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Why does success come easy to others?
His frustration explodes.

Comparison destroys his mental peace, leading to impulsive decisions.

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Transcript
00:00:15I love you.
00:00:41Oh!
00:00:42Oh, shit!
00:00:46Oh, shit!
00:00:51I'll deal with him.
00:00:52You guys good with that?
00:00:54Come on, man. Whoa.
00:00:56Hey! Oh, man!
00:00:58Hey! Oh!
00:00:59Oh!
00:00:59Oh, no!
00:01:00Stop! Stop!
00:01:01Come on!
00:01:03Shit!
00:01:06Hey! Get over here!
00:01:08Whoa, whoa, whoa!
00:01:08Let go!
00:01:12What do we do?
00:01:15Oh, shit!
00:01:16Janet!
00:01:18Don't go out there!
00:01:20No, no, wait!
00:01:21Shit!
00:01:23Come on, man!
00:01:25Hey, hey! Hey! Stop it!
00:01:27Come on! Come on!
00:01:28Sit! Stop it!
00:01:30Stop it!
00:01:44You didn't drink, right?
00:01:46No. Where's your car?
00:01:47Over there. Let's go.
00:01:49Okay.
00:02:12You should start writing like that.
00:02:14It was dripping with heart and soul.
00:02:17You know I truly believe it's Gyeongse's best work.
00:02:21Wish your stories were like that!
00:02:22Wish your stories were like that!
00:02:24Huh?
00:02:36Hi, welcome.
00:02:48Uh...
00:02:52Where is everyone?
00:02:55Oh, uh...
00:02:56Well, the, uh, police came in.
00:02:58I don't... I don't really know what happened.
00:03:03For the window damage.
00:03:04It's 200,000 won.
00:03:06Call me if it's not enough.
00:03:08Oh, okay.
00:03:09Wait, hold on.
00:03:12Did you throw to rock?
00:03:15Yeah.
00:03:18Why?
00:03:21Because I was bored.
00:03:22Bored?
00:03:25Bored?
00:03:26No way...
00:03:28So your address is...
00:03:3037 Gyo Won Tu Gil, Dongno Gu, Seoul.
00:03:35Your job?
00:03:51Your job.
00:03:57He's a film director.
00:04:03Who are you?
00:04:05Who are you?
00:04:05I'm his producer.
00:04:29Oh, oh, oh, hey.
00:04:30What the heck?
00:04:31What the heck?
00:04:31What happened?
00:04:32Are you okay?
00:04:33What happened?
00:04:34What...
00:04:35Hey.
00:04:36They won't take him either.
00:04:38Same deal.
00:04:39They said his vitals are all normal,
00:04:40so he's not an emergency case.
00:04:42He's really beaten up.
00:04:43Tell them that.
00:04:43I'm not an idiot.
00:04:44I explained they beat the crap out of him.
00:04:46Just look at his face.
00:04:47He says he got a concussion and feels like he's dying,
00:04:49but they go,
00:04:49What's your name?
00:04:50And he goes,
00:04:50Hung Dongman.
00:04:51Every question the nurse asked,
00:04:52he answered correctly.
00:04:54He could at least pretend to be unconscious,
00:04:56but he can't even do that.
00:04:57Wait, what?
00:04:59How would I get my name wrong?
00:05:00Sis, you gotta get it wrong.
00:05:02You just gotta keep quiet and pretend you were knocked unconscious.
00:05:04How hard is that?
00:05:05Oh, shit.
00:05:07Oh, whatever.
00:05:08If the next hospital turns him away, I'm taking him home.
00:05:15Man.
00:05:16Hey, ow.
00:05:17That hurts.
00:05:18Can't you just pretend to be unconscious, huh?
00:05:21Otherwise, you won't be admitted into the ER.
00:05:23Ugh.
00:05:24That's embarrassing.
00:05:26How am I supposed to act?
00:05:29Guess he's fine, then.
00:05:30Hmm.
00:05:31It's a miracle.
00:05:34120 over 80.
00:05:35Sir, can you tell me your name?
00:05:40See your name for me?
00:05:42Your name, sir.
00:05:51Here.
00:05:51How many fingers am I holding up?
00:05:54Can you tell me?
00:05:56You kidding me?
00:05:57Why would you get that right?
00:05:58What?
00:05:59It was obviously too...
00:06:00Take him home already.
00:06:01Go on.
00:06:02That's enough.
00:06:03Everyone has said he's fine, and it's not an emergency.
00:06:05Alright, fine.
00:06:06I'm taking you home.
00:06:07Fine.
00:06:08No, no, no, no.
00:06:09Don't let him do it.
00:06:10Out of the car.
00:06:11Don't let the car in here.
00:06:18Man, he ate too much.
00:06:24You got any water?
00:06:26Yeah.
00:06:47It's snowing.
00:06:54Here.
00:06:59Here.
00:07:01Oh, yeah.
00:07:17That's better.
00:07:38Hey, come on.
00:07:39Don't do that.
00:07:39I'll give you 10,000 won.
00:07:43I'll give you 50,000.
00:07:46You gotta be kidding me.
00:07:50Hey.
00:07:51No, every hospital says he's fine.
00:07:53He doesn't have a concussion.
00:07:55He's not even in pain.
00:07:56He's going nuts trying to fish out a 501 coin right now.
