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She Was Never Your Fairytale 2026 - Full Movie HD 1080P



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00:00:02Tina.
00:00:03Adoree.
00:00:04Who is Edward Davis and why did you break up?
00:00:07I was a beer to a conglomerate.
00:00:09I was just... ordinary.
00:00:11You want to change at all?
00:00:12We're in a rush.
00:00:13Two whole fours on foot just to dodge an axe.
00:00:16Do you want your jobs or not?
00:00:17The client is here.
00:00:20Juliet.
00:00:21She's a junior member. She's hardly qualified.
00:00:24Tina, you'll lead this.
00:00:26He forced this campaign on me,
00:00:28gave me only three days.
00:00:30Almost like he wants me to fail.
00:00:32Giving the campaign to Tina.
00:00:34Mr. Davis, are you joking?
00:00:36Tina is in charge and only Tina.
00:00:38Do you still have feelings for him?
00:00:41A nobody with no background
00:00:42could never end up with Edward.
00:00:44Stop dreaming.
00:00:46We're screwed. Our key visual and copy all replaced.
00:00:48By making things hard for Tina, you make things
00:00:50very hard for me.
00:00:51What are you two now?
00:00:54Tina. Strictly work, Mr. Davis.
00:00:56Mark my words.
00:00:58She's going to fail miserably.
00:00:59Isabella, you're pathetic.
00:01:02Enough!
00:01:04I want you to know that we can start again.
00:01:08Definitely.
00:01:08Still has feelings for you.
00:01:10You should have told him you did all that.
00:01:11We hope this event shows women their true potential.
00:01:14She's a fraud and a liar.
00:01:18A liar!
00:01:19Once she's made her mind up on something,
00:01:21she never changes it.
00:01:22I have to ask.
00:01:25Can we?
00:01:28I have to go.
00:01:37Okay.
00:01:44I'll look at it.
00:01:45Maybe it's impossible to act.
00:01:46Bye.
00:01:46Yeah.
00:01:56Maybe once in a while.
00:01:59Tina.
00:02:03Peter's doing this on purpose.
00:02:04Your general equality proposal has been revised seven times and is still candid.
00:02:08He's the director. What choice do I have?
00:02:10Director or not, you've gone months without full pay.
00:02:12Doing charity work for care homes? When does it end?
00:02:14Just stop, Judy. If we keep moping around, I'll miss the meeting.
00:02:17Tina, have you ever thought of chasing the market instead?
00:02:19If you did, your pay and prospects would look a lot better.
00:02:22If I believe in the idea, prospects and salary don't factor.
00:02:24You'd say that. It still feels unfair.
00:02:32I don't know.
00:02:38I don't know.
00:02:39Long time no see.
00:02:41Must have been years since you broke up with me.
00:02:43Ex-boyfriend?
00:02:44No, I don't know him.
00:02:47You don't?
00:02:49Edward Davis.
00:02:51Her one and only ex.
00:02:54Former brother-in-law?
00:02:57Did you stop messing around?
00:03:00After all these years and you're still clumsy.
00:03:05I was working.
00:03:07Unlike you, who's never touched a dirty dish.
00:03:10She's usually picture perfect. Today was a rush.
00:03:12Picture perfect?
00:03:13More like, overtime chic.
00:03:18We're in a rush. We should go.
00:03:20Well, I'm going to use the elevator if you guys want to use it.
00:03:23No, the stairs will be just fine.
00:03:25Thanks.
00:03:34You can't change the tool.
00:03:5117th.
00:03:52Two whole floors on foot just to dodge an ex.
00:03:55Ex?
00:03:56Just an old classmate.
00:03:58Two floors.
00:03:59Treated as morning cardio.
00:04:00Worst excuse ever.
00:04:02He said he was your only ex.
00:04:04Only.
00:04:05Spill.
00:04:06Who is Edward Davis and why did you break up?
00:04:08Judy, priorities.
00:04:09We still don't know if her proposal is going to pass.
00:04:11Focus on that.
00:04:12Okay, well, I heard today's client is the boss of bosses.
00:04:15Ten million for one deal.
00:04:17Ten million.
00:04:18That would keep Alvin afloat for three years.
00:04:20Even the more reason to nail it?
00:04:22Tina, Judy.
00:04:23Do you want your jobs or not?
00:04:24The client is here.
00:04:25You almost blew the meeting's schedule.
00:04:38Hey!
00:04:43Edward.
00:04:45You again?
00:04:48Edward.
00:04:49You again?
00:04:51Watch your tongue.
00:04:53That's our client.
00:04:54The owner of Lightspeed.
00:04:58Peter, why let just anyone in?
00:05:01Just anyone?
00:05:02I'm Alvin's event planner.
00:05:04Same as you.
00:05:05You're not worthy of the title.
00:05:08Apologies, Mr. Davis.
00:05:10She's a junior member.
00:05:11She can't even dress herself properly.
00:05:13She has no respect.
00:05:15Your personal visit is our greatest honor.
00:05:18It's fine.
00:05:21And your name?
00:05:23I'm Isabella.
00:05:24I'm Alvin's chief planner.
00:05:26My proposal...
00:05:27Yeah.
00:05:28I'll remember your name.
00:05:32Lightspeed wants a creative, thoughtful campaign to launch our new lifestyle brand.
00:05:37We're not just selling clothes.
00:05:40We're selling an idea.
00:05:42Female empowerment.
00:05:45Our street-style check-in campaign taps into youth culture.
00:05:50We partner with shopping malls, host splash mob battles, and bring influencers to ignite buzz.
00:05:59Tina, your thoughts?
00:06:04Me?
00:06:13I'm not impressed.
00:06:16Why not?
00:06:17Your new line targets professional women, challenging the notion that office wear must be uniform and dull.
00:06:23Your campaign should focus on how women express themselves, breaking molds at work, mirroring the product ethos.
00:06:36Tina, you'll need this.
00:06:39What do you mean?
00:06:40Hand the campaign to Tina?
00:06:42Giving the campaign to Tina?
00:06:45Mr. Davis, are you joking?
00:06:46She's a junior planner.
00:06:48You'd be squandering millions of dollars.
00:06:51Isabella?
00:06:52Is it?
00:06:53Mind your time with Tina.
00:06:55Well, the deal is off.
00:06:57What kind of drama is this?
00:07:00Mr. Davis.
00:07:02Tina is a bottom-of-the-chart performer.
00:07:05She's hardly qualified.
00:07:07Isabella's campaign is market-tested and ready to roll out now.
00:07:11Exactly.
00:07:12My proposal could launch immediately.
00:07:15Tina is leading this campaign.
00:07:17I won't tell you again.
00:07:25If Almond can't accept my decision, then Lightspeed will pull funding.
00:07:30Withdraw funding?
00:07:32That's a nine-figure deal.
00:07:35You have three days to complete this.
00:07:38Can you do it?
00:07:41You should say thank you to Mr. Davis.
00:07:43This is an enormous opportunity.
00:07:45Three days?
00:07:46Impossible.
