- 2 weeks ago
1995 Number One Fan FULL HOT MOVIE [Full Movie] [English Subs]Full EP - Full
Category
🎥
Short filmTranscript
00:00:02Oh, yeah.
00:00:10Oh, yeah.
00:00:13Oh, yeah.
00:00:20No, no!
00:00:49I'll get you off the face of no wonder, good luck.
00:00:57Happy birthday to me.
00:01:01It's a real shame what I'm going to do to you.
00:01:04It'll be like the face in the moon, Elisa.
00:01:33I guess you're right on time.
00:01:36For what?
00:01:37The last train to hell.
00:01:39And I got your boarding pass.
00:01:41All you got to do is ask.
00:01:55Send my regards to Satan.
00:02:08And cut.
00:02:10Check the gate, please.
00:02:11I think I'd like to print that.
00:02:13Very nice.
00:02:14Very nice.
00:02:15Thanks for saving my life.
00:02:18I owe you one.
00:02:19I think you pay me back in the next seat.
00:02:21I was thinking about something a little more interesting.
00:02:25Like you and my dressing room in about half an hour.
00:02:27Now, you know I'm practically married.
00:02:29I will tell you.
00:02:36Never trust a woman.
00:02:38Hey, Lieutenant.
00:02:39What are you doing down here?
00:02:40I'm giving some technical advice on a new cop show.
00:02:43I tell them in the finer points of police work, they ignore me, and everyone in America goes
00:02:47on thinking cops are more.
00:02:48We've got to grab some ones.
00:02:50I'm poor.
00:02:51You buying?
00:02:52Of course.
00:02:52You know, I like that free food.
00:02:56Say, yo.
00:02:58You were wonderful.
00:02:59Yeah, it was okay?
00:03:00Oh, are you kidding?
00:03:01It was fabulous.
00:03:02I think we have another hit here.
00:03:04All right.
00:03:04I'll see you later.
00:03:29We love you.
00:03:42All right, all right, ladies.
00:03:43Come on.
00:03:43Time to break it up.
00:03:45Notice.
00:03:47So, my mother called today, and I told her we just wanted family and a few friends, but
00:03:52she still thinks that we ought to look at a few churches.
00:03:56I thought you didn't want a church wedding.
00:03:59Well, I didn't, but, I don't know, maybe we should.
00:04:03Of course, it'd be a bit hypocritical.
00:04:05I haven't been to church in years.
00:04:06I'd probably get struck by lightning walking down the aisle.
00:04:10I don't know.
00:04:10I just, I just want everything to be perfect.
00:04:14Oh, it'll be perfect, because you'll be there.
00:04:17You don't have to say that.
00:04:18I already said yes.
00:04:21Hold that zipper any further.
00:04:23You're a dead man.
00:04:24This one's off limits.
00:04:26It's the wedding dress.
00:04:27Oh, I want to see it.
00:04:28No, I'm not finished with it yet.
00:04:29Besides, it's bad luck for you to see the dress before the wedding day.
00:04:32We don't have any bad luck.
00:04:35Not yet.
00:04:36Not in three years.
00:04:37It's been that long.
00:04:40Yes, you were shooting .45 Magnum, and it was my first job as a wardrobe assistant, and
00:04:46I got to dress you.
00:04:48Well, now you can undress me.
00:04:50Oh, no.
00:04:51Oh, yes.
00:04:51We've got to get going.
00:04:52I don't want to go.
00:04:53Oh, come on.
00:04:55I've been looking far to this party.
00:04:58No, no.
00:04:59If you mess one hair on my head, I'll have to go back to that bathroom.
00:05:03I'll have to go back to that bathroom.
00:05:06I'm not ready for this.
00:05:12I'm not ready for this.
00:05:12I didn't think it was going to be well.
00:05:14I thought I know when I saw it.
00:05:16I thought it was going to be fine.
00:05:18I thought it was going to be fine.
00:05:18You know what?
00:05:19And you?
00:05:20I don't know.
00:05:21I don't know.
00:05:22I don't know.
00:05:23I don't know.
00:05:24Yeah.
00:05:26That's crazy.
00:05:26I can't see.
00:05:28Yeah.
00:05:29I can't see.
00:05:31I can't see.
00:05:37I think the villain doesn't have to be diabolical or viciously cruel on the surface, right?
00:05:44I mean, that's so overdone, audiences don't take it seriously.
00:05:47A strong villain manipulates you by your weaknesses.
00:05:52And when you let him in, he stabs you through the heart.
00:05:55Through the heart?
00:05:57Just quick, clean, and easy.
00:05:59He's funny, this guy.
00:06:00I mean, Graham always falls in love with his characters, especially the villain.
00:06:03Hey, you have to admire a mind like that.
00:06:06Excuse me.
00:06:07By the way, I got this funny thing in the mail, something about a premiere.
00:06:10Yeah, I wonder who that was from.
00:06:12I know, I hate the premiere.
00:06:13I mean, the thought of my rather strangled record.
00:06:17So don't come, could we have one of these children?
00:06:21It's crazy.
00:06:23It reminds me of this one, or especially me.
00:06:25I said if I have to go to that spot, I am not coming back.
00:06:32I said if I have to go to that spot, I would like to go to that spot.
00:07:50How long have you been watching me?
00:07:53I wasn't.
00:07:54Meyer.
00:07:55Your name Barry.
00:07:57Guilty as charged.
00:07:58I had no idea you were into voyeurism.
00:08:02I'm sorry about that.
00:08:03I don't know why I did it.
00:08:04You're a man.
00:08:07So you're a friend of Foxy's?
00:08:08I've never seen you here before.
00:08:10I don't have Foxy.
00:08:12So you're a friend of a friend.
00:08:14Actually, I don't know anyone here.
00:08:16Could you button me up, please?
00:08:23I'm not big on parties.
00:08:25Let me guess.
00:08:26You prefer more intimate crowds, let's say, one-on-ones?
00:08:31Maybe.
00:08:31Maybe I do, too.
