- 1 day ago
2014 Shirin In Love FULL HOT MOVIE Nazanin Boniadi [Full Movie] [Latest Version]Full EP - Full
Category
🎥
Short filmTranscript
00:01:53Good morning, Marvin.
00:01:54Good morning.
00:01:55And it's Officer Henderson, Miss.
00:01:59License registration, please.
00:02:00Okay.
00:02:02I know it's here.
00:02:05Uh, did you lose your license registrations again, Shireen?
00:02:10No.
00:02:11No, no.
00:02:11It's in my purse.
00:02:13It's got to be here somewhere.
00:02:14I'm going.
00:02:15I'm going.
00:02:17Was I speeding again?
00:02:18Oh.
00:02:19No.
00:02:20No, you weren't speeding.
00:02:21Not this time.
00:02:22Well, let me answer your question.
00:02:23Oh.
00:02:24Does that big red sign mean anything to you back there?
00:02:27Now look.
00:02:28We don't want any accidents out here, do we?
00:02:31I forgot to stop again, didn't I?
00:02:33Uh-huh.
00:02:34I'm sorry.
00:02:39How's the writing going?
00:02:41Well, I'm still going to write you this ticket.
00:02:43I know.
00:02:43You know, it's just all the writing, so.
00:02:50Go on.
00:02:52Different, you know.
00:02:54Definitely has potential.
00:02:57Potential?
00:02:58I gave you the ninth draft.
00:03:00I know that.
00:03:02It's really, you know, raw.
00:03:04You know, fresh is what I mean.
00:03:06But I thought we agreed that Harry can't just kill his wife because he's unhappy.
00:03:14Well, maybe Harry, he does need to do something.
00:03:17You know what?
00:03:18Maybe he kills her, then he tries to kill himself, but through some way, he survives somehow.
00:03:25Or maybe he just lets her go.
00:03:27Yeah, maybe he just lets her go.
00:03:29That'll be, maybe he just lets her go.
00:03:35Maybe he just lets her, get the hell out of here.
00:03:43But when God won't be up this morning, couldn't protect you in my future.
00:03:50But take a bow.
00:03:51Hi, Violet.
00:03:52Because the smile alone has got me on a cloud.
00:03:56You make me shake it, shake it, shake it, shake it, Lordy, baby.
00:04:00Shake, shake, shake, shake it, you make me shake it, shake it, shake it.
00:04:05Have until tonight.
00:04:06Then you'll be hearing from my lawyers.
00:04:15I read all the books.
00:04:17You read them all in one week?
00:04:19Mm-hmm.
00:04:20And I wrote a review on each of them.
00:04:22Although only one was worth reading.
00:04:25The rest were the usual fluff.
00:04:27You say that like it's a bad thing.
00:04:34In the Storm is the new Rachel Harsin novel.
00:04:37I'm sure it'll be a bestseller too, but I don't get it.
00:04:42Have some kebab.
00:04:44You've lost weight.
00:04:45Lagar shodhi.
00:04:46Pustos to khon shodhi.
00:04:49I have an offer for you.
00:04:52We'll have the wedding here.
00:04:54A big wedding.
00:04:55A beautiful wedding.
00:04:58In return, you will do a big feature on Miss Harsin.
00:05:06And we'll put it on the cover of the online issue,
00:05:10as well as three pages in the print publication.
00:05:15Mm-hmm.
00:05:16You've been asking to write feature stories.
00:05:18Here's your chance.
00:05:19Rachel Harsin.
00:05:22The real story.
00:05:23Darling, go and interview her.
00:05:27Write classy stuff.
00:05:28And I promise we won't change a word.
00:05:33You know she doesn't give interviews.
00:05:35She hasn't met my daughter.
00:05:40Right.
00:05:43Shireen!
00:05:44My dress!
00:05:47Shireen!
00:05:53Oh, shoot.
00:05:57Azizam, is that beer coming?
00:05:59Coming!
00:06:02Hey, Vicky, it's me.
00:06:04Um, I have an emergency.
00:06:07No, not another fire.
00:06:09Um, do you have any beer?
00:06:22Hello, boys.
00:06:25Hello.
00:06:27Hi, Vicky.
00:06:38Who is this Blondie?
00:06:39Take it easy, man.
00:06:40She's a patient.
00:06:41She's a patient?
00:06:43Yeah, I wouldn't mind giving her a feeling, huh?
00:06:44I would love to adjust her tailbone.
00:06:48You're not even a doctor.
00:06:49You're a chiropractor.
00:06:50That's a glorified masseuse.
00:06:51I make people walk with beautiful forms.
00:06:54What do you do, fill up their phenomenals?
00:06:56Thank you so much.
00:06:57Of course.
00:06:59Oh, how romantic.
00:07:02After all these years, Mike still sends you flowers.
00:07:06Yeah.
00:07:06American men never do that.
00:07:10Here, Gazza.
00:07:11Thanks, beautiful.
00:07:13What wouldn't it be?
00:07:14Papa!
00:07:16It tastes so good.
00:07:38Oh, Mike is so adorable.
00:07:41He did such a great job on these.
00:07:44You should feel them.
00:07:46Oh, no.
00:07:47I'm good.
00:07:48I'm good.
00:07:48Are you sure?
00:07:49Yeah, okay.
00:07:50Okay, the tall one.
00:07:52The other doctor, is he married?
00:07:56No, he's not married.
00:07:59I mean, Ryan, I got a chandelier in my car.
00:08:02Hang it, just chandelier, just hang it.
00:08:04Tone it down, man.
00:08:05You're a little creepy right now.
00:08:06I want to be married, too.
00:08:07I love her.
00:08:09I could look at her in one of her hair all day
00:08:12and just wonder why did it wave like this
00:08:14instead of like that.
00:08:16What are you reading now?
00:08:18Huh?
00:08:18Oh, it's the new Rachel Harsin novel.
00:08:21Oh, she has a new one?
00:08:23Yeah, In the Storm.
00:08:25It's an advanced copy.
00:08:26I love her.
00:08:28It's her best yet.
00:08:30Once I'm done reading it, I'll let you borrow it.
00:08:32And I'll bring you some more beer.
00:08:34Forget the beer.
00:08:35Just bring the book
00:08:37and the tall doctor.
