- 4 hours ago
2014 Shirin In Love FULL HOT MOVIE Nazanin Boniadi [Full Movie] [Trending]Full EP - Full
Category
🎥
Short filmTranscript
00:01:53Good morning, Marvin.
00:01:54Good morning.
00:01:55And it's Officer Henderson, Miss.
00:01:59License registration, please.
00:02:00Okay.
00:02:02I know it's here.
00:02:05Uh, did you lose your license registrations again, Shireen?
00:02:10No.
00:02:11No, no.
00:02:11It's in my purse.
00:02:13It's got to be here somewhere.
00:02:14I'm going.
00:02:16I'm going.
00:02:17Was I speeding again?
00:02:18Oh.
00:02:19No.
00:02:20No, you weren't speeding.
00:02:21Not this time.
00:02:22Well, let me answer your question.
00:02:23Oh.
00:02:24Does that big red sign mean anything to you back there?
00:02:27Now look.
00:02:28We don't want any accidents out here, do we?
00:02:31I forgot to stop again, didn't I?
00:02:33Uh-huh.
00:02:34I'm sorry.
00:02:39How's the writing going?
00:02:41Well, I'm still going to write you this ticket.
00:02:43I know.
00:02:43You know, it's just all the writing, so.
00:02:50Go on.
00:02:52Different, you know.
00:02:54Definitely has potential.
00:02:57Potential?
00:02:58I gave you the ninth draft.
00:03:00I know that.
00:03:02It's really, you know, raw.
00:03:04You know, fresh is what I mean.
00:03:06But I thought we agreed that Harry can't just kill his wife because he's unhappy.
00:03:14Well, maybe Harry, he does need to do something.
00:03:17You know what?
00:03:18Maybe he kills her, then he tries to kill himself, but through some way, he survives somehow.
00:03:25Or maybe he just lets her go.
00:03:27Yeah, maybe he just lets her go.
00:03:29That'll be, maybe he just lets her go.
00:03:35Maybe he just lets her, get the hell out of here.
00:03:43But when God won't be up this morning, couldn't protect you in my future.
00:03:50But take a bow.
00:03:51Hi, Violet.
00:03:52Because the smile alone has got me on a cloud.
00:03:56You make me shake it, shake it, shake it, shake it, Lordy, baby.
00:04:00Shake, shake, shake, shake it, you make me shake it, shake it, shake it.
00:04:05Have until tonight.
00:04:06Then you'll be hearing from my lawyers.
00:04:15I read all the books.
00:04:17You read them all in one week?
00:04:19Mm-hmm.
00:04:20And I wrote a review on each of them.
00:04:22Although only one was worth reading.
00:04:25The rest were the usual fluff.
00:04:27You say that like it's a bad thing.
00:04:34In the Storm is the new Rachel Harsin novel.
00:04:37I'm sure it'll be a bestseller too, but I don't get it.
00:04:42Have some kebab.
00:04:44You've lost weight.
00:04:45Lagar shodhi.
00:04:46Pustos to khon shodhi.
00:04:49I have an offer for you.
00:04:52We'll have the wedding here.
00:04:54A big wedding.
00:04:55A beautiful wedding.
00:04:58In return, you will do a big feature on Miss Harsin.
00:05:06And we'll put it on the cover of the online issue,
00:05:10as well as three pages in the print publication.
00:05:15Mm-hmm.
00:05:16You've been asking to write feature stories.
00:05:18Here's your chance.
00:05:19Rachel Harsin.
00:05:22The real story.
00:05:23Darling, go and interview her.
00:05:27Write classy stuff.
00:05:28And I promise we won't change a word.
00:05:33You know she doesn't give interviews.
00:05:35She hasn't met my daughter.
00:05:40Right.
00:05:43Shireen!
00:05:44My dress!
00:05:47Shireen!
00:05:53Oh, shoot.
00:05:57Azizam, is that beer coming?
00:05:59Coming!
00:06:02Hey, Vicky, it's me.
00:06:04Um, I have an emergency.
00:06:07No, not another fire.
00:06:09Um, do you have any beer?
00:06:22Hello, boys.
00:06:25Hello.
00:06:27Hi, Vicky.
00:06:38Who is this Blondie?
00:06:39Take it easy, man.
00:06:40She's a patient.
00:06:41She's a patient?
00:06:43Yeah, I wouldn't mind giving her a feeling, huh?
00:06:44I would love to adjust her tailbone.
00:06:48You're not even a doctor.
00:06:49You're a chiropractor.
00:06:50That's a glorified masseuse.
00:06:51I make people walk with beautiful forms.
00:06:54What do you do, fill up their phenomenals?
00:06:56Thank you so much.
00:06:57Of course.
00:06:59Oh, how romantic.
00:07:02After all these years, Mike still sends you flowers.
00:07:06Yeah.
00:07:06American men never do that.
00:07:10Here, Gazza.
00:07:11Thanks, beautiful.
00:07:13What wouldn't it be?
00:07:14Papa!
00:07:16It tastes so good.
00:07:38Oh, Mike is so adorable.
00:07:41He did such a great job on these.
00:07:44You should feel them.
00:07:46Oh, no.
00:07:47I'm good.
00:07:48I'm good.
00:07:48Are you sure?
00:07:49Yeah, okay.
00:07:50Okay, the tall one.
00:07:52The other doctor, is he married?
00:07:56No, he's not married.
00:07:59I mean, Ryan, I got a chandelier in my car.
00:08:02Hang it, just chandelier, just hang it.
00:08:04Tone it down, man.
00:08:05You're a little creepy right now.
00:08:06I want to be married, too.
00:08:07I love her.
00:08:09I could look at her in one of her hair all day
00:08:12and just wonder why did it wave like this
00:08:14instead of like that.
00:08:16What are you reading now?
00:08:18Huh?
00:08:18Oh, it's the new Rachel Harsin novel.
00:08:21Oh, she has a new one?
00:08:23Yeah, In the Storm.
00:08:25It's an advanced copy.
00:08:26I love her.
00:08:28It's her best yet.
00:08:30Once I'm done reading it, I'll let you borrow it.
