- 8 hours ago
Park Plaza 605 [Full Movie] [Full Episodes]Full EP - Full
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00:00:07The End
00:00:34The End
00:01:04The End
00:01:40What a beauty
00:01:42Not bad
00:01:45Hey, did you see that?
00:01:46I thought it hit a bird
00:01:48Well, I'm...
00:01:48Poor creature, you must have killed it
00:01:50Poor creature, my foot, my best drive...
00:01:52I mean, one of my best drives ruined
00:02:01A pigeon!
00:02:02Look, you've hit it smack on the head
00:02:04I like that
00:02:05I saw it coming, deliberately aimed at it
00:02:07I knew I was good, but not that good
00:02:10Look, Norman, it's a carrier
00:02:12That should give us the name and address of the sender
00:02:15What does it say?
00:02:18Room 605, Park Plaza Hotel, reserved in your name
00:02:21Await contact, 8 o'clock tonight
00:02:23Act according to instructions
00:02:26Doesn't that give you a kick?
00:02:28A message speeding through the air
00:02:29Straight from the...
00:02:30Oh, Norman, you'll see something melodramatic in his menu
00:02:33This is no menu, sweetheart
00:02:35And has the receiver never got it?
00:02:37He won't be there
00:02:38Oh, and beware
00:02:39Park Plaza Hotel, room 605, 8 o'clock tonight
00:02:41But I won't
00:02:46Thank you, sir
00:02:4724
00:03:106th floor, please
00:03:11Right, sir
00:03:15What are you so excited about?
00:03:16Well, I'm waiting for the second leg of my double to come up, sir
00:03:19Did you get good odds on the first one?
00:03:21Didn't win
00:03:48Oh, Norman, this one
00:03:49In the last leg of my double to come up, sir
00:04:14THE END
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00:05:59Is anything wrong? Have I said something I shouldn't?
00:06:04Your passage from New York was a smooth one, I hope.
00:06:08I'm sorry. I know I should give a snappy reply to that,
00:06:10but as I said, it was pretty rough.
00:06:12I got hit on the head and I've forgotten the answer. Pity.
00:06:17Does it matter? You're here and I'm here.
00:06:20There can't be any mistake.
00:06:22All right. If there is no mistake, you have something for me?
00:06:26Have I? There's no hurry. Let's get better acquainted.
00:06:30But I'm in a hurry. Where is it? Give it to me.
00:06:33You haven't even told me your name. It must be a very nice one to belong.
00:06:36You are foolish, you know. You're stalling. I do not like this.
00:06:41Where is the money? Give it to me. I've got to go.
00:06:44I'm sorry, beautiful. I'm just as cautious as you are.
00:06:49I didn't bring the money in.
00:06:51I thought we'd better have a little chat first before...
00:06:55Don't move.
00:06:57Don't try and fool me with that toy pistol.
00:06:59This is no toy.
00:07:01I'll take a chance on that.
00:07:02All right.
00:07:38Hello.
00:07:40You have kept us waiting.
00:07:45Where have you been?
00:07:47In those clothes you're wearing.
00:07:49As a member of our trade delegation, how do you get such ideas?
00:07:51You are so pleasure-seeking.
00:07:54Enough, Ivan.
00:07:55Nadina is a good citizen.
00:07:57And her father was one of the heroes of the revolution.
00:08:00Why talk like this?
00:08:01Do we dine and dance tonight or not?
00:08:04No.
00:08:05It is not wise.
00:08:06If Gregor of the secret police saw us...
00:08:08Gregor! Gregor!
00:08:09Who is Gregor?
00:08:11Mr. Gregor for Mr. Boris Roth.
00:08:13Very good, sir.
00:08:15Mr. Roth, please.
00:08:18Mr. Gregor has called, sir.
00:08:20Very good, sir.
00:08:22Mr. Roth says, will you please go straight up?
00:08:24It's suite 600 on the sixth floor.
00:08:31Gregor is on his way up.
00:08:34Now, Lina, you had better leave us.
00:08:44Now, what can you want?
00:08:50Good evening, Gregor.
00:08:52We are pleased to...
00:08:55I have to inform you that you are both under arrest.
00:08:58Why?
00:08:59What is the charge?
00:09:01Arrested?
00:09:01Why are we to be arrested?
00:09:03Orders.
00:09:05Where is Nadina Rodin?
00:09:12I am sure you do not want to resist our government.
00:09:17There are three men downstairs.
00:09:19You will have to answer to our chief.
00:09:22He was shot this morning.
00:09:24The entire staff of the trades bureau is affected.
00:09:27You are all being sent back for an inquiry.
00:09:30Do you know what that means?
00:09:31It is not necessary for me to go into any details at this moment.
00:09:36My orders are to put your...
00:09:43Are you mad?
00:09:45I would be mad if I let him arrest us.
00:09:47But he's only stunned, so we better be quick.
00:09:48How can we escape from this hotel?
00:09:50Leave it to me.
00:09:51I've been prepared for something like this.
00:09:52What about the men downstairs?
00:09:53The man downstairs?
00:09:54Forget the man downstairs.
00:09:55Come on.
00:09:56Get ready.
00:09:57Hurry.
00:10:06We will give him another five minutes.
00:10:35If we have to give him a towel.
00:10:38Get ready.
00:10:38Let me come.
00:10:39We will do this thing.
00:10:40I would like to turn.
00:10:41Let's give you a bag.
00:10:43We'll give you a bag...
00:10:54Oh
00:11:23Come on
00:11:32Who looked at this? I don't know, but something has happened
00:11:36Don't touch that phone
00:11:38Sorry
00:11:42Is anything wrong?
00:11:44He's dead
00:11:46What?
00:11:48You have killed him
00:11:50Oh no
00:11:51That's impossible
00:11:52But you only stunned him
00:11:55Now we shall be hunted by the English police
00:11:58As well as our own
00:12:00Someone has done this to us
00:12:02Come on, we must get away quickly
00:12:04Wait a minute, I've got an idea
00:12:06Bring Gregor and follow me
00:12:08Are you out of your mind?
00:12:09I know what I'm doing
00:12:11But hurry up
00:12:39Come on
00:12:40Come on
00:12:46Come on
00:12:49Hey
00:12:50Foreigners
00:12:52Drunken foreigners
00:13:15Who is this man?
00:13:16I don't know
00:13:17But he is going to be arrested for the murder of Gregor
00:13:20And this is my plan
00:13:21Iban, you ring up Scotland Yard
00:13:23Go to Park Plaza Hotel
00:13:31Man reports being attacked in room 605
00:13:35Over
00:13:35Message received
00:13:37We're on our way over
00:13:41Hello
00:13:41That's Harry
00:13:41He can have it
00:13:44Hello
00:13:46Turn off that blooming disc jockey
00:13:48I've had enough for one day
00:13:49Park Plaza straight ahead, sir
00:13:50So's my dinner
00:13:51Let Harry go to the Park Plaza
00:14:09George, call an ambulance for me
00:14:11Sorry, sir
00:14:12Good evening, sir
00:14:13What's the trouble, constable?
