- 2 days ago
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00:00:46Hello Coast Guard Base, hello Coast Guard Base, this is Sparta One, come in please,
00:00:50this is Sparta One calling Coast Guard Base.
00:01:037,000 ton freighter flying Albanian flag entering zone AB Yellow, Quadrant 3.
00:01:16Addition 9, Alt Coastal units, Alt insert Albanian freighter now entering zone AB 3, Quadrant
00:01:22Yellow.
00:01:23Execute at flank speed, all Corvette commanders have knowledge.
00:01:38We have suspect vessel on radar, commander, Coast 195, speed 16, that's one mile north,
00:01:44grid 12, Quadrant Hill.
00:02:04And then we have suspect vessel on radar, which is the same as the other side of the
00:02:05So, let's go.
00:02:05Let's go.
00:02:07Let's go.
00:02:08Let's go.
00:02:10Let's go.
00:02:10Let's go.
00:02:14Let's go.
00:02:14Let's go.
00:02:15Let's go.
00:02:30Let's go.
00:02:32woll'mividade.
00:02:33Ahoy the mole ship gosmo din.
00:02:36Heave 2.
00:02:37Heave 2 and prepare to receive searchō body.
00:02:40Acknowledge at once.
00:02:41This is commander Italian Coast Guard, Corvette, one oh, one eight speaking.
00:02:46Heave 2, heave 2.
00:02:48This is the final warning.
00:03:33Anything for me? Wait a minute.
00:03:43Tell them it's for the front page.
00:04:02All right, I'll give you a race.
00:04:03Okay, I'll give you a race.
00:04:11All right.
00:04:24Here we go.
00:04:25Oh, my God.
00:04:55Oh, my God.
00:05:25Oh, my God.
00:05:57Oh, my God.
00:06:51Oh, my God.
00:07:03Oh, my God.
00:07:21Phone Clark.
00:07:22Yes, sir.
00:07:22I want that man questioned.
00:07:23I want to know everything there is to be known.
00:07:25Point of embarkation, destination, cargo.
00:07:28Everything he says may be useful to us.
00:07:50When are you going to stop blowing that horn?
00:07:52The neighbors are really beginning to complain.
00:07:55Oh, no one ever appreciates me.
00:07:59You, uh, you should have told him I only do it to warn your lovers.
00:08:04Patrick, be serious.
00:08:06Patrick, be serious.
00:08:06George has telephoned three times already.
00:08:08It seems America's angry with you this morning.
00:08:10I might have guessed it.
00:08:11My fellow Americans are losing their sense of humor.
00:08:15I suppose I should have expected them to react that way.
00:08:22Is it my fault that my information services are more accurate than the embassies?
00:08:26My job is to write the news as it happens.
00:08:28I enjoy it.
00:08:49Don't tell me that you're angry at me, too.
00:08:51No, it's just that I was feeling sorry for that man.
00:09:44Well, what do you want?
00:09:46News.
00:09:48Commissioner, that seaman is an old shipmate.
00:09:50He's fine.
00:09:51He's going to recover all right.
00:09:52Now, what can you tell me about what happened out there at sea last night?
00:09:57All I know is it's my friend you're holding.
00:10:00And if I am, what business is it of yours?
00:10:02As far as I'm concerned, you're just another crank.
00:10:04You've probably never met that sailor, never heard of him before.
00:10:07Just want to get your name in the papers.
00:10:11That's only a hypothesis.
00:10:14Can you prove I'm drunk?
00:10:18My master's ticket proves it.
00:10:23There are my papers, commissioner.
00:10:27I'm not your prisoner.
00:10:30And I have a right to see my old friend.
00:10:38Very well.
00:10:40You can see him.
00:10:58He's very tired, the poor man.
00:11:02Suffering from shock.
00:11:07If we go back to Rome without the story, our editor...
00:11:10Hold it a minute.
00:11:13What's happened, commissioner?
00:11:14Let us in on it.
00:11:29This changes the picture.
00:11:30Capitano, I want an explanation.
00:11:36What caused that man's death?
00:11:39You're the most obvious suspect.