00:08:35Well, we better get back before they send the bloodhands out to find death.
00:08:40I'm sorry about watching you.
00:08:45I'm not.
00:09:02What took you so long?
00:09:03Where's the line?
00:09:04Come on, let's go.
00:09:04Oh, no, I'm not going to leave.
00:09:06I'm enjoying myself.
00:09:07Why don't we go back to my place?
00:09:09Maria's on vacation.
00:09:10You can enjoy yourself even more.
00:09:12You're drunk.
00:09:13You're right.
00:09:15I mean, people will see.
00:09:17Well, let's give them something to look at.
00:09:18What's got...
00:09:19Oh, what's coming into you?
00:09:21I'll carry you to the car.
00:09:21No, no, I can't go back to your place.
00:09:24Why not?
00:09:25Because I have a deadline that we've reached it.
00:09:27I'll help you.
00:09:35Could someone from the prop department please remove the giant whale from Fire Lane 1?
00:09:49Each and every stage has its own ghost, its own story.
00:09:52Think back to the roaring 20s.
00:09:54Imagine your favorite movie stars moving about in costume.
00:09:57Walking down the same alleyway as we're walking right now.
00:10:01And even today, our lot flourishes with the top stars in the business.
00:10:05As a matter of fact, this stage right here is the stage where Zane Berry is making his latest film.
00:10:13Where did this come from?
00:10:16Oh, fan.
00:10:18You're going to call the number?
00:10:19No.
00:10:24Good.
00:10:25You know, you've got to get some silverware here.
00:10:27You're living like a pig.
00:10:29Boobie stuff.
00:10:36Oh, Sean's back.
00:10:37I'd like to bake like this.
00:10:38That'd be a happy man.
00:10:44I've got to tell you, I'm excited.
00:10:47Every reporter in town called today, they want to know where the wedding is, they want to know if they
00:10:52can have press passes, they want to bring camera crews.
00:10:57Unbelievable.
00:10:58Yeah.
00:10:59Well, see, I've got an angle about that.
00:11:02You're not going to believe this one.
00:11:06There's something for the kids.
00:11:11There's a note.
00:11:13Let's see.
00:11:16Dear Zane, I read in the papers that you plan to marry that bimbo, and I can't let that happen.
00:11:21She's not the one for you.
00:11:22I will save you from the mistake you're about to make, and show you that there's only one more for
00:11:26you.
00:11:27No signature.
00:11:28No, Andrew.
00:11:29It's another anonymous nut, like all the rest of them.
00:11:52You and your mineral water.
00:11:54Yeah, that must be hurting badly now.
00:11:57Hey, send around the drinks to my friend.
00:11:59Okay.
00:12:06Thanks, Nancy.
00:12:07You're welcome.
00:12:17You like to stare at me, don't you?
00:12:18You were staring at me.
00:12:20I guess it's your lucky day.
00:12:21May I?
00:12:22Sure.
00:12:25That looks pretty healthy.
00:12:27Yeah, well, I've got to be careful what I put in my body.
00:12:30So do I.
00:12:32See, you never told me your name.
00:12:33Blair.
00:12:35Well, it's quite a coincidence that we run into each other again, isn't it, Blair?
00:12:39You don't remember me, do you?
00:12:41Should I?
00:12:42We were neighbors back in Omaha.
00:12:44It was a long time ago.
00:12:45Blair and Matt's and your Seth's little sister.
00:12:49Give the man a prize.
00:12:51Wow.
00:12:51Last time I saw you, you were this big.
00:12:53I was six.
00:12:55But I remember you.
00:12:56You know, I used to pretend you were my boyfriend.
00:12:59Sounds cute.
00:13:01You kissed me once.
00:13:02I remember it like it was yesterday.
00:13:05So how's Seth?
00:13:07He's fine.
00:13:07He's working at Exarvin.
00:13:09He started there after high school, and he'll probably be there till the day he dies.
00:13:13So you living out here now?
00:13:15Visiting my aunt.
00:13:16She's ill.
00:13:16I'm sorry.
00:13:19I didn't know her well.
00:13:20I thought my coming out here was the right thing to do.
00:13:23You know, I spent a lot of nights thinking about you.
00:13:26I often wished I'd been a little bit more aggressive.
00:13:29You were just a kid.
00:13:31And I'm not now.
00:13:34Hey, Zane, let's go, man.
00:13:36You're up.
00:13:40Go play darts with your friends.
00:14:04What's your problem?
00:14:07Just my luck.
00:14:08Dead battery.
00:14:09You sure?
00:14:10I left my lights on.
00:14:11Let me give it a try.
00:14:18Sorry, I wish I had jumper cables.
00:14:23Where are you going?
00:14:25Just call a cab.
00:14:26I don't feel like dealing with this tonight.
00:14:28Where were you staying?
00:14:29Hollywood.
00:14:31I'll give you a lift.
00:14:32That sounds like a come on.
00:14:33It's a dangerous city at night.
00:14:35You shouldn't be left alone.
00:14:36It sounds like a come on also.
00:14:45Wow, I just love your car.
00:14:47It's so cool.
00:14:49Yeah, well, I always wanted a Porsche.
00:14:51When I was a kid, I used to cut out pictures and paste them on the wall.
00:14:55I told my friends that when I make it, that's the car I'm going to get.
00:14:59And everyone will know that I'm somewhere.
00:15:04Back home, I don't even have a car, so I guess I'm far from making it.
00:15:08And that's your fault.
00:15:28Well, I guess this is it.
00:15:29Why don't you come up?
00:15:31I better not.
00:15:32Come on, I've got something I think you'd like to see.
00:15:34Now that sounds like a come on.
00:15:36It's a surprise.
00:15:39I don't like surprises.
00:15:40What, you don't trust me?
00:15:44All right.
00:15:57Make yourself comfortable.
00:15:59I'll be right back.
00:16:00All right.
00:16:16You like that?
00:16:20I brought it in case I got lucky.
00:16:22Did you?
00:16:23The jury's still out.
00:16:25So what'd you want to show me?