00:07:47Please.
00:07:48Her and her sidekick couldn't do it if they had 300 days.
00:07:53Fine.
00:07:55I'll take it.
00:07:56Great.
00:07:57On one condition.
00:07:59Complete autonomy.
00:08:01No interference from anyone else.
00:08:04If you cannot promise this, the project goes to Isabella.
00:08:11Problem?
00:08:13No.
00:08:14No problem.
00:08:16Good.
00:08:17Then I expect the final plan in three days.
00:08:33Hey, don't think Edward's backing is going to save you if you blow this.
00:08:37You know the consequences.
00:08:41Tina, a multi-million dollar account.
00:08:43We can finally shine.
00:08:44Back to the benefits.
00:08:45Now.
00:08:45Now.
00:08:48Call back to every care home and community center with WorkPlan.
00:08:51And gather the latest leader on workplace gender equity.
00:08:54Great.
00:08:55Another three nights sleepover at work.
00:08:58Well, well, well, our chief planner, playing researcher.
00:09:02Three days to turn stone into gold.
00:09:04When the funding crashes, you'll be Almond's pariah.
00:09:08You.
00:09:08Can we help you?
00:09:10I'm just here to watch you crash and burn.
00:09:12Then we'll get to work.
00:09:14Judy, let's catch the first concepts.
00:09:22What is wrong with you?
00:09:26If you linger here and slow down our project, you'll be the first to blame.
00:09:32Blame?
00:09:33You're going to fail.
00:09:35I'll just do my best.
00:09:36As for the outcome, time will tell.
00:09:40Well, aren't you a shameless bragger?
00:09:45Good riddance.
00:09:47Talk is cheap.
00:09:49Time is everything.
00:09:52Another sleepless night?
00:09:54Is that obvious?
00:09:55How did you guess?
00:09:57Your face says it all.
00:10:00It's that project about him, right?
00:10:03Yes.
00:10:04And no.
00:10:05It's odd.
00:10:06He forced this campaign on me.
00:10:08Gave me only three days.
00:10:09Almost like he wants me to fail or make a fool of myself.
00:10:14Well, since you accepted, stop overthinking.
00:10:19It's just work.
00:10:21Work you believe in.
00:10:22I know, but I just...
00:10:24Tina, my dear.
00:10:25Don't be so hard on yourself.
00:10:27It will only make it worse.
00:10:30Ask yourself one thing.
00:10:33Do you still have feelings for him?
00:10:40Some ties don't sever easily.
00:10:44You're stubborn, child.
00:10:46Don't.
00:10:47Please.
00:10:47Too much separates us.
00:10:50Class.
00:10:51Status.
00:10:54My disappearing without a word back then.
00:10:56He has every reason to hate me.
00:10:59I don't think so.
00:11:01After all these years?
00:11:05Don't rush your answer.
00:11:07He will show you.
00:11:14Mr. Davis, shall we begin?
00:11:17Ask Tina first.
00:11:19That's absurd.
00:11:20She's a junior planner.
00:11:22She doesn't deserve to start.
00:11:23If you're not willing to listen to Tina's proposal, then please...
00:11:27leave.
00:11:31Fine.
00:11:32Let her play.
00:11:34I'll stay and watch the show.
00:11:39Tina.
00:11:40Are you ready?
00:11:43Three days have passed.
00:11:44It's time for Tina to present her campaign proposal.
00:11:52Today, I'm not here to advertise Lightspeed's products.
00:11:56I'm here to expose the real state of women in the workplace.
00:12:02I'm here to expose the real state of women in the workplace.
00:12:07You should really focus on your campaign.
00:12:10Peter!
00:12:11Please take this lady out of this meeting and let her rest.
00:12:15Lady?
00:12:16Her name is Isabella.
00:12:18Sorry.
00:12:18I've forgotten your name.
00:12:20Hmm.
00:12:21Please leave.
00:12:23She knows what she did wrong.
00:12:25It won't happen again.
00:12:27Please.
00:12:29Tina, go on.
00:12:31Latest data shows over 30% of eligible women leave the workforce due to family and childbirth pressures.
00:12:36This systemic inequality squanders talent and cause society dearly.
00:12:43Lightspeed will sponsor the initiative.
00:12:45The new professional line becomes a narrative threat.
00:12:48So everyone who supports the cause learns the brand's story.
00:13:02What are you two now?
00:13:04That's Mr. Davis' coffee.
00:13:06Put it down.
00:13:07Mr. Davis gave it to Tina.
00:13:09Why are you in such a hurry?
00:13:30I'm in the planning department.
00:13:32Tina speaking.
00:13:33Tina, it's me.
00:13:36Mr. Davis.
00:13:38Have you eaten?
00:13:40Is there something work-related?
00:13:42Well, regarding the collaboration, within three days, I want a refined budget and I want clear projections.
00:13:48I'll need more specifics.
00:13:50Could we have a detailed brief?
00:13:51Well, as you're the head planner, you should be able to source and perfect your own information.
00:13:55Effective research comes from reliable data.
00:13:58If your input is vague, I can't fabricate numbers.
00:14:01I don't know why I talk to you about work.
00:14:02You take work so seriously.
00:14:04If there's nothing about my work, goodnight, Mr. Davis.
00:14:07Do you know why I insist on this project?
00:14:14Do you know why I insist on this project?
00:14:17Lightspeed needs a breakthrough in sharper positioning.
00:14:20Apart from that?
00:14:22Beyond that, I'm unaware.
00:14:25You know exactly what I mean.
00:14:28Strictly work, Mr. Davis.
00:14:32Fine.
00:14:33Make a plan and I'll wait for you.
00:14:40Who's that?
00:14:42No one.
00:14:43Just a tricky client.
00:14:46Clients?
00:14:47It's the middle of the night.
00:14:48What clients?
00:14:50If you've rested enough, get up and get back to work.
00:15:01Squirrels, cute.
00:15:04Squirrels?
00:15:07That one with the papers is basically us.
00:15:10And the tail snipped one, unreasonable demands.
00:15:14He'll understand.
00:15:16He?
00:15:17You mean, Mr. Davis?
00:15:21Never mind.
00:15:22Check that spreadsheet, please.
00:15:25So, what are you two now?
00:15:27Not just client and agency, that's for sure.
00:15:30Overthinking.
00:15:32Strictly work.
00:15:33Did he give you squirrel merch?
00:15:35Did you raise a squirrel together?
00:15:37Because I could write an 80-page drama on a self-spill.
00:15:43University days.
00:15:45I sketched during lectures.
00:15:48Edward always knew what I'd draw.
00:15:50Said my pictures spoke louder than my words.
00:15:53Aha!
00:15:53So he assigned this project to you to stay in your orbit.
00:15:56Not what you think.
00:15:58That chapter is...
00:16:00closed.
00:16:02Close my foot.
00:16:03Details, please.
00:16:06Those days...
00:16:07I'll never forget them.
00:16:10So, library meet-cute?
00:16:13Society activity?
00:16:14Neither.