00:14:14A man's fallen from the sixth floor of the Park Plaza, sir
00:14:16Oh, murder
00:14:18There goes my tripe and onions
00:14:20What room number to control, sir?
00:14:22605, sir
00:14:22All right, you
00:14:24We'll handle it
00:14:40Superintendent Williams, Scotland Yard
00:14:42Superintendent Williams, Scotland Yard
00:14:43Who's the occupant of room 605?
00:14:46Well, Mr Atwell
00:14:49Is there anything wrong, sir?
00:14:50Oh, no
00:14:51Somebody's just been pushed out
00:14:53Or fallen out of the window at 605
00:14:55605?
00:14:55But there's no one in 605
00:14:57It's reserved for Mr Reynolds
00:14:58He hasn't yet arrived
00:14:59I'm going up, you'd better come with me
00:15:29Come on
00:15:33Conquest
00:15:34Oh, no
00:15:35Oh, I might have known this had happened
00:15:37Why didn't I mind my own business?
00:15:38I said I'd had enough for one day
00:15:39Bill
00:15:40Where did you spring from?
00:15:43What...
00:15:43What's this all about?
00:15:45You're drunk
00:15:47Not drunk, Bill
00:15:48A little dopey, yes
00:15:50There's no difference
00:15:51Yes, there is
00:15:53I may be a little dopey
00:15:54But not with alcohol
00:15:56I'm not pi-eyed
00:15:57Now, make a special note of this
00:15:59I've...
00:16:00I've been drugged
00:16:01Oh, blimey
00:16:03What have I done to deserve you?
00:16:05There must be a curse on me
00:16:07Any time it's something particularly unpleasant
00:16:09And you're involved in it
00:16:09I'm a mug that's bound to be dragged in
00:16:11Will you stand still?
00:16:13I am standing still
00:16:14Shh
00:16:14Conquest
00:16:16Conquest, now
00:16:17What have you been up to?
00:16:18Come on out, talk
00:16:18And talk sense
00:16:19Talk sense, Bill
00:16:20Be reasonable
00:16:21I... I can't even think
00:16:24What I need is some coffee
00:16:25Now, look, if you're stalling Conquest
00:16:27I advise you to cut it out
00:16:28A man was killed in this room a few minutes ago
00:16:30By falling out of that window
00:16:31And you must have been here
00:16:33Say that again?
00:16:34You heard me
00:16:34A man fell out of that window
00:16:35And you were in this room
00:16:37I guess I must have been
00:16:38Because I'm only just getting back into circulation
00:16:42This window?
00:16:43Yes
00:16:54It's a long way to the pavement, Bill
00:16:56He was killed instantly
00:16:57That's a very clever bit of deduction
00:17:00Yes
00:17:01Amazing
00:17:03What do you know about a man called Reynolds?
00:17:05Reynolds?
00:17:06Reynolds?
00:17:07Oh, Sir Joshua
00:17:07Great...
00:17:08Now, look, here Conquest...
00:17:09All right, Bill, all right
00:17:10I never heard the name before
00:17:11I believe you, Mr. Reynolds
00:17:13It's just one of your phony names
00:17:14Shut those doors, Sergeant
00:17:16I don't know what your game is
00:17:18But this time it's something pretty smelly
00:17:19Why didn't you go to the desk in the ordinary way
00:17:21And take your key?
00:17:22Wait a minute, Bill
00:17:23A little slow, I didn't get that
00:17:24They told me down at reception
00:17:26That Reynolds hadn't booked in
00:17:27Oh, don't blame me
00:17:28It was the girl
00:17:30What girl?
00:17:31The blonde
00:17:32Oh
00:17:33It's erasing certainty
00:17:34To be a blonde in the game
00:17:35If you're mixed up in it
00:17:36Bill
00:17:36I fell for the oldest gag in the world
00:17:39What gag?
00:17:40If you...
00:17:40Stop barking at me
00:17:42I'll try to tell you
00:17:42How I came to be in this room
00:17:44And meet the girl
00:17:47All right
00:17:48So there's a blonde
00:17:50Where is she?
00:17:53I was afraid you were going to ask me that
00:17:59Madam
00:18:00What is this place?
00:18:01Where are we?
00:18:02My flat, of course
00:18:03I told you I've taken precautions
00:18:05There's only one or two people who know me here
00:18:07I told them that I was a dancer
00:18:09And that I occasionally danced in London
00:18:11But I like to have a little place of my own
00:18:13All very simple, my friend
00:18:15You totally does nothing of this?
00:18:17Of course
00:18:18Oh, come on
00:18:19Take off your coat
00:18:20Make yourself comfortable
00:18:21Little woman
00:18:22I'll make you a little coffee
00:18:23We have an awful lot to talk about
00:18:28And
00:18:29After asking me a question
00:18:30Sort of password
00:18:32And not getting the right reply
00:18:33She
00:18:34Pulled a trick gun
00:18:34And squirted her to Mickey Finn in my face
00:18:36Oh, turn it up
00:18:37Who do you think you are, Hans Anderson?
00:18:39I assure you it's the truth
00:18:40Pure and unadulterated
00:18:41If you want to know more
00:18:43Find the blonde
00:18:43I believe this whole thing's your own taradiddle
00:18:46My what?
00:18:48Uh, taradiddle
00:18:48You made it up yourself
00:18:50Oh
00:18:51I want to know your real reason for coming in here
00:18:52I want to know who that man is
00:18:53And how he came to fall out of that window
00:18:54Well, that makes two of us
00:18:57I must have been out for the better part of an hour
00:18:59Look
00:19:01Mr. Williams, the, uh, superintendent
00:19:05Doesn't believe my story about the blonde
00:19:07I'm pretty certain she occupies the room on this floor
00:19:09You should know
00:19:10She's, uh, uh, foreign, uh, expensively dressed
00:19:13And hits you smack
00:19:14Well, it must be
00:19:15It must be Miss Rodin
00:19:16Rodin?
00:19:17Could be
00:19:17Who's she?
00:19:18She's a member of the trade delegation
00:19:20The secretary to one of the delegates in Sweet 600
00:19:23Mustn't have any trouble with them, you know
00:19:26You see, Bill
00:19:27If only you'd have a little more faith in me
00:19:30You shut up!
