- 5 hours ago
Censor (2021) [Full Movie] [Recommended]Full EP - Full
Category
🎥
Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:28Transcription by CastingWords
00:01:58Transcription by CastingWords
00:02:04Hang on.
00:02:12CastingWords
00:02:43Transcription by CastingWords
00:02:43Transcription by CastingWords
00:03:18Transcription by CastingWords
00:03:22Transcription by CastingWords
00:03:24Transcription by CastingWords
00:03:35Transcription by CastingWords
00:03:49Transcription by CastingWords
00:03:56Transcription by CastingWords
00:04:10Transcription by CastingWords
00:04:42Transcription by CastingWords
00:05:12Transcription by CastingWords
00:05:43Transcription by CastingWords
00:06:13Transcription by CastingWords
00:06:41Transcription is dangerous
00:06:48Transcription by CastingWords
00:07:00Transcription by CastingWords
00:07:31So we're both
00:08:01Transcription by CastingWords
00:08:12Transcription by CastingWords
00:08:24Transcription by CastingWords
00:08:40Transcription by CastingWords
00:09:26Transcription by CastingWords
00:09:37Transcription by CastingWords
00:09:55Transcription by CastingWords
00:09:58Transcription by CastingWords
00:10:39CastingWords
00:11:09Transcription by CastingWords
00:11:39Transcription by CastingWords
00:11:45Transcription by CastingWords
00:11:46Transcription by CastingWords
00:12:15Transcription by CastingWords
00:12:21Transcription by CastingWords
00:12:36Transcription by CastingWords
00:12:38Transcription by CastingWords
00:12:40Transcription by CastingWords
00:12:42Transcription by CastingWords
00:12:44Transcription by CastingWords
00:12:44Shall we?
00:14:15It's always the same with you.
00:14:16What?
00:14:16I'm taking no responsibility.
00:14:18I never take responsibility.
00:14:19You lose your fucking job, and I'm the one that doesn't take responsibility.
00:14:22I've had enough of this shit.
00:14:24Fucking good to hear you.
00:14:25I'll be bringing him into it.
00:14:27It's fucking typical.
00:14:28I'll be bringing him into it.
00:14:31It's what it's like.
00:14:33I'm the one that's just...
00:14:35I'm the one that throws it for you.
00:14:39I'm the one that throws it for you.
00:14:42I'm the one that throws it for you.
00:14:56I've got to have to spend a little bit of time.
00:14:57I've got to have to have to.
00:14:58I'm gonna have to have to have to have to have to.
00:14:58white wines well let's hope there's nothing to your stomach churning coming up then
00:15:04what masterpiece are we dissecting extreme coda
00:15:36i mean what is it with these directors male inadequacy revenge catharsis
00:15:45didn't that get to you some of those scenes were so excessive just focus on getting it right
00:15:52don't really think about anything else
00:15:59plus i haven't got a hangover enid fraser wants to see us says it's urgent
00:16:07so
00:16:09so
00:16:34you two passed deranged right deranged yes to marina phil
00:16:41we watched it a few months ago why there's a sequence in it where a man eats someone's face
00:16:50oh yes yes 18 with extensive cuts
00:16:55what's happened a man was arrested in brig house yesterday he killed his wife then he
00:17:08and he tore off and ate her face went on to shoot his two children dad it's horrific i got
00:17:18a call from
00:17:19some journalist 15 minutes ago he was breaking the story
00:17:23he's linking the killings directly to deranged oh god so they're blaming us well there's the thing
00:17:32this journalist seemed to know that it was you two who passed the film how the hell do they know
00:17:37that
00:17:37i can't believe you two let it get past you it's complete hysteria it's no worse than other material
00:17:43we've passed the press are going to tell calling him the amnesiac killer
00:17:50he's saying he can't remember what happened
00:17:53come on
00:17:54come on
00:18:23so walk me through your decisions again so i'm 100 clear and for the record
00:18:30in future if you have even the slightest doubt just reject the film
00:18:38the man who went berserk claims he cannot recall the incident at all
00:18:43the accused has been dubbed by press as the amnesiac killer
00:18:47after links being made today between the killing and video nasty horror film deranged
00:18:53i live in a lot
