- 8 hours ago
Park Plaza 605 [Full Movie] [Full Episodes]Full EP - Full
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00:00:07The End
00:00:34The End
00:01:04The End
00:01:40What a beauty
00:01:42Not bad
00:01:45Hey, did you see that?
00:01:46I thought it hit a bird
00:01:48Well, I'm...
00:01:48Poor creature, you must have killed it
00:01:50Poor creature, my foot, my best drive...
00:01:52I mean, one of my best drives ruined
00:02:01A pigeon!
00:02:02Look, you've hit it smack on the head
00:02:04I like that
00:02:05I saw it coming, deliberately aimed at it
00:02:07I knew I was good, but not that good
00:02:10Look, Norman, it's a carrier
00:02:12That should give us the name and address of the sender
00:02:15What does it say?
00:02:18Room 605, Park Plaza Hotel, reserved in your name
00:02:21Await contact, 8 o'clock tonight
00:02:23Act according to instructions
00:02:26Doesn't that give you a kick?
00:02:28A message speeding through the air
00:02:29Straight from the...
00:02:30Oh, Norman, you'll see something melodramatic in his menu
00:02:33This is no menu, sweetheart
00:02:35And has the receiver never got it?
00:02:37He won't be there
00:02:38Oh, and beware
00:02:39Park Plaza Hotel, room 605, 8 o'clock tonight
00:02:41But I won't
00:02:46Thank you, sir
00:02:4724
00:03:106th floor, please
00:03:11Right, sir
00:03:15What are you so excited about?
00:03:16Well, I'm waiting for the second leg of my double to come up, sir
00:03:19Did you get good odds on the first one?
00:03:21Didn't win
00:03:47Thank you, sir
00:03:50Good news
00:04:0221
00:04:0324
00:05:29Are you in the habit of waiting behind doors?
00:05:32Sometimes.
00:05:34Well, now that you're here, you may as well be comfortable.
00:05:37I mustn't stay more than a minute.
00:05:38A minute?
00:05:39That's ridiculous.
00:05:40Won't you sit down?
00:05:42I have not come here to sit down.
00:05:44Of course.
00:05:45What did you come here for?
00:05:49You're passage from New York was a smooth one, I hope.
00:05:54Not too smooth.
00:05:55There was a nasty gale in mid-Atlantic.
00:05:59Is anything wrong?
00:06:00Have I said something I shouldn't?
00:06:04Your passage from New York was a smooth one, I hope.
00:06:08I'm sorry.
00:06:08I know I should give a snappy reply to that, but as I said, it was pretty rough.
00:06:12I got hit on the head and I've forgotten the answer.
00:06:16Pity.
00:06:17Does it matter?
00:06:19You're here and I'm here.
00:06:20There can't be any mistake.
00:06:22All right.
00:06:23If there is no mistake, you have something for me?
00:06:26Have I?
00:06:28There's no hurry.
00:06:28Let's get better acquainted.
00:06:30But I'm in a hurry.
00:06:31Where is it?
00:06:32Give it to me.
00:06:33You haven't even told me your name.
00:06:35It must be a very nice one to be like.
00:06:36You are foolish, you know.
00:06:38You're stalling.
00:06:39I do not like this.
00:06:41Where is the money?
00:06:43Give it to me.
00:06:43I've got to go.
00:06:44I'm sorry, beautiful.
00:06:46I'm just as cautious as you are.
00:06:49I didn't bring the money.
00:06:51I thought we'd better have a little chat first before...
00:06:55Don't move.
00:06:57Don't try and fool me with that toy pistol.
00:06:59This is no toy.
00:07:01I'll take a chance on that.
00:07:02All right.
00:07:40You have kept us waiting.
00:07:45where have you been and those clothes you're wearing as a member of our trade delegation
00:07:50how do you get such ideas you are so pleasure-seeking enough ivan nadina is a good citizen
00:07:57and her father was one of the heroes of the revolution why talk like this do we dine and
00:08:02dance tonight or not it is not wise if gregor of the secret police saw us gregor gregor who is
00:08:10gregor
00:08:11mr gregor for mr boris roff very good sir mr roff please mr gregor has called sir very good sir
00:08:22mr roff says will you please go straight up it's suite 600 on the sixth floor
00:08:31gregor's on his way up
00:08:35nadina you had better leave us
00:08:44now what can you want
00:08:50good evening gregor we are pleased
00:08:54i have to inform you that you are both under arrest
00:08:58why what is the charge arrested why are we to be arrested orders where's nadina rodin
00:09:12i am sure you do not want to resist our government
00:09:17there are three men downstairs you will have to answer to our chief
00:09:22he was shot this morning the entire staff of the trade bureau is affected you are all being sent back
00:09:29for an inquiry you know what that means it is not necessary for me to go into any details at
00:09:34this moment
00:09:36my orders are you mad i would be mad if i let him arrest us but he's only stunned so
00:09:48we better be quick
00:09:48how can we escape from this hotel leave it to me i've been prepared for something like this
00:09:52what about the man downstairs man downstairs forget the man downstairs come on get ready hurry
00:10:06we will give him another five minutes
00:10:08Thank you very much.
00:10:47Thank you very much.
00:11:17Thank you very much.
00:11:23Come on.
00:11:25Come on.
00:11:27Come on.
00:11:28Come on.
