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The House Of The Spirits S01E02 (2026) [Full Movie] [Full Version]Full EP - Full
Transcript
00:05What's up with the moon?
00:09What's up with the moon?
00:13What's up with the names?
00:21What's up with the moon?
00:35Before learning about the tragedy, Esteban Treva daydreamed about his marriage because he would soon be rich.
00:49The only idea that never crossed his mind was that Rosa could be mortal.
00:59Love is a dangerous thing.
01:07You'd better learn from me. I fell in love with your father who was a drunken fool and look where
01:12we ended up.
01:18Oh son, you're such a sore head. What good are tears of Esteban, huh?
01:25Will they bring back one single shred of honor or reclaim my wealth? And you. Are they going to bring
01:32that girl back?
01:33Keep out of it.
01:33I won't, young man. I want you to find a decent woman and marry him. I don't care if you
01:40don't love her. It doesn't matter.
01:42Spare him a little, Mom. Esteban's deeply heartbroken.
01:48What do you know about love, huh? Are you hiding something from me, Ferula?
02:08I won't return to the mine.
02:11You have to do some sort of work, Esteban. We don't spend much, but mother's medicine is costly.
02:17I've been supporting you since I was fifteen. As long as I live, you won't want her anything.
02:21Well, for you that's easy to say. You don't live as Mom and I, under hardship.
02:27I'm going to Tres Marias.
02:30That house is in ruins, Esteban.
02:33I've never felt happy anywhere else.
02:35Happy? We have had very harsh lives. And they will stay harsh if you squander the mine's money. Just like
02:41our father did with our mother's inheritance.
02:43Our father was pathetic. I'm now returning to poverty.
02:46Careful, it runs in our line.
02:50If you have an eye for business, it's easier to get rich in the city than in the country, brother.
02:56I hate this city.
03:02Why don't you admit you hate this house?
03:04Obviously.
03:09I wish I was a man, so I too could escape.
03:13I wouldn't have liked to be a woman.
03:47What do you think?
03:52Although I don't know how to do it all this stuff.
03:54I wish I came here with my heart, despite the secret doors to the neighbor.
03:54I don't know what to do.
04:31I don't know.
04:55He won't take long.
04:58He caught the scent of the butcher's cart.
05:00After he steals the treat, he'll instantly return.
05:10You're looking in the wrong direction.
05:16Clara.
05:20You have to stop worrying.
05:22You had no way of knowing who would die.
05:25It's impossible to always get it right.
05:28All we can do most of the time is follow our intuition
05:31and keep an open mind to the unknown.
05:33Uh-uh. It's not time for them yet.
05:38For now...
05:43We all have a unique gift.
05:45When we share it with others,
05:48we illuminate their lives
05:50and illuminate our own, honey.
05:54Follow your heart.
05:56You're much more powerful than you can imagine.
06:07Do your thing,
06:09Clairboy and Clara.
06:24Don't stare at her, Clara.
06:25You may have bad dreams.
06:27It happened to me last night.
06:28They're the devil's vermin.
06:30I dreamt of snakes that crawled up my legs
06:32and I took them off,
06:33but the damn things came back up again.
06:36Demonic creatures.
06:50Are you serious?
06:51Are you serious?
06:57Take these.
06:59Put them in water so they don't dry out.
07:02True to my grandmother's prophecy,
07:04the gardener won 80 pesos in an illegal card game,
07:07which he spent on a two-day drinking spree
07:09and a porcelain doll for the clairvoyant girl.
07:14Her fame as a fortune teller spread among the employees.
07:18And little by little that pastime,
07:20and her mother's affection,
07:23began to ease her pain.
07:24I don't know.
07:26Let's see.
07:44What tormented Esteban Trevado the most
07:46was knowing that he would never run his hands over Rosa's body,
07:50nor let down her beautiful greenish hair,
07:52nor dive into her deepest waters.
08:03But he knew he had to keep moving forward
08:05because stopping meant facing a terrible pain.
08:09He was not prepared to endure.
08:39The Tenants of Las Tres Marias had not seen their boss
08:42for more than 20 years.
08:45And they had concluded that they simply didn't have one.
