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Love Behind the Scenes - Full Movie HD 1080P
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Short filmTranscript
00:05I'm sorry. Sorry.
00:12Good morning, sir. My name is Emily Carter, and I'm...
00:16Late for the shoot. Can you take off your clothes?
00:22Excuse me?
00:23My job here is to give direction.
00:26So, I'm going to ask you again.
00:28Can you take off your clothes?
00:30Yeah, I'm not here to act, so...
00:33Then what are you doing in my office?
00:34I came for the assistant producer position.
00:38In my studio, everyone here is exposed.
00:41It doesn't matter if you're an actor, actress, or part of the crew.
00:45Everyone here is obedient. Everyone here is loyal. They listen.
00:48It's because I have full control.
00:52Now, that's the reality, Ms. Carter.
00:54If you don't like that, there's the door.
01:04You're an asshole.
01:04You're an asshole.
01:07You're an asshole.
01:08Ow.
01:14Hello, Ms. Carter. I'm calling you to remind you about the $120,000 deposit for your father's surgery.
01:20If it isn't saved by the end of the month, our policy requires us to transfer it to a different
01:24clinic.
01:24Okay?
01:27I'm on it.
01:30I'm on it.
02:07Miss Carter, if you took that literally, then you're already missing the point.
02:13You see, in this business, it's about how you react in the moment and how farce you can address from
02:19it.
02:21Uh, we can definitely, uh...
02:24I don't want to do it.
02:25No, no, no, no. We have to get this line.
02:27Like, maybe...
02:29Sorry, but this line, it doesn't make any sense, okay?
02:32So change it. Give someone to change it and make it better.
02:34Okay, maybe, maybe...
02:35I can fix it.
02:44I can fix it.
02:48Yeah, thanks.
02:50Um, okay, so, what if she's not angry, but she's scared of losing control?
02:58So, you could try it like, um...
03:03Okay.
03:08You think you hold all the power?
03:12You don't even see me.
03:16You just see things that you can control.
03:28Sasha?
03:29Yeah.
03:31Let's go again.
03:33This time...
03:34Let's do it her way.
03:37Got it.
03:38Okay, yeah, we can definitely do it our way.
03:40Like, whatever he says.
03:41Let's, let's do it.
03:43Um...
03:43Everyone!
03:45Meet my new assistant producer.
03:48Emily Carter.
03:51You just put yourself a bigger problem.
03:55Now, I have to trust you.
03:58All right, everyone, let's go again.
03:59You're fired.
04:00Damn it!
04:08I didn't think you could.
04:10You managed to impress me.
04:13Here is the contract for your new job.
04:18But before you sign this, remember, you're not just going to be my assistant,
04:24but whatever I want you to be.
04:33Nothing good ever came from playing it safe.
04:37Remember that, Miss Cantor.
05:01Oh, my God, I'm so sorry.
05:04It's fine.
05:04It's fine.
05:05Oh, no, it's not.
05:06You look terrible.
05:07Oh, there's a toilet down the corridor.
05:10Yeah, let's go.
05:11Let's go.
05:12I am so sorry.
05:13I'm Chloe, by the way.
05:15I'm Emily.
05:16I'm from tomorrow, Julian's new assistant producer.
05:21Oh!
05:23Julian Hartwell himself.
05:25Well, it's nice to have a new face around here.
05:28You know, since Hartwell's Great Depression and all.
05:32Hartwell's what?
05:34Have you been under a rock?
05:36Come.
05:37Julian Hartwell has been accused of murdering his ex-girlfriend and her old former lead actress,
05:45Celeste Monroe.
05:46All right.
05:47All right.
05:48All right.
05:49All right.
05:51All right.
06:04Oh, dear.
06:09Jesus, Veronica.
06:11Relax.
06:11I'm your stepsister.
06:13Not your next scandal.
06:16I just brought your tux by
06:17so that you can charm our two biggest investors
06:20with your everything's fine speech.
06:23Never heard of knocking.
06:24You think I'm going to waste my time knocking
06:26when Hartwell Pictures is bleeding out?