00:07:59501.
00:08:01Out of the sewer after he threw up in it.
00:08:04Yeah.
00:08:05Come on, man.
00:08:06Stop moving it.
00:08:07No, no.
00:08:07It wasn't 50,000 won.
00:08:08It was 500.
00:08:09Yeah, go lower, lower.
00:08:11You're almost there.
00:08:14Oh, shit.
00:08:17What'd he say?
00:08:28No, no.
00:08:47You're a idiot.
00:08:48You are a drunk.
00:08:48Jesus, you're a drunk.
00:08:49Uh-huh.
00:08:51Do you have to come out?
00:08:52Ah-huh.
00:08:55Oh, God.
00:09:08A dog.
00:09:09Oh, God.
00:09:09That's all right.
00:09:10Oh, God.
00:09:13Oh, God.
00:09:14I'm out here!
00:09:39I got cut off while I was getting my ass kicked I'd like to finish what I was saying
00:09:45I had a lot more to say but now I don't think it's worth it
00:09:49so let me just say this I'm out no more eight club I'm done you shiny people can keep it
00:10:01I've decided to live a worthless life anyway so what do I even need the eight club for
00:10:09I'm sorry that I've stuck around for this long without taking the hints
00:10:14when it comes to killing people with words you're the winner you earned it you know
00:10:20what though I could kill someone too if I really wanted to but I choose otherwise
00:10:28do it if you want come on the jokes that I make they're just to release a little tension
00:10:37they're not for destroying others
00:10:43let me ask you
00:10:46why on earth have you been so mean to me you don't treat the others like that
00:10:52but every time I make a film you just rip it to shreds
00:10:55I've had people ask me why does Dongman hate you so much what'd you do to him
00:11:02there's gotta be a reason
00:11:05so why don't you just say it already
00:11:07I had to think for a hedge in yet but it didn't last
00:11:10damn it not that again
00:11:14what did I do to deserve all your hate
00:11:22it's because you hated me first
00:11:28I've got the same question for you
00:11:58as of today I'm leaving the aid club
00:12:02sorry I stuck around so long without taking the hints
00:12:06I'm leaving my crap behind
00:12:08just make a new chat
00:12:43the aid club isn't some silly thing that you can join and leave as you
00:13:06those two used to be inseparable
00:13:09how do they end up like this
00:13:11wait were these guys close
00:13:39oh shit
00:13:41damn
00:13:44all right
00:14:41look at me
00:14:41so
00:14:41so
00:15:15I heard that you threw up a lot.
00:15:17I did throw up quite a bit.
00:15:19I gotta fill back up.
00:15:29If I can't prove myself by succeeding,
00:15:33I'll do it by wrecking myself.
00:15:35I did it today.
00:15:37I wrecked myself and I'm proud of it.
00:15:39It kind of feels like I seized the day
00:15:42and made the most of it.
00:15:47Doing it alone will wear you out.
00:15:50Having someone to tell you what's good
00:15:52and what's not is a lot easier.
00:15:56I can be on your side,
00:15:57helping you out.
00:16:11Why do you keep covering it up?
00:16:13Oh.
00:16:15This thing,
00:16:17it does that sometimes.
00:16:20I feel great.
00:16:22Really, I am great.
00:16:24It's just sometimes it's red.
00:16:28Like when it snowed earlier,
00:16:30it started buzzing.
00:16:32I didn't even question it.
00:16:33I thought,
00:16:34oh, I'm sure it's green.
00:16:37But it was red.
00:16:40I was like, huh?
00:16:42And when I checked it,
00:16:44it said lonely.
00:16:47I thought,
00:16:49I guess,
00:16:49I like being lonely.
00:16:51I figured it was similar,
00:16:53you know?
00:16:54To me liking things like
00:16:56destruction and hatred.
00:16:59I have a lot of anxiety.
00:17:01It's kind of like my default mode.
00:17:03It's why my watch goes red a lot.
00:17:05But whenever it does,
00:17:06I feel like it's kind of rude
00:17:08to whoever I'm with.
00:17:10You know what I mean?
00:17:14If this ever hits the market,
00:17:16so many relationships will be ruined.
00:17:20Because you'll have couples wearing it
00:17:22and they'll be like,
00:17:23I love you.
00:17:24And then they'll look down
00:17:26and I won't say love.
00:17:30I hear it doesn't show love.
00:17:34They say love is not an emotion.
00:17:36It's a concept.
00:17:40Okay, yeah.
00:17:42Love's not even considered an emotion.
00:17:44It's only things like thrilled
00:17:46or excited or nervous, you know?
00:17:49It's whatever you feel in the moment.
00:17:53That makes sense.
00:17:54You can't really define it.
00:17:56Because love is different for each of us.
00:18:00No wonder.
00:18:02You know, the word love
00:18:03has always made me feel frustrated.
00:18:05The world is obsessed with love.
00:18:08But I feel like I've been left out.
00:18:10Like how it feels.
00:18:12I mean, I get longing,
00:18:13missing someone, all that.
00:18:15But love?
00:18:16What's that?
00:18:17I've always wondered.
00:18:18Because I don't know.
00:18:20What is love?
00:18:21This is a huge relief.
00:18:26Knowing it doesn't show love,
00:18:28I now feel like I can trust it.