00:16:31Do you mean a mop?
00:16:33You carry this with you?
00:16:36That was the best time of my life.
00:16:49It was beautiful.
00:16:51It's like I dreamed it would be.
00:16:54You wanted me from the moment you saw me.
00:16:56That's why you followed me.
00:16:58That's why I followed you.
00:16:59And now here we are.
00:17:01Just the two of us in this motel.
00:17:07A fire burning, can you feel it?
00:17:15What were you thinking of?
00:17:17Nothing.
00:17:18Nothing?
00:17:19I didn't have time to think.
00:17:20I went with my instinct, and before I knew it, he was laying there.
00:17:23He wouldn't move.
00:17:24You're a good cop, Dalton.
00:17:26I trust you like a brother.
00:17:27But you didn't follow the rules.
00:17:29Now a guy is dead because of it.
00:17:30We all have to bear responsibilities for our actions, and you are going to have to face
00:17:35the consequences.
00:17:36What consequences?
00:17:37I'm putting you on suspension without pay until further notice.
00:17:41And consider yourself lucky.
00:17:43Next time, you won't get off so easily.
00:17:49And cut!
00:17:50And print that one.
00:17:51That was wonderful, fellas.
00:17:53The emotion at the end was very strong.
00:17:55I just felt you wonderful.
00:17:56That's a wrap, everybody.
00:17:57See you Monday on Actors.
00:17:59Please try to remember to look at me.
00:18:01What is it?
00:18:04That's not your surprise.
00:18:05Surprise!
00:18:06Hey, what are you doing here?
00:18:07I want to thank you.
00:18:08Thank me?
00:18:09Way to go, Zane.
00:18:09Actually, it was a good excuse to see you again.
00:18:12How did you get in here?
00:18:13That was never a problem for me.
00:18:15Don't I get a kiss?
00:18:21Now's a good time to show me your dressing room, don't you think?
00:18:23Listen, I can't tonight.
00:18:25I've got to get home.
00:18:26I got my battery charged.
00:18:27I'll follow you.
00:18:28I've got plans.
00:18:30So you can break them.
00:18:32You're so adorable.
00:18:33All right, Mom.
00:18:34I want to feel you inside of me.
00:18:36I'm going to a premiere.
00:18:37So you can take me with you?
00:18:38Not tonight.
00:18:39Okay.
00:18:40Yeah.
00:18:41Bye, now.
00:20:33How did you get in my house?
00:20:34You shouldn't leave your doors unlocked.
00:20:36You never know.
00:20:37You might wander in.
00:20:39You left these.
00:20:39I thought you'd want me to bring them to you.
00:20:41I thought I told you no.
00:20:43No usually means yes, doesn't it?
00:20:44Not tonight.
00:20:58What's going on?
00:21:00I know I'm a bad girl and I shouldn't have come.
00:21:02Please don't be upset with me.
00:21:04It's just my last night here and I didn't want to be alone.
00:21:09I hate being alone with no one to care about me.
00:21:14That feeling frightens you too, doesn't it?
00:21:20No.
00:21:23Babe, I mean.
00:21:37I don't mind.
00:21:42Here we go.
00:21:44Here we go.
00:22:06you always like this like what turned on turned on yeah only when i think about you
00:22:15don't you have anybody back home
00:22:19no not really i'm surprised you could really make somebody happy i don't want to make you happy
00:22:25yes but my life's really complicated right now
00:22:31you must really love it here i mean this place is just like paradise
00:22:37yeah i guess it is
00:22:40it's light years from nebraska god it is so boring there i hate it i could die there
00:22:48i've got to get dressed no i don't want you to go i want you to stay come on
00:22:56i told you i got a decent part forget about holly tonight there'll be other screenings
00:23:03that's an important night for her
00:23:06holly's a big girl she can handle a little disappointment
00:23:13what am i supposed to tell her tell her something unforeseeable came up and there was nothing you
00:23:20could do about it tell her that you're really sorry and that you'll make it up to her she'll
00:23:27believe you she has no reason not to trust you
00:23:36you
00:23:38and
00:23:43you
00:23:44you
00:23:49you
00:23:58and
00:23:59you
00:24:06Southern California's weather is going to be mostly sunny today after areas of morning low clouds and fog with a
00:24:12northwest afternoon wind of 15 miles per hour. It will be mostly clear tonight and Thursday except night through mid
00:24:18-morning low clouds and fog. Highs today in the upper 60s along the coast to the upper 70s inland. Overnight
00:24:25lows in the upper 40s and 50s.
00:24:27The time is 10.20. I'm sorry we wound up shooting late. Well, you should have called me. I couldn't
00:24:32get to a phone. I was counting on you, Zane. I'll make it up to you, I promise. Remember, we
00:24:36have an appointment this morning. Yeah, I know. I haven't forgotten. Don't be late. I'll see you soon. Because, you
00:24:41know, you're always... Hey, let me get dressed. I hate you. Love you.
00:24:46Mmm, mmm, mmm. What a tasty sight you are. Well, you're up early. I made you breakfast. Banana cinnamon French
00:24:53toast. I read it was your favorite. That's sweet, but I'm in a rush.
00:25:05Well, you're not leaving me. I have to go meet Holly. But it's my last day here. I thought we
00:25:11could spend it together.
00:25:16Look, I've had a great time the last couple days, but...
00:25:21But you have to get back to your complicated life now.
00:25:25Just like you do.
00:25:27I don't like this saying.
00:25:30What did you expect?
00:25:32A little honesty, you bastard.
00:25:37I'm sorry. I'm sorry. I don't know why I said that.
00:25:45I know we haven't seen each other in a long time.
00:25:47I had no right to expect anything from you.
00:25:50I just thought you and Seth were such good friends. I mean, you guys were like brothers.
00:25:55And when I came out here, I thought it would be fun to see you again.
00:26:02Come on. We've had a wonderful time. It's been fun.
00:26:08Look, I want you to stay and eat some breakfast.
00:26:11Just make sure you lock up before you leave.
