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00:28You
00:30What's wrong, sir?
00:34Sir?
00:35I'm here, sir. Prashant.
00:39Sorry, where did we get?
00:41Sir, Prashant!
00:48Sorry.
00:49I'm so sorry.
00:51You won't know me.
00:53I was a little kid.
00:55You used to teach music.
00:57DTBS, Delhi.
00:58In Delhi?
00:59In 2008, no?
01:00Yes.
01:02Oh, man.
01:06What time was it?
01:08I used to teach music to the kids.
01:11But thank God, I don't remember my story as little.
01:14I remember, sir.
01:16Everyone remember me.
01:18And you didn't teach weird things.
01:23I've done those things again.
01:24I've done so many times.
01:251,000 times.
01:27In your worst time.
01:28In your imagination.
01:32I don't know what you did, sir.
01:34Sir.
01:41Phrushan.
01:42Yes, sir.
01:43What are you talking about?
01:46You feel so grateful for your life.
01:50I've been waiting for my life.
01:53It will be possible to me with you.
01:57But my life doesn't make anything.
02:01I'm going to cut and cut and cut.
02:04So now I'm going to leave the door and leave it to the end of the door.
02:10If I'm going, I'll go straight into the door.
02:13I'll leave it to the end of the door.
02:15It was a little bit, sir.
02:17What was it?
02:19But I don't have to make my life.
02:21I don't want to make my life.
02:23I don't want to make my life.
02:26I've never been able to make my life.
02:30The flow is better.
02:34That's why I'll change it.
02:36The truth is that, sir.
02:39You're making money from the ability.
02:42In the other hand, you're saying that I'll write my money myself.
02:47That's why you've changed it.
02:51Maybe my girlfriend liked this version of Jadugare.
02:55What do you know when she was 15-15 years old?
02:58I'd like to make it cool to hear.
03:00That's why she was 15 years old.
03:01Yeah.
03:02Let's go.
03:03My station is coming.
03:06It's good to meet you.
03:09Sir.
03:10Yeah.
03:12It's good to meet you.
03:13It's good to meet you.
03:16It's good to meet you.
03:16It's good to meet you.
03:16Yes, sir.
03:16There's a music school in the Goregoy station.
03:19I'll stay there.
03:217 a.m. to 7 p.m.
03:22Let's go.
03:23Let's go.
03:25Sir.
03:28I'll be right back.
03:33Sir.
03:39I'll be right back.
03:42I'll be right back.
03:42There's a station.
03:48I'll be right back.
03:50I'll be right back.
03:51I'll be right back.
03:58Tell me.
03:59What are you doing?
04:01Daddy, the issue of the money was with your Jimmy and brother.
04:07You have to talk about that.
04:10And Poofhaji and you have all the issues.
04:14Today we'll finish this whole thing and finish it.
04:17Daddy, please.
04:17Lets learn more about that.
04:32Let's get somemana, ب Biliger.
04:33Yes, sir.
04:33Is that something else?
04:39Never, I could never a problem ever.
04:45No, I think that's what we do for the show.
04:46Not that the dispute has already been the most likely.
04:47No.
04:47Andy?
04:49I don't have anything to do with it.
04:54Okay?
04:55Okay.
04:57My relationship is over.
05:00Now, that's my money.
05:07If you have to take it, then take it.
05:14If you have to take it, then take it.
05:17Let's go.
05:19Okay.
05:20Daddy, there's another issue of Jimmy's brother.
05:25I'm telling you something.
05:29Do you want to ask me for your father?
05:31I told you first, brother.
05:33I'm sorry.
05:34I'm sorry.
05:36I'm sorry.
05:37I'm sorry.
05:38I'm sorry.
05:48Sit, Mama.
05:50If I tell my issue in short, I'll take it for five minutes.
05:53I'll take it for her.
05:58Take it for her.
06:10Do I.
06:17Do I.
06:17I'm sorry.
06:18Okay.
06:19Do I.
06:22I'm sorry.
06:22Please.
06:24How did it look like that?
06:27As long as it is so high, it's a little bit.
06:31You have written a masterpiece, brother.
06:36And where are you going to be so beautiful?
06:39Is it a break?
06:43It's a party today.
06:45Everyone is going to go outside.
06:47You too, go to the radio.
06:48You have to make dinner.
06:50Is there something to eat?
06:52Why?
06:53Are you not going to go?
06:56I have no idea, brother, to go outside.