00:16:15Debating contest.
00:16:17He was affirmative.
00:16:18I was negative.
00:16:19Sparks flew, eh?
00:16:21He was brilliant.
00:16:22Almost demolished me.
00:16:24And then?
00:16:25That was when I decided
00:16:27I would stop at nothing to win his heart.
00:16:32I started provoking him.
00:16:35Slid across him from study hall.
00:16:38Slipped him notes.
00:16:39Extra evidence.
00:16:41Knit pics and...
00:16:43My phone number.
00:16:44Academic veneer.
00:16:46Romant decor.
00:16:48I called it seeking intellectual combat.
00:16:51And...
00:16:52Maybe a boyfriend.
00:16:54Poker face melted!
00:16:57So, how did it end?
00:17:03This is the final flat you meant.
00:17:05I bought it.
00:17:07It's the closest one available.
00:17:09No more crowded buses for you.
00:17:11And...
00:17:12We could turn the entire floor
00:17:13into your own private library.
00:17:15I'm so thoughtful.
00:17:17On time.
00:17:19Private library.
00:17:21He was the heir to a conglomerate.
00:17:23And...
00:17:24I was just...
00:17:27Ordinary.
00:17:29I knew it'd just be a brief joke to his life.
00:17:32And...
00:17:33I thought it would be best to end it early.
00:17:36That's fear.
00:17:38Not logic.
00:17:40So you dumped him?
00:17:43Yes.
00:17:43How could you?
00:17:47And you loved each other.
00:17:52Morning.
00:17:54Sleepy head.
00:18:02All finished?
00:18:03Fresh off the press.
00:18:05Need saving to the folder.
00:18:11This is...
00:18:12Excellent work.
00:18:14You two have done very well.
00:18:16Why don't you go get some rest?
00:18:18We'll tidy this up.
00:18:19But...
00:18:19The meeting's this afternoon.
00:18:21I still have to prepare my presentation.
00:18:23Don't worry.
00:18:23Get some rest.
00:18:25You need to have your energy
00:18:26for this afternoon's meeting.
00:18:29You're right.
00:18:31Thank you, director.
00:18:48He doesn't look thrilled.
00:18:50Go on.
00:18:52Dino, look.
00:18:58That's our proposal.
00:18:59But it says Isabella's name on it.
00:19:05Someone care to explain?
00:19:08Mr. Thompson?
00:19:10Is this your latest proposal?
00:19:13Indeed, sir.
00:19:14Ms. Carter poured her heart into it.
00:19:16An all-nighter, in fact.
00:19:17It's my very best work.
00:19:18Well, her heart is unimpressive.
00:19:23What?
00:19:25Inaccurate data.
00:19:27Fuzzy positioning and scattered targets.
00:19:30How could you bring this to me?
00:19:32Edward, you can't say that.
00:19:33There's never been anything wrong with my proposal.
00:19:36Surely this is a misunderstanding.
00:19:38I don't misunderstand work, since you don't know what women need in the workplace.
00:19:45I'll show you.
00:19:46That's your art.
00:19:48That's your art.
00:19:49That's the career handbook that was in the papers recently.
00:19:53I recall so many companies offered to buy the rights.
00:19:58But the author wouldn't sell.
00:20:01Of all people, who is Tina?
00:20:05Correct.
00:20:06This is the career guide that won so many fans on campus.
00:20:09And it was written by Tina Green.
00:20:14Impossible.
00:20:15Who does she think she is?
00:20:17This project belongs to her.
00:20:22If it wasn't for Tina Green, I'd pull this project immediately.
00:20:25What right does she have?
00:20:27She's just some junior planner.
00:20:29She doesn't even have a proper title.
00:20:31She can't possibly be qualified to take on such a big project.
00:20:34I'm the chief planner.
00:20:36Your company's benchmark for chief is questionable.
00:20:42Surely there's a misunderstanding here.
00:20:44At Almond, we pride ourselves on our commitment to collaboration.
00:20:49Mr. Thompson, I have two conditions.
00:20:51One, Tina has full authority.
00:20:53And number two, I will only work with the chief planner.
00:21:03Partners, colleagues, today, Ms. Tina Green is officially promoted to chief planner at Almond.
00:21:11Oh, my God.
00:21:12This is terrifying.
00:21:17So, can chief planner Tina now represent your company in handling this project?
00:21:27Tina, you ready yet?
00:21:30Hurry, we still have location scouting.
00:21:35Tina, you okay?
00:21:41Oh, my God.
00:21:42Tina, what happened?
00:21:44My stomach hurts so much.
00:21:47I'll get you, Madison.
00:21:48Where are you then?
00:21:49Sure.
00:21:50I bet you want something to do.
00:21:52In the bedroom.
00:22:05Which drawer?
00:22:06I can't find it.
00:22:07Tina, I can't find it.
00:22:08Tina, what do we do?
00:22:10It's all...
00:22:11Please.
00:22:14Please.
00:22:15Please.
00:22:25Tina?
00:22:28Tina, are you okay?
00:22:30Mr. Davis?
00:22:32Tina's sick.
00:22:33Really bad stomach pain.
00:22:34I can't find her men.
00:22:34What's her address?
00:22:37Flat 4B...
00:22:3827 Ravens Croft Road.
00:22:40Okay, I'll be there right away.
00:22:41How do you know the address?
00:22:43Hello?
00:22:44Hello?
00:22:47Tina?
00:22:48Oh, my God.
00:22:49Oh, my God.
00:22:49Tina.
00:22:50Tina.
00:22:52Tina!
00:22:53Tina!
00:22:54Tina!
00:22:56Mr. Davis, how'd you get here so fast?
00:22:57How'd you get this bad?
00:22:58Tina!
00:22:59Tina!
00:23:00Tina!
00:23:01Tina!
00:23:02Tina!
00:23:02Tina!
00:23:02Tina!
00:23:03Tina!
00:23:03Tina!
00:23:03Tina!
00:23:10Oh, Mr. Davis.
00:23:31It's the Crumps.
00:23:33It's the Crumps.
00:23:40Tina!
00:23:41Mm-hmm?
00:23:42Hey, take this.
00:23:43You feel better.
00:23:46Heat patch, painkillers.
00:23:48How'd you know where everything was?
00:23:51She's always had this.
00:23:54Always?
00:23:57One time at uni, she fell into an icy lake, and ever since, her periods have been brutal.
00:24:04So that's why she's always in pain.
00:24:09She keeps him in there.
00:24:12She's the type that once she's made her mind up on something, she never changes it.
00:24:18Even if she decides to leave you.
00:24:31Even if she decides to leave you.
00:24:33Good morning.
00:24:35Good morning.
00:24:44Julie called me on your phone.
00:24:48Oh, was it because, wait, you remember my address.
00:24:52Well, I...
00:24:53Tina, are you awake?
00:24:55I brought breakfast.
00:24:58Uh, hi, Mr. Edward.
00:24:59You're here too.
00:25:01Um, I hope I didn't come at a bad time?
00:25:03Uh, well...