00:08:48I'll let you borrow it.
00:08:51I'll let you borrow it.
00:08:51Don't you borrow it?
00:08:55I'll let you borrow it.
00:09:08I'm glad you found something to look at.
00:09:11Desiree. Pleasure to meet you.
00:09:13Great.
00:09:14She's pretty cute.
00:09:15Uh, well, I was a human rights attorney,
00:09:18and, uh, I gave it up to write.
00:09:20She's a book reader for the magazine.
00:09:23This one?
00:09:23Mm-hmm.
00:09:25I'm a big fan of Rachel Harsin.
00:09:27You can do whatever you want, honey.
00:09:29As long as you quit when we have children.
00:09:31And you know I want a lot of children.
00:09:32Mmm.
00:09:34Here's to Rachel Harsin.
00:09:36And in the storm.
00:09:37How many 350 is the best for you?
00:09:43Darling, I promised Roya that we're gonna have grandchildren
00:09:51before too long.
00:09:53Now, you're not gonna disappoint us, are you?
00:09:55I'll do my best.
00:09:56Don't keep on touching your hair.
00:09:58Dr. June.
00:09:59What are you talking about?
00:10:01Come on, come on.
00:10:02That's okay.
00:10:03Um, she's just so nervous about the wedding.
00:10:05Let's have the music louder.
00:10:09Hey, thanks for bringing me.
00:10:11It's interesting.
00:10:13She, she, you go wash your face,
00:10:16I'm gonna get you water, okay?
00:10:17I'll be right back, okay?
00:10:18I'll be right back, okay?
00:10:18I'm gonna get you water.
00:10:21I'll be right back.
00:10:22I'm gonna get you water.
00:10:23Do you just love this music?
00:10:25It's amazing.
00:10:28It's amazing.
00:10:33It's amazing.
00:10:35It's amazing.
00:10:39It's amazing.
00:10:41It's amazing.
00:10:41It's amazing.
00:10:46It's amazing.
00:10:47Help me, I escaped.
00:10:50Um, yeah, it's raining.
00:10:51You should probably go pick back inside.
00:10:52Yeah, okay.
00:10:53All right.
00:10:56Oh, fuck.
00:10:59Wait.
00:11:00Where do you want to go?
00:11:02Please don't send me back.
00:11:04Uh, okay.
00:11:06You just want me to go?
00:11:08Okay.
00:11:09Um.
00:11:13Just go.
00:11:15Just go.
00:11:16Okay.
00:11:16All right.
00:11:27So, where are we escaping to?
00:11:31Just go straight.
00:11:34If I go back, I'm going to kill them.
00:11:37Or I'm going to kill myself.
00:11:41Okay.
00:11:42Straight it is.
00:12:03And we're out of the street.
00:12:08Any other suggestions?
00:12:09Hello?
00:12:13Awesome.
00:12:22Come on.
00:12:25Pick up the phone.
00:12:34I got a girl in my car right now.
00:12:37She's passed out in the front seat.
00:12:38It's the pretty book reviewer in the purple dress that was drinking too much tonight at the
00:12:41party.
00:12:42Long story.
00:12:43Long story.
00:12:44I need your help.
00:12:44Okay?
00:12:44Because I don't know what to do with her.
00:12:47And she's beautiful.
00:12:48So, please, call me back.
00:12:55Oh, my gosh.
00:12:56Look at that.
00:12:58She's so drunk.
00:12:59You were that drunk last night.
00:13:01No, if you were.
00:13:02All right.
00:13:24This way.
00:13:25Thanks.
00:13:31Yes, anything else you need?
00:13:35You know, my hands are full.
00:13:37Oh, yeah, no worries.
00:13:39Next time.
00:13:39For sure, yeah.
00:13:52Rick, Rick, it's Will.
00:13:53Pick up, please.
00:13:56I've got...
00:13:56This girl is in my room right now, okay?
00:14:00Yeah, the girl from the party...
00:14:06She's now in my bed.
00:14:07So, um, you've got to come here
00:14:10and you've got to help me handle this right now.
00:14:12Please.
00:14:15Hey.
00:14:17Hey, you need to wake up, please.
00:14:31Oh.
00:14:36Here you go.
00:14:43Okay, I...
00:14:46Ho, ho, ho, ho.
00:14:48I've got to take your clothes off.
00:14:51Because you're going to get pneumonia if I don't, okay?
00:14:55So...
00:14:56I'm just doing that.
00:15:05An engagement ring?
00:15:10Oh, man.
00:15:15Okay.
00:15:17There you go.
00:15:18I can't.
00:15:24Okay.
00:15:28There we go.
00:15:57There we go.
00:16:02You don't drink whiskey.
00:16:04You don't drink whiskey.
00:16:04There was a guy here.
00:16:05I'm gonna kill him!
00:16:07No, you're not.
00:16:08What do you mean, no, I'm not?
00:16:09My...
00:16:11My fiancé was in bed with someone...
00:16:14Calm down.
00:16:15Let me explain.
00:16:16Calm down?
00:16:17My fiancé is in somebody's bed.
00:16:20Oh, my God, I'm going dizzy.
00:16:22Here.
00:16:23Oh, thank you.
00:16:29Where is he?
00:16:31I'm gonna kill him!
00:16:32I don't know how this happened, Mike.
00:16:33I swear.
00:16:35What am I gonna do?
00:16:36I had a call from Rick Davidson this morning.
00:16:39Shirin had a little too much to drink,
00:16:41so she asked Rick to give her a lift home.
00:16:44And then ended up in bed with him.
00:16:46Oh, my God!
00:16:48Here.
00:16:51Dr. Jun, you'll be very happy to know
00:16:54that as soon as he brought her back to his hotel,
00:16:57he went straight to his boyfriend, Trevor.
00:17:01You should never let her drink in public.
00:17:06Calm down.
00:17:24Oh.
00:17:27Ha!
00:17:28I knew it.
00:17:30Hm?
00:17:33Sweetheart, that's her red hair.
00:17:36Do you see any other red-headed Asians walking around here?
00:17:50Major health code violation. I am not eating this.
00:17:52Helena, I need to talk to you about something kind of important.
00:17:59I just found out that my mother's really sick.
00:18:02I'm sorry.