06:29Not a chance.
06:31Persephone Rising is the only film
06:34keeping our investors breathing.
06:36Yes.
06:37I'm aware.
06:38So maybe stop distracting yourself
06:41with your new little discovery?
06:45She's efficient.
06:47Efficient doesn't save legacies.
06:50And she does look a bit like Celeste.
06:55The reason the studio almost died.
06:59Don't make the same mistake twice, Julian.
07:03We can't survive another ghost.
07:11Oh, gosh.
07:13Well, I guess this is our cute meat.
07:20David Freeman.
07:22Aurora Films.
07:24We share one ball and a few stolen camera crews.
07:26Yeah, wow.
07:27You produced the film Apocalypse Later,
07:30the one everyone said was impossible to finish.
07:32The one that won four awards
07:33and ruined my sleep schedule.
07:35Well, I'm thrilled that you know about us, though.
07:39I am indeed more interested in you.
07:43Me?
07:44You tell me.
07:46A random girl walks into a live set,
07:48calms a meltdown,
07:49saves the day,
07:49and becomes the studio head's assistant on this pod.
07:53Yeah, I wouldn't say that was saving the day.
07:55I just fixed a line.
07:57Well, I definitely need more line fixers like you.
08:01Come work for us.
08:03Emily?
08:05Mr. Hartwell needs you in his office.
08:11Emily, I don't think you've properly met.
08:13This is Veronica Hartwell,
08:15vice president of production,
08:17and my sister.
08:19We've had information leaked outside this building,
08:22and you've been seen talking with David Freeman.
08:26He was just talking to me outside,
08:29but I wasn't...
08:30Wasn't what?
08:31Exchanging trade secrets?
08:33Let's not pretend you don't know just what you're doing.
08:36Okay, Veronica.
08:38I'd like to speak with Emily privately.
08:43Careful, Emily.
08:44You're beginning to sound like Celeste
08:48before everything fell apart.
08:55Emily.
08:57Tonight, I have a meeting with some investors
09:00who believe that I'm still haunted by my past,
09:04and I need them to see that I've moved on.
09:08So I'm going to cut to the chase.
09:11Tonight,
09:13I need you
09:14to be my girlfriend.
09:20You are about to get
09:21the full
09:22Chloe
09:23glow.
09:26Makeover!
09:26You ready?
09:29So, um,
09:31is this like
09:32a date you're going on tonight?
09:34No, no, no, no, no, no, no.
09:35Um,
09:36we are just meeting some investors.
09:38Okay.
09:39Mm-hmm.
09:40And now,
09:41try this one.
09:43Uh,
09:43try it on.
09:44Oh.
09:45I know you want it.
09:53Don't we have
09:54somewhere to be,
09:55sir?
09:57Come on.
10:06Have you already
10:07thought of me in this cut?
10:16I remember hearing about that.
10:17Ah, Hardwell.
10:18We're beginning to think
10:20you've forgotten us,
10:21dear boy.
10:21Of course not, gentlemen.
10:22A deal like this one
10:23is worth remembering.
10:24And who is this
10:25studying young lady?
10:27Let's just say
10:28she's here
10:29because I want her to be here.
10:31Mm-hmm.
10:32Well, I must say, Hardwell,
10:33you do have a
10:34good eye for talent
10:35in more ways than one,
10:37I'm sure, eh?
10:42I have to take this.
10:44Excuse me.
10:48Well, darling,
10:50no need to act shy.
10:52I am glad Julian
10:54found a new and,
10:56well, I must say,
10:58perfect fit for the part.
11:01I'd be more than happy
11:02to measure you right.
11:06I'd be more than happy
11:08to measure you
11:12right up.
11:12Excuse me?
11:15Don't you ever
11:16touch me again.
11:21What's going on?
11:24Your bitch just cost you
11:26a five million dollar deal.
11:30What did you just say?
11:33Your bitch.
11:39If you can't respect
11:41a woman,
11:42you won't be doing
11:43business with me.
11:45You just lost the best deal
11:47of your life, Hardwell.
11:48All because of some
11:49random woman.
