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16:13I can't see if they were one of your customers there.
16:19Can we do it first?
16:25Come.
16:27Let me take your hand.
16:44One night to be confused.
16:47One night to speed up truth.
16:50We had a promise paid.
16:52Four hands and then away.
16:55Both under influence.
16:58We had given sense.
17:01To know what to say.
17:04Mind is a grace of faith.
17:07To call from hands of above.
17:11To we know.
17:13Wouldn't be good enough.
17:17We know.
17:23One night a magic rush.
17:27The stars a simple touch.
17:29One night to push us crazy.
17:33And then we dream.
17:34Ten days of broken till.
17:37The sun is red and blue.
17:40We had a promise paid.
17:44We were in love.
17:48To call from hands of above.
17:52To be known.
17:54Wouldn't be good enough.
17:57To be in love.
17:59To call from hands of above.
18:02To be known.
18:05Wouldn't be good enough.
18:09And you.
18:12You knew the hand of the devil.
18:19And you.
18:22You knew the hand of the devil.
18:35계�oucher.
18:36She knew him too.
18:42To be identified.
18:46To be known so alone and poor sisès.
18:49Terrific.
18:49I see everything.
18:52I hope you can do it.
18:52I know nothing to tell you.
18:54I did everything to tell you very clearly.
18:55I will act as well.
18:56A cards and a notebook.
18:57He will act as well.
18:57I can't do all of this shitad.
18:58We're out of the way!
19:07Hey, the K. Gilead, it's all right.
19:25A red lead star.
19:33I dreamt of Cameralone and the Mantiberg.
19:37It's a problem.
19:39Pentagram is a camel and can't do it.
19:43Learn about the punks.
19:46Then we move 50.
19:47I dreamt of Cameralone and the Mantiberg.
19:51Then we move 50.
19:53I'm going to go with one hundred.
19:54I'm going to go with one hundred.
19:55This is what I said.
19:57Go ahead and go!
20:03Pentagram is on the other way, now.
20:07The two-tunce ship-over.
20:09I'll go.
20:11Let the pain Come.
20:16Let the pain come.
20:18Let me go.
20:19Hartz很多!
20:20To the house.
31:14I have something to tell you.
31:17I...
31:46I go to...
31:47I go to go...
31:47I go to visit my mother.
31:48I go to visit my mother.
31:49I go to visit my mother.
31:49You have a mother...
31:50In the city.
31:51What else can I miss Anna?
31:55What?
31:59But since you are carrying our child now, I need you to know exactly what I do.
32:08What I really am.
32:39What are you doing?
32:41What are you doing?
32:59What are you doing?
33:02Are you sure you want to try something better?
33:05Yes, thank you. I know.
33:09There are no more time to spend time on it.
33:13No.
33:15It matters life in general.
33:23What are you doing?
33:25This is a real coffee. It's much better than your coffee coffee.
33:30This is what we did at home.
33:41I can't wait to listen to me.
33:46What are you doing?
33:47We are like together.
33:48Yes, I don't know what I do at home.
33:52I don't have knowledge.
33:54I don't know what my love is.
33:56I am not mistaken.
34:00I have my love with you.
34:01When you have a love, you have people with me.
34:05No!
34:08I like to see you.
34:13I like to see you on my eyes today.
34:25I can't. I don't know what it is. I don't know what it is, but I don't know what it
34:36is.
34:36Oh, it's a great place. It's okay.
34:43I don't know what it is.
34:54Is it Rachel?
35:01Is it for dags?
35:07I wonder if you can go to the theater.
35:18I don't know what it is.
35:19I'm sorry, I'll just...
35:21You have a new letter.
35:23It's time 19.45.
35:29It was nothing.
35:31I don't know what it is.
35:44Hey.
35:53What happened to me?
35:57Krokereira.
35:59What do you do here?
36:03What do you do here?
36:05What do you do here?
36:17What do you do here?
36:21I don't know why you and Papa are here.
36:26Is that what you want to find out?
36:33Harald for the love of her?
36:36Is she?
36:39She's a lady here.
36:42She's beautiful.
36:46But at the same time, she's very dangerous for me.
36:53And you.
36:57Okay.
37:04What I'm trying to say is
37:08that...
37:11She's dead in my life than anything.
37:14She's dead in my life.
37:16I'll call her.
37:20He's dead in my life.
37:22She's dead.
37:24She's dead.
37:25She's dead.
37:28She's dead.
37:38She's dead.
37:49It's better.
37:52It's better.
37:55If you're with my mother,
37:57I'll never drink again.
38:18Yeah, I don't have to worry about the microphone.
38:20Do you need a little sound?
38:23No, I don't know.
38:24I've never been laying in a room for a while.
38:30I've never been laying in a room for a while.
38:30I'm not being able to keep up the camera in a room for a while.
38:31The virus staff has been warned
38:32about letting them open up,
38:33between 4 and 6.
38:35It's fine.
38:37Yeah, yeah. We're going to be there many times before the film.
38:4024 people in all, MP3, gas basket and gas,
38:43ready to action on the signal from the bus.
38:45Do you have to knock on or try to take the signal?
38:50We'll just wait until the clock will be 5.
38:57You, Anand, in the morning,
38:59I'll catch you at 6 o'clock.
39:01It's fine.
39:03What should you do with it?
39:05I thought the dress.
