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#The Great Indian Kapil Show - Season 3 - Episode 05: Sardaron ka Swag #video #trending #viral #dailymotionlove
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TVTranscript
00:00:09Bajji, good morning.
00:00:10Morning, morning Kapil.
00:00:11Bajji, I thought that it's our third season and you're coming for the first time.
00:00:16So, do you plan a special entry for your entry?
00:00:20Like you're coming to the movies.
00:00:21I mean, it's a very easy entry.
00:00:22I'm going to do two tanks.
00:00:25Why?
00:00:26I'm not going to take a little bit, Bajji.
00:00:27Tank.
00:00:28I'm talking about army tank.
00:00:30Oh, that's it.
00:00:31That's what you already did.
00:00:33You can't take a little more.
00:00:34Tell me something else, Bajji.
00:00:36Four horses.
00:00:38This season is going to be going to be going to get horses.
00:00:41But they're busy in the engines.
00:00:43They're busy on theไธ.
00:00:44Oh.
00:00:45So what can they do?
00:00:50Two motorcycles.
00:00:52Why do you think you're going to get two horses, two horses and two tanks?
00:00:55You've also got two judges.
00:00:56so you can come and get it on their own
00:00:58yes it is
00:00:59so what do we do then?
00:01:01A separate one
00:01:02do one work
00:01:03for two jumps and then go to that
00:01:06this is the best
00:01:07it has never done this
00:01:09it has not done this
00:01:09it has been a different entry
00:01:10you will have fun
00:01:11see, damn
00:01:12two jumps
00:01:13Wow
00:01:21Come on
00:01:44Good evening and welcome to the Great Indian Kapri Show.
00:01:51Thank you, Shupriya. Please, please, Virajman. Thank you.
00:01:56You are liking my Lili Bili Sili Chili, baby.
00:01:58I love them.
00:01:59But today, you have made the Sili Bili Sili Chili.
00:02:04That's why we are here in Punjabi.
00:02:06Because today, the guests are coming from Punjab.
00:02:09Who is coming from?
00:02:10Look, Sardar Ji is with you.
00:02:12If the son of Sardar also comes, how do you feel?
00:02:14Oh!
00:02:17But my last thing is, you want to buy my whole thing?
00:02:21My name is the show.
00:02:22Don't be scared.
00:02:23Son of Sardar is coming from the movie.
00:02:25His guests are coming from here today.
00:02:27Oh!
00:02:30Please welcome Mr. Ajay Devgan,
00:02:34Mr. Navi Kishan
00:02:35And very beautiful Murunai Thakul.
00:02:46Salaji
00:02:52Welcome Mrinal.
00:02:54Welcome Ravibhya.
00:02:59Ajay sir, Revi bhiya, Mrinal, you are very useful.
00:03:02Our third season.
00:03:04Ajay sir, is your first time.
00:03:06Why are you so late?
00:03:07Why are you waiting for me?
00:03:07I'm waiting for you to see this man who will be.
00:03:10I'll come back.
00:03:11Oh!
00:03:13Oh!
00:03:13Oh!
00:03:14Oh!
00:03:14Oh!
00:03:19Oh!
00:04:06Oh, yeah.
00:04:07Oh!
00:04:07Wow!
00:04:07Oh!
00:04:33It's our old motto. I've come here a lot.
00:04:36I'm proud to be here.
00:04:36I'm proud to be here.
00:04:59earpia.
00:05:00If the hair were left, we touched upon the second.
00:05:04and Netflix, 192 countries,
00:05:06they can see their bodies.
00:05:13People lose weight
00:05:15but you have done so much
00:05:16that you have to lose weight.
00:05:18That's fine.
00:05:19Where did you go?
00:05:20Oh, thanks.
00:05:22But, Ravi, I'm so happy for you.
00:05:24What have you done with your ladies?
00:05:26Yes.
00:05:27Netflix has said that you have to do a mention.
00:05:29You came to Oscar.
00:05:31Wow.
00:05:31Wow.
00:05:32We are so happy.
00:05:34What about you?
00:05:36I'm so happy.
00:05:37I was doing something for 34 years.
00:05:40Wow, wow.
00:05:40Yes, but I didn't have anything.
00:05:42Then I became a group of Mahadiou.
00:05:43I became a group of Gorakhpur.
00:05:45Then I thought that maybe
00:05:47someone would call me in acting.
00:05:49But it's a group of people.
00:05:51They are different.
00:05:53There was a new film.
00:05:55It was a small film.
00:05:57Kiran Khair was the director.
00:05:59The Lapatah Ladies.
00:06:00There was a police officer.
00:06:02There was a piece of water.
00:06:03I had a piece of water.
00:06:06I had a piece of water.
00:06:07There was a place of water.
00:06:08And it was a place of Oscar.
00:06:10But you were mind blowing in Lapatah Ladies.
00:06:13But Ravi Bhia,
00:06:14you have so fallen in your career.
00:06:17You have also spoken to them as a director.
00:06:18They have also spoken to Kiran Khair.
00:06:21I was going to say it.
00:06:23But I kept quiet.
00:06:24In the career.
00:06:24You have to stop it.
00:06:27But I have the scene in Lapatah Ladies.
00:06:28In the cameras.
00:06:29You are being in Sanaf Sardar.
00:06:30With the TV in the set.
00:06:31It is the scene in the set.
00:06:32You know that it's a comedy film.
00:06:35It's a very serious film.
00:06:36Where it's a very serious film.
00:06:38So, it was also a comedy.
00:06:39Seriously.
00:06:41I thought it was a little bit.
00:06:43I was going to leave.
00:06:45So, the fact is a little open.
00:06:45I was going to leave.
00:06:46I thought that I kept telling you.
00:06:49I kept telling you.
00:06:50What do you want to do?
00:06:51Actually, I will thanks to him that they called me one day.
00:06:56That was never happened to me in 33 years.
00:06:59I called him and he said,
00:07:00Ravik, what are you doing?
00:07:02I said,
00:07:02I said,
00:07:03Sanju Baba is going to come to Sanjadat.
00:07:06Sanjadat,
00:07:06Sanav Sardar,
00:07:07he rejected his visa.
00:07:10You will do that?
00:07:11I was so happy.
00:07:13Sanju is a cult man.
00:07:15And in that way,
00:07:17we are going to have our own love.
00:07:20Now, think about our own money.
00:07:23And in Sanjadat's role.
00:07:26Unbelievable.
00:07:27It's a big compliment, Ravik.
00:07:29And a big role.
00:07:31Hey, brother.
00:07:33You know that in the climax,
00:07:35I am a hero.
00:07:37I am a hero.
00:07:38I am a hero.
00:07:39In the climax,
00:07:40everyone wants to take their lines.
00:07:42I was standing there.
00:07:43The director, Vijay Arora Ji,
00:07:45they say,
00:07:45that Ravik,
00:07:47give them the lines.