00:18:04Yeah.
00:18:05That's terrible.
00:18:07They don't think she's gonna make it to her next birthday.
00:18:14I need more wine.
00:18:17It's empty.
00:18:26Can I have some?
00:18:27Are you gonna eat that?
00:18:30Yeah, I have it.
00:18:31Okay.
00:18:33Broccoli.
00:18:34A long one.
00:18:35It's like a combination between like asparagus and broccoli.
00:18:40This is so good.
00:18:42Thanks, babe.
00:18:44All right.
00:18:47Please be careful and don't drive fast.
00:18:50I love that.
00:18:51She couldn't drive fast even if she wanted to.
00:18:53I can't believe you'd rather drive seven hours on this piece of junk
00:18:56instead of taking a one-hour flight.
00:18:57You know I hate to fly.
00:18:59And please don't call Zuzu a piece of junk.
00:19:01You know I don't want to put my first car to sleep.
00:19:05The keys are in the ignition, honey.
00:19:07Oh, yeah.
00:19:08And you got the GPS, too?
00:19:10Uh, yep.
00:19:11And I have this just as backup.
00:19:13Where's your ring?
00:19:15Oh, uh...
00:19:16I'm sure it'll pop up somewhere.
00:19:18Oh, my God. You lost it?
00:19:19How could you lose...
00:19:20Oh, my God.
00:19:21Do you know how long that ring's been in my family?
00:19:24Since my great-great-great-grandmother.
00:19:26Five generations.
00:19:26More than a matter of me.
00:19:28Don't tell you, don't tell you.
00:19:29Don't let your blood pressure go up.
00:19:32I didn't lose it.
00:19:33I just can't find it.
00:19:35She didn't lose it.
00:19:37Yeah, she lost it.
00:19:38No, she can't find it.
00:19:41That's difficult.
00:19:41But then she lost it.
00:19:43What's the difference?
00:19:46She didn't lose it.
00:19:47She just can't find it.
00:19:49But it's the same thing.
00:19:50She lost it.
00:19:50No, no, no.
00:19:51It's not the same thing.
00:19:52She just can't find it.
00:19:53Watch out.
00:19:54Watch out.
00:19:57She lost it.
00:20:08Oh!
00:20:09There she goes again!
00:20:10Start the car.
00:20:10Start the car!
00:20:14I'm super used to...
00:20:19You know what?
00:20:21Let me handle this.
00:20:27Good morning, Officer Henderson.
00:20:29It's coffee, okay? It's coffee.
00:20:31And I spilled it chasing you!
00:20:34I stopped at the stop sign.
00:20:35No, ma'am. No, ma'am. No, you didn't stop.
00:20:37You didn't stop at the stop sign.
00:20:50I sent your manuscript to an agent friend of mine.
00:20:59You know what?
00:21:01My new partner is sitting back in the car there.
00:21:04It's not gonna work this time.
00:21:05Oh.
00:21:07It's alright. Oh, oh.
00:21:09I know the number.
00:21:1406. Let me tell you.
00:21:20Are you leaving town?
00:21:22Yes, sir.
00:21:23Are you leaving for a long time?
00:21:25Yes, sir.
00:21:26Good!
00:21:30Officer Henderson,
00:21:31have you thought about changing that ending?
00:21:40Well, I thought about, you know,
00:21:42when he kills her.
00:21:44I thought maybe I'd make that a dream sequence.
00:21:46Well, dream sequences are kind of a movie thing.
00:21:51So...
00:21:54I don't know.
00:21:57You let me think about it, alright?
00:22:00Promise me.
00:22:02If you stay off my streets for a few weeks,
00:22:05I'm not gonna write your ticket, okay?
00:22:07I promise.
00:22:09Promise.
00:22:10You promise?
00:22:11Promise.
00:22:12Cause I don't wanna see you anymore.
00:22:15Thank you, Marvin.
00:22:17I'm leaving.
00:22:18I'm leaving.
00:22:21I'm leaving.
00:22:37You won't have to.
00:22:39Notlyn.
00:22:41Singing on the highway
00:22:45Staring at the skyline
00:22:49Floating in space
00:22:53Hey there
00:22:56Scoot a little closer
00:23:00What's your favorite color?
00:23:04Posies in May
00:23:09So lovely on my pillow
00:23:13Spinning wraps with rainbows
00:23:17Sending telegrams to Mars
00:23:22Just my luck
00:23:30Turn left in 500 feet
00:23:33There is no left
00:23:35Recalculating, recalculating
00:23:38Turn left
00:23:39What, you want me to drown in the ocean?
00:23:42There's no left
00:23:43Turn left
00:23:45Oh
00:23:57Man
00:23:58Turn right
00:24:00Where am I?
00:24:04You have arrived at your destination
00:24:07She lives in the middle of nowhere
00:24:18Where the hell are we?
00:24:25In the middle of nowhere
00:24:30In the middle of nowhere
00:24:48Could he keep up with no signs?
00:24:57Yes may I help you hi yeah my car broke down can I use your phone oh sure come on
00:25:03in thank you
00:25:06I locked myself out of my car oh you better wipe yourself off before you get pneumonia
00:25:13yeah yeah clearly that's not gonna work so I'll I'll get you a bigger towel thanks
00:25:21oh here oh you're welcome oh you know why don't you make the call later come on with me
00:25:31it's just yeah just follow me it's good
00:25:35come on in sit by the fire
00:25:48I don't want to bother you if you could just give me a number for a taxi I'll go to
00:25:53a hotel and find
00:25:54somebody to help me with my car you're not from around here are you no Los Angeles because the
00:26:01closest hotel is about 20 miles away no one is going to come out here in this weather stay here
00:26:07tonight you can take care of everything in the morning oh that is way too much trouble no shh I
00:26:14don't want to hear about it please sit down oh oh no I I really shouldn't be drinking you know
00:26:24if you have
00:26:24just one keeps you very warm okay there you go thanks you're welcome
00:26:41so what are you doing around here work I'm a journalist you're a journalist well not really a journalist
00:26:50I'm more of a book reviewer for a magazine I'm looking for someone she's an author her name is Rachel
00:26:56Harsin hmm may I ask why I'm writing a story on her although I'm pretty sure she won't talk to
00:27:11me
00:27:12she seems like a pretty difficult woman you know that's funny I've heard the same thing about her
00:27:24what magazine did you say you wrote for BH style have you heard of it no but I'm I'm not
00:27:33a magazine
00:27:33person I'm sure it's very nice uh truth is it's my first big assignment so I'm a little
00:27:40so you're nervous yeah let's not talk about work anymore tonight you're tired you need your rest
00:27:48take that with you okay you're very kind oh you have found me out
00:28:09this is my son's room oh well at least it was his room
00:28:25oh he's so cute yes he is cute
00:28:49okay
00:28:51okay
00:28:56I am so sorry I didn't even recognize you why would you see that picture that was taken 30 years
00:29:03ago anyway you need to get your sleep good night good night
00:29:13okay
00:29:23okay
00:30:24Hi, Mrs. Mars.
