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02:53But you need to get a ticket for him, don't you?
02:57I saw Jimmy's hate today.
03:00They want to do it.
03:04They will do it.
03:07That's why it's necessary that you get a ticket.
03:12I'm responsible for that you get a ticket.
03:18But you also need to tell me
03:21that the girl has made a client and sent you a video.
03:26What was the meaning of her?
03:33There are only two ways to get a ticket.
03:38First,
03:40I have a bad name.
03:41So that the party will not connect with me.
03:44In the past two months,
03:45there have been two to three cases.
03:48There are many ladies and ladies who come to see commercial and residential properties.
03:55After that, there are things on the phone.
03:58That Kukrija,
03:59I have seen him in the morning.
04:05I'm not sure about this.
04:07I have seen him at night.
04:09I have seen him in the morning.
04:13I have seen him in the morning.
04:20That's why every young girl has a good time to meet me with a young girl.
04:26And then, I'll meet with her hotel.
04:32Mr. Gukreja, the office space is really good.
04:35I think they have a deal.
04:40Then...
04:42I'll go.
04:52I'll go to the advance, Gukreja.
05:00When you take the advance,
05:03you need to show the picture properly.
05:07So, we're going there.
05:10Where the picture comes from.
05:17Where is the camera?
05:25Where is the camera?
05:26What camera?
05:27Where is the camera?
05:31Where is the camera?
05:49What camera?
05:52I'm not turning a camera.
05:55I want to take her money.
05:56Now, I've got some other money.
05:59And take her money.
05:59I've saved one way.
06:00A small contender for money.
06:03Maha Singh is working for the party for many years.
06:08That's why his name is also in the Constitution.
06:12But in the case of funding.
06:16I have given the funding for the party for 80 crores.
06:20It's going to be 45 crores.
06:24Now the ticket is fixed.
06:26But in the end of this week,
06:29if he met with that girl
06:30and has matched my number
06:34or has been less than 5 or 10,
06:39then it can be a problem.
06:44That ticket will be taken.
06:47My dad doesn't want to become a MP.
06:51You will die.
06:54You will die.
06:54You will die.
06:56And you.
06:58I am giving 15 crores so that
07:00you can give a ticket to your candidate.
07:04In two days, full payment.
07:05Right?
07:08Done.
07:10I will wait.
07:13Good news, Masanji.
07:15In two days, 15 crores will come to the party fund.
07:20I am very happy.
07:21Jimmy, brother.
07:23Did you manage something?
07:24No, brother.
07:26I did not do anything at the beginning.
07:29There is nothing new.
07:31Otherwise,
07:33my friends like the money.
07:38Masanji says,
07:40show me your friends.
07:42And I will see who all are waiting to benefit from you.
07:46You just have to tell what you can do to anyone.
07:49You are your friend.
07:53Uncle.
07:54Tell me about your research.
07:58Masanji,
07:59in your constitution,
08:01there are three big projects in your constitution.
08:03And one of them is called Alora Real Estate.
08:17And one of them is called alora Real Estate.
08:23And one of them is called Alora Real Estate.
08:25They are like,
08:25you are a friend of the company.
08:26In my opinion,
08:32you are not a friend of Alora Real Estate.
08:32And you have a friend of Alora Real Estate.
08:33And one of them is called Alora Real Estate.
08:35Today we have to fix our meeting.
08:39Maasingh ji, I'm going to ask Dabas in real estate.
08:43Jimmy, I know Dabas too.
08:47She's the king of Dabas.
08:49She's my mother's house.
08:51Her father, my mother and my mother.
08:54She's a very good brother.
08:56This is a great thing, Maasingh ji.
08:59Can we get a safe bar?
09:02No, Jimmy, I don't have any advantage of them.
09:08Why?
09:09He's a very small supporter of the opposition.
09:12And for many years, Dheeraj's brother,
09:14he's still alive for the opposition.
09:23Then, this is the last last question, Maasingh ji.
09:28If you've got 30 crores, it will come from here.