00:18:33Anyway,
00:18:34I guess I can let you see it now.
00:18:38I was worried that you might see love
00:18:40on my watch.
00:18:47Not like...
00:18:48Oh, shoot.
00:18:49There could be some glitch, you know?
00:18:51If you think about it,
00:18:53you could love someone for like...
00:18:55Like just for a split second
00:18:56or, you know,
00:18:57like a tenth of a second
00:19:00or...
00:19:00Because emotions are out of our control.
00:19:08Anyway,
00:19:10there's no love,
00:19:11so yay!
00:19:11Mm.
00:19:24Uh,
00:19:25could I text you?
00:19:27Yeah, sure.
00:19:30Is any time all right?
00:19:32Of course.
00:19:35I've got no one left to talk to.
00:19:41Anytime, you don't mind?
00:19:42Yeah, that's fine.
00:19:43Okay.
00:20:08You better not hit me again.
00:20:11I've told you a bunch of times.
00:20:12I'm not putting up with it
00:20:14just because you're stronger.
00:20:22Huh.
00:20:23You stuff your face like that
00:20:24when you're out?
00:20:37Now...
00:20:38I've got a best of myself.
00:20:39Yeah.
00:20:42Okay.
00:20:47Come on.
00:20:48Bye.
00:20:48Bye.
00:20:48Bye.
00:20:48Ah...
00:20:50Bye.
00:21:09what's he doing here should I be scared why are you here so early
00:21:27your statement was nice and heartfelt what is there some other crisis
00:21:43get in
00:21:57did you spend the night somewhere just at my house then why are you in the same clothes
00:22:05they're different clothes
00:22:23good morning sir hey morning let's hope so
00:22:32he's probably sweating bullets with that man here this early
00:22:35who is that the CEO of Chongi's agency
00:22:43so did you find your daughter sorry
00:22:50where's your head today Oh Jung Hee's daughter did you find her
00:22:56I did
00:23:02then why do you look like that
00:23:05what is it
00:23:09what is she mad or something
00:23:14you're scaring me damn it what's going on
00:23:18no she's a she's not furious at all
00:23:37just beg her to go easy on you get on your knees
00:24:10please if she says to
00:24:14not
00:24:19yeah myγΎγ—γŸ
00:24:24yeah man
00:24:26Um, and...
00:24:29Sigh.
00:24:44Una sent me her notes, and I gotta say,
00:24:48damn, they're really good.
00:24:51I'm pissed.
00:24:54So much needs to get fixed.
00:24:58She's spot on.
00:25:00Did she knock you blind and deaf?
00:25:02It's embarrassing.
00:25:04Hey, quit your crying. I'll buy you some dinner.
00:25:08I couldn't think of anyone better than Chao Miran.
00:25:11What if she shuts me down? I was stressing over it all night.
00:25:14Then I just asked her to read the script, and she said she wanted to meet me.
00:25:18And asked?
00:25:20To bring you.
00:25:22Chao Miran knows who I am?
00:25:24There's no way she knows me.
00:25:26She saw you.
00:25:27You and Kyung Se were arguing.
00:25:29In front of Ajit that night.
00:25:31Oh.
00:25:33All right, well, she's into me now.
00:25:35Oh, shoot, man.
00:25:37Yeah, that's right.
00:25:39So Miran's got a serious bone to pick with Kyung Se.
00:25:43If she happened to see everything I prepared, she would have gone nuts.
00:25:48Is she okay?
00:25:50Why do you ask?
00:25:53The Oh Chung-hee's real daughter scandal.
00:25:55I don't know.
00:25:57It's not really her fault.
00:25:59But don't mention it.
00:26:00Why would I?
00:26:08Welcome.
00:26:09Oh.
00:26:12What's going on?
00:26:13Oh, hey.
00:26:15It's been a while, huh?
00:26:16Good to see you.
00:26:18Hey, I heard you got the grant.
00:26:20Congrats.
00:26:21Oh, yeah.
00:26:22It's no big deal.
00:26:23Your hard work's paying off.
00:26:25This is where the work begins.
00:26:31It's been a while, Dongman.
00:26:34It has been, yep.
00:26:36I was wondering how you've been doing.
00:26:39Doing real good.
00:26:46So what brings you here?
00:26:48Oh, Kyung and I have a little meeting here.
00:26:49Okay.
00:26:54Excuse me a second.
00:26:55Yeah, sure.
00:26:57Hi, Ms. Go.
00:26:59Ah, yeah.
00:27:05Let's go somewhere else.
00:27:07But we're meeting her here.
00:27:14It pissed me off seeing that idiot.
00:27:18Whenever I was his mentor in college, I always thought, this fool can't write.
00:27:24I'd never seen someone as bad or as cowardly.
00:27:29His stories never go anywhere.
00:27:31But the idiot obsesses over every little thing like fonts or his spacing.
00:27:36It's like it's a fetish.
00:27:39He's the first guy who made me feel homicidal.
00:27:41That's how pissed I was.
00:27:43Just reading that crap of his.
00:27:45This is getting personal.
00:27:47I'm one of those idiots now who fusses over fonts.
00:27:49Oh, man.
00:27:50Are you mad?
00:27:51When I get the perfect font, I like my writing a little more.
00:27:57Everyone's out of their minds.
00:27:59They want to give someone like that three billion.
