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The.Forsytes.S01E02.540p.X265.AAC [Full Movie] [Full Episodes]Full EP - Full
Döküm
00:28MÜZİK
00:34MÜZİK
00:35MÜZİK
00:45And so it begins, the crumbling of the polished facade.
00:51The unraveling of the carefully curated life we've built for ourselves.
01:01MÜZİK
01:02Free of scandal, and inconvenient truths.
01:06Of hidden desires and secret longings.
01:10But should they emerge, do we let them lie?
01:15Or do we pursue them?
01:17And are we prepared for the consequences?
01:25Who was that lady that just called?
01:30Did she upset you?
01:33No, no, not at all. I just, um...
01:36Come here and take your lingters.
01:41But it's horrible.
01:42And so is whooping cough.
01:48Now go and do your reading.
01:49Go.
02:10MÜZİK
02:17MÜZİK
02:19Oh, er...
02:20I think not.
02:23She mentioned last night she's booked up for several months in advance.
02:27Well, she'll fit me in.
02:30And I want to take some bonbons for the children.
02:32No.
02:35No.
02:39Their mother may not want them to have sweet things.
02:46It's so sad for Mama.
02:48Her father died before they were born.
02:50She had to bring them up all alone.
02:52So brave.
02:53Yes.
02:54Very commendable.
02:56All the more reason not to overburden her.
02:58Are you joining us for the opera tonight?
03:00What is it?
03:02Traviata.
03:04All that weeping and wailing annoys me.
03:07June.
03:08You should wear the pink silk.
03:10I've invited the Carterettes to our box.
03:14Why?
03:15So we can all become better acquainted.
03:29June must be thrilled.
03:31So many young men clamouring to dance.
03:33What a picture she looked.
03:35That gown was a triumph.
03:37Almost a disaster.
03:38But the girl worked wonders.
03:40Girl?
03:40You were ogling her, remember?
03:42That little chick a bit.
03:43You might have introduced me.
03:45I took care not to.
03:46She seemed awfully thick with Jo.
03:49The dressmaker.
03:50Who is this?
03:50Pretty young thing.
03:51Quite charming.
03:52Remind me, why she was thick with Jo?
03:55Well, perhaps he was thanking her for saving the day.
03:57Can you get an appointment with her?
03:59That's what I'm hoping for.
04:01After June's war, everyone will be after her.
04:05Shall we?
04:15What are you doing?
04:19Seeking employment.
04:22As a typist.
04:24Oh, how demeaning.
04:27I need something to tide me over until I can find a way to pay for Paris.
04:32Oh, you're still persisting with that madness.
04:36Why wouldn't I?
04:55Thank you very much.
04:59Very well done.
05:00Very well done.
05:00Very well done.
05:01Thank you, sir.
05:01Good to see you.
05:03Good to see you.
05:04Good to see you.
05:05Good to see you.
05:05The point is, there is no prior incident of a chairman resigning.
05:09No.
05:10And therefore no precedent for the eldest son's accession before his father's death.
05:14So in the case of Jo...
05:15Increasingly at odds with the aims of the firm.
05:17If it were brought before the board, how much further he might deviate?
05:21How that could endanger the future of the company?
05:23The sheer insanity of prizing tradition over merit.
05:26It's archaic.
05:28It's wasteful.
05:29And if it goes ahead, a missed opportunity.
05:31It is not a foregone conclusion.
05:33I will insist it be brought before the board.
05:34In the meantime, we build the case against Jo.
06:13I saw her.
06:16At the pool, last night.
06:17The girl from Venice?
06:20Louisa.
06:22How did she come to be there?
06:24She makes gowns.
06:26June's gown.
06:28Well, she's a widow.
06:29She lives in Soho.
06:30Do you have any idea?
06:31No, not an inkling.
06:33Will you see her again?
06:36I don't know.
06:45Were you told to marry?
06:48I chose freely.
06:52Your father was my first love.
06:55And when he died, I was sure I would never get over him.
07:00But you did.
07:01Nothing compares to first love.
07:04We persuade ourselves the fever is real.
07:07And then, if we're lucky, we meet our true soulmate.
07:13And discover something more profound.
07:18So, Papa's your soulmate?
07:21Like magnets, perhaps?
07:23The attraction of opposites?
07:34Gentlemen.
07:36Today, I can announce that Forsyte & Co. has been offered a unique opportunity.
