- 10 hours ago
1995 Number One Fan FULL HOT MOVIE [Full Movie] [Full Storyline]Full EP - Full
Category
🎥
Short filmTranscript
00:00:02Oh.
00:00:09Oh.
00:00:12Oh.
00:00:15Oh.
00:00:16Oh.
00:00:18Oh.
00:00:19Oh.
00:00:26No, no, no, no, no, no, no.
00:00:50You will face no one who could love.
00:00:57Happy birthday to me.
00:01:00It's a real shame what I'm going to do to you.
00:01:04It looks like they're facing the Mona Lisa.
00:01:33I guess you're right on time.
00:01:36For what?
00:01:37Last train to hell.
00:01:39I got your boarding pass.
00:01:41All you gotta do is ask.
00:01:55Send my regards to Satan.
00:02:08And cut!
00:02:10Check the gate, please.
00:02:11I think I'd like to print that a lot.
00:02:13Very nice.
00:02:14Very nice.
00:02:15Thanks for saving my life.
00:02:18I owe you one.
00:02:20I think you'd pay me back in the next scene.
00:02:22I was thinking about something a little more interesting.
00:02:25Like you and my dresser in about half an hour.
00:02:27Now you know I'm practically married.
00:02:29I will tell you.
00:02:30Oh, no.
00:02:34I don't like the shirt.
00:02:36Never trust a woman.
00:02:37Hey, Lieutenant, what are you doing down here?
00:02:40I'm giving some technical advice on a new cop show.
00:02:43I tell them in the finer points of police work,
00:02:45they ignore me and everyone in America goes on thinking cops are more.
00:02:48We've got to grab some lunch.
00:02:50Of course.
00:02:51You buying?
00:02:52Of course.
00:02:52You know, I like the free food.
00:02:56Say, yo.
00:02:57You were wonderful.
00:02:59Yeah, it was okay?
00:03:00Oh, are you kidding?
00:03:01It was fabulous.
00:03:02I think we have another hit here.
00:03:04All right.
00:03:06I'll see you later.
00:03:11I don't know.
00:03:12We have time for a minute.
00:03:31We love you, Sam.
00:03:47So my mother called today, and I told her we just wanted family and a few friends,
00:03:52but she still thinks that we ought to look at a few churches.
00:03:56I thought you didn't want a church wedding.
00:03:59Well, I didn't, but I don't know.
00:04:01Maybe we should.
00:04:03Of course, it'd be a bit hypocritical.
00:04:05I haven't been to church in years.
00:04:06I'd probably get struck by lightning walking down the aisle.
00:04:10I don't know.
00:04:10I just want everything to be perfect.
00:04:14Oh, it'll be perfect, because you'll be there.
00:04:17You don't have to say that.
00:04:18I already said yes.
00:04:21Hold that zipper any further.
00:04:23You're a dead man.
00:04:24This one's off limits.
00:04:26It's the wedding dress.
00:04:27Oh, I want to see it.
00:04:28No, I'm not finished with it yet.
00:04:29Besides, it's bad luck for you to see the dress before the wedding day.
00:04:32We don't have any bad luck.
00:04:35Not yet.
00:04:36Not in three years.
00:04:38It's been that long.
00:04:40Yes, you were shooting .45 Magnum,
00:04:43and it was my first job as a wardrobe assistant,
00:04:46and I got to dress you.
00:04:48Well, now you can undress me.
00:04:50Oh, no.
00:04:51Oh, yes.
00:04:51We've got to get going.
00:04:52I don't want to go.
00:04:53Oh, come on.
00:04:55I've been looking far to this party.
00:04:58No, no.
00:04:59If you mess one hair on my head,
00:05:01I'll have to go back to that bathroom.
00:05:10I'm not pretty.
00:05:11I didn't think it was pretty.
00:05:14Well, I thought I know,
00:05:15and I thought it was not.
00:05:16I'm not.
00:05:37I think the villain doesn't have to be diabolical or viciously cruel on the surface, right?
00:05:44I mean, that's so overdone, audiences don't take it seriously.
00:05:47A strong villain manipulates you by playing to your weaknesses.
00:05:52And then when you let him in, he stabs you to the heart.
00:05:55Through the heart?
00:05:57Just quick, clean, and easy.
00:05:59Where did you find this guy?
00:06:00Graham always falls in love with his characters, especially the villain.
00:06:03Hey, you have to admire a mind like that, no?
00:06:06Excuse me.
00:06:07By the way, I got this funny thing in the mail, something about a man.
00:06:10Yeah, I wonder who that was from.
00:06:12I know.
00:06:12I know how I hate him in this.
00:06:13I mean, the thought of my rather strangled the vector.
00:06:16That was the one.
00:06:17So don't come.
00:06:18We have weapons.
00:06:19Should we?
00:06:21It's crazy.
00:06:23It reminds me of this one.
00:06:24Or especially.
00:06:25I said, if I have to go to that spot,
00:06:28I am not coming back.
00:06:30Please, no.
00:06:38Mr. Berry.
00:06:39Mr. Berry, the perfect strength.
00:06:41Cheers.
00:07:50How long have you been watching me?
00:07:53I wasn't.
00:07:54Meyer.
00:07:55You're Zane Barry.
00:07:57Guilty as charged.
00:07:58I had no idea you were into voyeurism.
00:08:01I'm sorry about that. I don't know why I did it.
00:08:04You're a man.
00:08:07So you're a friend of Foxy's? I've never seen you here before.
