C o n f i d e n c e . Q u e e n . S 0 1 E 1 0 . 5 4 0 p . X 2 6 5 . A A C [Full Movie] [Watch Free Online]Full EP - Full

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Confidence.Queen.S01E10.540p.X265.AAC [Full Movie] [Watch Free Online]Full EP - Full

Transcript

00:02Oh, can you hear me, yeah?

00:09Oh, can you hear me, never tell you, yeah?

00:18Nice, camera, action!

00:19Look at the moon and my grace to not touch

00:22We take it all away, we hit the beat

00:27There's no turning back

00:43Merriu?

00:45처음 들어보는 얘기인데

00:46우리나라에서는 생소한 이름인 Merriu

00:50홍콩 국적인 아버지의 영향을 받아

00:52중국에서 먼저 데뷔해 대륙의 여신이 되었다

00:55그런 그녀가 국내 첫 진출 작품을 고르고

01:02고르고 있는 중이다

01:11왔어, 왔어

01:16네, 대표님

01:17김 감독

01:18저기 혹시 주연 여배우 정해졌을까?

01:22아직이요

01:23그 일 때문에 제가 지금 정신이 없거든요

01:25그래? 그러면 저기 혹시 주연 여배우

01:29제가 다시 전화드리겠습니다

01:29여보세요?

01:31여보세요?

01:38김 감독

01:39김 감독

01:40김 감독

01:40아니, 대표님

01:41야

01:45우리나라에는 아직 잘 알려지지 않았지만

01:47이미 대륙에서는 여신급이라고

01:50그 주연 배우로 어떨까 해서

01:53김 감독

01:54아, 나 참나

01:57네?

01:58와, 대표님

02:01아, 지금 저랑 장단하세요?

02:03네

02:05아니, 어쩜 저랑 이렇게 통하는 게 맞습니까?

02:09안 그래도 지금 Merriu 컨택이 돼가지고

02:11스케줄 조율 중이었어요

02:12아, 진짜?

02:13우와, 잘 됐어요!

02:16아니, 안 그래도 이렇게 자기 일처럼 기뻐해 주시고

02:19또 자기 일처럼 이렇게 걱정해 주시니까

02:21제가 개인적으로 너무 감동입니다

02:22감동 그 첫째

02:24이게 뭐라고

02:25뭐, 우리가 남인가요?

02:31이 Merriu가 말입니다

02:32타고난 재능에 한국인 3세라 한국말 잘하지

02:36영어 유창하지

02:38헐리우드 가는 건 시간 문제라니까요

02:40그런데 딱 하나 걸리는 게

02:44작품 하는 족족 스캔들이 난다는 거

02:47아, 그럼 뭐, 상대 배우랑

02:49넙

02:51제작비 제일 많이 낸 투자자하고

02:54썸띵 스페셜

03:01근데 뭐 그건

03:03그 투자자만 조심하면 되는 거니까

03:05아, 그럼

03:09자, 가볼까요?

03:11어, 어디 가요?

03:12Merriu 만나러요

03:14Merriu를요?

03:15지금

03:16Merriu, 지금 밤비행기라

03:18지금 빨리 출발해야 됩니다

03:19가시죠

03:20오케이, 렛츠고

03:39내비행기

03:41그�urp

03:45도전

03:50넘어선开

03:57Oh, my God.

04:21이 꽃, 저 주시려도 많이 였어요?

04:25제작비 제일 많이 낸 투자자하고, something special.

04:40고마워요.

04:57그럼 전화 주십시오. 좋은 소식 기다리겠습니다.

05:01네.

05:03잘 부탁드리겠습니다.

05:48네.

05:49왔어.

05:52네, 대표님.

05:54투자.

05:59하겠습니다.

06:02투자기.

06:07나 오늘 저녁 된다 그래.

06:13대신 조건이 있습니다.

06:18네?

06:22네?

06:25잠깐 저 좀 보실까요?

06:29어, 제이지를 샀다! 제이지들!

06:34제이저아!

06:35어떻게 했어?

