- 8 hours ago
Park Plaza 605 [Full Movie] [Recommended]Full EP - Full
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00:00:07The End
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00:01:40What a beauty
00:01:42Not bad
00:01:45Hey, did you see that?
00:01:46I thought it hit a bird
00:01:48Well, I'm...
00:01:48Poor creature, you must have killed it
00:01:50Poor creature, my foot, my best drive...
00:01:52I mean, one of my best drives ruined
00:02:01A pigeon!
00:02:02Look, you've hit it smack on the head
00:02:04I like that
00:02:05I saw it coming, deliberately aimed at it
00:02:07I knew I was good, but not that good
00:02:10Look, Norman, it's a carrier
00:02:12That should give us the name and address of the sender
00:02:15What does it say?
00:02:18Room 605, Park Plaza Hotel, reserved in your name
00:02:21Await contact, 8 o'clock tonight
00:02:23Act according to instructions
00:02:26Doesn't that give you a kick?
00:02:28A message speeding through the air
00:02:29Straight from the...
00:02:30Oh, Norman, you'll see something melodramatic in his menu
00:02:33This is no menu, sweetheart
00:02:35And has the receiver never got it?
00:02:37He won't be there
00:02:38Oh, and beware
00:02:39Park Plaza Hotel, room 605, 8 o'clock tonight
00:02:41But I won't
00:02:46Thank you, sir
00:02:4724
00:03:106th floor, please
00:03:11Right, sir
00:03:15What are you so excited about?
00:03:16Well, I'm waiting for the second leg of my double to come up, sir
00:03:19Did you get good odds on the first one?
00:03:21Didn't win
00:04:00What are you so excited about?
00:04:06Wow
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00:07:38Hello.
00:07:40You have kept us waiting.
00:07:45Where have you been?
00:07:47In those clothes you're wearing.
00:07:49As a member of our trade delegation, how do you get such ideas?
00:07:52You are so pleasure-seeking.
00:07:54Enough, Ivan.
00:07:55Nadina is a good citizen.
00:07:57And her father was one of the heroes of the revolution.
00:08:00Why talk like this?
00:08:01Do we dine and dance tonight or not?
00:08:04It is not wise.
00:08:06If Gregor of the secret police saw us...
00:08:08Gregor, Gregor!
00:08:09Who is Gregor?
00:08:11Mr. Gregor for Mr. Boris Roth.
00:08:13Very good, sir.
00:08:15Mr. Roth, please.
00:08:17Mr. Gregor has called, sir.
00:08:20Very good, sir.
00:08:22Mr. Roth says, will you please go straight up?
00:08:24It's suite 600 on the sixth floor.
00:08:31Gregor is on his way up.
00:08:35Nadina, you had better leave us.
00:08:44Now, what can he want?
00:08:51Good evening, Gregor.
00:08:52We are pleased to...
00:08:54I have to inform you that you are both under arrest.
00:08:58Why?
00:08:59What is the charge?
00:09:01Arrested?
00:09:01Why are we to be arrested?
00:09:03Orders.
00:09:04Where's Nadina Rodin?
00:09:12I am sure you do not want to resist our government.
00:09:17There are three men downstairs.
00:09:19You will have to answer to our chief.
00:09:22He was shot this morning.
00:09:25The entire staff of the trade bureau is affected.
00:09:27You are all being sent back for an inquiry.
00:09:30You know what that means?
00:09:31It is not necessary for me to go into any details at this moment.
00:09:36My orders are to...
00:09:43Are you mad?
00:09:45I would be mad if I let him arrest us.
00:09:47But he is only stunned, so we better be quick.
00:09:48How can we escape from this hotel?
00:09:50Leave it to me.
00:09:51I have been prepared for something like this.
00:09:52What about the men downstairs?
00:09:53The men downstairs?
00:09:54Forget the men downstairs.
00:09:55Come on.
00:09:56Get ready.
00:09:57Hurry.
00:10:06We will give him another five minutes.
00:10:08Let's see.
00:10:09Let's see.
00:10:20Let's see.
00:10:40Are you ready?
00:10:41Do you see?
00:10:42You are ready for the men?
00:10:47Let's see.
00:10:53Go.
00:10:57Go in.
00:10:58Go, go.
00:11:03Go.
00:11:06Go on.
00:11:32I don't know, but something has happened.
00:11:36Don't touch that phone.
00:11:38Why?
00:11:42Is anything wrong?
00:11:44He's dead.
00:11:46What?
00:11:48You have killed him.
00:11:50Oh, no. That's impossible.
00:11:52But you only stunned him.
00:11:55Now we shall be hunted by the English police as well as our own.
00:12:00Someone has done this to us.
00:12:02Come on. We must get away quickly.
00:12:04Wait a minute. I've got an idea.
00:12:06Bring Gregor and follow me.
00:12:08Are you out of your mind?
00:12:09Shh.
00:12:10I know what I'm doing.
00:12:11But hurry up.
00:12:40Come on.
00:12:41Come on.
00:12:49Hey, foreigners, drunken foreigners.
00:13:15Who is this man?
00:13:16I don't know, but he is going to be arrested for the murder of Gregor.
00:13:20And this is my plan. Iban, you ring up Scotland Yard.
00:13:30Go to Park Plaza Hotel. Man reports being attacked in room 605.
00:13:35Over. Message received. We're on our way. Over.
00:13:41That's Harry. He can have it.
00:13:46Turn off that blooming disc jockey. I've had enough for one day.
00:13:49Park Plaza straight ahead, sir. So's my dinner. Let Harry go to the Park Plaza.
00:14:09George, call an ambulance for me, will you? Sorry, sir. Good evening, sir.
00:14:13What's the trouble, Constable? A man's fallen from the sixth floor of the Park Plaza, sir.
00:14:16Oh, my dear. There goes my tripe and onions.
00:14:20What room number to control, sir? 605, sir.
00:14:22All right, show. We'll earn a little.
00:14:40Superintendent Williams, Scotland Yard.
00:14:43Who's the occupant of room 605?
00:14:46Well, Mr Atwell.
00:14:49Is there anything wrong, sir? Oh, no.
00:14:51Somebody's just been pushed out or fallen out of the window at 605.
00:14:55605? But there's no one in 605.
00:14:57It's reserved for Mr Reynolds. He hasn't yet arrived.
00:14:59I'm going up. You better come with me.
00:15:33Conquest. Oh, no.
00:15:35Oh, I might have known this had happened.
00:15:37Why didn't I mind my own business? I said I'd had enough for one day.
00:15:40Bill, where did you spring from?
00:15:43What... what's this all about?
00:15:45You're drunk.
00:15:47Not drunk, Bill. A little dopey is.
00:15:50There's no difference.
00:15:51Yes, there is.
00:15:53I may be a little dopey, but not with alcohol.
00:15:56I'm not pie-eyed.
00:15:57I'll make a special note of this. I've...
00:16:00I've been drugged.
00:16:01Oh, blimey.
00:16:03What have I done to deserve you?
00:16:05There must be a curse on me.