00:25:17You have no idea.
00:25:19Last night, you were white as a sheet.
00:25:22He dashed in and scooped you up into his arms.
00:25:26It was more touching than any TV drama.
00:25:29Uh, that heat patch, painkillers, he knew exactly where they were.
00:25:34And he stayed by your sight all night, rubbing your stomach.
00:25:39His eyes were bloodshot.
00:25:42Definitely still has feelings for you.
00:25:48Who's at that?
00:25:53See, I told you you still liked to.
00:25:55You just walked in.
00:25:56Feeling any better?
00:25:57Much better.
00:25:58Uh, what's this?
00:26:01You bought all this?
00:26:03For me?
00:26:05I always did this for you.
00:26:07And I would like to keep doing it for you.
00:26:10If you like.
00:26:11Wow, Mr. Davis, you are thorough.
00:26:15Brought you tampons.
00:26:19I just remembered.
00:26:20I have a Russian amendment back at the office.
00:26:23Mustache.
00:26:24Bye.
00:26:27Yeah.
00:26:28Let me take that.
00:26:34I got you some hot milk.
00:26:36You still remember my favorite?
00:26:40I always remember.
00:26:47Why?
00:26:48Why?
00:26:49We broke up years ago.
00:26:50Some things are kind of hard to forget.
00:26:53Let's not rehash the past.
00:26:56We work together now.
00:26:58Nothing else.
00:26:59Just work?
00:27:01Just work?
00:27:01Okay, then show me the proposal.
00:27:05It's not polished yet.
00:27:07It needs revision.
00:27:11Break the mold.
00:27:12No, Edward.
00:27:12Women's undefined power of women at work.
00:27:15Look, okay.
00:27:16All right.
00:27:17I'll see you eventually.
00:27:19Why don't we just sit down?
00:27:24How are you feeling?
00:27:27Still a bit dizzy.
00:27:45The star is my heart.
00:27:47Edward, may it follow you wherever you go.
00:27:50You have my word.
00:27:52I won't disappoint you.
00:27:58You still wear it.
00:28:00After all those years.
00:28:03I thought you forgot.
00:28:05I wear it to remind myself of what you did to me.
00:28:11I wear it to remind myself of what you did to me.
00:28:16What I did to you,
00:28:18I simply faced reality.
00:28:21Reality?
00:28:23Reality is you cast me aside like I was nothing.
00:28:26And you didn't even give me a chance to explain myself.
00:28:28What good was explaining?
00:28:30We were never from the same world.
00:28:32From the same world?
00:28:34That's all I get after all these years.
00:28:36Rich people like you will never understand
00:28:38what regular people like me go through.
00:28:41You need to forget that this
00:28:43was ever a thing.
00:28:45And that isn't yours to wear.
00:28:48You are still so stubborn.
00:28:52Look at you.
00:28:54Tailored suit.
00:28:55Lightspeed CEO.
00:28:57You're fine.
00:28:59Do you think I asked for these titles?
00:29:01Do you think I wanted to be CEO?
00:29:04From start to finish,
00:29:05you never understood what I really wanted.
00:29:08I do understand.
00:29:17Out.
00:29:18I do.
00:29:18I do.
00:29:22I do.
00:29:40I do.
00:29:46How about this one for you?
00:29:50And whose is that one?
00:29:52Mine, obviously.
00:29:54Couples keychains, if you're accepted, you know what it means.
00:29:57What does that mean?
00:29:59That we're a couple.
00:30:00Couple?
00:30:01Did I say yes?
00:30:03Too late, you already took it. That's consent.
00:30:17Why do I keep it all this time?
00:30:28Hello?
00:30:29Tina, where are you?
00:30:32Tina, where are you?
00:30:37Tina!
00:30:38Oh, gee, you fight here?
00:30:39What happened?
00:30:40Isabella's father slash a board member just arrived.
00:30:43A project might change hands.
00:31:01Wrong, though, if it isn't Almond's star platter.
00:31:05Cycling to work? How cute.
00:31:08You can, this totally matches your status.
00:31:10My attire has nothing to do with my proposal.
00:31:13You have no right to...
00:31:14No right?
00:31:15I'll show you exactly what right means.
00:31:19Why are these two useless humans in my way?
00:31:24Tina!
00:31:25Are you okay?
00:31:33Oops.
00:31:34I'm so sorry.
00:31:36My bodyguard can be a little clumsy.
00:31:38You don't mind, though, do you?
00:31:40I guess you can't very well have a stained shirt in the meeting.
00:31:44Go buy her a new one and make sure it costs ten times more than what she's wearing.
00:31:48It'll probably be the priciest thing she ever wears.
00:31:51Yes, miss.
00:31:57She did that on purpose.
00:31:59It's fine.
00:32:00It's...
00:32:00It's fine?
00:32:02How are you going to face everyone?
00:32:04The meeting starts in a few minutes.
00:32:07No time to change.
00:32:10A planner wins with skill.
00:32:13Not style.
00:32:26Almond project review now in session.
00:32:36Next, please welcome one of our chief planners, Ms. Isabella, to present her Women's Employment
00:32:43Empowerment Project.
00:32:50I am delighted to present my carefully crafted plan on the Women's Employment Empowerment Project
00:32:55titled Breaking the Mold, Unbinding Her Power.
00:32:58That's our proposal title.
00:33:01Our project aims to break conventional employment and workwear concepts, giving women equal opportunities
00:33:08and appropriate attire for every workplace.
00:33:11Therefore, our core strategy is to hire only women and create a fully female work environment.
00:33:18That was amazing, honey.
00:33:20Doesn't my daughter greats?
00:33:21You, what's up?
00:33:24Judy, some lofty opinions?
00:33:26Or, Tina, perhaps you have some objections to my plan?
00:33:32Yes, I have something to say.
00:33:36Yes, I have something to say.
00:33:39Some may find our strategy too bold, but only boldness proves Almond's resolve and forges
00:33:45a unique market edge.
00:33:47I think it's excellent.
00:33:52Any different views?
00:33:58Given the project's nature and Almond's status, only boldness will give shocking effects.
00:34:04Something a slogan shouting Tina could never achieve.
00:34:09Isabella's bold strategy is indeed shocking.
00:34:15So shocking that Almond may wear the label of reverse discrimination.
00:34:20Reverse discrimination?
00:34:21That's serious.
00:34:23Tina, what do you mean?
00:34:25Do you mean to seize power, you would abandon your persona and speak for men?
00:34:29My meaning is clear, Isabella.
00:34:32Using extremes to fight injustice only breeds new injustice.
00:34:36Tearing apart a society that needs unity.
00:34:42Isabella, your woman-only charter may grab attention, but it pits women against men on another scale.
00:34:50Well said.
00:34:51I have 50 corporate endorsements and resources.
00:34:55They'll post women-only ads and supply jobs.
00:34:59Tina, what do you have?
00:35:01That's not empowerment.
00:35:02It just shoves women into another extreme.
00:35:05Label privilege.