00:08:32And I'll bring you some more beer.
00:08:34Forget the beer.
00:08:35Just bring the book
00:08:37and the tall doctor.
00:08:55I'll bring you some more beer.
00:09:04here please yes honey we will surely I just want you to meet Ali Ali we call
00:09:07him Ali the Raid I'm glad you found something on what can you see it pleasure to meet you great
00:09:14speaking oh well I was a human rights attorney and I gave it up to write she's a booker here
00:09:21for the magazine this one you do whatever you want honey as long as you quit when we have
00:09:30children you know I want a lot of children here's to Rachel Larson and in the storm how to be
00:09:3850 is
00:09:39the best for you darling I promise Roya that we're gonna have grandchildren before too long now you're
00:09:53not gonna disappoint us are you I'll do my best don't keep on touching your hair Dr June
00:09:58seriously come on come on that's okay she's just nervous about the wedding let's have the music
00:10:06louder let's bring me it's interesting she should you go wash your face I'm going to get you a water
00:10:17okay I'll be right back okay don't you just love this music
00:10:29uh
00:10:45uh yeah help me I escaped um yeah it's raining you should probably go back inside yeah okay all right
00:10:53um
00:10:55oh
00:10:56oh
00:10:58where do you want to go please don't send me back
00:11:04uh okay but you just want me to go okay
00:11:09um
00:11:13just go
00:11:15just go
00:11:28straight
00:11:31go straight
00:11:34if I go back I'm going to kill them
00:11:37or I'm going to kill myself
00:11:40okay
00:11:41straight it is
00:11:43okay
00:11:45straight it is
00:12:04straight it is
00:12:08okay
00:12:09any other suggestions
00:12:10blue
00:12:13awesome
00:12:14man can I get another time
00:12:17um
00:12:23come on
00:12:24pick up the phone
00:12:27watch in the dress
00:12:28how much happy meal
00:12:30okay
00:12:31okay
00:12:34dude I got a girl in my car right now she's passed out in the front seat it's it's the
00:12:38pretty book reviewer in the purple dress it was drinking too much tonight at the party
00:12:42long story i need your help okay because i don't know what to do with her and she's beautiful so
00:12:49please call me back
00:12:55oh my gosh look at that she's so drunk you were that drunk last night
00:13:01no
00:13:01yes you were
00:13:03hey
00:13:03uh
00:13:04um
00:13:04um
00:13:04um
00:13:04uh
00:13:04uh
00:13:04uh
00:13:04uh
00:13:04uh
00:13:32else you need you know my hands are full oh yeah no worries next time for sure yeah thank you
00:13:52rick rick it's will please pick up please i've got this girl
00:13:58is in my room right now okay yeah the girl from the party
00:14:06she's now in my bed so um you gotta you gotta come here and you gotta help me
00:14:10handle this right now please
00:14:16hey hey you need to wake up please
00:14:36oh here you go
00:14:43okay i
00:14:46ho ho ho ho i've got to take your clothes off
00:14:51because you're gonna get pneumonia if i don't okay so i'm just doing that
00:15:04an engagement ring
00:15:06oh man
00:15:15okay
00:15:16there you go
00:15:18i can't
00:15:19Ahem.
00:15:26Get in.
00:15:28There we go.
00:16:02You don't drink whiskey. There was a guy here. I'm gonna kill him!
00:16:07No, you're not.
00:16:08What do you mean, no, I'm not? My fiancé was in bed with someone...
00:16:14Calm down. Let me explain.
00:16:16Calm down? My fiancé is in somebody's bed. Oh, my God, I'm going dizzy.
00:16:22Here.
00:16:23Oh, thank you.
00:16:29Where is he? I'm gonna kill him!
00:16:32I don't know how this happened, Mike, I swear.
00:16:35What am I gonna do?
00:16:36I had a call from Rick Davidson this morning.
00:16:39Shirin had a little too much to drink, so she asked Rick to give her a lift home.
00:16:43And then ended up in bed with him. Oh, my God!
00:16:49Here.
00:16:51Dr. Jun, you'll be very happy to know that as soon as he brought her back to his hotel,
00:16:57he went straight to his boyfriend, Trevor.
00:17:01You should never let her drink in public.
00:17:06Calm down.
00:17:24Oh!
00:17:27Ha!
00:17:28I knew it.
00:17:29I knew it.
00:17:30Hmm?
00:17:33Sweetheart, that's her red hair.
00:17:36Do you see any other red-headed Asians walking around here?
00:17:50Major health code violation. I am not eating this.
00:17:52I need to talk to you about something kind of important.
00:17:59I just found out that my mother's really sick.
00:18:02I'm sorry.
00:18:04Yeah.
00:18:05That's terrible.
00:18:07They don't think she's gonna make it to her next birthday.
00:18:14I need more wine.
00:18:17Um...
00:18:18It's empty.
00:18:26Can I have...
00:18:27Are you gonna...
00:18:28eat...
00:18:29Yeah, I have it.
00:18:29That...
00:18:30Yeah?
00:18:31Okay.
00:18:33Broccoli.
00:18:34The long ones.
00:18:35For the combination, we feel like asparagus and broccoli.
00:18:40This is so good.
00:18:43Thanks, babe.
00:18:44Alright.
00:18:47Please be careful and don't drive fast.
00:18:50I love that.
00:18:51She couldn't drive fast even if she wanted to.
00:18:53I can't believe you'd rather drive seven hours on this piece of junk
00:18:56instead of taking a one-hour flight.
00:18:57You know I hate to fly.
00:18:59And please don't call Zuzu a piece of junk.
00:19:01You know I don't want to put my first car to sleep.
00:19:05The keys are in the ignition, honey.
00:19:07Oh, yeah.
00:19:08And you got the GPS, too?
00:19:10Uh, yep.
00:19:11And I have this just as backup.
00:19:13Where's your ring?
00:19:15Oh, uh...
00:19:16I'm sure it'll pop up somewhere.
00:19:18Oh, my God.
00:19:19You lost it?
00:19:19How could you lose...
00:19:20Oh, my God.