06:35뭐래?

06:36투자기 뭐래?

06:37아, 나랑 자리 한번 마련해 달라지?

06:40그냥 해, 내가 해줄게.

06:42아니, 살만 있어.

06:42그 양반 그런 사람 아니야?

06:44어?

06:45아, 뭔데?

06:47필요 이상으로 영화에 진심인 사람.

06:49대본 전면 수정하래.

06:51뭐?

06:52어?

06:53수정사항이 무려 167개!

06:56아!

06:57아!

06:58아!

06:59167개면 다시 쓰라는 거잖아!

07:02아, 진짜.

07:06제목 변경, 제작, 하하, 정무, 수사, 유통, 구려, 구려, 구려.

07:11자세한 액션 상황 필요 체크, 시대 고증, 재검투, 주인공 행동 개연성 부족에 클리세 남발.

07:17그만!

07:18어?

07:21이걸 언제 다 뜯어모치고 앉아있어?

07:23어?

07:24그냥 이렇게 하는 거 어때?

07:26시나리오 수정 중이라고 시간 끌다가 돈 받고 터는 거 어때?

07:30절대 안 돼.

07:31왜?

07:31아, 왜?

07:32자기가 납득할 만한 대본이 나올 때까지.

07:35투자 점점 보유.

07:39하정우, 진짜.

07:41역시 영화에는 진심이었네.

07:43야, 그 진심으로 소비자들 등이나 처먹지 말지.

07:46이걸 어디서부터 어떻게 고치냐고.

07:49일단 제목을.

07:52우리가 아무리 고쳐도 하정우가 납득할 만한 대본은 나오지 않아.

07:57그 납득할 만한 대본이 나올 때까지 투자금 전면 보류라는데 그거 어쩔 건데.

08:02야.

08:03이제 영화판에 한 걸음 막 내딛은 애기가 신이 났다는데 장단 좀 맞춰줘야지.

08:11응?

08:13북치고 장구 칠 기회를 줘보자.

08:16그렇지.

08:22군덕군덕군덕.

08:23너에게는 안 들려?

08:24이 장단이?

08:25이 한국적인 장단이 안 들려?

08:28어?

08:29왜 이래?

08:30왜 그래?

08:33왜 그래?

08:42하정우 차 출발했습니다.

08:44따라 붙겠습니다.

08:49하정우 출근 중입니다.

08:54하정우 이동 중입니다.

08:56하정우 들어왔습니다.

08:58하정우 나갑니다.

09:03하정우 들어갑니다.

09:06하정우 지금 집에 도착했습니다.

09:38하 nose

09:45아휴 안녕하십니까?

09:47저기 왔습니다, 대표님.

09:51아이고~!

09:52Welcome to the show.

09:53Hi, Jim.

09:54Hi, Jim.

09:56I'm a very good job.

09:57So, I got a lot of work.

10:00I got a lot of work.

10:02We're going to get a lot of people who are still here.

10:04What?

10:06What?

10:07I'm paying for you.

10:10I'm going to get a job.

10:12I'm going to get a job.

10:13I'm going to get a job.

10:14I'm going to get a job.

10:19Billy Wilder is saying,

10:21that the movie 80% is

10:23based on the movie.

10:27Now, the movie's

10:2880% is based on the

10:29movie.

10:29Now, the movie's

10:31best.

10:33The movie's 80% is

10:36based on the movie.

10:37The movie's better

10:40to be the director.

10:42This is a job of

10:44a lot of honor.

10:45Yes, the movie's

10:48love people are talking about.

10:50Yes, yes, yes.

10:52I'm sorry.

10:53Yes.

10:56Let's start.

11:01Is this a Mary you?

11:04What?

11:04Is this a Conti?

11:08Is this a Conti?

11:11Mary you?

11:13Mary you?

11:15Mary you?

11:20Is this a Conti?

11:22It's a Conti.

11:24This is a Conti.

11:25How did you make a Conti?

11:27I'm just...

11:27What's this?

11:28Can you see?