00:11:32Who looked at this?
00:11:33I don't know, but something has happened.
00:11:36Don't touch that phone.
00:11:38Sorry.
00:11:41Is anything wrong?
00:11:44He's dead.
00:11:46What?
00:11:48You have killed him.
00:11:50Oh, no.
00:11:51That's impossible.
00:11:53But you only stunned him.
00:11:55Now we shall be hunted by the English police as well as our own.
00:12:00Someone has done this to us.
00:12:02Come on.
00:12:03We must get away quickly.
00:12:04Wait a minute.
00:12:05I've got an idea.
00:12:06Bring Gregor and follow me.
00:12:08Are you out of your mind?
00:12:09Shh.
00:12:10I know what I'm doing.
00:12:11But hurry up.
00:12:39Come on.
00:12:41Come on.
00:12:49Hey, foreigners.
00:12:52Drunken foreigners.
00:13:15Who is this man?
00:13:16I don't know, but he is going to be arrested for the murder of Gregor.
00:13:20And this is my plan.
00:13:21Iban.
00:13:22You ring up Scotland Yard.
00:13:30Go to Park Plaza Hotel.
00:13:32Man reports being attacked in room 605.
00:13:35Over.
00:13:36Message received.
00:13:37We're on our way.
00:13:41That's Harry.
00:13:42He can have it.
00:13:46Turn off that blooming disc jockey.
00:13:48I've had enough for one day.
00:13:49Park Plaza straight ahead, sir.
00:13:50So's my dinner.
00:13:52Let Harry go to the Park Plaza.
00:14:09George, call an ambulance for me, will you?
00:14:11Sorry, sir.
00:14:12Good evening, sir.
00:14:13What's the trouble, Constable?
00:14:14A man's fallen from the sixth floor of the Park Plaza, sir.
00:14:16Oh, murder.
00:14:18There goes my tripe and onions.
00:14:20What room number to control, sir?
00:14:22605, sir.
00:14:23All right, you.
00:14:24We'll handle it.
00:14:40Super Lieutenant Williams, Scotland Yard.
00:14:42Who's the occupant of room 605?
00:14:46Well, Mr Atwell.
00:14:49It's the occupant of room 605.
00:14:55But there's no one in 605. It's reserved for Mr. Reynolds. He hasn't yet arrived.
00:14:59I'm going up. You'd better come with me.
00:15:33Conquest. Oh, no. Oh, I might have known this had happened. Why didn't I mind my own business? I said
00:15:38I'd had enough for one day. Bill, where did you spring from? What's this all about?
00:15:45You're drunk. Not drunk, Bill. A little dopey is. There's no difference. Yes, there is. I may be a little
00:15:54dopey, but...
00:15:54...but not with alcohol. I'm not pi-eyed. Now, make a special note of this. I've... I've been drugged. Oh,
00:16:02blimey.
00:16:03What have I done to deserve you? There must be a curse on me. Any time it's something particularly unpleasant...
00:16:09...and you're involved in it, I'm the muggers bound to be dragged in. Will you stand still?
00:16:12I am standing still! Conquest! Conquest, now, what have you been up to? Come on out, talk. And talk sense.
00:16:19Bill, be reasonable. I can't even think. What I need is some coffee.
00:16:26Now, look. If you're stalling Conquest, I advise you to cut it out.
00:16:28A man was killed in this room a few minutes ago by falling out of that window.
00:16:31And you must have been here. Say that again?
00:16:34You heard me. A man fell out of that window and you were in this room.
00:16:37I guess I must have been because I'm only just getting back into circulation.
00:16:42This window? Yes.
00:16:54It's a long way to the pavement, Bill. He was killed instantly.
00:16:58That's a very clever bit of deduction.
00:17:01Yes. Amazing.
00:17:03What do you know about a man called Reynolds? Reynolds? Reynolds?
00:17:06Oh, Sir Joshua. Great... Now, look. Here comes...
00:17:09All right, Bill. All right. I never heard the name before.
00:17:11I believe you, Mr. Reynolds. It's just one of your phony names.
00:17:14Shut those doors, Sergeant.
00:17:16I don't know what your game is, but this time it's something pretty smelly.
00:17:19Why didn't you go to the desk in the ordinary way and take your key?
00:17:22Wait a minute, Bill. A little slow. I didn't get that.
00:17:25They told me down at reception that Reynolds hadn't booked in.
00:17:27Oh, don't blame me. It was the girl.
00:17:30What girl? The blonde.
00:17:32Oh. It's erasing certainty to be a blonde in the game if you're mixed up in it.
00:17:36Bill, I fell for the oldest gag in the world.
00:17:39What gag? If you...
00:17:41Stop barking at me. I'll try to tell you how I came to be in this room and meet the
00:17:44girl.
00:17:47All right. So there's a blonde. Where is she?
00:17:53I was afraid you were going to ask me that.
00:18:00What is this place? Where are we?
00:18:02My flat, of course. I told you I've taken precautions.
00:18:05There's only one or two people who know me here.
00:18:07I told them that I was a dancer and that I occasionally danced in London.
00:18:11But I like to have a little place of my own.
00:18:13All very simple, my friend.
00:18:16You totally does nothing of this.
00:18:17Of course. Oh, come on. Take off your coat.
00:18:20Make yourself comfortable. I'll make you a little coffee.