00:26:15Aren't you going to kiss me goodbye?
00:26:16You always kiss your leading lady goodbye.
00:26:18Goodbye.
00:26:19Goodbye.
00:26:20Goodbye.
00:26:43It's me.
00:26:44Why did you call?
00:26:45I've been busy, that's why.
00:26:47How's your aunt?
00:26:51Bad. Her condition's worsened.
00:26:53That's why I'm calling. I have to stay a few more days.
00:26:55What for?
00:26:56Why did you bear?
00:26:57I don't give a shit.
00:26:59Everything's falling apart.
00:27:00Hey, that's your problem.
00:27:02I don't even see why you gotta be out there.
00:27:04Because she's my aunt?
00:27:06Well, you never care.
00:27:07Well, I care now.
00:27:08When are you coming back?
00:27:10I don't know.
00:27:11Give me an idea.
00:27:12I said I don't know.
00:27:15I'll call you.
00:27:38And our garden is a beautiful setting for photographs, depending on the weather.
00:27:44It's no excuse saying you've gotten out before.
00:27:47I said I was sorry.
00:27:49Of course, some couples do prefer to have their photos taken inside.
00:27:53It's quite spectacular with all the stained glass.
00:27:55This is really important to me.
00:27:57It just seems like if it's not something for you, it's not important to you.
00:28:00Look, can we just drop this and pretend like we're happy we're getting married?
00:28:03Hmm?
00:28:04Um, look, we have done several celebrity weddings.
00:28:08As you can see, the setting is magnificent.
00:28:10We do have a bridal room in the back.
00:28:12If you like, we can take care of the seating, the music, and the flowers.
00:28:18All you have to do is show up.
00:28:20Easier said than done.
00:28:31I thought you said Maria was in Mexico visiting her family.
00:28:34She is.
00:28:35Why does it smell like someone's been cooking?
00:28:37I know how to turn on the stove, honey.
00:28:39You never cook.
00:28:41Maybe I'm trying to impress you.
00:28:42Oh.
00:28:46Oh, what beautiful flowers.
00:28:52Oh, what are these for?
00:28:54For you.
00:28:55For me?
00:28:57I wanted to make it up to you.
00:28:59You're not so bad after all.
00:29:09Come on.
00:29:32I'm sorry I got mad at you.
00:29:33Ah, don't be.
00:29:34I should have been there.
00:29:36No, it's not that.
00:29:37Don't hear the screenings.
00:29:46I was upset because there was a time when you would do anything to be with me.
00:29:52Now there always seems to be something that comes between us, you know?
00:29:55I mean, I know that you have a lot going on.
00:29:57I do, too.
00:29:58I'm not blaming you.
00:30:03I just miss it when it was you and me.
00:30:06Nothing else seemed to matter.
00:30:13We've got to spend more time together.
00:30:18Can we have that in, please?
00:30:19And where's the dumping?
00:30:20I wanted the dumping.
00:30:21Is there a problem with time?
00:30:23Oh, well, it's all right.
00:30:25Listen, you didn't see anything that's going to compromise our art.
00:30:29You know what I do.
00:30:30No, no, no.
00:30:55It's all right.
00:30:59No, no.
00:31:11They're all here.
00:31:14I've put them in order for you.
00:31:17What's going on here?
00:31:19I found them in the closet.
00:31:20They were all mixed up, and that one in the corner's not mine.
00:31:24You said this?
00:31:26Kind of mental progression, don't you think?
00:31:29I thought you were going back home.
00:31:31I decided to stay.
00:31:33How's your aunt doing?
00:31:35She's dead.
00:31:36She died?
00:31:37Yes, ten years ago.
00:31:40Look, please leave.
00:31:42I don't want to see you around here again.
00:31:43I'm not going to leave, Sam.
00:31:45I came here to rescue you.
00:31:46From all the distractions that keep you so lonely and scared inside.
00:31:51You know what it's like?
00:31:52That nobody understands what you want, who you are.
00:31:57All you need is to be loved.
00:31:58Why are you doing this?
00:32:00Because I love you.
00:32:01You don't even know me.
00:32:03I want us to be together forever.
00:32:05That's impossible.
00:32:07Just like a fairy tale.
00:32:08I don't love you, Blair.
00:32:11It's too late.
00:32:12You can't take it back.
00:32:13Take what back?
00:32:14You already told me you love me.
00:32:16I did not.
00:32:17When I was six, you said you love me and I love you.
00:32:22I want us to be together forever.
00:32:24I want to do things for you.
00:32:25I want to please you.
00:32:27Later, sport.
00:32:28Blair was just leaving.
00:32:49What is going on?
00:32:51Who the hell is that?
00:32:52It's no big deal.
00:32:53Forget about it.
00:32:54No big deal.
00:32:55Look at you.
00:32:56Look at this place.
00:32:57Why don't you call security?
00:32:59I don't need security.
00:33:01I see you're above that.
00:33:02Well, I'll call.
00:33:03Scotty.
00:33:05Look, you do enough for me.
00:33:06Just let it go.
00:33:07Listen, you don't need this.
00:33:08I don't need this.
00:33:09I'll go down there myself.
00:33:10Let's go.
00:33:16Your eyes and cameras focused on the left side of the tram.
00:33:20Currently under construction.
00:33:21This is an F&R, so I'm in the city's room, and it's still wet.