00:30:27Oh, hi.
00:30:28No.
00:30:30No, not you again.
00:30:33You two know each other?
00:30:35Yeah, I'm sorry.
00:30:36I don't want to be rude, but we don't want any journalists in my house.
00:30:39I don't know what you're talking about.
00:30:41Don't strain your voice.
00:30:42You know, this is my house.
00:30:43She's a guest.
00:30:43Mom, she is a journalist.
00:30:45She told me she's a book critic.
00:30:47Really?
00:30:48Can I talk to you alone for a second?
00:30:49Just wait a minute.
00:30:50Just sit down.
00:30:51First of all, I'm going to take Shirin and put her back into the bedroom.
00:30:54Go on, honey.
00:30:56You are really embarrassing me in front of my guest.
00:31:01Really?
00:31:02Shirin, how do you even know her name?
00:31:12She is not feeling well.
00:31:14I think she has a little bit of a temperature, so she might have to stay a night or two.
00:31:19Another night or two?
00:31:20I don't want to talk anymore about it, okay?
00:31:32She's cute, isn't she?
00:31:37She thinks you're cute.
00:31:41Here.
00:31:42Take that perfect tray and be nice.
00:31:46Yes, ma'am.
00:32:00I'm sorry to intrude.
00:32:03I'll leave.
00:32:03No, no, I'm sorry.
00:32:05I, um, you know, what happened back there.
00:32:10Let me see if I can...
00:32:12Man, you know, I knew that was going to happen, too.
00:32:15I'm sorry.
00:32:15It's over.
00:32:16It's kind of been one of those things.
00:32:18Come here.
00:32:19Oh.
00:32:22I'm sorry.
00:32:24I'll, um, I'll get you some more lunch juice.
00:32:27I'll get you another.
00:32:28Oh, no.
00:32:31Sorry, I can't.
00:32:33Why have I seen you before?
00:32:36Um, I think, I think we might have had a party one time.
00:32:40Please sit down.
00:32:40I don't want you to make a voice.
00:32:43Thanks.
00:32:44Yeah.
00:32:45Yeah.
00:32:45Um, great.
00:32:49Thanks.
00:32:50Yeah.
00:32:53Happy boy.
00:32:55Huh?
00:32:56Oh.
00:32:58Yeah, I don't know why my mom has that.
00:33:02Yeah, I wasn't, uh, I wasn't quite as happy as I look here, but, uh, but I was an amazing
00:33:11chess player, so, you know, a bit of a loner, though.
00:33:20Zuzu.
00:33:21Hmm?
00:33:22What'd you call me?
00:33:23Zuzu.
00:33:24My car.
00:33:25Oh.
00:33:26You dropped it.
00:33:27Great.
00:33:28That's a five-second rule.
00:33:30You can still eat that.
00:33:31Yeah, I noticed that you got the blue beetle.
00:33:33Yeah.
00:33:34I used to have a beetle.
00:33:35Um, it's my first car, so.
00:33:44Um, I gotta take off.
00:33:47Okay.
00:33:48Yeah, but um...
00:33:51Thanks. Okay.
00:33:53Yeah, feel better. Take it easy.
00:33:54Okay.
00:34:06Please, tell your friend not to honk.
00:34:09Her name's Helen. Mom, it's been that way for seven years.
00:34:12But I'll tell her. Bye.
00:34:37Answer it. I'm too hysterical.
00:34:51Hello?
00:34:55Yes?
00:34:59Is she okay?
00:35:02Thank you. Thank you very much for calling.
00:35:06Goodbye.
00:35:08Well?
00:35:12She is fine.
00:35:14That was Rachel Harsom.
00:35:17Rachel Harsom?
00:35:19Herself?
00:35:20She is sick. She has a high fever.
00:35:25Great.
00:35:27Great?
00:35:29Are you out of your mind?
00:35:31Don't you get it?
00:35:33It's Rachel Harsom, the writer.
00:35:36She got her.
00:35:38That's my daughter.
00:35:39Harsom's latest work is a literary sensation.
00:35:43Combining a magical illumination of the ordinary with exquisite lyricism laced with elegance and compassion.
00:35:50A tragic love story which brings to mind the best of Annie Poole.
00:35:54Wow.
00:35:55Hey, the best. She gives it four stars.
00:36:01Hey, you're not supposed to be out of bed.
00:36:04Oh, I'm feeling much better. Thank you.
00:36:06Let me, uh, get your chair.
00:36:09Yes, have something to eat.
00:36:13Thanks.
00:36:13Yeah, you want some meatloaf?
00:36:14Oh, yeah.
00:36:16Some, uh, some meatloaf.
00:36:18Thanks.
00:36:24Um, I almost forgot.
00:36:26You, uh, you left these.
00:36:29Oh, thank you, thank you, thank you.
00:36:32I'm always losing things.
00:36:34I'm hopeless.
00:36:35No, you are not.
00:36:35And I'm gonna tell you why, Missy.
00:36:38See this? We just read the review.
00:36:40You.
00:36:41You're a fantastic writer.
00:36:43William, tell her how good she is.
00:36:45You're good.
00:36:47Where'd you go to school?
00:36:48Um, Oxford for undergrad.
00:36:51Oxford.
00:36:52Columbia Law.
00:36:53Columbia Law!
00:36:54Now I'm learning how to write.
00:36:56Hey, don't be so modest.
00:36:58You are a very good writer.
00:37:00Um, that means so much coming from you.