00:08:10I don't have Foxy.
00:08:12So you're a friend of a friend.
00:08:14Actually, I don't know anyone here. Could you button me up, please?
00:08:23I'm not big on parties.
00:08:25Let me guess. You prefer more intimate crowds, let's say, one-on-ones?
00:08:31Maybe.
00:08:31Maybe I do, too.
00:08:35Well, we better get back before they send them bloodhounds out to find death.
00:08:40I'm sorry about watching you, huh?
00:08:45I'm not.
00:09:01I took you so long.
00:09:03Where's the line?
00:09:04Come on, let's go.
00:09:04Oh, no, I probably didn't leave.
00:09:06I'm enjoying myself.
00:09:07Go back to my place.
00:09:09Maria's on vacation.
00:09:10You can enjoy yourself even more.
00:09:12You're drunk.
00:09:13You're right.
00:09:15I mean, people will see.
00:09:17Well, let's give them something to look at.
00:09:18What's got...
00:09:19Oh, what's coming into you?
00:09:21I'll carry you to the car.
00:09:21No, no, I can't go back to your place.
00:09:24Why not?
00:09:25Because I have a deadline that goes to the street.
00:09:35Could someone from the prop department please remove the giant wail from Fire Lane 1?
00:09:49Each and every stage has its own ghost, its own story.
00:09:52Think back to the roaring 20s.
00:09:54Imagine your favorite movie stars moving about in costume, walking down the same alleyway as we're walking right now.
00:10:01And even today, our lot flourishes with the top stars in the business.
00:10:05As a matter of fact, this stage right here is the stage where Zane Berry is making his latest film.
00:10:13Where did this come from?
00:10:16Oh, fan.
00:10:18You're going to call the number?
00:10:19No.
00:10:24Good.
00:10:25You know, you've got to get some silverware here.
00:10:27You're living like a pig.
00:10:29Movie stuff.
00:10:35Oh, it's not bad.
00:10:37I'd like to bake like this.
00:10:38That'd be a happy meal.
00:10:44I've got to tell you, I'm excited.
00:10:46Every, uh, reporter in town called today.
00:10:49They want to know where the wedding is.
00:10:51They want to know, uh, if they can have press passes.
00:10:53They want to bring camera crews.
00:10:57Unbelievable.
00:10:58Yeah.
00:10:59Well, see, I've got an angle about that.
00:11:02You're not going to believe this one.
00:11:06Hmm, there's something for the kids.
00:11:11There's a note.
00:11:13Let's see.
00:11:16Dear Zane, I read in the papers that you plan to marry that bimbo.
00:11:19And I can't let that happen.
00:11:21She's not the one for you.
00:11:22I will save you from the mistake you're about to make.
00:11:24And show you that there is only one more for you.
00:11:27No signature.
00:11:28No address.
00:11:29That's another anonymous nut.
00:11:31Like all the rest of them.
00:11:43Hey, get ready for pay, man.
00:11:50Now, I'll dry it up over here.
00:11:52You and your mineral water.
00:11:54Yeah, that must be hurting badly now.
00:11:57Hey, send around the drinks to my friend.
00:11:59Okay.
00:12:06Thanks, Nancy.
00:12:07You're welcome.
00:12:08All right.
00:12:17You like to stare at me, don't you?
00:12:18You're staring at me.
00:12:20I guess it's your lucky day.
00:12:21May I?
00:12:22Sure.
00:12:25That looks pretty healthy.
00:12:27Yeah, well, I gotta be careful what I put in my body.
00:12:30So do I.
00:12:32See, you never told me your name.
00:12:33Blair.
00:12:34Well, it's quite a coincidence that we run into each other again, isn't it, Blair?
00:12:39You don't remember me, do you?
00:12:41Should I?
00:12:41We were neighbors back in Omaha.
00:12:44It was a long time ago.
00:12:45Blair and Matt's and you're Seth's little sister.
00:12:49Give the man a prize.
00:12:50Wow.
00:12:51Last time I saw you, you were this big.
00:12:53I was six.
00:12:55But I remember you.
00:12:56You know, I used to pretend you were my boyfriend.
00:12:59Sounds cute.
00:13:01You kissed me once.
00:13:02I remember it like it was yesterday.
00:13:05So how's Seth?
00:13:07He's fine.
00:13:07He's working at Exarvin.
00:13:09He started there after high school and he'll probably be there till the day he dies.
00:13:13So you living out here now?
00:13:15Visiting my aunt.
00:13:16She's ill.
00:13:16I'm sorry.
00:13:19I didn't know her well.
00:13:20Thought my coming out here was the right thing to do.
00:13:23You know, I spent a lot of nights thinking about you.
00:13:26I often wished I'd been a little bit more aggressive.
00:13:29You were just a kid.
00:13:31And I'm not now.
00:13:34Hey, Zane, let's go, man.
00:13:36You're up.
00:13:40Go play darts with your friends.
00:13:54Go play darts with your friends.
00:14:04What's your problem?
00:14:07Just my luck.
00:14:08Dead battery.
00:14:09You sure?
00:14:10I left my lights on.
00:14:11Let me give it a try.
00:14:18Sorry, I wish I had jumper cables.
00:14:23Where are you going?
00:14:25Let's call a cab.
00:14:26I don't feel like dealing with this tonight.
00:14:28Where were you staying?
00:14:29Hollywood.
00:14:31I'll give you a lift.
00:14:32That sounds like a come on.
00:14:33It's a dangerous city at night.