00:16:07Any time it's something particularly unpleasant and you're involved in it,
00:16:10I'm the muggers bound to be dragged in.
00:16:11Will you stand still?
00:16:12I am standing still!
00:16:14Conquest!
00:16:16Conquest, now, what have you been up to?
00:16:18Come on out, talk. And talk sense.
00:16:19Talk sense? Bill, be reasonable. I... I can't even think.
00:16:24What I need is some coffee.
00:16:25Now, look, if you're stalling Conquest, I advise you to cut it out.
00:16:28A man was killed in this room a few minutes ago by falling out of that window.
00:16:31And you must have been here.
00:16:33Say that again?
00:16:34You heard me.
00:16:34A man fell out of that window and you were in this room.
00:16:37I guess I must have been because I'm only just getting back into circulation.
00:16:42This window?
00:16:42Yes.
00:16:54It's a long way to the pavement, Bill. He was killed instantly.
00:16:58That's a very clever bit of deduction.
00:17:00Yes. Amazing.
00:17:03What do you know about a man called Reynolds?
00:17:05Reynolds?
00:17:06Reynolds?
00:17:06Oh, Sir Joshua. Great...
00:17:08Now, look, here come question.
00:17:09All right, Bill. All right. I never heard the name before.
00:17:11I believe you, Mr. Reynolds. It's just one of your phony names.
00:17:14Shut those doors, Sergeant.
00:17:16I don't know what your game is, but this time it's something pretty smelly.
00:17:19Why didn't you go to the desk in the ordinary way and take your key?
00:17:22Wait a minute, Bill. A little slow. I didn't get that.
00:17:25They told me down at reception that Reynolds hadn't booked in.
00:17:27Oh, don't blame me. It was the girl.
00:17:30What girl?
00:17:31The blonde.
00:17:32Oh. It's erasing certainty to be a blonde in the game if you're mixed up in it.
00:17:36Bill, I fell for the oldest gag in the world.
00:17:39What gag?
00:17:40If you...
00:17:40Stop barking at me. I'll try to tell you how I came to be in this room and meet the
00:17:44girl.
00:17:47All right. So there's a blonde. Where is she?
00:17:53I was afraid you were going to ask me that.
00:18:00What is this place? Where are we?
00:18:02My flat, of course. I told you I've taken precautions.
00:18:05There's only one or two people who know me here.
00:18:07I told them that I was a dancer and that I occasionally danced in London.
00:18:11But I like to have a little place of my own.
00:18:13All very simple, my friend.
00:18:16You totally does nothing of this.
00:18:17Of course.
00:18:18Oh, come on. Take off your coat.
00:18:20Make yourself comfortable.
00:18:22I'll make you a little coffee.
00:18:23We have an awful lot to talk about.
00:18:28And after asking me a question, sort of password and not getting the right reply, she pulled a trick gun
00:18:34and squirted her to Mickey Finn in my face.
00:18:36Oh, turn it up. Who do you think you are, Hans Anderson?
00:18:39I assure you it's the truth. Pure and unadulterated.
00:18:42If you want to know more, find the blonde.
00:18:44I believe this whole thing's your own taradiddle.
00:18:46My what?
00:18:48Uh, taradiddle. You made it up yourself.
00:18:49Oh.
00:18:51I want to know your real reason for coming in here.
00:18:52I want to know who that man is and how he came to fall out of that window.
00:18:55Well, that makes two of us.
00:18:57I must have been out for the better part of an hour.
00:18:59Look.
00:19:01Mr. Williams, the, uh, superintendent, doesn't believe my story about the blonde.
00:19:07I'm pretty certain she occupies a room on this floor.
00:19:09You should know.
00:19:10She's, uh, foreign, uh, expensively dressed and hits you smack and...
00:19:14It must be... it must be Miss Rodin.
00:19:16Rodin?
00:19:17Could be.
00:19:18Who's she?
00:19:18She's a member of the trade delegation.
00:19:20The secretary to one of the delegates in Sweet 600.
00:19:23I mean, I mustn't have any trouble with them, you know.
00:19:26You see, Bill, if only you'd have a little more faith in me.
00:19:30You shut up!
00:19:31All right, Mr, uh...
00:19:33Atwell, sir.
00:19:34Two T's, two O's and two L's.
00:19:37All right, you can go.
00:19:41Mr. Williams?
00:19:41Yes?
00:19:45May I have a word with you, sir?
00:19:46Yes, all right, come on.
00:19:50There's something clear, sir.
00:19:52The police surgeon asked me to tell you the poor devil was dead before he fell from the window.
00:19:56He always knows so much.
00:19:57How does he know?
00:19:58Something to do with the bleeding.
00:20:01How?
00:20:08Well, Conquest, this is gonna settle you, chum.
00:20:11That man was dead before he fell from that window.
00:20:13And as for you being doped, anybody can fake that kind of act.
00:20:16I hope you realize what you're implying.
00:20:18What do you want me to do?
00:20:19Confess to murder?
00:20:20I always said one day you'd go too far.
00:20:22You came here to see this man.
00:20:24You threatened him with something.
00:20:25He grabbed the telephone, got through to Scotland Yard and shouted for help.
00:20:28Then you had a fight and killed him.
00:20:29Did I?
00:20:29Yes.
00:20:30I don't say you did it deliberately, but when you found he was dead, you went over to the window
00:20:33and fight the struggle.
00:20:34Hold on a minute while I try to follow your tortuous reasoning.
00:20:37I threatened this guy.
00:20:38Yes.
00:20:39He got scared.
00:20:40Yes.
00:20:41Grabbed the phone.
00:20:41Yes.
00:20:42Call Scotland Yard.
00:20:43That's right.
00:20:43What was I doing in the meantime? Holding his hand?
00:20:46How do I know?
00:20:46Oh, Bill, be yourself.
00:20:48I told you.
00:20:48I don't believe you did it deliberately.
00:20:50That's mighty decent of you.
00:20:51After that, instead of sliding off the open spaces, I stayed here in this room and waited until you came
00:20:55and found me.
00:20:56Can't you see your whole theory is pure nonsense?
00:20:59All I know is that a dead man was thrown out of that window while you were in this room.
00:21:03Now, can you or can't you tell me who he is?
00:21:05No.
00:21:05I can, sir.
00:21:06You knew him well.
00:21:07Name of Gregor.
00:21:08Gregor?
00:21:09I knew him well?
00:21:11Trades delegation, sir.
00:21:15Oh, what a lovely mess.
00:21:18Conquest, I'm arresting you on a charge of complicity, get that?
00:21:22In the murder of the man Gregor.
00:21:23And I warn you that anything you...
00:21:26Unless we can find our way to South America or some such place, we might as well be rats in
00:21:31a trap.
00:21:32We'll get there.
00:21:33Don't worry.
00:21:34Anything is possible.
00:21:35It's money.
00:21:36It's money that matters.
00:21:38Come.
00:21:38I'll show you something.
00:21:39Come.
00:21:43Come.
00:21:50Come.
00:21:51Whoooo!