00:35:07When a trend fails, the backlash will be harsher.
00:35:11True equality comes from fair systems in hiring, benefits, and promotion.
00:35:17From blind, gender-neutral assessments.
00:35:20Not from gender privilege.
00:35:23Otherwise, the public will mock us.
00:35:27True fairness comes from blind selection and gender-free evaluation.
00:35:36Lightspeed values, fairness, and efficiency.
00:35:40If a project is founded on reverse discrimination, it cannot gain respect.
00:35:46You're denying all means efforts.
00:35:48I'm stating facts.
00:35:50A flawed plan remains flawed.
00:35:53However shiny.
00:35:55Dad.
00:35:56Mr Davis, why don't you take this a little too far?
00:35:59It's the truth.
00:36:01And remember, Isabella was never my chosen planner.
00:36:07It was always Tina.
00:36:11Edward, what do you mean?
00:36:12Stop wasting time.
00:36:14Tina is my planner.
00:36:15Now, continue these tricks, and Lightspeed will stop any collaboration.
00:36:20Peter, why keep changing planners?
00:36:24Uh, proposal re-evaluation.
00:36:27Meeting adjourned.
00:36:29Don't have coffee.
00:36:34You are amazing.
00:36:35Mr Davis had your back.
00:36:37He simply spoke truth.
00:36:41Why is he leaving so fast?
00:36:43Did he have a fight?
00:36:44No.
00:36:45Why did he leave without saying goodbye to us?
00:36:49Maybe urgent business?
00:36:56Tina, we're screwed.
00:36:58What is it?
00:36:58Our key visual and copy all replaced.
00:37:00What? With what?
00:37:01What makes an elite woman?
00:37:03Check your mail.
00:37:08What is this?
00:37:09The design team said that director Isabella ordered it overnight.
00:37:17What did you do?
00:37:20What did I do?
00:37:21Just planning director's duty.
00:37:24Those sponsors are my resources.
00:37:26They pick the materials.
00:37:28So if you object, well, impossible.
00:37:32Isabella, don't go too far.
00:37:35Too far.
00:37:36I'm just showing you the workplace isn't simple.
00:37:39Just wait, Tina Green.
00:37:41This is only the beginning.
00:37:43Think this wins you the project?
00:37:44I'm just showing you reality.
00:37:47Do you really think your shabby proposal will please him?
00:37:50Edward's favor is not going to help you at all.
00:37:53The Davis family has been rich for generations.
00:37:56Have you ever heard of being well-matched?
00:37:58Shut up.
00:38:00Have I hit a nerve?
00:38:01A nobody with no background could never end up with Edward.
00:38:06Stop dreaming.
00:38:07You're not worthy.
00:38:09Sure.
00:38:10I'm no spoiled brat like you.
00:38:13No rich father to wreck other people's hard work.
00:38:16Everything I have, I earned.
00:38:19Isabella, you're pathetic.
00:38:22Enough.
00:38:25Enough.
00:38:27Isabella, let me make this clear for everyone's sake.
00:38:31My company has not a single connection to the Davis family.
00:38:34Lightspeed was founded entirely by me.
00:38:37With my own money,
00:38:39you have no right to meddle in my business or my choices.
00:38:44You?
00:38:45Alone?
00:38:47How?
00:38:48Family shackles once cost me the most important person.
00:38:53I used to believe that if I worked hard enough, I could escape anything.
00:39:01But reality has shown me.
00:39:04Once you're bounded by the shackles of family,
00:39:07it's almost impossible to break free.
00:39:10Your well-matched talk means nothing to me.
00:39:14Impossible.
00:39:16You could never have started a company without your family.
00:39:19Lightspeed must link back to them.
00:39:20From day one,
00:39:22Lightspeed has had one shareholder.
00:39:25Me.
00:39:26No Davis assets were involved.
00:39:29Edward,
00:39:30you did all that.
00:39:32You should have told me you did all that.
00:39:34Every step I take
00:39:35is so I can stand in front of you.
00:39:38Me?
00:39:39You.
00:39:40And you.
00:39:42Tina,
00:39:44I want you to know that we can start again.
00:39:50Tina,
00:39:52I want you to know that we can start again.
00:39:56Even if Lightspeed is clean,
00:39:59didn't you seduce Edward?
00:40:01Are you clean, Tina?
00:40:03Your behavior is absolutely unprofessional.
00:40:06Spreading lies in public?
00:40:08Publicly defaming woman's character?
00:40:11Where is this noble virtue
00:40:13you so proudly pretend to have?
00:40:14I'm just speaking the truth.
00:40:16Do you care to deny it?
00:40:18By bringing your personal vendettas
00:40:19into the workplace,
00:40:20you are proving to be an unfit planner.
00:40:23I demand that you step down
00:40:24from this project immediately.
00:40:26On what grounds?
00:40:27On the grounds that I'm project leader.
00:40:29Don't be smug, Tina Green.
00:40:31I will show you the cost.
00:40:33Every step you take
00:40:34now ruins your future.
00:40:35I'm chief planner.
00:40:37She stole my project.
00:40:38Stole?
00:40:39I never stole.
00:40:40You're arrogant,
00:40:42conceited,
00:40:43and pitiful.
00:40:46I've taken this too far.
00:40:49Fine.
00:40:51I'll make you regret this, Tina Green.
00:40:54I will make sure
00:40:55you never have any standing
00:40:57in this industry.
00:41:04could you fix those
00:41:05for your lights, please?
00:41:09Go home, Judy.
00:41:10It's fine.
00:41:11I'll finish up.
00:41:12Sure.
00:41:13Go rest.
00:41:14Thank you so much.
00:41:29Hello?
00:41:33Anyone
00:41:34there?
00:41:38Hey, hey, Tina.
00:41:40It's me.
00:41:54You're okay?
00:41:56Edward.
00:41:58Why are you here?
00:42:01The power cut out
00:42:02and I wanted to check on you.
00:42:05How did you know
00:42:06I was insane?
00:42:08I wait for you here
00:42:09every day.
00:42:10Every day?
00:42:12Yeah,
00:42:13every day.
00:42:14And you're always
00:42:15the last one to leave.
00:42:16You really don't have to.
00:42:31Something's wrong.
00:42:38I'll go check.
00:42:40Wait.
00:42:42Come with me.
00:42:52Something's wrong.
00:42:53Someone
00:42:54sabotaged it?
00:42:55Yeah.
00:42:56These wires
00:42:57aren't from the same batch.
00:42:59Whoever it rolls
00:42:59wants you to fail.
00:43:00Could it be
00:43:01Isabella?
00:43:05Could be.
00:43:07What now?
00:43:08The doors are electric.
00:43:10We're trapped.
00:43:13Hey.
00:43:15Tina.
00:43:17Tina.
00:43:32It's been so long
00:43:33since I've held you.
00:43:35How long has it been?
00:43:38Years.
00:43:40But it feels like yesterday
00:43:41we were on campus together.
00:43:42I still don't remember.
00:43:45I remember everything.
00:43:50What do we do now?