00:18:55they've been good girl called
00:18:57and now they're saying it's because of some film
00:19:00it's like the world's gone mad this has always been a really safe neighborhood like
00:19:04the kids are now for everyone
00:19:08a hotel in pain drink has been cleared of staff and guests
00:19:12after you found what could be a bomb in one of the hotel rooms
00:19:17mom
00:19:18despicable woman
00:19:19letting people see that disgusting film you should be ashamed of yourself
00:19:23and
00:19:35enid
00:19:37where is she
00:19:40enid
00:20:10why did you allow to rage to be released
00:20:12she's the amnesiac killer telling the truth
00:20:14why are you banging these films
00:20:48she's the amnesiac killer telling the truth
00:20:51she's the a
00:20:53I'm
00:21:07up
00:21:08up
00:21:08up
00:21:09up
00:21:11not like
00:21:12with paid
00:21:14I could go to academia
00:21:16like that seriously
00:21:17and not be
00:21:19he's laughable even little miss perfect
00:21:25in it
00:21:33bad luck isn't it
00:21:35I mean it could have happened to any of us
00:21:39if I'm here to make decisions it can't be
00:21:42bad luck
00:21:45no but
00:21:47well you know what I mean
00:21:49we all make mistakes
00:22:13that's a single malt
00:22:14my freezer don't be using it
00:22:16I have to drown your sorrows
00:22:20and who's this you've got squirreled away
00:22:22Enid Bain she's one of our censors
00:22:25so this is Enid
00:22:27have we met
00:22:28no
00:22:31Doug Smart
00:22:32producer
00:22:33ident investment films
00:22:40Frise you didn't tell me you're such a photogenic team
00:22:44now tell me this Enid
00:22:45if you get bored of banning my films
00:22:47I'm sure I could get you a job on the big screen
00:22:50I'm not sure how much I like the idea of being raped
00:22:53and cutting pieces on camera
00:22:57no but I'm
00:22:58sure the public would love it
00:23:00ok
00:23:01now come on
00:23:02maybe Enid could
00:23:04watch my latest
00:23:05Frederick North submission
00:23:07from the archives
00:23:08it's harmless I promise
00:23:10I'm sure you could slip me a 15
00:23:13it's
00:23:14it's
00:23:14already on her schedule
00:23:15and I'm sure she'll deal with it
00:23:17with her usual professionalism
00:23:19come on Doug
00:23:19let me see you out
00:23:22Enchanté mademoiselle
00:23:25what a wee cracker she is
00:23:28absolutely gorgeous
00:23:35there were so many shits and fucks
00:23:38it was impossible to cut them all
00:23:39so we just had to give it a 15
00:23:43anyway
00:23:45thank you Alf
00:23:47what have we got now then
00:23:49don't go in the church
00:23:50there won't be many places left for us to go soon
00:23:56Frederick North film
00:23:58haven't seen one of his in a while
00:24:00used to be quite prolific
00:24:02don't think I know his work
00:24:03oh here's a laugh a minute
00:24:22no silent titles
00:24:24unusual
00:24:25girl
00:24:33this way
00:24:34please stop
00:24:36I don't like it
00:24:37can we go back
00:24:39no it'll be fun
00:24:46let's play a game
00:24:59come on
00:25:02summon my shadow
00:25:05spin
00:25:11do it
00:25:16do it
00:25:18do it
00:25:20two
00:25:25three
00:25:31go on
00:25:34in there
00:25:37go
00:25:51do it
00:25:54do it
00:26:03okay
00:26:04do it
00:26:08go there
00:26:09no
00:26:11I don't know.
00:27:07I don't know.
00:27:19I don't know.
00:27:42You okay?
00:27:44I was quite full on.
00:27:47It shook me up.
00:27:49Just feeling a bit under the weather.
00:27:51You know, you can always talk to me, don't you?
00:27:55If you want to.
00:27:57Stressful times.
00:28:00Like, when my mum passed away, if I hadn't had someone to talk to, I think I might have just,
00:28:04I don't know, lost it.
00:28:07Why do you think he can't remember?
00:28:11Who?
00:28:14The amnesiac killer.
00:28:17Oh, I don't know.
00:28:23I mean, why wouldn't he remember?
00:28:28God, it's hard to...
00:28:31Could be basic trauma.
00:28:33Brain, it sort of shuts it out.
00:28:36Could have had a bang on the head even, or...
00:28:40It makes me think, in my psychotherapy days, we'd talk about how people construct stories to cope.
00:28:48You'd be surprised what the human brain can edit out when it can't handle the truth.
00:28:58Look, you're good at your job, Enid.