00:14:35You shouldn't be left alone.
00:14:36That sounds like a come on also.
00:14:45Oh, wow.
00:14:46I just love your car.
00:14:47It's so cool.
00:14:49Yeah, well, I always wanted a Porsche.
00:14:51When I was a kid, I used to cut out pictures and paste them on the wall.
00:14:55I told my friends that when I make it, that's the car I'm going to get.
00:14:59And everyone will know that I'm somewhere.
00:15:02Well, back home, I don't even have a car.
00:15:05So I guess I'm far from making it.
00:15:08And that's it, Bob.
00:15:28Well, I guess this is it.
00:15:29Why don't you come up?
00:15:31I better not.
00:15:32Come on, I've got something I think you'd like to see.
00:15:34Well, now that sounds like a come on.
00:15:36It's a surprise.
00:15:39I don't like surprises.
00:15:40What, you don't trust me?
00:15:44All right.
00:15:57Make yourself comfortable.
00:15:59I'll be right back.
00:16:00All right.
00:16:17You like that?
00:16:20I brought it in case I got lucky.
00:16:22Did you?
00:16:23Jury's still out.
00:16:25So what'd you want to show me?
00:16:31Do you mean, I'm not.
00:16:33You carry this with you?
00:16:36That was the best time of my life.
00:16:49It was beautiful.
00:16:51It's like I dreamed it would be.
00:16:54You wanted me from the moment you saw me.
00:16:55That's why you followed me.
00:16:58That's why I followed you.
00:16:59And now here we are.
00:17:01Just the two of us in this motel.
00:17:07A fire burning.
00:17:08Can you feel it?
00:17:15What were you thinking of?
00:17:17Nothing.
00:17:18Nothing?
00:17:19I didn't have time to think.
00:17:20I went with my instinct, and before I knew it, he was laying there.
00:17:23He wouldn't move.
00:17:24You're a good cop, Dalton.
00:17:26I trust you like a brother.
00:17:27But you didn't follow the rules.
00:17:29Now a guy is dead because of it.
00:17:30We all have to bear responsibilities for our actions, and you are going to have to face
00:17:35the consequences.
00:17:36What consequences?
00:17:37I'm putting you on suspension without pay until further notice.
00:17:41And consider yourself lucky.
00:17:43Next time, you won't get off so easily.
00:17:49And cut!
00:17:50And print that one.
00:17:51That was wonderful, fellas.
00:17:53The emotion at the end was very strong.
00:17:55I just felt you wonderful.
00:17:56That's a wrap, everybody.
00:17:57See you Monday on Actors.
00:17:59Please try to remember to look at me.
00:18:01What is it?
00:18:04That's not your surprise.
00:18:05Surprise.
00:18:06Hey, what are you doing here?
00:18:07I want to thank you.
00:18:08Thank me?
00:18:09Way to go, Zane.
00:18:09Actually, it was a good excuse to see you again.
00:18:12How did you get in here?
00:18:13That was never a problem for me.
00:18:15Don't I get a kiss?
00:18:21Now's a good time to show me your dressing room, don't you think?
00:18:24Listen, I can't tonight.
00:18:24I've got to get home.
00:18:26I got my battery charged.
00:18:27I'll follow you.
00:18:28I got plans.
00:18:30So you can break them.
00:18:32You're so adorable.
00:18:34I want to feel you inside of me.
00:18:36I'm going to a premiere.
00:18:37So you can take me with you?
00:18:38Not tonight.
00:18:40Yeah.
00:18:41Bye.
00:18:42Bye.
00:18:44Bye.
00:18:44Bye.
00:18:44Bye.
00:18:45Bye.
00:18:45Bye.
00:18:46Bye.
00:18:46Bye.
00:19:00Bye.
00:19:02Bye.
00:19:02Bye.
00:19:26Hi, Zane, it's Holly. It's about 6.30, and I'm running a little late. I'll have to meet you at
00:19:31the theater. I am so nervous. My first major movie. I'll see you soon. Oh, wear your dark suit. I
00:19:39like that one. Bye.
00:19:42Hello, señor Betty. This is Maria. Oh, I am so sorry. I cannot be there. Pero, I want to tell
00:19:48you I make chicken mole. I'll see you next week. Bye-bye.
00:20:33How did you get in my house?
00:20:34You shouldn't leave your doors unlocked. You never, never might wander in. You left these. I thought you'd want me
00:20:40to bring them to you.
00:20:41I thought I told you no. No usually means yes, doesn't it? Not tonight.
00:20:58What's going on? I know I'm a bad girl, and I shouldn't have come. Please don't be upset with me.
00:21:04It's just my last night here, and I didn't want to be alone. I hate being alone with no one
00:21:12to care about me. That feeling frightens you too, doesn't it?
00:21:40You don't even have to hurt me. Let's go!
00:21:48I love you, Sean!
00:21:59You have my advice to me.
00:21:59Hey, man, boy.
00:22:00What're you doing instead of explaining my eyes Sportsional Orange?