11:30Fantastic.

11:34I'm very empowered.

11:41No, it's not good.

11:43It's good.

11:45It's good.

11:46Now, I'll explain it to you.

11:51This is a very important scene.

11:54Wow, it's a very important scene.

11:55It's a very important scene.

11:57It's about 20 people of the audience and the audience.

12:02It's a very important scene.

12:05I'm going to talk to you about this.

12:07I'm going to talk to you about this.

12:08It looks like it was about 90 years later.

12:10What do you need to do this.

12:12You can put your SD card.

12:13No, that's not my name.

12:14There's a look.

12:14You've got to see the card.

12:15Then you'll be here.

12:19You've got to come.

12:19All right.

12:28I'm going to come.

12:29All right.

12:30Let's take the card.

12:31So behind me, he goes to the card what I want.

12:32Let's take the card.

12:33Yes.

12:33Please wait.

12:34I'll check the card.

12:35Then it's a card.

12:38So with you,

12:48Here's not.

12:53Here's no.

12:55What's wrong with you?

12:55It's a screenplay from a screenplay.

12:57I didn't see anything for you.

12:59There's nothing more.

13:01How can I go?

13:02I'll go.

13:03I'll go ahead.

13:18Good idea.

13:19Ah, great idea.

13:21It's a great idea.

13:22It's a great idea.

13:23Ah, that's a great idea.

13:28I'm going to tell you the idea.

13:29If you have any house, you will find the house,

13:31where you can't find the house.

13:35Even if you have a house,

13:37I'll go over the house.

13:38I have a house,

13:38but could you have a house,

13:39where you can't find the house anyway?

13:45Where's your house?

13:46Oh, that's fine.

13:52Oh, it's a great idea?

13:54Not at that house,

13:58really?

13:59No, no, no.

13:59Who are you?

13:59Oh, it's not me.

14:02You're a fan of the film.

14:04You're a fan of the idea.

14:07I'm so excited.

14:10I'm so excited about this film.

14:12I'm so excited.

14:15I'm so excited.

14:17If you don't like it,

14:19I'll eat it.

14:33What a guy.

14:33You bought a ship.

14:35No, I didn't.

14:37I didn't see any of his concerns.

14:38There was no one.

14:41Oh, really?

14:42Where did that look?

14:43That's what I did.

14:44He was.

14:46He was going to do the same thing.

14:49He was going to do the same thing if he wanted to do this.

14:52I'm seeing a video.

14:55He was going to do the same thing.

14:58Let's go.

15:01There was a lot of great attitude in the chat.

15:06But I heard it.

15:08It's so funny.

15:11Let's go.

15:13There are a lot of times when there's a lot of people.

15:16But...

15:16Let's go.

15:17Let's go.

15:24Are you ready?

15:28Okay.

15:28One, two...

15:30One, two, three, action!

15:40Good job.

15:46We have to go to LuneSense today's room and coffee and hang a while with my home.

15:51You can also go to LuneSense and have a little room.

15:55I'm so happy to see you.

15:56I'm going to go for a while.

15:57I'm so happy to go.

15:58I'm going to go for a while.

16:01I'm going to go for a while.

16:06I'll come back to you soon.

16:08Then I'll go.

16:10What is your favorite film?

16:12It's fun to see you.

16:14It's fun to see you.

16:15Yes, it's fun to see you.

16:16It's fun to see you.

16:18But...

16:19I'm sorry.

16:19But the film is where...

16:23Oh, the film's film.

16:24Why?

16:25Why?

16:26I'm going to go with you?

16:27I'm not going to go.

16:29I'm not going to go.

16:31Why?

16:32I'm not going to go there.

16:33There was a film in the film.

16:34There was a film in the film.

16:36Oh, my!

16:39Oh, my!

16:40Oh, my!

16:41Oh, my!

16:42Oh, my!

16:58I'm right, I'm right.

17:02I don't make permission.

17:04I don't .

17:10Can't you cry?

17:11You, baby.

17:14There are some constitute to me.