39:07The dress I bought in Hegdalsvein,
39:08the 17th of May.
39:09The mørk.
39:11Yeah, it's the one you have.
39:13Yeah, it's definitely the one.
39:15Yeah.
39:19But you, I...
39:23Yeah?
39:26I actually said yes,
39:27because I thought it was a good reason
39:32and it was a good reason to...
39:34Well,
39:36it was a good reason to tell you.
39:38Okay.
39:41Yeah.
39:42But we'll take it when we see you.
39:46Yeah.
39:47Bye.
39:48Bye.
39:48Bye.
39:48Bye.
39:57Bye.
39:58Bye.
40:08What's going on?
40:09The troops have placed out civil officers around the house tonight.
40:12They are just living in the house, which is in the 303.
40:16She was in the house, but she sat down at the door.
40:19All the others are ready.
40:26Then it will soon be tea.
40:28You like tea?
40:29I love tea.
40:31Good.
40:48What happened when your son was little?
40:51He grew up together with me.
40:57I got married when I was 15.
40:59When?
41:00Yes, that was a scandal.
41:05My son had to send him back.
41:09How was it for you?
41:12You were so young and just sent out your son?
41:20They gave me a choice, as they said.
41:23But you always have a choice.
41:25I was confused.
41:28I know, and he knows.
41:33What's he doing today?
41:35He works for import.
41:38I think he said he importered goods from Europe.
41:42It goes well.
41:44It's not always been like that.
41:46I think you'll find your archives.
41:48But it doesn't mean that it can't go well.
41:52People can change.
41:54I hope so.
41:56He says a lot about himself.
41:59But I think he found a friend like a friend.
42:02He said he had a new one on the phone.
42:04He didn't want to say anything before he came here.
42:06He came here?
42:08Yes, he came here at night.
42:09Or he went to a meeting first.
42:11And then he came to the town in the morning.
42:13And then he came back.
42:15To?
42:15To Pra.
42:16To?
42:16To?
42:17To?
42:17To?
42:17To?
42:17To?
42:17T-Rexasins
42:17T-Rexasins
42:25Honig
42:38The video has gone on five minutes.
42:41It looks like the camera is coming.
42:45You think you were the one here?
42:50Do you want to see the 303 go from there?
42:54No.
42:58I'm going to check the 303.
42:59I don't think there's a risk.
43:01No.
43:05Alpha to Charlie 2, come in. Over.
43:07Charlie 2.
43:08Are you ready?
43:09Got it.
43:371-0-3-1-2-2-3-1-2-1-2-4-2-6-4-1-3-2-1-2
43:43-1-2-2-2-2-2-2-2-2-2-2.
43:44You are naked and very proud of your life.
43:47Thank you!
43:50Just take your clothes and take them back to position, Charlie 2.
43:53What's that?
43:59The one who didn't go in the house.
44:01Alpha to Alpha, the object. Stand by.
44:14I'm a-walking, I struggle...
44:36Milieu-objekt. Come in, I-secto, te Bravo 2.
44:51I don't know.
44:51Mully object, stick on the wall.
44:53Mully weapon, send it to them.
45:06Hæpta for Tilly!
45:07Stå i ro!
45:09Hæpta!
45:10Hæpta er en rev!
45:11Lækka dere der!
45:14Do you have anything in your hand?
45:15Just a second.
45:27It's not him.
45:29Sorry.
45:31205 is one of those we didn't contact with.
45:35On the list, it's called Odd Einar Lillebostad.
45:38I apologize, but I think Odd Einar Lillebostad is coming back.
45:44Do you think he's here?
45:47Come on.
46:03It's so nice when Martin comes when he's alone.
46:06Yes.
46:07I think he's a little lonely here.
46:11Yes, but when Martin is here so often as he has been, I'm going to complain.
46:15But he's been here for the last few weeks?
46:19Yes.
46:20One time in the last four weeks.
46:22No, it's actually often.
46:24Every 5th day he's been here.
46:26The last time he's been here, he had a smile for me.
46:29He's been here for the most.
46:32He's been here for the last five years.
46:38I'm going to go to the next three weeks.
46:40Maybe you're here for the next three weeks?
46:41I don't know.
46:41The last time he's been here for the next week.
46:43It's been a great day.
46:45The last time.
46:47The last time.
46:48The last time.
46:48The last time.
46:49The last time.
46:50Contact me again. Come home.
46:52Barius.
47:38Let me go on like I blister in the sun.
47:46Let me go on. Big hands. I know you're the one.
47:53Body and beats. I stain my sheets. I don't even know why.
47:58My girlfriend, she's at the end. She is starting to cry.
48:03Let me go on like I blister in the sun.
48:08Let me go on. Big hands. I know you're the one.
48:34I'm out walking. I strut my stuff. And I'm so strung out.
48:39I'm high as a kite. I just might stop to check.
48:44I'm out walking. I strut my stuff. And I'm so strung out.
48:49I'm high as a kite. I just might stop to check.
48:53You're on body and beats. I stain my sheets. I don't even know why.
48:59My girlfriend, she's at the end. She is starting to cry.
49:04When I'm walking, I strut my stuff. And I'm so strung out.
49:32You're the one.
49:56You're just gonna cry.
49:56I'm so strung out.
49:56I'm so strung out.
49:58I see.
49:58I see.
49:58I see.
49:58I see.
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