07:01The rest of the world is also coming.
07:05So?
07:08So?
07:10No.
07:23You see, today is the opportunity to move forward.
07:26Does it look bad for me for you?
07:29It doesn't suit you on your own.
07:31It looks like you are looking at it from the roof.
07:33Let's call.
07:48I've been calling him.
07:59The message of the client.
08:03If Tarun was not, you were the final one.
08:08Just a little while.
08:09It'll be good.
08:11You're leaving all of them as well.
08:16It's bad.
08:18It's bad?
08:20You don't have to do fraud.
08:22Why did I do fraud?
08:23Tarun did it.
08:24Huh?
08:25You said to him that Tarun is fraud.
08:28It's bad.
08:30So, my brother, to fraud and to see you in front of yourself,
08:35don't call him fraud.
08:37That's the only thing.
08:42You see fraud and give it to him.
08:45That's your way.
08:48That's why I left the casting company today.
08:52That's my way.
08:55Kuncha, brother.
08:59Hi.
09:00Hello.
09:02Can you set?
09:03Yes, let's go.
09:04Let's go.
09:05Let's go.
09:11Let's go.
09:14Thank you, Narasim.
09:34Pradeep, Urf, Victoria.
09:37Divyan Chor.
09:38The country.
09:39Shwal.
09:42Mama, you're both sharp shooters.
09:45You're both my brothers.
09:48You don't come to your bouncer.
09:50You've earned 30% of the tax.
09:54Tell me, brother, how did your selection happen?
09:58One day, you're sitting there.
10:00I'm going to kill you.
10:01If you're in my house, it's okay.
10:04When I'm hungry,
10:06I'm going to kill you.
10:09I'm going to kill you.
10:10Keep your fingers in your mouth.
10:14Go to the floor.
10:17Go to the floor.
10:18Go to the floor.
10:25No.
10:27I'll tell you.
10:32I'll tell you.
10:34I've given you 100 numbers to your boss.
10:37But I don't know anything about that.
10:40What?
10:42You've never played against your boss.
10:44But if you're going to play against the real game,
10:47I don't know what you guys are going to do.
10:49I was telling you.
10:50I'm going to kill you.
10:52I'm sorry.
10:55I'm sorry.
10:56You're listening to me.
10:56I'm sorry.
11:00I'm sorry.
11:07I'm sorry.
11:13I'm sorry.
11:14I'm sorry.
11:15It's the end of the day, brother.
11:17You're going to run, and you're going to run.
11:22But you're going to run, and you're going to run.
11:27You'll die, you'll die, you'll die.
11:30Who is?
11:33Gangster.
11:36You're going to run, and you're going to run.
11:41And now, what is the end of the day?
11:43And what's up with you?
11:47Gangster.
11:48Gangster is going to be about to die.
11:53Gangster?
11:54Gangster is the same thing.
12:03Gangster?
12:04Hmm?
12:07Gangster?
12:21I'm going to take a look at this day.
12:25I'm going to take a look at this bongguli dal
12:26and then I'm going to eat some food.
12:30I'm going to take a look at the money.
12:34How do you think about it?
12:37The country, what do you know?
12:43The PKS has taken a look at it.
12:45No matter what the problem is.
12:48But I'm not going to kill a gun.
12:51If you don't have to take a look at the pistol,
12:55until it's done, it will be done.
12:59J.I.M.M.Y.
13:01I'm going to take a look at it.
13:03Bye-bye.
13:06That sounds really cool.
13:07Are you guys able to get them?
13:48I was on the ground, Papa.
13:53I was watching her in the middle of the night.
13:57I was watching her in the middle of the night.
13:58I was going to kill the next gun in my head.
14:06Tony, in Australia we also say that
14:10before you die, the whole life goes in front of your eyes.
14:15No.
14:16Do you know what I've seen?
14:21That life that could be,
14:25will not happen,
14:27because I was dying.
14:32Now, Papa, I've seen you too.
14:37He's playing with my daughter.
14:42But,
14:45how big of a house is.
14:52I don't know how to do it.
14:56The same as you made.
15:02But when he closed,
15:03he closed.
15:04Tony,
15:05after that he came.
15:09A very,
15:09very,
15:11very,
15:11very,
15:12very bad feeling.
15:14It was a dream.
15:19The dream of dying of life.
15:22The dream of my own.
15:24The dream of my own.
15:24Mama,
15:26I didn't get it.