17:15And I'm coming up with you.

17:16Oh, my God.

17:17Oh, my God, Valerie.

17:18There's someürü left.

17:18Oh, my God!

17:19The emperor has been in thatugortune.

17:19I'm going to see you in the background.

17:21So I'm going to see you in the background.

17:22The next scene is the classic scene.

17:25How do you film this?

17:26I know.

17:26The face of the face is more attractive.

17:30I'm going to go in two seconds.

17:33Mary's eyes are so beautiful.

17:36And there are so many beautiful faces.

17:38After that, I'm going to see you in a little bit.

17:41I'm going to see you in a little bit.

17:42I'm going to see you in a little bit.

17:46You're going to see me in a little bit.

17:51Ready.

17:52Yes, sure.

17:55It's time to do good.

17:56No.

17:57This is your time to take care of me.

17:58I can try to take care of you.

18:01Yes, I will.

18:05OK.

18:06And one more.

18:13My dad told me about it.

18:16Let's go.

18:18Stop!

18:19What happened to you?

18:23I was looking for a movie.

18:25What happened to you?

18:27There was a movie.

18:29There was a movie.

18:30It's not going to happen, beautiful girl.

18:33Oh...

18:34There's a lot of girls watching this movie.

18:39Oh...

18:40I don't know.

18:42I don't know.

18:43I don't know.

18:44I don't know.

18:47I don't know anything.

18:48I can't see him.

18:49Far out.

18:52You can see him as Zimmer's.

19:19I don't know what to do.

19:28Camera!

19:30Don't shoot!

19:32Come on!

19:33Come on!

19:35What are you doing?

19:37Come on!

19:38What are you doing?

19:39You're the best!

19:40You're the best!

19:45Come on!

19:56Come on!

19:59Come on!

20:04Come on!

20:07Come on!

20:10Come on!

20:11This camera walking is the best!

20:13It's like 360 degrees!

20:16Wow!

20:17Wow!

20:19Wow!

20:20Wow!

20:21Wow!

20:22Wow!

20:28Wow!

20:36Let's get right to go!!

20:38Wow!

20:39I'll tell you, where are they going?

20:41I'll tell you!

20:43That巴 types!

20:45Wow!

21:05Let's go.

21:15Let's go.

21:23Cut!

21:25Perfect! Excellent! Fantastic!

21:30얼마나 아름다운 세상이란 말인가!

21:34수고하셨습니다.

21:36감독하셔도 되겠어요.

21:38최고의 장면이에요.

21:39감독하셔도 되겠어요.

21:41안녕하실게요.

21:42역시!

21:43얼마나 지금

21:44뽀팩트가 된 걸 해당하는데요.

21:48이 새끼 잘라 이거.

21:50하 대표님 말씀하시는데

21:51뽀팩방.

21:52하 대표님.

21:53아뇨.

21:56아유.

21:59메리오.

22:00대본 보고 있었구나.

22:03여기는 우리 영화에 제일 많이 투자하신, 아니 투자하신 아니 뭐 거의 했다고 봐도 무방한 예비 투자자 우리 하정호 대표입니다.

22:13Oh, really?

22:15Yes.

22:17Oh, no.

22:18Oh, just the look.

22:20It was so good.

22:232nd.

22:26I'm going to go back to the next couple of days.

22:33I'm going to go back to the next couple of days.

22:35방금 투자금 보냈습니다.

22:37보세요.

22:42아이고, 감사합니다.

22:51저 감독님.

22:52네.

22:54우리 그 하이라이트 씬 말이에요.

22:56어떤 하이라이트?

22:57아, 그 오마담이 마지막에 깡패 두목 만나는 씬.

23:03어머, 어떻게 그렇게 시나리오에 빠삭하세요?

23:07투자자의 기본 아니겠습니까?

23:10역시.

23:12아무튼 그 씬에서 두목의 심리를 반영한 어떤 상징적인 그림이 있으면 어떨까 하는 생각이 계속 들고 있는데.

23:22깡패 새끼 없는 그림을 뭐.