00:19:21Do you know how long that ring's been in my family?
00:19:24Since my great-great-great-grandmother.
00:19:25Five generations, ma.
00:19:27Then I'm out of me, cool shit.
00:19:28Don't tell you.
00:19:29Don't tell you.
00:19:29Don't let your blood pressure go up.
00:19:32I didn't lose it.
00:19:33I just can't find it.
00:19:35She didn't lose it.
00:19:37She lost it.
00:19:38No.
00:19:39She can't find it.
00:19:41That's different.
00:19:42But then she lost it.
00:19:43What's the difference?
00:19:44No, no.
00:19:46She didn't lose it.
00:19:47She just can't find it.
00:19:49But it's the same thing.
00:19:50She lost it.
00:19:50No, no, no.
00:19:51It's not the same thing.
00:19:52She just can't find it.
00:19:53Watch out.
00:19:54Watch out.
00:19:55Watch out.
00:19:57She lost it.
00:20:08Oh, as it goes again.
00:20:10Start the car.
00:20:10Start the car.
00:20:13Start the car.
00:20:19You know what?
00:20:21Let me handle this.
00:20:27Good morning, Officer Henderson.
00:20:29I...
00:20:29It's coffee, okay?
00:20:30It's coffee.
00:20:31And I spilled it chasing you.
00:20:34I stopped at the stop sign.
00:20:35No, ma'am.
00:20:36No, ma'am.
00:20:36No, you didn't stop.
00:20:37You didn't stop at the stop sign.
00:20:50I sent your manuscript to an agent friend of mine.
00:20:59You know what?
00:21:01My new partner's sitting back in the car there.
00:21:04It's not gonna work this time.
00:21:05Oh.
00:21:07It's all right.
00:21:08Oh, oh.
00:21:09I know the number.
00:21:1406.
00:21:15Let me tell you.
00:21:20Are you leaving town?
00:21:22Yes, sir.
00:21:23Are you leaving for a long time?
00:21:25Yes, sir.
00:21:26Good.
00:21:30Officer Henderson,
00:21:31have you thought about changing that ending?
00:21:39Well, I thought about, you know, when he kills her.
00:21:44I thought maybe I'd make that a dream sequence.
00:21:46Well, dream sequences are kind of a movie thing, so...
00:21:55I don't know.
00:21:55I don't know.
00:21:57You let me think about it, all right?
00:22:00Promise me.
00:22:02If you stay off my streets for a few weeks,
00:22:05I'm not gonna write your ticket, okay?
00:22:07I promise.
00:22:09Promise.
00:22:10Promise.
00:22:11Promise.
00:22:12Because I don't want to see you anymore.
00:22:15Thank you, Marvin.
00:22:17It's like you.
00:22:23I'm good.
00:22:26I'm gonna do it, all right?
00:22:39We're going to do it again.
00:22:39We're going to ride the train.
00:22:41I know.
00:22:42On the highway, staring at the skyline, floating in space, hey there, scoot a little closer, what's your favorite color,
00:23:04posies in May.
00:23:09So lovely on my pillow, spinning ramps with rainbows, sending telegrams to Mars.
00:23:23Just my luck.
00:23:30Turn left in 500 feet.
00:23:34There is no left.
00:23:37Recalculating, recalculating, turn left.
00:23:39What, you want me to drown in the ocean? There's no left.
00:23:43Turn left.
00:23:45Ooh.
00:23:58Turn right.
00:24:00Where am I?
00:24:04You had arrived at your destination.
00:24:07She lives in the middle of nowhere.
00:24:18Where the hell are we?
00:24:25Yeah.
00:24:27Mm-hmm.
00:24:30Yeah.
00:24:33Yeah.
00:24:38Yeah.
00:24:41Yeah.
00:24:45Yeah.
00:24:47Yeah.
00:24:57Yes, may I help you?
00:24:58Hi.
00:24:59Yeah, my car broke down.
00:25:00Can I use your phone?
00:25:02Oh, sure.
00:25:02Come on in.
00:25:07I locked myself out of my car.
00:25:09Oh, you better wipe yourself off before you get pneumonia.
00:25:14Yeah, clearly that's not going to work, so I'll get you a bigger towel.
00:25:17Thanks.
00:25:21Here.
00:25:24Oh, you're welcome.
00:25:27Oh, you know, why don't you make the call later?
00:25:30Come on with me.
00:25:32It's just, yeah, just follow me.
00:25:34It's good.
00:25:39Yeah, come on in.
00:25:47Sit by the fire.
00:25:48I don't want to bother you.
00:25:50If you could just give me a number for a taxi, I'll go to a hotel and find somebody to
00:25:54help
00:25:55me with my car.
00:25:56You're not from around here.
00:25:57You're not from around here, are you?
00:25:58No.
00:25:59No.
00:25:59I'm from Los Angeles.
00:26:00Because the closest hotel is about 20 miles away, no one is going to come out here in this
00:26:05weather.
00:26:06Stay here tonight.
00:26:07night, you can take care of everything in the morning.
00:26:09morning.
00:26:10Oh, that is way too much trouble.
00:26:12No.
00:26:13I don't want to hear about it.
00:26:15Please, sit down.
00:26:18Oh.
00:26:20Oh.
00:26:21Oh, no, I really shouldn't be drinking.
00:26:23You know, if you have just one, it keeps you very warm.
00:26:29Okay.
00:26:32There you go.
00:26:34Thanks.
00:26:36You're welcome.
00:26:40So, what are you doing around here?
00:26:44What's your work?
00:26:45I'm a journalist.
00:26:47You're a journalist?
00:26:48Well, not really a journalist.
00:26:50I'm more of a book reviewer for a magazine.
00:26:53I'm looking for someone.
00:26:55She's an author.
00:26:56Her name's Rachel Harsin.
00:26:59Hmm.
00:27:03May I ask why?
00:27:07I'm writing a story on her, although I'm pretty sure she won't talk to me.
00:27:12She seems like a pretty difficult woman.
00:27:17You know, that's funny.
00:27:18I've heard the same thing about her.
00:27:20Yeah.