00:21:54They are worth fifty thousand English Pounds.
00:21:57Where did you get these, Nadina?
00:21:59If they had been found through.
00:22:00But they haven't.
00:22:01We enjoy diplomatic immunity of the customs. Easy.
00:22:05Who? Who gave them to you?
00:22:08A certain gentleman of our foreign office.
00:22:11He likes money as much as we do.
00:22:12They are his, then?
00:22:13No. Look, it's like this.
00:22:15He's working for Baron von Henschel of the Gestapo.
00:22:19The diamonds were looted by the Baron from Rotterdam.
00:22:21And I was going to give them to his agent.
00:22:24But that is nonsense.
00:22:27Von Henschel is dead.
00:22:29You will say next that Hitler is a...
00:22:31Look, I'm only repeating what I'm told.
00:22:33This man from the Foreign Office assures me that he is in contact with the Baron.
00:22:38Where is he?
00:22:39Who knows?
00:22:41But this von Henschel has collected a big fortune for himself in this country.
00:22:44Now, my contact had these diamonds for over a year.
00:22:47Then he passed them on to me to bring them to London.
00:22:50Hmm.
00:22:51I was to meet Baron von Henschel's agent and receive thousand pounds from my work.
00:22:57Something went wrong.
00:22:59But now, I have other ideas.
00:23:02Perhaps we can outwit this agent and obtain possession of the whole of Baron von Henschel's fortune.
00:23:11Now, why couldn't I go home and mind my own business?
00:23:13You mean conquest, sir?
00:23:14Yes, conquest.
00:23:15Every time he gets involved in a case, the yard pushes it under me.
00:23:18Why?
00:23:18Why me?
00:23:19He's looked on at your pigeon.
00:23:20Pigeon?
00:23:21Don't you talk to me about pigeons.
00:23:24Anyway, we got him under arrest.
00:23:25And how long do you think we'll hold him this time?
00:23:27I don't know.
00:23:27I've been dreaming about it every night for months.
00:23:29For years.
00:23:30Getting him on a serious charge and making it stick.
00:23:32Excuse me, Superintendent.
00:23:34This is Mr. Barkoff from the embassy.
00:23:36Yeah.
00:23:36There.
00:23:39Roth and Burgin, where are they?
00:23:41Oh, the people Gregor came to see.
00:23:43Now he is dead.
00:23:45Where are they?
00:23:46The first I've heard of them.
00:23:47I can tell you about them, sir.
00:23:49They're residents here, sir.
00:23:50What?
00:23:51They're residents.
00:23:51They're members of the trade delegation.
00:23:53I spoke of.
00:23:54Well, we better go and see their room.
00:23:55You must find Boris Roth, Ivan Burgin, and Arjun Erogin.
00:23:58Here, excuse me, sir.
00:24:01Here, sir.
00:24:10Every sign of a harried departure.
00:24:12Yes, I see it.
00:24:13While everything is confusion, they escape.
00:24:16Looks very much like it, sir.
00:24:17They kill poor Gregor and walk out of the hotel.
00:24:27Here, sir.
00:24:32One moment, sir.
00:24:34I don't think we need to keep you any longer, sir.
00:24:36We'll do what we can to find them.
00:24:37If you just give the inspector the descriptions and the photographs,
00:24:39you can go now.
00:24:40Good night.
00:24:41This way, sir.
00:24:46William's here, sir.
00:24:47I've just had four phone calls from the embassy.
00:24:50They want the body at once.
00:24:52They want the murderers at once.
00:24:54And they want a full explanation also at once.
00:24:58Where are those trade delegate fellows?
00:25:00Well, they can't have gone far, sir.
00:25:02We're circulating descriptions.
00:25:05Conquest?
00:25:06Says he knows nothing about it.
00:25:08Says he came here as a sort of joke to meet a girl.
00:25:10I don't believe a word of it.
00:25:12Look here, Williams.
00:25:13You mustn't let your prejudices against conquest affect your judgment.
00:25:17I can't see him mixing himself up in this sort of thing.
00:25:20It's not his line of country at all.
00:25:22Have another talk with him.
00:25:25I will, sir.
00:25:27He's down at the West End Station, sir.
00:25:31So I let him go, sir?
00:25:32This business is far more important than your feud with conquest.
00:25:35We've got to find those two men.
00:25:37And the girl.
00:25:39Keep in touch.
00:25:41Yes, of course, sir.
00:25:43As a matter of fact, I was, sir...
00:25:45Well, I'll...
00:25:51Well, I'll...
00:25:52Well, I'll...
00:25:59Well, I'll...
00:26:01Where do I find Mr. Williams?
00:26:03Well, madam.
00:26:04Ah, there you are.
00:26:06What the dickens do you mean by clapping Norman in irons?
00:26:08Of all the stupid things to do, charging you with murder?
00:26:11Have you gone completely mad?
00:26:11Listen, Pixie, I didn't want to arrest him.
00:26:13I had to.
00:26:14All the evidence pointed that way.
00:26:15What evidence?
00:26:16What was he doing in this hotel?
00:26:17What do you know about all this?
00:26:18Will you stand still?
00:26:19It's not me.
00:26:20It's you.
00:26:21All I've heard is a man was killed, and you've arrested Norman for it.
00:26:23I haven't.
00:26:24Keep that door locked.
00:26:25I arrested him for being concerned in it.
00:26:27Giving me some wonderful story about a contact in room 605.
00:26:30And I've all had tried me in the world something about killing a pigeon with a golf ball.
00:26:33What do you want me to do?
00:26:34Kiss him?
00:26:37Oh, blimey.
00:26:38Go on.
00:26:47I don't know.
00:26:48I've heard some stories in my life, but he comes out with some stuff.
00:26:51He ought to get an Oscar.
00:26:53You can't blame me for not believing it.
00:26:54Why?
00:26:55Pigeons do carry messages.
00:26:57Yes, but not about beautiful girls, they don't.
00:27:00Oh?
00:27:02Which girls?
00:27:03Only one.
00:27:04Nadina Rodin.
00:27:06Who's she?
00:27:07Who's she?
00:27:07The contact.
00:27:08When she found out he was the wrong bloke, she put him out.
00:27:11Put him out?
00:27:13Drugged him.
00:27:14Only slightly.
00:27:15No ill effects when he came round, I'm afraid.
00:27:18Still, it's nice to know he can slip up sometimes.
00:27:23Have you seen this girl?
00:27:25No.
00:27:27Do you know what she's like?
00:27:29No.
00:27:32Know what she's like?
00:27:33Oh, yes.
00:27:35She's, uh, she's got a figure like a, like a sylph.
00:27:40That's it.
00:27:40And, uh, dancing blue eyes.
00:27:43And, uh, blonde hair, all glistening.
00:27:46Well, that's how Conquest described her.
00:27:48Little smasher, he said.
00:27:50Oh, he, he did, did he?
00:27:52Hmm.
00:27:53Bottom piece.
00:27:54Full of sex appeal.
00:27:55I'm not surprised he fell for her.
00:28:00Pixie, why don't you take him away somewhere?
