he was younger, working
31:10on trade missions.
31:11He traveled to Russia a great deal in those years.
31:14But the evidence for the Russians having succeeded is so weak, we discounted it some time ago.
31:21And the poisoning of Gateskill?
31:23Gateskill wasn't poisoned.
31:24He died of lupus.
31:26The fact is, even if the Russians had poisoned Gateskill, the most likely beneficiary would have been George Brown, not
31:33Harold Wilson.
31:34Wilson was not favorite to take over the leadership at the time.
31:37We don't have a Russian spy in Downing Street.
31:41No.
31:44But it seems we do have one in Buckingham Palace.
31:52We look at a painting and immediately want to know it.
31:57Understand it.
32:00But can anything ever be fully understood?
32:05Take our bearded trickster here.
32:08A Venetian card sharp originally ascribed to Titian.
32:12Until new evidence came to light proving the painting is actually by Lorenzo Lotto.
32:17As time passes, so we learn.
32:22Truths are revealed.
32:24In the late Renaissance, painting after painting, masterpiece after masterpiece, seem full of hidden intentions.
32:32Multiple meanings.
32:36Annibale Caracci's allegory of truth and time, painted in 1584 or 1585.
32:42This winged figure here rescues a young woman, his daughter, from the darkness.
32:50He is time, she is truth.
32:54And this figure below, trampled by truth, is deceit.
33:00Caracci's message is clear.
33:05Be patient.
33:07The truth will out.
33:09I'm afraid I can now confirm that the surveyor of the Queen's pictures, Sir Anthony Blunt, was the fourth man
33:16in the Cambridge spy ring.
33:18The message encoded in the painting is repeated in reality.
33:23As with the Lotto, time passed and the painting was restored to reveal deceit is two-faced.
33:29She has a second monstrous visage.
33:34And that alongside conducting a distinguished career as an art historian and member of the royal household, he spent 15
33:42years as an active KGB mole and passed almost 2000 documents of sensitive military secrets to the Kremlin.
33:50Truth may lie beneath the surface, buried, forgotten, but time has a way of uncovering it.
34:00One thinks of the Merchant of Venice.
34:03Truth will come to light.
34:06Truth will come to light.
34:07Murder cannot be hid long.
34:10A man's son may.
34:13But at the length, truth will out.
34:35We had initially hoped the information was false.
34:38We get these sorts of claims all the time,
34:40but we subsequently detained and interviewed Blunt,
34:46and I'm sad to say he has confessed in full.
35:02What's the next step?
35:04Well, as a traitor to his country,
35:07he should have caused down trial,
35:09be put in prison, and the key thrown away, quite frankly.
35:12Unless it was felt that exposure of Blunt's treachery
35:16could cause even more damage.
35:19What, then keeping it silent?
35:22How?
35:23Apparently it could have a catastrophic effect
35:25on the reputation of our intelligence services.
35:27The fact that he had gone undetected for so long,
35:31which could, in turn,
35:33seriously affect our relationship with the Americans.
35:35We're on our last reserves of goodwill with them as it is.
35:39One more operational failure,
35:41and our credibility would be completely shot.
35:43What are they suggesting?
35:45That we turn a blind eye and allow a traitor,
35:49an enemy of this country,
35:50to remain free,
35:52with his career and reputation intact?
35:55Just a spare MI5's blushes.
36:00The man should be shot.
36:02I agree.
36:04But instead, I have to get up and pay tribute to him
36:06at this exhibition.
36:08How am I supposed to get through my speech?
36:11I might choke on my words.
36:27We stand here tonight,
36:30surrounded by some of the royal collection's greatest treasures,
36:33to admire the genius of Rubens, Titian, Rembrandt, and Helbig.
36:38But that we are able to make sense of it all,
36:41appreciate it, understand it.
36:44It speaks to the genius of another man
36:46whose exceptional scholarship and vision
36:50have brought us together today.
36:52Sir Anthony Blunt.