00:22:06you always like this like what turned on turned on yeah only when i think about you
00:22:15don't you have anybody back home
00:22:19no not really i'm surprised you could really make somebody happy
00:22:24don't it make you happy yes but my life's really complicated right now
00:22:31you must really love it here i mean this place is just like paradise
00:22:37i guess it is it's light years from nebraska god it is so boring there i hate it i could
00:22:44die there
00:22:48i've got to get dressed no i don't want you to go i want you to stay come on
00:22:56i told you i got a decent part forget about holly tonight there'll be other screenings
00:23:03that's an important night for her holly's a big girl she can handle a little disappointment
00:23:13what am i supposed to tell her tell her something unforeseeable came up
00:23:19and there was nothing you could do about it
00:23:23and tell her that you're really sorry and that you'll make it up to her
00:23:26she'll believe you she has no reason not to trust you
00:23:29she's got no reason not to trust you
00:23:30she's got no reason not to trust you
00:23:31but she's not sure when you're talking about this
00:23:53she's not the thing she's trying to get back to you
00:23:58she's not the same guy
00:24:06Southern California's weather is going to be mostly sunny today
00:24:09after areas of morning low clouds and fog
00:24:11with a northwest afternoon wind of 15 miles per hour.
00:24:15It will be mostly clear tonight and Thursday
00:24:17except night through mid-morning low clouds and fog.
00:24:20Highs today in the upper 60s along the coast to the upper 70s inland.
00:24:24Overnight lows in the upper 40s and 50s.
00:24:27The time is 10.20.
00:24:28I'm sorry we wound up shooting late.
00:24:30Well, you should have called me.
00:24:31I couldn't get to a phone.
00:24:32I was counting on you, Zane.
00:24:34I'll make it up to you, I promise.
00:24:36Remember, we have an appointment this morning.
00:24:37Yeah, I know. I haven't forgotten.
00:24:38Don't be late.
00:24:39I'll see you soon.
00:24:40Because, you know, you're always...
00:24:41Hey, let me get dressed.
00:24:42I hate you.
00:24:43Love you.
00:24:46Mm-mm-mm. What a tasty sight you are.
00:24:49Well, you're up early.
00:24:50I made you breakfast. Banana cinnamon French toast.
00:24:53I read it was your favorite.
00:24:55That's sweet, but I'm in a rush.
00:25:05Well, you're not leaving me.
00:25:07I have to go meet Holly.
00:25:09But it's my last day here.
00:25:11I thought we could spin it together.
00:25:16Look, I've had a great time the last couple days, but...
00:25:21But you have to get back to your complicated life now.
00:25:25Just like you do.
00:25:27I don't like this saying.
00:25:31What did you expect?
00:25:32A little honesty, you bastard.
00:25:37I'm sorry.
00:25:38I'm sorry.
00:25:39I don't know why I said that.
00:25:45I know we haven't seen each other in a long time.
00:25:47I had no right to expect anything from you.
00:25:50I just thought you and Seth were such good friends.
00:25:52I mean, you guys were like brothers.
00:25:55And when I came out here, I thought it would be fun to see you again.
00:26:02Come on.
00:26:04We've had a wonderful time.
00:26:06It's been fun.
00:26:08Look, I want you to stay and eat some breakfast.
00:26:11Just make sure you lock up before you leave.
00:26:15Aren't you going to kiss me goodbye?
00:26:16You always kiss your leading lady goodbye.
00:26:43It's me.
00:26:44Why did you call?
00:26:45I've been busy, that's why.
00:26:47How's your aunt?
00:26:51Bad.
00:26:51Her condition's worsened.
00:26:53That's why I'm calling.
00:26:54I have to stay a few more days.
00:26:55What for?
00:26:56We need you there.
00:26:57I don't give a shit.
00:26:59Everything's falling apart.
00:27:00Hey, that's your problem.
00:27:02I don't even see why you gotta be out there.
00:27:04Because she's my aunt.
00:27:06We never care.
00:27:07Well, I care now.
00:27:08When are you coming back?
00:27:10I don't know.
00:27:11Give me an idea.
00:27:12I said I don't know.
00:27:15I'll call you.
00:27:40I don't know.
00:27:43I don't know.
00:27:44I don't know.
00:27:46I don't know.
00:27:46before said i was sorry of course some couples do prefer to have their photos taken inside
00:27:53it's quite spectacular with all the stained glass this is really important to me just seems like
00:27:58if it's not something for you it's not important to you but can we just drop this and pretend like
00:28:02we're happy we're getting married look we have done several celebrity weddings as you can see
00:28:09the setting is magnificent we do have a bridal room in the back if you like we can take care
00:28:13of the seating the music and the flowers all you have to do is show up easier said than done
00:28:21i thought you said maria was in mexico visiting her family she is why does it smell like someone's
00:28:36been cooking i know how to turn on the stove honey you never cook maybe i'm trying to impress you
00:28:46oh what beautiful flowers
00:28:52what are these for for you for me i wanted to make it up to you you're not so bad
00:29:01after all
00:29:09come on
00:29:11come on
00:29:31i'm sorry i got mad at you don't be i should have been there no it's not that there'll be
00:29:37other
00:29:37screenings
00:29:45i was upset because there was a time when you would do anything to be with me
00:29:52now there always seems to be something that comes between us you know
00:29:55i mean i know that you have a lot going on i do too i'm not blaming you
00:30:03i just miss it when it was you and me nothing else seemed to matter
00:30:13we've got to spend more time together
00:30:18where can we have that in please and where's the dumping i wanted the dumping is there a problem
00:30:22with time oh well it's all right listen you didn't see anything that's going to compromise our art
00:30:29you know what i'd do
00:30:31so
00:31:00BIRDS CHIRP
00:31:11They're all here.
00:31:14I've put them in order for you.
00:31:17What's going on here?
00:31:19I found them in the closet.
00:31:20They were all mixed up, and that one in the corner's not mine.