09:32Let's try something to do today,
09:34and convince yourself.
09:57Okay, I'll ask you again.
10:00Jimmy, brother.
10:02We've transferred Tony earlier.
10:03The rest of the cash will be given to Karpya.
10:06He's done that he's going to start shifting.
10:07So, I'll tell him that he'll give him the floor.
10:11Okay.
10:14Jimmy, brother.
10:16This meeting is our last hope.
10:18Brother, whoever you believe,
10:20take the name.
10:22Maasingh ji, you took the name?
10:24I took the name somewhere.
10:25I took the name somewhere.
10:26I'll come here.
10:28I'll come here too.
10:32Come on, man.
10:35What?
10:40Sit down.
10:47The sales fraud.
10:50God.
10:51Jimmy, Jimmy, Jimmy.
10:55Go.
10:57Go.
10:58Go.
10:59Go.
11:00Go.
11:03Go.
11:17Go, Mr.
11:18Yes sir. Prashant.
11:21Prashant. My dashing boy.
11:25Welcome, welcome, welcome.
11:27What a joke.
11:29Hey Nina, where is your director?
11:31He's a hero.
11:32Sir, he was on the call. I'll send.
11:35Do you know why you came here?
11:38So congratulations.
11:40Hey, Pete Prakash, writer of the film.
11:43Hi.
11:44Now we have an audition scene.
11:46Okay.
11:46Good writing, brother.
11:48Thank you so much.
11:49Come, sit.
11:56Are you excited?
12:00I'm excited, sir.
12:03But...
12:03But what do you say?
12:08There is also a fear.
12:09A fear?
12:10How is that fear, brother?
12:14Sir...
12:16I was thinking...
12:17I was thinking...
12:18What can happen...
12:20...that I won't do this film.
12:24They will pay a lot less.
12:26No.
12:27There is no difference.
12:30There is no difference.
12:42There is no difference.
12:45You...
12:46No.
12:47You are...
12:47Basically, you are saying...
12:48...that he was being taken away from this film...
12:49...because he didn't perform at the set.
12:52Yes.
12:53Audition etc. was all increased.
12:54But on the set...
12:55...the set...
12:56...of...
12:57...of...
12:58...the set...
13:21...of...
13:24Well, here's your contract.
13:29Let's read it easily.
13:35Tell me, how long have you been in Mumbai?
13:39Sorry, sorry, sorry, sorry, sorry.
13:41Hello, everyone. I was on an important call.
13:45Prashant, meet Ronak, the director of the film.
13:48Oh. Hi, Prashant. How are you?
13:53Sorry, how long have you been in Mumbai?
13:57It's been a year, sir.
13:58Just?
14:00Just a year?
14:02What a fortune, man.
14:06Sir, it's 14 years.
14:07I'm directing my first film after 14 years.
14:10Prashant, how long have you been? Six or seven years?
14:12Seven years.
14:13Seven years.
14:14Seven years after your first script is shooting.
14:17Yes, sir.
14:17And that girl who was, sir,
14:19with the shortlist with her,
14:21who was tied with her.
14:24She was 18 years old when she came to Mumbai.
14:26And now she's 19 years old.
14:28She's got the first film as a lead.
14:30In one year,
14:32she signed a film as a lead.
14:35What a fortune!
14:37No, sorry, sir.
14:39One minute.
14:39This is not your first film,
14:42which you signed?
14:43Someone told me, sir.
14:45The sign was done before too.
14:47Something was broken.
14:49Right?
14:52Right?
14:55What's broken?
14:57No, sir.
14:59Just...
14:59Something was broken.
15:02Something was broken.
15:03Something was broken.
15:04Something was broken.
15:05Something was broken in the house.
15:09You didn't start this project.
15:12You didn't leave that film.
15:16You left the film.
15:17You left the shoot.
15:19And who told you?
15:21You left the shoot.
15:22You left the shoot.
15:23You left the shoot.