00:19:31All right, Mr. Uh, Atwell, sir
00:19:34Two Ts, two Os, and two Ls
00:19:37All right, you can go
00:19:41Mr. Williams
00:19:41Yes
00:19:45May I have a word with you, sir?
00:19:47Yes, all right, come on
00:19:50There's something clear, sir
00:19:51The police surgeon asked me to tell you
00:19:53The poor devil was dead
00:19:54Before he fell from the window
00:19:56Ah, he always knows so much
00:19:57How does he know?
00:19:57Something to do with the bleeding
00:20:01How?
00:20:08Well, Conquest
00:20:09This is gonna settle you, chum
00:20:11That man was dead before he fell from that window
00:20:13And as for you being doped
00:20:14Anybody can fake that kind of act
00:20:16I hope you realize what you're implying
00:20:18What do you want me to do?
00:20:19Confess to murder?
00:20:20I always said one day you'd go too far
00:20:22You came here to see this man
00:20:24You threatened him with something
00:20:24He grabbed the telephone
00:20:26Got through to Scotland Yard and shouted for help
00:20:27Then you had a fight and killed him
00:20:29Did I?
00:20:29Yes, I don't say you did it deliberately
00:20:31But when you found he was dead
00:20:32You went over to the window and fight the struggle
00:20:34Hold on a minute while I try to follow your torturous reasoning
00:20:37I threatened this guy
00:20:38Yes
00:20:39He got scared
00:20:40Yes
00:20:41Grabbed the phone
00:20:41Yes
00:20:42Call Scotland Yard
00:20:43That's right
00:20:43What was I doing in the meantime? Holding his hand?
00:20:46How do I know?
00:20:46Oh Bill, be yourself
00:20:47I told you, I don't believe you did it deliberately
00:20:49That's mighty decent of you
00:20:51After that, instead of sliding off the open spaces
00:20:53I stayed here in this room and waited until you came and found me
00:20:56Can't you see your whole theory is pure nonsense?
00:20:59All I know is that a dead man was thrown out of that window while you were in this room
00:21:03Now can you or can't you tell me who he is?
00:21:05No
00:21:05I can, sir
00:21:06You knew him well
00:21:07Name of Gregor
00:21:08Gregor?
00:21:09I knew him well
00:21:10Trades delegation, sir
00:21:13Trades delegation
00:21:15Oh, what a lovely mess
00:21:18Conquest, I'm arresting you on a charge of complicity, get that?
00:21:22In the murder of the man Gregor
00:21:23And I warn you that anything you see
00:21:26Unless we can find our way to South America or some such place
00:21:29We might as well be rats in a trap
00:21:31We'll get there, don't worry
00:21:33Anything is possible
00:21:35It's money
00:21:36It's money
00:21:37It's money, what matters
00:21:38Come
00:21:38I'll show you something
00:21:54They are worth 50,000 English pounds
00:21:57Where did you get these, Nadina? If they had been found with you?
00:22:00But they haven't. We enjoy diplomatic immunity of the customs. Easy.
00:22:05Who? Who gave them to you?
00:22:08A certain gentleman of our foreign office. He likes money as much as we do.
00:22:12They are his, then?
00:22:13No. Look, it's like this. He is working for Baron von Henschel of the Gestapo.
00:22:19The diamonds were looted by the Baron from Rotterdam, and I was going to give them to his agent.
00:22:24But that is nonsense. Von Henschel is dead.
00:22:29You will say, Max, that Hitler is a...
00:22:31Look, I'm only repeating what I'm told.
00:22:33This man from the Foreign Office assures me that he is in contact with the Baron.
00:22:38Where is he?
00:22:39Who knows? But this von Henschel has collected a big fortune for himself in this country.
00:22:44Now, my contact had these diamonds for over a year.
00:22:47Then he passed them on to me to bring them to London.
00:22:50Hmm.
00:22:50I was to meet Baron von Henschel's agent and receive thousand pounds from my work.
00:22:56Something went wrong.
00:22:58But now I have other ideas.
00:23:01Perhaps we can outwit this agent and obtain possession of the whole of Baron von Henschel's fortune.
00:23:11Now, why couldn't I go home and mind my own business?
00:23:13You mean conquest, sir?
00:23:14Yes, conquest.
00:23:15Every time he gets involved in a case, the yard pushes it under me.
00:23:18Why?
00:23:18Why me?
00:23:19He's looked on as your pigeon.
00:23:20Pigeon?
00:23:21Don't you talk to me about pigeons.
00:23:24Anyway, we got him under arrest.
00:23:25How long do you think we'll hold him this time?
00:23:27I don't know.
00:23:27I've been dreaming about it every night for months.
00:23:29For years.
00:23:30Getting him on a serious charge and making it stick.
00:23:32Excuse me, Superintendent.
00:23:34This is Mr Barkoff from the embassy.
00:23:35Yeah.
00:23:40Rothenburgen, where are they?
00:23:41Who?
00:23:42The people Gregor came to see.
00:23:44Now he is dead.
00:23:45Where are they?
00:23:46The first time I heard of them.
00:23:47I can tell you about them, sir.
00:23:49They're residents here, sir.
00:23:50What?
00:23:51They're residents.
00:23:51They're members of the trade delegation.
00:23:53I spoke of.
00:23:54Well, we better go see their room.
00:23:55You must find Boris Rothenburgen and Arjan Erodian.
00:23:58Excuse me, sir.
00:24:01Here, sir.
00:24:10Every sign of a harried departure.
00:24:12Yes, I see it.
00:24:13While everything is confusion, they escape.
00:24:16Looks very much like it, sir.
00:24:17They kill poor Gregor and walk out of the hotel.
00:24:27Hello?
00:24:32One moment, sir.
00:24:34I don't think we need to keep you any longer, sir.
00:24:36We'll do what we can to find them.
00:24:37If you just give the inspector the descriptions and the photographs, you can go now.
00:24:40Good night.
00:24:41This way, sir.
00:24:46Williams, here, sir.
00:24:47I've just heard four phone calls from the embassy.
00:24:50They want the body at once.
00:24:52They want the murderers at once.
00:24:54And they want a full explanation also at once.
00:24:58Where are those trade delegate fellows?
00:25:00Well, they can't have gone far, sir.
00:25:02We're circulating descriptions.
00:25:05Conquest?
00:25:06Says he knows nothing about it.
00:25:08Says he came here as a sort of joke to meet a girl.
00:25:10I don't believe a word of it.
00:25:12Look here, Williams.
00:25:13You mustn't let your prejudices against Conquest affect your judgment.
00:25:17I can't see him mixing himself up in this sort of thing.
00:25:20It's not his line of country at all.
00:25:22Have another talk with him.
00:25:25I will, sir.