00:37:05Do you write too?
00:37:07Um, me?
00:37:08No, I, um, why?
00:37:11Uh, your room.
00:37:12All those books.
00:37:13Oh, that's my fault.
00:37:15See, I used to be an English teacher,
00:37:16so I made him read all the books that I love.
00:37:19And it was horrible?
00:37:20It was not!
00:37:22Yeah, I didn't think a teenage boy would read all the classics,
00:37:25especially the ones written by women.
00:37:26He's a very unusual man.
00:37:28Elizabeth Bishop is one of my favorite poets.
00:37:32I hope you don't mind,
00:37:33but I was going through your collection of poetry in your room
00:37:35and love the notes and the margins.
00:37:39This is not like the big city, you know,
00:37:42he had a lot of problems as a teenager.
00:37:44I don't mean problems, it was a...
00:37:45I know, not for me, but, you know, for William.
00:37:58Mm.
00:37:59Mm.
00:37:59It's good, huh?
00:38:00Mm.
00:38:02I'd love to get the recipe.
00:38:04Oh!
00:38:04Well, I just put it together.
00:38:06It's his recipe.
00:38:07He is the chef.
00:38:08Oh, you know, my father's the chef in our house, too.
00:38:11Really?
00:38:13Um...
00:38:14Shoot, you know what?
00:38:15I gotta...
00:38:15I gotta go.
00:38:16I gotta go to work?
00:38:16Yeah.
00:38:18Um...
00:38:19You guys enjoy.
00:38:20Okay?
00:38:21And, uh...
00:38:21Tea.
00:38:23I love you.
00:38:24I love you.
00:38:24Okay.
00:38:25And, um...
00:38:27Yeah.
00:38:28Good night.
00:38:28Good night.
00:38:34Here.
00:38:35Have some veggies.
00:38:39And then we'll have some tea.
00:38:43He's so good-looking.
00:38:48He lives in that lighthouse down the road.
00:38:51When the weather is really, really stormy,
00:38:55he listens to the radio in case somebody needs help.
00:39:03Interesting.
00:39:08His father died 12 years ago.
00:39:12In a horrible storm.
00:39:17The Coast Guard couldn't pick up the signal because it was too weak.
00:39:23And William left New York.
00:39:27Moved back here and bought a whole bunch of high-tech radio equipment.
00:39:33And he sits there.
00:39:37And he listens to the radio, and he can hear even the weakest signal.
00:39:45I am so sorry.
00:39:48I had no idea.
00:39:54Oh.
00:39:56Just like the character from In the Storm.
00:39:59I suppose I'm revealing some family secrets.
00:40:04Oh, no.
00:40:06I am definitely off-duty tonight.
00:40:09No.
00:40:09You write.
00:40:10You write what you want.
00:40:11You write the truth.
00:40:12I don't have a problem with that.
00:40:16And I wish William would just stop hiding.
00:40:24Oh, I'm...
00:40:26I'm sure that's for you.
00:40:27Do you mind answering it?
00:40:28Okay.
00:40:33Hello, Ms. Harrison.
00:40:35It's me, Mom.
00:40:36How come you called Mike and not me?
00:40:38Be professional.
00:40:40Don't forget why you're there.
00:40:42Yeah.
00:40:42Yeah.
00:40:43I'm feeling a lot better.
00:40:45I have to go now.
00:40:46I'll call you tomorrow.
00:40:48And no.
00:40:50Please don't worry.
00:40:51Make sure you take some good pictures.
00:41:06No.
00:41:07You're all out there.
00:41:25Morning.
00:41:26Hi.
00:41:27So I stopped by the store this morning.
00:41:29I got cinnamon, hazelnut coffee.
00:41:31We're all set.
00:41:31Honey, you didn't have to go to all that trouble.
00:41:34That's fine.
00:41:35You look like you're feeling better.
00:41:37Yeah, I am, thanks.
00:41:39Good.
00:41:42You know what, William?
00:41:44Why don't you take Shireen out for a lovely drive?
00:41:48Oh no, I have to get back to LA, so.
00:41:51Yeah, it's a long drive.
00:41:53Yeah.
00:41:54Honey, she came all the way up here.
00:41:57Now don't you wanna see how beautiful everything is?
00:42:00What a good idea it is.
00:42:01Get out, get some air.
00:42:03What a great idea.
00:42:04Mom, there's not much to see, really.
00:42:06What are you talking about?
00:42:07She's all the way up here
00:42:09and you're not gonna show her around?
00:42:10Honey, wait till you see the beauty
00:42:12of the landscape and the flowers.
00:42:14So what do you think, a good idea?
00:42:16Okay, good.
00:42:50And that's what it is here.
00:42:55This is magnificent.
00:42:58This is the main setting for Under Blue Skies, isn't it?
00:43:01Yeah.
00:43:07So what do you want to write about?
00:43:10Come on, you got a novel in there, don't you?
00:43:15What makes you say that?
00:43:17Maybe it helps that I have a writer in the family.
00:43:24So why'd you stop?
00:43:26Who says I ever started?
00:43:30Really?
00:43:36Okay, I've written 600 pages, but I haven't touched it in nearly two years.
00:43:40Why not?
00:43:42A fear of failure, probably.
00:43:45What if no one wants to read it? What if it's bad?
00:43:48Just write another one.
00:43:51Easy for you to say.
00:43:55I need to move somewhere peaceful, so I can write.
00:43:58Definitely old enough to live on your own.
00:44:03How'd you know I live with my parents?
00:44:04I guess, I'm sorry.
00:44:06I, um...
00:44:07You were dressed and, uh...
00:44:10Your mannerisms, it was...
00:44:12Well, just so you know, I didn't have much of an income after I graduated,
00:44:16so I had no choice, I'd just be the same.
00:44:18Yeah, I...
00:44:18I'm sorry.
00:44:20It was...
00:44:22It's none of my business, really.
00:44:26So...
00:44:39What's your plan?
00:44:43I haven't really done that.
00:44:44But do you have a life?
00:44:44I'll just go check it out.
00:44:44You're still on my own.
00:44:44I don't see it for you.
00:44:44You're still on your own.
00:44:44You're still on my own.
00:44:45You're still on my own.
00:44:46You're still on my own.