00:07:48Keep the camera on Ravik,
00:07:49keep the climax on Ravik.
00:07:51And silently,
00:07:52he was standing.
00:07:53You can see the climax of this film.
00:07:55He just kept quiet.
00:07:57He was standing there.
00:07:58And this is not my fault.
00:08:00We fight for the lines.
00:08:02Because Guru,
00:08:03this is the purpose of this.
00:08:04This happens when you are insecure.
00:08:06When you know that he is a trap.
00:08:07And the other thing,
00:08:09people say that you are not important.
00:08:12The film is important.
00:08:13This is all for the work.
00:08:14Superb!
00:08:15Absolutely.
00:08:15You have to do it for the film.
00:08:17Superb!
00:08:18Absolutely.
00:08:18I will tell you a story.
00:08:19I was a very multi-star.
00:08:22I was filming a movie.
00:08:22I don't have names.
00:08:23I am all my enemies.
00:08:24I was a negative villain.
00:08:26I left someone's shooting.
00:08:29Now, you have to shoot me in the climax.
00:08:31Someone will shoot me one of the three heroes.
00:08:35Someone will shoot me one of the three heroes.
00:08:37I am sitting in the middle of the day.
00:08:38It's the night.
00:08:40I will go to another shooting.
00:08:43I asked him,
00:08:44I called him.
00:08:44I said,
00:08:45What happened?
00:08:46Why did you not leave me?
00:08:47He says,
00:08:47He is standing there.
00:08:48He is saying,
00:08:49I will kill him.
00:08:51I will kill him.
00:08:52He will kill him.
00:08:52I am at the set.
00:08:53I said,
00:08:53I will kill him.
00:08:58He will kill himself.
00:08:59He will kill me.
00:09:00I will take a flight.
00:09:03He will take a flight.
00:09:07Thanks to him, that I will see you in Sanav Sardar the first time
00:09:11you will see a whole whole of a Bihari Sardar.
00:09:15I didn't ask this question, Ajay Paji,
00:09:22that Sanjay sir, this director was in the first part,
00:09:27now Raviyah came. Sanjay sir is Punjabi too.
00:09:30Suddenly Raviyah is from UP.
00:09:32So how did this come to your mind?
00:09:34This character that we have worked out,
00:09:37who was NK's father,
00:09:39he was in the city.
00:09:42So the truck driver was in Bihar,
00:09:44he was in Bihar, so he was in Bihar.
00:09:47So he came.
00:09:49Punjabi wasn't able to win,
00:09:51but Punjabi is also in Bihar.
00:09:53Yeah, I mean, you know,
00:09:54you have married my mother,
00:09:56you have married my mother,
00:09:58you have married my mother.
00:09:59I have married my mother.
00:10:01My father's three daughters.
00:10:03One was in Punjab,
00:10:05he was in Bihar,
00:10:06he was in Bihar,
00:10:07and my mother got married.
00:10:09Then we got married.
00:10:11Then a pole dancer got him in London.
00:10:14They were working in the restaurant,
00:10:16they were saying,
00:10:16they were saying,
00:10:17you are saying,
00:10:18I was saying,
00:10:24you know,
00:10:24that my father will not stop,
00:10:25then I will break his arms.
00:10:27You know,
00:10:28and you will never know this.
00:10:28What?
00:10:59Oh my God!
00:10:59Yes!
00:11:00Look at the camera.
00:11:01I have no jacket.
00:11:02We said that the jacket is so cute.
00:11:04They are so cute.
00:11:07It's like this back.
00:11:09I mean, this back starts like this.
00:11:11I must say that
00:11:14when we were in the set,
00:11:15and because I was shooting so many actors
00:11:17that I was shooting,
00:11:20but when we met Sir's side,
00:11:22we were watching our diet.
00:11:24And Sir, in between the shots also,
00:11:26we would fight and talk.
00:11:29He would go and work out.
00:11:31Wow.
00:11:31So that is the amount of dedication.
00:11:33When you are in the set,
00:11:35it feels like it's coming out.
00:11:36Just sit with them a little bit.
00:11:39I'm coming here.
00:11:40I'm coming here.
00:11:41I'm coming here.
00:11:41I'm coming here.
00:11:42I'm coming here.
00:11:43I'm coming here.
00:11:44I'm ready for this exchange.
00:11:48No, no, no.
00:11:49Okay.
00:11:50I'm only a personal question.
00:11:52How do you go to this house?
00:11:53I'm coming here.
00:11:54You are having 12 years old.
00:11:56Just like you from the politics,
00:11:58you are coming out of a little bit.
00:12:02You are coming out.
00:12:02I'm telling her to say this,
00:12:04you can't see this show.
00:12:05You have to watch everything.
00:12:06You can see everything.
00:12:07I'll see you in Switzerland.
00:12:08But I don't see that show.
00:12:11I'll see you in Switzerland.
00:12:17I can't see it.
00:12:23You know that Mrunal is more than a hero than his job.
00:12:28He didn't have a job in the jersey.
00:12:30He had a problem in Super 30.
00:12:32He had a private job in Super 30.
00:12:33He had a private job in Sita Ramam.
00:12:35He had a government job in real life.
00:12:37In real life, 50-60,000 girls want to become a hero in your life.
00:12:44I got an association.
00:12:46They signed me and sent me to Mrunal.
00:12:48If Mrunal is more than a hero, you will be able to get a job.
00:12:51When you will see the Sun of Sardar 2,
00:12:53you will know what you need to do.
00:12:58You are also a Neta.
00:13:00Do you want to suggest someone to Mrunal?
00:13:04How do you want to find a life partner?
00:13:06Look, this is a very difficult question.
00:13:08The whole country, the whole wish.
00:13:10I don't know that if Mrunal is married,
00:13:13after a month, after a month, the house will come.
00:13:17The whole country still will come.
00:13:17So, if Mrunal is married,
00:13:18if Mrunal is married,
00:13:21he'll make a child with 4-6-6-6-6-6-6-6-6-6-6-6-6-7-6
00:13:24-6-7-6-6-6-7-6-7-7-6-7-7-7-7-8-8-7-7-8-8
00:13:25-8-7-8-8-8-8-7-8-8-7-8-8-7-8-9-8-8-8-7-8
00:13:34-9-8-8-8-8-8-8-8-8-8-8-8-9-8-8-8-8
00:13:39You will never know.
00:13:40But Neta is also a good person.
00:13:43It doesn't mean that he is a good person.
00:13:46It doesn't mean that he is a good person.
00:13:47I mean, it doesn't mean that you have a different image
00:13:50that has been made.
00:13:51It doesn't mean that they are emotional people.
00:13:53They are family people.
00:13:54I am a good person.
00:13:55I would never think that this is wrong.
00:13:57Really?
00:13:58Neta's hand had a mic.
00:13:59You put it in his mouth.
00:14:01That's it.