11:51Let's see if your studio
11:53survives this.
11:59I'm sorry.
12:01I feel like you lost a deal
12:02because of me.
12:05You really think
12:06that deal was going to close?
12:09No, they were looking
12:10for a way out.
12:12Men, like them.
12:14They don't come to negotiate.
12:16They come to test you.
12:18And I don't fall for bullshit.
12:23Thank you for standing up for me.
12:27Thank you for standing up for me.
12:49over yet.
12:55You really didn't
12:57have to punch him.
12:58No, I did.
13:05Being your date for the night
13:06turned out a lot wilder
13:08than I imagined.
13:10Well, thank you
13:11for stopping me
13:12making friends
13:13with the wrong people.
13:19Maybe
13:23I should thank you properly.
13:30Oh my God.
13:31Oh my God.
13:31Okay.
13:31I'm so sorry.
13:33I just
13:33I didn't mean to
13:34I just
13:35relax
13:36Miss Carter
13:37in on my type.
13:39Stay put
13:41I'll go change.
14:25Fuck.
14:29I'm so sorry.
14:45Miss Carter, your father's condition is deteriorating worse than we thought it was going to.
14:51If we don't operate within 72 hours, he's not going to make it.
14:55We need the deposit, and all of it, in full before we can proceed.
15:04I'm sorry. We've done everything we can without it.
15:23Emily, I need you in the studio now.
15:26Sir, I, um...
15:27Don't explain. Just get here, and Emily, make sure you look like you belong in my office.
15:39You're late.
15:40I spoke with Julian. He called me, and...
15:43Yeah, I know what he said.
15:45I also know the rumor mill's been having a field day with the two of you.
15:56Look, whatever you think is happening, it's not...
15:59I don't care who he sleeps with.
16:03But let me make one thing clear.
16:06If you do anything to jeopardize the studio or my stepbrother,
16:12I will end you faster than a bad opening weekend.
16:17You got it?
16:19Don't mind my sister, Miss Carter.
16:21She's allergic to subtlety and boundaries, and to you, apparently.
16:26And apparently you're allergic to privacy.
16:33Chloe told me that you were at the hospital.
16:37Your father is not well.
16:42Take this.
16:43This is three months' salary.
16:45Pay for whatever your father needs.
16:55I, um...
16:56Thank you. Oh, my God.
16:58Thank you so much.
16:59Oh, okay. That's enough for you.
17:01Sorry. Um, yeah. I just...
17:03It's fine.
17:03Good. Now that we're friends again, we've got work to do.
17:07Uh, don't forget, go to the costume room.
17:10There's a dress for you for tonight for the Silver Frame Gala.
17:14You still want me to come with all the rumors flying out there?
17:17Especially because of the rumors.
17:20So you want me to act as your girlfriend?
17:25It's time to prepare for the performance of your life.
17:49Hi, excuse me. Sorry.
17:50Oh, hi.
17:51I love your work so much.
17:53So the rumors are true.
17:56Hardwool's golden boy has found himself new.
17:59Muse.
18:01If you're talking about Julian, it's just gossip.
18:06You know, Julian Hardwool's made a career out of convincing people to do things they swore they wouldn't.
18:14I thought he might convince you, too.
18:19I wouldn't believe everything you hear.
18:22Then prove it.
18:24Dance with me.
18:32She really has a partner, David.
18:35Emily?
18:38I should probably dance with our guest.
18:43Oh.
18:46Of course.
19:04You look like a man who needs saving.
19:07From a bad PR stunt, but mostly himself.
19:11Well, that depends what you're volunteering for, Miss Garrett.
19:15Both, as always.
19:21Would you care to dance, Miss Garrett?
19:38I mean, I know you're using me as a distraction,
19:41but you could at least pretend you're enjoying yourself.
19:56Guess we had our first dance in.
19:58I'm sorry to interrupt.
20:00Um, rumor has it I should be the one on your arm tonight.
20:04You know, wouldn't want to disappoint Mr. Cole.
20:08Sure.
20:09Yeah, and PR commitments.
20:11Of course, yeah.