15:27The dream of my own.
15:28I didn't get it.
15:29I stopped.
15:31I stopped.
15:32before that he killed me,
15:35I died.
15:44Your daddy died, Tony.
15:46My daddy.
15:48Because,
15:49I was not giving my mom's money.
15:52But,
15:53I was not giving my mom's money.
15:55Because,
15:56I was giving my mom's money.
15:58I was dying.
15:59My son.
16:03Tell me,
16:04cousin.
16:05How are you doing,
16:07Isshusol?
16:11His daddy died.
16:16But,
16:16you're sitting in front of me.
16:18What is his issue?
16:21The dream.
16:24The dream is that
16:26that all people,
16:27leave their work,
16:28are planning her.
16:31From her?
16:33From her?
16:34From her?
16:34From her?
16:35From her?
16:36Look at this.
16:37Look at yourself.
16:40Pills?
16:42What do you want to take her alive?
16:45Your entire day,
16:46you don't get the ticket of my mom's money.
16:51You had also sent the girl,
16:53the client.
16:55For making the mom's money.
16:58For making the mom's money.
17:00Here.
17:01Make it.
17:02Make it.
17:02Make it.
17:03Make it.
17:03Make it.
17:04Make it.
17:05Make it.
17:08Make it.
17:09Make it.
17:09Tell me.
17:12The father's money
17:14took the floor to the mapper.
17:19And the kids
17:20are the kids.
17:24We are wearing my money, right?
17:27We are wearing my money, right?
17:27Once again,
17:29Make it.
17:31Make it.
17:31Make it.
17:32Make it.
17:34Make it.
17:34Make it.
17:35Make it.
17:36Make it.
17:37Make it.
17:37I won't be furious.
17:54Make it.
18:05Use me to arrest
18:07the occasional
18:07I will hear,
18:08In my heart,
18:10I will come,
18:11I will hear,
18:13I will come,
18:16In your heart,
18:18I will come,
18:23I will come,
18:24I will come,
18:25I will come,
18:27Your daddy and my son,
18:28I will die, Tony.
18:30This is my first.
18:33Tell me,
18:34Why did you kill your daddy's son to kill me?
18:38Tell me.
18:43I didn't kill another one.
18:57But then I was in the hospital for 12 minutes flat line.
19:01I was dead.
19:02I was dead.
19:03But now I'm back.
19:05That's what I've seen in my dreams.
19:09Mama.
19:11I've seen you in my dreams.
19:14You wait.
19:16You're a dream of an MP.
19:18I'll tell you.
19:22I'll tell you.
19:22I'm dead.
19:32I'm dead.
19:33I'm dead.
19:33I'm dead.
19:34I'm dead.
19:59I'm dead.
20:00It's okay, Papa.
20:02I've got hope for you.
20:04I'm going to shift it.
20:30Oh
21:03Cheers!
21:21Pick it slow.
21:24You're not used to.
21:26It's okay.
21:27I'm fine.
21:27Brother, give me a bottle here.
21:30I'll make myself.
21:31You'll be fine with both of them.
21:40How's the dieting going Ashwin?
21:42What have you written today?
21:44I've just finished a film script.
21:46So I'll pitch to the producers.
21:48Nice.
21:50Ashwin, how's the role of heroine?
21:52I'll consider it if the script looks good.
21:55It's not good.
21:58It's the best script for today.
22:01It's the best script for the script that I've made today.
22:04Is it?
22:05What about it?
22:06Sunav?
22:06Sunav is so sad.
22:08The rest of us will be bored.
22:10Not at all.
22:11He said it's your best script.
22:12Now we're curious.
22:14Tell us.
22:15Let's listen.
22:17It will be confirmed what I said.
22:24Okay.
22:27So basically,
22:28Delhi has two iconic theatre groups.
22:33I don't know.
22:34I don't know.
22:35I don't know.
23:01actors.
23:02You're not good.
23:05You're not good.
23:07You're not good.
23:20You're not good.
23:24I don't know.
23:25I can't believe that someone will do it.
23:26But,
23:27if it's worth it to our two characters.
23:31That is the point.
23:33In fact,
23:35that is the only point.
23:37Ashwin, I have a question.
23:40Like,
23:41does any one of them get famous in the end?
23:44Or,
23:45anyone has a big role in the end of them?
23:49No.
23:51Then,
23:51what are they competing for?
23:54Taliyah and Asu.