09:15No one would link that man
09:17with the golden-haired boy
09:19who many years before
09:20played happily in that same old yard.
09:43I don't know.
09:47I don't know.
09:48I don't know.
10:23I don't know.
10:34I don't know.
10:35I don't know.
10:36He's moving.
10:40Very well.
10:44Go spread the word to men
10:46who like honest work.
10:49And who is that?
10:52Emilio.
10:53Charles from another farm.
11:12scrub the patio and burn the animal and you go get my bags shut that child up
11:40at las tres marias a fever of activity began that shook off the lethargy
11:57whoever employed every man woman old person or child who could stand upright eager to make up
12:03for years of neglect in just a few months
12:22however the exhaustion from work was not enough to repress his rural energy
12:26and his carnal nature
12:58so
14:01With all due respect, Patron, my sister is too young for such a responsibility.
14:08She'll figure it out fast. She's got character.
14:12Right?
14:14I'd do it well, Patron.
14:17It's settled then.
14:19Bancha will be in charge of the sewing workshop.
14:21Uh, very well.
14:34Let's go home.
14:36Pat's looking for you. He wants us at the table as a family.
14:39I can't.
14:40Gotta learn how to use this thing.
14:42Don't be stubborn, Bancha.
14:44It's an order from Don Esteban.
14:52You need to be careful.
14:55Don't get your hopes up.
14:59You'll never be more than a Garcia, Bancha.
15:03Don't go forgetting that.
15:08I'm an adult now.
15:10I know what to do.
15:12Mm-hmm.
15:18Mm-hmm.
15:50Don't you have work to do?
15:54Yes
15:55What are you waiting for? Go on
16:18Put it on
16:21I wanted to tell you that I'm pregnant
16:25And?
16:29That I'm expecting a child
16:32You're a child, Patron
16:38Do you think I'm stupid?
16:45No, Patron
16:46You sleep with every man on the farm
16:48And now you want me to take care of that child?
16:51You can be sure that this child is yours
16:52Did I tell you to speak?
17:08And don't you ever come back to this house?
17:15Comrades
17:16Comrades
17:17We can no longer continue to live at the mercy of what men impose on us
17:21We are all born equal
17:23But we have been made to believe that we are less
17:27That we do not deserve the same rights as men
17:30Our voice is our strength
17:33Because women's suffrage is much more than a right
17:36It's the recognition, comrades, of our dignity
17:40Of our right to equality
17:43To our emancipation
17:45And if we manage to come together
17:48And raise our voices as one
17:50Believe me, there will be no power that can stop us
17:55We have to convince ourselves that they are not doing us any favors
17:59We are demanding what is rightfully ours
18:02No more waiting, it's time to act
18:04Clarita, help me
18:05In other countries, women have won the right to vote
18:08They even have begun to change the course of their own nations
18:13This country is in need of the voice
18:16And the guidance from all its daughters
18:19Because they want us to work like men
18:21But not to be able to vote like them
18:23Thank you
18:23Thank you
18:24Thank you
18:26Thank you
18:28Thank you
19:05Thank you
19:07Thank you
19:07Thank you
19:08Thank you
19:09Thank you
19:10Thank you
19:10Thank you
19:11Thank you
19:12Thank you
19:12Thank you
19:13Thank you
19:14Thank you
19:15Thank you
19:15Thank you
19:16Thank you
19:16Thank you
19:18Thank you
19:20Thank you
19:21Thank you
19:21Thank you
19:22Thank you
19:57Clara came into her youth inside the walls of her home, shielded from life's hardships, where reality blended with dreams,
20:06and where the known laws of physics and logic didn't always apply.
20:32It seems we're nearly the same age now.
20:36Please sit.
20:37Help me finish it.
20:48We all have a place on this white fabric.
20:56It couldn't have gone any other way, Clarita.
21:00I had to leave because it was meant to be.
21:04Now it is your time to start your journey.
21:33I had to leave because it was meant to be.
21:37What's wrong?
21:39Are you okay, sweetie?
21:46Mom, Dad, I'm to be engaged soon.
21:53What?
21:54You spoke?
21:56What did you say?