00:44:48I'll see it for you.
00:44:50I'm still on my own.
00:44:50You're still on my own.
00:44:52You're on my own.
00:45:14You are so lucky.
00:45:16Yeah, it's not too bad.
00:45:20So, Mr. Adventure.
00:45:23Why do you still live with your mother?
00:45:27I don't live with my mom.
00:45:29I live next to her.
00:45:30Right.
00:45:31Like, right next to her.
00:45:35Next to her.
00:45:36And if you must know, the truth is, is that, um,
00:45:40I live next to her because she's not well.
00:45:45Oh.
00:45:47I'm sorry.
00:45:50Perhaps you're right.
00:45:50Maybe I miss her cooking.
00:45:52Just a little bit.
00:45:53Mm-hmm.
00:45:56Anything else you want to pick on?
00:45:59Well, I mean, since you asked.
00:46:03You should really get some new clothes.
00:46:04You don't dress very well.
00:46:06No, you're gonna go there.
00:46:09All right.
00:46:10Well, at least I don't look like a dentist assistant, so.
00:46:13A dentist assistant?
00:46:14Really?
00:46:15Mm-hmm.
00:46:15Because this is your sweater.
00:46:18And you wear it well.
00:46:22Thanks.
00:46:37And I love to feel you shaking, your head upon my chest, and your eyes won't let you bake in.
00:46:47You know this ain't this.
00:46:51And you wear my own t-shirt.
00:46:54And I'm wearing it well.
00:46:57Baby.
00:47:03And I guess I could walk over here.
00:47:07Forgive me if I don't.
00:47:10Cause where I'm at I like you.
00:47:14So I'm gonna move.
00:47:23Baby.
00:47:26William has created his own little world, and Helen is one of the few people in it.
00:47:32He doesn't really meet new people.
00:47:35Hmm.
00:47:36How long have they been together?
00:47:38I'd say about seven years, give or take.
00:47:44You see, when he came back from New York, his spirits were really low.
00:47:50He was drinking too much.
00:47:53And he knew Helen from high school.
00:47:55She was the manager of the local bar, which was his favorite hangout.
00:48:00She was really a good influence.
00:48:02She was his friend.
00:48:03She kind of brought him back to life.
00:48:08Hmm.
00:48:11So...
00:48:14What about you?
00:48:15I mean, do you have a boyfriend or are you...
00:48:18I'm actually engaged.
00:48:21I lost my ring.
00:48:23I'm an idiot.
00:48:26His name's Mike.
00:48:28Our families have known each other since we were kids.
00:48:31Now he's a plastic surgeon.
00:48:35Really nice guy.
00:48:37My mom really loves him.
00:48:39I'm very happy for you.
00:48:42Thanks.
00:48:47Okay, I'm gonna pry.
00:48:49Why are you writing for BH Style?
00:48:53Because my mom's the owner.
00:48:58And because I'm a coward.
00:49:04I think you're very special.
00:49:10I'm gonna get some coffee.
00:49:12I don't know if you want any's.
00:49:16Uh...
00:49:18Uh...
00:49:19Rachel!
00:49:21Rachel?
00:49:22Ugh.
00:49:27You know, I was always afraid that something like this would happen.
00:49:30You know, I was always afraid that something like this would happen.
00:49:30When I wasn't with her.
00:49:36I'm grateful you were there for her.
00:49:41You can't be there all the time.
00:49:47I'm glad I was there too.
00:50:01I didn't know you smoked.
00:50:04I don't.
00:50:12Give me that.
00:50:17It's a hospital.
00:50:30You know, the dialogue in Rachel's novels feels so authentic.
00:50:36She must rely on your help, right?
00:50:41Next question.
00:50:44I'm sorry.
00:50:44I didn't mean to pry.
00:50:47It's just Rachel really knows how to capture this place, you know?
00:50:50The sea, the villages where the fishermen live.
00:50:55She has such strong insight into the pain her characters are feeling.
00:50:58And yet...
00:51:00There's such optimism and romance in her writing.
00:51:03I'm sure she'll be happy to hear your analysis.
00:51:07You, on the other hand...
00:51:10I can't quite figure you out.
00:51:13I mean, if Rachel bases all her characters on real people...
00:51:20Where do you fit in?
00:51:23You're James from in the storm.
00:51:26Absolutely not.
00:51:27No.
00:51:28There's no way Rachel bases the sailor on me because I put one foot into a boat and I turn
00:51:33green.
00:51:34Yeah.
00:51:37And my father, on the other hand...
00:51:42That guy was a fisherman.
00:51:45So Rachel wrote about your dad?
00:51:48I don't know, maybe.
00:51:52I mean, can you imagine?
00:51:54I had to grow up in this fishing town.
00:51:57My father's this great fisherman and...
00:51:59I get seasick the minute I step in a boat.
00:52:07It was a disaster.
00:52:10I think you turned out alright.
00:52:18Will you come sit next to me?
00:52:23You just seem so...
00:52:25far away.
00:52:33Please?
00:52:38I don't bite, you know.
00:52:40Just...
00:52:45So, William.
00:52:47Where did we meet before?
00:52:49What party?
00:52:51Most guys don't greet me with...
00:52:53Oh no, not you again.
00:52:57Yeah, it was, uh...
00:52:58It was like a month ago.
00:52:59Some fancy Persian party in Beverly Hills mansion.
00:53:04Darling, I promise Roya that we're gonna have grandchildren before too long.
00:53:08And you're not gonna disappoint us, are you?
00:53:10I'll do my best.
00:53:11Don't keep on touching your hair.
00:53:14Oh, yeah.
00:53:15My mother's party.
00:53:18I had way too much to drink that night.
00:53:20Yes, you did.
00:53:21I don't know why my mom buys all these dreadful paintings when there are such great artists in L.A.
00:53:27I couldn't agree more.
00:53:30I am Sylvia Nelson.
00:53:32The purveyor of a second-rate dribble.
00:53:35You tore apart in your magazine.
00:53:38Oh, gosh.
00:53:39What, what, did I do something stupid?
00:53:42No, I mean...
00:53:43Yeah, you were a little wobbly, but, uh...
00:53:46I'm glad you found something.
00:53:47Well, what can't you sit in?