37:00It is he who has curated this exhibition
37:03and given meaning to mystery
37:05and revealed what really does
37:07lie beneath the surface.
37:10I, for one,
37:11had never thought of art history in that way,
37:14as the art of investigation,
37:16solving riddles,
37:18finding clues,
37:20unlocking secrets.
37:22It's been quite an education.
37:25I particularly enjoyed the portrait
37:27which turned out to have another person
37:29lurking beneath the surface.
37:35Have I described that correctly, Sir Anthony?
37:37Or am I stumbling around in the dark, as usual?
37:40Not another person, ma'am.
37:42The same person.
37:44It was not uncommon in the early modern period
37:46for an artist to finish a portrait
37:48and the patron would take a look
37:50and ask for a more flattering version of themselves.
37:54And the artist would paint another version over it.
37:59So not two different people?
38:01Two different versions of the same person.
38:04Which might as well be two different people.
38:08The idealised version of themselves
38:10they want to be seen.
38:11And the less desirable person
38:13they rarely are,
38:14hidden away.
38:16There's even a word for it.
38:18Pelimpsest.
38:19That generally applies to manuscripts, ma'am.
38:22Pentimento for paintings.
38:25Pentimento.
38:26Well, I think I speak for everyone here
38:29when I say none of us will be able to trust
38:31or look at anything in the same way ever again.
39:05Prime Minister.
39:08Your Majesty.
39:10I'm so glad you came.
39:11It gives me the chance to apologise in person.
39:15What for?
39:16There's no need to understand.
39:18All you need to know is that I misjudged you terribly
39:21and I'd like to take this opportunity to say sorry.
39:29Are you an art man?
39:32Art?
39:33Yes, art. Paintings.
39:34Well, actually, no.
39:36No.
39:37I'm an economist.
39:39A statistician at heart.
39:41I'm happiest with numbers.
39:44You can trust numbers.
39:46They're honest.
39:47There's no mystery or deception or allegory.
39:54You know where you stand.
39:57What you see is what you get.
40:01I prefer things that way.
40:04I quite agree.
40:15Excuse me a moment.
40:39The very least you could do is quietly crawl away,
40:44what forces us to live with you under the same roof.
40:49Doing the right thing, the decent thing, the honourable thing.
40:55You know, the faintest idea what that was.
41:00Well, I am going to be watching you on one wrong step, you treacherous snake.
41:08And I will expose you and have you thrown in jail.
41:12I would think long and hard before I did that, sir.
41:17You would do well to reflect on your own position.
41:22What are you talking about?
41:27You may remember, at the height of the Profumo sex scandal,
41:31there was talk of a member of the royal family being involved.
41:35No one knew who.
41:37But it was rumoured to be a senior member of the royal family.
41:41Very senior.
41:45When the osteopath at the centre of the scandal, Stephen Ward,
41:50took his own life,
41:52there was speculation that a number of portraits
41:54of that senior member of the royal family
41:56had been found in his apartment.
41:59Naturally, a great many people were keen
42:01to get their hands on those portraits.
42:05Mercifully, someone respected and well-connected in the art world
42:10was able to make sure they didn't fall into the wrong hands.
42:14I never saw Stephen Ward in any capacity
42:16other than as an osteopath.
42:19If he made drawings of me,
42:21he would have done so from photographs.
42:24We all tell ourselves
42:26all sorts of things to make sense of the past.
42:30So much so that our fabrications,
42:32if we tell them to ourselves often enough,
42:35become the truth
42:38in our minds and everyone else's.
42:41And believe you me,
42:43I'm happy for your truth to be the truth.
42:47It would be better for everyone.
42:50Imagine how awful it would be,
42:52for example,
42:53if those pictures saw the light of day now,
42:57a storm it would create.
43:00And for what?
43:03It's the past.
43:27It's the past.
43:32Would you excuse me?
43:33Of course.
43:34Yeah.
43:35Majesty.
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