15:24So, who worked in the casting company,
15:26who was my very good friend,
15:28Tarun?
15:29He told you.
15:30And he shared something from that.
15:33Krishnan?
15:35That's right.
15:37I don't think you'll get the shoot again.
15:40You're going to go there, brother.
15:42Mumbai, theatre, film, love.
15:45You'll get the shoot.
15:47You'll get the shoot.
15:59Tell me about it.
16:04From here, sir.
16:05There was a call.
16:23Yes, brother.
16:24What's your contract signed?
16:27I'm coming home.
16:28I'll tell you.
16:30I just...
16:34Mr. Pillay is talking.
16:35What's happening?
16:36I'm so upset.
16:38I'm trying to keep going.
16:39I'm going to come here.
16:40Tell me.
16:41Tell me.
16:58Mr. Pillay is talking.
17:01Ha ha ha.
17:03What a reason.
17:04I didn't see a photo before seeing it.
17:07Why?
17:10Mr. Pillai.
17:12CFO of West Edge Real Estate.
17:14If he is a CFO,
17:15he'll sit with a suit and put it on his farmhouse.
17:19Mr. Pillai?
17:27Yes.
17:28Hello.
17:28Mr. Pillai.
17:30So what about the business rules there?
17:34The decision...
17:34I don't know I have one answer to myself.
17:39He is from Rajesh.
17:42The exam matter though,
17:44he is not trying to cut the curriculum.
17:46It has to be fixed to me as well as in school.
17:50I understand no crime..
17:51I believe in life,
17:54in life for big adviciners,
17:56If you have to call someone you can trust,
17:59call God second,
18:02call a Pillai first.
18:11If you look at me,
18:13I'm not saying anything like that.
18:17But who's going to discuss what we're going to do?
18:20I'm not going to say anything.
18:22I'm going to say anything like that.
18:22I'm going to say anything like that.
18:25Okay, I'll say it too.
18:27Okay, let's say it again.
18:29What's going on?
18:30A problem is not Jimmy.
18:35He's a little bit.
18:37I'm not sure.
18:40What's going on?
18:41No, I'm not sure.
18:44What's going on?
18:45I'm not sure how to call him.
18:46I'm not sure how to call him.
18:49I'm not sure how to call him.
18:52I'm not sure how to call him.
18:55Hypnotize.
18:55Hypnotize.
18:58What's going on?
19:00I'll call him.
19:01I'll call him.
19:02I'll call him.
19:03I'll call him.
19:05But that's not true.
19:06But you're in Tamil.
19:08I'm not sure.
19:09I'll call him.
19:10I'll call him.
19:12I'll call him.
19:14I'll call him.
19:15I'll call him.
19:17I'll call him.
19:19I'll call him.
19:21I'll call him.
19:23Ah, Jimmy.
19:25Shishir has told me everything.
19:28I'll tell you what my thoughts are.
19:30Mr. Pillai.
19:31I'll tell you once again.
19:33What happens sometimes?
19:35Sometimes, something is lost in translation.
19:37Literally?
19:37No, no, no.
19:38Why Mahah Singh Ji and Mr. Pillai have to waste time?
19:42Come on, Chetal.
19:46Mahah Singh Ji.
19:47This project is our TATKA.
19:49Yes.
19:50It's a lot of money.
19:52So, 40 crore, 50, 70, 80 crore is not much for us.
19:56If we are sure that we are supporting,
19:59he will become MP.
20:00He will become MP.
20:02And in the future,
20:03he will help us.
20:04Mr. Pillai.
20:06Mahah Singh Ji would have.
20:07Hey, hey, hey, hey.
20:08You,
20:08you can't sit down.
20:10Why are you coming back and forth with a mantra?
20:16Now, tell me.
20:17Look,
20:19if you have 30-40 crore in the party fund,
20:24then I'll get my MP's ticket.
20:27I'm a former member of the party.
20:28I'm a former member of the party.
20:31I'm a former member of the party.
20:31He's the other candidate,
20:33right?