20:12Yeah.
20:14Well, that wasn't reckless.
20:16Yeah, well, so is pretending.
20:19We're just giving them what they want.
20:23Hmm.
20:23Hmm.
20:26Mr. Freeman, I have some news that might be of interest to you.
20:31Let's just say you're not the only one who wants to see Hartwell fall.
20:43Julian's lost his focus.
20:45That new girl, Emily Carter, she's his soft spot now.
20:51Well, that didn't take long.
20:53She gets under his skin and he doesn't even see it.
20:56It's the perfect weakness.
20:59If you know how to use her.
21:01And I'm guessing you do.
21:03Persephone rising is still shooting.
21:07The pressure is killing him.
21:10Things haven't gone this well in years.
21:13If it succeeds, Hartwell's back.
21:16Well, make sure it doesn't.
21:18If he wins, I lose.
21:22And I always win.
21:24Well, maybe it's time to bring Celeste back.
21:31Julian, we need to talk.
21:42Well, you really do know how to put on a show, don't you?
21:46Adrian Cole hasn't stopped smiling since the two of you started dancing.
21:50What do you want, Veronica?
21:51A favor.
21:53For the studio.
21:56Use her.
21:58She's just the type of fresh face that our investors drool over.
22:02Cast her as Persephone.
22:04It'll keep Cole close and secure funding for the next quarter.
22:08We don't use people, Veronica.
22:11We build empires, Julian.
22:13That's never been clean work.
22:14The cost stays the same.
22:16Emily is not for sale.
22:19Fine.
22:20You keep your little muse for now.
22:22But when she starts costing you, she's mine to fix.
22:36I've got to go.
22:38I've got to go.
22:47I've got to go.
22:56You got the same message?
22:58Yeah.
22:59Help.
22:59I'm stuck.
22:59I thought it was from you.
23:01It wasn't.
23:08It's locked.
23:14Oh, well, Veronica.
23:21Your call has been forwarded to an automatic voice message system.
23:27Well, at least our plan worked.
23:32Mr. Cole couldn't stop staring at us.
23:36He's practically ours.
23:39Guess the rumor finally paid off.
23:44You do make one hell of a distraction.
23:49And you make one hell of a liar.
24:05You do realize this is how all bad decisions start, right?
24:12Too late.
24:28Someone really ought to fix that lock.
24:31We didn't lock it.
24:33Someone trapped us in.
24:35Of course they did.
24:36Miss Garrett, please escort Miss Carter out.
24:49You keep making the same mistakes twice.
24:53You really can't go a day without dragging her into it, can you?
24:57I have no idea what you mean.
25:00You throw Emily into Celeste's role.
25:03You think she's bait.
25:05Jesus, Veronica.
25:05I don't think she's bait, Jules.
25:09I know she is.
25:10Cole's money is going to keep us alive for the next quarter.
25:14Maybe even two.
25:15And if it kills her?
25:18Then at least the studio died making something worth watching.
25:22So you would rather gamble her life for a film?
25:27I'd gamble anything to keep the studio alive.
25:31Even your conscience.
25:33You're not keeping anything alive, Veronica.
25:36You're watching it die.
25:38Slower.
25:39Whatever you want to call it.
25:41Tomorrow, when the investors call,
25:44either you announce Emily as Persephone,
25:47or you watch this whole place collapse around you.
25:57Oh, my God.
25:59Something happened, didn't it?
26:00No, no.
26:01Nothing happened.
26:02Well, look, Chloe,
26:04I'm really sorry about the gala, okay?
26:08I don't know what came over me.
26:10Relax.
26:10It's fine.
26:12I...
26:12I'm just happy for you, okay?
26:15Just be careful.
26:19What do you mean?
26:22Julian has this way of making you feel seen.
26:25Like you're part of this grand secret.
26:29That's the thing with secrets, Emily.
26:31They always end the same.
26:34Celeste didn't just die in the studio.
26:38It wasn't just an accident.
26:41Everyone knows who was calling the shots that day.
26:44And then when it didn't work out,
26:47he didn't let anyone talk about it.