00:28:01I don't get how anyone agrees to that.
00:28:07Hedgen's company is going to produce it.
00:28:11I thought you should know so you don't say something.
00:28:17Well, it doesn't matter.
00:28:19I'm not in the club anymore.
00:28:33You doing all right?
00:28:35Yeah.
00:28:36Do you have a producer?
00:28:38No, not yet.
00:28:40Kopok doesn't have a producer available.
00:28:42But Che films and Kopok films, they're always sharing producers.
00:28:46Apparently, Che.
00:28:47There's nobody there who can produce besides Hyojin.
00:28:51That's not true.
00:28:52Pyeon Una's a good one.
00:28:53They've got several over there.
00:28:55I'm not sure about Una.
00:28:57I mean, a producer?
00:28:58She's inexperienced.
00:29:00What do you mean?
00:29:01She's developed quite a few projects.
00:29:03How many do you think she's saved from being scrapped?
00:29:06That's the problem with her.
00:29:08It feels like every project she picks turns out to be a dud.
00:29:12They say she only goes for stuff that's about to get tossed.
00:29:15Like it's something beneath her.
00:29:19Like she's loyal to the underdogs, you know?
00:29:22No, that's not fair.
00:29:23Established directors have their go-to producers.
00:29:26But she's a young producer, so she's working with a different pool.
00:29:29That's all.
00:29:31I can't say things like that.
00:29:35Yeah.
00:29:36Anyway, that's...
00:29:37That's how I feel.
00:29:42Dongman.
00:29:44Why aren't you making anything?
00:29:50You think I don't want to?
00:30:00Hi.
00:30:03Hey, how are you?
00:30:19Hello.
00:30:22Hello.
00:30:26Hello.
00:30:38What makes a good poem?
00:30:45I feel like all the well-known ones are so difficult.
00:30:55With a poem.
00:30:58You gotta memorize it.
00:31:00That's how you understand it.
00:31:04It's hard the first time you read it.
00:31:21I've never seen someone talk as well as he does, and then direct so poorly.
00:31:25I didn't even like the script, honestly.
00:31:27Right.
00:31:28He wanted us to meet so he could walk me through everything.
00:31:30I was dying from laughing so hard.
00:31:33I could barely breathe.
00:31:33It was so funny.
00:31:35I thought, was I wrong about it?
00:31:38I got played.
00:31:39You did.
00:31:40These things keep happening.
00:31:41That arm sawing scene?
00:31:43You want to guess how many takes?
00:31:47Cut!
00:31:49Let's try it one more time.
00:31:50I like the emotion, but...
00:31:51Take 17.
00:31:52Give me anger in the good arm and sadness in the other one.
00:31:55Action!
00:31:57Cut!
00:31:58Feels like you're playing the violin.
00:32:00Cut!
00:32:01I want you to give me a little more sadness.
00:32:05Cut!
00:32:07Action!
00:32:11No one told me.
00:32:13My performance was totally soulless.
00:32:15Who has soul while sawing off their own arm?
00:32:17I'm telling you, the whole time I felt like I was sawing for real.
00:32:21I just kept sawing over and over until I was half dead.
00:32:24And by the time we were done the next morning...
00:32:30Cut!
00:32:32I guess that's okay.
00:32:34Let's wrap here.
00:32:35Good work, everyone.
00:32:37Alright, good work.
00:32:38Great work today.
00:32:40Could you do the right side?
00:32:41Yeah.
00:32:45In the bag!
00:32:46Here?
00:32:47Yeah, yeah, yeah.
00:32:47That's it.
00:32:48Yeah.
00:32:51Yeah.
00:32:51Yeah.
00:32:51Yeah.
00:32:52Yeah.
00:32:52Yeah.
00:32:52Yeah.
00:32:53Yeah.
00:32:54Yeah.
00:32:54I can't feel it.
00:32:57It felt like my arm was gone in my head.
00:33:02I wasn't able to use my left arm after that, and I still can't use it.
00:33:06See?
00:33:11I went that deep into method acting.
00:33:13But people just made a joke out of Sister Vengeance calling it Sister Clueless, you know?
00:33:18Now whenever they have something weird in a script, I'm scared of looking stupid in it.
00:33:22And so many scripts start off strong but then fall apart.
00:33:25A smart, put-together woman suddenly turns into an idiot by the end.
00:33:29I'd be so stressed trying to imagine how I was supposed to channel being an idiot, and I began to
00:33:34think...
00:33:35Forget it.
00:33:36I'll write my own.
00:33:38I'm done looking like a moron getting jerked around because of these awful scripts.
00:33:42I'll write it myself.
00:33:44You can come to my class.
00:33:46No.
00:33:47I'm not gonna learn.
00:33:48Writing you do in a class is the most boring there is.
00:33:51Authenticity.
00:33:52Structure.
00:33:52All that crap sucks.
00:33:54You've gotta write dumb, and you gotta act dumb.
00:33:56That's it.
00:33:56I agree with that.
00:33:57That's right.
00:33:58You gotta be dumb.
00:33:59Be dumb.
00:34:00That's it.
00:34:01Be dumb.
00:34:01Be dumb.
00:34:01That's right.
00:34:03It seems like there's one person writing every script.
00:34:05Why do they all sound the same?
00:34:07Then they ask the actor, can you do something different?
00:34:09Then write it.
