- 3 hours ago
Cross - Season 2 - Episode 06: Gather
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00:06Previously on cross how many shots you hear six, but they only found five bullets
00:11We've got a witness out there walking around with our six bullet in him 43 lawsuits all dismissed by your
00:16mother
00:16She profited on the backs of child laborers
00:22That's not me. It's a deepfake. That's funny. It sure look like you. There's this thing that's coming to light
00:27It's a program. They're trying to fucking pin it all on me
00:30There's no way I can remove your face
00:32But I can find where the little creases are in here with all the little pieces together
00:35Alicia I got a name on our avenging angel our little lose is now Rebecca Matthews
00:41At any moment now we'll have enough material evidence to connect you to a killing
00:45I want 24 hours to say my goodbyes. You're just cool with going to a rendezvous of her choice
00:56I'll be free
01:12What the hell happened to you?
01:16Car crash
01:18Can we get two and a half smokes some fries coffee and back ice sure thing
01:26What's on your mind sugar
01:28That ain't shit going right. I almost got killed losers in the wind
01:32Lance Duran practically talked himself on a child trafficking charges
01:36LaDonna's locked up for a murder somebody else did. I've been to see you
01:40A couple times
01:43You talking
01:45We got some movement on the case
01:46The second vehicle may have survived
01:48Now if we find this person
01:49You got a witness that can clear LaDonna?
01:52I'm not trying to clear her
01:53I'm just trying to put in some work
01:55Catch a killer
01:56Whether or not it's who I want it to be
02:00Find out after the break
02:01We'll be talking to the CEO
02:04That fucker smug face on TV
02:07Lance Duran?
02:09Cause if I was you I'd be thinking about the fucker who sent her fucker to fuck me up
02:13Just saying I get where she coming from
02:15She took out a pedophile, a crooked cop
02:18Murdered a mother of two
02:20An activist who was trying to take Lance down the right way
02:23And oh wait, you'd be on that list too if it wasn't for Kayla calling
02:26He who shall not be named
02:28Don't get me wrong
02:29Catching lose comes first
02:31Damn well better
02:33And now you just have to figure out wherever the hell she is
02:49Excuse me ma'am, excuse me
02:50Can he please cup your boobies?
02:53Get him!
02:54Get him!
02:55You are stunning
02:56But I'm about to marry my queen
02:58Not tonight you're not
03:23If the sky were to fall
03:26I'll be the first to call
03:29Some of us
03:31Some of us
03:32Are brave
03:35Peace and love to the ones who get praise
03:38Take a bow as the light as the face
03:41See me now
03:43I'm loud and proud
03:47And to those who fear leads them to hate
03:50What a pity to belong to my place
03:54I know
03:56I know
03:56You'll save me now
04:02Some of us
04:04Some of us
04:05Are brave
04:20Go ahead
04:24I told you so
04:25I know
04:27I thought I had her but you were right
04:32Thank you
04:38Uh, that's it?
04:40I saw the photos from the accident
04:42I'm pretty sure you learned your lesson
04:44You have some explaining to do too
04:47Bobby Trey
04:49How long are you two
04:50I needed some off the books help with an Uncle Sam special
04:55You slit an innocent woman's throat
04:57She died in my arms
05:00Is your situation so desperate you need to pull a psycho out of prison?
05:03If I didn't send that psycho you'd be dead by now
05:09Fucking shit
05:10Okay, okay
05:11I'm here
05:12I'm fine
05:13I'm fine
05:16You're actually not fine
05:18Everybody who's anybody is in that room waiting to kick your ass
05:24Okay
05:25Hey
05:28It's good to see you
05:31It's good to be seen
05:46Oh, there he is
05:48MPD's resident genius
05:51Go ahead
05:53Yeah, this is the part where you attempt to justify yourself
05:56I mean, that's a pretty tall order before my second cup of coffee
06:01Almost new
06:02No cream, two sugars
06:05First off
06:05We didn't have enough to arrest the suspect
06:08At minimum, you should have had eyes on her
06:10Okay
06:10A, we don't answer to you
06:12And B, we did have eyes on her
06:13She slipped him
06:14Well, don't send a cop to do a fed's job
06:17Shit
06:18It was FBISOG that lost her
06:20It's irrelevant
06:22Detective Cross's actions compromised this investigation
06:25And put lives at risk
06:27Both sworn and civilian
06:29I took a chance
06:30And you lost
06:33And from what I'm hearing
06:34You're coming at Lance Durand like he's the one we're after
06:37No, no, no
06:40You're done
06:42I'm adding Special Agent Rodriguez to this detail
06:48You can clear out, Detective
06:49Assistant Director McElhannon
06:52This is a joint investigation, right?