00:14:10He knows this.
00:14:19I want to get married.
00:14:26I want to have children.
00:14:26No, that's it.
00:14:28I mean, that's it.
00:14:31I mean, that's it.
00:14:32Actually, let's change the topic.
00:14:34Ajay, sir, the Son of Sardar tool is coming.
00:14:36Before, the rate 2 I hit.
00:14:39I saw it very well.
00:14:40Like, my baby loves me.
00:14:42Two is coming.
00:14:44I have two numbers.
00:14:46Ajay, sir, my date of birth is the same.
00:14:48Two numbers are our lucky, Ajay, sir.
00:14:50Do you believe?
00:14:51Your two numbers are lucky.
00:14:52I have three, four, five.
00:14:54How?
00:14:55How?
00:14:56Drishan 3, Dhamal 4, and Golmal 5.
00:14:59Oh, yes.
00:15:03Before I talk about this, I had a question from Ajay, sir.
00:15:06I had a fan of Ajay, sir.
00:15:07He told me to ask me a question.
00:15:10I'm going to ask you to ask me a question.
00:15:11Ganga Ram Ji.
00:15:12Ganga Ram Ji's question is,
00:15:13Ajay, sir, your Golmal series is a big comedy film,
00:15:16a big hit.
00:15:17The Dhamal series is a big hit.
00:15:19You do comedy in your films.
00:15:21The show is made for comedy.
00:15:22Why are you going to be serious?
00:15:24Why are you going to be serious?
00:15:30Ganga Ram Ji's question is,
00:15:32when I'm doing films,
00:15:33I'm going to check my name.
00:15:35When I'm here, I'm going to check my name.
00:15:37When I'm here, I'm going to check my name.
00:15:43Ganga Ram Ji's question is,
00:15:43I was not able to catch my name.
00:15:52Oh, yes.
00:15:53How about the day you have to come?
00:15:53I'm looking for the show.
00:15:54I'll tell you,
00:15:56I haven't seen the movie in Mumbai.
00:15:57I have seen the movie since then.
00:15:59And I've seen the movie here and I can see the movie here.
00:16:01I've seen the movie here,
00:16:02and I've seen the movie here.
00:16:05I've seen the movie here,
00:16:10and I've seen the movie here.
00:16:13Manal, do you see the menu in the menu and what changes do you see in the set-up and
00:16:18here in the set-up?
00:16:18Nothing, my dad is here and my dad is here and my dad is here.
00:16:23I always say, ''Anna, Anna'' and they're like, ''Yeah?''
00:16:27I said, ''Anna'' and he said, ''Oh, sorry, Dad, I'm Dad, I'm Anna''
00:16:31It's a lot of confusion.
00:16:34How many languages have you done, Manal?
00:16:36Manal is only Hindi and Telugu.
00:16:40But have you learnt Telugu?
00:16:41Can you speak a little bit?
00:16:43Oh, okay.
00:16:48What will happen now, Manal?
00:16:53I'm in the mood, Manal.
00:16:56What are you doing now?
00:16:57What are you doing now?
00:16:58They're just wings.
00:16:59What are you doing now?
00:17:03Talk to me.
00:17:05Have you done this first year?
00:17:09What a lot!
00:17:12I don't think they are flying in the room and they are all in the room.
00:17:24In the thriller, in the crime, in the crime, in the comedy, in the film, in the film, in the
00:17:31film.
00:17:33In the small towns, there's a saloon, they don't leave any work.
00:17:41Like one's cutting, the other's shave.
00:17:44With the cutting, they start shaving.
00:17:48So that it won't go.
00:17:49If you get the third time, they start the facial, so that you don't have to leave anything.
00:17:55How do you keep the producers of these 5-5 methods?
00:18:00I'm actually going to teach this to Siddupajji.
00:18:03One's got a rhumal in cricket, one's got a politics.
00:18:08One's got a rhumal here too?
00:18:10No, there's a whole chander.
00:18:11One's got a rhumal here.
00:18:15Oh!
00:18:16Oh!
00:18:17Oh!
00:18:18Oh!
00:18:18Oh!
00:18:18Oh!
00:18:20Oh, he's got a little sort of archana chee rhumal.
00:18:22Oh!
00:18:25Oh my god.
00:18:25Oh!
00:18:25That's right.
00:18:26This is your first time, Mr. Munnal and Ravi Bhaiya.
00:18:30With the son of Sardar II, the other people who call the manchpeyamantrit.
00:18:34Please welcome Mr. Windu Dara Singh, Mr. Sanjay Mishra, Mr. Dheepak Dobrayal and very beautiful Kubra Sai.
00:18:45Mindu Paji!
00:18:49Mindu Paji!
00:18:50Deepak bhai! Deepak bhai! Hello!
00:18:52Hello Pundang! How are you having?
00:18:55Sanjay bhaiya!
00:18:56Pundang Pundang!
00:18:57Thank you very much!
00:19:03Hey sir, did you get them?
00:19:05Lily Billy Sili Chilli!
00:19:07Like your artist, right?
00:19:10Raviy Bhaiya, Mindu Paji, Sanjay Ji, Deepak bhai!
00:19:13How do you feel, brother?
00:19:15Look at me!
00:19:17Now I've come to understand, why is your tagline?
00:19:20Every star will grow up!
00:19:23Every star will grow up!
00:19:26Look at them, you can say that every star will grow up!
00:19:29If you look at Raviy Bhaiya, you can say this!
00:19:36Glamour needs to be with you!
00:19:38A little bit of a feature ever!
00:19:41Lily Billy Sili!
00:19:43You guys go, back stage!
00:19:49Okay, I feel very good that Ajay sir's film, Mrunal and Kubra are also in the film.
00:19:54It's also known that we've come to Son of Sardar.
00:19:56No, we're standing behind Vindu Paji, right?
00:19:59So, it's like Vindu Paji, right?
00:20:00So, it's like Vindu Paji!
00:20:02Vindu Paji!
00:20:03Vindu Paji's name is Virendra Singh Randhawa.
00:20:06Wow!
00:20:08Vindu Paji, you've got 40 people's name.
00:20:35Vindu Paji, based on your name,
00:20:53You've got 40 people's name,
00:20:57You've got 40 people's name,
00:21:05It's like the first time you've come to meet with us.
00:21:06You've got 40 people's name,
00:21:07No.
00:21:09Yeah.
00:21:10You've got 60 people's name.
00:21:11And when it becomes even a movie,
00:21:13You've got 50 people's name,
00:21:19You've got 40 people's name when you're in the film.
00:21:25You've got 50 people's name.
00:21:36I have to come to the producer.
00:21:39This is your love, Sanjay Bhiya.
00:21:41I don't know. It's all of them.
00:21:42When we came to Sanjay sir,
00:21:46we were told that we were shooting the film
00:21:48and we were going to the mountains.
00:21:50Yes.