00:25:27He's down at the West End Station, sir.
00:25:31So I let him go, sir?
00:25:32This business is far more important than your feud with Conquest.
00:25:35We've got to find those two men.
00:25:37And the girl.
00:25:39Keep in touch.
00:25:41Yes, of course, sir.
00:25:43As a matter of fact, I was so...
00:25:46Well, out.
00:25:48Well, out.
00:26:01Where do I find Mr. Williams?
00:26:03Hello, madam.
00:26:04Ah, there you are.
00:26:06What the dickens do you mean by clapping Norman in irons?
00:26:08Of all the stupid things to do, charging you with murder?
00:26:11Have you gone completely mad?
00:26:11Listen, Pixie, I didn't want to arrest him I had to.
00:26:14All the evidence pointed that way.
00:26:15What evidence?
00:26:16What was he doing in this hotel?
00:26:17What do you know about all this?
00:26:18Will you stand still?
00:26:19It's not me.
00:26:20It's you.
00:26:21All I've heard is a man was killed and you've arrested Norman for it.
00:26:23I haven't.
00:26:24Keep that door locked.
00:26:26I arrested him for being concerned in it.
00:26:27Giving me some wonderful story about a contact in room 605.
00:26:30And I've all had tried to be in the world something about killing a pigeon with a golf ball.
00:26:33What do you want me to do?
00:26:34Kiss him?
00:26:37Oh, blimey.
00:26:38Go on.
00:26:47I don't know.
00:26:48I've heard some stories in my life that he comes out with some stuff.
00:26:51He ought to get an Oscar.
00:26:53You can't blame me for not believing it.
00:26:55Why?
00:26:55Pigeons do carry messages.
00:26:57Yes, but not about beautiful girls.
00:26:59I don't.
00:27:00Oh?
00:27:02Which girls?
00:27:03Only one.
00:27:04Nadina Rodin.
00:27:06Who's she?
00:27:07Who's she?
00:27:07The contact.
00:27:08When she found out he was the wrong bloke, she put him out.
00:27:11Put him out?
00:27:13Drugged him.
00:27:14Only slightly.
00:27:15No ill effects when he came round, I'm afraid.
00:27:18Still, it's nice to know he can slip up sometimes.
00:27:23Have you seen this girl?
00:27:25No.
00:27:27Do you know what she's like?
00:27:29No.
00:27:32Know what she's like?
00:27:34Oh, yes.
00:27:36She's, uh...
00:27:37She's got a figure like a sylph.
00:27:40That's it.
00:27:40And, uh...
00:27:41Dancing blue eyes.
00:27:43And, uh...
00:27:44Blonde hair.
00:27:45All glistening.
00:27:46Well, that's how Conquest described her.
00:27:48Little smasher, he said.
00:27:50Oh, he...
00:27:51He did, did he?
00:27:52Hmm.
00:27:53Bottom piece.
00:27:54Full of sex appeal.
00:27:55Not surprised he fell for her.
00:28:00Pixie.
00:28:01Why don't you take him away somewhere?
00:28:02Somewhere where he can't get interested in blondes.
00:28:06Cuba, for example.
00:28:14Watch closely.
00:28:15It's, uh...
00:28:16It's as easy as, uh...
00:28:18This.
00:28:22Now you try.
00:28:27Oh, so you've finally come.
00:28:29Thank you, sweetheart, for getting things moving.
00:28:32You can go, Conquest.
00:28:33Is that all?
00:28:35All right, I apologize.
00:28:36Even if you didn't tell me the truth.
00:28:38About the blonde.
00:28:39Oh, yes, Norman.
00:28:41Oh, yes, Norman.
00:28:41The little smasher.
00:28:42What have you been telling her, Bill?
00:28:44Only that you were in that room with her.
00:28:46Alone.
00:28:47What do you mean by that?
00:28:48What could I mean?
00:28:49Well, how can a guy get fresh when he's lying spread-eagled on the floor, drugged?
00:28:53You didn't know she was going to attack you.
00:28:55You thought you were going to have some fun, didn't you?
00:28:58You two are going to fight.
00:28:58You better go outside.
00:29:00What are you doing, Constable?
00:29:02Nothing, sir.
00:29:04Oh, really?
00:29:06To be fair, get him out of here.
00:29:07Take him far away.
00:29:08We can't interfere with this Gregor business.
00:29:09Cuba, for example.
00:29:10With all the blondes, the brumettes.
00:29:12That's right.
00:29:13I'm having enough trouble finding your girlfriend's boyfriends.
00:29:17What boyfriend?
00:29:18Well, we have reason to believe that they're...
00:29:20Uh, getting cautious, Bill?
00:29:23We have reason to believe that Gregor was killed by your blonde and her two compatriots.
00:29:28Now get out of my hair and stop interfering.
00:29:30That's the last thing I intend to do.
00:29:32Their whole idea was to involve me in a messy murder.
00:29:35I go after people like that.
00:29:37You just watch and see how I keep out of it.
00:29:40You want to meet that girl again?
00:29:42Correct, sweetheart.
00:29:43And when I do see her, I'm going to put her over my knee and smack her...
00:29:47And as for her boyfriends who tried to festoon a murder ramp around my neck,
00:29:51I'm going to switch on the limelight.
00:29:53A whole cluster of limelight.
00:29:54Now, if you start interfering and hampering...
00:29:56Hampering, Bill?
00:29:57I'm going to help them.
00:29:59The more publicity, the better.
00:30:02You reckless young idiot!
00:30:14Oh, uh, superintendent.
00:30:16Thanks for that young business.
00:30:43Here's a conquest, Mr. Reynolds.
00:30:47A beautiful girl wanted to come at me.
00:30:48for murder, foreign crooks in hotel drama.
00:30:51Norman Conquest arrested.
00:30:53Breakfast is ready, Mr. Feather.
00:30:55I'd have to do without breakfast this morning, Mrs. Pottle.
00:30:58Ah! But you must have some breakfast, sir.
00:31:01I must go to London. A consignment of orchids has gone astray from Brazil.
00:31:05I must leave immediately.
00:31:18Please, sir,��라.
00:31:20.
00:31:32.
00:31:36.
00:31:49What are you doing here? I thought we were going to contact each other.
00:31:51These speak for themselves.
00:32:01What happened to my message?
00:32:03What message? What's this to do with me?
00:32:06Yesterday, I sent you a message in the usual way, telling you where and when to collect a certain package.
00:32:11You and your pigeon post, I always did think that...
00:32:13You're not paid to think.
00:32:16In your own interest, I suggest you adopt a different attitude to the problem confronting us.
00:32:20Especially if you wish to secure your own future.
00:32:23You're paid to look after that stuff upstairs.