06:55Well, Cross doesn't work for you
06:56He works for the Metropolitan PD
06:58Now, you can do whatever you want with your personnel
07:01But when it comes to decisions about my people
07:03You check with me
07:05This is way above your pay grade, Lieutenant
07:07Does it fit within my purview?
07:11I'm gonna save you the trouble of calling, Roy
07:15Cross isn't going anywhere
07:18He's the reason you even know who you're after
07:22And I'm guessing
07:24No one here is more motivated to catch her
07:26Than him
07:42Detective Cross, you've got a minute?
07:47Agent Goff, right?
07:48Yes, sir
07:48A few days back, you guys asked me to track down the full complaint filed by Gabriela Perez
07:53Yeah
07:54Did you ever find it?
07:56Still working on that
08:00I'm a big fan, Detective
08:02I mean, I don't normally go announcing that in a locker room
08:05But you know the mood out there
08:07I just wanted to say, the way you handled the Ramsey case
08:09Including the stuff that didn't make the papers
08:11Yeah, I appreciate that, man, thank you
08:13I really do
08:15Thank you
08:17I've been seeing somebody
08:18She's Capitol Police
08:20The other day she gets a call into Senator Pete Ashford's office
08:23Said he had a break-in
08:24The name Ashford rang a bell
08:26Like Judge Olivia Ashford
08:28From Esteban's papers
08:30Is she related to the senator?
08:32His mother
08:34I did some digging
08:35Judge Ashford spent most of her career in Iowa
08:38Where she ruled on several Crestbrook cases
08:42Well, that's some impressive digging
08:44Where's the judge now?
08:45Well, she and her husband died in a plane crash years ago
08:49Excellent work
08:51Excellent work, Agent God
08:53Thank you
08:54Thanks, Detective
09:00I know what you're thinking
09:02And you're wrong
09:04I'm fine
09:06You're shot
09:06It's just a little hole
09:09It's not like it broke anything
09:15We're revising the plan
09:16No
09:16We can't call timeout
09:18Not now that you've been made
09:19I'm fine
09:20I just need something for the pain
09:22You can barely lift your arm
09:23You are a fucking mess
09:25I only need one good arm to do my part
09:28What if you have to run?
09:29Then they'll catch me
09:32They're not gonna get me alive
09:40I appreciate you taking the time to see me, Senator
09:43Not the best day for a visit
09:46When you said you had information about her
09:48Yes
09:50Is this the woman who came to see you?
09:55Who is she?
09:56Her name is Luis Perez
09:57She's a suspect in multiple murder cases
10:00Jesus
10:01Do you know what she wanted from you?
10:05Yeah
10:06She took a picture
10:07From behind this portrait
10:09It was a photo of my mom with Lance
10:11And a bunch of his cronies
10:15Did she tell you what your mom's connected to?
10:20You know about that?
10:22A little
10:24Tell me the rest
10:29I worshiped my mom
10:31And this woman, Luz
10:32Told me that she was part of a conspiracy
10:35To cover up criminal acts
10:37Perpetrated by Crestbrook Industries
10:40She threw out dozens of lawsuits
10:42Made sure damning evidence against the company
10:44Never saw the light of day
10:45You believe what Ms. Porter has told you?
10:48Yeah, she had the lawsuits
10:50After she left
10:51I looked into it
10:51And I found just more
10:53Much more
10:55Any of these boxes
10:56Have the case filed by Gabriela Perez?
11:00Um
11:02This one
11:05You know my mom taught me everything I knew
11:07I got into law to make her proud
11:10I have been living off the money that she left me
11:13Money that she made off of
11:16Enslaved kids
11:17Everybody that was in that picture got rich
11:19Lance Durand
11:21Richard Helvig
11:22Paul Hartsfield
11:23And by inheritance
11:25Fucking me
11:26Is that why you took six hours to call the police
11:29After Luz Perez left your office?
11:31Guilt
11:34She said she'd kill me if I called any sooner
11:38But yeah
11:40Guilt
11:45This is the lawsuit that Gabriela Perez filed
11:48Is this the original complaint?