00:29:01Don't let what's going on out there get to you.
00:29:06I don't know if you want to, but maybe we could get out of here sometime.
00:29:11Go for a drink.
00:29:20I'm so sorry about your mum, Perkins.
00:29:25Thank you for this.
00:29:54Hello?
00:30:07Hello?
00:30:09Hello?
00:30:13Hello?
00:30:40Hello?
00:30:43Hi, Mom.
00:30:45Oh, Enoch, are you okay?
00:30:51I've been trying to get hold of you.
00:30:54Sorry, this work's been really busy.
00:31:00Oh, okay.
00:31:03I hope you're all right, love.
00:31:10Are you still there, love?
00:31:13Yes.
00:31:21It's, um...
00:31:24I examined this film today.
00:31:28Oh.
00:31:30What was it about?
00:31:40Nothing.
00:31:43Doesn't matter.
00:31:50You must let work get you down, Enoch.
00:31:55I saw the news.
00:31:57Only because you're downstairs.
00:31:58Dad doesn't know what he's talking about.
00:31:59All right, love.
00:32:00I'm sorry.
00:32:04I was tired.
00:32:08Well, don't overdo it, will you?
00:32:11You can't be responsible for everyone, Enoch.
00:32:14It's just a job.
00:32:15Yeah, I suppose so.
00:32:20Yeah, I suppose so.
00:32:50Don't be on your blog.
00:32:50Probably Wow, man.
00:32:51I'm fine.
00:32:54I like what I got.
00:32:55Yeah, I like what I got today.
00:33:44Transcription by CastingWords
00:34:15Transcription by CastingWords
00:34:15Me now?
00:35:15Transcription by CastingWords
00:35:25Transcription by CastingWords
00:35:55Transcription by CastingWords
00:36:02Transcription by CastingWords
00:36:05I was wondering if you had anything else on the director?
00:36:08It's Frederick North
00:36:14Do you have a list of his films?
00:36:20No
00:36:22Well, without a list, it'll take at least a week
00:36:40Leaving on time, Enid? It's not like you?
00:37:02Beastman's coming to get you!
00:37:30Oh, hi!
00:37:33Ah, enjoy.
00:37:35Yeah, proper gory.
00:37:36It's good, isn't it?
00:37:37See you next time.
00:37:39Cheers, Gerald.
00:37:56Hey, I thought that one was banned.
00:38:01I don't know what you mean.
00:38:04Maybe you could help me.
00:38:05I was looking for some of the more unusual Frederick North films.
00:38:13I've seen, um...
00:38:16Don't go in the church.
00:38:18Huh?
00:38:19Perhaps maybe you might have something else of his under the counter.
00:38:28Um...
00:38:28I've not seen you in here before.
00:38:33Just moves to the area.
00:38:35Someone like you who doesn't want to watch films like that.
00:38:39Like what?
00:38:45My favourite is, uh, Stationery Massacre.
00:38:48The repeated stabbing of the man's eye with compass,
00:38:51then his stomach being ripped open with the razor scissors.
00:38:54His guts falling out, his stomach being stapled back together.
00:39:00Masterpiece.
00:39:08All right, come on, all right.
00:39:09I've seen...
00:39:10I've seen that you've got Calmer Carnage.
00:39:12And I know that that's been banned.
00:39:16Bloody hell.
00:39:19Okay.
00:39:21There's so many places getting, you know, shut down.
00:39:23Police raids and...
00:39:24My mate uptown.
00:39:25I've just stopped concentrating.
00:39:27Honestly, it's not worth the bloody stress.
00:39:35I'm going to get rid of it all soon, myself, anyway, so...
00:39:40That's all I've got of Norse.
00:39:41It's a bit of a ropey cop.
00:39:43He might be a bit fuzzy and all the good bits and, uh...
00:39:46Well, someone's taped over the end with another film.
00:39:52This place gives me a bad feeling.
00:39:55It's like something from one of my nightmares.
00:39:58Let's go back.
00:39:59No.
00:39:59We've come too far to turn back.
00:40:04Strange.
00:40:05What is it?
00:40:07A book.
00:40:08There's a symbol.
00:40:11It's like some sort of portal.
00:40:12Wait!
00:40:13Let me see.
00:40:18It's Latin.
00:40:19I can work it out.
00:40:22Let the sea...
00:40:24In troipent...
00:40:26...hawk...
00:40:26...sepulchrin...
00:40:27...dare...