00:11:41I want the truth right now.
00:11:42I intend to get it.
00:11:44Either you talk or you wish you were dead.
00:11:48My story is only for the United States Embassy.
00:11:52I hold you responsible for what happened.
00:11:54The only other survivor has been killed and the murderer is probably the commander of the ship.
00:11:58It's gun running again, isn't it?
00:12:00But that's not why I sent for you.
00:12:02The commander wants to speak to me.
00:12:04Oh, fine.
00:12:05How do I fit into it?
00:12:06Now, don't tell me you want to give me an exclusive.
00:12:09Not exactly.
00:12:10It depends on the retraction of that story about the second survivor of the shipwreck, understand?
00:12:13That's a violation of civil rights, George.
00:12:16That's right, Patrick.
00:12:16Sit down.
00:12:18Certainly the commander knows a lot.
00:12:20He wants to talk to me.
00:12:22But as an extra precaution, he wants you personally to assure him you'll make the retraction.
00:12:27To trust is good, but not to trust is better.
00:12:30It's valid all over the world.
00:12:32Exactly.
00:12:33You know what you have to do.
00:12:35Exactly.
00:12:36Front page, two columns.
00:12:37Don't worry.
00:12:38The captain will be satisfied and you'll be sure of getting silence.
00:12:41Only if it's necessary.
00:12:43Anyway, I'm sure you'll agree.
00:12:45Thank you, Patrick.
00:12:52That's what I like about you, George.
00:12:55You always leave a man of choice.
00:12:58A choice between doing what you want or getting tossed out of your ear.
00:13:02I'll expect you Thursday morning at nine.
00:13:13I'll expect you to get you out of this ungodly hour.
00:13:16Use dynamite?
00:13:17Nothing else gets you up before lunchtime.
00:13:20I've committed the unforgivable sin.
00:13:22I've written an article.
00:13:23Yes, I read it.
00:13:25Thrilling, real reporting.
00:13:27Even though I know you made it all up, a ship explodes and only two men, whom you claim are
00:13:33gunrunners, managed to survive the shipwreck.
00:13:36Fascinating story.
00:13:37How do you ever dream these things up?
00:13:41Sick imagination.
00:13:43You should know.
00:13:44And now I suppose you and George have been cooking up a report for the Pentagon.
00:13:48I always said my husband knew how to pick his colleagues.
00:13:53You better cut out that kind of talk, Steffi.
00:13:55I don't think he'd appreciate it.
00:13:58He's worried.
00:14:00He's really worried.
00:14:02George sometimes takes things too seriously.
00:14:05I'm sure he asked you here to play I Spy.
00:14:09It's his favorite game.
00:14:11Anyway, keep me up to date.
00:14:13I adore mysteries.
00:14:15Ciao.
00:14:16Oh, give my love to Helen.
00:14:27And when is the meeting to take place?
00:14:30Thursday morning at nine.
00:14:33We'll be meeting at George's villa.
00:14:35The captain wants me there.
00:14:38Now, don't tell me that George uses lipstick.
00:14:41Hardly.
00:14:43I ran into Stephanie as I was leaving.
00:14:47Why didn't you tell me?
00:14:49Because I didn't think of it.
00:14:51I thought what I did tell you was more important.
00:14:53Not to me.
00:15:00Helen, you know Steffi kisses everyone.
00:15:03Now, if a girlfriend wants to kiss you, there's nothing you can do about it.
00:15:10Particularly if the girlfriend is Stephanie.
00:15:13I just hope Thursday morning's meeting with a mysterious sailor isn't a complete fabrication.
00:15:18Oh, come on.
00:15:21Smile.
00:15:24A female Othello, that's what you are.
00:15:26Helen Harris, the most jealous woman in the world.
00:15:31Ciao, baby.
00:15:32Where are you going?
00:15:33To the paper.
00:15:34To pretend to earn my salary.
00:15:36Pass.
00:15:42What do you, uh, what do you say I give up some of my fabulous earnings for about a half
00:15:47hour or an hour, huh?
00:15:51An hour?
00:15:52Mm-hmm.