00:32:26You'll have no reason to complain as soon as this job is over.
00:32:29And don't forget, Mr. Shell isn't likely to appreciate the attentions of conquest.
00:32:34That's the worst of working for, gents. You leave it on me.
00:32:38I'll take care of Mr. Conquest.
00:32:41That will not be necessary.
00:32:43We must get that package back before Mr. Shell leaves tonight, but we don't want any trouble of that sort.
00:32:52Draft.
00:32:54They searched for us.
00:32:56Our secret police and now Scotland Yard.
00:32:59How long can we remain undiscovered?
00:33:02Already we are lost.
00:33:04And she thinks...
00:33:05You take notice of all that printed nonsense.
00:33:08They are groping helplessly.
00:33:09Oh, they would have been here long before now.
00:33:11Here we are safe.
00:33:12What are you doing in there, Nadina?
00:33:15Preparing to go out.
00:33:17To go out?
00:33:18Without the London police looking for you?
00:33:21Here in the paper is your photograph.
00:33:22The first policeman you meet.
00:33:24Look at me.
00:33:26Do you think they recognize me?
00:33:29Well, perhaps not.
00:33:30Unfortunately, you must be idle for a while.
00:33:32But I've got a lot to do.
00:33:34Now, this Conquest seems to be quite famous.
00:33:37Quite a reputation.
00:33:39He puzzles me.
00:33:41Now, why was he in that room?
00:33:43And why does it say obtain the valuable package from me when it is true?
00:33:47Well, it's of no importance.
00:33:49Oh, but you're wrong.
00:33:51I'm going to find out how this Mr. Conquest is involved.
00:33:54I must know.
00:33:56And, Boris.
00:33:58In case anything went wrong, I'll leave them with you.
00:34:02But, Nadina.
00:34:04I only said, in case anything went wrong.
00:34:09Why are you staring at me like that?
00:34:11Am I so different with short hair?
00:34:13Yes.
00:34:14And a better citizen.
00:34:34I'd like to know.
00:34:35Are you okay?
00:34:35I'll be praying for you, time for you, time to come forward.
00:34:42So have you like it.
00:34:43Oh, you're okay.
00:34:44Really?
00:34:50You're perfect.
00:34:50That'd be wise.
00:34:50Oh, yeah, I'm coming back.
00:34:51Oh, yeah.
00:34:55What's up?
00:35:01What are you doing?
00:35:04This is my taxi.
00:35:14How very uncomfortable.
00:35:21Where did you say we were going?
00:35:23Where did you say we were going?
00:35:24I'm not going to go.
00:35:25I'm not going to go.
00:35:25I'm not going to go.
00:35:25You're far?
00:35:26You might have asked me.
00:35:36Chanty, aren't you?
00:35:45Not yet, Aunt.
00:35:47Obviously, you do talk.
00:35:48Anyone might come back.
00:35:55You might bring me back our year.
00:35:58Shut up.
00:36:05I just wanted to go.
00:36:06Move on.
00:36:11Why?
00:36:12You're going to go.
00:36:12Money is mine.
00:36:12I'm going to go.
00:36:12You're not going to go.
00:36:12Yes, it's good.
00:36:18You're not going to go!
00:36:21I'm going to go.
00:36:22Oh, my God!
00:36:24I'll be here.
00:36:39I'll just lock him.
00:36:59Yes, what do you want?
00:37:03If I'd take this to Scotland Yard, there would have been a reward for it.
00:37:09All right, Captain.
00:37:13Thanks, driver.
00:37:30Yes, sir? Mr. Norman Conquest.
00:37:33What name, sir?
00:37:34Smith. Mr. John Smith.
00:37:42Mandy.
00:37:44See what that is, Will.
00:37:47Mr. Conquest's apartment.
00:37:49There's a Mr. John Smith to see Mr. Conquest.
00:37:51Just one moment.
00:37:53Here, there's a bloke called John Smith.
00:37:55Who?
00:37:56Mr. John Smith.
00:37:58Uh-huh.
00:38:00Mandy, this is it.
00:38:02Have him sent right up.
00:38:03There's nothing I like better than to meet any of the, uh, ubiquitous Smiths.
00:38:08Send Mr. Ubiquitous Smith up, please.
00:38:11The lift marked private, sir. Just press the button.
00:38:31Mr. Conquest?
00:38:32Yes.
00:38:33How nice to see you, Mr. Smith.
00:38:37What can I do for you?
00:38:39My business is confidential.
00:38:41Oh, uh, Mandy, go and do something useful, will you?
00:38:45Won't you sit down?
00:38:46Thank you, no.
00:38:50I apologize for this bluntness, Mr. Conquest, but last night at the Park Plaza Hotel, you came into possession of
00:38:56a package to which you have no right.
00:38:58A package?
00:39:01And if I did?
00:39:02I must ask you to return it to me, please.
00:39:05Why should I?
00:39:06Assuming, of course, that I have it.
00:39:08Threats are distasteful to me, Mr. Conquest, but I am very anxious to have that package back.
00:39:15Tell me...
00:39:16Excuse me.
00:39:23Hello?
00:39:23This is Congress.
00:39:25Oh, I don't know what all this is about, Governor, but, uh, I just dropped a young lady and a
00:39:28gent at, uh...
00:39:31Oh, that's wonderful news.
00:39:32Is everything all right?
00:39:34What is it, a boy or a girl?
00:39:35What's it?
00:39:36Oh, I said a girl and a...
00:39:39No, not a nursing home, a private house.
00:39:41Fine.
00:39:43When you're passing Conquest, court come in and, uh, pick up a box of cigars.
00:39:48Okay.
00:39:48Fine.
00:39:54Funny how Father always wants a daughter and, uh, a mother a son.
00:39:58Now, uh, where were we, Mr. Smith?
00:40:02I was saying that threats are distasteful to me, Mr. Conquest, but I must insist that you give me that
00:40:07package.
00:40:07As you're so concerned about it, perhaps you'd be good enough to tell me what's in it.
00:40:11I see you intend to leave me no option.
00:40:14Where is your fiancée?
00:40:16Out shopping.
00:40:17I regret to say that she is not.
00:40:19Oh.
00:40:20Then where is she?
00:40:21That I do not intend to tell you.
00:40:22But I assure you she will come to no harm so long as you are sensible.
00:40:26Sensible?
00:40:27Oh, but I'm never sensible.
00:40:30Hey, Mandy.
00:40:31Fancy thinking you could get away with a corny trick like that.
00:40:34Don't be a fool, Conquest.
00:40:36What good will it do you?
00:40:37You don't know where your fiancée is.
00:40:39Maybe not.
00:40:40But I intend trying 45 Heathview Terrace.