00:21:50What are you trying to find the mountains?
00:21:52What are you going to the mountains?
00:21:55I don't know. I have an actor, Woody Helen,
00:21:57who had studied and said that
00:21:59we should talk about the actors.
00:22:01No, but those who do good work,
00:22:02they can go to the mountains, Sharayam.
00:22:08What are you going to the mountains?
00:22:11Why are you going to the mountains?
00:22:12Why are you going to the mountains?
00:22:13You are doing so good.
00:22:14Then why are you going to the mountains?
00:22:15But no, Jain Nulli.
00:22:16Okay.
00:22:17Look, when you meet senior players,
00:22:20you need to learn something like this.
00:22:21But Jain Nulli, why did they say that
00:22:23the mountains are going to the mountains?
00:22:24I mean, you have to prepare yourself.
00:22:27Let's prepare yourself.
00:22:28If you have one mind, one mind, one mind,
00:22:30then people will say,
00:22:31you have to do this in the past 20 years.
00:22:33But Siddhu Ji,
00:22:33you will come here from cricket,
00:22:34you will come here from the parliament.
00:22:36You will come here from the parliament.
00:22:36Whoa!
00:22:39Siddhu, sir, Sanjay, sir,
00:22:41you know, they talk very well.
00:22:43I mean, I was very disappointed in one day.
00:22:45I asked them if they were young or not.
00:22:48I always say, wise,
00:22:50it's a big deal.
00:22:52Hey, brother,
00:22:53I haven't even called myself in the name.
00:22:55I'm a big boy.
00:22:58I don't think I'm a big boy.
00:23:00When I was born,
00:23:01I didn't know my mother,
00:23:02I didn't know my mother.
00:23:04I'm a big boy.
00:23:06I am a big brother.
00:23:10I'm sorry for my little brother.
00:23:12I was, my age,
00:23:13been gay and the death
00:23:15when I had with my father happen,
00:23:16Mr. Kauri Dao said, if he comes to the same, he'll be happy.
00:23:20He's saying, right, right.
00:23:25When the first daughter was born, he didn't have a hospital.
00:23:29He was sitting in the corridor.
00:23:31So, every time you're a brother, you become a brother.
00:23:39Look at Deepak brother's face.
00:23:42When you see, you're happy.
00:23:43Look at them, I think they checked in the morning and they didn't bounce in the morning.
00:23:49What is the path? Do you keep any competition in mind or do you keep 6-7 flat?
00:23:55No, it's also in the Kapil Sharma show. It's like everyone starts there.
00:24:01Today, you've put a pink chashmah.
00:24:02What's your look?
00:24:03What's your look?
00:24:04What's your look?
00:24:04What's your look?
00:24:06What's your look?
00:24:07What's your look?
00:24:08What's your look?
00:24:09What's your look?
00:24:11I'm standing here, I'm looking at the face, I'm looking at this man.
00:24:16What's your look?
00:24:17What's your look?
00:24:18When you shave your hair and you're cutting it off, you're cutting it off your face.
00:24:24You're still getting stuck.
00:24:25You're gonna keep putting your eyes on the side.
00:24:29All of you saw the secret games.
00:24:32Netflix debut was made by it.
00:24:34When you saw the first time, all of you saw the secret games.
00:24:36Everyone has seen it.
00:24:37You know, people have received a subscription to Netflix.
00:24:40Oh, no.
00:24:41No.
00:24:42No.
00:24:42No.
00:24:44No.
00:24:44No.
00:24:49No.
00:24:51No.
00:24:56No.
00:24:57No.
00:24:58I know Kubra.
00:25:00We have a lot of live shows.
00:25:01But as an actor in the Secret Games,
00:25:04I was very shocked.
00:25:05Wow.
00:25:06You worked great.
00:25:08Welcome, Kubra.
00:25:12You've made a hairstyle.
00:25:14You've been a kid, a hairdresser?
00:25:17Yes.
00:25:19You're looking very pretty.
00:25:22Caps, finally.
00:25:23Now you're going to flirt with me.
00:25:24When I married, I don't do it on camera.
00:25:26Yes.
00:25:29Yes.
00:25:31Yes.
00:25:33Yes.
00:25:35Yes.
00:25:35Yes.
00:25:37Yes.
00:25:39Yes.
00:25:39We're looking into the film.
00:25:40Look, this is the Son of Serdar Tuk's shooting from outside.
00:25:44If I tell you the name of your locations, how interesting he is.
00:25:46Glencoe, Glenfinan, Kurloos, Don, Lothian.
00:25:52If you give all these names to a chemist,
00:25:54he'll give them one or two of them.
00:25:59Sanjay, when you first know Glenfinan,
00:26:02you'll have to think about 12-year-old or 18-year-old.
00:26:10Glasses, just glasses.
00:26:12No, but Glenfinan, Lothian,
00:26:14can you hear your name before?
00:26:16No, I was going to go and get started.
00:26:22Ajay brother, I said,
00:26:23I said, Sanjay, you have to come tomorrow.
00:26:24I said, sir, you have to come a little bit.
00:26:27You have to go there.
00:26:30We've reached there.
00:26:31Now it's a little cold.
00:26:33How's the day going?
00:26:34Ajay brother, when you go outside,
00:26:36you've seen a beautiful girl.
00:26:39By God.
00:26:40I said, will you shoot us with us?
00:26:42Yes.
00:26:43I said, will you go outside?
00:26:47Khoda pahaad nikla Deepak Dobraial.
00:26:58Deepak has kept all his heart.
00:27:00Huh?
00:27:01What happened to Deepak?
00:27:03What happened to Deepak?
00:27:04What happened to Deepak?
00:27:06What happened to Deepak?
00:27:06What happened to Deepak?
00:27:07What happened to Deepak?
00:27:12I said, I was going to be a beautiful street.
00:27:13I was going to be a beautiful street.
00:27:14Wow.
00:27:15That's why I have to maintain everything.
00:27:20I was going to be a beautiful girl.
00:27:24And I was going to be a beautiful woman.
00:27:24We are going to be a beautiful girl.
00:27:26How do you say a beautiful woman?
00:27:27Because this was a whole set.
00:27:34That's why I am a beautiful girl.
00:27:40It was a beautiful man,
00:27:46I always used to make a beautiful girl.
00:27:49Oh my god.
00:27:51The way they made him look, the way he carried himself.
00:27:57This whole 40 days, a man started like this.
00:28:02What did we do in the night?
00:28:04If we go to the restaurant and eat,
00:28:07we don't change the clothes.
00:28:08We dress with a wig.
00:28:11The most important thing was to get.
00:28:14Why did we go to the lady's clothes?
00:28:16I was going to eat at 3.
00:28:17That day, a party was a little bit of a hotel.
00:28:19He was in the middle of the hotel.
00:28:20I had to go to the hotel for a minute.
00:28:21I would have to go to the hotel for a minute.