23:29어...

23:31보름달이 뜬 밤 같은?

23:35보름달이 뜬 밤?

23:36어떤 어둠의 그림자들이 거룩한 성을 향해 걸어가고 있다거나 아니면 기도를 드리고 있다거나 하는 그런 느낌의 그림?

23:47어?

23:49보름달.

23:51어둠의 그림자.

23:53고룩한 성.

23:57그런 그림이라면.

24:04있어요.

24:05딱 그 이미지의 그림.

24:07진짜.

24:07어머, 진짜요?

24:10네.

24:10딱 그런 이미지의 그림이 저한테 있습니다, 메리유.

24:15오 마이 갓.

24:17너무 잘 됐네요.

24:19어, 그, 그럼 저에게 협찬 가능?

24:23싹 가능, 메리유.

24:26잘 됐네요.

24:30대신.

24:33조건이 있습니다.

24:35조건 있겠죠.

24:37조건이 있습니다.

24:39조건이 있습니다.

24:39드디어 올게 와버렸네.

24:43그 조건이라면 어떤 조건일까요?

24:54제가.

24:58깡패두목 한번 해보겠습니다.

25:06반응 반응 싹 가능.

25:10너무 잘하실 것 같아요.

25:12예.

25:13어때?

25:13어울리지?

25:15어때?

25:15감독님.

25:17예.

25:17콜.

25:19베리.

25:20제발요 베리.

25:21콜.

25:22오케이.

25:27야.

25:29하.

25:30하.

25:31하.

25:31아.

25:35저 그림을 찾았네.

25:37드디어.

25:38어디 있었어?

25:43전지업 무인 사무실.

25:45하.

25:46거기까진 생각 못 했네.

25:47그러니까.

25:48그러니까.

25:49I don't think you're going to eat, and you can eat.

25:52Well, you are awesome.

25:55Ha, boss.

25:57You got it?

25:59Hey.

26:00This is where the feeling goes, it feels really cool.

26:03So?

26:03Well done.

26:05Let's do it.

26:08So, one day, and you aguas, and you are home or living out.

26:12It goes.

26:14I'm going to do it.

26:16Action!

26:19Let's go.

26:58Let's go.

27:29Let's go.

27:33Let's go.

27:34Let's go.

27:35Let's go.

27:45Let's go.

27:48Let's go.

27:49Let's go.

28:05Let's go.

28:08Let's go.

28:38Let's go.

28:41Let's go.

28:52Let's go.

29:06Let's go.

29:12Let's go.

29:28Let's go.

29:31Let's go.

29:33Let's go.

29:35Let's go.

29:36Let's go.

29:38Let's go.

29:40Let's go.

29:47Let's go.

29:50Let's go.

30:05Let's go.

30:09Let's go.

30:10Let's go.

30:11Let's go.

30:12Let's go.

30:27Let's go.

30:28Let's go.

30:31Let's go.

30:33Let's go.

30:34Let's go.

30:36Let's go.

30:38Let's go.

30:40Let's go.

30:47Let's go.

30:49Let's go.

30:52Let's go.

30:55Let's go.

30:57Let's go.

30:59Let's go.

31:00Let's go.

31:02You can do it.

31:03Go ahead.

31:11Let's go.

31:17Let's go.

31:22Oh my God.

31:23What are you doing?

31:25We're filming the whole thing.

31:25We're filming it.

31:26I'm not going to go.

31:29It's really a good thing.

31:30It's really a good thing.

31:32Why did you have a project like this?

31:36We're going to play a dream.

31:39It's a dream.

31:40I'm a beautiful woman,

31:42Mary you.

31:44Would you have to let her go?

31:45Did you see her on her own?

31:47That's it.

31:47You didn't see her on her own?

31:52I think she said it was two times.

31:55I got it.

32:03I got this one when I was at the same time.

32:06If she took it, she would've earned one more chance to return.

32:08She's only your daughter, but that's not what she wants when she wrote.

32:12No, she thought I would've been花, she loved her.

32:13What do you mean?