11:50Yeah
12:00Agba
12:01I need you to look up some names for me
12:04Griffith Stoker
12:05Jelani Amadou
12:08Senator
12:12Brent Turlock
12:13Paul Hartsfield
12:14Nuri Mohendra
12:15And of course
12:16Our wonderful friends
12:17Lance Durand
12:18Nat Gang Cars
12:19Richard Helvig
12:20Mitch Morgan
12:21And a partridge and a pear tree
12:23What is all this?
12:25He's a defendant
12:26In Gabriela Perez's lawsuit against Crestbrook
12:28Everyone with a D beside their name
12:30Now you'll notice some familiar faces
12:33Along with some significant overlap
12:35From Lincoln Esteban's records
12:36What do we know on the new faces?
12:39Well Paul Hartsfield
12:39Was the deputy assistant secretary
12:41In the department of labor
12:42And given recent events
12:44We believe that he may have been
12:45Tipping off Crestbrook
12:46To upcoming inspections
12:48Brent Turlock was an MD
12:50Looks like he took over
12:51Gabriela Perez's clinic
12:52After her death
12:53Connection to Crestbrook?
12:55There's none
12:55Until about 10 years ago
12:57When he left the clinic
12:58To become a consultant
13:00At Crestbrook
13:00Guy ends up doubling
13:02His income overnight
13:03Sounds like a payoff to me
13:05Exactly
13:05Maybe
13:06Maybe not
13:07Nuri Mohendra's family
13:08Got rich providing
13:09Cheap labor in India
13:10Malaysia and Thailand
13:11She expanded her operations
13:12Stateside
13:13Recruiting for Crestbrook Industries
13:14And Griffith Stoker
13:16DC fixer and lobbyist
13:18Used his K Street connections
13:20To help grease the way
13:21For the company's
13:22First big expansion
13:23What about this
13:24Jelani Amadou
13:26What's his connection
13:27To Crestbrook?
13:28Beyond being Lance Duran's
13:29Best friend?
13:30Not much
13:31Guy's an economist
13:33Spotless record
13:33Lectures grad students
13:35In his spare time
13:36Couple of papers
13:37That gained some traction
13:37In the mainstream press
13:38About?
13:39I knew I knew his name
13:40From somewhere
13:41He did a piece
13:43In the Wall Street Journal
13:44In defense of working women
13:46Or something like that
13:47Sounds nice, right?
13:49But the gist
13:50Was that since women
13:51Make 80 cents on the dollar
13:53Companies could save millions
13:55By hiring an all-female workforce
13:57Even more by hiring
13:59Women of color
13:59Hmm
14:00I imagine how much
14:02They could save
14:03By hiring a chairman
14:05It's a pretty big leap
14:06Is it?
14:08I mean they had a man in DHS
14:09A connection in the
14:10Department of Labor
14:11A truck loaded
14:12Traffic children
14:13Gabriela Perez
14:14Listed these individuals
14:15For a reason
14:16What about Beverly?
14:18She's not a defendant
14:19But Luz killed her anyway?
14:20To get to Richard Helvig's money
14:23Beverly saw him
14:24As Helvig's banker
14:25She must have known
14:25At least some of
14:26What he was up to
14:26Guilt by association
14:28A different degree
14:29Of guilty
14:30As evidenced by the fact
14:32That unlike the lawsuit
14:33Defendants
14:33Beverly got to keep her fingers
14:34We believe Luz Perez
14:36Is singling out the defendants
14:37For special treatment
14:38She's making it personal
14:39Because in her mind
14:40They're the most culpable
14:41For her mother's death
14:42Man, look at the dates
14:44Except for when
14:45Sheriff Morgan
14:46Corners loose
14:47Almost all of her
14:48Personal kills were recent
14:49She's just blazing
14:50Through victims now
14:51And thanks to
14:52Senator Ashford
14:53We now have a kill list
14:55The ten defendants
14:57How many are still alive?
14:59Five
15:00Including Lance Duran
15:01And the head of his security
15:02Nat Gankars
15:02There has to be an order
15:04A plan
15:06I just can't see
15:07What it is yet
15:09Okay, well in the meantime
15:11Let's heads up
15:12The remaining targets
15:13And hope that we can
15:14Keep them alive
15:14While we figure this out
15:16Sounds good
15:19Okay, good to hear
15:21Thank you for everything
15:23Nuri Mohindra?
15:24Yes
15:24We have reason to believe
15:25Your life is an immediate danger
15:27Is there somewhere private
15:28We can talk?
15:43Mr. Stoker
15:44We need to speak to you
16:03Hey George
16:04What do you call that color?