21:58So great was the shock of hearing her voice after such a long time that they all forgot what she
22:03had said, and they did not remember until weeks later, when an unexpected visitor arrived.
22:28Over the years, Las Tres Marias became a very profitable business.
22:32a model farm for the south of the country.
22:35And Esteban Treva became the most respected boss of the region.
22:39Not only was his wealth growing, but his offspring were as well.
22:59What are you looking at?
23:03What's your name?
23:07Esteban?
23:10You want one?
23:17Excuse me, Don Esteban.
23:28Bravo!
23:28Good.
23:30Well done.
23:32Cheers!
23:33Neighbors of Las Tres Marias.
23:35We're gathered because we have to decide something very important.
23:39I'm speaking about the future of this country.
23:43Everything you have achieved has been thanks to your work and your effort.
23:47However, the left wing wants us to believe something completely different.
23:52They offer an effortless paradise, but I assure you that if they win, they'll sweep away everything.
23:58That is why I invite you to vote for progress.
24:01To vote for good values.
24:03To vote for the conservative party.
24:22You voted wrong.
24:25Vote again.
24:27Get another.
24:32You voted wrong.
24:35You voted wrong.
24:37You voted wrong.
24:42Today, this country set an example for this continent of Indians and Negroes.
24:48Here's to this lasting forever and ever.
24:51Cheers.
24:52Cheers.
24:52Cheers.
25:04Cheers.
25:06Yeah.
25:14yeah
25:56Was it good, patrona?
26:15Listen, patrona, please lend me 50 pesos.
26:22I'll pay you back, patrona, with interest.
26:25I'll pay you back when I'm rich.
26:27What's your name?
26:30Transito Soto.
26:32That's a lot. What's it for, exactly?
26:35For a train ticket.
26:37A pair of brand new shoes, and I'd like to get a perm.
26:55Esteban was surprised by the ambition of this young girl.
26:58What he did not know back then was the important role that Transito Soto would play in his life.
27:06Here's your mail, patrona.
27:09Anything else, sir?
27:10No.
27:37I don't know.
28:20Son, don't get any closer.
28:22I don't want you to get sick.
28:31You look like a savage.
28:39Marry someone, Catholic and decent, who can give you children.
28:53You're so irritating.
28:57Don't get agitated.
28:59Rest.
29:02Just rest now.
29:04I don't want you to get sick.
29:54I don't want you to get sick.
30:12I don't want you to get sick.
30:50I don't want you to get sick.
31:03I don't want you to get sick.
31:31I don't want you to get sick.
32:01I don't want you to get sick.
32:16I don't want you to get sick.
32:28I don't want you to get sick.
32:31I don't want you to get sick.
32:32I believe in effort.
32:33I believe in discipline.
32:34Do you want to marry me?
32:37I say this to avoid wasting time.
32:43I really like your directness.
32:47Do you want to marry me?
32:50Yes.
32:52But why?
32:54Because it's my destiny.
33:02Barabas, here.
33:11What's wrong, Barabas?
33:23What is it, Barabas?
33:28Hey, relax.
33:30Calm down.
33:31Come on.
33:32The butcher's here, huh?
33:34Just don't be late for the party, alright?
33:47Excuse me?
33:49My brother asked for you.
33:52Oh.
33:58I'm happy with the union of our families.
34:01Yes, me too.
34:02I was told that the affairs of the household are not of interest to you, but they are to
34:06me.
34:11Please stop worrying.
34:16You are not to end alone.
34:18You will stay with us, and you and I will become sisters.
34:26You are not to end.
34:29You are not to end alone.
34:41You are not to end alone.
35:03Oh, I'm crying.
35:08Oh, I'm crying.
35:31Excuse me, of course.
36:03The house won't be the same without you.
36:06I know I'm going to miss you too very much.
36:21My little one is all grown up.
36:23Oh, I'm so happy, my child.
36:36Oh, I'm so happy.
36:40Oh, I'm so happy.
36:51Excuse me.
36:54May I have my wife back?
36:56Yes, of course.
37:13Are you all right?
37:15Oh, I'm so happy.
38:20And that no one dared to name.
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