00:40:45Yes, John?
00:40:46Gov?
00:40:46Sir, I mean.
00:40:48Lock him up.
00:40:49I'll be back later.
00:40:49And remember, no violence.
00:40:51Come on.
00:40:52There was something phony about that John Smith.
00:40:54Don't get that.
00:40:56Don't get that.
00:41:02Oh, come on.
00:41:15Come on.
00:41:17Oh, come on.
00:41:19Oh, come on.
00:41:20I need to go.
00:41:23Oh, come on.
00:41:29Oh, my God.
00:42:03Well, well, well.
00:42:05I must say you choose the oddest shopping companions.
00:42:09I'm not even a blonde at that.
00:42:12What was it you said to me about having fun and games?
00:42:17What have you been doing?
00:42:19Oh.
00:42:21So you won't talk, huh?
00:42:24Well, what's all that noise about?
00:42:26Oh, you hurt?
00:42:29Oh, let me see.
00:42:32Oh, serious.
00:42:33Very serious.
00:42:35Now, Signorina Pixie, the brunette from Cuba,
00:42:39to what do you attribute your present condition?
00:42:41I'll tell you.
00:42:43You always want to go out on these capers with me,
00:42:45and you see what happens?
00:42:46You know, I believe the only way I can keep you safe
00:42:48is to leave you just like that.
00:42:51Oh, well, I won't let you be lonely.
00:42:53I'll bring your boyfriend to you.
00:42:55Excuse me.
00:43:19There.
00:43:20I'll keep you out of mischief for a while.
00:43:22Now, tell me, who's the boss of this outfit?
00:43:24It's no use asking him questions.
00:43:25He's practically dumb.
00:43:27What do you mean, practical?
00:43:28He is completely.
00:43:31There's one thing about being with you, Norman.
00:43:33Life is full of good, clean, wholesome fun.
00:43:36That's right, sweetheart.
00:43:37Oh, my God.
00:43:38Oh, my God.
00:43:44Oh, my God.
00:43:46Oh, my God.
00:44:24This package the girl smuggled into the country
00:44:26is some kind of document.
00:44:28Oh, no, sweetheart.
00:44:29Mandy, bring in Mr. Smith.
00:44:33This game's money, big money,
00:44:35and the package that blonde has
00:44:37contains something very valuable.
00:44:39These foreigners are small-time crooks
00:44:42working under orders.
00:44:43Reynolds and the man who called this afternoon
00:44:45are the English end.
00:44:46By concentrating on them,
00:44:48we'll find out who's at the top.
00:44:49I don't think you'll get me where, Norman.
00:44:52If I were you, I'd let the whole thing drop.
00:44:55Mr. John Smith, sir.
00:44:58And here she is, back again.
00:45:01All right, conquest, you win.
00:45:03What are you going to do now?
00:45:04Oh, that depends.
00:45:06I could call the police,
00:45:07and believe me,
00:45:08your friend Reynolds would spill plenty.
00:45:10However, I intend to deal with you myself.
00:45:13That is kind of you.
00:45:14Not at all.
00:45:15Now, let's see what your real name is.
00:45:20Oh, careless, very careless.
00:45:22You shouldn't carry this in your pocket.
00:45:24You're obviously not a professional.
00:45:26Let's see.
00:45:29Mr. Theodore Feather, address High Barn, Stoke Bramley, Essex.
00:45:36I will take the liberty of borrowing your keys, Mr. Feather.
00:45:41Feather.
00:45:42Haven't I heard about you in connection with something thoroughly respectable?
00:45:46Feather.
00:45:48Orchids.
00:45:49You're the grove of the finest orchids in the country.
00:45:52That's it.
00:45:52Allow me to congratulate you.
00:45:54Yeah, orchids is lovely.
00:45:55Look here, conquest.
00:45:56Every man has his price.
00:45:57I'll give you a thousand pounds to forget all about this.
00:46:00Chicken feed, Mr. Feather.
00:46:01No, wait.
00:46:02I'll make it five thousand.
00:46:05So help me, I'm touched.
00:46:07Nevertheless, nothing doing.
00:46:08Put him back into cold storage.
00:46:10Come on, Mr. Smith.
00:46:24Keep Feather locked up until I get back.
00:46:27Aren't you rather sticking your chin out, going down there all alone?
00:46:30Oh, I don't know.
00:46:31I might stumble onto something.
00:46:32I wish you'd let me come with you.
00:46:33Some other time, sweetheart.
00:46:35Bye-bye.
00:46:45Bye-bye.
00:47:13Bye-bye.
00:47:49Bye-bye.
00:48:25Bye-bye.
00:48:26Let's go.
00:48:59Yes?
00:49:00Mr. Shell speaking.
00:49:01Where the devil have you been, Father?
00:49:03Oh, I had to go out.
00:49:05This is important.
00:49:06I will be with you in less than an hour.
00:49:08You will be in, and you will be home.
00:49:13Hello? Hello?
00:49:29Hello?
00:49:42Hello?
00:49:44Hello?
00:49:45Hello?
00:49:46Hello?
00:49:47Yes?
00:49:48Yes?
00:50:07Oh, Lord.
00:50:12Put up the hands.
00:50:14The term, I believe, is reach for the ceiling.
00:50:16Be careful with that thing. I've had one dose of it already.
00:50:19Oh, no, Mr. Conquers. This one has bullets in it.
00:50:21You make one step towards me and I'll shoot.
00:50:24Bullets?
00:50:24Mm-hmm.
00:50:25Then, um, I'm not frightened.
00:50:35Loathe, too.
00:50:35You're a dangerous little devil, aren't you?
00:50:40Let me go!
00:50:43Let me go!
00:50:50I promised myself that pleasure at our next meeting.
00:50:56You hurt me. No gentleman does such things to a lady.
00:51:00Now that's over, I'd like to ask you a straight question.
00:51:03Just what is your game?
00:51:05I won't tell you. You hit me. You're my enemy.
00:51:08Well, that's as good a start as any.
00:51:10Let's, um, kiss and be friends.
00:51:16Hmm.
00:51:34You know, I have the nicest ideas.
00:51:38Nobody has ever spanked me and kissed me like this before.
00:51:42Well, you asked for the spanking.
00:51:45Well, you asked for the spanking.
00:51:47I'm glad I did. I hope there are no strings attached.
00:51:53Strings? Who knew? There aren't any strings attached. We sit together, yes?
00:51:58Why not?
00:52:00Why not?
00:52:01This is very pleasant.
00:52:03Making ourselves comfortable in Mr. Feather's house, it'll pass the time until Mr. Shell arrives.
00:52:10Oh, so you know Mr. Shell.
00:52:13No, no, no. But, um, it's a funny name.