16:06What is that?
16:06Carolina blue sky blue?
16:08Lounge lizard blue?
16:09My daddy's blue
16:10Oh
16:11You did beautiful work, George
16:13Thank you, Mr. Jelani
16:17Believe I fit in that old tux?
16:18I believe it
16:19I'm surprised you won it
16:20To be honest
16:22My father married my mother
16:23In that suit
16:25Jelani
16:25Oh, hey
16:26Cross my best friend gets married tomorrow
16:29So whatever you have to say can wait
16:31Oh, congratulations
16:32But this most definitely cannot wait
16:34What's this about?
16:36Do you remember Gabriela Perez?
16:39No
16:40Oh, she's Sue Crestbrook
16:41Named you
16:42Lance Duran
16:43Richard Helvig
16:45You know all the names
16:46But I have a new name for you
16:48One you might not recognize
16:51Luz Perez
16:53Who is that?
16:55Gabriela's daughter
16:56She's killing everyone on that list of defendants
17:00And there's only a few names left now, Jelani
17:02Yours is one of them
17:03So now might be a good time
17:05Maybe the only time
17:06To tell me everything you know
17:08And help me help you
17:11Okay, listen to me
17:12Nothing is going to happen to you
17:14This woman's going to be in your rear view
17:16Before you even start your honeymoon
17:18I promise you that
17:19He's getting married tomorrow
17:21We're not canceling a wedding
17:22You're an economist, right?
17:25Here's a statistic for you
17:2750% of your buddy's co-defendants are dead
17:3050
17:32Do the math
17:44Hey
17:47Hey, I was just on my way out
17:51Alex
17:53What?
17:54Kids told me you were in a car accident
17:55But I didn't think
17:57Oh, yeah, no, it's just
18:00It's fine
18:02It's fine
18:02Look, too, John
18:03Maybe we get x-rays and everything
18:04It's fine
18:06Alex
18:08Was this an accident?
18:14I figured I asked
18:16It's really none of my business
18:18Of course it's your business
18:20You're part of the family
18:22Maybe that's the problem
18:25I think it's confusing
18:26For the kids
18:27Me being here all the time
18:28It's confusing for me
18:31You know, sometimes
18:32When you're not here
18:35I forget things are different now
18:38I forget
18:40Why I was mad
18:43Why I left
18:46Then I see you come in like this
18:52And I remember
18:53What
18:54What are you saying?
18:59I don't think I should come around anymore
19:02I can take the kids back to my place after school if you need me
19:05I can leave them with Samson
19:06But us seeing each other like this
19:11It's keeping me from moving on
19:15That's what you want to do
19:16You want to move on?
19:19It's what I need to do
19:34Please take care of yourself, Alex
19:48You want to do
19:50You want to do
19:51I can aç
20:05You want to?
20:05You want to do
20:06You want to do
20:26Felicia, long time no see.
20:46Running won't help you.
20:55Bye Felicia.
21:06Is this your guy?
21:09One more hand.
21:11I can't get sick.
21:12I'll do this thing.
21:14My love's in my love's night with me.
21:16Yeah, I want you to...
21:35What do you want?
21:38The original.
21:41And you think I have it?
21:44I think you're too much of an operator to not know where it is.
21:47I'm an operator.
21:50You're a fucking pick me.
21:53So desperate for a pat on the head.
21:57What is this tough guy shit, Kayla?
21:59It's not you.
22:02And it's not that serious.
22:06Maggie blew her head off.
22:09So don't tell me this isn't serious.
22:13Margaret.
22:14Yeah.
22:15Shot herself.
22:16Right in front of me.
22:17I see it every time I close my eyes.
22:21She was always a little jumpy.
22:26Was it brain matter splattered on the wall or was it red mist?
22:29She killed herself to protect her family.
22:33You're gonna give me that footage.
22:35Or what, Kayla?
22:37What are you gonna do to me?
22:38How far are you gonna go, huh?
22:40Did I tell you how I found Margaret?
22:45Mastermind gave her to me.
22:49Yeah.
22:50He's cleaning house.
22:51But you already know that, don't you?
22:54I mean, you're not living in a six-story walk-up in Chinatown with no AC
22:58because you're like the ambience.
23:03There's no more hiding.
23:06Not for any of us.
23:08So you're gonna need to help me make a decision right now.
23:11Do I send him a flare to find you here or do I send it to North Carolina
23:14where your husband and daughter are holed up?
23:22Painting's a nice touch.