00:28:02Somewhere where he can't get interested in blondes.
00:28:06Cuba, for example.
00:28:14Watch closely.
00:28:15It's, uh, it's as easy as, uh, this.
00:28:22Now you try.
00:28:27Oh, so you've finally come.
00:28:30Thank you, sweetheart, for getting things moving.
00:28:32You can go, Conquest.
00:28:33Is that all?
00:28:35All right, I apologize.
00:28:36Even if you didn't tell me the truth.
00:28:38About the blonde.
00:28:40Oh, yes, Norman.
00:28:41The little smasher.
00:28:42What have you been telling her, Bill?
00:28:44Only that you were in that room with her.
00:28:46Alone.
00:28:47What do you mean by that?
00:28:48What could I mean?
00:28:49Well, how can a guy get fresh when he's lying spread-eagled on the floor, drugged?
00:28:53You didn't know she was going to attack you.
00:28:55You thought you were going to have some fun, didn't you?
00:28:58You two are going to fight.
00:28:58You better go outside.
00:29:00What are you doing, Constable?
00:29:02Nothing, sir.
00:29:04Oh, really?
00:29:06Tell me a favor, get him out of here.
00:29:07Take him far away.
00:29:08We can't interfere with this Gregor business.
00:29:09Cuba, for example.
00:29:10With all the blondes, the brunettes.
00:29:12That's right.
00:29:13I'm having enough trouble finding your girlfriend's boyfriends.
00:29:17What boyfriend?
00:29:18Well, we have reason to believe that we're...
00:29:20Uh, getting cautious, Bill?
00:29:23We have reason to believe that Gregor was killed by your blonde and her two compatriots.
00:29:28Now get out of my hair and stop interfering.
00:29:30That's the last thing I intend to do.
00:29:32Their whole idea was to involve me in a messy murder.
00:29:35I go after people like that.
00:29:37You just watch and see how I keep out of it.
00:29:40You want to meet that girl again?
00:29:42Correct, sweetheart.
00:29:43And when I do see her, I'm going to put her over my knee and smack her.
00:29:47And as for her boyfriends who tried to festoon a murder ramp around my neck,
00:29:51I'm going to switch on the limelight, a whole cluster of limelight.
00:29:54Now, if you start interfering and hampering...
00:29:56Hampering, Bill.
00:29:57I'm going to help them.
00:29:58The more publicity, the better.
00:30:02You reckless young idiot!
00:30:14Oh, uh, superintendent.
00:30:16Thanks for that young business.
00:30:25Oh, thank you!
00:30:42There's a conquest, Mr. Reynolds.
00:30:47Beautiful gal wanted for murder.
00:30:49Foreign crooks in hotel drama.
00:30:51Norman Conquest arrested.
00:30:53Breakfast is ready, Mr. Feather.
00:30:55I have to do without breakfast this morning, Mrs. Pottle.
00:30:58Ah!
00:30:59But you must have some breakfast, sir.
00:31:01I must go to London.
00:31:02A consignment of orchids has gone astray from Brazil.
00:31:05I must leave immediately.
00:31:07I must leave immediately.
00:31:10I must leave immediately.
00:31:22I must leave.
00:31:23I must leave again.
00:31:24I must leave.
00:31:28I must always leave again.
00:31:29I must leave.
00:31:37Stay safe.
00:31:39I must leave.
00:31:49What are you doing here? I thought we were going to contact each other.
00:31:51These speak for themselves.
00:32:01What happened to my message?
00:32:03What message? What's this to do with me?
00:32:06Yesterday I sent you a message in the usual way,
00:32:08telling you where and when to collect a certain package.
00:32:11You and your pigeon post. I always did think that...
00:32:13You're not paid to think.
00:32:16In your own interest, I suggest you adopt a different attitude to the problem confronting us,
00:32:20especially if you wish to secure your own future.
00:32:23You're not paid to look after that stuff upstairs.
00:32:26You'll have no reason to complain as soon as this job is over.
00:32:29And don't forget, Mr. Shell isn't likely to appreciate the attentions of Conquest.
00:32:34That's the worst of working for, gents. You leave it on me.
00:32:38I'll take care of Mr. Conquest.
00:32:41That will not be necessary.
00:32:43We must get that package back before Mr. Shell leaves tonight,
00:32:46but we don't want any trouble of that sort.
00:32:52Trapped.
00:32:54They search for us. Our secret police and now Scotland Yard.
00:32:59How long can we remain undiscovered?
00:33:02Already we are lost. And she thinks...
00:33:05You take notice of all that painted nonsense.
00:33:08They are groping helplessly. Oh, they would have been here long before now.
00:33:11Here we are safe.
00:33:12What are you doing in there, Nadina?
00:33:15Preparing to go out.
00:33:17To go out without the London police looking for you.
00:33:20Here in the paper is your photograph.
00:33:22The first policeman you meet.
00:33:24Look at me.
00:33:26Do you think they recognize me?
00:33:28Well, perhaps not.
00:33:30Unfortunately, you must be idle for a while.
00:33:32But I've got a lot to do.
00:33:34Now this Conquest seems to be quite famous.
00:33:37Quite the reputation.
00:33:39He puzzles me.
00:33:41Now why was he in that room?
00:33:43And why does it say obtain the valuable package from me when it is true?
00:33:47Well, it's of no importance.
00:33:49Oh, but you're wrong.
00:33:51I'm going to find out how this Mr. Conquest is involved.
00:33:54I must know.
00:33:56And Boris,
00:33:58in case anything went wrong, I'll leave them with you.
00:34:02But, Nadina...
00:34:04I only said, in case anything went wrong.
00:34:09Why are you staring at me like that?
00:34:11Am I so different with short hair?
00:34:13Yes.
00:34:14And a better citizen.
00:35:01What if I have Heathfield Terrace?
00:35:03What are you doing?
00:35:04This is my taxi.
00:35:14How very uncomfortable.
00:35:21Where did you say we were going?
00:35:25Far?
00:35:26You might have asked me.
00:35:36You're at the same time.
00:35:46What's the limit?
00:35:47I've got a ticket.
00:35:48What's the limit?
00:35:49Why do you have to say that?
00:35:49Can I ask you one of the best?
00:35:55What are you doing?
00:35:57What's the limit...
00:35:57Why don't you ask me?
00:35:58Let's go.
00:36:39I'll catch you, Marco.
00:36:59Yes?
00:37:00What do you want?
00:37:03If I'd take this to Scotland Yard, there would have been a reward for it.
00:37:09All right, Captain.
00:37:12Thanks, Trevor.
00:37:30Yes, sir?
00:37:31Mr. Norman Comquist.
00:37:33What name, sir?
00:37:34Smith.
00:37:35Mr. John Smith.
00:37:42Mandy.
00:37:44See what that is, Will.
00:37:47Mr. Comquist's apartment.
00:37:49There's a Mr. John Smith to see Mr. Comquist.
00:37:51Just one moment.
00:37:53Here, there's a bloke called John Smith to see you, Gus.
00:37:56Who?