00:18:23We have an awful lot to talk about.
00:18:28And after asking me a question, sort of password and not getting the right reply,
00:18:33she pulled a trick gun and squirted her to Mickey Finn in my face.
00:18:36Oh, turn it up. Who do you think you are, Hans Anderson?
00:18:39I assure you it's the truth. Pure and unadulterated.
00:18:42If you want to know more, find the blonde.
00:18:43I believe this whole thing's your own taradiddle.
00:18:46My what?
00:18:48Uh, taradiddle. You made it up yourself.
00:18:50Oh.
00:18:51I want to know your real reason for coming in here.
00:18:52I want to know who that man is and how he came to fall out of that window.
00:18:55Well, that makes two of us.
00:18:57I must have been out for the better part of an hour.
00:18:59Look.
00:19:01Mr. Williams, the, uh, superintendent, doesn't believe my story about the blonde.
00:19:07I'm pretty certain she occupies a room on this floor.
00:19:09You should know.
00:19:10She's, uh, foreign, uh, expensively dressed and hits you smack.
00:19:14Well, it must be, it must be Miss Rodin.
00:19:16Rodin?
00:19:17Could be.
00:19:18Who's she?
00:19:18She's a member of the trade delegation.
00:19:20The secretary to one of the delegates in Sweet 600.
00:19:23I mean, mustn't have any trouble with them, you know.
00:19:26You see, Bill, if only you'd have a little more faith in me.
00:19:30You shut up!
00:19:31All right, Mr, uh, Atwell, sir.
00:19:34Two T's, two O's and two L's.
00:19:37All right, you can go.
00:19:41Mr. Williams?
00:19:41Yes?
00:19:45May I have a word with you, sir?
00:19:47Yes, all right.
00:19:47Come on.
00:19:50There's something clear, sir.
00:19:52The police surgeon asked me to tell you the poor devil was dead before he fell from the window.
00:19:56Ah, he always knows so much.
00:19:57How does he know?
00:19:58Something to do with the bleeding.
00:20:01Ow.
00:20:08Well, Conquest, this is gonna settle you, chum.
00:20:11That man was dead before he fell from that window.
00:20:13And as for you being doped, anybody can fake that kind of act.
00:20:16I hope you realize what you're implying.
00:20:18What do you want me to do?
00:20:19Confess to murder?
00:20:20I always said one day you'd go too far.
00:20:23You came here to see this man.
00:20:24You threatened him with something.
00:20:25He grabbed the telephone, got through to Scotland Yard and shouted for help.
00:20:28Then you had a fight and killed him.
00:20:29Did I?
00:20:29Yes.
00:20:30I don't say you did it deliberately, but when you found he was dead, you went over to the window
00:20:33and fight the struggle.
00:20:34Hold on a minute while I try to follow your torturous reasoning.
00:20:37I threatened this guy.
00:20:38Yes.
00:20:39He got scared.
00:20:40Yes.
00:20:41Grabbed the phone.
00:20:41Yes.
00:20:42Call Scotland Yard.
00:20:43That's right.
00:20:43What was I doing in the meantime? Holding his hand?
00:20:46How do I know?
00:20:46Oh, Bill, be yourself.
00:20:48I told you, I don't believe you did it deliberately.
00:20:50That's mighty decent of you.
00:20:51After that, instead of sliding off the open spaces, I stayed here in this room and waited until you came
00:20:55and found me.
00:20:56Can't you see your whole theory is pure nonsense?
00:20:59All I know is that a dead man was thrown out of that window while you were in this room.
00:21:03Now, can you or can't you tell me who he is?
00:21:05No.
00:21:05I can, sir.
00:21:06You knew him well.
00:21:07Name of Gregor.
00:21:08Gregor?
00:21:09I knew him well?
00:21:10Trades delegation, sir.
00:21:13Trades delegation.
00:21:15Oh, what a lovely mess.
00:21:19Conquest, I'm arresting you on a charge of complicity, get that?
00:21:22In the murder of the man Gregor.
00:21:23And I warn you that anything you...
00:21:26Unless we can find our way to South America or some such place, we might as well be rats in
00:21:31a trap.
00:21:32We'll get there.
00:21:33Don't worry.
00:21:34Anything is possible.
00:21:35It's money.
00:21:36It's money what matters.
00:21:38Come.
00:21:38I'll show you something.
00:21:54They are worth 50,000 English pounds.
00:21:57Where did you get these, Nadina?
00:21:59If they had been found, would you?
00:22:00But they haven't.
00:22:01We enjoy diplomatic immunity of the customs.
00:22:04Easy.
00:22:06Who...
00:22:06Who gave them to you?
00:22:08A certain gentleman of our foreign office.
00:22:11He likes money as much as we do.
00:22:12They are his then?
00:22:13No.
00:22:14Look.
00:22:15It's like this.
00:22:15He is working for Baron von Henschel of the Gestapo.
00:22:19The diamonds were looted by the Baron from Rotterdam.
00:22:21And I was going to give them to his agent.
00:22:24But that is nonsense.
00:22:27Von Henschel is dead.
00:22:29You will say next that Hitler is a...
00:22:31Look, I'm only repeating what I'm told.
00:22:33This man from the Foreign Office assures me that he is in contact with the Baron.
00:22:38Where is he?
00:22:39Who knows?