00:27:24What magazine did you say you wrote for?
00:27:27BH Style.
00:27:29Have you heard of it?
00:27:30No, but I'm not a magazine person.
00:27:34I'm sure it's very nice.
00:27:36Truth is, it's my first big assignment, so I'm a little...
00:27:39So you're nervous.
00:27:41Yeah.
00:27:45Let's not talk about work anymore tonight.
00:27:47You're tired.
00:27:48You need your rest.
00:27:49Take that with you.
00:27:51Okay.
00:27:52You're very kind.
00:27:54Oh, you have found me out.
00:28:09This is my son's room.
00:28:11Oh.
00:28:12Well...
00:28:13At least it was his room.
00:28:25Oh, he's so cute.
00:28:27Yes, he is cute.
00:28:50Okay.
00:28:55I am so sorry.
00:28:58I didn't even recognize you.
00:28:59Why would you?
00:29:01See that picture?
00:29:02That was taken 30 years ago.
00:29:05Anyway, you need to get your sleep.
00:29:10Good night.
00:29:12Good night.
00:29:12Good night.
00:29:38Thanks.
00:30:10Yeah, exactly.
00:30:11So go to Kaylee's.
00:30:13I got a flat that looks uniform or something.
00:30:15That reminds me of it.
00:30:16I want to put it back there.
00:30:17Just bring it back in because everything's looking so raggedy and I've been out there every
00:30:23day.
00:30:24Hi, Mrs. Morris.
00:30:27Oh, hi.
00:30:28No.
00:30:30No, not you again.
00:30:33Uh-uh.
00:30:33You two know each other?
00:30:35Yeah, I'm sorry.
00:30:36I don't want to be rude, but we don't want any journalists in my house.
00:30:39I don't know what you're talking about.
00:30:41Wait, don't strain your voice.
00:30:42You know, this is my house.
00:30:43She's a guest.
00:30:43Mom, she is a journalist.
00:30:45Do you know what that means?
00:30:45She told me she's a book critic.
00:30:47Really?
00:30:48Can I talk to you alone for a second?
00:30:49Just wait a minute.
00:30:50Just sit down.
00:30:51First of all, I'm going to take Shirin and put her back into the bedroom.
00:30:54Go on, honey.
00:30:56You are really embarrassing me in front of my guest.
00:31:01Really?
00:31:01Sure.
00:31:02And how do you even know her name?
00:31:05Why is she here?
00:31:12She is not feeling well.
00:31:14I think she has a little bit of a temperature, so she might have to stay a night or two.
00:31:19Another night or two?
00:31:20I don't want to talk anymore about it, okay?
00:31:32She's cute, isn't she?
00:31:37She thinks you're cute.
00:31:41Here, take that perfect tray and be nice.
00:31:46Yes, ma'am.
00:31:59I'm sorry to intrude.
00:32:02I'll leave.
00:32:03No, no, I'm sorry.
00:32:05I, um, you know, what happened back there.
00:32:10Let me see if I can...
00:32:12Man, you know, I knew that was going to happen, too.
00:32:14I'm sorry.
00:32:15It's okay.
00:32:16It's okay.
00:32:16It's kind of been one of those things.
00:32:19Oh.
00:32:22I'm sorry.
00:32:24I'll, um, I'll get you some more lunch juice.
00:32:27I'll get you another.
00:32:28Oh, no.
00:32:31Sorry, I can't.
00:32:33Where have I seen you before?
00:32:35Um, I think, I think we might have had a party one time.
00:32:39Here, please sit down.
00:32:40I don't want you to make a voice.
00:32:43Thanks.
00:32:44Yeah.
00:32:46Great.
00:32:49Thanks.
00:32:50Yeah.
00:32:53Happy boy.
00:32:55Huh?
00:32:57Oh.
00:32:59Yeah, I don't know why my mom has that.
00:33:02Yeah, no, I wasn't, uh, I wasn't quite as happy as I look here, but, uh, but I was an
00:33:11amazing chess player, so, you know, a bit of a loner, though.
00:33:18Oh.
00:33:20Zuzu.
00:33:21Hm?
00:33:22What'd you call me?
00:33:23Zuzu.
00:33:24My car.
00:33:25Oh.
00:33:26You dropped it?
00:33:27Great.
00:33:28Five seconds.
00:33:29Oh, you can still eat that.
00:33:31Yeah, I noticed that you got the blue Beetle.
00:33:33Yeah.
00:33:34I used to have a Beetle.
00:33:35Um, it's my first car, so.
00:33:44Um, I gotta take off.
00:33:47Okay.
00:33:48Yeah, but, um...
00:33:51Thanks.
00:33:52Okay.
00:33:53Yeah, feel better.
00:33:53Take it easy.
00:33:54Okay.
00:34:06Please, tell your friend not to honk.
00:34:09Her name's Helen.
00:34:10Mom, it's been that way for seven years.
00:34:12But I'll tell her.
00:34:13Bye.
00:34:37Answer it.
00:34:38I'm too hysterical.
00:34:41Answer it.
00:34:42I'm too hysterical.
00:34:51Hello?
00:34:55Yes?
00:34:59Is she okay?
00:35:03Thank you very much for calling.
00:35:06Goodbye.
00:35:08Well?
00:35:12She is fine.
00:35:14That was Rachel Harsom.
00:35:16Rachel Harsom?
00:35:19Herself?
00:35:21Shirin is sick.
00:35:23She has a high fever.
00:35:25Great.
00:35:27Great?
00:35:29Are you out of your mind?
00:35:31Don't you get it?
00:35:33It's Rachel Harsom, the writer.
00:35:36She got her.
00:35:38That's my daughter.
00:35:40Harsom's latest work is a literary sensation,
00:35:43combining a magical illumination of the ordinary
00:35:46with exquisite lyricism laced with elegance and compassion.
00:35:50A tragic love story which brings to mind the best of Annie Poole.
00:35:54Wow.
00:35:56Hey, the best?
00:35:57She gives it four stars.
00:36:01Hey, you're not supposed to be out of bed.
00:36:04Oh, I'm feeling much better.