23:56Greatness.
23:57To be the best at their craft.
24:00You think this is relatable?
24:03I mean,
24:03people need money, fame, success.
24:08And,
24:08your characters,
24:09they don't get anything from them.
24:11And,
24:12this painful struggle
24:13just to be best at their craft.
24:16Do they exist too?
24:18I think they exist too.
24:21And,
24:22they achieve greatness.
24:24And,
24:24Ashwin is showing this in his story.
24:26So,
24:27they have confidence
24:28that they don't go back to their greatness.
24:30Because,
24:31they are confused.
24:34Money, fame, success,
24:35like,
24:35like,
24:36and,
24:37they are satisfied.
24:40in the end.
24:41And,
24:42they live in 100 million followers
24:43or 100.
24:45There is a request.
24:47in the end.
24:50In his story,
24:51to tell his story,
24:52that,
24:53what greatness
24:54wants to achieve,
24:56is so selfish.
24:58He doesn't think about anyone.
25:01He doesn't think about his family.
25:04He doesn't think about his family.
25:05You can keep your family
25:07and keep your dream alive.
25:10You're talking about personal experience.
25:11and he's talking about it.
25:13This is a guy,
25:14Mr Seren,
25:17who's the one who was the one who was having
25:20He was doing good.
25:23But,
25:24she doesn't need extra responsibilities.
25:27He's saying that
25:28his state of mind is affected.
25:31He's taking care of his parents.
25:34his state of mind was impacting him.
25:37She left her home and left her own ambitions.
25:41The girl's ambition is first.
25:44Her duty is later on for the house.
25:47And at the end, the girl's ambition.
25:52But there is no discussion about the girl and the girl.
25:57I also know a girl who likes to pay for money and security.
26:03She loves the girl.
26:06So the girl can see her responsibilities and she can do what she wants to do.
26:15How dare you say that to me?
26:18What did I say to you?
26:20You said I am the one who wants to do what I want to do.
26:23How can you say that to me?
26:26What do you know?
26:28What do you know what I am doing?
26:30Rita?
26:31Huh?
26:52What do you know?
26:52Why did you know that?
26:54What happened to me?
26:55I was not even talking about that.
26:58I was not talking about that.
26:59What happened?
26:59How did you know that?
27:01I was talking about it.
27:04I don't know what to do with that emotion.
27:12Go.
27:17I'll go.
27:19Go.
27:24I never thought my father could try to get somebody killed.
27:31He died. Looked at me, brother. He almost died.
27:38Tony, I know you wanted to move to India to be with your dad and mum.
27:44But with everything that's happening, do you still want to be living here?
27:52Do you want us to be living here?
28:08To see you, brother.
28:09Your father only did you.
28:14You can't do it for me.
28:17I'm both a little and a tired time.
28:19No, no.
28:23I'm a boy, Papa Monty.
28:27He's killed 1,000,000,000.
28:30He's given 1,000,000 advance.
28:32And he's given a contract with a million.
28:36I told my mom,
28:38I'm going to die.
28:40I'm going to kill Monty's mother in my head, Papa.
28:44Papa.
28:46He gave 5 kukhyat,
28:48and Mama Sajjyat,
28:50people have a contract with me.
28:52Mama will not do anything.
28:58What did he say?
29:01If he's got an MP,
29:05then...
29:06he's going to kill him in the woods.
29:18He's going to kill you,
29:19I'll kill you.
29:20I will kill you, MP.
29:26If you hurt yourself, Papa will kill you.
29:30Yes, yes.
29:33Then, I'm gone.
29:36Then, I'm a son of a son.
29:41Then, I'm gone.
29:58If Jimmy brother said it's true, then it's a problem, daddy.
30:05I won't stay here with my wife and daughter.
30:07I won't stay here with my wife.
30:12I don't understand.
30:16Who can you die from someone?
30:31What are you doing to leave the house?
30:37You don't understand me, right?
30:40So I'll understand you.
30:42You'll understand me, daddy.
30:46But...
30:47Then you'll go and keep him on his clothes, right?
30:51No.
30:53When he kept him on his clothes,
30:56you didn't do anything, right?
30:59Because you'd have to understand
31:03why I wanted to kill him.
31:06Now I'm telling you.
31:08So now you're going to keep him on his clothes.
31:10And my wife will be on his clothes.
31:13It's gone.
31:14I'm telling you that.
31:19You're going to have a gun.