07:42My old friend, Sir Jimmy Buckland, has finally succeeded in his scheme to deploy a tribe from Upper India to
07:47the gold mines of Ceylon.
07:49Carried in the teeth of great difficulties, it should double the output of his mines.
07:53And quarter the lives of his workers?
07:55Well, whether one expires of miserable old age on one's own barren soil or prematurely damp at the bottom of
08:01a foreign mine, I hardly-
08:02It's surely of small consequence as long as it benefits the shareholders.
08:06Well, I imagine it's of some consequence to the widows.
08:10May I continue?
08:13Thank you.
08:15Sir Jim, as a personal favor to me, has given us advance notice so that we may use the information
08:22to our advantage
08:23by offering our clients, and indeed ourselves, the chance to invest.
08:28It is, quite literally, a golden opportunity.
08:35It's a risk.
08:37Which we have an impeccable record for calculating.
08:41Still feels like gambling to me.
08:48Are we agreed?
08:50Yes.
08:51Agreed.
08:52Adjourned.
08:57I'll be back later.
08:58I have an appointment.
08:59Hmm.
09:00Anyone we know?
09:01No.
09:03Hmm.
09:06Hmm.
09:07I'll be back later.
09:14I have an appointment.
09:15Anyone we know?
09:16No.
09:26Is it to your taste?
09:29I could admire the tonal qualities, but no.
09:31It doesn't move me.
09:33May I ask what does?
09:36A more vibrant style.
09:39Something which captures the fleetingness of a moment rather than preserves it in aspic.
09:44You're a romantic.
09:47My stepmother says I'm utterly unfit for decent society.
09:50Your crime?
09:52I dance.
09:53The polka?
09:55The waltz?
09:56The ballet.
09:58Ah.
10:00My mother was a dancer, and I seem to have inherited her...
10:04Talent?
10:05Passion.
10:06There, I said it.
10:07Now's your chance to escape.
10:10And yet...
10:11As you see...
10:14I'm...
10:14Still here.
10:34So...
10:35No escape.
10:37From what?
10:38The opera.
10:39The carterets.
10:40The...
10:41scheme to throw me to the wolves.
10:43Horatio?
10:46Oh, isn't he more of a poodle?
10:52Well, look who I have.
10:54I know she's not mine, but...
10:56I take her with me when I'm feeling vexed or miserable.
11:00And she always cheers me up.
11:03Is that why you got her?
11:06She was a gift.
11:08From a friend.
11:10Someone I met in Italy.
11:13An attachment?
11:16Short-lived.
11:17Let me guess.
11:18She wasn't suitable.
11:20You were forbidden to pursue her.
11:22We just went our separate ways.
11:25And then you met Mama?
11:28Yes.
11:31I'm not sure I want to fall in love.
11:33Sounds like torture.
11:37Well, you can also be magnificent.
11:41Hmm.
11:45Joe never seems to learn.
11:47He's today in the boardroom.
11:49Wittering on about widows and gambling.
11:52Oh, poor Cyril.
11:53How he frets when he knows I'm going out.
11:55Shall I stay behind and pet him for you?
11:57Oh, dear, no.
11:58That would defeat the whole purpose of the evening.
12:00The purpose being to dangle June and I before the carterets and hope they bite.
12:03What he fails to grasp is the need for us to be led by sound commercial news.
12:08Darling, we simply want you to find someone who deserves you.
12:12We were to maintain our position as London's premier brokers.
12:15The board should be worried.
12:16And you look so handsome.
12:18The board will be worried.
12:19She won't be able to resist you.
12:21I will make sure of that.
12:46So glad you could join us, Lady Carteret.
12:49Oh, my dear.
12:51To be seen in the company of the illustrious Forsytes.
12:54Who wouldn't leap at the chance?
12:59Lovely to see so many young people.
13:01It's sad to think they're seldom masters of their own fate.
13:06I like to think we take their views into account.
13:09Tradition is what counts.
13:11Stability.
13:12No impulsive changing of the guard.
13:17But sometimes is it not a fresh perspective that is exactly what is needed?
13:21Provided the proposed candidates up to the task.
13:24I understand you're an avid reader.
13:27But I...
13:31Have you read Frankenstein?
13:34No, I...
13:35You'll find you have some sympathy for the creature.
13:38No will of its own.