00:52:17Tell me, why did you get in the back of my car?
00:52:22Well, you are interesting.
00:52:24I read many things about you in newspapers.
00:52:27I like the way you snap fingers at the low.
00:52:29You are brave. I like that.
00:52:31I like it very much.
00:52:33I'll bet you do.
00:52:35You've done a little, um, finger snapping in the past 24 hours yourself.
00:52:40You know the police are anxious to get a hold of you, don't you?
00:52:43Mmm. But I'm safe while I'm with you.
00:52:48I'm not so sure.
00:52:50We'd better sit further apart.
00:52:51You're doing things to me which shouldn't be experienced by any respectable man.
00:52:56So you like me, then?
00:52:58Uh, no, now to get back to business.
00:53:00What exactly...
00:53:02What are you after?
00:53:05Why can't we work together?
00:53:07I always hoped that I shouldn't have to return to my country.
00:53:10No, I do not go back.
00:53:12Ever.
00:53:14Well, you've chosen a pretty dangerous way of breaking loose.
00:53:18Murder's a serious crime.
00:53:20Murder?
00:53:21I didn't kill anybody.
00:53:24Oh, you mean Gregor.
00:53:26I only stunned him.
00:53:28A little bit.
00:53:29And then proceeded to make things very unpleasant for me.
00:53:33That was before I really knew you.
00:53:41All right, then.
00:53:43What was in that package you were supposed to hand over?
00:53:47Diamonds.
00:53:47Many, many diamonds.
00:53:50Ah, diamonds.
00:53:51Where are they?
00:53:53They're nothing there.
00:53:55Can you tell me where they are?
00:53:56I haven't got them on me.
00:53:57But never mind.
00:53:58Help me, and they'll be half yours.
00:54:00Now we're getting somewhere.
00:54:03Not that I believe you when you save them out, aren't you?
00:54:05No.
00:54:05But they're not.
00:54:06Don't you really believe me?
00:54:08No.
00:54:09All right.
00:54:15Look.
00:54:15I haven't got them.
00:54:16I still don't believe you.
00:54:18All right.
00:54:19You shall see for yourself.
00:54:20Hey, hey.
00:54:21You can't do that.
00:54:22But I can.
00:54:23We are alone.
00:54:25Okay.
00:54:25Go ahead.
00:54:33Go on.
00:54:38I don't want to embarrass you.
00:54:47Now, to get back to business.
00:54:49Do all you people work for Mr. Shell?
00:54:52I thought you said you didn't know Mr. Shell.
00:54:56Oh.
00:54:57I tell a little lie.
00:54:59That is all.
00:55:00Oh, well, what's a fib between friends?
00:55:02All right.
00:55:04No more fibs.
00:55:05Now listen carefully.
00:55:06Mr. Shell, for a long time, has been sending diamonds and money into England.
00:55:11The diamonds I bring, they are trifle.
00:55:13He has got more.
00:55:14Much more.
00:55:18Look.
00:55:19He's a vile man.
00:55:20He's a war criminal.
00:55:22It cannot be dishonest to rob such a man.
00:55:25We go equal shares.
00:55:27Is that not good?
00:55:28Yes.
00:55:29Except for one snag.
00:55:31A rather big snag.
00:55:32What is it?
00:55:33Pixie.
00:55:35What do you think she'll do when I tell her that you and I are partners?
00:55:38But if she loves you, doesn't she want you to be happy?
00:55:42Where glamorous blondes are concerned, I'm afraid she's not very broad-minded.
00:55:49And if I were in her shoes looking at you, my mind would be as narrow as the edge of
00:55:54a razor blade.
00:55:56I'm sorry it can't be done.
00:55:59Not even for a little while.
00:56:01No.
00:56:02No.
00:56:05I'm afraid not.
00:56:07Listen.
00:56:09Mr. Schoen?
00:56:10Yes.
00:56:11Get your things.
00:56:12Quick.
00:56:13Behind those curtains.
00:56:15Wait a minute.
00:56:17All right.
00:56:35Father, where are you?
00:56:37Come in, Mr. Schoen.
00:56:38You're expected.
00:56:45Conquest is the name.
00:56:46I understand the War Crimes Commission would like to have a word with you.
00:56:51All that is forgotten now.
00:56:55So you came to collect, Herr Baron.
00:56:59Gregor's death panicked you into a move which you hadn't really planned.
00:57:04Now the police are after you too, just in case you didn't know.
00:57:07They have no proof.
00:57:08Gregor was...
00:57:10You were saying something about Gregor.
00:57:12Do go on.
00:57:13It does not pay anyone to recognize me.
00:57:16Meaning me?
00:57:18Where is Mr. Feather?
00:57:19In my flat in Park Lane.
00:57:21He was making himself a nuisance.
00:57:23Are you anxious to leave?
00:57:27For the moment, you have the advantage.
00:57:33Not this tiny chum.
00:57:35I was half expecting reinforcements, Baron.
00:57:38Silly of you to look past me like that.
00:57:40And if you don't stay still, I'll tear your arm off.
00:57:48Take him out of the car.
00:57:49Time is short.
00:57:54Drive straight to the flat of this man.
00:57:56Or take him home.
00:57:57That is so, yeah.
00:58:27Yes?
00:58:30Yes?
00:58:30Yes?
00:58:30Who is that?
00:58:32I'm a good friend of Mr. Conquest.
00:58:33He's in danger.
00:58:35Who are you, please?
00:58:36Are you the blonde?
00:58:38Yes, I've heard about you.
00:58:39Oh, please.
00:58:40This is important.
00:58:41My conquest's been hit on the head.
00:58:44Your conquest?
00:58:45Oh, do listen.
00:58:47There is much hurry.
00:58:48They're bringing him home.
00:58:50And I'm sure that these men will try to force their way in.
00:58:53Yes.
00:58:54They want Mr. Feather.
00:58:55Yes.
00:58:56It is from his house that I speak.
00:58:58How is he being brought here?
00:59:02And his own car?
00:59:05I hope you can drive well.
00:59:06It's practically jet propelled.
00:59:09Yes.
00:59:10Now listen carefully.
00:59:11There's a side road at the corner of Conquest Court.
00:59:43And I'll slack the stick of the knife!
00:59:43It feels todavía so fast.
00:59:44Well, it's going to honor the Committee
01:00:09Put that down, you fool.
01:00:11Keep your gun in his ribs.
01:00:13What's the matter, Baron?
01:00:15Nervous?
01:00:16I am desperate with everything to lose, including my life.
01:00:18One step out of the place and I will not hesitate to use this.
01:00:21You know, Baron, I believe you mean that.
01:00:50Oh, my goodness.
01:00:55Oh, my goodness!