00:36:06Here, let me, uh, get your chair.
00:36:09Yes, have something to eat.
00:36:13Thanks.
00:36:13Yeah, you want some meatloaf?
00:36:14Oh, yeah.
00:36:16Some, some meatloaf.
00:36:19Thanks.
00:36:24Um, I almost forgot.
00:36:26You, uh, you left these.
00:36:29Oh, thank you, thank you, thank you.
00:36:32I'm always losing things.
00:36:34I'm hopeless.
00:36:35No, you are not.
00:36:36And I'm gonna tell you why, Missy.
00:36:38See this?
00:36:39We just read the review.
00:36:41You're a fantastic writer.
00:36:43William, tell her how good she is.
00:36:45You're good.
00:36:47Where did you go to school?
00:36:48Um, Oxford for undergrad.
00:36:51Oxford.
00:36:52Columbia Law.
00:36:53Columbia Law!
00:36:54Now I'm learning how to write.
00:36:56Hey, don't be so modest.
00:36:58You are a very good writer.
00:37:00Um, that means so much coming from you.
00:37:05Do you write too?
00:37:07Um, me?
00:37:08No, I, um, why?
00:37:11Uh, your room.
00:37:12All those books.
00:37:13Oh, that's my fault.
00:37:15See, I used to be an English teacher,
00:37:16so I made him read all the books that I love.
00:37:19And it was horrible?
00:37:20It was not!
00:37:22Yeah, I didn't think a teenage boy would read all the classics,
00:37:25especially the ones written by women.
00:37:26He's a very unusual man.
00:37:28Elizabeth Bishop is one of my favorite poets.
00:37:32I hope you don't mind, but I was going through your collection of poetry in your room,
00:37:35and loved the notes and the margins.
00:37:39This is not like the big city, you know, he had a lot of problems as a teenager.
00:37:44I don't mean problems, it was a...
00:37:45I know, not for me, but, you know, for William.
00:37:58Mm.
00:37:59Mm.
00:37:59It's good, huh?
00:38:00Mm.
00:38:02I'd love to get the recipe.
00:38:04Oh!
00:38:04Well, I just put it together, it's his recipe, he is the chef.
00:38:08Oh, you know, my father's the chef in our house, too.
00:38:12Really?
00:38:13Um, shoot, you know what, I gotta, I gotta go.
00:38:16I gotta go work?
00:38:16Yeah.
00:38:17Um, you guys enjoy.
00:38:20Okay, and, uh...
00:38:22Tea.
00:38:23I love you.
00:38:24I love you.
00:38:24And, um...
00:38:27Yeah.
00:38:28Good night.
00:38:28Good night.
00:38:34Here.
00:38:35Have some veggies.
00:38:39Then we'll have some tea.
00:38:43He's so good looking.
00:38:48He lives in that lighthouse down the road.
00:38:51When the weather is really, really stormy,
00:38:55he listens to the radio in case somebody needs help.
00:39:03Interesting.
00:39:08His father died 12 years ago.
00:39:12In a horrible storm.
00:39:17The Coast Guard couldn't pick up the signal because it was too weak.
00:39:23And William left New York.
00:39:27Moved back here and bought a whole bunch of high-tech radio equipment.
00:39:33And he sits there.
00:39:37And he listens to the radio, and he can hear even the weakest signal.
00:39:45I am so sorry.
00:39:48I had no idea.
00:39:54Oh.
00:39:56Just like the character from In the Storm.
00:39:59I suppose I'm revealing some family secrets.
00:40:04Oh, no.
00:40:06I am definitely off-duty tonight.
00:40:09No, you write.
00:40:10You write what you want.
00:40:11You write the truth.
00:40:12I don't have a problem with that.
00:40:16And I wish William would just stop hiding.
00:40:24Oh, I'm sure that's for you.
00:40:27Do you mind answering it?
00:40:28Okay.
00:40:33Hello, Ms. Harrison.
00:40:35It's me, Mom.
00:40:36How come you called Mike and not me?
00:40:38Be professional.
00:40:40Don't forget why you're there.
00:40:42Yeah, yeah.
00:40:43I'm feeling a lot better.
00:40:45I have to go now.
00:40:46I'll call you tomorrow.
00:40:48And no.
00:40:50Please don't worry.
00:40:50Make sure you take some good pictures.
00:41:25Good morning.
00:41:26Hi.
00:41:27So I stopped by the store this morning.
00:41:29I got cinnamon and hazelnut coffee.
00:41:31We're all set.
00:41:31Honey, you didn't have to go into all that trouble.
00:41:34That's fine.
00:41:35You look like you're feeling better.
00:41:37Yeah, I am.
00:41:38Thanks.
00:41:39Good.
00:41:42You know what, William?
00:41:44Why don't you take Shireen out for a lovely drive?
00:41:48Oh, no.
00:41:48I have to get back to L.A., so.
00:41:51Yeah, it's a long drive.
00:41:53Yeah.
00:41:55Honey, she came all the way up here.
00:41:57Now, don't you want to see how beautiful everything is?
00:42:00What a good idea it is.
00:42:01Get out.
00:42:01Get some air.
00:42:03What a great idea.
00:42:04Mom, there's not much to see, really.
00:42:06Let's do it.
00:42:06What are you talking about?
00:42:07She's all the way up here and you're not going to show her around?
00:42:10Honey, wait till you see the beauty of the landscape and the flowers.
00:42:14So what do you think?
00:42:15A good idea?
00:42:16Okay.
00:42:17Good.
00:42:50Good idea, male.
00:42:51I see why Rachel's work is so inspired.
00:42:55This is magnificent.
00:42:58This is the main setting for Under a Blue Skies, isn't it?
00:43:01Yeah.
00:43:07So what do you want to write about?
00:43:08Well, come on, you got a novel in there, don't you?
00:43:15What makes you say that?
00:43:17Maybe it helps that I have a writer in the family.
00:43:24So why'd you stop?
00:43:26Who says I ever started?
00:43:30Really?
00:43:36Okay, I've written 600 pages, but I haven't touched it in nearly two years.