20:33He's running on the money.
20:35Nothing.
20:36But Mahah Singh Ji.
20:38Yes.
20:39There's a small problem in supporting you.
20:43Tell me, Pillai.
20:44Tell me.
20:47This...
20:48Because this man is a fraud.
20:52He's a fraud.
20:54He's a fraud.
20:57He's a fraud.
20:58How much is he made a fraud?
21:02Two-point-five.
21:04Die-karo.
21:05Die-karo.
21:16Die-karo.
21:18He's a fraud.
21:19He's a fraud.
21:21He's a fraud.
21:22He's a fraud.
21:23He's a fraud.
21:25He's a fraud.
21:26He's a fraud.
21:27You have to wait for him now.
21:29This man is the only thing.
21:30He's a fraud.
21:31He's a fraud.
21:33He's a fraud.
21:35He's a fraud.
21:36And when you're coming to find fraud,
21:38he'll kill you.
21:40And he'll stop.
21:42When you're in the house,
21:44you'll be a fraud.
21:47He'll be a fraud.
21:49He'll be a fraud.
21:50And he'll be a fraud.
21:50He'll be a fraud.
21:52He'll be a fraud.
21:54Chita.
21:56In the right way,
21:57the matter of the
21:59the matter of the
22:00the matter of the
22:01the matter of the matter.
22:02And the
22:03the matter of the matter.
22:06The matter of the matter.
22:11Asim Ji.
22:12Yes.
22:13One more thing to tell you
22:14is my first thing.
22:16The ticket is the second candidate.
22:19The ticket is the second candidate.
22:20The one will get the ticket.
22:22Because what is it?
22:23We're not supporting you.
22:27If you've become an MP,
22:29then we'll take our project permanently.
22:32That's why
22:33West Edge Real Estate
22:35has 20 crores in the party fund.
22:38Today.
22:39In support of
22:41Mr. Kukrija.
22:49And Mahasling Ji,
22:51how do you think
22:51about your plot?
22:53Hmm?
22:55This is the plot.
22:57which has sold me in the fraud.
22:59That's also
23:005 times more than the market.
23:05Chana,
23:06Where are we going?
23:09Now,
23:09I'm going to see my batting.
23:10Hmm?
23:12Hey, brother.
23:12Give them something.
23:29Hey, you're nuts.
23:30I'm going to see my head.
23:31Hey, I'm going to see my mind.
23:33Hey, boys!
23:33Hey, boys!
23:33Let's go!
23:35Hey, boys!
23:36Hey, boys!
23:37Hey, boys!
23:53I don't know what happened to you.
23:57I didn't tell you anything.
24:03Why?
24:15You said that the house is our own house.
24:19But I think it's not your own house in the film.
24:23If it's your own house, then how do you think it's your own house?
24:25But with Ashwin, I was going to tell you on the phone.
24:33But until you tell me, you don't come.
24:39Because...
24:44...because you don't want to see Ashwin's house.
24:50But now you're with Ashwin,
24:53...and you'll see me running as well.
24:55What do you think?
25:13Ashwin's house!
25:15Right there, direct there, action boy!
25:19Oh!
25:22Oh!
25:25Oh!
25:34Oh!
25:37Oh!
25:43Oh!
25:45Oh!
25:47Oh!
25:49Oh!
26:05What are you doing, man?
26:07What are you doing, man?
26:08We're going to party.
26:10That's why I called him, brother.
26:12There's a party at night at home.
26:13Come on, right?
26:14And I called him Prakash.
26:16His phone is also coming.
26:17Should I call him?
26:18Yes, I'll call him.
26:20But, brother, we're going to listen to him.
26:22Okay, see you then.
26:24See you, bro. Okay, let's go. Bye-bye.
26:31Hey!
26:32Oh, brother!
26:33Ashwin's film, man.
26:35Writer-director.
26:36Oh, wow!
26:37There was a call at me.
26:39I was on the other call.
26:40It was very good.
26:41It's a klaus party.