00:15:54An hour and a half.
00:15:57Two.
00:15:57Two.
00:16:00Two.
00:16:00Two.
00:16:02Two.
00:16:03Two.
00:16:04Three.
00:16:04Two.
00:16:06Two.
00:16:08Two.
00:16:10Two.
00:16:17Nine.
00:16:21Two.
00:16:23Two.
00:16:24One.
00:16:26One.
00:16:30Two.
00:16:31Two.
00:16:32Two.
00:17:36Good morning.
00:17:37Good morning.
00:17:38Good morning.
00:17:38Good morning.
00:17:39How are you?
00:17:40Not bad.
00:17:48Good morning.
00:17:52Good morning.
00:17:55Good morning.
00:18:14Good morning.
00:18:19Good morning.
00:18:23Good morning.
00:18:26Good morning.
00:18:27Good morning.
00:18:28Exactly.
00:18:29What are we waiting for?
00:18:30The matter has already been arranged.
00:18:33Oh, using our agent in the room?
00:18:35No.
00:18:36That would be idiotic.
00:18:38Risking a person like that.
00:18:39On a simple job it would draw the attention of the police.
00:18:44I suggested our agent locate a man.
00:18:47Our agent found one.
00:18:48A gunman of the highest qualifications.
00:18:50I can assure you of that.
00:18:51Very bien fait.
00:18:53Oh, I might add.
00:18:54He can never be traced to one.
00:18:56I want to know more about this hired gun.
00:18:59You'll be glad to know that our agent is chosen for this.
00:19:03A man whose nationality will create the impression of a political assassination.
00:19:09A red herring.
00:19:11Wrong office.
00:19:14Morning.
00:19:16Shanghai.
00:19:18Stop.
00:19:22Unexpected withdrawal.
00:19:25Commanding officer ship seven.
00:19:29Stop.
00:19:32Wrong office to Shanghai office.
00:19:35Scratch ship number seven.
00:19:37Send chief auditor to Dave.
00:19:38Call me to supervise liquidation.
00:20:09Service.
00:20:20Hello.
00:20:30Yes sir.
00:20:36Fong.
00:20:56I love you.
00:21:19It wasn't there.
00:21:39Mr. Basim? Mr. Basim, a message from Mr. Basim? Mr. Basim, please. Mr. Basim? Mr. Basim?
00:21:51Mr. Basim? Mr. Basim?
00:21:59I'll take it.
00:22:00You're Mr. Basim?
00:22:01Yes.
00:22:02But didn't you hear me paging you the last ten minutes?
00:22:04Sorry to be such a nuisance. Thanks very much.
00:22:08Mr. Basim?
00:22:09Mr. Basim?
00:22:22Mr. Basim?
00:22:24I'd like to know, please come to the phone for a couple of hours, passengers over the
00:22:29front of the main lobby.
00:22:33Mr. Mobile Order, please come to the bill, please see.
00:22:54The
00:22:56I'm
00:23:01I'm
00:23:09I'm
00:23:10I'm
00:23:11I'm
00:23:14I'm
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00:23:25I'm
00:23:26I'm
00:23:26I'm
00:23:28I'm
00:23:29I'm
00:23:31I'm
00:23:31I'm
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00:24:07Hey, one more of that thing.
00:24:12I don't like the sound of this business.
00:24:14Why don't you drop the story?
00:24:18Please, let's go away. Let's leave.
00:24:20In a few days, it'll be forgotten.
00:24:22And we can go back to our Roman life vitalness.
00:24:27Don't ask me why, but I feel something is going to happen.
00:24:31I'm afraid, Patrick.
00:24:33I can't explain, but I'm afraid.
00:24:35Listen to me, Helen.
00:24:37There's no reason for you to feel that way.
00:24:39You mustn't think about it.
00:24:42Look, you want to leave tonight?
00:24:45All right, we'll spend a weekend in Capri, okay?
00:24:48Just you and me.
00:24:50And a few thousand tourists.
00:24:54Helen, I promise you.
00:24:56I promise you we'll go away tonight.