00:43:40Why not?
00:43:42A fear of failure, probably.
00:43:45What if no one wants to read it? What if it's bad?
00:43:48Just write another one.
00:43:51Easy for you to say.
00:43:55I need to move somewhere peaceful so I can write.
00:43:58Definitely old enough to live on your own.
00:44:03How'd you know I live with my parents?
00:44:04I guess. I'm sorry.
00:44:06I, um, well, you were dressed and, uh, your mannerisms, it was...
00:44:12Well, just so you know, I didn't have much of an income after I graduated, so I had no choice.
00:44:17I just said...
00:44:18Yeah, I'm sorry.
00:44:21It was...
00:44:22It's none of my business, really.
00:44:24So...
00:44:24...
00:45:14You are so lucky.
00:45:17Yeah, it's not too bad.
00:45:20So, Mr. Adventure,
00:45:23why do you still live with your mother?
00:45:27I don't live with my mom.
00:45:29I live next to her.
00:45:30Right.
00:45:31Like, right next to her.
00:45:35Next to her.
00:45:36And if you must know,
00:45:38the truth is that
00:45:40I live next to her because she's not well.
00:45:45Oh.
00:45:47I'm sorry.
00:45:50Perhaps you're right.
00:45:50Maybe I miss her cooking.
00:45:52Just a little bit.
00:45:53Mm-hmm.
00:45:56Anything else you want to pick on?
00:45:59Well, I mean, since you asked.
00:46:03You should really get some new clothes.
00:46:04You don't dress very well.
00:46:06No, you're gonna go there.
00:46:09All right, well,
00:46:10at least I don't look like a dentist assistant, so...
00:46:13a dentist assistant, really?
00:46:15Mm-hmm.
00:46:15Because this is your sweater.
00:46:18And you wear it well.
00:46:23Thanks.
00:46:38And I love to feel you shaking
00:46:41Your head upon my chest
00:46:44And your eyes won't let you bake in
00:46:47You know this ain't best
00:46:50And you're wearing my own T-shirt
00:46:53And I'm wearing well
00:46:56Baby
00:47:25William has created his own
00:47:28Little world
00:47:29And Helen is one of the few people in it
00:47:32Doesn't really meet new people
00:47:35Hmm
00:47:36How long have they been together?
00:47:38I'd say about
00:47:41Seven years, give or take
00:47:44You see
00:47:44When he came back from New York
00:47:47His spirits were really low
00:47:50He was drinking too much
00:47:53And he knew Helen from high school
00:47:54She was the manager of the local bar
00:47:57Which was his favorite hangout
00:48:00She was really a good influence
00:48:01She was his friend
00:48:03She kind of
00:48:05Brought him back to life
00:48:08Hmm
00:48:11So
00:48:14What about you?
00:48:15I mean, do you have a boyfriend?
00:48:16Or are you...
00:48:18I'm actually engaged
00:48:21I lost my ring
00:48:23I'm an idiot
00:48:26His name's Mike
00:48:28Our families have known each other since we were kids
00:48:31Now he's a plastic surgeon
00:48:35Really nice guy
00:48:37My mom really loves him
00:48:40I'm very happy for you
00:48:43Thanks
00:48:47Okay, I'm gonna pry
00:48:48Why are you writing for B.H. Style?
00:48:53Because my mom's the owner
00:48:59And because I'm a coward
00:49:04I think you're very special
00:49:10I'm gonna get some coffee
00:49:11I don't know if you want any's
00:49:19Rachel
00:49:21Rachel?
00:49:27You know, I was always afraid
00:49:29That something like this would happen
00:49:30When I wasn't with her
00:49:36I'm grateful you were there for her
00:49:41You can't be there all the time
00:49:47I'm glad I was there too
00:50:01I didn't know you smoked
00:50:06I don't
00:50:08Give me that
00:50:16It's a hospital
00:50:30You know
00:50:31The dialogue in Rachel's novels
00:50:33Feels so authentic
00:50:36She must rely on your help, right?
00:50:41Next question
00:50:44I'm sorry
00:50:44I didn't mean to pry
00:50:47It's just Rachel
00:50:48Rachel really knows how to capture this place
00:50:49You know?
00:50:50The sea, the villages where the fishermen live
00:50:55She has such strong insight into the pain her characters are feeling
00:50:58And yet
00:51:00There's such optimism and romance in her writing
00:51:03I'm sure she'll be happy to hear your analysis
00:51:07You, on the other hand
00:51:10I can't quite figure you out
00:51:13I mean, if Rachel bases all her characters on real people
00:51:20Where do you fit in?
00:51:23You're James
00:51:24From In the Storm
00:51:26Absolutely not
00:51:27No
00:51:28There's no way Rachel
00:51:29Bases Sailor on me
00:51:31Because I put one foot into a boat
00:51:32And I turn green
00:51:34Yeah
00:51:37And my father on the other hand
00:51:42That guy was a fisherman
00:51:45So Rachel wrote about your dad
00:51:48I don't know, maybe
00:51:51I mean, can you imagine?
00:51:54I have to grow up in this fishing town
00:51:56My father's this great fisherman
00:51:58And I get seasick the minute I step in a boat
00:52:06It was a disaster
00:52:10I think you turned out alright
00:52:18Will you come sit next to me?
00:52:23You just seem so far away
00:52:33Please?
00:52:38I don't bite, you know
00:52:39I don't bite, you know
00:52:45So, William
00:52:47Where did we meet before?
00:52:49What party?
00:52:51Most guys don't greet me with
00:52:53Oh no, not you again
00:52:56Yeah, it was, uh
00:52:58It was like a month ago
00:52:59Some fancy Persian party in Beverly Hills mansion
00:53:04Darling, I promised Roya
00:53:06That we're gonna have grandchildren before too long
00:53:08You're not gonna disappoint us, are you?