00:34:10Bring me something different.
00:34:11Bring me one.
00:34:12Bring me one.
00:34:13And bring me another drink, please.
00:34:15Right.
00:34:18You should start writing like that.
00:34:19My arm twitched a little when you said that.
00:34:22I felt it.
00:34:24Seriously.
00:34:25It was like it woke from the dead.
00:34:27It kept twitching.
00:34:29And twitching.
00:34:31Back in the day, you know what we called Gyeongse?
00:34:34What?
00:34:36Watermelon liquor.
00:34:37He just needs to crack it open and let the audience have a bite.
00:34:42At least a little one.
00:34:43He can't put it down.
00:34:44All he does is hold it, carefully licking.
00:34:47Like this.
00:34:49You're like, can you stop hugging it for yourself?
00:34:52Other people want to have some?
00:34:53Yeah, that's what he does.
00:34:54You're looking at it, this delicious watermelon tripping with juice.
00:34:58And he won't let you taste.
00:34:59He can't open it.
00:35:00Like the green part.
00:35:01That part's sweet too.
00:35:02Come on.
00:35:04Oh my gosh.
00:35:05It's moving again.
00:35:07I feel it.
00:35:08It's twitching.
00:35:09Oh, oh, oh.
00:35:10Do-do-do-doom.
00:35:11Chit-doom.
00:35:11Do-doom.
00:35:12Chit-doom.
00:35:12Chit-doom.
00:35:13Chit-doom.
00:35:13Chit-doom.
00:35:13Fuck Gyeongse, that damn bastard.
00:35:15Take the actors.
00:35:16Turn them into idiots.
00:35:17What's my talent?
00:35:18What's my talent?
00:35:19Do-doom.
00:35:20Just licking.
00:35:21Watermelons.
00:35:22He's just licking.
00:35:24Watermelons.
00:35:29Oh, man.
00:35:30Watermelons.
00:35:35Watermelons.
00:35:36Watermelons.
00:35:38Watermelons.
00:35:39Watermelons.
00:35:51Watermelons.
00:35:53Watermelons.
00:35:53Watermelons.
00:35:54Watermelons.
00:35:56Watermelons.
00:36:03Are you trying to scare me right now?
00:36:05Why are you being quiet?
00:36:09I've discovered she changed her name.
00:36:12She's no longer Xion.
00:36:14She's Una.
00:36:17Una?
00:36:19Yes.
00:36:22And I found out she's somewhere closer than I thought she was.
00:36:27She works at...
00:36:31At Chae Film now.
00:36:34I went there to see, just in case.
00:36:38And I don't think that anybody knew that she was your daughter.
00:36:42If they did, Chae wouldn't have freaked out like that, telling me to find her.
00:36:47And if he had known about Una being your daughter,
00:36:51well, he wouldn't be so hard on her.
00:36:55Um, but no one around her is aware of what her background is.
00:36:59It's like even she doesn't know.
00:37:04It looks like she started as a temporary admin assistant and then went full-time.
00:37:09After high school, she did other similar kinds of work in the industry.
00:37:13I think her joining Chae Film was unintentional.
00:37:19So he didn't even send her to college?
00:37:24Oh, uh...
00:37:25Mr. Pyun Jeesu passed away in 2008.
00:37:29Now she lives with her grandmother, just the two of them.
00:37:35What grandmother?
00:37:36Both of her grandmothers have already passed away.
00:37:41Yes, huh?
00:37:43Mr. Pyun actually got remarried when...
00:37:46Yes, I know.
00:37:48So...
00:37:49It's the mother of his second wife.
00:37:52That's who it is.
00:37:54She's Miss Pyun's step-grandmother.
00:38:05No, Grandma, just put it in here.
00:38:09They started living together when she was 11 years old,
00:38:12after Mr. Pyun remarried.
00:38:16They continued living together even after he passed away,
00:38:19when Una was in middle school.
00:38:22That's not good.
00:38:23I prefer yours way more.
00:38:31Her step-mother moved to Japan for work.
00:38:57No, don't worry. I got it.
00:38:58Just sit down.
00:39:04Oh...
00:39:21Oh...
00:39:22We should have her moved before the press finds out she's living in a place like that.
00:39:26And probably have her cut ties with a grandmother, too.
00:39:29I'll call her and tell her she needs to move out right away.
00:39:33I'll talk to her.
00:39:34Nobody else talks to her.
00:39:36I'll do it.
00:39:37All right.
00:39:40Where's Miran?
00:39:42She said she had plans with Lee Jun Hwan tonight.
00:39:44She should be with him now.
00:39:45Tell her no drinking and to come home early.
00:39:48Yes, I will.
00:40:12Yeah, okay. I'm on my way home now.
00:40:14Yes, I'm in the van.
00:40:17She's the one who's in trouble.
00:40:18Take your time reading it.
00:40:21Let's meet again.
00:40:22I'm serious.
00:40:23Okay.
00:40:23Promise?
00:40:24Yeah, of course.
00:40:25Uh-huh.
00:40:25She got it.
00:40:26You be safe on your way home, ma'am.
00:40:28See you guys.
00:40:30Good night.
00:40:30I'll see you soon.
00:40:31Good night.
00:40:32All right.
00:40:46Let's hear a cab.
00:40:47I'll drop you off.
00:40:50Come on.