00:37:56Mr. John Smith.
00:37:59Uh-huh.
00:38:00Mandy, this is it.
00:38:02Have him sent right up.
00:38:03There's nothing I like better than to meet any of the, uh, ubiquitous Smiths.
00:38:08Send Mr. Ubiquitous Smith up, please.
00:38:11The lift marked private, sir.
00:38:13Uh, just press the button.
00:38:32Yes.
00:38:33How nice to see you, Mr. Smith.
00:38:37What can I do for you?
00:38:39My business is confidentl.
00:38:40Oh, Mandy, go and do something useful, will you?
00:38:45Won't you sit down?
00:38:46Thank you, no.
00:38:50I apologize for this bluntness, Mr. Conquest,
00:38:53but last night at the Park Plaza Hotel,
00:38:55you came into possession of a package to which you have no right.
00:38:58A package?
00:39:01And if I did?
00:39:02I must ask you to return it to me, please.
00:39:05Why should I?
00:39:06Assuming, of course, that I have it.
00:39:08Threats are distasteful to me, Mr. Conquest.
00:39:10But I am very anxious to have that package back.
00:39:15Tell me...
00:39:16Excuse me.
00:39:23Hello?
00:39:23This is Congress.
00:39:25I don't know what all this is about, Governor,
00:39:26but I just dropped a young lady and a gent at...
00:39:30Oh, that's wonderful news.
00:39:32Is everything all right?
00:39:34What is it, a boy or a girl?
00:39:35What's it?
00:39:36Oh, I said a girl and a...
00:39:38No, not at a nursing home.
00:39:40Approved us.
00:39:41Fine.
00:39:43When you're passing Conquest,
00:39:44court come in and pick up a box of cigars.
00:39:48Okay.
00:39:48Fine.
00:39:53Funny how Father always wants a daughter and a mother a son.
00:39:58Now, where were we, Mr. Smith?
00:40:01I was saying that threats are distasteful to me, Mr. Conquest.
00:40:05But I must insist that you give me that package.
00:40:07As you're so concerned about it,
00:40:09perhaps you'd be good enough to tell me what's in it.
00:40:11I see you intend to leave me no option.
00:40:14Where is your fiancée?
00:40:16Out shopping.
00:40:17I regret to say that she is not.
00:40:19Oh.
00:40:20Then where is she?
00:40:21That I do not intend to tell you.
00:40:22But I assure you she will come to no harm so long as you are sensible.
00:40:26Sensible?
00:40:27Oh.
00:40:27But I'm never sensible.
00:40:30Hey, Mandy.
00:40:31Fancy thinking you could get away with a corny trick like that.
00:40:34Don't be a fool, Conquest.
00:40:36What good will it do you?
00:40:37You don't know where your fiancée is.
00:40:39Maybe not.
00:40:40But I intend trying 45 Heathview Terrace.
00:40:45Yes, John?
00:40:46Gov?
00:40:46Sir, I mean.
00:40:48Lock him up.
00:40:48I'll be back later.
00:40:49And remember, no violence.
00:40:51Come on.
00:40:52There was something phony about that John Smith.
00:40:55Ow!
00:41:21Look at my hair.
00:41:23Get back here.
00:41:27Here.
00:41:29Ah.
00:41:31Oh.
00:41:34Uh.
00:41:34Oh.
00:41:35Oh.
00:41:40Ah.
00:41:42Uh.
00:41:43Finally.
00:42:03Well, well, well, I must say you choose the oddest shopping companions, and not even a blonde at that.
00:42:12What was it you said to me about having fun and games?
00:42:17What have you been doing?
00:42:21Oh, so you won't talk, huh?
00:42:25What's all that noise about?
00:42:26Oh, you hurt?
00:42:29Oh, let me see.
00:42:32Oh, serious, very serious.
00:42:36Now, Signorina Pixie, the brunette from Cuba, to what do you attribute your present condition for?
00:42:41I'll tell you.
00:42:43You always want to go out on these capers with me, and you see what happens.
00:42:47You know, I believe the only way I can keep you safe is to leave you just like that.
00:42:51Oh, well, I won't let you be lonely. I'll bring your boyfriend to you.
00:42:55Excuse me.
00:43:19I'll bring your boyfriend.
00:43:22Now tell me, who's the boss of this outfit?
00:43:24It's no use asking him questions. He's practically dumb.
00:43:27What do you mean, practical? He is completely.
00:43:31There's one thing about being with you, Norman.
00:43:33Life is full of good, clean, wholesome fun.
00:43:36That's right, sweetheart.
00:43:57Let's go.
00:44:24This package the girl smuggled into the country is some kind of document.
00:44:28Oh, no, sweetheart.
00:44:29Mandy, bring in Mr. Smith.
00:44:33This game's money, big money.
00:44:35And the package that blonde has contains something very valuable.
00:44:39These foreigners are small-time crooks working under orders.
00:44:43Reynolds and the man who called this afternoon are the English end.
00:44:46By concentrating on them, we'll find out who's at the top.
00:44:49I don't think you'll get anywhere, Norman.
00:44:51If I were you, I'd let the whole thing drop.
00:44:55Mr. John Smith, sir.
00:44:58And here she is, back again.
00:45:01All right, conquest, you win.
00:45:03What are you going to do now?
00:45:04Oh, that depends.
00:45:06I could call the police.
00:45:07And believe me, your friend Reynolds would spill plenty.
00:45:10However, I intend to deal with you myself.
00:45:13That is kind of you.
00:45:14Not at all.
00:45:16Now let's see what your real name is.
00:45:18Oh, careless, very careless.
00:45:22You shouldn't carry this in your pocket.
00:45:24You're obviously not a professional.
00:45:26Now let's see.
00:45:28Hmm.
00:45:30Mr. Theodore Feather.
00:45:31Address High Barn, Stoke Bramley, Essex.
00:45:36I'll take the liberty of borrowing your keys, Mr. Feather.
00:45:41Feather.
00:45:42Haven't I heard about you in connection with something thoroughly respectable?
00:45:46Feather.
00:45:48Orchids.
00:45:49You're the grower of the finest orchids in the country.
00:45:52That's it.
00:45:52Allow me to congratulate you.
00:45:54Yeah, orchids is lovely.
00:45:55Look here, Conquest.
00:45:56Every man has his price.
00:45:57I'll give you a thousand pounds to forget all about this.
00:46:00Chicken feed, Mr. Feather.
00:46:01No, wait.
00:46:02I'll make it five thousand.
00:46:05So help me, I'm touched.
00:46:07Nevertheless, nothing doing.
00:46:08Put him back into cold storage.
00:46:10Come on, Mr. Smith.
00:46:12Don't sit.
00:46:24Keep Feather locked up until I get back.
00:46:27Aren't you rather sticking your chin out going down there all alone?
00:46:30Oh, I don't know.
00:46:31I might stumble onto something.
00:46:32I wish you'd let me come with you.
00:46:33Some other time, sweetheart.
00:46:35Bye-bye.
00:46:45Bye-bye.
00:47:14Bye-bye.