00:22:41But this von Henschel has collected a big fortune for himself in this country.
00:22:44Now, my contact had these diamonds for over a year.
00:22:47Then he passed them on to me to bring them to London.
00:22:50Hmm.
00:22:51I was to meet Baron von Henschel's agent
00:22:53and receive 1,000 pounds from my work.
00:22:57Something went wrong.
00:22:59But now I have other ideas.
00:23:02Perhaps we can outwit this agent
00:23:04and obtain possession of the whole of Baron von Henschel's fortune.
00:23:11Now, why couldn't I go home and mind my own business?
00:23:13You mean conquest, sir?
00:23:14Yes, conquest.
00:23:15Every time he gets involved in a case, the yard pushes it under me.
00:23:18Why?
00:23:18Why me?
00:23:19He's looked on as your pigeon.
00:23:20Pigeon?
00:23:21Don't you talk to me about pigeons.
00:23:24Anyway, we got him under arrest.
00:23:25How long do you think we'll hold him this time?
00:23:27I don't know.
00:23:27I've been dreaming about it every night for months.
00:23:29For years.
00:23:30Getting him on a serious charge and making it stick.
00:23:32Excuse me, Superintendent.
00:23:34This is Mr. Barkoff from the Embassy.
00:23:36Yeah.
00:23:40Rothenburgen, where are they?
00:23:41Who?
00:23:42The people Gregor came to see.
00:23:44Now he is dead.
00:23:45Where are they?
00:23:46The first I've heard of them.
00:23:47I can tell you about them, sir.
00:23:49They're residents here, sir.
00:23:50What?
00:23:51They're residents.
00:23:51They're members of the trade delegation.
00:23:53I just spoke of.
00:23:54Well, we'd better go and see their room.
00:23:55You must find Boris Roth, Ivan Burkin, and Arjun Erodian.
00:23:58Excuse me, sir.
00:24:01Here, sir.
00:24:02Here.
00:24:10Every sign of a harried departure.
00:24:12Yes, I see it.
00:24:13While everything is confusion, they escape.
00:24:16Looks very much like it, sir.
00:24:17They kill poor Gregor and walk out of the hotel.
00:24:27Hello.
00:24:32One moment, sir.
00:24:34I don't think we need to keep you any longer, sir.
00:24:36We'll do what we can to find them.
00:24:37If you'll just give the inspector the descriptions and the photographs,
00:24:39you can go now.
00:24:40Good night.
00:24:40This way, sir.
00:24:46Williams here, sir.
00:24:47I've just had four phone calls from the Embassy.
00:24:50They want the body at once.
00:24:52They want the murderers at once.
00:24:54And they want a full explanation also at once.
00:24:58Where are those trade delegate fellows?
00:25:00Well, they can't have gone far, sir.
00:25:02We're circulating descriptions.
00:25:05Conquest?
00:25:06Says he knows nothing about it.
00:25:08Says he came here as a sort of joke to meet a girl.
00:25:10I don't believe a word of it.
00:25:12Look here, Williams.
00:25:13You mustn't let your prejudices against conquest affect your judgment.
00:25:17I can't see him mixing himself up in this sort of thing.
00:25:20It's not his line of country at all.
00:25:22Have another talk with him.
00:25:25I will, sir.
00:25:27He's down at the West End Station, sir.
00:25:31So I let him go, sir?
00:25:32This business is far more important than your feud with conquest.
00:25:35We've got to find those two men.
00:25:37And the girl.
00:25:39Keep in touch.
00:25:41Yes, of course, sir.
00:25:42As a matter of fact, I was, sir.
00:25:46Hello?
00:25:48Hello?
00:26:01Where do I find Mr. Williams?
00:26:03Hello, madam.
00:26:04Ah, there you are.
00:26:06What the dickens do you mean by clapping Norman in irons?
00:26:08Of all the stupid things to do, charging you with murder?
00:26:11Have you gone completely mad?
00:26:11Listen, Pixie.
00:26:12I didn't want to arrest him.
00:26:13I had to.
00:26:14All the evidence pointed that way.
00:26:15What evidence?
00:26:16What was he doing in this hotel?
00:26:17What do you know about all this?
00:26:18Will you stand still?
00:26:19It's not me.
00:26:20It's you.
00:26:21All I've heard is a man was killed and you've arrested Norman for it.
00:26:23I haven't.
00:26:24Keep that door locked.
00:26:25I arrested him for being concerned in it.
00:26:27Giving me some wonderful story about a contact in room 605.
00:26:30And I bought a tripe in the world something about killing a pigeon with a golf ball.
00:26:33What do you want me to do?
00:26:34Kiss him?
00:26:37Oh, blimey.
00:26:38Go on.
00:26:47I don't know.
00:26:48I've heard some stories in my life, but he comes out with some stuff.
00:26:51He ought to get an Oscar.
00:26:53You can't blame me for not believing it.
00:26:55Why?
00:26:55Pigeons do carry messages.
00:26:57Yes, but not about beautiful girls, they don't.
00:27:00Oh?
00:27:02Which girls?
00:27:03Only one.
00:27:04Nadina Rodin.
00:27:06Who's she?
00:27:07Who's she?
00:27:07The contact.
00:27:08When she found out he was the wrong bloke, she put him out.
00:27:11Put him out?