00:28:24I would have to go to the hotel for a minute.
00:28:25I would have to go to the hotel for a minute.
00:28:29We had to go to the bathroom.
00:28:32The men's bathroom went to the woman's house.
00:28:35We were standing there.
00:28:37What happened?
00:28:37No, no, no.
00:28:38We were going to the bathroom.
00:28:41We were going to the girl's costume.
00:28:42They had a man's funciona.
00:28:43They had a men's drink.
00:28:45I would have to go to the sit.
00:28:49You were looking for now.
00:28:50af innate
00:28:50After that, let the lady could stop.
00:28:53No, no.
00:28:53Pick up a lady's room in the bathroom.
00:28:57She ran out of the bathroom.
00:28:58The girl is uncompl preรงo.
00:28:59She wasunya.
00:28:59She told me I had to go to the bathroom.
00:29:02yeah, do you say I asked the idiot.
00:29:03You don't want to go to theๅคซ that shop?
00:29:04Yeah, do you ask me either?
00:29:09Oh wow.
00:29:10She bothered this.
00:29:11Ladies, I have to get to the ladies.
00:29:12I have to say, no, no, no, he's a boy.
00:29:15He's a boy.
00:29:17Oh, my father.
00:29:20Oh, my father.
00:29:20What?
00:29:23Go, my father.
00:29:42Oh!
00:29:44Oh, my brother.
00:29:51Oh, my brother.
00:30:00Oh!
00:30:02Oh!
00:30:21Hello, what was this all?
00:30:24I'm a top-down a luta
00:30:26Yeah, I don't want to have time
00:30:34I'm mr. Wasis. Yeah, I can give water was a tank
00:30:37I hope on them low why didn't you do that come? Hey, click it. So we're with them
00:31:15Oh
00:31:45Oh
00:31:58Oh
00:31:59Oh
00:32:01Oh
00:32:02Oh
00:32:03Oh
00:32:03Oh
00:32:04Oh
00:32:05Oh
00:32:06Oh
00:32:08Oh
00:32:09Wow
00:32:13Oh
00:32:15Oh
00:32:16Oh
00:32:16Oh
00:32:16Oh
00:32:17Oh
00:32:17you are a fira thakur.
00:32:18Heera thakur not, Murnaal thakur.
00:32:20Heera hai hai, chamuk to dekho.
00:32:25Raviji,
00:32:27you duplicate band ke kitne program kallethe humain.
00:32:32Dekhe,
00:32:33aapka chalan kate ga.
00:32:34Kis baatka chalan kate ga bhai saab?
00:32:36Kyokhi,
00:32:37yasso station ki permit ke bidha yaapka duplicate band ke khubra hai.
00:32:40Ha cha.
00:32:41Kaunsi association?
00:32:42Amari association,
00:32:44Adda.
00:32:44Adda?
00:32:45Adda?
00:32:46A-D-D-A.
00:32:48Oh, what does it stand for?
00:32:50Ajay Devgan duplicate association.
00:32:58I am a regional manager.
00:33:02This is from marketing.
00:33:04This is from HR.
00:33:05This is from papad.
00:33:06This is from chitni.
00:33:08Kya bol raya up papad se and chitni se?
00:33:11Aisa hi ho bhai.
00:33:15Aisase,
00:33:16Ajay ji,
00:33:17you are not afraid of duplicates brandke kubra hai.
00:33:20This is from department.
00:33:21Chal raha hai aapka.
00:33:22Next,
00:33:22bhi aapka chik hai.
00:33:24Attitude thoda sakkam hai
00:33:29You have a little bit of attitude and it will be fine.
00:33:31And how good you put it in your mouth.
00:33:33No, it's not.
00:33:34They are the real ones, brother.
00:33:36Oh, way to go, way to go.
00:33:39Way to go.
00:33:41That's nice.
00:33:44Way to go.
00:33:49Let's do it well.
00:33:56Anyway, it's my way or skyway.
00:34:01Say it and say, 25 years ago.
00:34:0525 years ago.
00:34:07This is what you are doing.
00:34:13Say it in your voice.
00:34:1825 years ago.
00:34:20This is what you are doing.
00:34:22Good.
00:34:23Look, like I have my own voice.
00:34:25I would like to speak.
00:34:28I would like to talk more about the voices.
00:34:31You are trying to speak.
00:34:32Say it in your mouth.
00:34:33What's happening?
00:34:35We are in the midst of the world.
00:34:38If we are enjoying ourselves, then.
00:34:40We are going to talk about the voice.
00:34:40Let's paint this song.
00:34:44See what it means.
00:34:48I will stay.
00:34:48Someone is still waiting for me.
00:34:50I am sure you are waiting for me.
00:34:52Let's go.
00:34:52Oh, yeah.
00:35:01Yeah, fuck out.
00:35:07Yeah.
00:35:08Oh
00:35:19I
00:35:20Yeah!
00:35:24Come on, come on.
00:35:31Madness.
00:35:33Today, the most duplicate in India.
00:35:36No doubt, no doubt.
00:35:38A lot of look alike.
00:35:39In the U.P., in the U.P.,
00:35:40a lot of...
00:35:41But, Ajay, I want to ask you,
00:35:43how do you feel when you mimic yourself?
00:35:46What does it make you feel?
00:35:48It makes you feel good only.
00:35:50But some people get very upset.
00:35:52No, in fact, you should feel blessed that,
00:35:54you know, people are giving you that kind of respect.
00:35:56I'm so happy you think so, yeah.
00:36:01People start imitating you.
00:36:03People start mimicking.
00:36:05Then, understand that your life is so smooth.
00:36:09It's a hit.
00:36:09You've become a cult.
00:36:11Absolutely, absolutely.
00:36:14What you've talked about now,
00:36:40I'm sure not.
00:36:41I'm so happy.
00:36:42I've never used to be a cult.
00:36:44I've never used to be a cult.
00:36:44We are still young.
00:36:45But we all have a cult.
00:36:46We were all in school.
00:36:47But I was very young.
00:36:48But I was very young.
00:36:49People weren't believing that this is Dara Singh's son.
00:36:51Then, I started the exercise.
00:36:52And they started it.
00:36:53Today, they were doing it.
00:36:54And now, in fact, people understand that this is Dara Singh's son.
00:36:56But Dara Ji has another speciality.
00:36:58He has not left a Punjabi accent in Hindi pictures.
00:37:02He's doing it once again.
00:37:04No, no, no.
00:37:06Someone heard me a story.
00:37:08They said that we are from Punjab.
00:37:10He will have a little accent in Hindi.
00:37:13Someone told me the story.
00:37:15He said that Dara Ji was doing a Hindi film.
00:37:17So one time he did dubbing the Punjabi film in Chandigarh.
00:37:21The dubbing engineer was sitting there.
00:37:24So Dara Ji has asked.
00:37:26Listen to me.