26:42Let's go, man.
26:44Okay.
26:45Which script did he do?
26:46Did he know anything?
26:47No, he didn't ask me.
26:48Okay.
26:49Okay.
26:49Will you ask me?
26:51No, he didn't work.
26:52He didn't work.
27:19No, he didn't work.
27:20No, he didn't work.
27:22No, he didn't work.
27:32No, he didn't work.
27:33What happened, Jimmy?
27:34Do you know anything?
27:35No, he didn't work.
27:41That's what I'm saying.
27:46I've never been getting married to my dad.
27:53He's got married to my dad.
27:55He's got married to my dad.
27:57He's got married to my dad.
27:59I have never been married to my dad.
28:02He's got married to my dad.
28:05Or you'll be busy with your politics.
28:08There won't be time for your refuging.
28:16How much love are you, uncle?
28:19I don't know anything about you.
28:23You don't have a shock to my mom.
28:27She's being an MP.
28:29She's going to change me.
28:31She's going to die.
28:32I'm not going to die.
28:33Because after I die,
28:35the people who are going to die in his face,
28:39they won't come.
28:42If you die the MP,
28:46nobody has such a big mess.
28:54You don't know the future.
28:55I don't know anything about you.
29:00First of all,
29:01they will go to jail.
29:03Because
29:04the MP will open up their first case.
29:07No
29:08but
29:10I'm not the person who will be
29:13watching the TV show.
29:15Will you see me?
29:20My dear friend, you will be with your mother with your mother.
29:26You will be with your uncle and your uncle.
29:33And you will be drinking whiskey with any other hand.
29:35with whiskey with pepper,
29:37with whiskey with pepper.
29:41Who will...
29:42I don't know what to do, but I don't know what to do.
30:16I love you, uncle.
30:17Love you too.
30:19I'm going to die, uncle.
30:21Don't leave my father to India.
30:24Send me out of the country.
30:26Bangladesh, Nepal, etc.
30:29If we're here,
30:30then Mama will do it.
30:33Don't leave my father to my father, uncle.
30:37Guys,
30:39come.
30:41What's up, brother?
30:42Let's take a tattoo and take it.
30:45Let's keep it.
30:50Get out of here.
30:52Let me show you.
30:53Who killed him?
30:55Okay, brother.
30:59It was a small brother.
31:01Okay.
31:07Let's sit with you, brother.
31:09We'll get out of here for a while.
31:10We'll get out of here.
31:11No, no, brother.
31:13It's gone.
31:13Let us go.
31:15Little brother is here.
31:17Talk about better.
31:18Talk about better.
31:19Talk about better.
31:21Talk about better.
31:30And...
31:31I'll meet you.
31:33After that.
32:00After that.
32:06We'll get out of here for a while.
32:33We'll get out of here for a while.
32:36We'll get out of here for a while.
32:37Okay, brother.
32:42Rajay.
32:42Yes, brother.
32:43Come on, brother.
32:48Come on, brother.
32:51Yes, brother.
32:54Come on, brother.
32:56You're going to unlock your phone.
32:56Huh?
32:58And open your phone.
33:06Who is this?
33:08You're going to call me three or four times.
33:10Come on, friend.
33:11Just sit...
33:18I'll ask you once.
33:20You'll tell me once.
33:22Who's gonna kill me?
33:23You're not going to kill me?
33:24I don't know this. You're not going to kill me.
33:27You're not going to kill me.
33:28Just kidding, Jimmy.
33:29You're not going to kill me.
33:33What do you mean, Gattariya?
33:34You're very angry, Jimmy.
33:35You're not going to kill me.
33:36That's not what you're talking about.
33:38Take your hand, Gattariya.
33:40I'm going to kill you.
33:42Permanent.
33:47No, no.
33:50I'll give you a chance to give you a chance.
33:53I'll give you a chance to kill you, brother.
34:02Hello?
34:03Maasin ji.
34:06Can you do a meeting with the relationship?