00:40:28...te be ad...
00:40:29...in infernum.
00:40:30Tom!
00:40:31Stop!
00:40:32It could be dangerous.
00:40:35Qui est hic numquam...
00:40:37...reviturto...
00:40:39...qui's hawk memento...
00:40:41...in semperternum...
00:40:43...in mutata...
00:40:46...sensentuo.
00:40:49He's calling for me.
00:41:04He's calling for me.
00:41:07The evil is contagious.
00:41:16He's calling for me.
00:41:19The evil is contagious.
00:41:33And I don't know if he's found on the book.
00:41:33You Tickle Witch Heute knocks me up the room.
00:41:41...i'll be on to the temple.
00:41:42I hope you're a室 named Timlar...
00:41:42Now, I ain't seen him...
00:41:42...he kinds of humor.
00:41:50...he's standing by the name...
00:42:05I don't know.
00:42:21I don't know.
00:42:45I don't know.
00:42:47I don't know.
00:43:10I don't know.
00:43:15I don't know.
00:43:15Such a shame.
00:43:17Carol's moving near the seaside now.
00:43:20I suppose she's better off out of it, but I'm going to miss her.
00:43:22You can visit, love.
00:43:33I wanted to talk to you about something.
00:43:36Found a nice fella?
00:43:37No.
00:43:44It's to do with Nina.
00:43:49I know what we talked about and I understand, but I think I might have worked out where she is.
00:43:58Oh, please, Enid, not this again.
00:44:02I know, Dad, but this is different.
00:44:06There's this actress.
00:44:09Her name's Alice Lee.
00:44:13I know it sounds mad, but I've got this, I've got this really strong feeling that I think is her.
00:44:24I need you to look at this and just focus on her face.
00:44:29Just look at her eyes.
00:44:32We've been there before, Enid.
00:44:34Every time it's not her.
00:44:36Dad, please, you're not even looking at her.
00:44:37Please, just look.
00:44:40She looks just like the police mock-up, Dad.
00:44:43Enid, stop.
00:44:45Dad, Enid.
00:44:46This is exactly why we did what we did.
00:44:49We tried to do our best for you, but you go off doing whatever you want.
00:44:53Just like the day you went off with her.
00:44:54George.
00:45:18God knows how didn't they책woman what we found it.
00:45:18The third유�oscare doing Maxwell, so now называется, Inidia.
00:45:19It was possible that we arrived around for me.
00:45:19As if you think of it, it's really efficient.
00:45:19Or algún and how you didn't know.
00:45:20Or maybe even the cold could have a head-to-day point.
00:45:21And she's trying to twist home.
00:45:21Um, or has a никакolé.
00:45:24Another pirOUis太だ,
00:45:33How doesToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToToTo to to from the only location.
00:46:03Transcription by CastingWords
00:46:19CastingWords
00:46:50CastingWords
00:47:01CastingWords
00:47:30CastingWords
00:47:53CastingWords
00:50:24And some people don't seem to like my films.
00:50:35Do come in.
00:50:56Do you live alone?
00:51:01Yes, I live alone.
00:51:12This room seems familiar.
00:51:15Must be a sign.
00:51:18It's a rape scene from Extreme Coda.
00:51:24Someone's got a keen eye.
00:51:32Not this for Coda in L.A.
00:51:37We look similar, don't we?
00:51:50We look similar, don't we?
00:52:04Why don't we?
00:52:05Why don't we get this wet coat off?
00:52:12What's Frederick like?
00:52:14What can I say?
00:52:17He's a provocateur and a genius.
00:52:21He's widely misunderstood.
00:52:26You enjoy it?
00:52:27Don't go in the church then, huh?
00:52:31Frederick pressed for you to view it.
00:52:34Wanted a woman's eye on his film.
00:52:38You're not enjoying your scotch?
00:52:52You might be interested to hear that he's shooting a juicy sequel to church at the moment.
00:52:57With the monstrous Beastman.
00:53:01Sequels are all the rage these days.
00:53:07Where are they filming it?
00:53:10Near Frederick's.
00:53:12In the forest where we shot the original.
00:53:15And Alice Lee's in it?
00:53:16It'll be her last film.
00:53:19She's come to the end of her shelf life, that one.
00:53:22What does that mean?
00:53:29Oh, let's not talk about some silly actress.
00:53:34I'm far more interested in talking about you, you know.
00:53:37What's going to happen to Alice?