00:47:20Bye-bye.
00:47:24Bye-bye.
00:47:30Bye-bye.
00:47:34Bye-bye.
00:47:43THE END
00:48:16THE END
00:48:36THE END
00:48:37THE END
00:48:37THE END
00:48:51THE END
00:49:04THE END
00:49:05THE END
00:49:32THE END
00:49:33THE END
00:49:40THE END
00:49:41THE END
00:49:51THE END
00:49:52THE END
00:49:56THE END
00:49:56THE END
00:49:57THE END
00:49:59THE END
00:50:14THE END
00:50:18THE END
00:50:20THE END
00:50:20THE END
00:50:23THE END
00:50:26THE END
00:50:37THE END
00:50:44THE END
00:50:46THE END
00:50:52THE END
00:51:02THE END
00:51:04THE END
00:51:05THE END
00:51:06THE END
00:51:07THE END
00:51:12THE END
00:51:13THE END
00:51:15THE END
00:51:17THE END
00:51:20THE END
00:51:21THE END
00:51:22THE END
00:51:22THE END
00:51:24THE END
00:51:25THE END
00:51:25THE END
00:51:26THE END
00:51:26THE END
00:51:26THE END
00:51:26THE END
00:51:34I HAVE THE
00:51:35NICEST IDEAS
00:51:38NOBODY
00:51:38HAS EVER SPANKED
00:51:39ME
00:51:40AND KISSED ME
00:51:41LIKE THIS BEFORE
00:51:42YOU ASKED
00:51:43FOR THE SPANKING
00:51:45AND YOU ASK
00:51:46FOR THE KISSING
00:51:47I'M GLAD I DID
00:51:48I HOPE
00:51:50THERE ARE
00:51:50NO STRINGS ATTACHED
00:51:51STRINGS
00:51:53WHO KNOW
00:51:54THERE ARE THEN STRINGS ATTACHED
00:51:56WE SIT TOGETHER
00:51:57YES
00:51:59WHY NOT
00:52:00THANK YOU
00:52:02THIS IS VERY PLEASANT
00:52:03MAKING OURSELVES
00:52:04COMFORTABLE
00:52:05IN MR. FEATHER'S HOUSE
00:52:06IT'LL PASS THE TIME
00:52:07UNTIL MR. SHELL ARRIVES
00:52:10OH
00:52:12SO YOU KNOW MR. SHELL
00:52:13NO NO NO
00:52:14BUT
00:52:15IT'S A FUNNY NAME
00:52:17TELL ME
00:52:18WHY DID YOU GET
00:52:19IN THE BACK OF MY CAR
00:52:22WELL
00:52:22YOU ARE INTERESTING
00:52:24I READ MANY THINGS ABOUT YOU
00:52:26IN THE NEWSPAPERS
00:52:26I LIKE THE WAY YOU SNAP
00:52:28FINGERS AT THE LOW
00:52:29YOU ARE BRAVE
00:52:30I LIKE THAT
00:52:31I LIKE IT VERY MUCH
00:52:33I BET YOU DO
00:52:35YOU'VE DONE A LITTLE
00:52:37FINGER SNAPPING
00:52:38IN THE PAST 24 HOURS
00:52:39YOURSELF
00:52:40YOU KNOW THE POLICE
00:52:41ARE ANXIOUS
00:52:41TO GET A HOLD OF YOU
00:52:42DON'T YOU
00:52:44BUT I'M SAFE
00:52:45WHI'M WITH YOU
00:52:48I'M NOT SO SURE
00:52:50WE BETTER SIT FURTHER APART
00:52:51YOU'RE DOING THINGS TO ME
00:52:53WHICH SHOULDN'T BE EXPERIENCED
00:52:54BY ANY RESPECTABLE MAN
00:52:55SO YOU LIKE ME
00:52:57THEN
00:52:57NOW TO GET BACK
00:52:59TO BUSINESS
00:53:00WHAT EXACTLY
00:53:02WHAT ARE YOU AFTER
00:53:05WHY CAN'T WE WORK TOGETHER
00:53:06I ALWAYS HOPE
00:53:08THAT I SHOULDN'T HAVE
00:53:08TO RETURN TO MY COUNTRY
00:53:09NOW I DO NOT GO BACK
00:53:12EVER
00:53:14YOU'VE CHOSEN A PRETTY DANGEROUS
00:53:16WAY OF BREAKING LOOSE
00:53:18MURDER IS A SERIOUS CRIME
00:53:20MURDER
00:53:21MURDER
00:53:22I DIDN'T KILL ANYBODY
00:53:24OH
00:53:24YOU MEAN GREGOR
00:53:26I ONLY STUNT HIM
00:53:27A LITTLE BIT
00:53:29AND THEN PROCEEDED
00:53:30TO MAKE THINGS
00:53:31VERY UNPLEASANT FOR ME
00:53:33THAT WAS BEFORE
00:53:34I REALLY KNEW YOU
00:53:41ALL RIGHT THEN
00:53:43WHAT WAS IN THAT PACKAGE
00:53:44SHE WAS SUPPOSED TO HAND OVER
00:53:47DIAMONDS
00:53:47MANY MANY DIAMONDS
00:53:49AH
00:53:50DIAMONDS
00:53:51WHERE ARE THEY
00:53:53THEY'RE NOT IN THERE
00:53:54YOU CAN TELL ME
00:53:55WHERE THEY ARE
00:53:55I HAVEN'T GOT THEM ON ME
00:53:57BUT NEVER MIND
00:53:58HELP ME
00:53:59AND THEY'LL BE HALF YOURS
00:54:00NOW WE'RE GETTING SOMEWHERE
00:54:03NOT THAT I BELIEVE YOU
00:54:04WHEN YOU SAY THEM OUT
00:54:04ARE YOU
00:54:05BUT THEY'RE NOT
00:54:06DON'T YOU REALLY BELIEVE ME
00:54:08NO
00:54:09ALL RIGHT
00:54:16ALL RIGHT
00:54:17YOU SHALL SEE FOR YOURSELF
00:54:20HEY HEY
00:54:21YOU CAN'T DO THAT
00:54:22BUT I CAN
00:54:23WE'RE ALONE
00:54:25OKAY
00:54:25GO AHEAD
00:54:32GO AHEAD
00:54:33GO AHEAD
00:54:37GO AHEAD
00:54:39I DON'T WANT TO
00:54:39EMBARRASS YOU
00:54:42PITTY
00:54:42IN ENGLAND
00:54:43MEN ARE SO SHY
00:54:46NOW
00:54:47TO GET BACK TO BUSINESS
00:54:48DO ALL YOU PEOPLE WORK FOR
00:54:50MR. SHELL
00:54:51MR. SHELL
00:54:53I THOUGHT YOU SAID
00:54:54YOU DIDN'T KNOW
00:54:54MR. SHELL
00:54:56OH
00:54:57I TELL A LITTLE LIE
00:54:59THAT IS ALL
00:55:00OH
00:55:00WELL WHAT'S A FIB BETWEEN
00:55:01FRIENDS
00:55:02ALL RIGHT
00:55:03NO MORE FIBS
00:55:04NOW LISTEN CAREFULLY
00:55:06MR. SHELL
00:55:07FOR A LONG TIME
00:55:08HAS BEEN SENDING
00:55:09DIAMONDS AND MONEY INTO ENGLAND
00:55:10THE DIAMONDS I BRING
00:55:12THEY ARE TRYFUL
00:55:13HE HAS GOT MORE
00:55:13MUCH MORE
00:55:18LOOK
00:55:18HE'S A VILE MAN
00:55:20HE'S A WAR CRIMINAL
00:55:21IT CANNOT BE DISHONEST
00:55:23TO ROB SUCH A MAN
00:55:25WE GO EQUAL SHARES
00:55:27IS THAT NOT GOOD?