23:24Wouldn't believe the amount of times that soldiers,
23:26they asked me if it was part of the experiment.
23:28Truth is, it just came with the building,
23:30but having it here, it was somewhat Pavlovian.
23:34Right.
23:37Subject sees painting.
23:40Subject remembers previous trauma.
23:45It was fascinating watching those big, strong men just...
23:49fall apart.
23:52They wanted so badly to believe that they were special, just like you.
23:59They were just cogs.
24:01Too afraid to live their life without orders.
24:04Like you.
24:07Because with orders, you can pretend that somebody else made you do what you did.
24:14Mm-hmm.
24:16I didn't do what you did.
24:19I didn't do that.
24:21I had no idea what was going on.
24:23You picked the soldiers.
24:24Mm-hmm.
24:25I wrote profiles for a mission, not for this shit.
24:28You're all profile, Kayla.
24:31Who's willing to ride the line?
24:32Who's willing to do the dirty work?
24:34Who needs a pat on the head so fucking badly that she'll do anything?
24:37You can pretend that you're one of the good guys, but he knew what you were from the very...
24:47Bitch, please.
24:49You're not gonna kill me.
24:52You're not even gonna really hurt me.
24:56You have no idea what I'm gonna do.
24:57You have no idea what you'll do, and that's why you're so scared.
25:02I should kill you right now.
25:04I should kill you right now.
25:05I should kill you.
25:07I should kill you right now.
25:19Get out!
25:20Fuck!
25:23You're not better than us, Kayla.
25:26You're just weaker.
25:31No, no, no. Wait. Wait. Wait. Wait. Wait. Wait.
25:34Wait. Wait. Both you motherfuckers.
25:35When this is done, when this is done, you can do with her whatever the fuck you want.
25:39Whatever the fuck you want. But right now, we need information, so I need you to get your shit together,
25:43eh?
25:43You motherfuckers. You motherfuckers, motherfuckers. God damn it. God damn it. God damn it.
25:55They ain't deserve to be treated like all that.
26:00No, sir. No, sir. No, sir.
26:03Ooh, you motherfuckers. You motherfuckers is monsters.
26:08Mm-hmm. Oh.
26:11Says the man who worked for a serial killer.
26:15Yeah, like a dirty cop. Drug dealer murderer for hire.
26:19And before that, Sergeant Robert Abelard US Army 101st Airborne.
26:28Shit. Shit. Lord knows, Lord knows, I was...
26:33I was wanting to be a hero.
26:36And then you go where they send you, and you do what they tell you to do, and then you
26:42see shit, and then you...
26:43You realize you ain't no...
26:46You ain't no hero at all.
26:49You just another weapon.
26:52No!
26:55Yeah, before Esteban became a muckraker, he was a street artist.
27:06Went by Chaka.
27:07Chaka.
27:07He made this on a wall facing Crestbrook's Chicago offices.
27:10He kinda dope.
27:13Had the motherfucker try to run you over?
27:15Ask him. Donnie motherfucking Hayes.
27:18Crestbrook took out his family farm.
27:20Ooh, nothing brings people together like a good old-fashioned hate fest.
27:25What's with the Chicano art?
27:27Yeah, does any of this mean something to you?
27:31Overall style feels very Azteca.
27:33Mm-hmm.
27:34Where you from again?
27:35Guatemala.
27:37But I took a pre-Columbian class in college.
27:39Can you fill in some of the blanks for me?
27:41Bro, I've really got a B-minus in that class.
27:44All right.
27:45But I'm still in touch with Dr. Gonzalez.
27:48You know what? I'll send you his info.
27:50Please.
27:54You get some?
27:55A line on the second victim of the Duvernay case.
28:00Milo Sotovijal, age 35, saw an off-the-books doctor for a bullet wound just after midnight.
28:06It's 45 minutes after the murder.
28:08Mm-hmm.
28:08And I got a tip on his current.
28:10You want a ride?
28:13Go.
28:14Gotta go check out Vega's professor.
28:30Hey, Nana.
28:31You get my message?
28:32Yeah, baby.
28:32And I bought my train ticket.
28:34But if you pissed off her, I'm gonna whoop your ass.
28:38Huh?
28:47Just a sec.
28:47Thanks.
28:51What the hell?
28:53I want to get back on his phone.
28:54You're welcome.
28:54You're welcome.
28:55I'm gonnaív it.
28:59You're welcome.
29:00I'm up, too.
29:01You're welcome, too.