00:24:59It'll be like our honeymoon.
00:25:04Come on.
00:25:05Cheer up.
00:25:11Take it away.
00:25:16Cheers.
00:25:17Cheers.
00:25:20Cheers.
00:25:30Cheers.
00:28:27If you don't mind, I'll wait outside.
00:28:29If people like this are still running America, I prefer to ask for political asylum.
00:28:33I'm sure Mr. Clark didn't mean it that way.
00:28:37I'm sorry.
00:28:39I wasn't really serious.
00:28:41It was just an opportunity for me to make an exit of this piece.
00:28:45Won't you sit down, Patrick?
00:28:48Mr. Clark is in charge of the security precaution for our mysterious captain.
00:28:52The Italian police are supporting his team.
00:28:55That will give you a slight idea of the importance we attach to the statement he may make.
00:29:19Should be here in a few minutes.
00:29:45Very well, thank you.
00:29:49You'd better use that door.
00:29:50You don't want to have the tape recorder running?
00:29:53I'd prefer not.
00:29:53He might notice it.
00:29:54Besides, he asked for a private conversation, and I want to respect his conditions for the time being.
00:29:59In any case, I don't think it'll be necessary.
00:30:01All right.
00:30:40All right.
00:31:01Would you wait outside, please?
00:31:02Of course, sir.
00:31:09Commander, everything is as you requested.
00:31:11This is the American journalist who wrote the article about the second survivor.
00:31:15May I see your papers?
00:31:17I want to be sure he's the one.
00:31:31You're satisfied?
00:31:34You must write a retraction and publish it within 24 hours.
00:31:39I fail to understand your attitude, Commander.
00:31:42However, will you excuse us for a moment, Patrick?
00:31:45Of course.
00:31:55Now, if you have anything to say, please say it.
00:31:57Otherwise, you'll answer the Italian authorities.
00:31:58Oh, now, relax.
00:32:01Let's not lose our tempers.
00:32:03I just asked for a guarantee to make our contract more valid.
00:32:10Contract?
00:32:12This is a word I like to use.
00:32:15It's more convenient for everyone.
00:32:20Now, I suggest we come to the point.
00:32:23I can supply you with a complete breakdown of the spy network and the trafficking of strategic
00:32:30materials between certain European and Asian countries.
00:32:33I can give you the name of the commander in the Italian territory.
00:32:37And I can supply you with precise information covering the route taken by ships carrying arms.
00:32:44And what are you asking in return?
00:32:48My official debt.
00:32:50A new passport.
00:32:52And the opening of a credit in my favor with the United States Bank for $500,000.
00:33:01Half a million dollars?
00:33:05That's what I said, sir.
00:33:07That's what my information's worth.
00:33:13You cannot decide immediately.
00:33:16Your demands are so exorbitant you force me to ask Washington for instructions.
00:33:21Until then, I can give you no answer.
00:33:26All right.
00:33:27I agree.
00:33:32Be wise.
00:33:33You could keep this for me.
00:33:45It's useless for you to try to decipher that list.
00:33:49Without my help, it's impossible.
00:34:05Until we meet again.
00:34:06Goodbye.
00:34:06Goodbye.
00:34:07Goodbye.
00:34:19Goodbye.
00:34:24Goodbye.
00:34:24Goodbye.
00:34:26Goodbye.
00:34:30Goodbye.
00:34:30Goodbye.
00:34:30Goodbye.
00:34:30Goodbye.
00:34:30Goodbye.
00:34:32Goodbye.
00:34:32Goodbye.
00:34:34Goodbye.
00:34:45Good shot, Steffi.
00:34:48Well, I'm here to apologize.
00:34:50I've done my bit for Uncle Sam, and I won't be able to go tonight.
00:34:55Must have promised Helen a romantic weekend.
00:34:59Usual technique.
00:35:01You never were very original.
00:35:04Say, you're a real mind reader.
00:35:06We could use a horoscope columnist on the paper, or would you prefer weather forecast?
00:35:11Are you sure you can afford me?
00:35:57Yes.
00:35:58Telephone for you.