00:27:13Drugged him.
00:27:14Only slightly.
00:27:15No ill effects when he came round, I'm afraid.
00:27:18Still, it's nice to know he can slip up sometimes.
00:27:23Have you seen this girl?
00:27:25No.
00:27:28Do you know what she's like?
00:27:33Oh, yes.
00:27:36She's, uh...
00:27:37She's got a figure like a sylph.
00:27:40That's it.
00:27:40And, uh...
00:27:41Dancing blue eyes.
00:27:43And, uh...
00:27:44Blonde hair.
00:27:45All glistening.
00:27:46That's how Conquest described her.
00:27:48Little smasher, he said.
00:27:50Oh, he...
00:27:51He did, did he?
00:27:53Bottom piece.
00:27:54Full of sex appeal.
00:27:55Well, I'm not surprised he fell for her.
00:28:00Pixie.
00:28:01Why don't you take him away somewhere?
00:28:02Somewhere where he can't get interested in blondes.
00:28:06Cuba, for example.
00:28:14Watch closely.
00:28:15It's, uh...
00:28:16It's as easy as, uh...
00:28:18This.
00:28:22Now you try.
00:28:27Oh, so you've finally come.
00:28:29Thank you, sweetheart, for getting things moving.
00:28:32You can go, Conquest.
00:28:33Is that all?
00:28:35All right.
00:28:35I apologize.
00:28:36Even if you didn't tell me the truth.
00:28:38About the blonde.
00:28:40Oh, yes, Norman.
00:28:41The little smasher.
00:28:42What have you been telling her, Bill?
00:28:44Only that you were in that room with her.
00:28:46Alone.
00:28:47What do you mean by that?
00:28:48What could I mean?
00:28:49How can a guy get fresh when he's lying spread-eagled on the floor, drowned?
00:28:54You didn't know she was going to attack you.
00:28:55You thought you were going to have some fun, didn't you?
00:28:58You two are going to fight.
00:28:58You better go outside.
00:29:00What are you doing, Constable?
00:29:02Nothing, sir.
00:29:04Oh, really?
00:29:06Tell me a favor.
00:29:06Get him out of here.
00:29:07Take him far away.
00:29:08We can't interfere in this Gregor business.
00:29:09Cuba, for example.
00:29:10With all the blondes, the brumettes.
00:29:12That's right.
00:29:13I'm having enough trouble finding your girlfriend's boyfriends.
00:29:17What boyfriend?
00:29:18Well, we have reason to believe that they're...
00:29:20Are you getting cautious, Bill?
00:29:23We have reason to believe that Gregor was killed by your blonde and her two compatriots.
00:29:28Now get out of my hair and stop interfering.
00:29:30That's the last thing I intend to do.
00:29:32Their whole idea was to involve me in a messy murder.
00:29:35I go after people like that.
00:29:37You just watch and see how I keep out of it.
00:29:40You want to meet that girl again?
00:29:42Correct, sweetheart.
00:29:43And when I do see her, I'm going to put her over my knee and smack her...
00:29:47No!
00:29:47And as for her boyfriends who tried to festoon a murder ramp around my neck...
00:29:51I'm going to switch on the limelight.
00:29:53A whole cluster of limelight.
00:29:54Now, if you start interfering at hampering...
00:29:56Hampering, Bill?
00:29:57I'm going to help them.
00:29:59The more publicity, the better.
00:30:02You reckless young idiot!
00:30:14Oh, uh, superintendent.
00:30:16Thanks for that young business.
00:30:24How are you?
00:30:27How are you?
00:30:30No, I can't...
00:30:43Here's Conquest, Mr. Reynolds, beautiful gal wanted for murder, foreign crooks in hotel drama,
00:30:52Norman Conquest arrested. Breakfast is ready, Mr. Feather. I'd have to do without breakfast this
00:30:56morning, Mrs. Pottle. Ah, but you must have some breakfast, sir. I must go to London. A consignment
00:31:03of orchids has gone astray from Brazil. I must leave immediately.
00:31:49What are you doing here? I thought we weren't going to contact each other. These speak for
00:32:00themselves. What happened to my message? What message? What's this to do with me? Yesterday,
00:32:06I sent you a message in the usual way, telling you where and when to collect a certain package.
00:32:11You and your pigeon post. I always did think that. You're not paid to think. In your own
00:32:17interest, I suggest you adopt a different attitude to the problem confronting us, especially if you
00:32:21wish to secure your own future. I'll pay to look after that stuff upstairs. You'll have no reason
00:32:27to complain as soon as this job is over. And don't forget, Mr. Shell isn't likely to appreciate
00:32:32the attentions of Conquest. That's the worst of working for, gents. You leave it on me. I'll take
00:32:39care of Mr. Conquest. That will not be necessary. We must get that package back before Mr. Shell
00:32:45leaves tonight, but we don't want any trouble of that sort.
00:32:52Draft. They searched for us. Our secret police and now Scotland Yard. How long can we remain
00:33:00undiscovered? Already we are lost. And she sings. You take notice of all that printed nonsense.
00:33:08They are groping helplessly. Oh, they would have been here long before now. Here we are safe.
00:33:12What are you doing in there, Nadina? Preparing to go out. To go out? Without the London police
00:33:19looking for you? Here in the paper is your photograph. The first policeman you meet. Look at me.