00:43:52I'll figure something out.
00:43:56So,
00:43:59do you really wait for me
00:44:00here every day?
00:44:01Yeah, well,
00:44:03I kind of get worried
00:44:04something might happen to you.
00:44:05You really don't have to.
00:44:06Yeah, I do.
00:44:07Do you remember
00:44:07what happened at uni?
00:44:08In the library?
00:44:09Mm-hmm.
00:44:10Yeah?
00:44:10And the lights cut out
00:44:11and you dived under the table?
00:44:12I did not.
00:44:13Yes, you did.
00:44:13I was looking for you
00:44:14everywhere and when I found you
00:44:15you were under the table
00:44:16like a kitten.
00:44:17Don't pretend like
00:44:18you weren't scared.
00:44:18You were screaming my name
00:44:19the whole time.
00:44:20Yeah, but I was just
00:44:21worried for you.
00:44:23I thought you'd run away.
00:44:26How could I?
00:44:28I waited for you
00:44:30every day.
00:44:37That wasn't your
00:44:38only silly moment.
00:44:39Oh, yeah?
00:44:41Remember when you
00:44:41tried to steal that book
00:44:42from me and spilled coffee
00:44:44all over the professor's paper?
00:44:45Yeah, but that wasn't
00:44:46just my fault,
00:44:47if you remember.
00:44:48You yanked the book so hard
00:44:49that it just fell out
00:44:50of my head.
00:44:51Oh, right.
00:44:51So it's all my fault.
00:44:52Yeah.
00:44:53We spent the whole week
00:44:54cleaning that library.
00:44:58Back then,
00:44:59I thought we'd always
00:45:00stay that way.
00:45:04Tina.
00:45:09When you left,
00:45:10I was stunned.
00:45:13I pictured our whole
00:45:14life together.
00:45:17I never thought
00:45:17you wouldn't be in it.
00:45:19We belong to
00:45:20different worlds.
00:45:22You're brilliant.
00:45:24Your future is bright
00:45:25and I'm just
00:45:28ordinary.
00:45:30I felt
00:45:31I'm staying with you
00:45:34when only holds you by.
00:45:37Tina.
00:45:39Can we start over?
00:45:45Tina.
00:45:48Could we
00:45:49start over?
00:45:53Bought the necklace.
00:45:55Hope the money
00:45:56lasts till month
00:45:57and I need another job.
00:46:01Tina.
00:46:02Edward.
00:46:04Here.
00:46:05What's this?
00:46:07What's this?
00:46:08For me?
00:46:09Mm-hmm.
00:46:10Aw.
00:46:11Match it.
00:46:13Birthday present.
00:46:14I saved up for it,
00:46:15but I bought it.
00:46:17The star is my heart.
00:46:18Edward,
00:46:19may it follow you
00:46:20wherever you go.
00:46:23You have my word.
00:46:24I won't disappoint you.
00:46:29Oh,
00:46:29you said you wanted
00:46:30to flatten your campus,
00:46:30right?
00:46:32I did my homework.
00:46:34I found a cheap one here.
00:46:36We could turn the living room
00:46:37like this
00:46:37and turn the balcony
00:46:38into a garden
00:46:40and we could...
00:46:40I bought it.
00:46:43This is the final
00:46:43flat you meant.
00:46:44Yeah.
00:46:45No.
00:46:46I bought it.
00:46:47No more crowded buses
00:46:49for you.
00:46:50Closest one available.
00:46:51We could turn
00:46:52the entire floor
00:46:52into your own
00:46:53private library.
00:46:54I'm so thoughtful,
00:46:55aren't I?
00:46:57Private library.
00:47:05I have to ask.
00:47:09Can we?
00:47:11Edward.
00:47:12Stop.
00:47:14We have to ask.
00:47:17Can we?
00:47:28Power's back.
00:47:30Good.
00:47:33Now the expo
00:47:33can proceed smoothly.
00:47:35Tina.
00:47:36I'll double-check
00:47:37the lights before the show
00:47:38and Mr. Davis,
00:47:39if you have any
00:47:40other requests,
00:47:41just let me know.
00:47:41I'll refine the plan.
00:47:42Alright.
00:47:43But...
00:47:44If there's nothing else,
00:47:45I'll be off.
00:47:47Why are you leaving
00:47:48in such a rush?
00:47:49It's late.
00:47:50I have to finish
00:47:51tomorrow's work.
00:47:53And...
00:47:54Oh, Mr. Davis.
00:47:58Try to get some rest.
00:48:02Good night.
00:48:05I almost gave in.
00:48:18Can we really go back?
00:48:20Can we really go back?
00:48:43Tina, the expo black house
00:48:44hit local news.
00:48:45Are you okay?
00:48:49Are you okay?
00:48:50Are you okay?
00:48:52I'm fine.
00:48:54Edward stayed with me.
00:48:55Edward?
00:48:56What was he doing there?
00:48:57It's nothing.
00:48:59But he asked me if...
00:49:02Asked what?
00:49:04If you have a boyfriend?
00:49:05If you miss out?
00:49:06He asked me
00:49:07if we could start over.
00:49:10OMG, start over?
00:49:13That is a request
00:49:14for reconciliation.
00:49:16The ship is sailing.
00:49:17I've moved.
00:49:18It's not what you think.
00:49:19I told you he likes you.
00:49:22He basically said,
00:49:23can we start again?
00:49:24No.
00:49:25The lights came back on.
00:49:26He didn't finish.
00:49:26So?
00:49:27Message received.
00:49:29And what about you?
00:49:30Do you still love him?
00:49:38Tina, you didn't answer me.
00:49:40Do you still love him?
00:49:42I...
00:49:43I don't know.
00:49:46I don't know.
00:49:47Listen to yourself.
00:49:48That necklace,
00:49:50you still wear it.
00:49:51Isn't that affection?
00:49:52That's all in the past.
00:49:54I...
00:49:54The past?
00:49:56You're all tied up
00:49:56in knots right now.
00:49:58Edward might be sharp-tongued
00:50:00and even ice-cold,
00:50:01but he did stay with you
00:50:03for the whole blackout.
00:50:04And he gave you that half-line.
00:50:07Tina,
00:50:08you're in his heart.
00:50:10But we split
00:50:11because we're from different worlds.
00:50:13What matters
00:50:14is genuine feeling.
00:50:16Mutual support.
00:50:18You think,
00:50:19he became your client
00:50:20just to back you up.
00:50:22Not every boss
00:50:23would do that.
00:50:24That's confusing.
00:50:27Confusion
00:50:27equals love.
00:50:30Stop overthinking.
00:50:32Just say it.
00:50:34Do you still love him?
00:50:43Hello, Edward?
00:50:47Hello, Edward?
00:50:50Mr. Davis?
00:50:52Ah, Tina.
00:50:53Sorry for calling late.
00:50:55I was, um...
00:50:56I just wanted to talk
00:50:57about the expo.
00:50:58We've had the wires checked
00:50:59and we've got new lights fitted,
00:51:01so no more incidents.