00:36:01I envy Helen, but if you don't join us this evening, I'll consider our friendship over.
00:36:06Oh, please, Pat.
00:36:08Try to come tonight.
00:36:09I want you to be there.
00:36:12Be right back.
00:36:13Mm-hmm.
00:36:14Mm-hmm.
00:36:18Trapped.
00:36:19Now I want to see how you'll explain this to Helen.
00:36:22Carlo, why don't you go?
00:36:23Oh, no.
00:36:25Oh, no.
00:36:25Ever since I sold my noble title, I've lost all interest in parties.
00:36:28And then, you know, I work nights, especially weekends.
00:36:32I'm waiting.
00:36:33Psst, psst.
00:36:33Psst, psst.
00:36:33Psst, psst.
00:36:35I'm waiting.
00:36:39Hello, this is Bessim.
00:36:41The job is done.
00:36:42I'm ready to leave.
00:36:45Yes, as he came out.
00:36:47That was never stipulated.
00:36:50And in any case, it could not have been done then for technical reasons.
00:36:55Now what?
00:36:56And where have you been then?
00:36:58I telephoned the paper and you weren't there.
00:37:00Helen, I've explained to you already what happened.
00:37:03I went to the meeting with that fake commander this morning.
00:37:06Then I dropped into the club.
00:37:07Oh, stop it.
00:37:08Stop it.
00:37:11I'd really like to know what pleasure you get out of tormenting yourself over something that doesn't even exist.
00:37:25Hey, come on.
00:37:28Let's go away tonight.
00:37:29Let's be agreed upon, hmm?
00:37:31Just the two of us.
00:37:33We'll sit by ourselves and watch the sea.
00:37:39Hello.
00:37:40Patrick, I've got to see you.
00:37:42Captain's been killed.
00:37:45He left some very important documents here.
00:37:48And I've had some information.
00:37:53Some serious information which in a sense concerns you, Patrick.
00:37:57Well, why don't you come over this evening?
00:38:00The party will be a good excuse to pass the whole thing up unnoticed.
00:38:05Right.
00:38:07You still insist on treating him with kid gloves.
00:38:15Patrick Harris is a friend of mine.
00:38:17I can answer for him.
00:38:20Believe me, what you're asking me to do disgusts me.
00:38:22At this stage, I consider everybody a suspect.
00:38:26George.
00:38:27Yes, darling, what is it?
00:38:29I wanted to know if there are any other guests to add to the list.
00:38:33Yes, Mr. Clark will be here.
00:38:36And Mr. Harris, of course.
00:38:37That's fine.
00:38:39Don't be late.
00:38:41Black tie, of course.
00:38:43You promised we'd go away.
00:38:44You promised us a few days of peace.
00:38:46I can't back out now.
00:38:47George wants to see me.
00:38:48What can I do?
00:38:49I'm tired.
00:38:50Tired of seeing you waiting for you.
00:38:51Stop it, Helen, please.
00:38:52It's late.
00:38:53Now you've got to get ready.
00:38:54I'm not coming with you.
00:38:56Helen, try to understand.
00:38:57We have to go.
00:38:58Now it isn't going to be a party for me either.
00:39:01I'm telling you, don't go.
00:39:05Why?
00:39:07Helen, be reasonable.
00:39:10Open the door.
00:39:11I won't.
00:39:12You can go to your Stephanie.
00:39:18Uh...
00:39:35Hello.
00:39:53Hello.
00:40:01Oh, my God.
00:40:46We were talking about war.
00:40:48We were wondering who today could have any interest in starting another war.
00:40:52I'm not a fortune. Only a journalist. Not even an important one at that.
00:40:57Oh, really?
00:41:05Oh, well, excuse me.
00:41:12Forgive me.
00:41:21I'm so glad you came, Patrick. Where's Helen?
00:41:24She, uh, wasn't feeling well.
00:41:27Who's the lady you were just talking to? Some old flame?
00:41:30You mean the old bag who wouldn't stop talking? I've never seen her before in my life.
00:41:35She was really disappointed when she found out I wasn't anybody.
00:41:38I could fool the best of her.