00:31:24You said this?
00:31:26Kind of mental progression, don't you think?
00:31:29I thought you were going back home.
00:31:31I decided to stay.
00:31:33How's your aunt doing?
00:31:35She's dead.
00:31:36She died?
00:31:37Yes, ten years ago.
00:31:40Look, please leave.
00:31:42I don't want to see you around here again.
00:31:43I'm not going to leave, Sam.
00:31:45I came here to rescue you.
00:31:46You know all the distractions that keep you so lonely and scared inside.
00:31:51You know what it's like?
00:31:52That nobody understands what you want, who you are.
00:31:56All you need is to be loved.
00:31:59Why are you doing this?
00:32:00Because I love you.
00:32:01You don't even know me.
00:32:03I want us to be together forever.
00:32:05That's impossible.
00:32:07Just like a fairy tale.
00:32:08I don't love you, Blair.
00:32:11It's too late.
00:32:12You can't take it back.
00:32:13Take what back?
00:32:14You already told me you love me.
00:32:16I did not.
00:32:17When I was six, you said you love me and I love you.
00:32:22I want us to be together forever.
00:32:24I want to do things for you.
00:32:25I want to please you.
00:32:27Later, sport.
00:32:28Blair was just leaving.
00:32:49What is going on?
00:32:51Who the hell is that?
00:32:52It's no big deal.
00:32:53Forget about it.
00:32:54No big deal.
00:32:55Look at you.
00:32:56Look at this place.
00:32:57Why don't you call security?
00:32:59I don't need security.
00:33:01I see you're above that.
00:33:02Well, I'll call.
00:33:03Scotty.
00:33:05Look, you do enough for me.
00:33:06Just let it go.
00:33:07Listen, you don't need this.
00:33:08I don't need this.
00:33:09I'll go down there myself.
00:33:17Your eyes and cameras focused on the left side of the tram.
00:33:20Currently under construction in the Masson Ranch of the city.
00:33:24We're going to kill the rat.
00:33:25We're going to kill you.
00:33:32We're going to kill you.
00:33:53I don't know.
00:33:58We're going to kill you.
00:33:59I don't know.
00:33:59Open the door.
00:34:12Yo, come in.
00:34:15Hey, hotshot, how the hell are you?
00:34:17I'm all right.
00:34:18How's the biz?
00:34:20You know, I rented one of your movies last week,
00:34:22and damn, we couldn't use a few of you on the force.
00:34:25So what brings you all the way down here?
00:34:27I need some technical advice on our new script.
00:34:30Usually, I get a phone call, and it's a technical question.
00:34:33Yeah, I was in the neighborhood.
00:34:34I've got a few minutes. Pull up a chair.
00:34:36Thanks.
00:34:41So your main character sleeps with her?
00:34:44Right, and he thinks it's a one-night stand,
00:34:45but she just won't leave him alone.
00:34:47First thing he's got to do is cut her off,
00:34:49tell her no way Jose's not interested.
00:34:51Ah, but what if she doesn't take no for an answer?
00:34:54Well, you know what they say.
00:34:55It takes two to do the old hokey-pokey, if you know what I mean.
00:34:59Well, there's got to be something the police can do about it, right?
00:35:02Well, sure there is. We can talk to her.
00:35:04Maybe even put a tail on her,
00:35:05but that would require taking an officer off of his normal beat
00:35:08and away from more urgent police work.
00:35:09Okay, but what if she's sending him letters and real sick gifts
00:35:12and following him around?
00:35:13Can't you arrest her?
00:35:14Look, what are we talking about here?
00:35:16A spurned lover.
00:35:17Let's face it.
00:35:18If we arrest every spurned lover in L.A.,
00:35:20the whole damn city would be behind bars.
00:35:23Halsey here.
00:35:25I'll be with him in a moment, okay?
00:35:28Look, my suggestion is that he break off all contact with the girl.
00:35:32Try not to be alone.
00:35:33Try to be around public places and start a journal.
00:35:36Keep track of everything she says or does.
00:35:39Start a journal?
00:35:40I'm serious, son.
00:35:40Listen, it's important to keep a record.
00:35:43Well, now, that doesn't make for a very exciting movie.
00:35:45Well, I'm afraid real life is not as exciting as the movies most of the time.
00:35:49I know you've got to take this.
00:35:50Thanks, Joe.
00:35:52Anytime, pal.
00:35:55Oh, you saying?
00:35:56Yeah.
00:35:56I'm only a phone call away if you need any more technical advice.
00:35:59No, that's the front line of the door.
00:36:01No.
00:36:05No.
00:36:05No.
00:36:05No.
00:36:19No.
00:36:20No.
00:36:21No.
00:36:22No.
00:36:24No.
00:36:24No.
00:36:26No.
00:36:26No.
00:36:26No.
00:36:50I don't know.
00:36:57I don't know.
00:37:35I don't know.
00:37:59I don't know.
00:38:35I don't know.
00:38:58I forgive you, Zane.
00:39:07How the hell did you get this number?
00:39:09I'm trying to save you.
00:39:11We're destined to be together.
00:39:12It's not going to happen, so just get it out of your mind.
00:39:15No, Zane, I won't get it out of my mind.
00:39:16I'm not going to lose you.
00:39:18You don't even have me.
00:39:20It's only a matter of time, my love.
00:39:23Yeah, well, you're out of time.
00:39:24Don't ever call me again.
00:39:37Who's that?
00:39:38Just a girl.
00:39:40A girl?