00:40:57Please transfer to line number four at the station.
00:41:11The 46th Korean Film Awards Best New Director goes to Hong Dong Man for Weathermaker.
00:41:23The 46th Korean Film Awards Best New Director goes to Hong Kong.
00:42:02Look, Axe.
00:42:04I hear you're now Dong Man's producer.
00:42:08You're on my payroll.
00:42:11What, you're taking outside work?
00:42:15You know that I have writers asking me to read for them all the time.
00:42:18We don't consider that work.
00:42:21Hong Dong Man?
00:42:23Koh Hei Jin managed them for ten years till she had to let them go.
00:42:26You think she dumped them because she's not as good as you?
00:42:29Come on, Axe, please.
00:42:31Stop digging up what everyone else has thrown away.
00:42:34You're always obsessed with these scripts that should be shredded.
00:42:37I bet when you watch sports, you root for the underdog, don't you?
00:42:41Do you think that I'm running a charity?
00:42:44That's why I pay you?
00:42:46If we only work with directors who've already been established, we'll never discover the next big talent.
00:42:53And we don't need to.
00:42:55When you've got the money, you can stick with the ones who've proven themselves already.
00:43:00It's the ones with no money who dig around in the dumpster.
00:43:02When you get to be my age, you can tell.
00:43:05You just, you smell it.
00:43:07Who is the champ?
00:43:09And who's a chump?
00:43:10There's no such thing as a tragic genius or a hidden master.
00:43:13If you have the money, you can find the money makers.
00:43:16Just like that.
00:43:17They don't stay hidden for too long.
00:43:18Do you think I ever stayed hidden?
00:43:21So quit all this digging through the dumpster.
00:43:23You gotta stop!
00:43:27Throw them out.
00:43:29This is so frustrating.
00:43:34I heard a big shot director want to work with someone smaller like us.
00:43:41Because I don't get it.
00:43:45I can't credit you as a writer.
00:43:47I'll give you development producer.
00:43:48That's as far as I can go.
00:43:58Oh, shit.
00:44:04Stop leaving me on read, or I'll show up at your place and make a scene.
00:44:16I wish I had an older brother.
00:44:20One who's completely crazy.
00:44:34The wedding's right around the corner.
00:44:36Just tell me whether you've booked someone or not.
00:44:38Give me something.
00:44:39And I have to call you over and over before you pick up.
00:44:42What are you gonna do?
00:44:43I already bragged to the in-laws that we'd get a famous singer for the wedding.
00:44:47Now I'm supposed to tell them it's not happening?
00:44:49That'll make me look bad.
00:44:50You've been in the business 20 years.
00:44:52How do you not have someone you can ask a favor from?
00:44:54Uh...
00:44:56I don't know.
00:45:30Can you get me a copy of Ma Jae-yong's script?
00:45:33If it's you asking, they'll probably let you see it.
00:45:36Or maybe you could try asking Hye-jin.
00:45:40There's something I need to check.
00:45:43What a shithead.
00:45:47For the longest time, I've just had trouble actually seeing people.
00:45:51They're just these masses, globs of feeling.
00:45:59It feels like you have a thousand open doors wide open.
00:46:21We should meet, don't you think?
00:46:23Why's that?
00:46:25Just go ahead and say it.
00:46:26If you don't want to, I'll go to Kohei-jin.
00:46:29Do you want that?
00:46:35Oh, fuck.
00:46:37Oh, fuck what? What do you mean?
00:46:40I'm the one who should curse right now, you asshole.
00:46:44You know what I got?
00:46:45A thousand open doors, dude.
00:46:48Have you ever seen that before?
00:46:49I'd say you're fucked, shithead.
00:46:52I used to suffer through your writing, so pissed to have to read it.
00:46:55And now I'm happy I did, because I caught you.
00:46:59Huh?
00:47:00I told you.
00:47:02Reading someone's work, you see right through them.
00:47:04What's going on in their head, who they really are, what kind of life they lead.
00:47:09So why is it that I see Una whenever I read your script?
00:47:15Because we dated.
00:47:19I used to date Una.
00:47:21I can see that in your writing, asshole!
00:47:24So why is her name missing from it?
00:47:26What, I've got to credit every little bit of help I got?
00:47:29Just because we dated?
00:47:31Our writing's like our blood type.
00:47:33It's personal.
00:47:34That's why you can't mix it.
00:47:36Your script has two different blood types.
00:47:38It's obvious.
00:47:39Una's sharp as a blade, and you can't pierce a thing.
00:47:43Drives me crazy.
00:47:43If you asked me right here to separate the parts that you wrote from the parts that she wrote,
00:47:48I could do it in a heartbeat.
00:47:49You want me to show you?
00:47:51You think I'm the only one who can tell?
00:47:53I would bet anything that Ko Hejin can tell.
00:47:58You stole from the wrong person.
00:48:00She's a genius, you piece of shit.
00:48:02That person you stole from shines like a priceless jewel.
00:48:06There's just no way that anybody would mistake who those words belong to.
00:48:09So what's wrong?
00:48:12You don't like her work?
00:48:15What?
00:48:16She only wants what was in the trash?
00:48:19You think that's right?
00:48:23Someone as brilliant as she is,
00:48:25doesn't pursue her own desires like you do,
00:48:27but rescues what's about to be thrown out,
00:48:30and pours her talent into it.