34:08Jimmy, brother, I told you.
34:11You're a small supporter of the opposition.
34:14You won't believe it.
34:16But from your mother's house.
34:18So, what's the difference between this?
34:21What's the difference between this?
34:21Listen to me.
34:25I don't know.
34:27I'm going to leave you with the dialogue.
34:29Why?
34:33I'm going to kill you.
34:35I know that.
34:37I mean, it's not a problem.
34:42It's a real thing.
34:47It's a real thing.
34:48Masinji, the world's best salesman Ali Reda was successful when he made a list of the best salesman, Ali Reda,
34:55so the customer and his brother's feeling came from one number.
35:00Let's do a meeting.
35:12When are you going home again?
35:16Now, I started to go home a little bit.
35:20Now, I'm going home again.
35:23I'll sign this one too.
35:33Rashaan, you're also giving a party to your role, right?
35:37So, call the other one with your friends.
35:38It'll be a party together.
35:41I'll see, Ashin, brother.
35:44Let's do it tomorrow.
35:47What a scene, brother.
35:49Everything is good today, right?
35:58Yes, sir.
36:00I'll take it away.
36:02Why did you take it away?
36:04Acting, sir.
36:05The audition was good too.
36:07But on the set,
36:09I'm dead.
36:12And showed up drunk on set as well.
36:14I was asleep between takes.
36:16My God.
36:17And how did you find out all about this?
36:20Sir, my 14th,
36:227th of Prakash,
36:23you have so much money.
36:24There is a lot invested in this project, sir.
36:27I'll hire a crew member without a background check.
36:30I'll hire a crew member without a background check.
36:30He's still the lead actor.
36:36Ronak, sir.
36:39I was actually very bad on set.
36:40He's still the lead actor.
36:43On the pursuit of day one,
36:46when I gave the first shot,
36:49everyone clapped, sir.
36:55The waves and the waves.
37:15And then...
37:16Yes, sir, Papa.
37:18Prashant.
37:19You come back soon.
37:21What happened?
37:23The doctor is saying that it's cancer to your mother.
37:25They will do surgery.
37:27You tell yourself.
37:29Come back soon, son.
37:31I'll send you hair and makeup.
37:32I'll send you.
37:38What is your surgery?
37:40Why are you coming here?
37:42Even though,
37:43you didn't start shooting today.
37:45It's not, Mom.
37:47We're going to be going to be a costume trial.
37:50I'll talk about it.
37:53I'll come.
37:54It won't be your costume trial.
37:57Prashant.
37:58You are here.
37:59Yes.
38:00The big brother will come.
38:01If there's no need.
38:03You've finished the job.
38:05There's such a big opportunity.
38:08You will say that you're running away from work.
38:12No.
38:13Do it sincerely.
38:15Okay.
38:18Hello?
38:20Hello?
38:22Prashant?
38:23You're listening, right?
38:25Yes.
38:27Yes.
38:27Yes, Mom.
38:31Puffy has come.
38:33It's red.
38:35Tital?
38:36I'll open it.
38:37Two minutes.
38:40I'll do a flight.
38:41Papa talked to Mom.
38:45She said to shoot.
38:47It's not necessary.
38:49Mom, what will you tell us?
38:51You should feel yourself.
38:52I'll test it before the surgery.
38:55After the surgery, there will be so much work.
38:57It's not going to go with Mom.
39:00I'll help you with Papa.
39:01It's more important to you.
39:03You have to take care of me.
39:16Prashant?
39:18Don't sleep until now?
39:21Yes, man.
39:22No, no, no.
39:22I'm going to walk a little while.
39:26This will help you to sleep.
39:28No, I don't want to sleep.
39:30I don't want to sleep.
39:32Keep it in the room.
39:33You never know.
39:34Just in case.
39:37Bye.
39:43Come on.
39:44I'm going to take a print of the sides.
39:45I'm going to take that one too.
39:47What's up with him?
39:48He's still up.
39:49He's at 5.00 today.