32:13You're going to the hotel hotel hotel and visit.

32:15When you're in hotel bar, go and visit.

32:19Oh?

32:20Oh, really?

32:24To the hotel bar?

32:25Yeah.

32:26I don't know.

32:27laughs and sit.

32:29Right.

32:33What about you?

32:35Come on.

32:35I don't want it.

32:37Get in a hotel bar.

32:39Yeah, sit down.

32:40Okay.

32:46I'm going to pick up the dress.

32:48I'm going to pick up the dress.

32:49I'm going to pick up the dress.

32:51What is it?

32:54It's so pretty.

32:57This is a song.

33:01Let's go.

33:05This is a bad word.

33:09I'm going to pick this up.

33:12I'm going to pick up the dress.

33:16I'm going to pick up the dress.

33:17I'll make it well.

33:19I will do that.

33:21Wait a minute.

33:21I'll do this.

33:23Okay, okay.

33:24I'm going to pick up the dress.

33:27I'm going to cast off the dress.

33:27Okay.

33:28A musicalist.

33:31Yep.

33:32Yes.

33:35I'm going to go to the next time.

33:40What?

33:41It's me.

33:42I'm going to go to the next time.

33:46I thought he was a good person.

33:50It's not different from me.

33:53It's not different from me.

34:08That's my turn.

34:09It's so good!

34:18If you love the people of the English,..

34:23there

34:24are many people speaking in the same way. Yes,

34:26sir. High nivel

34:29shot!

34:35The energy of the movie is so bad.

34:39I don't think it was so bad.

34:55We both are a partner.

35:04What kind of partner are you talking about?

35:09I think I'm going to do a lot of money in the future.

35:16That's amazing.

35:17If you know me, I don't have to worry about it.

35:20I mean, it's a good thing.

35:22Oh, right.

35:23I'm going to take a look at this.

35:28The dean of the team will be in the middle of the meeting.

35:31Oh, you do.

35:32Oh, my goodness!

35:33I'll tell you a little bit later.

35:35Let's do it.

35:36Good morning.

35:37Oh, my goodness.

35:41Kim.

35:44Kim.

35:45Kim.

35:47Kim.

35:48Kim.

35:50Can you just do this one time?

35:52Do you want to do it?

35:53Carry him again, didn't you?

35:55Never heard of him.

35:58Come on!

36:06You son, did you want us?

36:10The name kept he deu?

36:10It's Mom looks like he left!

36:14Let's leave him alone!

36:31Please stop.

36:32Please take you to the right side.

36:36Please take you to the left side.

36:43Good!

36:45Wait, J-ho!

36:47I'm A Star named Brick G-chan.

36:48Hi, he's Chris.

36:50Thank you so much.

36:52Thank you very much.

36:53Right.

36:54Here we go.

36:55Here we go.

36:56Merry you.

36:57You're so beautiful.

36:59And the director.

37:01And the director.

37:04Good luck.

37:05Good luck.

37:09Good luck.

37:10Now, the new world will come to the end.

37:13What is it?

37:15I'm just so scared.

37:17Good luck.

37:25Good luck.

37:27Good luck.

37:28Good luck.

37:30Very soon.

37:59What?

38:01What is this?

38:05Let's do it again.

38:08I'm going to do it again.

38:09I'm going to do it again.

38:23I'm going to do it again.

38:26I'm going to do it again.

38:27If you don't want to talk to me,

38:29I'm going to do it again.

38:32I'm going to do it again.

38:33It's the beginning.

38:35Let's go.

38:53You don't need to give to me.

38:56You don't need to get into the things.

38:58You don't use it again.

39:01Take a look.

39:03I have to do it again.

39:13Please don't let me just do it.

39:17What's wrong with the truth?

39:19Where's the truth?

39:20What are they going to develop?

39:26How long have you been here?

39:29How long have you been here?

39:30Yes, I've been here.

39:31I'm sure I've been here for sure.

39:33Let's go.

39:41How long have you been here?

39:44Yes, I've been here.