00:53:39Well, that's top secret.
00:53:42Frederick abducted her, didn't he?
00:53:44I can abduct you if you want.
00:53:45Just talk it off me.
00:53:47What?
00:53:48Keep around my house, you fucking prick tease.
00:53:51Just let go of me, please.
00:53:53Get out of me.
00:53:54Please, don't.
00:53:55Please, don't.
00:53:56Oh, my God.
00:54:12Oh, my God.
00:54:41No, no, no.
00:54:47Thank you for the whiskey.
00:54:50I'll see myself out.
00:55:26You fucking sick bitch, I hope you get what's coming to you.
00:55:29You deserve to get sliced up, you fucking brat.
00:55:32See, people shouldn't be given any bloody responsibility.
00:55:36The evil is contagious until you're a fool, you are a woman.
00:55:39If you're around the pocket house, he's shooting a juicy snake at the church at the moment.
00:55:44You're wrong inside.
00:55:46Look, you're heaven, you're really good to talk sense, and they go to shit.
00:55:49You're wrong people.
00:55:51We damage them.
00:55:52You should be eaten.
00:56:15You're right.
00:56:26We are in a viewing here
00:56:29Help me, help me, save me, please
00:56:31Er, Edith
00:56:34Sorry
00:56:37Someone's losing the plot
00:56:47Hello
00:56:48Can I help you?
00:56:53Excuse me, Ed
00:57:00What do you think you're doing?
00:57:07Everything is under control, Valerie
00:57:10All right?
00:57:11No, no, no, no, no
00:57:13You're not authorised
00:57:14The amnesiac killer stated in court
00:57:16He had never seen the film Deranged
00:57:18Which is supposed to have influenced the attack
00:57:20What? So he didn't even watch it?
00:57:22That's what it says here
00:57:33Get back!
00:57:35Get back!
00:57:36Get back!
00:57:39Get back!
00:57:40Get back!
00:57:40Get back!
00:57:42Get back!
01:00:30Is this the film shoot with Alice Lee?
01:00:42You're late.
01:00:47You're sorry?
01:00:50I'm Debbie.
01:00:52I'll be doing your makeup.
01:01:02You don't look anything like your picture.
01:01:06At least you're here.
01:01:07Half the cast haven't turned up.
01:01:10Production's all over the place.
01:01:20Come on.
01:01:22Let's get you ready.
01:01:39Top off.
01:01:53At three?
01:01:56At three?
01:01:58At three?
01:01:58At three?
01:02:09Sit.
01:02:11Sit.
01:02:12Down on the chair.
01:02:16Sit.
01:02:32Debbie.
01:02:33Debbie.
01:02:34Is that the sister?
01:02:35Yeah.
01:02:36I'll be doing that.
01:02:37I'll be doing that.
01:02:37Frederick wants that down in the forest.
01:02:39He's getting impatient.
01:02:43I'll also...
01:02:44Still no sign of the producer.
01:02:55So weird.
01:03:00Doug never misses a gory emergency.
01:03:03I'll see.
01:03:04I'll see.
01:03:06I'll see.
01:03:07I'll see.
01:03:30I'll see.
01:03:36What have they got planned for us, Lee?
01:03:41What do you mean?
01:03:46Look at me.
01:03:48Look at me.
01:04:04I've been waiting.
01:04:16I'm waiting for you.
01:04:31I've been waiting for you.
01:04:36Fred.
01:04:37Frederick North.
01:04:41Step into the light
01:04:42so I can see you.
01:04:47Hurry up.
01:04:58Where's Alice Lee?
01:05:02Big fan, are you?
01:05:06Well, someone told me this was her last picture.
01:05:13You're guarded.
01:05:19That comes from a place of fear, doesn't it?
01:05:26I want you to tell me about Denko in the church.
01:05:33That bit with the girls, where did the idea come from?
01:05:40Had an effect on you, did it?
01:05:51That scene...
01:06:00was inspired...
01:06:04by a true story.
01:06:11All of my ideas...
01:06:14are drawn...
01:06:18from real life.
01:06:21Well, that's not what happened.
01:06:24People think that I...
01:06:28create...
01:06:29the horror...
01:06:31but I don't.
01:06:35horror...
01:06:37is already out there...
01:06:40in all of us.
01:06:43It's in you.
01:06:46No, it's not.
01:06:47Of course it is.
01:06:51Don't be so naive.