39:50And he's drinking at 1.00.
39:52What's happening?
39:55I'll see.
40:03Sir, don't you sleep in your eyes?
40:06Don't you sleep?
40:08I was asleep.
40:11I didn't sleep.
40:13But I didn't drink too much.
40:23Prashant?
40:23Prashant?
40:26We are ready.
40:35Okay, rolling.
40:38And action.
40:46Action.
41:08I'm sorry, sir.
41:10I have five minutes left.
41:14Cut.
41:21No need, no food.
41:24Non-stop anxiety.
41:27But they have nothing else.
41:32He's puking.
41:33No need, no need.
41:34No need, no need.
41:36No need, no need.
41:37No need.
41:39Finally, I had a meeting with the director.
41:42And told me.
41:45No need, no need.
41:46I have told you two or three days.
41:49You need to go to a big house.
41:51I reached the next day.
41:53And I went to the night.
41:56I replaced it.
41:59No need.
42:01And what?
42:01You are saying, what's the price?
42:03Tell me.
42:06What's the price?
42:11What's the price?
42:22Oh my God, my mom was watching me on the stage and watching me on the stage.
42:31In the midst of her death, she got a death.
42:36What kind of thing?
42:40I've given more auditions in the past year.
42:43I didn't get one ad.
42:46And after that, when I was in the final 2 of this film,
42:51you know that some actor has already been final.
42:54So for the last week, I'm going to audition for your best take.
43:00Tell me.
43:02What kind of thing, sir?
43:05Who told me that the actor was in the final?
43:10And who knows these actors?
43:12Sir, I'm talking about casting.
43:15I don't think it's possible, but if anything was going on,
43:18I don't know, then I'll know.
43:20Do a job.
43:21Read a contract with me.
43:23Do an NDA sign.
43:25And take a strip with me at home.
43:28Until all the new information comes,
43:32I'll take clear from my head.
43:35If everything is fine, we'll call you.
43:39And if not,
43:41we'll call you.
43:52I don't think it's wrong.
43:55I've told you all the truth, right?
43:58If they know it, it'll be confirmed.
44:07If they know it from your head, it'll be confirmed.
44:12You're talking like my old girlfriend.
44:15Why?
44:16When I saw Nanga, she was saying that.
44:19I'm very happy.
44:25Look at that.
44:26I don't know.
44:32Oh, brother.
44:33What is the film of Ashwin?
44:35Writer-director.
44:36What are you talking about?
44:38There was a call coming to me.
44:39I was on the other call.
44:40It was very good.
44:42It's a klaus party.
44:43Let's go, man.
44:46Which script did he have done?
44:47Did he tell you?
44:48No, he'll never ask.
44:50Okay, fine.
44:51We'll ask you tomorrow.
44:53Let's work.
44:53Let's do it.
45:30Let's do it.
45:31Are you?
45:33Yes?
45:34And who are you?
45:35Tony is this guy, right?
45:37Yes, he's the police.
45:43You're eating roti in the house?
45:44Let me have a drink.
45:49Don't you know Tony Baba Ji if you're making food?
45:51Baba Ji, we come from a very far way.
45:53It's difficult to go every day.
45:55Tony Baba Ji said that before his shift,
45:59he stayed here two or three weeks
46:00and put him on the floor.
46:03That's why.
46:06With Latin food?
46:09Yes Baba Ji, sometimes.
46:13Take the bottle from the fourth floor.
46:16Let's go to the next door.
46:17Let's go to the next door.
46:34Tony, I am.
46:41What's up to the next door?
46:42What's up to the next door?
46:43He's in the next door.
46:45What's up to the next door?
46:55Paar?
46:57He's a full-time maid.
46:59He's been here for a long walk.
47:01Oh.
47:02That's right.
47:02And he's his husband, Rakesh.
47:05He's also got a servant room on the third floor.
47:07I was just talking to Poofa Ji,
47:09that until we don't have a shift here,
47:13until you can do anita from Anita's house.