00:34:12you come in hey hotshot how the hell are you i'm all right how's the biz uh you know i
00:34:20rented one
00:34:21of your movies last week and damn if we couldn't lose a few of you on the force so what
00:34:25brings you
00:34:26all the way down here i need some technical advice on our new script usually i get a phone call
00:34:31and
00:34:31it's a technical question yeah i was in the neighborhood i got a few minutes pull up a
00:34:35chair thanks so your main character sleeps with her right and he thinks it's a one-night stand
00:34:45but she just won't leave him alone first thing he's got to do is cut her off tell her no
00:34:49way
00:34:50jose's not interested ah but what if she doesn't take no for an answer you know what they say it
00:34:55takes two to do the old hokey pokey if you know what i mean well there's got to be something
00:35:00the
00:35:01police can do about it right well sure there is we can talk to her maybe even put a tail
00:35:05on her but
00:35:05that would require taking an officer off his normal beating away from more urgent police work okay but
00:35:10what if she's sending him letters and real sick gifts and following them around can't you arrest
00:35:14her look what are we talking about here a spurned lover let's face it if we arrest every spurned
00:35:19lover in la the whole damn city be behind bars
00:35:23halls here i'll be with him in a moment okay
00:35:28look my suggestion is that you break off all contact with the girl try not to be alone try to
00:35:33be around public places and start a journal keep track of everything she says or does
00:35:39start a journal i'm serious son listen it's important to keep a record
00:35:42well now that doesn't make for a very exciting movie well i'm afraid real life is not as exciting
00:35:47as the movies most of the time i know you got to take this thanks joe any time pal
00:35:55hey zane yeah i'm only a phone call away if you need any more technical advice
00:36:03yeah
00:36:04um
00:36:28of
00:37:15What is it?
00:37:19Probably just some neighborhood kids.
00:37:34I don't know.
00:37:59I don't know.
00:38:09I don't know.
00:38:20I don't know.
00:38:43Who is this?
00:38:45Just put him on the phone.
00:38:47Talk to the world.
00:38:49It's for you.
00:38:52It's a woman.
00:38:58I forgive you, Zane.
00:39:07How the hell did you get this number?
00:39:09I'm trying to save you.
00:39:11We're destined to be together.
00:39:12It's not going to happen, so just get it out of your mind.
00:39:15No, Zane, I won't get it out of my mind.
00:39:16I'm not going to lose you.
00:39:18You don't even have me.
00:39:20It's only a matter of time, my love.
00:39:23Yeah, well, you're out of time.
00:39:24Don't ever call me again.
00:39:37Who's that?
00:39:38Just a girl.
00:39:40A girl?
00:39:42I'm a fan.
00:39:45I'm a fan.
00:39:45A fan?
00:39:46A fan who calls you here at 3 o'clock in the morning?
00:39:52That's a girl that I used to know back in Omaha.
00:39:55Oh, she used to live on my block.
00:40:00Oh, you're not in Omaha now.
00:40:03What's going on?
00:40:05She's been sending me things, letters, gifts.
00:40:08I didn't even know they were from her until she showed up.
00:40:13She's in town?
00:40:16She's been following me around.
00:40:18Following you where?
00:40:19Everywhere.
00:40:21On the lot.
00:40:22Off the lot.
00:40:24To your house?
00:40:25I think so.
00:40:29Inside your house?
00:40:30I don't know.
00:40:32You don't know?
00:40:35Zane, have you told the police?
00:40:37No.
00:40:38What are you waiting for?
00:40:40If I go to the police,
00:40:42every reporter in town is going to catch wind of it.
00:40:45I don't exactly need that kind of press right now, Holly.
00:40:48But Zane, she knows where you live.
00:40:51I mean, what if she's one of these fanatics
00:40:53who comes after you with a gun or something?
00:40:57She's not going to come after me with a gun.
00:41:05There's something else that's going on.
00:41:10Zane, did you sleep with her?
00:41:16Dolly.
00:41:19Zane?
00:41:20Dolly.
00:41:28Dolly.
00:41:51Mr. Barry?
00:41:55Dolly.
00:42:03Dolly.
00:42:08Dolly.
00:42:09Dolly.
00:42:10Dolly.
00:42:13Dolly.
00:42:15Dolly.
00:42:16Dolly.
00:42:16Dolly.
00:42:17Dolly.
00:42:18Dolly.
00:42:19Dolly.
00:42:20Dolly.
00:42:22Dolly.
00:42:23Dolly.
00:42:23Dolly.
00:42:25Dolly.
00:42:32Oh, my God.
00:42:57Oh, my God.
00:43:27Oh, my God.
00:43:50You're already attached.
00:43:52Great for those traditional church weddings.
00:43:55I like it.
00:43:59Well, try on a few more, and I'll be right back.
00:44:01Okay.
00:44:08Oh, I'm sorry. I didn't see you there. Go ahead. I'm always grabbing at things.
00:44:13No, no. You try it on.
00:44:22Oh, yeah. That's nice. You're going to be a beautiful bride.
00:44:26You really think so?
00:44:27Yes. I'm jealous.
00:44:30So when are you getting married?
00:44:31October. What about you?
00:44:34I'm not really sure yet.
00:45:02I don't know.
00:45:03I don't know.
00:45:04I don't know.
00:45:18I don't know.
00:45:28I don't know.
00:46:03You stupid bitch in your damn wedding dress.
00:46:06Who do you think you are, getting in the way of everything?
00:46:09You stay away from Zane. He's mine now.
00:46:11I love him, and he loves me.
00:46:32I'd like to make a click call.
00:46:33Your name?
00:46:34Blair.
00:46:39Hello?
00:46:41It's me.
00:46:41When are you coming home?
00:46:42Well, that's why I'm calling. I'm not coming home.
00:46:45Come home now.
00:46:45Why the hell not?
00:46:48Because I don't love you, and I never did.
00:46:52I'm in love with someone else, and he's in love with me.
00:46:56None of your...
00:46:58Fine.
00:46:59Go to hell.
00:47:07Hey, where's 24-8?
00:47:0924-8!
00:47:10Around the corner, to the left.
00:47:21Line two.
00:47:23Line two.
00:47:25Line two.
00:47:48She did this to me, didn't she?
00:47:53The woman who called the other night, your van, she said you loved her.
00:48:03It's crazy, I don't love her.
00:48:06Then why did you sleep with her?
00:48:08It just happened, I'm sorry.
00:48:14Fine to me.
00:48:23You're never gonna change.
00:48:27There's too much temptation out there.
00:48:29You need someone who can handle that.
00:48:30I can't.
00:48:31Holly, don't do this.
00:48:34I can't love you anymore, Zane.