01:01:07Come on!
01:01:44The End
01:02:07The End
01:02:39The End
01:02:40Good evening
01:02:40Good evening
01:02:41Good evening
01:02:50Arno Pixie
01:02:51Yes
01:02:53A lucky man, Mr. Kong
01:02:54What's in happening?
01:02:55We have no time to lose
01:02:56Fawn Henschel wants this man further
01:02:58And we must be ready for them
01:03:15reach baron
01:03:20thank you sweetheart i couldn't have done better myself baron stand away
01:03:25i've got conquest covered drop your gun stand aside or i'll fire
01:03:30you would not dare give me the gun i'm more desperate than you are
01:03:38unpredictable aren't you better give it to her pixie
01:03:42thank you frulein you will not regret this i waited for my chance baron now i'm with you
01:03:49thank you
01:03:56good night
01:03:58good night sir good night madam
01:04:20hello hello
01:04:27hello
01:04:44you are a fool this delay with conquest may cost me my freedom la pompa sails in less than an
01:04:49hour
01:04:49you'll make it all right here baron luckily the valuables are safe at heath view
01:04:53all of them including the package that arrived yesterday
01:05:00well i i
01:05:05don't worry mr feather i've got you
01:05:08ah good when i heard from my friend in your foreign office you were to be arrested i thought
01:05:13all would be lost
01:05:14it was fortunate that i was able to get gregor before he got you
01:05:18you mean that you you
01:05:26do you think i was going to let that package slip through my hands
01:05:30you have done well the dinner you shall both pay justly rewarded
01:05:39thank you stevens very simple of you that's all right sir
01:05:42oh uh man dear
01:05:54hello
01:05:57hello
01:05:57yeah
01:05:57conquest i want a word with you
01:06:00why what's the trouble
01:06:01what do you know about a man called baron von henschel
01:06:04nothing very much he was killed in the war wasn't he
01:06:08sure you didn't meet him at the park plaza last night
01:06:10no no bill no
01:06:12well it might interest you to know that baron von henschel's fingerprints were found on the dead man's collar
01:06:17that means he's not as dead as we thought he was doesn't it
01:06:20i'll be over
01:06:22okay
01:06:25who was that
01:06:25only bill
01:06:26he's waking up
01:06:27just found out von henschel's alive
01:06:30oh fine let's leave it to him
01:06:32thank heavens all that's over as far as we're concerned
01:06:34over
01:06:36what and let von henschel get away with a fortune
01:06:38huh
01:06:39i'm only just starting
01:06:42well there's no use dashing off wildly
01:06:43they may have gone to the country place beathview
01:06:47elsewhere
01:06:49why did von henschel come here
01:06:50to rescue feather of course
01:06:52therefore he must be the only one who knows where the loot is hidden
01:06:55where does that lead us
01:06:56it leads me to follow my hunch
01:06:58hey
01:07:00oh
01:07:20take that car out of the back
01:07:28every moment here is right
01:07:29oh
01:07:30oh
01:07:31oh
01:07:32oh
01:07:32oh
01:07:34narina untie this man we shall go upstairs
01:08:00i can't explain now but i'm at forty-five
01:08:03i'll keep the terrace
01:08:04this is a bad line i can't hear you speaker
01:08:08there isn't much time but you must believe me
01:08:12hello hello
01:08:14nadina what's wrong
01:08:15hello
01:08:16nadina what's wrong
01:08:18hello
01:08:28nadina what's wrong
01:08:30hello
01:08:30dahaO
01:08:31nadina what's wrong
01:08:35an
01:08:36adina what's wrong
01:08:40mon
01:08:43uh
01:08:44hum
01:09:05La Pampa.
01:09:09Victoria Dark.
01:09:22The package, please.
01:09:24There is no hurry. I'll give them to you when we arrive on the ship.
01:09:39You will not double cross me again. Where are those diamonds?
01:09:42Look out!
01:09:50You're a novice now, you dammit!
01:09:59I want to ask you again. Where are those diamonds?
01:10:04They are in my flat. I must phone my friends to bring them to the ship.
01:10:10All right. I will come with you.
01:10:13And you must make it perfectly clear to your friends that if they wish to see you again, those diamonds
01:10:18must reach the ship before she sails tonight.
01:10:34If he doesn't show up soon, we'll lose the tide.
01:10:36We will give him 20 minutes and then we will cart off.
01:10:42This must be him.
01:10:46Then, sir.
01:10:48So long as he pays.
01:10:58What kept you?
01:11:10Unfortunately, I can't do that to you.
01:11:14You don't understand.
01:11:17I suppose trying to explain won't help.
01:11:21You all right?
01:11:22But...
01:11:25He said nothing.
01:11:27Nothing I can say that would make any difference.
01:11:31No, I'm afraid not.
01:11:33It's a pity.
01:11:34I was beginning to like you.
01:11:40Look out!
01:11:41Look out!
01:11:43Look out!
01:12:08Perhaps...
01:12:09For me, this is...
01:12:11The best thing.
01:12:17You know...
01:12:18You fled.
01:12:20That was the only thing to do.
01:12:23If I had not done as I did...
01:12:28He would have shunned you.
01:12:31I know.
01:12:32No.
01:12:35Norman.
01:12:37One little thing.
01:12:39For me.
01:12:40Sure, Nadina.
01:12:42My two...
01:12:44Comrades.
01:12:46And on the way here.
01:12:50Look after them for me.
01:12:51Of course.
01:12:55Then...
01:12:57We are friends again.
01:12:59Yes, we're friends again.
01:13:04Kiss.
01:13:07Be friends.
01:13:15Hey, be careful of that thing. It might go off.
01:13:26You see, chum, I had no trouble at all solving that little lot.
01:13:29I realized that once Von Henschel had been recognized by Gregor, he had to kill him.
01:13:33Now that the case against him is complete, we've dropped all the other charges.
01:13:36Got it?
01:13:37Yes.
01:13:37Bless you.
01:13:38And you.
01:13:41Well, I'm sorry I've got to take your stolen property.
01:13:44Ah, well, it can't be helped.
01:13:45Do me a favor, Pixie. Keep him out of trouble.
01:13:47Goodbye.
01:13:48I...
01:13:54You're going to look lovely in diamonds.
01:14:06What am I saying?
01:14:07You look lovely just the way you are now.
01:14:18You are coming off.
01:14:24I don't want to he know of a farm.
01:14:31I don't want to, I'm sorry that you are coming off.
01:14:34Oh, you're right.
01:14:34You're coming off.
01:14:45I'm sorry, I feel like I am all here.
01:14:45Oh, no.
01:14:47You're right.
01:14:47I'm sorry, all right.
01:14:48A long-term last year.
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