00:41:41Please, Patrick, let's not joke. Something's worrying me.
00:41:44I'm glad you could come. It's been so long since we've seen you.
00:41:47We're very glad to be here again.
00:41:49I'm sorry. May I interrupt you? May I see you for a moment? Excuse me.
00:41:54He's here.
00:42:05At the moment, they're a bit shaken up about what's happened.
00:42:08They sense danger where normally there's, what, bureaucratic red tape?
00:42:14But don't worry. Everything will work out all right. You'll see.
00:42:20Anyway, thanks.
00:42:21Don't bother. There's no need between us, Pat.
00:42:24Anyway, we shouldn't attempt to recall our past, you know.
00:42:28Well, the best of luck to you, Pat, darling.
00:42:33Oh. Excuse me.
00:42:39Thank you for coming, Patrick.
00:42:41I hope you'll forgive me, but it is rather delicate.
00:42:44I'm concerned certain things the commander told us this morning.
00:42:47And other coincidences.
00:42:49I'm telling you this is a friend.
00:42:51Are we going to talk as friends, or is this an official interrogation?
00:42:55If so, I'd better call my attorney.
00:42:57I want to talk to you, that's all.
00:42:59Alone, then.
00:43:00Why don't we go into my studies?
00:43:07I hope you'll understand, Mr. Clark, just as I'm sure you'll be moved by my friend's loyalty.
00:43:11I'm sure, George.
00:43:13There's an old saying.
00:43:15God save me from my friends.
00:43:18Oh, that's very good.
00:43:22Green, I don't want to be disturbed for any reason.
00:43:24All right, sir.
00:43:27Go on.
00:43:27Come on.
00:43:33So glad to see you, Jack.
00:43:35With the Cousier Prince Carlo.
00:43:38You were away, weren't you?
00:43:40And did you have a wonderful time?
00:43:42I'll bet you did.
00:43:45That's ridiculous, you know what you're saying?
00:43:48That's ridiculous, the whole thing.
00:43:50In times like this, nothing's ridiculous.
00:43:52You knew about the Albanian commander.
00:43:54Time, place of the meeting.
00:43:56And after you left, that man was killed.
00:43:58So?
00:43:59I want to know why he reacted so strangely when he saw your name.
00:44:01I don't know, and what's more, I'm not interested.
00:44:05Look, look, if the CIA is stupid enough to believe that, that fake commander, that's their problem, not mine.
00:44:10I want to know what that man had to tell us.
00:44:16Gunrunning means the potential to death of thousands of people, it's also a threat to world peace.
00:44:24I've got nothing to do with it.
00:44:26As far as I'm concerned, the spy could be you, or Clark, or any idiot from the embassy.
00:44:30All of them, including the guards, they know as much as I do.
00:44:37Aren't you forgetting the commander's reaction?
00:44:40I told you he was a nut.
00:44:42A neurotic.
00:44:43Scared, hiding his fear behind a mask.
00:44:46He was trying to kid us all into thinking he was a man who couldn't be taken.
00:44:49And yet they took him in the end, didn't they?
00:44:54Sure.
00:44:55But not because of me.
00:45:08The last time we met was in Washington.
00:45:09Do you know each other?
00:45:10It was in the Secretary of State.
00:45:12Howuka?
00:45:13So Stefani catalogs and re-function, she goes there.
00:45:17Oh, Stefani catalogs and revicers she goes there.
00:45:27So Stefani catalogs and revicers she goes there.
00:45:33Oh, my God.
00:46:13No!
00:46:15No!
00:46:16My God!
00:46:18George!
00:46:20George!
00:46:35I must admit that in fact the streets say had a fiction.
00:46:39First the commander, then the consul.
00:46:42Now I guess it's my turn.
00:46:45But what I can't figure out is why.
00:46:48Shut up.
00:46:50Don't you think I've got a right to know why I'm gonna die?
00:46:52You know why.
00:46:58You know a little too much.
00:47:04Let me remind you the fact that I know everything.
00:47:08Let's talk business.
00:47:10Well?
00:47:11You know many talks.