00:51:04Oh!
00:51:06Um, I should have handled that.
00:51:08Sorry to trouble you.
00:51:08Oh, yeah.
00:51:09It's fine.
00:51:12You once, uh,
00:51:14told me that you like
00:51:15that patisserie's cake.
00:51:18I was wondering if
00:51:20maybe
00:51:21you would like to go
00:51:22together?
00:51:27You could
00:51:28buy one
00:51:29and bring it over
00:51:29to my place.
00:51:30We could eat together.
00:51:33Wait, what?
00:51:35Say that again.
00:51:36I, I said...
00:51:37Deal.
00:51:40You're trapped now.
00:51:43Tina.
00:51:46We could...
00:51:46I said you could
00:51:47bring it over.
00:51:51Oh, my God.
00:51:52She said it.
00:51:53She really said it.
00:51:54Oh.
00:51:56All right.
00:51:59I'd really like to see you.
00:52:04Are...
00:52:04Are you okay?
00:52:05What awful lines.
00:52:06Stop making it worse.
00:52:08So,
00:52:09tomorrow then?
00:52:11I'll wait for you.
00:52:13Mm-hmm.
00:52:15Good night.
00:52:23Girl, you are in love!
00:52:25No!
00:52:27Nonsense.
00:52:29Look at you.
00:52:31That necklace
00:52:32will wear away.
00:52:48I'll see you tomorrow,
00:52:49Tina.
00:53:06I'll see you tomorrow, Tina.
00:53:08five and ten.
00:53:13Edward.
00:53:16Surprised to see me?
00:53:17What are you doing?
00:53:19I told you I don't want me to...
00:53:20I'm here to witness a top
00:53:21hands-butt.
00:53:23I want to see every step of your success.
00:53:25Edward and what?
00:53:27I know.
00:53:27Therefore,
00:53:29I'm a guest.
00:53:30Heading in.
00:53:33Well, well, well, Tina.
00:53:35This whole show,
00:53:37and yet you still need your boyfriend
00:53:38to prop you up.
00:53:41I guess some women just can't do anything
00:53:43without a man.
00:53:44Isabella,
00:53:45by making things hard for Tina,
00:53:47you make things very hard for me.
00:53:49Those who spend their lifetime
00:53:50slandering others
00:53:51shouldn't really think about
00:53:52focusing on themselves.
00:53:59Go.
00:54:00Your stage is waiting.
00:54:04All departments,
00:54:06expo and I'm commencing.
00:54:15Planetina,
00:54:16audience response is huge.
00:54:18What's your unique take on
00:54:19not being defined
00:54:21is the definition of a profession?
00:54:23I believe women's power is limitless.
00:54:26Employment is not only for survival.
00:54:28It's self-realization
00:54:29and freedom.
00:54:31We hope this event
00:54:32shows women their true potential
00:54:34and pushes them
00:54:35to step forward.
00:54:36What made this event so successful?
00:54:38Team Efret Alman.
00:54:40And special thanks to Lightspeed
00:54:42and President Edward Davis,
00:54:44whose trust
00:54:45made the new professional women's vision
00:54:47possible.
00:54:54Look, you did it.
00:54:56We're number one.
00:54:58It's time.
00:55:05Mark my words,
00:55:06she's going to fail miserably.
00:55:16Wait.
00:55:18This whole expo
00:55:19is a pure show.
00:55:22Almond and their distinguished planner,
00:55:24Tina Green,
00:55:25have stolen my concept.
00:55:27She has no right
00:55:29to host this event.
00:55:30What's going on?
00:55:32Breaking news.
00:55:32Who is this woman?
00:55:35Let Tina talk.
00:55:36Stay out of it.
00:55:39Look.
00:55:42These are my slides
00:55:43from my private meeting
00:55:45with Mr. Edward Davis.
00:55:48Tina Green
00:55:49plagiarized my original concept.
00:55:52She's a fraud
00:55:54and a liar.
00:55:56A liar.
00:55:59Liar.
00:56:01Please be quiet.
00:56:04I'm Tina Green,
00:56:06planner at Almond.
00:56:07What you see today
00:56:08is my own project
00:56:10on women's employment.
00:56:13She says I stole her idea,
00:56:15that I lack qualifications.
00:56:18Yes,
00:56:19inside Almond,
00:56:20I've been inexperienced,
00:56:21even suppressed.
00:56:22My proposal
00:56:24was killed
00:56:25again and again.
00:56:27Seven times.
00:56:30Seven complete rejections
00:56:32of my work.
00:56:43I have no backing,
00:56:45only effort
00:56:47and persistence.
00:56:50I started with
00:56:51tiny charity events,
00:56:52building experience
00:56:53piece by piece.
00:56:55Every project
00:56:56is my blood
00:56:57and sleepless nights.
00:56:59There is no fakery,
00:57:01no theft.
00:57:03If you doubt me,
00:57:06show real evidence.
00:57:09Otherwise,
00:57:10I will pursue legal action.
00:57:16Is there
00:57:16internal suppression
00:57:17at Almond?
00:57:18The truth
00:57:19has been hidden?
00:57:21Tina,
00:57:21why are you so angry?
00:57:23Everyone can see
00:57:24your guilty panic.
00:57:26She may hide
00:57:27behind powerful
00:57:28corporations
00:57:29and men,
00:57:30but she is exploiting
00:57:31women's issues
00:57:32for clout.
00:57:35Dream on
00:57:36if you think
00:57:36this event
00:57:37whitewashes the truth.
00:57:39Serious allegation.
00:57:41So that's the story?
00:57:42Yes.
00:57:45As you suspect,
00:57:47Tina Green
00:57:48has climbed
00:57:49the corporate ladder
00:57:49on the arms
00:57:51of a man,
00:57:52Edward Davis,
00:57:53her ex-boyfriend.
00:57:55She's used
00:57:56every trick
00:57:57in the book
00:57:57to shove someone
00:57:59with far superior
00:58:00credentials
00:58:01out of the way.
00:58:04Don't believe
00:58:04her nonsense!
00:58:06Stop filming!
00:58:08People like her
00:58:09have no place
00:58:10in our industry.
00:58:16Ladies and gentlemen,
00:58:17may I say
00:58:18a few words?
00:58:21Ladies and gentlemen,
00:58:22may I say
00:58:23a few words?
00:58:24I'm Hartley,
00:58:26director of
00:58:26the Nursing Home,
00:58:27and I would like
00:58:29to speak of Almond
00:58:30and Miss Tina's
00:58:32unseen contributions.
00:58:34Mrs. Hartley,
00:58:35what are you doing here?
00:58:36For a long time,
00:58:37Tina has driven
00:58:38the Women's Re-Employment
00:58:40Support Program
00:58:41inside Almond,
00:58:43never giving up,
00:58:45despite setbacks.
00:58:46That's not Almond's
00:58:48prior publicity.
00:58:49And that's not
00:58:50what Isabel
00:58:50just said.
00:58:51Well,
00:58:51here are names.