00:53:10I'll do my best
00:53:11Don't keep on touching your hair
00:53:13Oh yeah
00:53:15My mother's party
00:53:18I had way too much to drink that night
00:53:20Yes, you did
00:53:21I don't know why my mom buys all these dreadful paintings
00:53:24When there are such great artists in LA
00:53:27I couldn't agree more
00:53:29Mm-hmm
00:53:30I am Sylvia Nelson
00:53:32The purveyor of a second-rate dribble
00:53:34You tore apart in your magazine
00:53:38Oh, gosh
00:53:39What, what, did I do something stupid?
00:53:42No, I mean, yeah, you were a little wobbly, but, uh
00:53:46I'm glad you found something to look at
00:53:48You see her
00:53:49Pleasure to meet you
00:53:50Great
00:53:51She's pretty cute
00:53:52Uh, well, I was a human rights attorney
00:53:56And, uh, I gave it up to write
00:53:58She's the book reader for the magazine
00:54:00This one?
00:54:01Mm-hmm
00:54:02I'm a big fan of Rachel Hersey
00:54:06You are a terrible liar
00:54:08You're just like my dad
00:54:09Your left eyebrow goes up when you lie
00:54:11What do you mean?
00:54:12Yeah, look, you're doing it again, right now
00:54:15Doing it right now
00:54:17Silly
00:54:21Uh, great, excuse me, but
00:54:25What about me?
00:54:26Is it truthful?
00:54:28I think we just established that you can't handle your alcohol
00:54:31So
00:54:31It's
00:54:33Whatever
00:54:46To new friends?
00:54:50To loveless marriage
00:54:54Wow
00:54:54I mean, sorry
00:54:56I, um
00:54:57There's nothing worse than a relationship that's convenient
00:55:02Comfortable and boring
00:55:06Right?
00:55:09I'll drink to that
00:55:18Man, so what's our problem?
00:55:23I don't know
00:55:27But I do know you don't need any more of that
00:55:29No, I do not need any more of that
00:55:37I told my fiancé about you
00:55:39He asked me why I'm so interested in a guy who
00:55:43Lives off his mother's income
00:55:44And sits around playing with his radios all day
00:55:49Sounds like a smart guy
00:55:52I'd listen to him if I were you
00:55:55I'm not stupid
00:56:00It's just
00:56:02The reporter
00:56:03And you're just trying to get more out of me
00:56:05Oh my god, will you stop with all the reporter crap?
00:56:13Look at me
00:56:15Look at me
00:56:17You always avoid looking me directly in the eye
00:56:20No, I'm looking at you right now
00:56:24No, you're not
00:56:27Look at me
00:56:28Look at this
00:56:29I tell you
00:56:29I'm certain
00:56:35That's fantastic
00:56:37And I can wear your gender
00:56:40Port of the Mantis
00:56:40The sound of therum
00:56:40That'sagan
00:56:45The whole point
00:56:47That hears a lot of people
00:56:48What they're looking for
00:56:57From the Phi
00:57:11Mike?
00:57:16That's not a good idea.
00:57:18What?
00:57:20I'm having trouble hearing you.
00:57:22Don't worry, everything is taken care of.
00:57:25Triple A will tow your car back to LA.
00:57:27I'll be there within an hour, and then...
00:57:29That's definitely not a good idea.
00:57:31What?
00:57:33Are you okay?
00:57:34Yeah, I'm fine.
00:57:35Will you stop rushing me?
00:57:36You always do that to me.
00:57:38Sherry, what's going on?
00:57:40Nothing.
00:57:41I'm just having a really tough day.
00:57:44It's really busy here, and...
00:57:46Can you just come tomorrow?
00:57:48What?
00:57:49No, I can't come tomorrow.
00:57:51I'm already on my way.
00:57:52Just meet me at the local hospital, okay?
00:57:54What hospital?
00:57:56Cedar, what's the matter?
00:58:01No.
00:58:03No.
00:58:08No.
00:58:11No.
00:58:12No.
00:58:13No.
00:58:14No.
00:58:16No.
00:58:16No.
00:58:19No.
00:58:20Hey, I'm después of the walkedguard.
00:58:25No.
00:58:28No.
00:58:31I love the walkedguards on the walk.
00:58:46Hmm. You look, I don't know, different, beautiful, rosy.
00:58:52Your cheeks are all flush.
00:58:56Must have been the rush to get over here.
00:58:59My fiancé, Mike, is coming to pick me up, so I came to say goodbye.
00:59:04Goodbye? How about the interview?
00:59:07Oh, no, you don't worry about the interview.
00:59:09Please, just concentrate on getting better.
00:59:11You saved my life.
00:59:16I want to do the interview. I do.
00:59:19Write down your questions and put them on a piece of paper.
00:59:22Give them to William, and he's my right-hand man.
00:59:25It'll be fine.
00:59:26Rachel, I...
00:59:27Do not argue with me. It's a losing battle.
00:59:31I thought you knew that.
00:59:36Thank you for everything.
00:59:38I'm going to be fine.
00:59:41I wish I had some coffee and some cookies.
00:59:44You know what? Get me a vase from that nurse that has that mustache.
00:59:49Don't tell her it's for me. She doesn't like me.
00:59:52Oh, gosh.
00:59:52Okay?
00:59:53All right. I'll get her.
00:59:54Okay.
00:59:55Okay.
00:59:57Bye-bye.
01:00:05I'm looking for Ms. Rachel Harsin.
01:00:07One second.
01:00:12Yes, room 241, to the left and immediate right.
01:00:26Hi.
01:00:32What? What do you want?
01:00:36No, I just...
01:00:38Okay.
01:00:39Okay.
01:00:40Hi.
01:00:40What?
01:00:40Bye.
01:00:41Bye.
01:00:45Bye.
01:00:50Bye.
01:00:52I love you.
01:01:22Did you write on a typewriter?
01:01:26What are you doing here?
01:01:28I came to say goodbye.
01:01:31Oh.
01:01:36Wow.
01:01:37It's pretty, isn't it?
01:01:42You should see it at night.
01:01:44If the sky's clear, you can see every star in the sky.
01:01:54I don't know what to say.
01:01:56You don't have to say anything.
01:02:00I, um...
01:02:02I want to say something.
01:02:05Ever since I met you, I...
01:02:13My fiance.
01:02:15Yeah.
