00:29Satsang with Mooji
00:30So, you have to understand what to do with Gori, right?
00:33Yes, sir.
00:34I explained everything to him.
00:36Don't worry, don't worry.
00:38But, Dad, you're a little careful, huh?
00:43He's a bad man.
01:01He's a bad man.
01:02He's a bad man.
01:32He's a bad man.
01:33He's a bad man.
01:33He's a bad man.
01:35He's a bad man.
01:36He's a bad man.
01:39He's a bad man.
01:42He's a bad man.
01:45I don't know.
02:23Hey.
03:01Oh, oh, oh, oh, oh.
03:39Hi, beautiful.
03:45Oh, I like your shirt today.
03:48Oh, really?
03:49Looking beautiful, huh?
03:51Nice.
03:53For me?
03:54Yes.
03:59So nice.
04:00Allow me.
04:01Okay.
04:02I'll put it.
04:05Hey, beautiful!
04:07Hey!
04:07Hey, beautiful!
04:10Hey!
04:10Let's stop.
04:12Let's go!
04:13Hey!
04:15Just go!
04:15Just get right there.
04:16Let's get dirty.
04:17Let's go!
04:18Let's go!
04:32See you next time,
04:37We will pay our first time,
05:02I wish I were dead.
05:36I wish I was dead.
05:45I wish I was dead.
06:06I wish I was dead.
06:08I wish I was dead.
06:26I wish I was dead.
06:45I wish I was dead.
07:04I wish I was dead.
07:54I wish I was dead.
07:55I wish I was dead.
08:25I wish I was dead.
09:06I wish I was dead.
09:10I wish I was dead.
09:24I wish I was dead.
09:25I wish I was dead.
09:26I wish I was dead.
09:36I wish I was dead.
09:38I wish I was dead.
09:39I wish I was dead.
09:51I wish I was dead.
09:58This is the Russian class of Lolita, right now?
10:11These were only the names of the classes.
10:16I had to take girls from Russia.
10:21I wanted to become a dancer and I
10:25put them on the floor.
10:30The Jaya Charya was the encounter.
10:34I got to get one case for one.
10:39And then here,
10:41I went for six or eight months.
10:47Then Vivian was pregnant.
10:51And I was pregnant, madam.
10:54I was pregnant.
11:00Vivian,
11:01I was pregnant for two or three months.
11:05I was pregnant for two or three months.
11:06Someone killed the Jaya.
11:08Evika pays off.
11:12Vivian is home garden Goddard,
11:17Jaya's brother has been killed.
11:24But Vivian is there a McMaster in the hospital?
11:30I'm still efficient.
11:33Everything used to stay from the hospital.
11:40What's the name of the girl?
11:52Anand?
11:59Anand, what happened?
12:00She's my desire.
12:03What's the name of the girl?
12:06What's the name of the girl?
12:09What's the name of the girl?
12:12What's the name of the girl?
12:12Chimbalchik.
12:13You're your son, Anand Acharya.
12:18Hmm?
12:21Come.
12:32I want to save her son.
12:35She wants to save her son.
12:36She wants to save her son.
12:38The love of her mother.
12:40She loves her son.
12:45She loves her son.
12:47Let's just end this.
12:49And she's the love of her son.
12:53Vivian was the one who wanted to make her son.
12:58The son of the daughter of the daughter of the daughter.
13:03Anand Acharya.
13:06Father, Father, Father, Father.
13:10Look, dare, dare, dare.
13:12What do you want to do in the lives of her son?
13:15She has become a mother of the daughter of the daughter's son.
13:21What do you want to do in the lives of her son?
13:22And then once again.
13:25I'm sorry, I'm sorry.
13:26Close the door!
13:27Close the door!
13:31Close the door.
13:31Close the door.
13:33Close the door!
13:38Hey, godi chamri.
13:40Where are you?
13:41Are you?
13:44Say where is she?
13:46Where are you from?
13:49Rahshia.
13:51Come on.
13:51Come on.
13:51Come on.
13:52Come on.
13:52Come on.
13:53Come on.
13:53What are you doing?
13:55How are you doing?
13:56Leave her.
13:57Leave her.
14:00Leave her.
14:02What are you doing?
14:02No!
14:03No!
14:06Go!
14:15Go!
14:16What the hell?
14:22What the hell?
14:24Bate got him, got him.
14:26Can't be seen him!
14:27What the hell?
14:29What the hell?
14:31What the hell?
14:38Sleep, my dear, sleep
14:45Tomorrow a new day will come
14:51A sweet son will fly to you
14:59To close my eyes
15:04I hate it
15:09He young, and I'll laugh
15:13He was still alive
15:20To stay with me
15:20It was... It was...