29:05You're welcome, too.
29:08I was at this place.
29:16Milo.
29:17The fuck are you?
29:19Detective Vega, MPD.
29:21Who shot you?
29:24I wouldn't do that.
29:25Hands on the open.
29:30I had an infection like that in the service.
29:33Hurt like a mother.
29:36And I'm guessing you can't risk going to see a doctor.
29:39What's it to you?
29:42You give us a name.
29:44We come back here with antibiotics.
29:46No questions asked.
29:48No name.
29:50You have to take your chances going to the hospital.
29:53Providing you make it that long.
29:58Put the guns away and then we can talk.
30:04You first.
30:10Who shot you?
30:11Was it TK?
30:12I don't know who the fuck that is.
30:16We were doing business
30:17and that motherfucker tried to rob us.
30:20I heard my buddy call him Night Train.
30:24That was right before he started shooting.
30:39What do you see here?
30:42There's a lot of rear cards, right?
30:44Loteria.
30:46Loteria.
30:46Okay, close enough.
30:49Yes, they are Loteria cards.
30:51And you notice a resemblance
30:54to the art that you showed me, right?
30:57It's damn near identical.
30:59Yes.
30:59And that makes me very curious
31:02because this deck
31:03is obscure
31:05almost to the point of being forgotten.
31:08It reflects a very old story
31:10born from the resistance to La Conquista.
31:14A legend
31:15named
31:16La Niña de las Flores.
31:20After Cortes and his men
31:22killed the emperor
31:23Motequizoma,
31:25they made their way
31:27into
31:28Xochimilán,
31:30the land
31:31of the flowers.
31:33The home
31:34to a brave young woman.
31:36Una valiente joven
31:38llamada Xochimilán.
31:41Xochimilán.
31:54Mientras los soldados atacaban,
31:57la madre de Xochimilán
31:59instó a cantar
32:00una antigua canción
32:01que inspiraría
32:02a su pueblo
32:02a resistir.
32:11When the soldiers realized
32:12Xochimilán's song
32:13was working,
32:14la arrastraron
32:15hasta el borde
32:16de un cráter
32:17y la arrojaron dentro,
32:19pero desde el fondo
32:20del cráter
32:20siguió cantando.
32:22She continued
32:23to sing.
32:25To silence Xochimilán,
32:27they piled
32:28dirt
32:28more
32:30and more
32:31until
32:32the crater
32:33became
32:34the Volcano
32:35Takana.
32:37The Volcano
32:38Takana.
32:40Volcano
32:41Takana.
32:42In order to save
32:43her people,
32:44Xochimilán
32:45had to fight
32:45her way
32:46to the top
32:46of the mountain
32:47from the inside
32:48past
32:49the ten levels,
32:50each guarded
32:51by a demon
32:52more fearsome
32:54than the last.
32:55The first level
32:56guarded
32:57by a giant dog,
32:59El Perro.
33:00The second level,
33:02El Curandero,
33:04an evil medicine man.
33:07El Pecador.
33:11El Parasito.
33:16The Judge.
33:21Her victims
33:22are all a part
33:23of this story.
33:24The architect,
33:26El Martillo,
33:27La Boca,
33:28La Guardia.
33:30Protecting
33:30the throne room.
33:32Luis Porras
33:33is living out the legend
33:35La Nina de las Flores.
33:42To her,
33:43the defendants
33:43in her mother's lawsuit
33:44are the demons
33:45she must defeat
33:46in order to save
33:47her people.
33:47Her first victim,
33:48Sheriff Morgan,
33:49he's a dog
33:50guarding the underworld.
33:51Dr. Turlock,
33:52he's a medicine man.
33:53El Curandero.
33:53Helvig,
33:54he's a sinner.
33:55I believe Paul Hartsfield,
33:56the crooked labor secretary,
33:58is the parasite.
33:59Nat Ganga
33:59is the other god,
34:00which means that
34:01Lance Durand
34:03is the crown of fingers.
34:06Nasty.
34:07Absolutely.
34:08But it's also a pattern.
34:16Holy shit.
34:18She's killing him
34:19in the order of the story.
34:21Exactly.
34:22Which means that
34:23if we match these three,
34:24El Arquitecto
34:25and Martillo
34:26in La Boca,
34:27we'll find out
34:28who her next target is.
35:00Hi, how's it going?
35:02You look very maudlin.
35:04What are you doing?
35:06Hey, take this, please.
35:09Listen to me, okay?