00:33:26Do you think they recognize me? Well, perhaps not. Unfortunately, you must be idle for a while.
00:33:32But I've got a lot to do. Now, this Conquest seems to be quite famous. Quite a reputation.
00:33:39He puzzles me. Now, why was he in that room? And why does it say obtain the valuable package
00:33:45from me when it is true? Well, it's of no importance. Oh, but you are wrong. I'm going
00:33:51to find out how this Mr. Conquest is involved. I must know. And Boris, in case anything went
00:34:00wrong. I'll leave them with you. But, Nadina. I only said, in case anything went wrong.
00:34:09Why are you staring at me like that? Am I so different with short hair? Yes. And a better citizen.
00:34:47I'm so different. So it's going to be a try, dear. And a better citizen. And I was
00:34:48very hungry. And i was just trying to sell me. And a better citizen. I was just trying
00:34:48to. But I'm so different. Because the country, I must ask you, you are
00:34:49all right. And I will come down to the village in my house. I will come down to the village
00:34:49and you are just going to be a little bit easier. So even if you're going to be
00:34:49safe and get burned in for the village. A family member, how do you see this?
00:34:49Can you see this? And you will, let me guess.
00:34:50Let me see. That's just a little bit. I will probably see you.
00:34:53I will see. It's just a little bit. I'll be careful.
00:34:59I'll be careful. I will see you, I will see.
00:35:01What if I've Heathfield Terrace?
00:35:03What are you doing? This is my taxi.
00:35:14How very uncomfortable.
00:35:21Where did you say we were going?
00:35:26Far? You might have asked me.
00:35:36Let's go.
00:35:36Chanty, aren't you?
00:35:46Oh, yeah, Dad.
00:35:47Oh, so you do talk. Anyone might come back.
00:36:03Oh, God.
00:36:05It's been a long time for a long time for me.
00:36:09Oh, God, let's go.
00:36:10Oh, God, let's go.
00:36:12Oh, God, let's go.
00:36:15Oh, God.
00:36:18Oh, God.
00:36:19Oh, God.
00:36:21Oh, God.
00:36:23Oh, God, let's go.
00:36:25Oh, God.
00:36:28Oh, God.
00:36:39I'll just lock him for a moment.
00:36:59I'll just lock him.
00:37:00What do you want?
00:37:03If I'd taken this to Scotland Yard,
00:37:04there would have been a reward for it.
00:37:09All right, Captain.
00:37:13Thanks, Dora.
00:37:30Yes, sir?
00:37:31Mr. Norman Conquest.
00:37:33What name, sir?
00:37:34Smith.
00:37:35Mr. John Smith.
00:37:42Mandy.
00:37:44See what that is, Will.
00:37:47Mr. Conquest's apartment.
00:37:49There's a Mr. John Smith to see Mr. Conquest.
00:37:51Just one moment.
00:37:53Here, there's a bloke called John Smith to see you, Gap.
00:37:56Who?
00:37:56Mr. John Smith.
00:37:58Uh-huh.
00:38:00Mandy, this is it.
00:38:02Have him sent right up.
00:38:03There's nothing I like better than to meet any of the, uh,
00:38:06ubiquitous Smiths.
00:38:08Send Mr. Ubiquitous Smith up, please.
00:38:11The lift marked private, sir.
00:38:13Just press the button.
00:38:31Mr. Conquest?
00:38:32Yes.
00:38:33How nice to see you, Mr. Smith.
00:38:37What can I do for you?
00:38:39My business is confidential.
00:38:41Oh, Mandy, go and do something useful, will you?
00:38:45Won't you sit down?
00:38:46Thank you, no.
00:38:50I apologize for this bluntness, Mr. Conquest,
00:38:53but last night at the Park Plaza Hotel,
00:38:55you came into possession of a package to which you have no right.
00:38:58A package?
00:39:00And if I did?
00:39:02I must ask you to return it to me, please.
00:39:05Why should I?
00:39:06Assuming, of course, that I have it.
00:39:08Threats are distasteful to me, Mr. Conquest,
00:39:10but I am very anxious to have that package back.
00:39:15Tell me...
00:39:16Excuse me.
00:39:23Hello?
00:39:23This is Congress.
00:39:25Oh, I don't know what all this is about, Governor,
00:39:26but, er, I just dropped a young lady and a gent at, er...
00:39:2945 E. View Terrace.
00:39:30Oh, that's wonderful news.
00:39:32Is everything all right?
00:39:34What is it, a boy or a girl?
00:39:35What's it?
00:39:36Oh, I said a girl and a...
00:39:39No, not a nursing home, a profit house.
00:39:41Fine.
00:39:43When you're passing Conquest,
00:39:44court come in and, er,
00:39:46pick up a box of sugar,
00:39:48Okay, fine.
00:39:54Funny how Father always wants a daughter
00:39:55and, er, a mother, a son.
00:39:58Now, er,
00:40:00where were we, Mr. Smith?
00:40:02I was saying that threats are distasteful to me, Mr. Conquest,
00:40:05but I must insist that you give me that package.
00:40:07As you're so concerned about it,
00:40:09perhaps you'd be good enough to tell me what's in it.
00:40:11I see you intend to leave me no option.
00:40:14Where is your fiancé?
00:40:15Out shopping.
00:40:17I regret to say that she is not.