00:48:31Doesn't that make you want to cry with gratitude?
00:48:33You should be worshipping her.
00:48:35She's much better than you, jackass!
00:48:37Damn it!
00:48:38Fuck.
00:48:39Who are you to give me a lecture?
00:48:41You've done nothing.
00:48:42When you ripped my work back then,
00:48:44you know what I realized?
00:48:45I thought this guy,
00:48:47he sees himself in me,
00:48:49and he hates himself so much right now.
00:48:51You thought I was as incompetent as you.
00:48:53You despised me for it.
00:48:55You ripped me for it.
00:49:01Do you still think
00:49:03I'm as incompetent as you?
00:49:25I'm as incompetent as you.
00:49:39You said you'd text me.
00:50:01Your message turned my watch green.
00:50:03For the first time today.
00:50:15And for the first time today,
00:50:18mine just turned green too.
00:50:33Yeah.
00:50:34Yeah.
00:50:36Yeah.
00:50:41Yeah.
00:51:18Oh, what?
00:51:26Oh, hey.
00:51:32Did I wake you up?
00:51:34Yeah.
00:51:36Just go back to sleep then.
00:51:38That's even better.
00:51:42Listen while you sleep.
00:51:45Young.
00:51:46Yeah.
00:51:48Just sleep.
00:51:49Why did you even answer the phone?
00:51:51Go back to sleep.
00:51:55It's fine.
00:51:56I'll talk to myself.
00:51:59It's embarrassing.
00:52:00I'll just talk to myself.
00:52:01You go on back to sleep.
00:52:05Young.
00:52:15It's something that I've never told anyone.
00:52:20Ajin doesn't even know.
00:52:24The secret's going with me to the grave.
00:52:30My debut film, The Lustful Bottle Opener, is actually about Dongman.
00:52:48When I was living with him back in college, he came home wasted one night.
00:52:54He said he'd given this girl he liked a bottle opener.
00:52:59He saw it displayed on his friend's fridge and he lost his mind.
00:53:03Said he ripped the entire fridge door off its hinges.
00:53:07He was so drunk, he just kept rambling.
00:53:11I wanted to write it all down.
00:53:15The story was hilarious and he kept going.
00:53:22I got in bed to go to sleep.
00:53:25And the whole thing just played out in my head.
00:53:29A gangster has a special bottle opener.
00:53:32And he decides to give it to the girl that he likes.
00:53:37And then he sees it on his boss's fridge.
00:53:41I knew it'd work.
00:53:42It took me just three days.
00:53:45I couldn't sleep after that.
00:53:46It was too good.
00:53:48I thought it's his story.
00:53:50What if he wants to write it and let me use it?
00:53:54Turns out this idiot...
00:53:59I didn't remember it.
00:54:02He was so wasted that he ended up blacking out.
00:54:06And now ever since then, I've been so worried about it.
00:54:11Even at the screening,
00:54:13I was so terrified that Punk would see it and remember it.
00:54:18I just kept wishing he'd die in an accident.
00:54:23And that's when...
00:54:26I started picking on him.
00:54:33You know how people say
00:54:39that my first film was my best one?
00:54:41I'm so sick of it.
00:54:45Every time I hear it.
00:54:50So if Dongman suddenly gets his debut
00:54:54and it turns out to be good,
00:54:59then well...
00:55:04that would make me nothing.
00:55:12I always hoped that the Punk would never debut.
00:55:18I wish he'd just disappear.
00:55:25Dongman...
00:55:26never showed it in front of you, but...
00:55:30I know for a fact he loved that movie.
00:55:33So much, it almost made him cry.
00:55:35He said he wanted to kiss you.
00:55:37It was so good.
00:55:39And that was his life's dream
00:55:41to make something like that.
00:55:45He really loved it.
00:56:02You weren't asleep?
00:56:12Come on, why are you awake?
00:56:15Calm down and stop worrying so much.
00:56:19We all do things like that.
00:56:21Everyone uses other people's stories.
00:56:24Even if you had told him,
00:56:26he couldn't have done it well.
00:56:28The guy's let so many good ideas just slip away.
00:56:34If he'd use his own stories,
00:56:36he'd have three, four films by now.
00:56:40But he doesn't even realize
00:56:41how usable his own life is.
00:56:43Keeps trying to force something out of nothing.
00:57:07Gyeongse...
00:57:10You've had it rough for a while.
00:57:14That was a beautiful confession.
00:57:17I'm proud of you.
00:57:32All right, listen.
00:57:34Has anyone here not used Dongman stories?
00:57:37Kitty.
00:57:39The screw-up brother-in-law
00:57:41that you wrote in X-Family,
00:57:42that's Dongman, right?
00:57:45Sung Tae,
00:57:46your Lone Shark character,
00:57:48I know that's from Dongman too.
00:57:51Everyone in this room gets excited
00:57:53when he says anything,
00:57:55thinking that you'll use it later.
00:57:57You guys know it, I know it.
00:57:59We all know it.
00:58:02Hey, Sung Tae,
00:58:03you little shit,
00:58:04you don't even hide it.
00:58:05You just jot it down.
00:58:07And what about him
00:58:08throwing up in the sewer
00:58:09and trying to fish his coin out?
00:58:11Come on.
00:58:13You know someone's using that.