35:11You have nothing
35:12to worry about.
35:12This place is locked up
35:14tighter than Fort Knox.
35:16It's a strange thing.
35:18Isn't it?
35:19What?
35:21Knowing you've done
35:21something so bad
35:22to someone
35:22that makes them
35:23want to kill you?
35:25Look,
35:26there's no doubt
35:27we had to make
35:30very tough decisions
35:31and tough decisions.
35:33Those were lives,
35:34Lance.
35:35Children.
35:38If I hadn't had the idea,
35:39none of this
35:40would have happened.
35:40Come on.
35:41Look,
35:42there have been
35:43brutal moments
35:44in this journey,
35:45but we are trying
35:46to save the world.
35:48And that shit
35:49ain't easy.
35:51Okay?
35:51But it's working.
35:53This is your legacy,
35:55Jelani.
35:55You're a good man.
35:56You're my best friend.
35:57All right?
35:59I'm gonna play
36:00this card
36:00just a bit.
36:01You kind of owe it
36:02to me to have
36:03a good day.
36:04You do?
36:05I was sent
36:06to get you
36:06to take pictures.
36:07We have to take pictures.
36:08Have you seen
36:09your wife yet?
36:09No.
36:11Oh, my lord.
36:13Wait till you see her.
36:15Look at me.
36:16Come on, man.
36:22Look who's back
36:24from war.
36:25Glutton for punishment.
36:27Mastermind called
36:28that, too.
36:41Same stuff
36:42you used
36:43on those soldiers.
36:44There's no way
36:45you called the drug.
36:46You willing
36:47to bet
36:47your life
36:47on that?
36:49And your sanity?
36:55No.
36:56Stop.
36:57No.
36:59There.
37:00All done.
37:02Nice.
37:09Where's the footage?
37:13Look,
37:13even if I knew,
37:14there is no...
37:15Have you ever read
37:16those studies on torture?
37:18I mean,
37:19statistically,
37:20it almost never
37:22leads to reliable information,
37:24but do you know
37:25what it does do?
37:28It fucks with
37:29those minds.
37:31And not just the minds
37:32of the people
37:32being tortured.
37:33It literally rewires
37:35the brains
37:36of the people
37:37doing the torture.
37:38so when you
37:41were torturing
37:42those soldiers,
37:44your brain
37:45was recording
37:46the violence
37:47as if it was
37:49happening
37:50to you.
37:51Did you know that?
37:54Please stop.
37:55Hale, stop!
37:56Where's the footage?
37:57Please don't do this.
37:58Stop.
37:59Shh.
38:00There it is.
38:03Can you feel it yet?
38:05You can feel it,
38:06can't you?
38:09Stop!
38:10Stop!
38:11It's the original
38:12documents for the
38:13secure storage
38:1530 floors under
38:16your boss's office.
38:17Just get that
38:17fucking thing out of me!
38:22So, Tate,
38:24if this doesn't pan out,
38:25we will be talking again.
38:31There's my baby.
38:33How you feeling today?
38:36Things are looking up.
38:38We got a second victim.
38:40Put a name to the shooter.
38:42No way.
38:43Well, it's a street name,
38:45but we hoping
38:46you could recognize it.
38:47If I do,
38:48I'll tell you
38:48everything I can, John.
38:51Night train.
38:54That mean anything?
38:56I wish I could say yes,
38:59but I've never
39:00heard that name.
39:04I'm sorry.
39:07You bring those
39:08photos we talked about.
39:10Madonna,
39:10I got a lot of work.
39:11Maybe another time.
39:13Come on, now.
39:14You gotta have something.
39:16Let me see
39:16a little bit
39:17of what I missed.
39:37What are you supposed
39:39to be there?
39:40I'm a cowboy.
39:44Alex is a ninja.
39:46Nana and Mama
39:47sent us to the park
39:47to stop us
39:48from tearing up the house.
39:49I know that park.
39:52It's Anacosta
39:53by the water.
39:54It used to be
39:54that old crazy man
39:55down there
39:56selling candy.
39:57He was always yelling
39:58something about
39:59blue men from Mars.
40:00Blue men from Pluto.
40:01That's what he was always.
40:10Still stuck in a cage
40:12trying to ply my trip
40:14won't go away.
40:26You recognize that man?
40:28Never seen him before.
40:30Who is he?
40:32He's Tyson Knight.
40:34A.K.A. Nitrate.
40:36A.K.A. TK.
40:38You sure?