00:55:28YES
00:55:29EXCEPT FOR ONE SNAG
00:55:31A RATHER BIG SNAG
00:55:32WHAT IS IT?
00:55:33PIXIE
00:55:34WHAT DO YOU THINK SHE'LL DO
00:55:36WHEN I TELL HER THAT YOU AND I
00:55:37ARE PARTNERS?
00:55:38BUT IF SHE LOVES YOU
00:55:39DOESN'T SHE WANT YOU
00:55:41TO BE HAPPY?
00:55:42WHERE GLAMOROUS BLONDS
00:55:43ARE CONCERNED
00:55:44I'M AFRAID
00:55:44SHE'S NOT VERY BROAD-MINDED
00:55:48AND
00:55:50IF I WERE IN HER SHOES
00:55:51LOOKING AT YOU
00:55:52MY MIND WOULD BE
00:55:53AS NARROW AS THE EDGE
00:55:54OF A RAZOR PLADE
00:55:56I'M SORRY IT CAN'T BE DONE
00:55:59NOT EVEN FOR A LITTLE WINE?
00:56:01NO
00:56:05I'M AFRAID NOT
00:56:07LISTEN
00:56:08MR. SHERN?
00:56:10YES
00:56:10GET YOUR THINGS
00:56:12QUICK
00:56:13BEHIND THOSE CURTAINS
00:56:15WAIT A MINUTE
00:56:17ALL RIGHT
00:56:34FATHER
00:56:35WHERE ARE YOU?
00:56:37COME IN, MR. SHERN
00:56:38YOU'RE EXPECTED
00:56:45CONQUEST IS THE NAME
00:56:47I UNDERSTAND THE WAR
00:56:49CRIMES COMMISSION WOULD LIKE
00:56:50TO HAVE A WORD WITH YOU
00:56:51GREGOOR
00:56:52ALL THAT IS FORGOTTEN NOW
00:56:55SO YOU CAME TO COLLECT, HERR BARON
00:56:59GREGOOR'S DEATH
00:57:01PANICKED YOU INTO A MOVE
00:57:02WHICH YOU HADN'T REALLY PLANNED
00:57:03NOW THE POLICE ARE AFTER YOU TOO
00:57:05JUST IN CASE YOU DIDN'T KNOW
00:57:06THEY HAVE NO PROOF
00:57:08GREGOOR WAS
00:57:10YOU WERE SAYING SOMETHING ABOUT GREGOOR
00:57:12DO GO ON
00:57:13IT DOES NOT PAY ANYONE TO RECOGNIZE ME
00:57:16MEANING ME?
00:57:18WHERE IS MR. FEATHER?
00:57:19IN MY FLAT IN PARK LANE
00:57:21HE WAS MAKING HIMSELF A NUISANCE
00:57:23ARE YOU ANXIOUS TO LEAVE?
00:57:27FOR THE MOMENT
00:57:28YOU HAVE THE ADVANTAGE
00:57:33NOT THIS TIME, CHUM
00:57:35I WAS HALF EXPECTING
00:57:36REINFORCEMENTS, BARON
00:57:38SILLY OF YOU TO LOOK PAST ME LIKE THAT
00:57:40AND IF YOU DON'T STAY STILL
00:57:41I'LL TELL YOUR ARM OFF
00:57:48I'LL TAKE HIM OUT OF THE CAR
00:57:49TIME IS SHOT
00:57:54DRIVE STRAIGHT TO THE FLAT OF THIS MAN
00:57:56OR TAKE HIM OUT OF THE CAR
00:58:02TIME IS SHOT
00:58:11DRIVE STRAIGHT TO THE FLAT OF THIS MAN
00:58:12AND THE FLAT INTO THE FLAT INTO THE FLAT INTO THE FLAT AND Lord
00:58:32WHAT?
00:58:32I'm a good friend of Mr. Conquest.
00:58:33He's in danger.
00:58:35Who are you, please?
00:58:37Are you the blonde?
00:58:38Yes, I've heard about you.
00:58:39Oh, please, this is important.
00:58:41My conquest's been hit on the head.
00:58:44Your conquest?
00:58:45Oh, do listen.
00:58:47There is much hurry.
00:58:48They're bringing him home,
00:58:50and I'm sure that these men will try to force their way in.
00:58:53Yes, they want Mr. Feather.
00:58:55Yes, it is from his house that I speak.
00:58:58How is he being brought here?
00:59:02And his own car?
00:59:05I hope you can drive well.
00:59:06It's practically jet-propelled.
00:59:09Yes, now listen carefully.
00:59:11There's a side road at the corner of Conquest Court.
00:59:41From the top of Conquest!
00:59:46Yes, now listen.
00:59:50Keep going, guys!
00:59:56Let's go!
01:00:09Put that down, you fool. Keep your gun in his ribs.
01:00:13What's the matter, Baron? Nervous?
01:00:16I am desperate with everything to lose, including my life.
01:00:18One step out of the place and I will not hesitate to use this.
01:00:21You know, Baron, I believe you mean that.
01:00:43You know, Baron, I believe you.
01:00:56You know, Baron.
01:00:59You know, Baron, I believe you.
01:01:06You know, Baron, I believe you.
01:01:07Room with nothingness.
01:01:12And you know, Baron.
01:01:19Let's go!
01:01:22Be beautiful.
01:01:25I spend a little time here.
01:02:50Arno Pixie?
01:02:51Yes.
01:02:53A lucky man, Mr. Kong.
01:02:54What's in happening?
01:02:55We have no time to lose.
01:02:57Fawn Henschel wants this man further.
01:02:58And we must be ready for them.
01:03:15Reach, Baron.
01:03:21Thank you, sweetheart.
01:03:22I couldn't have done better myself.
01:03:24Baron, stand away.
01:03:25I've got conquest covered.
01:03:27Drop your gun.
01:03:28Stand aside or I'll fire.
01:03:30You would not dare.
01:03:32Give me the gun.
01:03:34I'm more desperate than you are.
01:03:38Unpredictable, aren't you?
01:03:41Better give it to her, Pixie.
01:03:43Thank you, Fraulein.
01:03:44You will not regret this.
01:03:45I waited for my chance, Baron.
01:03:47Now I'm with you.
01:03:50Thank you, Kong.