00:37:29Is there a Hindi accent in Punjabi?
00:37:36Every one has a habit.
00:37:37Like Aja Sir's habit is doing a prank.
00:37:39That's when it happened.
00:37:41No.
00:37:41That's when it happened.
00:37:42That's when it happened.
00:37:44No, that's when it happened.
00:37:46But I thought it would happen.
00:37:47So we were all ready.
00:37:48Because they did it.
00:37:49No, no.
00:37:50Mr. Sardar Minho made me very bad.
00:37:52What did he do?
00:37:52What did he do?
00:37:52There was a scene where I was going.
00:37:54Where I was going.
00:37:55Our whole group and a sump came.
00:37:57Oh!
00:37:58So sump?
00:38:00Yes.
00:38:00What is that?
00:38:02There are a lot of sump shooting.
00:38:04I said that sump is a sump.
00:38:06Shooting?
00:38:07I mean that sump is a sump.
00:38:08I didn't see sump.
00:38:09I didn't see sump.
00:38:09I didn't see sump.
00:38:10I said that.
00:38:11Let me see.
00:38:13Let me see.
00:38:15Let me see.
00:38:16Who is a sump.
00:38:21What do you think?
00:38:21What?
00:38:23What?
00:38:25What?
00:38:25Oh.
00:38:25He is a bitch.
00:38:27I have been out.
00:38:28He is a bitch.
00:38:31I have some shit.
00:38:31He is a bitch.
00:38:31I have Spencer.
00:38:39He is a bitch.
00:38:41But if you leave a pair, how many days do you keep the vaccine?
00:38:46I mean, yeah, I love it. But she never let me do that.
00:38:51But whenever she's sleeping.
00:38:53But it's a very good thing. What's the problem in this?
00:38:56Yeah, because she was with me when she didn't have money.
00:39:01Absolutely.
00:39:02She didn't leave me alone.
00:39:05Today, whoever I am, she was with me.
00:39:09My son is in front of me.
00:39:11He knows the way she managed me.
00:39:14That's the pair of shoes.
00:39:16How sweet.
00:39:16What's the matter?
00:39:19The man is guilty, the more the pair of shoes.
00:39:25He's playing on the front foot.
00:39:30Deepak brother is also a habit.
00:39:32Like the schedule of the film is finished,
00:39:34he goes to the saloon and he goes to his head.
00:39:36He's playing with my hair.
00:39:36Why do you do the job?
00:39:38Deepak brother, you can do the job a lot.
00:39:41You can also fight your head.
00:39:42Why does your hair look so hard?
00:39:42You can even tear a collar from your collar.
00:39:48That's true.
00:39:49So my hair is kind of a ritual.
00:39:51I felt like that there were some feelings and feelings that you can adopt.
00:39:57So if you stay in one place, then you feel like you're going to go to the next set to
00:40:00the next set.
00:40:02You're also alive in this hope that your hair will come from here.
00:40:08Okay, you know Sanjay brother, Ajay sir, he has a big love.
00:40:12I think it will be their 5th film, maybe 14-15 films in the 7th.
00:40:16So, have they kept their office in your house or are you still in their office?
00:40:23They don't know where they live.
00:40:25If you have a phone call, then I'm in Lonawala, I'm in Banares.
00:40:28Where are you still studying?
00:40:30When shooting happens, then...
00:40:32Sanjay is a poor man.
00:40:33What's the matter?
00:40:34He's a poor man, he's a poor man.
00:40:37He'll get some vegetables in his car.
00:40:39One person is sitting behind him.
00:40:45He took him from Himalaya, he took him for 4 years of his house.
00:40:50What?
00:40:51Wow.
00:40:52And he's got a garbage out of his house.
00:40:56He's got a garbage out of his house.
00:40:57So, what's your life?
00:40:57What's your life?
00:40:58What's your life?
00:40:59Guys, there are books in life.
00:41:01There are such people that love brothers and sisters, and that's the same thing.
00:41:05And a poor man loves them too.
00:41:06Wow.
00:41:07So, it's a good thing.
00:41:08You should keep your books in your own.
00:41:10Wow.
00:41:10You should keep them all that.
00:41:12You're going to be a film hit.
00:41:12You're going to be a business.
00:41:14You're going to be a business.
00:41:14You're going to be a actor.
00:41:15You're going to be a small part of this.
00:41:18You're going to be a business.
00:41:23You're going to be a business.
00:41:47Kudrat ke sabbande, ek nur se sabja gubja korn wale korn wale korn wale korn wale korn wale
00:41:51Sabja bali cheez ya Guru
00:42:31Dharamveer kahan se aage Siddhu sahab, aapne proof kar diya hai
00:42:36Kya?
00:42:37Kya agar insaan acchi khuraak lye
00:42:40Aar agar time to time exercise kare
00:42:42Toh woh is sumer me bhi asar dikhati hai
00:42:48Siddhu sahab, maan na padegha, kamal kar diya apne
00:42:51Is sumer me kya jalve dikhaye aapne
00:42:53Kya jalva, jalva jumbishkai ghi
00:42:56Aaree, aapko nahi pata
00:42:57Aaree, bahaar sab log chila raha hai, cheek raha hai
00:43:00Kya?
00:43:00Son of sardar aya, woh bhi two, Siddhu sahab ko twins huay hai
00:43:08Twins huay hai
00:43:11Siddhu sahab, kaal kar diya sir, aapne
00:43:15Aaree, aaree, aaree, aaree
00:43:17Suru, in ke sang nahi aaree hai
00:43:46Shitthuk hi day
00:43:47Shitzhuk hi toh tukes
00:43:48Jau jau
00:43:49Baal Jumai Aaree, aaree, aaree, and aaree
00:43:52Jauัะท, maal zumai aaree
00:43:52Youvi aaree, aaree, aaree, aaree, aaree toh kya chilla
00:44:14I ask you a skirt for giving me forgiveness.
00:44:16Hey, Baba!
00:44:22Your skirt is very small from the first time, Baba.
00:44:25Don't give it to you.
00:44:27Now, I have to bring this to the second skirt.
00:44:30Look at this.
00:44:33This is one I ask, Baba.
00:44:38Look at that.
00:44:40Sir, my Baba is so good.
00:44:41He also is so good.
00:44:42He is so good.
00:44:43Maybe he is so good.
00:44:44Even the other way, Baba's skirt is so good.
00:44:46See, Baba's skirt is so good.
00:44:51Sir, it's so cute and warm.
00:44:54We have to park the airport in the last couple of days.
00:44:58Take it easy.
00:44:58Hey, let me take it easy.
00:45:02Why are you still shaking?
00:45:04He says such lines to impress me.
00:45:06For me, he speaks such lines for me.
00:45:10You are so beautiful.
00:45:12You are so beautiful, right?
00:45:15So you can't kill a direct line.
00:45:17That's why he kills funny lines.