40:40Positive, baby.
40:42Like I said before.
40:46Hey, you think
40:47I could see
40:47some more pictures?
40:48I mean, if it's not too much?
40:50You sure about that?
40:51Nana and Mama
40:52was trigger-happy
40:53with the camera
40:53back in the day.
40:54I mean, after this
40:55little bit,
40:56I've gotten to see
40:57some of who you are.
41:00I've been blown away.
41:05I feel like
41:05if I can see
41:06where you came from
41:07and how you got
41:08to be here,
41:12I think I can
41:14know you
41:14a little bit better.
41:21First, let's find
41:22this nitrate.
41:27Still trapped in a box
41:30trying to clear
41:31my name
41:31won't go away
41:35I'm afraid
41:36your love
41:38your love
41:39will blow me away
41:41Am I done
41:43that fact
41:44black
41:45or cause
41:45I know
41:46the pain
41:47Am I just
41:49another road
41:51welcome back
41:52thanks
41:52we managed
41:53to match
41:53which cards
41:54we think
41:54each of the last
41:55three targets
41:56represents
41:56Akbar pointed out
41:58Griffith Stoker's
41:58a lobbyist
41:59and a former lawyer
42:00he's gotta be
42:01La Boca
42:02the mouthpiece
42:02and Nuri Mohendra
42:04she runs the machine
42:05that keeps the kids
42:06in line
42:06the hammer
42:07which would make
42:08Jelani the architect
42:10the one who dreamed
42:11up the entire
42:12child labor scheme
42:14that makes him
42:15next on the kill list
42:16right
42:17what time's
42:18that wedding
42:19what I love
42:20is not only
42:21what this union
42:22says to the world
42:23but what it says
42:24to the universe
42:27witness
42:28this man
42:31fucking incredible man
42:32whose ancestors
42:34hail from Benin
42:36whose people
42:37landed
42:37in Mississippi
42:39and whose own
42:41ambition
42:42took him
42:43to Washington
42:44D.C.
42:46I witness
42:47it is this
42:47powerful woman
42:49whose ancestors
42:50hail from Angola
42:52and whose people
42:54landed in Salvador
42:55Bahia
42:554,000 miles away
42:57history
42:59geography
43:00and probability
43:01tell us
43:01these two people
43:02never should have
43:03survived
43:03let alone met
43:04ancestors ripped
43:06from the motherland
43:07and sent to
43:08opposite sides
43:08of the globe
43:09yet here they are
43:10today
43:10standing before us
43:14claiming your own
43:16motherland
43:17wherever you land
43:19wherever you stand
43:21right
43:22so this is my
43:23favorite part
43:23y'all grab your
43:24glass
43:24raise it high
43:25and let us
43:26celebrate this union
43:27and celebrate
43:29the reunion
43:30of the diaspora
43:31and to Mr. and Mrs. Amadou
43:34may you have
43:351,000 children
43:37cheers y'all
43:55baby what did we do
44:18oh my god
44:20oh my god
44:22oh my god
44:24oh my god
44:32oh my god
44:35oh my god
44:35oh my god
44:47oh my god
44:58FBI and Metro PD
45:00agent golf
45:01we need to get in there
45:02no that's a negative
45:04you two have been
45:05specifically barred
45:06from the event
45:06call Roy
45:07the order comes
45:07straight from
45:08director Hammett
45:08you're not to have
45:09any contact
45:09with Lance Durant
45:10fuck Durant
45:11the groom is the
45:12next on the
45:12killer's list
45:18uh
45:23uh
45:24uh
45:42Oh, my God.
45:58What's that? What happened?
45:59It's hurt. Someone call the doctor.
46:06I'm done.
46:08Move. Move. She's in there.
46:34Let's go. Clear her out. Clear her out. Come on. Let's go.
46:43Everybody's down.
46:44Go. Go. Go. Go. Go. Go. Go. Go. Go.
46:49Go on the green. She's right there. Move. Move.
46:56Stop. Alex, stay down.
47:04We can't wait. She's getting away.
47:06But we have no cover.
47:07We can't wait.
47:37We're standing alone
47:42Without a dream in my heart
47:50Without a love on my own
48:04You knew just what I was there for
48:12You heard me say in a prayer for
48:20Someone I really care for
48:32Now I'm no longer alone
48:40Without a dream in my heart
48:47Without a dream in my heart
48:55You know
49:25I'm not even sure why
49:25That's everyone
49:25Don't easy to come
49:25To me
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