31:24You're going to have a gun.
31:24And I'm telling you.
31:30You're going to have the house.
31:33And I'm telling you.
31:38I'm telling you that I'll leave the house and leave the house.
31:43So go.
31:45Take your children and take your children and go.
31:50But, Daddy...
31:53I don't understand what happened to you.
31:57What happened to you in front of you that you were going to die from love?
32:03You were going to die.
32:05What happened to you?
32:09What happened to you?
32:11What happened to you?
32:11Come here.
32:14Come here.
32:17Here she was in front of me.
32:20And here her father.
32:24What?
32:26My whole people.
32:29What happened to you?
32:30How did you do that?
32:32My head was in front of me.
32:34What happened to you?
32:38You killed me.
32:41You killed me.
32:48You killed me.
33:01You killed me.
33:03I killed you.
33:11Because...
33:12Papa Ji,
33:14I was waiting for my dad to shoot my dad.
33:21But you're not coming to understand, right?
33:24So you're going to understand,
33:28why did my dad shoot my dad?
33:32And he will tell you, Pilla,
33:34because I shoot my dad first.
33:37Then you're going to understand,
33:40why did my dad shoot my dad?
33:43And I will tell you,
33:44because he was killing my business.
33:47Then you're going to ask,
33:49why did my business kill my business?
33:51Then you're going to understand,
33:54and you're going to understand.
33:56And you're going to become an understandable person.
33:59And the father will tell you,
34:01keep it on his face,
34:02and you're going to go with your face.
34:09Oh,
34:11you're going to be a bad boy,
34:12you're going to be a bad boy.
34:15You're going to be a bad boy.
34:17You're going to be a bad boy.
34:20but our business,
34:22you're some TER órtene.
34:25He's a bad boy.
34:27You first left your little brother on the way.
34:28Pippa should stay in independent.
34:31Those people,
34:33who were good to fly his face.
34:36Done you?
34:38Independence.
34:39Now, you go too.
34:46Your father is alone.
34:48I will protect everyone.
34:51Because if you don't know this,
34:55your father is a fool.
35:21If you've ever made a film in the theater,
35:24I will direct it to 101%.
35:28You won't have an audition.
35:31I will make money for you.
35:34I mean, you could direct this film?
35:36I mean, you didn't have to direct your other script?
35:43It was done, brother.
35:46So, for five years,
35:48I will send a script to the producer
35:51who will direct me.
35:56It seems like
35:58that if you have made such offers
36:00for the script,
36:02you will give it.
36:04As a writer,
36:06you have to think something
36:07about it.
36:08And if you hate it,
36:10you will be in a better position
36:11to direct the producer
36:12and demand.
36:18You will be in a better position.
36:33you will be in a better position.
36:38You will have to see
36:38some offer?
36:41I've written a lot of times
36:43for a long time.
36:45I've written a manuscript
36:46I was a script for the first time.
36:48But when the producer
36:49offered a lot of amount
36:52and if you can see
36:53an indirect character
36:53or not,
36:56it'll be given to you.
37:02What do you think?
37:06If you don't know the producer,
37:09you're not going to say that.
37:10After college, I'm also confused, Ashwin.
37:14If you're a full-time actor,
37:17or if you're a job, I'm acting with you.
37:22Mom, you understand.
37:27She always understood.
37:31Then Mom told me,
37:34what do you want Pinto?
37:39A girl was Pinto.
37:42She was capable,
37:44but she was not happy.
37:48She said to me,
37:51the same as I'm living in my life,
37:53she was very small for a young girl.
37:57But God was perfect.
38:00He was remembering the God of the night,
38:01and remembering the God of the night,
38:03and saying.
38:08Don't help me, God!
38:11Don't help me!
38:13What you want to do,
38:16just say it.
38:18And you'll be born.
38:21God, God, God, God.
38:25Tell me!
38:27What do you want Pinto?
38:30I...
38:31I want to be the king of the country,
38:33Mom.
38:36I want you to be my father.
38:39Just a moment, Mom.
38:42I want to make my mind first.
38:48I can tell you a little bit.
38:49I want to tell you.
38:50So,
38:51Bhagawan,
38:52Pinto,
38:52I want to give you a month of time,
38:54and go to Pinto.
38:56And Pinto,
38:57I want to ask you to come back to your friends,
39:00and your friends,
39:01and your friends.