00:47:16We can make it worth your while.
00:47:18Shut up.
00:47:22What's the matter? The cat got your tongue?
00:47:25Come on, what do you say?
00:47:31Pull over to the side.
00:47:33And stop.
00:47:44You're making a big mistake.
00:47:45...
00:47:45...
00:47:56...
00:47:58...
00:47:59Oh, my God.
00:48:32Oh, my God.
00:49:01Oh, my God.
00:49:35Oh, my God.
00:49:50Oh, my God.
00:49:58Oh, my God.
00:50:07Oh, my God.
00:50:09Oh, my God.
00:50:16Oh, my God.
00:50:51Oh, my God.
00:51:17Oh, my God.
00:51:45Oh, my God.
00:52:08Oh, my God.
00:52:17Oh, my God.
00:52:37Oh, my God.
00:52:41Oh, my God.
00:53:35Oh, my God.
00:53:53Oh, my God.
00:54:13Oh, my God.
00:54:30Oh, my God.
00:54:39Oh, my God.
00:54:45Oh, my God.
00:55:11Oh, my God.
00:55:23Oh, my God.
00:55:46Oh, my God.
00:55:47Oh, my God.
00:55:51Oh, my God.
00:55:51Oh, my God.
00:55:52Oh, my God.
00:55:55Oh, my God.
00:55:58Oh, my God.
00:56:01Oh, my God.
00:56:17Oh, my God.
00:56:34Oh, my God.
00:56:57Oh, my God.
00:57:27Oh, my God.
00:57:51Oh, my God.
00:58:03Oh, my God.
00:58:04Oh, my God.
00:58:10Oh, my God.
00:58:40Oh, my God.
00:58:43Oh, my God.
00:59:08Oh, my God.
00:59:15Oh, my God.
01:00:06Oh, my God.
01:00:33Oh, my God.
01:00:39Oh, my God.
01:01:06Oh, my God.
01:01:51Oh, my God.
01:01:55Oh, my God.
01:02:24Oh, my God.
01:02:58Oh, my God.
01:03:26Oh, my God.
01:03:29Oh, my God.
01:04:24Oh, my God.
01:04:28Oh, my God.
01:05:07Oh, my God.
01:05:15Oh, my God.
01:05:30Oh, my God.
01:05:48Oh, my God.
01:06:06Oh, my God.
01:06:12Oh, my God.
01:06:38Oh, my God.
01:06:49Oh, my God.
01:07:12Oh, my God.
01:07:33Oh, my God.
01:07:50Oh, my God.
01:08:24Oh, my God.
01:08:50Oh, my God.
01:09:20Oh, my God.
01:09:26Oh, my God.
01:09:59Oh, my God.
01:10:49Oh, my God.
01:10:59Oh, my God.
01:11:30Oh, my God.
01:12:21Oh, my God.
01:12:38Oh, my God.
01:12:46Oh, my God.
01:13:05Oh, my God.
01:13:13Oh, my God.
01:13:36Oh, my God.
01:14:03Oh, my God.
01:14:38Oh, my God.
01:15:09Oh, my God.
01:15:50Oh, my God.
01:15:55Oh, my God.
01:16:32Oh, my God.
01:17:04Oh, my God.
01:17:47Oh, my God.
01:17:52Oh, my God.
01:18:45Oh, my God.
01:18:59Oh, my God.
01:19:32Oh, my God.
01:19:56Oh, my God.
01:20:05Oh, my God.
01:20:53Oh, my God.
01:21:21Oh, my God.
01:21:26Oh, my God.
01:21:56Oh, my God.
01:22:04Oh, my God.
01:22:29Oh, my God.
01:22:59Oh, my God.
01:23:14Oh, my God.
01:23:45Oh, my God.
01:24:12Oh, my God.
01:25:04Oh, my God.
01:25:16Oh, my God.
01:25:22Oh, my God.
01:26:04Oh, my God.
01:26:11Oh, my God.
01:26:41Oh, my God.
01:27:09Oh, my God.
01:27:52Oh, my God.
01:28:09Oh, my God.
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