00:40:18Oh.
00:40:19Then where is she?
00:40:21That I do not intend to tell you,
00:40:22but I assure you she will come to no harm
00:40:24so long as you are sensible.
00:40:26Sensible?
00:40:27Oh, but I'm never sensible.
00:40:30Hey, Mandy,
00:40:31fancy thinking you could get away with a corny trick like that.
00:40:34Don't be a fool, Conquest.
00:40:36What good will it do you?
00:40:37You don't know where your fiancé is.
00:40:39Maybe not,
00:40:40but I intend trying 45 Heathview Terrace.
00:40:45Yes, John?
00:40:46Gov?
00:40:46Sir, I mean?
00:40:48Lock him up.
00:40:48I'll be back later.
00:40:50And remember,
00:40:50no violence.
00:40:51Come on.
00:40:52There was something phony about that John Smith.
00:40:54No,
00:40:55no,
00:40:56no.
00:40:56No.
00:40:58No.
00:41:01No.
00:41:12No.
00:41:15No.
00:41:20No, no, no, no.
00:41:23Oh, my God.
00:42:03Well, well, well. I must say you choose the oddest shopping companions. I'm not even a blonde at that.
00:42:12What was it you said to me about having fun and games?
00:42:17What have you been doing?
00:42:21Oh, so you won't talk, huh?
00:42:25What's all that noise about?
00:42:26Oh, you hurt?
00:42:30Oh, let me see.
00:42:32Oh, serious. Very serious.
00:42:35Now, Signorina Pixie, the brunette from Cuba, to what do you attribute your present condition?
00:42:41I'll tell you.
00:42:43You always want to go out on these capers with me, and you see what happens?
00:42:47You know, I believe the only way I can keep you safe is to leave you just like that.
00:42:50Oh, well, I won't let you be lonely.
00:42:53I'll bring your boyfriend to you.
00:42:55Excuse me.
00:43:19There.
00:43:20That'll keep you out of mischief for a while.
00:43:22Now, tell me, who's the boss of this outfit?
00:43:24It's no use asking him questions. He's practically dumb.
00:43:27What do you mean, practical? He is completely.
00:43:31There's one thing about being with you, Norman.
00:43:33Life is full of good, clean, wholesome fun.
00:43:36That's right, sweetheart.
00:43:57I'm sorry.
00:44:24This package the girl smuggled into the country is some kind of document.
00:44:28Oh no, sweetheart. Mandy, bring in Mr. Smith.
00:44:33This game's money. Big money.
00:44:35And the package that blonde has contains something very valuable.
00:44:39These foreigners are small-time crooks working under orders.
00:44:43Reynolds and the man who called this afternoon are the English end.
00:44:46By concentrating on them, we'll find out who's at the top.
00:44:49I don't think you'll get me where, Norman.
00:44:51If I were you, I'd let the whole thing drop.
00:44:55Mr. John Smith, sir.
00:44:58And here she is, back again.
00:45:01All right, conquest, you win.
00:45:03What are you going to do now?
00:45:04Oh, that depends. I could call the police.
00:45:07And believe me, your friend Reynolds would spill plenty.
00:45:10However, I intend to deal with you myself.
00:45:13That is kind of you.
00:45:14Not at all.
00:45:15Now let's see what your real name is.
00:45:20Oh, careless, very careless.
00:45:21You shouldn't carry this in your pocket.
00:45:24You're obviously not a professional.
00:45:26Let's see.
00:45:28Hmm.
00:45:30Mr. Theodore Feather.
00:45:31Address High Barn, Stoke Bramley, Essex.
00:45:36I'll take the liberty of borrowing your keys, Mr. Feather.
00:45:41Feather.
00:45:42Haven't I heard about you in connection with something thoroughly respectable?
00:45:46Feather.
00:45:48Orchids.
00:45:49You're the grower of the finest orchids in the country.
00:45:52That's it.
00:45:52Allow me to congratulate you.
00:45:54Yeah, orchids is lovely.
00:45:55Look here, Conquest.
00:45:56Every man has his price.
00:45:57I'll give you a thousand pounds to forget all about this.
00:46:00Chicken feed, Mr. Feather.
00:46:01No, wait.
00:46:02I'll make it five thousand.
00:46:05So help me, I'm touched.
00:46:07Nevertheless, nothing doing.
00:46:08Put him back into cold storage.
00:46:10Come on, Mr. Smith.
00:46:12Don't sit.
00:46:24Keep Feather locked up until I get back.
00:46:27Aren't you rather sticking your chin out going down there all alone?
00:46:30Oh, I don't know.
00:46:31I might stumble onto something.
00:46:32I wish you'd let me come with you.
00:46:33Some other time, sweetheart.
00:46:35Bye-bye.
00:46:45Bye-bye.
00:47:14Bye-bye.
00:47:20Bye-bye.
00:47:24Bye-bye.
00:47:30Bye-bye.
00:47:57Oh, my God.
00:48:24Oh, my God.
00:48:59Yes?
00:49:00Mr. Shell speaking. Where the devil have you been, Father?
00:49:03Oh, I had to go out.
00:49:05This is important. I will be with you in less than an hour.
00:49:08You will be in, and you will be home.
00:49:12Hello?
00:49:14Hello?
00:49:20Hello?
00:49:29Hello?
00:49:31Hello?