39:02I want to ask you,
39:03if I can do anything,
39:04then,
39:05I'll be the king of the king of the world.
39:07will be fine?
39:08If we get a thousand crores,
39:10then we will die with our children.
39:13A thousand crores is gone,
39:15but if the body or body is fine,
39:17then we will not have enough money.
39:19A thousand crores has become the king,
39:21but the next day he will die,
39:25then...
39:25God,
39:27I have not thought about it.
39:31I want to be rich.
39:34I want you to get rich.
39:36But,
39:37what is it okay for me?
39:41I want you to get rich.
39:45Yes, I want you to get rich.
39:47Yes, I want you to get rich.
39:49Tell me, God,
39:52I'm just going to get rich.
39:54And,
39:55I'm just going to love you with God.
39:58And,
39:58what do you want to do again?
40:00It might not be decided.
40:01I want you to get rich.
40:05If I want to be rich,
40:07then...
40:08It's true.
40:09But, Pinto,
40:10if there is no illness,
40:12and if there is no illness,
40:14then you will die,
40:15then you will die.
40:15Then,
40:16you will die.
40:17You will die.
40:17You will die.
40:18You will die.
40:19You will die.
40:23You will die.
40:24I wish I would never be angry.
40:26But, God...
40:29I am happy.
40:32But,
40:33I will die soon.
40:35It is a moment of sin.
40:36And,
40:36I will die after death...
40:42I will die.
40:45In this case,
40:47I will die.
40:48I will die.
40:49Then,
40:49I will die.
40:51I will die.
40:51That is the end of sin.
40:52If I can and I will die.
40:53Then,
40:56I will die.
40:56I will die.
41:02Let me make that one.
41:07I want you...
41:09...my husband.
41:11And Pinto's life...
41:14...it just like...
41:17...it just like...
41:18...it just like God...
41:21...because Pinto wants what he wants...
41:24...he decided to decide.
41:25And what will he leave for?
41:27He will not decide.
41:32He will not decide.
41:33Be careful.
41:35Time is low.
41:38Think about it.
41:40And when you think about what you want to do...
41:44...then you don't have any doubt or confusion.
41:46Just go back to that.
41:48And what will he leave for?
41:53He will not leave.
41:54He will not leave.
41:56But...
41:58...when you go back to that...
42:00...to the whole world...
42:04...to the whole world...
42:06...to the whole world...
42:13...to the whole world...
42:19...the whole world...
42:23...in the world...
42:24...to the whole world...
42:26...to the whole world...
42:28...in the world...
42:37Aghwan!
42:41I want to become a writer-director!
42:44Confirm!
42:48You have to leave it for this.
42:51I'll leave it.
42:57If you know the direction of the police,
42:59it's great.
43:02I don't want to leave the police.
43:13I don't want to leave the police.
43:22Aghwan!
43:23Come, look at the police.
43:25Police?
43:29Police.
43:31Sipi, yeah.
43:33And, brother,
43:34when we go back,
43:35we will not be able to come in one auto.
43:38We will be able to work with you and Vedas.
43:41Okay?
43:42Come on.
43:43Come on.
43:53I'm sorry.
43:54I'm sorry.
44:01She...
44:03She drinks a lot of years later.
44:07She's feeling stupid.
44:08She's feeling stupid.
44:11I'm still drinking.
44:14When something is happening in my mind,
44:19I don't want to think about it.
44:24But I don't want to be able to stop it.
44:28You all know, right?
44:30I don't want to think about it.
44:31What are you thinking of,
44:34what do you want to think about?
44:43What are you saying?
44:46Why are the girl loving the security woman?
44:50And without pressure,
44:51she's the one who needs to be done.
44:54and the girl has the responsibility of all the responsibilities.
44:57You were taking an example of a girl who was doing a journal.
45:02So I said that I would like to know a girl too.
45:07Why are you that girl who has the responsibility of all the responsibilities?
45:18I'll be here.
45:23It will take a while.
45:25When will I be here?
45:36What do you want to do?
45:38Me?
45:45I just want to do what I do.
45:48This is Mumbai.
45:52I feel very good.
45:54I feel very good.
45:56I feel very good in my work.
46:00And tell me,
46:02My dressing sense is pathetic.
46:10I've been able to style it.
46:16When will I become successful?
46:18I will become successful.
46:20No.
46:23Before and after.
46:27Always.
46:30And you have no time.
46:34Do what you are doing.
46:36Forever.