00:53:49Pleasure to meet you.
00:53:50Great.
00:53:51She's pretty cute.
00:53:52Uh, well, I was a human rights attorney.
00:53:56And, uh, I gave it up to write.
00:53:58She's the booker dear for the magazine.
00:54:00This one?
00:54:01Mm-hmm.
00:54:02I'm a big fan of Rachel Hersey.
00:54:06You are a terrible liar.
00:54:08You're just like my dad.
00:54:10Your left eyebrow goes up when you lie.
00:54:11What do you mean?
00:54:12Yeah.
00:54:13Look, you're doing it again.
00:54:15Right now.
00:54:15I'm doing it right now.
00:54:17Silly.
00:54:21Uh, great.
00:54:23Excuse me, but...
00:54:25What about me?
00:54:26Is it truthful?
00:54:27Uh...
00:54:28I think we just established
00:54:29that you can't handle your alcohol.
00:54:31So...
00:54:32It's...
00:54:34Whatever.
00:54:46To new friends.
00:54:50To loveless marriage.
00:54:54Wow.
00:54:55I mean, sorry.
00:54:57I, um...
00:54:58There's nothing worse than a relationship that's convenient, comfortable, and boring.
00:55:06Right?
00:55:09I'll drink to that.
00:55:18Man, so what's our problem?
00:55:23I don't know.
00:55:27But I do know you don't need any more of that.
00:55:29No, I do not need any more of that.
00:55:37I told my fiancé about you.
00:55:39He asked me why I'm so interested in a guy who...
00:55:42lives off his mother's income, and...
00:55:45sits around playing with his radios all day.
00:55:49Sounds like a smart guy.
00:55:52I'd listen to him if I were you.
00:55:55I'm not stupid.
00:56:01It's just...
00:56:02The reporter.
00:56:03And you're just trying to get more out of me.
00:56:05Oh, my God.
00:56:06Will you stop with all the reporter crap?
00:56:13Look at me.
00:56:17You always avoid looking me directly in the eye.
00:56:20No, I'm looking at you right now.
00:56:24No, you're not.
00:56:27Look at me.
00:56:29Look at me.
00:57:11You're a bad guy.
00:57:12Sure.
00:57:13Is everything all right?
00:57:14I'm on my way.
00:57:16I think that's not a good idea.
00:57:18What?
00:57:19What? I'm having trouble hearing you. Don't worry. Everything is taken care of.
00:57:25Triple A will tow your car back to L.A. I'll be there within an hour, and then...
00:57:29That's definitely not a good idea.
00:57:31What? Are you okay?
00:57:34Yeah, I'm fine. Will you stop rushing me? You always do that to me.
00:57:38Sharon, what's going on?
00:57:41Nothing. I'm just having a really tough day. It's really busy here, and...
00:57:46Can you just come tomorrow?
00:57:48What?
00:57:49No, I can't come tomorrow. I'm already on my way.
00:57:52Just meet me at the local hospital, okay?
00:57:54What hospital?
00:57:56Sharon, what's the matter?
00:58:13Hey, Dr. Bender.
00:58:15Hey, Dr. Bender.
00:58:20Hi.
00:58:21Hi.
00:58:22Sorry I'm late.
00:58:24Late for what?
00:58:25I'm not going anywhere.
00:58:27These are for you.
00:58:29Oh.
00:58:32Wildflowers.
00:58:33They're my favorite William picks them for me.
00:58:36I had a feeling about that.
00:58:38You look a lot better.
00:58:40You look a lot better.
00:58:41Compared to what?
00:58:42Did I scare you?
00:58:44Yeah, you did.
00:58:47You look, I don't know, different, beautiful, rosy.
00:58:52Your cheeks are all flush.
00:58:56Must have been the rush to get over here.
00:58:58Oh.
00:58:59My fiance, Mike, is coming to pick me up, so...
00:59:03I came to say goodbye.
00:59:04Goodbye?
00:59:05How about the interview?
00:59:07Oh, no, you don't worry about the interview.
00:59:09Please, just concentrate on getting better.
00:59:11You saved my life.
00:59:16I want to do the interview.
00:59:17I do.
00:59:19Write down your questions and put them on a piece of paper.
00:59:21Give them to William, and he's my right-hand man.
00:59:25It'll be fine.
00:59:26Rachel, I...
00:59:27Do not argue with me.
00:59:29It's a losing battle.
00:59:31I thought you knew that.
00:59:36Thank you for everything.
00:59:38I'm going to be fine.
00:59:41I wish I had some coffee and some cookies.
00:59:44You know what?
00:59:44Get me a vase from that nurse that has that mustache.
00:59:49Don't tell her it's from me.
00:59:51She doesn't like me.
00:59:51Oh, gosh.
00:59:53Okay.
00:59:53All right.
00:59:53I'll get her.
00:59:54Okay.
00:59:55Okay.
00:59:57Bye-bye.
01:00:02Let me please hold.
01:00:06I'm looking for Miss Rachel Harsin.
01:00:08One second.
01:00:09Dr. Render, to special ward, please.
01:00:11Dr. Render.
01:00:12Yes, room 241, to the left and immediate right.
01:00:27Hi.
01:00:32What?
01:00:33What do you want?
01:00:36No, I just...
01:00:38Okay.
01:00:38Bye-bye.
01:00:42Hi.
01:00:43Oh, my God.
01:00:45HostElizabethsen.
01:00:45Yeah.
01:00:48Hey.
01:00:49How yours today?
01:00:52Hello?
01:00:56I...
01:00:57Okay...
01:00:57Go buy Seattle's eyes.
01:00:58I love you.
01:00:58I love you.
01:01:02You're welcome.
01:01:04I love you.
01:01:08I love you.
01:01:22Did you write on a typewriter?
01:01:26What are you doing here?
01:01:28Came to say goodbye.
01:01:31Oh.
01:01:35Wow.
01:01:37Yeah, it's pretty, isn't it?
01:01:42You should see it at night.
01:01:44If the sky's clear, you can see every star in the sky.
01:01:55I don't know what to say.
01:01:56You don't have to say anything.
01:02:00I, um...
01:02:02I want to say something.
01:02:05You know, ever since I met you, I...
01:02:14My fiance.
01:02:15Yeah.