00:39:41Well, I'm a fan.
00:39:45A fan who calls you here at 3 o'clock in the morning?
00:39:52That's a girl that I used to know back in Omaha.
00:39:55Oh, she used to live on my block.
00:40:00Oh, you're not in Omaha now.
00:40:03What's going on?
00:40:05She's been sending me things, letters, gifts.
00:40:09I didn't even know they were from her until she showed up.
00:40:13She's in town?
00:40:16She's been following me around.
00:40:18Following you where?
00:40:19Everywhere.
00:40:21On the lot.
00:40:22Off the lot.
00:40:24To your house?
00:40:25I think so.
00:40:29Inside your house?
00:40:30I don't know.
00:40:32You don't know?
00:40:35Zane, have you told the police?
00:40:37No.
00:40:38What are you waiting for?
00:40:40If I go to the police,
00:40:43every reporter in town is going to catch wind of it.
00:40:45I don't exactly need that kind of press right now, Ollie.
00:40:48But Zane, she knows where you live.
00:40:51I mean, what if she's one of these fanatics
00:40:53who comes after you with a gun or something?
00:40:57She's not going to come after me with a gun.
00:41:05Is there something else that's going on?
00:41:09Zane, did you sleep with her?
00:41:17Dolly.
00:41:18Zane?
00:41:20Dolly.
00:41:35Dolly.
00:41:51Mr. Barry?
00:41:52Mr. Barry?
00:41:53Dolly.
00:41:57Dolly.
00:42:08Dolly.
00:42:09Dolly.
00:42:10Dolly.
00:43:35What do you think of this one?
00:43:43It looks nice, but you might prefer this one.
00:43:48It has a blusher already attached.
00:43:52Great for those traditional church weddings.
00:43:55I like it.
00:43:59I'll try on a few more, and I'll be right back.
00:44:01Okay, thank you.
00:44:08Oh, I'm sorry.
00:44:10I didn't see you there.
00:44:11Go ahead.
00:44:12I'm always grabbing at things.
00:44:13No, no, you try it on.
00:44:22Oh, yeah, that's nice.
00:44:24You're going to be a beautiful bride.
00:44:26You really think so?
00:44:27Yes.
00:44:28I'm jealous.
00:44:30So when are you getting married?
00:44:32October.
00:44:32What about you?
00:44:34I'm not really sure yet.
00:45:00I'm not really sure yet.
00:45:05I'm not really sure yet.
00:45:44Oh, my God.
00:46:03You stupid bitch in your damn wedding dress.
00:46:06Who do you think you are, getting in the way of everything?
00:46:09You stay away from Zane. He's mine now.
00:46:11I love him, but he loves me.
00:46:32I'd like to make a click call.
00:46:33Your name?
00:46:34Blair.
00:46:39Hello?
00:46:41It's me.
00:46:41When are you coming home?
00:46:42Well, that's why I'm calling. I'm not coming home.
00:46:45Come home now.
00:46:45Never.
00:46:48Because I don't love you.
00:46:50And I never did.
00:46:52I'm in love with someone else.
00:46:53And he's in love with me.
00:46:56None of your...
00:46:58Fine.
00:46:59Go to hell.
00:47:07Hey, where's 24-8?
00:47:0924-8!
00:47:10Around the corner, to the left.
00:47:21Line 2.
00:47:23Line 2.
00:47:24Line 2.
00:47:27Can you see him on that chart?
00:47:48She did this to me, didn't she?
00:47:53The woman who called the other night your van.
00:48:00She said you loved her.
00:48:03It's crazy, I don't love her.
00:48:06Then why did you sleep with her?
00:48:08It just happened, I'm sorry.
00:48:14Fine to me.
00:48:23You're never gonna change.
00:48:27There's too much temptation out there.
00:48:29You need someone who can handle that.
00:48:30I can't.
00:48:31Holly, don't do this.
00:48:34I can't love you anymore, Zane.
00:48:38I can't love you anymore, Zane.
00:48:45Please leave.
00:48:49I just want you to leave.
00:48:50I just want you to leave.
00:48:53I just want you to leave.
00:48:57I just want you to leave.
00:48:58I just want you to leave.
00:49:00I just want you to leave.
00:49:03I just want you to leave.
00:49:05I just want you to leave.
00:49:08I just want you to leave.
00:49:09I just want you to leave.
00:49:10I just want you to leave.
00:49:10I just want you to leave.
00:49:13I just want you to leave.
00:49:15I just want you to leave.
00:49:19I just want you to leave.