39:44I've been here for a long time.

39:48It was a great film.

39:50It's no problem.

39:53You've got an easy one.

39:56I've been here for some reason.

39:58I've got some tips on the job.

39:59It's a good job?

40:03There's a job I've been here for you.

40:05That's great!

40:09I've been here for you.

40:12I've got to make a job for you!

40:16It's an an L.A.

40:25The president of the FN, the president of the FN.

40:25How do you help?

40:26How are you?

40:29How are you doing?

40:32The president of the FN.

40:33The effort to support the people Prime Minister and the U.S.

40:33If you do not make money, do not shareable money!

40:36Please watch this video and do not have anything else to help you.

40:37Come on!

40:48Let's do it again.

40:51What do you want to do?

40:56Don't shoot.

41:19What are you doing?

41:21What are you doing?

41:22What are you doing?

41:23I'm going to die!

41:58It'sbloody.

41:59It's time to go!

42:00Go!

42:01Oh, oh, ooohh-ohho, woah

42:05Oh, oh, oohh-oh-oh, woah

42:12No one hasn't kept me, we're just

42:14Let the start there's a rush

42:17Just hope when we can't go

42:19Take it all, no, turnin' back

42:22We hope we don't work

42:25I don't break, just think it's way

42:30Oh or

42:32Oh

43:00Baby, I'll be fine

43:02Fine

43:03Pleasant

43:04Pleasant

43:05I'll make it think I won't clear it up

43:08Delighted, 쓰러지지 않을게

43:11더 사나지는

43:13더 사나지는

43:13오창대 시 인생도 해피엔딩으로 끝났으면 좋겠네요

43:301

43:362

43:373

43:514

43:566

43:597

44:008

44:0012

44:0022

44:0024

44:00Let's go.

44:30네가 원하던 그림까지 잘 쌓아줬잖아.

44:35가면 놀이 그만하고 이제 나타날 때가 되지 않았나?

44:45고 유강일 선생님의 이 작품은 강렬한 색채와 과감한 붙어치가 아주 매력적인 그림인데요.

44:53이 그림 잠시 만끽하는 시간 가져볼게요.

45:09이 그림...

45:28안녕하세요. 강효석 교수님.

45:30안녕하세요.

45:34제가 이 그림에 관심이 좀 많아서요.

45:58고 유강일 선생님의 작품이다 보니 많은 분들이 좋아해 주시더라고요.

46:03고 유강일 선생님의 작품이다 보니 많은 분들이 좋아해 주시더라고요.

46:06감사합니다.

46:17Let's go.

46:37진짜 게임이야.

46:44네, 역시 요세프 건축사무소 대표님 다운 아주 멋진 강의였습니다.

46:50그럼 마지막으로 우리 강현석 교수님의 소감 한 마디 듣고 오늘 강연 마무리해보도록 하겠습니다.

47:02도시는 인간사회가 고스란히 반영된 거울입니다.

47:06빈부격차, 권력을 향한 욕망, 소유를 향한 욕구들이 도시의 구조 속에 자연스럽게 녹아들어 있습니다.

47:14그래서 저는 생각했죠.

47:16만약에 도시를 바꾸면 모든 인간이 똑같이 행복할 수 있는 공간을 설계한다면

47:21점차 개인화되고 소비지향적이면서 매사에 피곤할 정도로 경쟁적인 우리들의 마음도 변화하지 않을까?

47:32그런 마음으로 쓴 책이 유토피아를 설계하다입니다.

47:38질문 받겠습니다.

47:44이번에 쓰신 책에서 흙수저보다 못한 어린 시절을 보내셨다고 하셨는데요.

47:51그 어려운 환경을 어떻게 극복하셨는지 궁금합니다.

47:55잘 사는 집 아이들은 문을 여는 법을 배우고

47:58가난한 집 아이들은 담을 넘는 법을 배운다고들 하죠.

48:06많이 먹어야 돼.

48:08제가 살던 집은 문이나 담도 없을 만큼 가난한 집이었습니다.