00:45:21He knows that girls like girls.
00:45:24They like girls.
00:45:25They like girls.
00:45:28Yes, son.
00:45:29Ronald.
00:45:30Yes.
00:45:31You will be very happy that
00:45:33I and I have a great relationship.
00:45:36In my childhood, I used to play a lot.
00:45:39I used to play a lot.
00:45:41I used to play a lot.
00:45:41Hey, brother.
00:45:42They are soft.
00:45:44You've become so big,
00:45:46I don't even know what to do with soft and soft.
00:45:49You have to do all things on Netflix.
00:45:54Oh, sorry.
00:45:55I didn't know.
00:45:58Baba,
00:45:59it's a cobra.
00:46:01No, son, it's a cobra.
00:46:08No, son.
00:46:09Not a cobra.
00:46:10No.
00:46:11Baba is a cobra.
00:46:12It's a cobra.
00:46:15Aboutโฆ
00:46:23How can you excuse I?
00:46:25I want to speak to them.
00:46:30What a film.
00:46:33There is comedy, romance, action, tragedy, jealousy.
00:46:38Jealousy. Jealousy.
00:46:39We have jealousy.
00:46:42I made a film from Punjab and...
00:46:45We didn't have our own film.
00:46:50You're right, Baba.
00:46:52We didn't have a film from Punjab.
00:46:54We didn't have our own film.
00:46:56We didn't have our own film.
00:47:00We didn't have our own film.
00:47:00Look, wherever you go, you keep laughing.
00:47:03There is a film,
00:47:05we asked for a film.
00:47:06We asked for a film.
00:47:09Baba, Baba, if you eat my idli,
00:47:10I'll send it to him.
00:47:12From him.
00:47:14This is a film.
00:47:17This is a film.
00:47:18This is a film.
00:47:20This is a film.
00:47:23This is a film.
00:47:23That is why I want to marry him.
00:47:24So that I want to drink wine in Suhaagrat.
00:47:31And I want to drink milk.
00:47:32And I want to eat milk.
00:47:34Where is milk?
00:47:36This is not true, Baba.
00:47:39I want to marry the truth.
00:47:41I want to marry the truth.
00:47:42I want to become a soldier.
00:47:43Baba, you probably forgot.
00:47:45I have drawn a little girl.
00:47:48I have drawn a little girl.
00:47:49Now I get a little girl, Baba.
00:47:53My daughter become big.
00:47:55Yes, Baba.
00:47:57Love you, my child.
00:47:59Love you, Baba.
00:48:04Aajai Sahab, when our children are growing up, I don't know.
00:48:11It's the only thing that he was sitting on his hands.
00:48:17Baba, that was our baby's child, Baba.
00:48:23Everyone said, Baba, you're taking my money.
00:48:27That's not my child.
00:48:28Baba, I'm going to die.
00:48:30Hey, don't cry.
00:48:32Why do you have tension? I'm your father.
00:48:35Tell me, what will you do? I'll ask you from Kapil.
00:48:39Baba, ask me an Azelnut Caramel Machiato.
00:48:43What did you say?
00:48:45Azelnut Caramel Machiato.
00:48:48You were born in Tanzania?
00:48:49You were born in Tanzania.
00:48:50You were born in Tanzania.
00:48:54You were born in Tanzania.
00:48:55They have made a film on Punjab on Punjab.
00:48:57You want a Punjabi dish?
00:48:59Look, Baba, ask me one.
00:49:02Yes, Kapil.
00:49:03For this one.
00:49:04For this one.
00:49:04Okay.
00:49:04And I have a hazelnut Caramel Machiato.
00:49:11Wow, Baba, wow.
00:49:14Wow.
00:49:14Wow.
00:49:14Wow.
00:49:14You are asking me to listen to Punjab and ask yourself a foreign item.
00:49:17So Punjabi people are also living in the foreign country.
00:49:20I have asked for the number of Canadians.
00:49:23Yes.
00:49:24I'm going to drink my mother's hands or my father's hands.
00:49:26I'm going to sit with you.
00:49:29Don't care about the political game.
00:49:29Now go to the military game.
00:49:31You are going to tell me your hours can run out with you.
00:49:35You won't know that.
00:49:36No, no, no, that's 87 games.
00:49:37You'll play in the military game.
00:49:39You won't play in the military game.
00:49:41And all that is, when you're out.
00:49:47You won't play with your in-person.
00:49:52I'm going to open the revelations and you're out.
00:49:53You won't play in your life.
00:49:54That's what I am going to do.
00:49:55Yeah, that's what I am going to do for.
00:49:56A fact, isn't it.
00:49:56No, but in-person you could, go to the difference,
00:49:57then you have to play in your life.
00:49:58I have told you!
00:49:59Baba Ji!
00:50:18My Baba Ji, come here!
00:50:23Baba Ji!
00:50:25Yes, brother.
00:50:25What's up, brother?
00:50:27Brother!
00:50:29But I've heard,
00:50:30there are children who were a son of a son.
00:50:31The son of a son has called a son of a son.
00:50:36He was called a cowboy ball,
00:50:39and he was called a witch who was killed.
00:50:42He was called a bear.
00:50:43And he was called a sheep.
00:50:44But that's what you have got here.
00:50:44But you just die.
00:50:47Yes, let's tell them,
00:50:49what will you do?
00:50:51Where will you go?
00:50:52Papa, if you are the most wise...
00:50:55It's not that I will call him.
00:50:58I know the way to call him.
00:51:00What is it?
00:51:00He broke his leg.
00:51:02He broke his leg.
00:51:03He broke his leg.
00:51:04He broke his leg.
00:51:05He broke his leg.
00:51:10See, I've called him and called him.
00:51:17Yeah!
00:51:18Come here.
00:51:18Hey, Baba, yeah.
00:51:20Come, come, no, no.
00:51:22This is nothing, it's not.
00:51:23Yes, Baba Ji.
00:51:24Once again, I got the surge,
00:51:26which I give you a drink,
00:51:28I also called him to call him,
00:51:29because he was closed.
00:51:31I said,
00:51:32the wind was standing,
00:51:33standing here,
00:51:34and in front of you,
00:51:35oh, the surge of the surge.
00:51:37Oh.
00:51:38Baba Ji, with due respect,
00:51:42he didn't come to you.
00:51:44He just got a little bit of a hole, Baba Ji.
00:51:47That's why I came.
00:52:07With due respect, Baba Ji, I didn't say that, Baba Ji,
00:52:11I didn't say that, Baba Ji, I didn't say that, Baba Ji, I didn't say that.
00:52:30With due respect, Baba Ji, your thoughts, Baba Ji, are very strong.
00:52:37Yes.
00:52:39Yes.
00:52:40In this period, I have given you the freedom of wearing a skirt.
00:52:43You are so strong.
00:52:45Yes.
00:52:51Yes.
00:52:52Yes.