13:40Forced to do another's bidding.
13:42Until, of course, it rebels.
13:51Ah.
13:52You seem to have left my wife at home.
13:55Perhaps I could prevail on your father.
13:58Or you could just not drink.
14:03Oh, my cousins.
14:05Mama, I might just, um...
14:07Of course.
14:25I do beg your pardon.
14:27Are you hurt?
14:30Do I look like a damsel in distress?
14:33On the contrary.
14:35Are you here with friends?
14:36Family.
14:38My mother thinks this is the place to meet the right people.
14:41Would I fall into that category?
14:43I seriously doubt it.
14:46Do I sense a renegade?
14:51June Forsythe.
14:54Philip Bassini.
14:57Buccaneer.
15:10Buccaneer.
15:11Why did you look over?
15:14Again?
15:23Did you see me?
15:33Did you cry whatever is?
15:37No one...
15:39I could have barely consequences.
15:41E, you, you...
15:44İzlediğiniz için teşekkür ederim.
16:40İzlediğiniz için teşekkür ederim.
16:56İzlediğiniz için teşekkür ederim.
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18:30İzlediğiniz için teşekkür ederim.
18:45İzlediğiniz için teşekkür ederim.
19:16You must go.
19:21İzlediğiniz için teşekkür ederim.
19:25İzlediğiniz için teşekkür ederim.
20:10İzlediğiniz için teşekkür ederim.
20:11abone olun.
20:11abone olun.
20:17İzlediğiniz için teşekkür ederim.
20:17abone olun.
20:19abone olun.
20:22abone olun.
20:24abone olun.
20:24abone olun.
20:26abone olun.
20:27abone olun.
20:39abone olun.
20:42abone olun.
20:45abone olun.
20:46abone olun.
20:56abone olun.
21:08abone olun.
21:25abone olun.
21:26Luyuda, please.
21:40Please, keep your voice down.
21:44Mayıs isn't his asleep.
21:48Why have you come?
21:53Honestly, I don't know.
21:58To prove you aren't a figment of my imagination.
22:04Or to see the only person
22:06who ever completely understood me.
22:10Dude, we are very different now.
22:13Yet here we are.
22:27Do you still paint?
22:32Really?
22:34It's one of the many things I gave up
22:36to serve the God of Commerce.
22:40Sad to hear it.
22:44Well, tell me about your husband.
22:46Late husband.
22:47Is there any point in...
22:50Well, were you happy?
22:54Did you love him?
23:00Uh, that's...
23:01That's my assistant.
23:03Um, she sleepwalks.
23:05You must go.
23:08Please don't come here again.
31:11İzlediğiniz için teşekkür ederim.
31:31A number of us have been speaking, and, uh, well, we're keen to hear Joe's vision for the company.
31:37Vision?
31:38Hmm. The head of the vote.
31:41What vote?
31:43There'll be no vote. The decision is mine.
31:45Yeah, but must be ratified.
31:46It's tradition. Eldest son to eldest son.
31:50Well, with respect.
31:52Well, you broke with tradition when you pushed Joe into the chair before your demise.
31:57Even so...
31:57I mean, surely. You want all the board to be fully behind the new appointment?
32:03Don't think I don't know what you're about.
32:06You have your eye on the prize for Soames.
32:09I think we both know he's the better man for the job.
32:23Isaac.
32:24Just curious.
32:25Did you pick up any sense from the other partners, what they think of Joe's promotion?
32:32I know what I think.
32:34Tell me.
32:35He's passionate.
32:38Struggles to compromise.
32:40Hmm.
32:40But that's why this company needs him.
32:44In ten years, he's never let you down.
32:49I don't believe he ever will.
32:53Thank you, Isaac.
33:06Your father just told me.
33:10Beggars belief, the idea of a vote.
33:13Expected.
33:14Well, you know James is setting you up to fail.
33:17Quite.
33:20Disappoint him.
33:22You have the vision, the ability.
33:26You deserve it.
33:29We deserve it.
33:31So let's be very considered about our next move.
33:36I'll throw it away in a moment of madness.
33:40Yes.
33:55Cyril.
33:56Poor.
33:58Poor.
34:00Poor.
34:01Cyril.
34:02Poor.
34:03Ah!
34:05Well done, Cyril.
34:06That's so funny.
34:08There you go.
34:09Clever dog.