48:16전화했습니다.

48:17제가 한번 보라고 생각했습니다.

48:18알았지?

48:19왜 이렇게, 장신을 바랐지?

48:21엄마가 문 열라고 할 때까지 절대 문 열지나 알았지?

48:27엄마가 문 열라고 할 때까지 절대 문 열지나 알았지?

48:29일찍야지!

48:31야!

48:43I can't wait for you to live in a situation like this.

48:46I can't wait for you to live in a different way.

48:54I can't wait for you to live in a different way.

49:02I thought I was going to destroy it.

49:07It was amazing.

49:09I decided to go to Germany.

49:13Are you going to go to school?

49:17I had to go to school.

49:23I had to go to school.

49:34The first time I had to go to school.

49:35Are you going to play a game?

49:50The first time I had to go to school.

49:52I had a plan for all the children.

49:53I couldn't do it.

49:54I was going to play a game for a new game.

49:56I had to go to school.

49:59I had to go to school.

50:00My heart was so bad.

50:06I'm not a kid.

50:12I'm not a kid.

50:13Checkmate.

50:16What?

50:17I'm a kid.

50:24I'm a kid.

50:26I'm a kid.

50:27He's a kid.

50:28He's a kid.

50:29He's a kid.

50:32He's a kid.

50:37He's a kid.

50:40He's a kid.

50:43If you have any questions,

50:44you'll listen to me at the end.

51:15I can't see the picture.

51:17I can't see the picture.

51:19I can't see the picture.

51:21I can't see the picture.

51:24I'll see you in the next video.

51:45It's really nice.

51:55It's my dinner.

51:57Come on.

52:03It's not my turn.

52:06I'm sorry.

52:08Wait a minute.

52:09I'm sorry when I was born here,

52:11I didn't think I can do it.

52:13I really like the dream.

52:16I think he's really good at the dream.

52:19And he really is grateful to James and Elon.

52:25Thanks, James.

52:27I'm afraid.

52:32What do you think?

52:34Minus 5,859,500?

52:37That's the one?

52:37I heard it's a hot guy.

52:40I can't get a red carpet.

52:41Minus is minus.

52:42The one who knows this is the fact.

52:44I don't know.

52:46He is a serious thing, where did he go?

52:51He doesn't know any of you.

52:55I don't know.

52:57I'm not sure.

53:03I'm not sure how that works.

53:10The only thing is that?

53:13Everything.

53:18What about the works?

53:20What about the work?

53:21I don't know.

53:21I just don't know.

53:21What about the work?

53:23Well, I don't know.

53:24I don't know.

53:25I don't know.

53:26I'm going to go and go and go, or I'm going to pray.

53:34I'm not sure.

53:36I'm not sure if you're looking for a picture with the book.

53:38So, he's talking about his own art.

53:44He's talking about his own art.

53:50He's talking about his own art, and he's talking about his own art.

53:5120 years ago,

53:52he's been thinking about his own art.

53:53The last art of U강일 is finally showing him

53:56a film called the DANA art art.

53:59He was a modern artist,

54:02and he turned out to be a character of art.

54:03But he suddenly got into the art.

54:33I'm sorry, I'm sorry, I'm sorry.

55:37Let's go.

55:42Let's go.

55:46Let's go.

55:50Let's go.

55:53Let's go.

56:07Let's go.

56:12Let's go.

56:13Let's go.

56:15Let's go.

56:18Let's go.

56:21Let's go.

56:22Let's go.

56:25Let's go.

56:27Let's go.

56:28Let's go.

56:30Let's go.

56:32Let's go.

56:35Let's go.

56:37Let's go.

56:38Let's go.

56:39Let's go.

56:56Let's go.

57:14Let's go.

57:16Let's go.

57:18Let's go.

57:24Let's go.

57:30Let's go.

57:33Let's go.

57:34Let's go.

57:42Let's go.

57:46Let's go.

58:15Let's go.

58:17Let's go.

58:42Let's go.

58:44Let's go.

58:45Let's go.

58:53You

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