00:52:52That one of the people have come, that you got to ask,
00:52:54Even if everyone has come to know that your film is coming,
00:52:55I know that you have produced this film.
00:52:58I will tell you a way how to spend money in the film.
00:53:02How to spend the shooting at the 11 am,
00:53:06so it will spend the money of your music.
00:53:08Oh.
00:53:09Is that same for the tea, Baba Ji?
00:53:11I am telling you, let's do it.
00:53:13You have the shooting at 4 am.
00:53:15Breakfast and lunch will spend both of the money.
00:53:25um
00:53:31foreign
00:53:46We'll save two days of shooting!
00:53:49I'm telling you...
00:53:50Just, just, what are you doing?
00:53:52Just do it.
00:53:53Just do it.
00:53:53Just do it.
00:53:54Just do it.
00:53:55Just do it.
00:53:56Just do it.
00:53:56Just do it.
00:54:02Which film was it?
00:54:03That film...
00:54:05Which film was it?
00:54:07That film was it?
00:54:08No, no.
00:54:11No, no.
00:54:11This is wrong.
00:54:14I don't know.
00:54:15This is Shahanshah.
00:54:17Shahanshah, Baba Ji. Give up, Baba Ji. Give up.
00:54:19That film was it.
00:54:21It was it.
00:54:23It was not.
00:54:25Because the work was done,
00:54:26it was it.
00:54:27It was it.
00:54:29I'm talking about this.
00:54:30I'm talking about this.
00:54:32I'm talking about this.
00:54:33You guys guess what picture is?
00:54:35Yes, I'm talking about it.
00:54:37I'm talking about it.
00:54:38Ready, ready, ready.
00:54:39I'll give you a hint.
00:54:41This film is Ajay Devgan Ji.
00:54:42Okay?
00:54:45It's the movie.
00:54:46It's the movie.
00:54:47It's the movie.
00:54:47Yes.
00:54:47No, no.
00:54:48One minute.
00:54:49If it's the movie.
00:54:51What's it that film?
00:54:52Give up.
00:54:53Give up?
00:54:54Give up.
00:54:56One minute.
00:54:57How can you do this?
00:54:59I'm thinking about where toah.
00:55:11Oh my God, give up, give up, give up, give up.
00:55:30when will you go home?
00:55:32Yes, I'm sitting at home, I don't know,
00:55:34I'm in tension, when will you go?
00:55:36When will you go?
00:55:38I will do something, okay?
00:55:40Okay, okay.
00:55:42This one?
00:55:44Ata maji satakli singham!
00:55:47No.
00:55:48Babuji, what have you left every time?
00:55:50One time tell you,
00:55:52this is not a ta maji satakli
00:55:54This is not a singham
00:55:55This is a drishya,
00:55:57no
00:55:58Aditi, when will you go?
00:56:00No
00:56:01Give up
00:56:02Give up?
00:56:04Himmatwala
00:56:06Jay, how is it?
00:56:07This director is thinking, why did I make it?
00:56:16Babuji
00:56:16Look, Deepakji
00:56:17What are you doing?
00:56:18You're doing it, you're doing a film, right?
00:56:23Come on Babuji, one, one
00:56:24Come on, Babuji
00:56:27Okay, ready Babuji, ready?
00:56:29Okay, ready Babuji, ready?
00:56:34This is a drishyam
00:56:36Aditi, when will you go?
00:56:39Himmatwala
00:56:40Himmatwala
00:56:41Give up, give up
00:56:44Ata maji satakli singha
00:56:52Wow
00:56:55Wow
00:56:56Wow
00:56:56Wow
00:56:57Wow
00:56:58Wow
00:56:58Wow
00:57:00Wow
00:57:00Wow
00:57:01Wow
00:57:11I'll give you some hint to you
00:57:16This is a standing ovation for this performance.
00:57:19Absolutely brilliant! Absolutely outstanding!
00:57:24Come on, Guru!
00:57:26Hey Krishna! Thank you, Sunil!
00:57:29Let's go!
00:57:30Promotion!
00:57:33Come on, come on!
00:57:34Come on, come on!
00:57:35Come on, come on!
00:57:36Come on, come on, come on!
00:57:49Ajay, before you guys go, it was so much fun having you all over here.
00:57:53But Ajay, this time you just didn't laugh.
00:57:56You made us laugh!
00:57:57Really!
00:58:00So that means you are all right with our show.
00:58:04But how did you enjoy the show?
00:58:06It's always fun coming here.
00:58:07I feel so comfortable that I can be free and I love the way the whole thing is.
00:58:14Thank you, thank you very much.
00:58:14This guy is getting funnier and funnier.
00:58:16Yeah, absolutely.
00:58:17Yeah, yeah.
00:58:17But actually, Ajay, sir, is a good news.
00:58:20What a lie!
00:58:22And it's so fun with everyone.
00:58:24You're all so great.
00:58:25When we're talking about it, it's so fun.
00:58:28Think about it when you're watching them on the stage.
00:58:31How fun will it be?
00:58:32So, all the best wishes Ajay, sir, and all the team.
00:58:36And, friends, we'll see you all next time.
00:58:38We'll see you all next time.
00:58:41We'll see you all next time.
00:58:41We'll see you all next time.
00:58:42The Great Indian Couple Show.
00:58:43Every fan of our friends will be our family.
00:58:45Only on Netflix.
00:58:46Good night.
00:58:47Shabha Khair.
00:58:49Good night.
00:58:53The great news is being on our four friends.
00:58:57These four friends took a long time for a big celebrity.
00:59:00She was a common name in all.
00:59:02So, I thought she was calling them in the head.
00:59:04I'm very young.
00:59:05I don't look 31, but I am 31.
00:59:07Who said 31?
00:59:10We all said in a grade when we all said,
00:59:12We didn't talk to you all about,
00:59:13We didn't talk to you in a grade.
00:59:14If we knew that this person was meeting,
00:59:16it would be a loss of the crores.
00:59:22I'm not leaving Salman Khan, you're coming.
00:59:26The king has interviewed a such a special guest
00:59:29that has been a great country.
00:59:31We will talk about the country from the close.
00:59:34You will have to be the king of thousands of crores.
00:59:39How did he approach it?
00:59:40I walked in London and it was so good.
00:59:43We talked about 2-3 hours and we thought about it.
00:59:45And then we didn't do it.
00:59:51The beat that you are on, is it a cow or a cow?
00:59:54I'm not so expert to tell the male and female.
00:59:59Saurabh Bhai, no one ever asks such a question
01:00:01in which you are afraid of dying.
01:00:02And after that, there are 60 people of the team
01:00:04who can do it.
01:00:05How do you do this question?
01:00:07I've also gone on camera.
01:00:09I know that no one will kill me in the camera.
01:00:11And when I cut the camera, I cut the camera.
01:00:45I kilometres 2.
01:00:45I've also gone on camera.
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