01:02:17Of course it is.
01:02:20He's probably trying to make sure he gets you to the church on time.
01:02:23I'm always in a hurry, so...
01:02:25I would be too if I was him.
01:02:32What are you writing?
01:02:35Um...
01:02:35This is, uh...
01:02:38This is my mother's manuscript.
01:02:40I'm pretty much your official typer now.
01:02:42Can I take a peek?
01:02:43Can I trust you?
01:02:45You already have.
01:02:59This is your most recent work.
01:03:02That's beautiful.
01:03:07Oh.
01:03:10I really have to go.
01:03:11Yeah.
01:03:20I'm glad you like this.
01:03:38You had something you wanted to give me, right?
01:03:42Um...
01:03:42Yeah, um...
01:03:45It's not why it came.
01:03:46No.
01:03:47Of course.
01:03:52I know there's something going on here.
01:03:55I just don't know what it is.
01:03:59Yet.
01:04:02Goodbye.
01:04:06Bye.
01:04:17Bye.
01:04:22Bye.
01:04:26Bye.
01:04:47Bye.
01:04:49Bye.
01:05:04Bye.
01:05:09Bye.
01:05:12Bye.
01:05:12I love you, I love you
01:06:23This is crazy.
01:06:25You're moving into the apartment of somebody you just met.
01:06:28You don't even know her.
01:06:30What if she's a serial killer?
01:06:32Mom, you need to relax.
01:06:34We've been Skyping. It's all fine.
01:06:36Skyping?
01:06:38That's not talking.
01:06:39Nader, do something.
01:06:43What can I do?
01:06:47My color is fine.
01:06:50Give me a hug.
01:06:52Bye.
01:06:59I should have done this years ago.
01:07:02You're welcome.
01:07:05Did you see the way she was dressed?
01:07:09She gave away all her beautiful clothes.
01:07:13What have we done to deserve this?
01:07:19Thank you so much.
01:07:21You're welcome.
01:07:22We'll see you in six months.
01:07:23Yeah.
01:07:24Have a good time, you guys.
01:07:26You have a simple, exciting concept.
01:07:30For a novel, that's not enough.
01:07:32But for a movie, it could be just what the studios want.
01:07:37High concept.
01:07:38Oh, that's what I've got?
01:07:41High concept.
01:07:44Mmm.
01:07:45High concept.
01:07:46Country.
01:07:48High concept.
01:07:52Um.
01:07:55There's something bugging you.
01:07:59Want to talk about it?
01:08:02You know I've got nieces your age.
01:08:07I'm getting married to a very nice guy.
01:08:11Who I've been with for a very long time.
01:08:16But I met someone new.
01:08:18Mm-hmm.
01:08:20Uh-huh.
01:08:22The first one, very successful.
01:08:28And the second one, married but not so rich.
01:08:34Kind of.
01:08:35I mean, he's got a long-term girlfriend, so.
01:08:39I knew it.
01:08:40I knew it.
01:08:41You know why?
01:08:41Because we police officers, we've got a good sense of psychology.
01:08:44So what do I do, Dr. Freud?
01:08:46What do you do?
01:08:48Failure just run off with me.
01:08:51Marvin.
01:08:52Okay.
01:08:53Only if you let me drive.
01:08:55Oh, hell no.
01:08:56About the way you drive, bills off.
01:08:58Mm-mm.
01:08:59Mm-mm.
01:09:00That ain't happening.
01:09:02Maybe I need more courage.
01:09:06Well, hell, let's drink the courage.
01:09:12And to all the writers in the world.
01:09:15You said you're leaving today.
01:09:22You know, in all the years I've known you, I've never seen you looking like this.
01:09:27Everything okay between you and Helen?
01:09:29But no shit.
01:09:32I thought you two were going to get married.
01:09:39You got another one, huh?
01:09:42I do.
01:09:43And she's getting married to somebody else.
01:09:46Is she pretty?
01:09:47Oh, Dale.
01:09:49She's gorgeous.
01:09:50You know, she's...
01:09:52She's pretty and she's clumsy.
01:09:57Wow, sounds like you're really into her.
01:09:59Does she live around here?
01:10:01No.
01:10:03No, it's tough.
01:10:06Hold on to her.
01:10:06This one sounds like the one you don't want to let slip away.
01:10:10Hi, boys.
01:10:31Hey, it's me.
01:10:33Listen, I have some bad news about my mom.
01:10:37I, uh, wish I could have heard your voice.
01:10:41And it's you.
01:11:04Wasn't expecting you today.
01:11:08Rachel died last night.
01:11:11Darling, I'm so sorry.
01:11:18Why are you smiling?
01:11:21Do you think the sun will give you an exclusive?
01:11:26Let me send a photographer with you.
01:11:29Mom, put the phone down.
01:11:31Mom?
01:11:32Mom?
01:11:34This is a private funeral.
01:11:36No press.
01:11:37No television.
01:11:39Nothing.
01:11:42I'm invited and I'm going.
01:12:01I'll get a driver to take you.
01:12:04Mom, you don't get it, do you?
01:12:05I don't want a camera and I definitely don't want one of your photographers posing as a driver.
01:12:10But how are you going to get there?
01:12:12Don't worry.
01:12:15I'm Sasha Kapalov from Russia.
01:12:18I take care of you.
01:12:22This is homemade vodka.
01:12:26Mom, you relax.
01:12:28You don't feel a dink.
01:12:29I don't drink.
01:12:32You don't?
01:12:34I can't hold my liquor.
01:12:37I hold it for you.
01:12:39Don't be silly.
01:12:40Everybody drinks.
01:12:43Thanks.
01:12:45Thanks.
01:12:47Good luck.
01:12:49Please fasten your seat belt.
01:12:51Flight attendants return to your station.
01:12:54We're expecting some serious turbulence up ahead.
01:12:58Whoa-ho-ho.
01:13:00Oh.
01:13:00Oh.
01:13:03Oh.
01:13:05Oh.
01:13:07Oh.
01:13:07Oh.
01:13:10Oh.
01:13:11I'm sorry about Rachel.
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