15:27One day, she left her head with a girl, madam.
15:35I knew that this girl, one day,
15:38will take the police to my home.
15:42That's why I sent her anathdashram.
15:47Boys are often in style.
15:51Aysha, madam...
15:53Madam, I...
15:54I'm not going to talk to her.
15:58I'll leave her...
16:02I'll leave her...
16:03to her...
16:04to her.
16:23I'll leave her...
16:27to her.
16:30I'll leave her.
16:41I'll leave her.
16:50I'll leave her...
16:52to her...
16:54to her...
16:56to her...
16:57to her...
16:58to her...
17:03to her.
17:06I'll leave her...
17:11That you should be very long.
17:25Photo?
17:27Yes, wait a minute.
17:28Go ahead.
17:37Madam.
17:39Oh, Chandu Nike.
17:58He degust me.
18:11He did not YEAH.
18:16Do you?
18:17Little girl.
18:19About 250...
18:20No wonder, blackouts, blackouts?
18:36We are asking everyone questions.
18:37If a killer is inside, then who is going to kill her?
18:41Anand.
18:44Surveillance is in the house of Chara.
18:47Ma'am, we'll scan the police and there are signs of struggle.
18:52Okay.
18:53On the floor, on the notes, there are blood stains.
18:55And it's not just Janduz.
18:57I think the killer who is injured is injured.
19:00So we are getting it examined.
19:03Okay.
19:04I want the results quick.
19:05Yeah, yeah. We are on it.
19:26What is it?
19:27Unsung.
19:29And the best place is.
19:36Well, good.
19:38A few hundred and sixty.
19:39Sir, it's $5,000.
19:41I'll give you something to do.
19:45How much money is it?
19:51At least, it'll be $10, right?
19:55Sir, I don't have any idea, sir.
19:59There's no idea.
20:01There's no idea.
20:02I don't remember.
20:04I don't remember.
20:07Sir, sir.
20:08Sir, sir.
20:08You know, it's just a gun.
20:11I don't remember.
20:12Tell me.
20:14Come here.
20:16Come here.
20:17Come here.
20:17Come here.
20:19Sit down.
20:19Today, I'm going to remove all of your bones.
20:23I'm going to remove all of your bones.
20:24Come here.
20:26Come here.
20:28Come here.
20:30Come here.
20:32Come here.
20:33No, no, no.
20:34Come here.
20:36You've got to leave.
20:37Come here.
20:39Come here.
20:40Come here.
20:40Come here.
20:42I'm going to talk to you.
20:44I'll talk to you.
20:45They'll tell you.
20:46They'll know people's pain in the right place.
20:49Yes.
20:50Just a minute.
20:51Just two minutes.
20:52You'll take a lot of time.
20:53What?
20:54I'll tell you.
21:19This has been a bloody mess Vikram if you think Sajid is the killer then who the hell killed
21:24I don't want to know your story
21:27Sir, what did Sajid have confessed to it sir?
21:32I didn't want to make a shirt and you made a shirt
21:37Sorry, sorry sir
21:44Sorry
21:49Sorry
21:49I'm sorry.
21:51Because your focus doesn't have any focus.
21:55Let's just compete with that guy.
21:56Let's just leave.
21:58Sir, there's a theory that you're thinking about in English.
22:03Sir, I'm doing a big thing.
22:04I'll stop.
22:07You've already messed it up.
22:08Now don't come in Rita's way.
22:11Dismissed.
22:17Jain, sir.
22:24I'm not sure.
22:25You've got a look at it, right?
22:26Yes, sir.
22:28But sir, I'm getting a look at the morning.
22:32Three.
22:38I'm not sure.
22:40I'm not sure.
22:44I'm not sure.
22:45I'm not sure.
22:46I'm not sure.
22:47I'm not sure.
22:49I'm not sure.
23:01You're not sure.
23:02I'm not sure.
23:04I'm not sure.
23:05I'm not sure.
23:06I'm not sure.
23:07They control themselves outside.
23:17You are so dumb, Luka.
23:21You are outside,
23:25and you are going to batting outside.
23:31You are so dumb.
23:35I'm not going to die.
23:36Look, I'm not going to get you.
23:39I'm not going to get a beer.
23:40Here.
23:43Hey, hey, hey, hey, hey, hey, hey, hey, hey.
23:47Look, look, look, look.
23:50Look, look, look.
23:51You said to your favorite huddy.
23:53Look.
23:55Look.
24:04Look.
24:06Come.