34:13Someone's looking pleased with themselves.
34:15Happy Miss Carteret.
34:17Happy Soames, if it's any sense.
34:19Which I'm certain he does.
34:21Well, I mustn't be late.
34:23I told June I'd take her with me, but Francis has forbidden her to go.
34:27Go where?
34:28The dressmaker, Mrs Louisa.
34:30Who also does wedding gowns.
34:32Why did Francis forbid her?
34:34No idea, but she was absolutely insistent.
34:36June is not to go.
34:38Well, I'm heading into town myself.
34:39Can I drop you?
34:40Silk Street in Soho.
34:42There's a jeweler's nearby.
34:44Won't you join us?
34:45Thank you.
34:46No.
34:46I will make my own arrangements.
34:57My dear, are you quite well?
35:00Yes.
35:03That is, a matter has come to my attention.
35:08I'm not quite sure how to manage it.
35:15That will be, um, Mrs. Darty?
35:24Uh, is Mrs. Burnham home?
35:30Children, put those down.
35:32Come here.
35:38Hello.
35:40Are you...
35:42My children, yes.
35:52And their father?
35:53He died.
35:55A long time ago.
35:57Before we were born.
36:01How old are you?
36:02Ten.
36:03Hannah, take the children.
36:05But Mama, please do us.
36:06I say I need to speak.
36:07With this gentleman, I'll come to you soon.
36:22Who is their father?
36:27Is he dead?
36:30Is he?
36:38As good as...
36:44Dear God, Luisa, you couldn't think to tell me.
36:47What should I have said?
36:50No claim on you.
36:51We barely knew each other.
36:54I saw myself for what I was.
36:56A diversion.
37:00I loved you.
37:01You desired me as I desired you.
37:04And what we had was brief and careless.
37:08And could never have come to anything.
37:14You should have looked for me.
37:16After Venice.
37:17You knew my family.
37:17You knew my name.
37:18I did look for you.
37:20When I knew I was with child,
37:21I had every intention of seeking you out.
37:23So why didn't you?
37:26I read about your marriage in the newspaper.
37:31What else could I do but make my own arrangements?
37:35Earned enough to set aside for my confinement.
37:38I took in mending, embroidery,
37:40anything I could to provide for my child.
37:44Children, as it turned out.
37:46But if you told me...
37:48Then what?
37:49You had a wife, a stepchild, a family name.
37:54Is that supposed to be your guilty secret?
37:58Better to find my own means to provide for my children.
38:02Our children.
38:07Our children.
38:11They can never know.
38:15Please don't make this difficult.
38:19Our lives need not be thrown into disarray
38:21simply because we happen to meet again.
38:32As you wish.
38:36But first I'd like to see the children again.
38:40Don't do this.
38:43Please let me see them, Louisa.
38:47Please.
39:02Children, come here.
39:05Come here.
39:07And it is certain
39:09the children are his?
39:12Beyond doubt.
39:16And he doesn't know.
39:18Does anyone?
39:20Nor must they.
39:21James and Soames especially.
39:23Indeed.
39:25How trustworthy is this girl?
39:27Could she threaten to expose him?
39:28I don't believe she will.
39:30She's posing as a widow.
39:32Good.
39:32And a respectable dressmaker.
39:35So we are confident the matter will go no further?
39:39We are.
39:48Come.
39:50This is a friend of mine.
39:54Come.
39:56Come.
40:01Hello.
40:04I'm Joe.
40:06How funny.
40:07So am I.
40:09But everyone calls me Joss.
40:14May I call you Joss?
40:21I'm Holly.
40:23I know he looks older.
40:24But we're twins.
40:29It's a pleasure to meet you, Holly.
40:32Are you crying?
40:37Yes, I am crying.
40:41Are you sad?
40:44No.
40:46I'm happy.
40:50Happier than you can imagine.
40:56Sorry.
40:59I don't wish to scare you.
41:01That's the last thing I want.
41:02Please, you must leave.
41:04I have clients to you.
41:07The back door, this way.
41:16Please don't call me her again.
41:37I'll see you at dinner, Pa.
41:50I'll see you later.
46:45İzlediğiniz için teşekkür ederim.
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47:38Oh, Mr. Forsyte, you've been such a friend to me.
47:43İzlediğiniz için teşekkür ederim.
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52:13İzlediğiniz için teşekkür ederim.
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