00:58:16Kyungse,
00:58:17the Department of Stress Management,
00:58:19you need Dongman to finish that.
00:58:24Think about it.
00:58:25I get that he drives us crazy and pisses us off,
00:58:28but we get so many ideas from it.
00:58:31Right?
00:58:33And still,
00:58:36nobody wants him here.
00:58:39We all feel safe because he's so naive,
00:58:42and he doesn't know that everybody's using him.
00:58:45And the strange part about it is,
00:58:46we feel guilty for it.
00:58:48So we yell at him.
00:58:52Am I right?
00:58:54Do you guys really think
00:58:55you could come up with anything
00:58:57without Dongman?
00:59:01Then,
00:59:03how about this?
00:59:04Dongman is mine.
00:59:06Huh?
00:59:08That's fine.
00:59:10Wang Dongman and I are best friends now.
00:59:13Everything that happens to him
00:59:14is mine.
00:59:15You got it?
00:59:16He's mine,
00:59:16unless I say.
00:59:19Come on,
00:59:20Yang.
00:59:22What are you doing?
00:59:23That's a bad ending.
00:59:26Oh yeah?
00:59:26Well,
00:59:27I've never been great at endings.
00:59:30I've tried to finish my script
00:59:3127 times.
00:59:35Damn it.
00:59:35Whatever.
00:59:37Anyway,
00:59:38Dongman's mine now.
00:59:40I'm out of ideas.
00:59:41I'm too old.
00:59:42Wang Dongman,
00:59:45he's mine.
00:59:45Got it?
00:59:51Why are you being quiet?
00:59:57Not you.
00:59:59You.
01:00:00I'm sure you want to talk.
01:00:06I'm against it.
01:00:09I'm against Dongman rejoining the eight club.
01:00:14I want to be the only one he sees.
01:00:17Why?
01:00:18To keep all his stories?
01:00:20Yeah.
01:00:22I want every story.
01:00:24Then I'll give every single one of them back to Huang Dongman.
01:00:28So that...
01:00:33He finally realizes how brilliant he is.
01:00:56How come you didn't tell me you got a girl?
01:01:00Hmm?
01:01:01I said you could come back if you did.
01:01:06Well, she doesn't feel the same way as I do.
01:01:08So, uh...
01:01:10Hey, keep it quiet.
01:01:11If Luna finds out...
01:01:13I'm serious.
01:01:14Don't tell anybody.
01:01:15It's not one-sided.
01:01:17She's defending you over here.
01:01:20You come back when you're ready.
01:01:28Oh, jeez.
01:01:39Oh, jeez.
01:01:42Yes, yes.
01:01:50Oh, jeez.
01:02:04What Π΄ΠΎΠ±'em?
01:02:05This idiot better not sing himself.
01:02:08I swear I'll drag him off the stage.
01:02:10Stay out of it.
01:02:11Please welcome them with a big round of applause.
01:02:14This song is for you.
01:02:30Congratulations to Wang Dongmen's beloved cousin, Miss Yi Eren,
01:02:33and her groom, Mr. Kim Shin-young, on their wedding.
01:02:37And I'd like to thank Mr. Huang Dongmen.
01:02:40After filming Sister Vengeance, he was the one who fixed my arm again.
01:02:44Mr. Huang, whenever you have a killer script ready, let me know.
01:02:48I'm first in line.
01:02:49Don't forget, now this is for you, the couple in love.
01:02:55It's a kiss, it's a kiss, it's a kiss, it's a kiss.
01:02:59But I'm not a kiss, it's a kiss, it's a kiss.
01:03:29I'm not even hoping for success.
01:03:34All I want is to make a film.
01:03:38So I can feel less worthless for just a little while.
01:03:42I can feel less than you, the one who has a kiss, it's a kiss.
01:04:12Get ouμœ„am
01:04:13Get ouμœ„am
01:04:42I should have fallen in love
01:04:44I never realized I had such a powerful engine inside me
01:04:47I should have fallen in love
01:04:49You know Pyong Luna is a magician with rewrites
01:04:51Now Dongman's working with her
01:04:52Think carefully here
01:04:54Another person's talking now
01:04:55They even posted a photo of her as a kid
01:04:57Listen, Zheng He's about to call you
01:04:59Please answer
01:05:00No, don't
01:05:01I'll tell the public on my own
01:05:02Everyone will hear me speak the truth
01:05:04That person's showing the same pattern once again
01:05:07Unknown, I'm pretty sure I haven't had that one
01:05:09I want to know what made them feel like that
01:05:14Tonight, I should not my illness
01:05:17Tonight, I should not my illness
01:05:17Tonight, I should not my illness
01:05:18Tonight, I should not my illness
01:05:19Tonight, I should not my illness
01:05:19Tonight, I should not my illness
01:05:19Tonight, I should not my illness
01:05:20Tonight, I should not my illness
01:05:21Tonight, I should not my illness
01:05:24Tonight, I should not my illness
01:05:25Tonight, I should not my illness
01:05:25Tonight, I should not my illness
01:05:30Tonight, I should not my illness
01:05:33Tonight, I should not my illness
01:05:34Tonight, I should not my illness
01:05:35Tonight, I should not my illness
01:05:36Tonight, I should not my illness
01:05:37Tonight, I should not my illness
01:05:41You
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