24:07Do you want to get your own business?
24:10Who is it?
24:15Where are you?
24:17Tell me.
24:20One year old stock is coming from me.
24:29What is this?
24:31The only thing.
24:32No, no, no.
24:37No, don't worry.
24:41Do you want to get your own business?
24:43No, don't worry.
24:44Wow, breaking news.
24:46One time, prime time.
24:48Congrats.
24:49DCP Vikram Sate Sahib.
24:51Are you going to kill Ganja and kill Ganja?
24:55I'm with Ganja.
24:58Mano and Swami are the murderers.
25:00What?
25:02Rita, madam, I'm not taking interest in this case, sir.
25:40Patience?
25:42I won't ever be patient.
25:52You're not going to kill Ganja.
25:59You're going to kill Ganja.
26:03I'm going to kill Ganja.
26:34I'm going to kill Ganja.
27:02Second suspect?
27:04Approved cash?
27:05I told you, I have a source.
27:07Where?
27:08Crime branch.
27:10She's saying that DCP is making stories about Sajid having an accomplice.
27:14Basically, Sajid has a scapegoat and has framed him in other murders.
27:18I am telling you, Kanika, that he will stand up and say that this is Sajid's accomplice.
27:24Maybe.
27:24But that's a prediction, not a fact.
27:27It's all out there, Kanika.
27:29On the other hand, there are brutal murders.
27:31On the other hand, there is going on our DCP shoots.
27:34There is only time passed for our PR.
27:37Yes, it's okay.
27:38But who is your source?
27:39I can't publish this without a name.
28:07As you can share it...
29:25Who do you think more, dude?
29:56She's the criminal, sir.
29:57I'm sure she's the killer.
29:59This is Anita and this is Anant, sir.
30:02What?
30:03Anita?
30:04This is your proof.
30:07A photograph of Acharya Nawaz.
30:10Please give me a warrant of Acharya Nawaz, sir.
30:12I will have all proofs.
30:15Rita.
30:15Rita.
30:16One way, this article, which the journalist wrote about you, and the other way, a photograph.
30:21Do you see the optics?
30:22I don't care about the optics, sir.
30:24But I care.
30:26I care, Rita.
30:32Rita.
30:36You're running out of the media department.
30:39You have to take the HM's phone.
30:40You don't have to take the HM's phone.
30:57I can't control how people think, but I can control her, sir.
30:59I can stop her from disappearing.
31:01I can stop her from killing people, sir.
31:03Please just give me the warrant, sir.
31:05Please, sir.
31:06Just give me the warrant, sir.
31:10I need time to think.
31:15I'll get back to you on this.
31:38I'll get back to you on.
31:44This is pretty welcome, Mr. Waidha.
31:54Rita Madam is my husband.
31:55So, what do we need a production?
31:58So, what do we do?
31:59We have called me today, Ms. Mahal.
32:05We will be, for a Often-Of-ì— deserve it.
32:07But how do we do it?
32:07We have called me the last night that I loved him.
32:09It's all done, Rita.
32:19It looks good, right?
32:24Everything was done that day.
32:29What did you do, GK Rita?
32:38I'd love you.
32:40I'm sorry.
32:55I was just worried about her.
32:55I'm sorry.
32:57I don't know if I could...
32:58I was like...
32:58I'm sorry.
32:59I don't know if I could.
33:01I don't know if I could.
33:04I don't know if I could.
33:15Mrs. Ferreira, Mrs. Ferreira.
33:18Yeah.
33:19UPSC results.
33:20You checked.
33:22This time it will be yours.
33:24All the best.
33:50Put your hands together.
34:22You checked.
34:22What are you doing?
34:25What are you doing with your life?
34:34Do you have to do all this?
34:36Do you have to do all this?
34:37Do you have to do all this?
34:46I was just sick and tired of this music.
34:50I was just sick of you and this hell that we are living in.
34:54You are a coward.
34:55We are leaving both.
34:58You have to put all the money in my head.
35:01Nothing is missing from me.
35:03I am still putting you so good in the school.
35:05You don't deserve any happiness, Rita.
35:09Don't die.
35:14You know what?
35:17Let's just get out of this.
35:21Let's just finish it off.
35:24Let me finish this off.
35:28Let's finish this off.
35:31Let me finish this off.
35:34It's good!
35:36It's good for me!
35:38And it's good for you!
35:40It's good for me!
35:42It's just...
35:43It's just...
35:46No! Shut up!
35:50Shut up!
36:02Come on!
36:02Come on, madam!
36:21Yeah!
36:49Come on, baby!
36:50Come on!
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