47:18And it doesn't look good.
47:20But you don't need money.
47:25Rakej Ji will work as a driver.
47:27But if Puffa Ji has a small or small job,
47:30they will do it too.
47:34Donny?
47:37He's a free agent.
47:40Rakej Ji will make a mungle of his father.
47:43So you're not thinking about it?
47:44I'll ask him a little more time to give him money.
47:46Hey, brother.
47:49When you say,
47:51we'll come to Yandav Ji.
47:53We're ready.
47:56It's okay, uncle.
48:01Okay, buddy.
48:02Okay, let's go.
48:04Okay.
48:05Okay.
48:05I'll send you the number of his number.
48:07You can talk about it.
48:09He'll be able to do it.
48:11Okay.
48:12Okay, brother.
48:14Let's go.
48:17Sir, Tony?
48:18Yes.
48:21Let him go.
48:23I'll come back here.
48:26Yes.
48:27Okay.
48:28Okay.
48:30Okay.
48:31Sit down.
48:36Yes.
48:37I'll come back here.
48:43Tony, I told you about my candidate.
48:49I told you about your money.
48:55I told you about your money.
48:57Daddy-ji.
48:58Did you tell me this?
49:01Yes.
49:05I told you about your daddy.
49:08Yes.
49:09You're helping me here.
49:09You're helping me with my dad.
49:13I don't have to understand you.
49:17Why?
49:18There was a mistake, brother.
49:21They killed your father.
49:26And they killed your dad.
49:27He didn't kill me, Tony.
49:28Why?
49:32It was a mistake.
49:33They killed his father.
49:36They killed your father.
49:37He killed me.
49:38He killed me, Tony.
49:40I don't know what the point is.
49:43The point is that I was confused.
49:46You're not doing my help, right?
49:51You should know everything.
49:53And you should know everything.
49:54Then you're feeling your help is okay.
49:58You're okay.
50:02Listen.
50:06You've also done a wrong thing.
50:09You're okay.
50:10But my father and dad were trying to kill me.
50:14So you should kill me again.
50:17You understand.
50:18But it's fair.
50:22But you're trying to kill me.
50:26It was wrong.
50:32I don't even think so much about it.
50:33I don't know, Mr. Stein.
50:37There was so much anger.
50:43I just wanted to change, Mr. Stein.
50:48If you think you're wrong, you can resolve it.
50:51You've got anger, I've done it.
50:58Leave it here.
51:01Leave it.
51:06You've got a lot of anger in your life.
51:08I won't leave another anger.
51:12I'll solve it, Aishu.
51:13Like you used to do, my Aishu will solve it.
51:20I'm sorry, Mr. Stein.
51:22I killed your father.
51:30That's right.
51:34What's wrong with you?
51:38What's wrong with you?
51:39There's something else, brother.
51:42I'll give you a little bit.
51:45I'll give you a little bit.
51:46I was a little bit of a time, brother.
51:52This time we're in the room.
51:55It's called the Amir's house.
51:56It's your fault.
51:57But that time you came,
51:58there was a scene like that your father's anger
52:01came out of your own,
52:02and you're in your own.
52:03I got out of here, but you, you are Tony.
52:08I'm thinking of doing something like this.
52:17I'll give you something good, brother.
52:24You all...
52:26You all ate, Tony.
52:27Tony.
52:32You ate me.
52:39What's going to happen?
52:41You're a big boy.
52:42But what I'm saying, I'll give you.
52:45For the rest of my life, it's okay.
52:52Don't kill me.
52:55Whatever you do,
52:58you'll get out of here.
53:14Kill me, kill me.
53:22What's going to happen?
53:22Mr. Veeya.
53:27If I want to make a decision,
53:30then I'll give you my father to me.
53:31I want to make a decision.
53:34You...
53:34I want to make a decision.
53:55I'm sorry, buddy.
53:58Sorry.
54:25I'm sorry.
54:56I'm sorry.
55:28I'm sorry.
55:55I'm sorry.
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