00:48:45Please leave.
00:48:49I just want you to leave.
00:49:18I just want you to leave.
00:49:22Where were you this afternoon, Miss Madsen?
00:49:26Shopping for lingerie.
00:49:28You want to see what I bought?
00:49:28I'm wearing it.
00:49:31Did you or didn't you break into Holly Newman's apartment and strike her with a mannequin?
00:49:35I don't even know where she lives.
00:49:37So I take that as a no?
00:49:39Yes.
00:49:40What about all this business with Zane Barry, sending him all this crap?
00:49:45I sent him a few things.
00:49:46Is that a crime?
00:49:49What about this?
00:49:50What is that?
00:49:52A doll.
00:49:53This is not Holly Newman.
00:49:55Of course not.
00:49:55You said she was in the hospital.
00:49:59Why did you send all this stuff to Mr. Barry?
00:50:01Why did you come to Los Angeles?
00:50:03I sent him these things because I enjoy seeing his movies.
00:50:06I came to Los Angeles because I wanted to go to Disneyland.
00:50:09You came to Los Angeles to see Zane Barry.
00:50:11First you seduced him, then you stalked him, and then you attacked him at his girlfriend's house.
00:50:16Does that ring a bell?
00:50:18He's the one who started all of this.
00:50:20He followed me at the party.
00:50:22He watched me undress.
00:50:24Then he picked me up at a bar, he took me home, and he fucked me.
00:50:27He fucked me again.
00:50:29He confused me.
00:50:30He led me to believe that he wanted to keep seeing me.
00:50:33It's only natural that I became upset when he turned on me.
00:50:36Sometimes you do things when you're upset.
00:50:39Well, he told us that you wanted to get horizontal on his bungalow, and he said no.
00:50:44Yes, he did say that, but I knew he didn't mean it.
00:50:47No usually means yes for men.
00:50:49Why can't it mean yes for us, too?
00:50:53Hmm.
00:51:05Holly didn't actually see her attack her's face.
00:51:08And without hard evidence, there's no way we can prove it was Blair.
00:51:11You should have played it straight with me, Zane.
00:51:13I mean, I thought we were supposed to be friends.
00:51:15Why didn't you tell me the truth?
00:51:17I thought I could handle it.
00:51:18Well, I can tell you from experience.
00:51:20That only makes matters worse.
00:51:22So what are we gonna do about it?
00:51:25Well, we can ask the judge for a restraining order.
00:51:27She can't see you, talk to you, phone you, or fax you.
00:51:30That's not gonna stop her.
00:51:32It'll slow her down, she'll get frustrated, she'll go home.
00:51:35I say you bust her and let the DA take his chances.
00:51:37Yeah, but you're not in charge. That's not the way it works.
00:51:40What does she have to do? Kill someone before you arrest her?
00:51:42Is that the way it works, Lieutenant?
00:51:43Look, Zane, I don't like this deal any better than you do, okay?
00:51:46But without proper evidence, no jury in his right mind is gonna convict her.
00:51:49Then we'll lose her.
00:51:50Now, I'll talk to threat management and I'll see what I can do.
00:51:53But I gotta tell you something, son.
00:51:54As of right now, you got no case.
00:51:58That's just the way it is.
00:52:14Hey, Zane, what do you think? The cops are gonna stop and see each other?
00:52:18I'm not moving. No one can stop us.
00:52:32You may start your message now.
00:52:35Scotty, it's Zane, it's 8.30, where the hell are you?
00:52:39I'm gonna send the cops out looking for you if you don't give back to me.
00:52:42Okay, call me back.
00:52:59I'm sorry, Mr. Berry, but Holly expressly ask that you not be allowed in her room.
00:53:03We do have a waiting room down the hall.
00:53:25Mr. Berry, I must tell you I'm a big fan. I've seen all your movies.
00:53:31Do you think I could get your autograph?
00:53:34It's for my niece. Her name's Stacy.
00:53:38She says she's gonna marry you someday.
00:53:40I bet you get that all the time.
00:53:42Thank you so much.
00:53:46I need a nickel bag.
00:54:10What?
00:54:11Fleur Morgan's room, please.
00:54:13You're gonna warrant an invitation to a winning lotto ticket. I'll give you the number. If you don't, get lost.
00:54:17I'm her husband.
00:54:19Yeah.
00:54:20We got a lot of husbands around here.
00:54:22But they never wear their wedding rings if you catch my drift.
00:54:27Hey, let go!
00:54:28Give me room now or you ain't gonna take another bite.
00:54:31What?
00:54:32What?
00:54:33What's your name again?
00:54:34Morgan.
00:54:35Blair Morgan.
00:54:41I don't have a Morgan.
00:54:43I gotta...
00:54:44Blair Madison.
00:54:47That's her.
00:54:48She's the blonde.
00:54:49218.
00:54:50She's not in.
00:54:57Don't break anything.
00:55:00You asshole.
00:55:25I thought you were my friend.
00:55:26You're not my friend.
00:55:27I guess I may have anyone.
00:55:29She...
00:55:40What are you doing here?
00:55:43Came to get you.
00:55:44What do you think?
00:55:47How did you find me?
00:55:48Telephone company.
00:55:50You called.
00:55:51Collect.
00:56:11So where is he?
00:56:16Who?
00:56:17The guy you've been seeing.
00:56:19None of your business.
00:56:21Doesn't matter anyway.
00:56:23It's all over now.
00:56:26Won't be seeing him anymore.
00:56:36Can I use the bathroom or do I have to sit here and watch you drink yourself under the table?
00:56:41Should I play a saint?
00:56:42Should I play a saint?
00:56:42It's God's country.
00:56:44Just don't think you're going anywhere.
00:56:47Do I wanna feel good, bad, bad?
00:56:49Do I really wanna take that chance on lovin' you?
00:56:54When I know I lose.
00:56:56When I know I'll lose.
00:56:57I can tell my heart I'll lose.
00:57:00Hey, back on.
00:57:01I'll show you some.
00:57:02Come on, get back.