01:03:56Good night.
01:03:58Good night.
01:03:59Good night, madam.
01:04:20Hello?
01:04:22Hello?
01:04:27Hello?
01:04:44You are a fool.
01:04:45This delay with conquest may cost me my freedom.
01:04:47La Pampa sails in less than an hour.
01:04:49You'll make it all right, Herr Baron.
01:04:51Luckily, the valuables are safe at Heath View.
01:04:54All of them.
01:04:56Including the package that arrived yesterday?
01:05:00Well, I...
01:05:02I...
01:05:05Don't worry, Mr. Feather.
01:05:06I've got you.
01:05:08Ah, good.
01:05:09When I heard from my friend in your foreign office
01:05:11you were to be arrested,
01:05:12I thought all would be lost.
01:05:14It was fortunate
01:05:15that I was able to get Gregor before he got you.
01:05:18You mean that you... you?
01:05:26Do you think I was going to let that package slip through my hands?
01:05:30You have done well, Nadine.
01:05:33You shall both pay justly rewarded.
01:05:39Thank you, Stevens.
01:05:40Very civil of you.
01:05:41That's all right, sir.
01:05:44Oh, uh...
01:05:45Mandy, uh...
01:05:55Hello?
01:05:57Yeah?
01:05:58Conquest, I want a word with you.
01:06:00Why?
01:06:00What's the trouble?
01:06:01What do you know about a man called Baron Von Henschel?
01:06:05Nothing very much.
01:06:06He was killed in the war, wasn't he?
01:06:07Sure you didn't meet him at the Park Plaza last night?
01:06:10No.
01:06:11No, Bill, no.
01:06:13Well, it might interest you to know
01:06:14that Baron Von Henschel's fingerprints
01:06:16were found on the dead man's collar.
01:06:17That means he's not as dead as we thought he was, doesn't it?
01:06:20I'll be over.
01:06:22Okay.
01:06:25Who was that?
01:06:26Only Bill.
01:06:27He's waking up.
01:06:28Just found out Von Henschel's alive.
01:06:30Oh, fine.
01:06:31Let's leave it to him.
01:06:32Thank heavens all that's over as far as we're concerned.
01:06:35Over?
01:06:36What, and let Von Henschel get away with a fortune?
01:06:39Huh.
01:06:39I'm only just starting.
01:06:42Well, there's no use dashing off wildly.
01:06:44They may have gone to the country place,
01:06:45Heathfume, elsewhere.
01:06:49Why did Von Henschel come here?
01:06:51To rescue Feather, of course.
01:06:52Therefore, he must be the only one
01:06:54who knows where the loot is hidden.
01:06:55Where does that lead us?
01:06:56It leads me to follow my hunch.
01:06:58Hey!
01:07:00Oh.
01:07:06Sure, Hugh.
01:07:20Take that car off of the back.
01:07:22Let Von Henschel move, sir.
01:07:28every moment here is ready.
01:07:29Come on.
01:07:33Well done.
01:07:34Narina, untie this man.
01:07:36We shall go upstairs.
01:07:36Let's go upstairs.
01:07:57Hello. Pixie.
01:08:00I can't explain now.
01:08:02I'm at 45.
01:08:04This is a bad line. I can't hear you.
01:08:08There isn't much time, but you must believe me.
01:08:11Hello.
01:08:12Hello.
01:08:14Narina, what's wrong?
01:08:16Narina, what's wrong?
01:08:17Hello.
01:08:27I was...
01:08:28I wanted to...
01:08:30I wanted to...
01:08:35I wanted to...
01:08:37I wanted to...
01:08:39I wanted to...
01:08:41I wanted to...
01:08:59I wanted to...
01:09:06I wanted to...
01:09:09I wanted to...
01:09:11I wanted to...
01:09:22I wanted to...
01:09:22The package, please.
01:09:24There is no hurry.
01:09:25I'll give them to you when we arrive on the ship.
01:09:39You will not double-cross me again. Where are those diamonds?
01:09:43Look out!
01:09:50You're a novice now, you damn it!
01:09:59I won't ask you again. Where are those diamonds?
01:10:04They are in my flat.
01:10:06I must phone my friends to bring them to the ship.
01:10:10All right. I will come with you.
01:10:13And you must make it perfectly clear to your friends
01:10:16that if they wish to see you again,
01:10:18those diamonds must reach the ship before she sails tonight.
01:10:34If he doesn't show up soon, we'll lose the tide.
01:10:36We will give him 20 minutes, and then we will cart off.
01:10:42This must be him.
01:10:46Then, sir.
01:10:48So long as he pays.
01:10:50So long as he pays.
01:10:58What kept you?
01:11:10Unfortunately, I can't do that to you.
01:11:14You don't understand.
01:11:17I suppose trying to explain won't help.
01:11:21You all right?
01:11:22But...
01:11:25He said nothing.
01:11:27Nothing I can say that would make any difference.
01:11:31No, I'm afraid not.
01:11:33It's a pity.
01:11:34I was beginning to like you.
01:11:40Look out!
01:11:41Look out!
01:12:07Look out!
01:12:08Perhaps...
01:12:09For me, this is...
01:12:11The best thing.
01:12:17You know...
01:12:18You fled.
01:12:20That was the only thing to do.
01:12:23If I had not done as I did.
01:12:28He would have shot you.
01:12:31I know.
01:12:35Norman.
01:12:37One little thing.
01:12:39For me.
01:12:40Sure, Nadina.
01:12:43My two...
01:12:44Comrades...
01:12:46Are on the way here.
01:12:49Look after them for me.
01:12:51Of course.
01:12:56Then...
01:12:57We are friends again.
01:12:59Yes, we're friends again.
01:13:05Kiss...
01:13:07Be friends.
01:13:15Hey, be careful of that thing.
01:13:17It might go off.
01:13:26There you see, chum.
01:13:27I had no trouble at all solving that little lot.
01:13:29I realized that once Von Henshall had been recognized by Gregor, he had to kill him.
01:13:33Now that the case against him is complete, we've dropped all the other charges.
01:13:36Got it?
01:13:37Yes.
01:13:37Bless you.
01:13:38And you.
01:13:41Well, I'm sorry I've got to take your stolen property.
01:13:43Ah, well, it can't be helped.
01:13:45Do me a favor, Pixie.
01:13:46Keep him out of trouble.
01:13:47Goodbye.
01:13:54You're going to look lovely in diamonds.
01:14:06What am I saying?
01:14:07You look lovely just the way you are now.
01:14:38Hey, you.
01:14:44You're not my father.
01:14:44You're not my father.
01:14:45I'm a proud Jew.
01:14:46I'm the only one of those who may have been on the other side.
01:14:46In the end of the day, we are going to love you.
01:14:47Hey, my father, I'm your father.
01:14:47And if you want all these other characters against you, you're going to have to take your own
01:14:48Hey, you're really beautiful.
01:14:48I'm learning your father.
01:14:49That's a great place.
01:14:50Who may be?
01:14:50And when I ask you about the other
01:14:52You're going to be a different place.
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