00:49:22where were you this afternoon miss madsen shopping for lingerie you want to see what i bought i'm
00:49:29wearing it did you or didn't you break into holly newman's apartment strike her with a mannequin
00:49:35i don't even know where she lives so i think that is a no yes what about all this business
00:49:42with zane berry sending him all this crap i sent him a few things is that a crime
00:49:49what about this what is that a doll this is not holly newman of course not you said she was
00:49:56in
00:49:56the hospital why did you send all this stuff to mr berry why did you come to los angeles
00:50:03i sent him these things because i enjoy seeing his movies i came to los angeles because i wanted
00:50:08to go to disneyland you came to los angeles to see zane berry first you seduced him then you
00:50:13stalked him and then you attacked his girlfriend's house does that ring a bell he's the one who
00:50:19started all of this he followed me at the party he watched me undress then he picked me up at
00:50:25a bar
00:50:25he took me home and he fucked me he fucked me again he confused me he led me to believe
00:50:31that he wanted
00:50:31to keep seeing me it's only natural that i became upset when he turned on me sometimes you do things
00:50:37when you're upset well he told us that you wanted to get horizontal on his bungalow and he said no
00:50:44yes he did say that but i knew he didn't mean it no usually means yes for men why can't
00:50:50it mean yes
00:51:04yes for us too
00:51:05holly didn't actually see her attack the space without hard evidence there's no way we can prove it was
00:51:10blair you should have played it straight with me zane i mean i thought we were supposed to be friends
00:51:15why didn't you tell me the truth i thought i could handle it well i can tell you from experience
00:51:20that only makes matters worse so what are we going to do about it well we can ask the judge
00:51:26for a
00:51:26restraining order she can't see you talk to you phone your affection that's not going to stop her
00:51:32it'll slow her down she'll get frustrated she'll go home i say you bust her and let the da take
00:51:37his
00:51:37chances yeah but you're not in charge that's not the way it works what does she have to do kill
00:51:41someone before you arrest her is that the way it works lieutenant look zane i don't like this deal any
00:51:44better
00:51:45than you do okay but without proper evidence no jury in his right mind is going to convict her
00:51:49then we'll lose her now i'll talk to threat management and i'll see what i can do
00:51:53but i got to tell you something son as of right now you got no case
00:51:58that's just the way it is
00:52:14hey zane what do you think the cops are going to stop
00:52:32you may start your message now scotty it's zane it's 8 30 where the hell are you i'm gonna send
00:52:40the cops out looking for you if you don't give back to me
00:52:42okay call me glad
00:52:59i'm sorry mr barry but holly expressly ask that you not be allowed in her room we do have a
00:53:04waiting room down the hall
00:53:27i must tell you i'm a big fan i've seen all your movies do you think i could get your
00:53:32autograph
00:53:34it's for my niece her name's stacy she says she's going to marry you someday
00:53:39i bet you get that all the time thank you so much
00:54:09what
00:54:11Blair Morgan's room, please.
00:54:13You're going to warrant an invitation to a winning lotto ticket.
00:54:15I'll give you the number. If you don't, get lost.
00:54:17I'm her husband.
00:54:19Yeah. We've got a lot of husbands around here.
00:54:22But they never wear their wedding rings, if you catch my drift.
00:54:27Hey, I don't...
00:54:28Give me room now, or you ain't going to take another bite.
00:54:33What's your name again?
00:54:34Morgan. Blair Morgan.
00:54:41I don't have a Morgan. I've got a Blair Madison.
00:54:47That's her.
00:54:48She's the blonde.
00:54:49218.
00:54:50She's not in!
00:54:57Don't break anything!
00:55:00Asshole.
00:55:25I thought you were my friend.
00:55:26You're not my friend.
00:55:27I guess I was.
00:55:28If you don't, if you don't, if you don't, if you...
00:55:40What are you doing here?
00:55:43Came to get you.
00:55:44What do you think?
00:55:47How did you find me?
00:55:49Telephone company.
00:55:50You called.
00:55:51Collect.
00:55:52Collect.
00:56:04Do I want to feel good that bad?
00:56:07Do I really want to take that chance on loving you?
00:56:11When I know I'll lose...
00:56:14So where is he?
00:56:16Who?
00:56:17The guy you've been seeing.
00:56:19I have your business.
00:56:21Doesn't matter anyway.
00:56:23It's all over now.
00:56:26Won't be seeing him anymore.
00:56:36Can I use the bathroom, or do I have to sit here and watch you drink yourself under the table?
00:56:42It's God's country.
00:56:44Just don't think you're going anywhere.
00:56:47Do I want to feel good that bad?
00:56:49Do I really want to take that chance on loving you?
00:56:54When I know I'll lose...
00:56:57I can tell my heart of mine...
00:57:00Hey, pack, I'll show you some.
00:57:02Come on, get back!
00:57:28looking for these
00:57:37Let go of me.
00:57:38Get in there!
00:58:02Let go of me.
00:58:32Let go of me.
00:59:02Let go of me.
00:59:08Let go of me.
00:59:58Let go of me.
01:00:04Let go of me.
01:00:06Let go of me.
01:00:56Let go of me.
01:01:00Let go of me.
01:01:01Let go of me.
01:01:29Let go of me.
01:01:30Let go of me.
01:01:31Let go of me.
01:01:42Let go of me.
01:02:03Let go of me.
01:02:23Let go of me.
01:02:30Let go of me.
01:02:32Let go of me.
01:02:32Let go of me.
01:03:00Let go of me.
01:03:15Let go of me.
01:03:29Let go of me.
01:03:59Let go of me.
01:04:06Let go of me.
01:04:24Let go of me.
01:04:26Let go of me.
01:04:51Let go of me.
01:05:37Let go of me.
01:05:41Let go of me.
01:05:58Let go of me.
01:06:02Let go of me.
01:06:05Let go of me.
01:06:28Let go of me.
01:06:52Let go of me.
01:06:53Let go of me.
01:07:13Let go of me.
01:07:20Let go of me.
01:07:22Let go of me.
01:07:23Let go of me.
01:07:24Let go of me.
01:07:29Let go of me.
01:07:50To her.
01:07:56Let go of me.
01:07:57I'm going to ask one more time, Mr. Dalton, where's the girl?
01:08:02What are your manners, McSwain?
01:08:03Here.
01:08:04I don't think you realize the effect of sulfuric acid on human flesh.