26:50Miss Carter?
26:52Follow me.
27:01Come on.
27:02I'll take you home.
27:03No, it's fine.
27:04I'll get a cab.
27:05Emily.
27:05I just need some space.
27:07Space from what?
27:10From...
27:11you.
27:12Emily, just get in the car.
27:13I don't feel safe with you right now.
27:16You don't feel safe?
27:18I saved your father's life.
27:19I gave you this job.
27:21Everything I do is for you.
27:23That doesn't mean that you own me.
27:25You signed that contract.
27:27What do you think that means to me?
27:29You're mine.
27:39I didn't mean that.
27:43You think I'll actually hurt you?
27:48I've already lived through that.
27:51Then just tell me the truth.
28:01Okay.
28:02Okay.
28:10I promise.
28:11If you get in this car,
28:13I'll tell you everything about Celeste.
28:26So, how's my perception tonight?
28:29It's strange.
28:30The closer we get,
28:31the more real she feels.
28:33Look,
28:33I don't want you to do your own stunts.
28:35Oh, it's just a prop.
28:36It's not just a prop, Celeste.
28:39I've seen how these prop guns work.
28:42Quite often,
28:43they don't work.
28:44Julian,
28:45you're scaring me.
28:46Good.
28:48Good.
28:51At least,
28:52then,
28:52you can take these things seriously,
28:54Celeste.
28:56Please take this seriously,
28:58Celeste.
28:59That was the last thing
29:01I ever said to her.
29:02All right, everyone.
29:03This is the final take.
29:04Let's make it count.
29:05And action.
29:07I can't believe I let her do it.
29:10Go ahead.
29:11Pull the trigger.
29:13Let's see if gods bleed.
29:29It's a real gun!
29:31It's a real gun!
29:39I guess you didn't get to say cut this time.
29:43The studio claimed that it was an accident,
29:46but I'm still the one that approved it.
29:52I can't imagine how that must have been for you.
29:56You know,
29:57I should have believed you sooner,
29:59but you make it so difficult.
30:08Veronica wants you to play Persephone.
30:10Wait, what?
30:12Seriously?
30:13I said no.
30:14I'm not going through that again.
30:16Not with you.
30:18Well,
30:19I've always wanted to act,
30:22and I think this time
30:26will be different.
30:29I'll be right back to you later.
30:34No way,
30:36No way,
30:55you gotta go.
31:09they're getting too close this is inconceivable it's unprofessional it's human don't worry
31:17it won't last this time is different have you even seen them together relax emily is going to
31:25play persephone yeah as if julian's gonna allow that he will he's too protective too emotional
31:36that's exactly what we need when the pressure hits and it will hit one of them will break
31:46okay even if that does work then what then we leak it and let the press feed
31:56just in time for the 20th anniversary gala
32:07so
32:30What is it?
32:32A video of us kissing last night.
32:36It's everywhere.
32:38Right.
32:39You go freshen up.
32:41We've got work to do.
32:45Try, try, try.
32:52Fuck, shit.
32:54Oh, my God.
32:54Where's the car?
32:56Oh, my God.
32:57Oh, my God.
32:58Shit.
33:02Oh, my God.
33:03Oh, my God.
33:05Oh, my God.
33:05Oh, my God.
33:06Please.
33:06I'm going to open the door.
33:09Fuck, please.
33:09I'm going to open the door.
33:12Look.
33:13Oh, my God.
33:14Oh, my God.
33:14Please.
33:19Oh, my God.
33:20Oh, my God.
33:20Please.
33:25Hey.
33:26Hey.
33:26Hey.
33:26It's all right.
33:27It's all right.
33:28You're safe.
33:30Okay?
33:30Breathe.
33:32Slowly.
33:34Now.
33:45I can't believe that just happened.
33:47Yeah.
33:48Well, welcome to the show, Mrs.
33:49Come on.
33:55Oh.
34:03Don't overthink it.
34:06We're not bad alike.
34:10It's just a little deja vu.
34:12That's all.
34:20Do you think it's worth the risk?