00:57:02Woohooo!
00:57:05I'll show you some little guys.
00:57:29Looking for these?
00:57:37Let go of me.
00:57:38Get in there!
00:58:12Let go of me.
00:58:23Let go of me.
00:58:39Let go of me.
00:58:40Let go of me.
00:58:42Let go of me.
00:58:43Let go of me.
00:58:45Let go of me.
00:59:04Let go of me.
00:59:06Let go of me.
00:59:28You're a good Christian.
00:59:30I know in your heart you didn't mean to lie and cheat on me.
00:59:34But you've got to come back.
00:59:37Talk to the minister.
00:59:39He'll know what to do.
00:59:41But you don't belong here.
00:59:44You belong with your husband.
00:59:46And your daughter.
00:59:49Don't you think she needs you?
00:59:51Every child.
01:00:11You're a little girl.
01:00:13Please.
01:00:13And your daughter at home.
01:00:13It's time to lie and get to you.
01:00:13I don't want to do it too, or I don't want to do it.
01:00:16You're a good teacher.
01:00:20And I saw you in the air.
01:00:23We get back to that motel, you're packing your bags, you're on the first plane to Omaha.
01:00:59We get back to that motel, we get back to that motel.
01:01:40We get back to that motel.
01:02:02What are you doing, sweetheart?
01:02:03Get out of my house.
01:02:05What are you gonna do, shoot me?
01:02:06I might. I've got a restraining order. You're not supposed to be within a hundred feet of me.
01:02:12No corridor can come between you and I, my love.
01:02:16What's behind your back, Blair?
01:02:19Nothing.
01:02:20Show me your hands.
01:02:22I fooled you, didn't I?
01:02:23You're sick!
01:02:29Hey! Let go of me!
01:02:44Open the door!
01:02:45Let me in!
01:02:48Open the door!
01:02:51Stain!
01:03:01Stain!
01:03:02Open the door!
01:03:14Stain!
01:03:15And if that means not being a cop anymore, if that's too hard for you to handle, then I'll give
01:03:20it up.
01:03:21If that's what you want.
01:03:26Line, please.
01:03:27I just want you back.
01:03:30Stain, please.
01:03:32Stain, wait a minute.
01:03:33Wait, where are you going?
01:03:34Out of here.
01:03:35Yeah, but Stain, we still have three and an eighth pages to shoot.
01:03:38Shoot it without me!
01:03:39Stain!
01:03:39Stain!
01:03:40This is it!
01:03:40Stain, come back here!
01:03:42This is very unprofessional!
01:03:48Stain!
01:03:49Stain!
01:03:50Stain!
01:04:08Stain!
01:04:08Come on!
01:04:09Come on!
01:04:10Come on!
01:04:11Somebody call the fire department!
01:04:14Mr. Berry, stand back!
01:04:15We'll take care of this!
01:04:16Stand!
01:04:17Stand back!
01:04:18We'll take care of this!
01:04:22Come on!
01:04:23Come on!
01:04:24Come on!
01:04:25Come on!
01:04:26Come on!
01:04:26Come on!
01:04:26Come on!
01:04:27Come on!
01:04:27Come on!
01:04:36Come on!
01:04:36Mr. Berry!
01:04:36Mr. Berry!
01:04:37Mr. Berry!
01:04:40We'll just have a word with you!
01:04:41Do you think that the fire is an act of arson?
01:04:44I have an act of arson!
01:04:46Is there any truth to the rumor that your fiance did it because you were having an affair with one
01:04:49of your fans?
01:04:50Where in the hell did you hear that?
01:04:53Come on!
01:04:54Get more coverage of the fire for the 5 o'clock news!
01:04:56I want to find out about this rumor!
01:05:01Come on!
01:05:04The fire was no accident.
01:05:06Someone doused your car with gasoline.
01:05:07Someone?
01:05:08Well, now that's impressive.
01:05:09It's nice to know the police department has narrowed it down to someone.
01:05:13There's no need for insults.
01:05:14We do our job just like you do yours.
01:05:16We got a script we gotta follow, too.
01:05:18You start improvising, you get screwed.
01:05:21So you want to see my journal, Lieutenant?
01:05:23Look, our witness ID'd Blair from a photo lineup.
01:05:26I sent a black and white out to her motel, but she never came back last night.
01:05:29She left all her stuff there, though.
01:05:31Great.
01:05:31So she's still out there?
01:05:33Well, there's more.
01:05:34We found her car abandoned in the parking lot with the keys still in it.
01:05:38I got men out looking for her right now.
01:05:39We'll catch up to her.
01:05:41In the meantime, what am I supposed to do?
01:05:43Well, if you're worried about her coming back, relax.
01:05:46She knows we're looking for her, and she wouldn't dare come after you now.
01:05:50Don't count on it.
01:05:53Yeah, I talked to Holly today.
01:05:54She got back from the hospital.
01:05:57Did she ask about me?
01:05:59No, I told her about the fire.
01:06:01And?
01:06:02She wanna know if you're okay?
01:06:05Did she say anything else?
01:06:07Did she say she wants to see me?
01:06:09We only spoke for a minute.
01:06:11Did you tell her I'd been calling her?
01:06:14She said she had to go.
01:06:18I don't know what I was thinking.
01:06:22Hello, Holly.
01:06:23How could I do this to us?
01:06:25Oh, you can't blame yourself, man.
01:06:27Blair's been playing this for a long time.
01:06:29You didn't know what you were walking into.
01:06:31Oh, yes, I did.
01:06:33I had no doubt about what I was walking into.
01:06:37I just couldn't resist.
01:06:41That's cause you're a man.
01:06:45That's what she said.
01:06:49She's been planning this all along.
01:06:53Man, she worked, man.
01:06:57Yeah, well, so now you know, right?
01:07:01You figured her game plan, her mode of manipulation.
01:07:06Now you gotta take your life back.
01:07:08Make up with the girl.
01:07:10It's not too late for a happy ending.
01:07:14God knows this town's full of them.