01:08:08I don't think you realize you're a piece of shit.
01:08:11It's too bad you're such a smart ass.
01:08:14We'll find that girl.
01:08:16But nobody's ever going to find you.
01:08:18Ever.
01:08:21He's all yours. Just make sure nothing's left. Not even a screen.
01:08:28Goodbye, Mr. Dalton. Have a nice bubble bath.
01:08:36And cut! Check the gate. I think I'd like to print that one. Very nice. Bring him down. That's a
01:08:42wrap, everybody. See you tomorrow morning.
01:08:45See you tomorrow.
01:08:49All right, here we go.
01:08:53We got everything out of there.
01:09:17We got everything out of there.
01:09:24I'm going over to his house on my way home, hoping he's there. I'll call you if I find out
01:09:29anything. Talk to you later.
01:09:39We got everything out of there.
01:10:10We got everything out of there. We're going over to our house. We got everything out of there. We got
01:10:15everything out of there. We're going over to our house.
01:10:53Where the hell is she?
01:10:54Who?
01:10:54Blair, my wife.
01:11:00Where the hell are you hiding her?
01:11:03How could you do this to us?
01:11:05How could you destroy my family?
01:11:16You think because you're some big shot you can have whatever you want.
01:11:19But she's my wife.
01:11:21That don't give you any right.
01:11:33Oh, my God.
01:12:02Oh, my God.
01:12:18Yeah?
01:12:20Hello, sweetheart.
01:12:23The show's over, Blair.
01:12:26The show's never over until the happy ending.
01:12:29The only happy ending is you out of my life.
01:12:32Don't worry, this isn't over yet.
01:12:33We're going to see each other real soon.
01:12:35And how do you figure that?
01:12:38You still have to save the damsel in distress.
01:12:41She's very pretty and quite sweet.
01:12:44Too bad she's going to be missing her wedding day.
01:12:48Look, Blair, please let her go.
01:12:50She didn't do anything.
01:12:52She's a thorn, Zane.
01:12:54She needs to be plucked.
01:12:56Blair, she's nothing to you.
01:12:58Let her go.
01:13:00You're right.
01:13:01It's you that I want.
01:13:03Then let me see you, Blair.
01:13:05Let me see you right now.
01:13:09Meet me on stage 12 in an hour.
01:13:12I'll be there.
01:13:13Ring the cops.
01:13:14You break poor Holly's heart.
01:13:18See you on the set, my love.
01:13:32I'll be there.
01:13:33Oh, girl.
01:13:34Oh, my God.
01:14:13Oh, my God.
01:14:52Oh, my God.
01:14:57Oh, my God.
01:14:59He's coming.
01:15:04Swing your legs, honey.
01:15:06Swing your legs.
01:15:14Swing your legs.
01:15:16Lose the gun, or we're going to have a real-life bonfire.
01:15:19Put that down, Blair.
01:15:21I said lose the gun.
01:15:29Much better.
01:15:31You go to hell.
01:15:33I'm not going to roll over and die, saying I'm your number one fan.
01:15:37I'm going to love you no matter what.
01:15:39The movie's over, Blair.
01:15:40The movie's never over until they've lost the credits.
01:15:44You're not going to make it there, Long.
01:15:46Neither is she.
01:15:47She's going to burn like the hair took the kid.
01:15:49No!
01:15:50Stop!
01:15:52You said you'd let her go.
01:15:55I did say that, I guess.
01:15:56Guess what?
01:15:57I lied.
01:15:59I've been going to do that.
01:16:02Blair, you want me.
01:16:03You don't want her.
01:16:06Right.
01:16:09But you'll never be mine.
01:16:11Not until she's out of the picture.
01:16:12It's for the best.
01:16:13Deep down, you know I'm right.
01:16:33Holly, hang on!
01:16:42I'm here, honey.
01:16:43I'm here!
01:16:45Come on!
01:16:46Come on!
01:16:49I got you!
01:16:56You all right?
01:16:57Let's go.
01:17:00Big!
01:17:02Holly, run!
01:17:10Get in there!
01:17:16No!
01:17:29Faster!
01:17:30Get out of here!
01:17:32Zane!
01:17:34Get out of here!
01:17:44Get the hell out of my way!
01:17:54Oh, my God!
01:17:56Niii!
01:18:29Yeah, come on over this way.
01:18:31Okay.
01:18:31Yeah, give me one.
01:18:32I called them out.
01:18:33Okay.
01:18:34No, it's all right.
01:18:36They're still sifting through the ashes.
01:18:38So far, we've only found three bodies.
01:18:40Flares?
01:18:41I don't know.
01:18:41We won't know who's who until the coroner examines them.
01:18:44I've got to be truthful, man.
01:18:46Those bodies are so charred, it could take days.
01:18:50You ought to thank your lucky stars you're still alive.
01:18:53Double check it.
01:18:54Double check it.
01:18:55It's coming.
01:18:56It's coming.
01:19:08It's coming.
01:19:14Oh, God.
01:19:15I think I have to go.
01:19:16I know who's a little boy.
01:19:19I know who's a little boy.
01:19:22I know who's a little boy.
01:19:23I know who's a little boy.
01:19:24I know who's a little boy.
01:19:30Oh
01:19:49At this hour to witness
01:20:11You may kiss the bride
01:20:18You may kiss the bride
01:20:26And any tomorrow and anyways
01:20:30You may kiss me
01:20:34And have you?
01:20:48Give yourself to your bride
01:20:50And let us worship you
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