01:02:17Of course it is.
01:02:20He's probably trying to make sure he gets you to the church on time.
01:02:23Always in a hurry, so...
01:02:25I would be too if I was him.
01:02:32What are you writing?
01:02:35Um...
01:02:36This is, uh...
01:02:38This is my mother's manuscript.
01:02:40I'm pretty much your official typer now.
01:02:42Can I take a peek?
01:02:43Can I trust you?
01:02:44You already have.
01:02:47You already have.
01:02:59It's your most recent work.
01:03:02That's beautiful.
01:03:07Oh.
01:03:10I really have to go.
01:03:12Yeah.
01:03:21Glad you like this.
01:03:38You had something you wanted to give me, right?
01:03:42Um...
01:03:42Yeah, um...
01:03:45It's not where you came.
01:03:47No.
01:03:47Of course.
01:03:52I know there's something going on here.
01:03:56I just don't know what it is.
01:03:59Yet.
01:04:02Goodbye.
01:04:06Bye.
01:04:06Bye.
01:04:36Bye.
01:05:17Bye.
01:05:19Bye.
01:05:36Bye.
01:06:07Bye.
01:06:23This is crazy.
01:06:25You're moving into the apartment of somebody you just met.
01:06:28You don't even know her.
01:06:30What if she's a serial killer?
01:06:32Mom, you need to relax.
01:06:34We've been Skyping.
01:06:35It's all fine.
01:06:36Skyping?
01:06:38That's not talking.
01:06:40Nader!
01:06:42Do something!
01:06:43What can I do?
01:06:48My colour is fine.
01:06:51Give me a hug.
01:06:52Bye.
01:06:59I should have done this years ago.
01:07:01You're welcome.
01:07:04You're welcome.
01:07:05You're welcome.
01:07:06Did you see the way she was dressed?
01:07:08She gave away all her beautiful clothes.
01:07:13What have we done to deserve this?
01:07:19Thank you so much.
01:07:21You're welcome.
01:07:22We'll see you in six months.
01:07:23Yeah.
01:07:25Have a good time, you guys.
01:07:26You have a simple, exciting concept.
01:07:30For a novel, that's not enough.
01:07:33But for a movie, it could be just what the studios want.
01:07:37High concept.
01:07:39Ooh, that's what I've got?
01:07:41High concept?
01:07:43High concept.
01:07:45I got country.
01:07:49High country.
01:07:52Um.
01:07:55There's something bugging you.
01:07:59Want to talk about it?
01:08:02You know I got nieces your age.
01:08:07I'm getting married to a very nice guy.
01:08:11Who I've been with for a very long time.
01:08:16But I met someone new.
01:08:18Mm-hmm.
01:08:20Uh-huh.
01:08:22The first one, very successful.
01:08:28And the second one, married but not so rich.
01:08:34Kind of.
01:08:35I mean, he's got a long-term girlfriend, so.
01:08:39I knew it.
01:08:40I knew it.
01:08:41You know why?
01:08:41Because we police officers, we got a good sense of psychology.
01:08:44So what do I do, Dr. Freud?
01:08:46What do you do?
01:08:48Failure just run off with me.
01:08:51Marvin.
01:08:52Okay.
01:08:53Only if you let me drive.
01:08:55Oh, hell no.
01:08:56Not the way you drive.
01:08:57Deal's off.
01:08:58Mm-mm.
01:08:59Mm-mm.
01:09:00That ain't happening.
01:09:02Maybe I need more courage.
01:09:06Well, hell, let's drink the courage.
01:09:12And to all the writers in the world.
01:09:15You said you're leaving today.
01:09:22You know, in all the years I've known you,
01:09:23I've never seen you looking like this.
01:09:27Everything okay between you and Helen?
01:09:31No shit.
01:09:32I thought you two were gonna get married.
01:09:37Ah.
01:09:39You got another one, huh?
01:09:41I do.
01:09:43And she's getting married to somebody else.
01:09:46Is she pretty?
01:09:47Oh, Dale.
01:09:49She's gorgeous.
01:09:50You know, she's...
01:09:53She's pretty and she's clumsy.
01:09:57Wow.
01:09:57Sounds like you're really into her.
01:09:59Does she live around here?
01:10:01No.
01:10:03No, it's tough.
01:10:06Hold on to her.
01:10:06This one sounds like the one you don't wanna let slip away.
01:10:09All right, boys.
01:10:10Down to town.
01:10:13For one more chance I'd like to take.
01:10:15Make all the plans we had to break.
01:10:20But where'd you go?
01:10:22I don't know.
01:10:23Oh.
01:10:31Hey.
01:10:32It's me.
01:10:33Listen, I have some bad news about my mom.
01:10:37I, um...
01:10:38I wish I could've heard your voice.
01:10:41I miss you.
01:11:04I wasn't expecting you today.
01:11:08Rachel died last night.
01:11:11Darling, I'm so sorry.
01:11:18Why are you smiling?
01:11:20Do you think the son will give you an exclusive?
01:11:26Let me send a photographer with you.
01:11:29Mom, put the phone down.
01:11:31Mom?
01:11:34This is a private funeral.
01:11:36No press.
01:11:37No television.
01:11:39Nothing.
01:11:43I'm invited and I'm going.
01:12:01I'll get a driver to take you.
01:12:03No.
01:12:04You don't get it, do you?
01:12:05I don't want a camera and I definitely don't want one of your photographers posing as a driver.
01:12:10But how are you gonna get there?
01:12:13Don't worry.
01:12:15I'm Sasha Kapalov.
01:12:17From Russia.
01:12:19I take care of you.
01:12:23This is...
01:12:24Homemade vodka.
01:12:26You relax.
01:12:28You don't feel a thing.
01:12:29I don't drink.
01:12:32You don't?
01:12:34I can't hold my liquor.
01:12:37I hold it for you.
01:12:39Don't be silly.
01:12:40Everybody drinks, huh?
01:12:43No, thanks.
01:12:45Okay.
01:12:48Good luck.
01:12:49Please fasten your seatbelt.
01:12:51Flight attendants return to your station.
01:12:54We're expecting some serious turbulence up ahead.
01:13:11I'm sorry about Rachel.
01:13:13I'm sorry .
01:13:15Okay.
Comments