46:37I can see.
46:42You are very successful.
46:46And until...
46:50I...
46:53I will take care of your responsibilities.
46:58I will take care of your responsibilities.
47:00I will take care of your responsibilities.
47:25From my side.
47:28You have to do the rest.
47:33The sun.
47:34And you are twice.
47:40You have to do the rest.
47:43So I will take care of your mind.
47:47I will take care of your mind.
47:51And you're not too much.
47:51I will take care of your mind.
47:52But could be...
47:56Good night.
47:59Good night.
48:18Krishan?
48:21Good night.
48:55Good night.
48:57Good night.
49:12Good night.
49:13Good night.
49:18Good night.
49:19Good night.
49:34Good night.
49:37Good night.
49:38Good night.
49:39Good night.
49:40Good night.
49:40Good night.
49:41Good night.
49:42Good night.
50:05I will leave my house.
50:07I will leave my house.
50:12I don't want to be comfortable with my family.
50:18Can I buy a floor in your house?
50:24And the rest of them too?
50:28I won't wait for a month. I'll see you in two days.
50:38Prashant!
50:40Who is coming?
50:44I'm sorry that your writing disturbed you.
50:47No, no. It's okay.
50:50You're late. I mean, tomorrow morning, you'll grow up.
51:05Why, brother?
51:08You said it wasn't possible in that day, brother.
51:10You have to pay 15 crores.
51:19My IDMP should not be made.
51:22If it's been made, you'll die.
51:24I'll pay for it.
51:25Then I'll pay for it.
51:28And you.
51:30I'm giving 15 crores so that you can give your candidate a ticket.
51:33I'll pay for it.
51:44I'll pay for two days.
51:46Right?
51:48No.
51:50No.
51:50You're welcome.
51:52Hello?
51:53Hello?
51:58Yes, Nina. Tell me.
52:05Meeting for her?
52:20Yes.
52:23See you at two.
52:38Ashwin.
52:39Yes.
52:40Come on.
52:47Come on.
52:48Come on.
52:52All right?
52:52Come on.
52:52Come on.
52:54Come on.
53:03Come on.
53:03Come on.
53:07Come on.
53:11Come on.
53:12Come on.
53:15Come on.
53:20Come on.
53:22Come on.
53:22Come on.
53:52Come on.
53:59Come on.
54:00Come on.
54:02Come on.
54:18Come on.
54:18Come on.
54:20Come on.
54:22Come on.
54:24Come on.
54:25Come on.
54:25Come on.
54:26Come on.
54:28Come on.
54:30Come on.
54:58Come on.
54:59Come on.
55:00Come on.
55:01Come on.
55:02Come on.
55:03Come on.
55:04Come on.
55:20Come on.
55:23Come on.
55:25Come on.
55:25Come on.
55:28Pathetic.
55:34Veda.
55:35I will be the best.
55:38I will make it all.
55:39I will have to complete all responsibilities.
55:42I got a film.
55:44Lead role.
55:47Wow!
55:49Congratulations, Prashant.
55:52What kind of congratulations is going on?
55:55You too.
55:57I'm going to debut.
55:58What? Really?
56:00Yeah.
56:01Congratulations, man. Thank you.
56:03This is your second good news.
56:05You gave it to yourself.
56:08She's leaving Mumbai.
56:11She's got a marriage fixed by the madam.
56:14She's got a marriage fixed.
56:16She told me today.
56:24She's got a marriage fixed by the madam.
56:29Thanks.
56:38Is he okay?
56:46Hey, man.
56:47इस दिल को भी बसना वही है, जहां दीवारे काचकी होती है।
56:56सिकुडते ठिठुडते हुए, इसे रहना वही है, जहां रत्ती भर आज नहीं होती है।
57:06खोल यार, खत्म हुई रेत, किरते किरते ये बंद मुठी चलावा है।
57:17We don't do anything about this
57:21This is the place of the world
57:23Ey, this heart is a heart
57:29Where we are going to be
57:34Where we are going to be
57:38We are going to be going to be
57:42But we are going to be going to be
57:47거지 بھر آج نہ ہوتی ہے
57:52کھول یار ہوئی ختم ریت گرتے گرتے
58:01یہ بند موٹھی چلاوہ ہے
58:08یہاں گلشن کی باتیں نہیں کرتے
58:15Here we don't talk about gulshan
58:22This is the place of gulshan
59:14This is the place of gulshan
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