00:58:53Women who've been
00:58:54laid off
00:58:55during pregnancy
00:58:55or unjustly terminated.
00:58:58Tina contacted us,
00:59:00secured jobs.
00:59:01Lisa,
00:59:02our carer.
00:59:03She was fired
00:59:04when she was
00:59:05seven months pregnant.
00:59:07Tina found her work.
00:59:10Charlotte.
00:59:11Oh, Charlotte.
00:59:11She wasn't able
00:59:12to return
00:59:13after giving birth.
00:59:14And Tina said,
00:59:16a woman's value
00:59:17is not defined
00:59:19by marriage
00:59:20or childbirth.
00:59:22This list
00:59:23is a record
00:59:24of all the women
00:59:25that Tina
00:59:26has helped re-employ
00:59:27far more than
00:59:29just those few
00:59:29I've mentioned.
00:59:31That's impossible.
00:59:32If this isn't
00:59:33genuine action
00:59:34for equality,
00:59:35what is?
00:59:37Do you choose
00:59:38to believe someone
00:59:39who has done
00:59:40genuine nursing care
00:59:41for three years,
00:59:43her quiet dedication,
00:59:45earning her
00:59:45the praise
00:59:46of every woman
00:59:48that she helped?
00:59:49Or,
00:59:50will you erase
00:59:51her efforts
00:59:52and trust
00:59:52the slander
00:59:53that you've heard?
00:59:54I now return
00:59:55the floor
00:59:56to the woman
00:59:57who truly helps women,
00:59:59Ms. Tina Green.
01:00:05Ms. Green,
01:00:06any defense?
01:00:08Facts speak louder.
01:00:11All men invest
01:00:11greatly
01:00:12in the women's
01:00:13support plan.
01:00:14This is a team,
01:00:15even company,
01:00:17effort.
01:00:26not being defined
01:00:27is the new
01:00:28definition
01:00:29of a profession.
01:00:30Almond and
01:00:31Lightspeed
01:00:31want every woman
01:00:32from different
01:00:33backgrounds
01:00:33and different
01:00:34ages
01:00:34to choose
01:00:35their path
01:00:35freely.
01:00:36go.
01:00:37Put up my slides.
01:00:46It's Edward Davis.
01:00:51I'm Edward Davis,
01:00:54founder and CEO
01:00:55of Lightspeed.
01:00:58Tina's project
01:00:59aligns with our mission
01:01:01to empower women.
01:01:03Therefore,
01:01:04Lightspeed will add
01:01:05a $1 million fund
01:01:06to Tina's program.
01:01:09That is an unprecedented
01:01:10level of support
01:01:11for a public welfare project.
01:01:13Lightspeed is pretty bold.
01:01:15As long as you're willing
01:01:16to share your
01:01:17employment story
01:01:18and use the tags
01:01:19hashtag
01:01:20BreakTheMold
01:01:22hashtag
01:01:23UndefinedProfessionals
01:01:24you will be eligible
01:01:25to share in this
01:01:26$1 million fund.
01:01:28We encourage women
01:01:30to share their story,
01:01:31successes and
01:01:32setbacks alike
01:01:34so that the world
01:01:35can hear your voice.
01:01:46Let go,
01:01:47you're my bodyguard.
01:01:49I'm loyal to all.
01:01:50Please cooperate.
01:01:54Congratulations,
01:01:55Miss Green.
01:01:56Thanks,
01:01:57Mr. Davis.
01:01:58Media friends
01:01:59and guests,
01:02:01due to this event's
01:02:02success,
01:02:03the board
01:02:04has decided
01:02:05to remove
01:02:07Mr. Peter Thompson
01:02:08as marketing director.
01:02:09What?
01:02:11And
01:02:12Miss Isabella Carter
01:02:13as planning director.
01:02:15What?
01:02:16You can't do that.
01:02:17I'm the board
01:02:17director's daughter.
01:02:19And Mr. Carter,
01:02:20you're removed too, sir.
01:02:23This
01:02:23is ridiculous.
01:02:26Let go.
01:02:26I can go myself.
01:02:29You'll regret this,
01:02:31Tina.
01:02:31You witch.
01:02:34Bear!
01:02:41Ladies and gentlemen,
01:02:42the launch
01:02:44is now
01:02:44concluded.
01:02:46Tina,
01:02:47I need to talk to you.
01:02:51Tina,
01:02:52we did it.
01:02:53Yes, we did.
01:02:57Where's Edward?
01:02:59He said he needed to...
01:03:00He's probably busy.
01:03:02Oh,
01:03:02let's tidy up.
01:03:03Ignore him.
01:03:05Be honest.
01:03:07About
01:03:09after all he's done,
01:03:10how do you feel now?
01:03:14I...
01:03:15I guess I never really
01:03:17let go.
01:03:19Back then,
01:03:19I thought we'd be impossible.
01:03:21He was a golden boy
01:03:22and I was just
01:03:24ordinary,
01:03:25parallel lines.
01:03:27I thought breaking up
01:03:28with him would just
01:03:29set him free.
01:03:30Now you know.
01:03:32He only cares about you.
01:03:35Yes,
01:03:35but
01:03:36I'm still scared
01:03:37it's all an illusion.
01:03:38happiness is here.
01:03:40Will you miss it again?
01:03:42What?
01:03:49Ready to talk?
01:03:55Tina,
01:03:57years ago you told me
01:03:59you didn't want to be
01:03:59Cinderella to someone's prince.
01:04:01I wished I could have
01:04:02given you the life
01:04:03my parents gave me.
01:04:05But now I see
01:04:06you just wanted equality
01:04:07and freedom.
01:04:11I never thought
01:04:12our biggest barrier
01:04:13would be
01:04:14my birth.
01:04:18I built Lightspeed
01:04:20for seven years
01:04:21so I could stand
01:04:22next to you.
01:04:29Edward, I never thought
01:04:32we'd stand a chance.
01:04:34I've replayed our moments
01:04:35countless times
01:04:36and
01:04:36every time it feels
01:04:38like a dream
01:04:38but
01:04:40when the dream ends
01:04:42there's nothing left.
01:04:45It was never a dream.
01:04:48If a prince
01:04:49abandons his castle
01:04:52will you still accept it?
01:04:59Are you proposing?
01:05:02Let me care for you.
01:05:03Let me love
01:05:04and protect you forever.
01:05:08Oh, Edward.
01:05:11Tina,
01:05:13we can go anywhere
01:05:14you wish
01:05:15do anything you want
01:05:17let me support you
01:05:20will you let me
01:05:21live this life
01:05:21with you?
01:05:24Tina
01:05:35will you marry me?
01:05:39Edward.
01:05:41I've spent so long
01:05:42running from what
01:05:43I wanted most
01:05:45but
01:05:45you walked out
01:05:47of that castle
01:05:47and
01:05:49I'm ready to meet
01:05:50you halfway
01:05:50so
01:05:52yes
01:05:53I'll marry you.
01:06:07This time
01:06:08I won't run.
01:06:11I won't run.
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