01:06:54If you're gonna do this...
01:06:57I will need you to access your darkest impulses.
01:07:03I don't have any.
01:07:06I don't have any.
01:07:06No, they're in there...
01:07:09somewhere.
01:07:11No, they're not.
01:07:11Oh, come on!
01:07:15Fucking commit!
01:07:21Improvise.
01:07:26Take control of your story.
01:07:33No.
01:07:34Okay, piss off then.
01:07:36No, please, no, wait, wait, please, please, wait.
01:07:38I just want my sister.
01:07:40I just wanna see her.
01:07:41I just really want to see my little sister.
01:07:43I want her back.
01:07:44Please.
01:07:45Please.
01:07:50All right.
01:07:53All right, we'll go with that.
01:07:57Let's play.
01:08:00There's something rotten inside you.
01:08:04You try to control it, but you only make things worse.
01:08:10Don't fight it anymore.
01:08:13Stop.
01:08:13Just let it out.
01:08:15Stop.
01:08:15It's you.
01:08:16You're trying to make the end to be the bad person, and it's you.
01:08:19Stop!
01:08:20There.
01:08:20That's it.
01:08:22And we'll take that energy into the scene.
01:08:28Come.
01:08:32Enter your story.
01:09:24I love you.
01:09:33I've been waiting for you for such a long time.
01:09:40You have always been in my heart.
01:10:07You have always been in my heart.
01:10:32You have always been in my heart.
01:10:33It's twisted up.
01:10:35It secrets my veins.
01:10:39Stop fighting it.
01:10:41Let it out.
01:10:42You know you are evil.
01:10:59This is not in the street.
01:11:00Move, move, move!
01:11:09No!
01:11:35I. Am. The. Morror.
01:11:47Cut! What the fuck is going on?
01:11:50Charles!
01:11:51Charles?
01:11:52No! What are you doing?!
01:12:02It's me!
01:12:03No!
01:12:07What? Why? What?
01:12:09You did this! This is all gone for!
01:12:18Nina! Come back!
01:12:21Nina!
01:12:23Nina!
01:12:25No, please, please, please! Get away from me, please!
01:12:27It's alright, it's alright, it's me.
01:12:29It's me, Enid.
01:12:31Alright, I'm a sister.
01:12:33You...
01:12:34You killed Charles.
01:12:38No.
01:12:39No, he's gonna hurt you.
01:12:43He was my friend!
01:12:46No, everything that I have done
01:12:48is to protect you.
01:12:52Alright, to make things right.
01:12:54You're insane.
01:12:55No, please!
01:12:57Please!
01:12:58Please!
01:12:58It's alright, it's alright.
01:13:00Never hurt you.
01:13:03Never hurt you.
01:13:05Never hurt you.
01:13:06Never hurt you.
01:13:07Because you're my sister.
01:13:10What?
01:13:13That wasn't real!
01:13:18Well, I has to be pleased, because...
01:13:21Because you have her eyes.
01:13:24I hope you have a sister.
01:13:26And it's not you!
01:13:28And it's not you!
01:13:29No!
01:13:30No!
01:13:31Please, no!
01:13:32You...
01:13:32No, you have to be here!
01:13:34Please!
01:13:34Please, please, please be her!
01:13:36Please!
01:13:36Please be her!
01:13:37Please, you have to be her!
01:13:39Please!
01:13:40Please, you have to be her!
01:13:42Please!
01:13:43You have to be her!
01:13:44Please!
01:13:46You have to be her!
01:13:49Please!
01:13:49Abraham.
01:13:50Please reorganize me again, please.
01:13:56Please reorganize me again.
01:13:59Please!
01:14:01Please reorganize me.
01:14:04Maria.
01:14:12Please pleased.
01:14:14Please, please.
01:14:16Please begin.
01:14:18Please, Phil.
01:14:22Please, Phil.
01:15:02Please, Phil.
01:15:19You came back to save me.
01:15:23Yes.
01:15:26I did.
01:15:29Come on. Let's go home.
01:16:08What's fascinating is that now these issues have been dealt with properly.
01:16:12The video nasties have been eradicated completely.
01:16:16The crime rate in Britain has actually dropped to zero.
01:16:20It's just like we said.
01:16:22The streets of Britain are safe at last.
01:16:25The emplacement rate is at a record high.
01:16:28The criminals are all locked up.
01:16:31There's nothing to be afraid of as many of you.
Comments