01:07:16Is that all this is to you, as a movie?
01:07:20Yeah, not to me, man.
01:07:23To her.
01:07:56I'm going to ask one more time, Mr. Dalton.
01:08:00Where's the girl?
01:08:01Where are your manners, McSwain?
01:08:03I can't!
01:08:04I don't think you realize the effect of sulfuric acid on human flesh.
01:08:08I don't think you realize you're a piece of shit.
01:08:11It's too bad you're such a smartass.
01:08:14We'll find that girl.
01:08:16But nobody's ever going to find you.
01:08:18Ever!
01:08:21He's all yours.
01:08:22Just make sure nothing's left.
01:08:24Not even a screen.
01:08:28Goodbye, Mr. Dalton.
01:08:30Have a nice bubble bath.
01:08:36And cut!
01:08:37Check the gate.
01:08:38I think I'd like to print that one.
01:08:40Very nice.
01:08:41Bring him down.
01:08:42That's a wrap, everybody.
01:08:43See you tomorrow morning.
01:08:45See you tomorrow.
01:09:19Zane, this is Cindy from Scotty Youngman's office.
01:09:21I got your message.
01:09:22Sorry, but I still haven't heard from Scotty. I'm going over to his house on my way home, hoping he's
01:09:27there. I'll call you if I find out anything. Talk to you later.
01:10:18I'll call you later.
01:10:47I'll call you later.
01:10:52Where the hell is she?
01:10:54Who?
01:10:54Blair, my wife.
01:11:00Where the hell are you hiding her?
01:11:03How could you do this to us?
01:11:05How could you destroy my family?
01:11:16You think because you're some big shot you can have whatever you want, but she's my wife.
01:11:21That don't give you any right.
01:11:22I'll tell you.
01:11:23You think you're enough?
01:11:37How could you do this to us?
01:11:43How could you do this to us?
01:11:49What?
01:11:49What?
01:11:49Oh, my God.
01:11:52Oh, my God.
01:12:23The show's over, Blair.
01:12:26The show's never over until the happy ending.
01:12:29The only happy ending is you out of my life.
01:12:32Don't worry. This isn't over yet.
01:12:33We're going to see each other real soon.
01:12:35And how do you figure that?
01:12:38You still have to save the damsel in distress.
01:12:41She's very pretty and quite sweet.
01:12:44Too bad she's going to be missing her wedding day.
01:12:47Look, Blair.
01:12:49Please let her go. She didn't do anything.
01:12:52She's a thorn, Zane.
01:12:54She needs to be blacked.
01:12:56Blair, she's nothing to you. Let her go.
01:13:00You're right. It's you that I want.
01:13:03Then let me see you, Blair.
01:13:05Let me see you right now.
01:13:09Meet me on stage 12 in an hour.
01:13:12I'll be there.
01:13:13Bring the cops.
01:13:14Keep reading for Holly's heart.
01:13:18See you on the set, my love.
01:13:36See you on the set, my love.
01:13:55See you on the set, my love.
01:14:43See you on the set, my love.
01:14:56See you on the set, my love.
01:15:05Swing your legs.
01:15:16Lose the gun, or we're going to have a real life bonfire.
01:15:20Put that down, Blair.
01:15:21I said lose the gun.
01:15:29Much better.
01:15:31You go to hell.
01:15:33I'm not going to roll over and die saying I'm your number one fan.
01:15:37I'm going to love you no matter what.
01:15:39The movie's over, Blair.
01:15:40The movie's never over until they roll the credits.
01:15:44You're not going to make it that long.
01:15:46Neither is she.
01:15:47She's going to burn like the heritage that she is.
01:15:49No!
01:15:50Stop!
01:15:52You said you'd let her go.
01:15:55I did say that, I guess.
01:15:56Guess what?
01:15:57I lied.
01:15:59I've been going to do that.
01:16:02Blair, you want me.
01:16:03You don't want her.
01:16:06Right.
01:16:09But you'll never be mine.
01:16:11Not until she's out of the picture.
01:16:12It's for the best.
01:16:13Deep down, you know I'm right.
01:16:42I'm here, honey.
01:16:43I'm here.
01:16:45Come on.
01:16:46Come on.
01:16:49I got you.
01:16:56You all right?
01:16:57Let's go.
01:17:00Deep!
01:17:02Holly, run!
01:17:11Get in there.
01:17:12Get in there.
01:17:13Get in there.
01:17:13Get in there.
01:17:22Get in there.
01:17:29Get in there.
01:17:32Get in there.
01:17:34Get in there.
01:17:36Get in there.
01:17:37Get in there.
01:17:38Get out of here.
01:17:39Get out of here.
01:17:40Get out of here.
01:17:40Get out of here.
01:17:41Get out of here.
01:17:42Get out of here.
01:17:43Get out of here.
01:17:43Get out of here.
01:17:43Get out of here.
01:17:43Get the hell out of my way!
01:17:54Oh, my God!
01:17:56Daddy!
01:17:59Shit!
01:18:29Come on over this way.
01:18:36They're still sifting through the ashes.
01:18:38So far, we've only found three buyers.
01:18:40Flares?
01:18:41I don't know.
01:18:41We won't know who's who until the current exam.
01:18:44I've got to be truthful, man.
01:18:46Those buddies were so charred it could take days.
01:18:50You ought to thank your lucky stars.
01:18:51You're still alive.
01:18:53Double-check it. Double-check it.
01:18:55She's coming.
01:19:13She's coming.
01:19:13I'll see you now.
01:19:24I'll see you next to the next part.
01:19:31Happy birthday!
01:19:31God!
01:19:34I'm so happy!
01:19:40Fuck you!
01:19:41He's coming.
01:19:49Friends, we are gathered here at this hour to witness and to celebrate the coming together
01:19:56of two lives.
01:20:11You may kiss the bride.
01:20:18You may kiss the bride.
01:20:27Come to your husband.
01:20:30Come to you.
01:20:33Come to our theatre.
01:20:35Come to our people.
01:20:42Let's sing baby let's sing baby.
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