34:24Someone once told me that nothing good ever came from playing it safe.
34:30And who was this person?
34:31He sounds handsome.
34:33Okay.
34:33Good luck, everybody.
34:35Three, two, one.
34:37Action.
34:38Well, go on, then.
34:41Pull the trigger.
34:42Let's see if God's bleed.
34:53Let's see if God's bleed.
35:00Get down!
35:02Emily!
35:05Emily!
35:15Oh, my gosh, Emily!
35:17Are you okay?
35:18I'm fine.
35:20It was so loud.
35:22We are shutting this place down until we find out who did this.
35:26We can't shut it down.
35:27Not now.
35:29Cancelling the 20th anniversary screams weakness.
35:33Weakness?
35:34Someone compromised my set twice.
35:37Emily could have died.
35:38And if we crumble publicly, whoever did this wins.
35:43We stay standing.
35:45We show control.
35:48But what do I even tell people about the gala?
35:51We're not cancelling a thing.
35:54She has plenty of time to recover.
35:57You are unbelievable.
36:00Come on.
36:03There we go.
36:10It's really appreciated.
36:22You should have rested.
36:25Well, I wasn't going to miss this.
36:27You look incredible.
36:33So, you must be the famous Emily my son keeps talking about.
36:37Oh, gosh.
36:38Only good things, I hope.
36:40I assure you, only good things.
36:42I'm glad you found someone that brings colour back to the place, Julian.
36:48What?
36:50Are you serious?
36:51What?
37:01The investigation's ongoing, and Hartwell Pictures...
37:04Has been infiltrated.
37:07Veronica, not now.
37:09Now is exactly the time, Father.
37:12We've had leaks, we've had fires, sabotage, and now another explosion.
37:20You all want answers?
37:22Well, so do I.
37:24The one question no one's been asking is how Emily Carter knew to jump before the blast.
37:35If someone inside Hartwell Pictures is feeding information to our competitors, I think we've found our lead.
37:42That's enough, Veronica.
37:43Wake up, Julian.
37:46Julian, you used to have instinct, and now, you just have a blind spot.
37:57Julian, you're not, you're not going to believe what she's saying, right?
38:02I didn't know, okay?
38:03I swear.
38:04I mean, why, why would I risk my own life?
38:07Because you're nothing left to lose.
38:13I gave you everything.
38:18And you still wanted to destroy me.
38:22Please, Miss Carter, leave.
38:24I didn't do anything.
38:26This is ridiculous.
38:27Julian, I didn't betray you.
38:29Get off.
38:30I know who the real mole is.
38:39You wanted proof?
38:46If Cole's money keeps us alive, he can have what he wants.
38:50Information, footage, whatever, keeps the studio afloat.
38:53Just make sure Julian never finds out.
38:59That was taken out of context.
39:01Context?
39:02I gave you everything, Veronica.
39:05Everything.
39:06Except the title.
39:07If I was running the studio, we wouldn't be in this financial mess.
39:12But no, you had to give it to the hopeless romantic,
39:16who still thinks loyalty is a business plan.
39:19A good producer does whatever it takes to get the film done.
39:23And you chose to ruin your own brother.
39:26Step, brother.
39:28If you didn't plant the bombs, then who did?
39:31Who took Celeste?
39:34Julian, step back!
39:45What did you all expect
39:47when you put the most broken girl in the room
39:50next to the most dangerous man in the industry?
39:55Jaws?
39:57You have a type, don't you?
39:59First, the thrill-seeking superstar.
40:06And now, the pretty little Angenot.
40:12Finally, the supporting actress gets to steal the spotlight.
40:16Chloe, please, okay?
40:18You don't want to do this.
40:19Why don't I?
40:23When do I get my happy ending?
40:26Chloe, put the gun down.
40:32If you have taught me anything about love, Julian,
40:38it's if you love someone,
40:39you have to be prepared to lose them.
40:43No, Julian!
40:50Julian, please!
40:52No, Julian!
40:54No, Julian!
41:07Oh, but the story was just good.
41:09It's getting good.
41:10It's getting good.
41:30It's getting good.
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