00:49:44Hello?
00:49:46Hello?
00:49:47Hello?
00:49:48Hello?
00:49:48Hello?
00:49:49Hello?
00:50:15Hello?
00:50:30Hello?
00:50:39Hello?
00:50:41Hello?
00:50:41Hello?
00:50:43Hello?
00:50:43Hello?
00:50:45Hello?
00:50:46Hello?
00:50:46Hello?
00:50:56Hello?
00:51:03Hello?
00:51:05Hello?
00:51:10Hello?
00:51:15Hello?
00:51:16Hello?
00:51:26Hello?
00:51:39Hello?
00:51:42Hello?
00:51:52Hello?
00:52:02Hello?
00:52:04Hello?
00:52:06Hello?
00:52:07Hello?
00:52:10Hello?
00:52:36Hello?
00:52:37Hello?
00:52:57Hello?
00:53:01Hello?
00:53:04Hello?
00:53:05Not that we have to do now, without trustee!
00:53:06And we work together.
00:53:07I always hoped that I shouldn't have to return to my country.
00:53:10Now I do not go back ... ever ...
00:53:14You've chosen a pretty dangerous way of .. breaking loose.
00:53:18Murder is a serious crime.
00:53:20Murder?
00:53:21I didn't kill anybody.
00:53:24Oh!
00:53:25You mean Gregor?
00:53:26I only stunned him .. a little bit.
00:53:29And then proceeded to make things very unpleasant for me.
00:53:33That was before I really knew you.
00:53:41All right, then.
00:53:43What was in that package you were supposed to hand over?
00:53:47Diamonds. Many, many diamonds.
00:53:50Ah, diamonds.
00:53:51Where are they?
00:53:53They're nothing there.
00:53:55Can you tell me where they are?
00:53:56I haven't got them on me, but never mind.
00:53:58Help me, and they'll be half yours.
00:54:00Now we're getting somewhere.
00:54:02Not that I believe you when you say them out, aren't you?
00:54:05But they're not.
00:54:06Don't you really believe me?
00:54:08No.
00:54:09All right.
00:54:15Look, I haven't got them.
00:54:16I still don't believe you.
00:54:18All right, you shall see for yourself.
00:54:20Hey, hey, you can't do that.
00:54:22But I can. We are alone.
00:54:25Okay, go ahead.
00:54:32Go on.
00:54:38I don't want to embarrass you.
00:54:41Pity.
00:54:43In England, men are so shy.
00:54:46Now, um, to get back to business.
00:54:49Do all you people work for Mr. Shell?
00:54:52Ha, Mr. Shell has been for-
00:54:53I thought you said you didn't know Mr. Shell.
00:54:56Oh.
00:54:57I tell a little lie.
00:54:59That is all.
00:55:00Oh, well, what's a fib between friends?
00:55:02All right.
00:55:03No more fibs.
00:55:05Now listen carefully.
00:55:06Mr. Shell for a long time has been sending diamonds and money into England.
00:55:11The diamonds I bring, they are trifle.
00:55:13He has got more, much more.
00:55:18Look, he's a vile man.
00:55:20He's a war criminal.
00:55:22It cannot be dishonest to rob such a man.
00:55:25We go equal shares.
00:55:27Is that not good?
00:55:28Yes.
00:55:29Except for one snag.
00:55:31A rather big snag.
00:55:32What is it?
00:55:33Pixie.
00:55:35What do you think she'll do when I tell her that you and I are partners?
00:55:38But if she loves you, doesn't she want you to be happy?
00:55:42Where glamorous blondes are concerned, I'm afraid, uh, she's not very broad-minded.
00:55:48And, uh, if I were in her shoes looking at you, my mind would be as narrow as the edge
00:55:54of a razor blade.
00:55:56I'm sorry it can't be done.
00:55:59Not even for a little while.
00:56:01No.
00:56:05I'm afraid not.
00:56:07Listen.
00:56:09Mr. Shell?
00:56:10Yes.
00:56:11Get your things.
00:56:12Quick.
00:56:13Behind those curtains.
00:56:15Wait a minute.
00:56:18All right.
00:56:35Father, where are you?
00:56:37Come in, Mr. Shell, you're expected.
00:56:45Conquest is the name.
00:56:46I understand the, uh, War Crimes Commission would like to have a word with you.
00:56:51All that is forgotten now.
00:56:55So you came to collect, Herr Baron.
00:56:59Gregor's death panicked you into a move which you hadn't really planned.
00:57:04Now the police are after you too, just in case you didn't know.
00:57:06They have no proof.
00:57:08Gregor was...
00:57:10You were saying something about Gregor.
00:57:12Do go on.
00:57:13It does not pay anyone to recognize me.
00:57:16Meaning me?
00:57:18Where is Mr. Feather?
00:57:19In my flat in Park Lane.
00:57:21He was making himself a nuisance.
00:57:23Are you, uh, anxious to leave?
00:57:27For the moment, you have the advantage.
00:57:33Not this type of chum.
00:57:35I was half expecting reinforcements, Baron.
00:57:38Silly of you to look past me like that.
00:57:40And if you don't stay still, I'll tear your arm off.
00:57:48Take him out of the car.
00:57:49Time is short.
00:57:54Drive straight to the flat of this man.
00:57:56Oh, take him out.
00:57:57That is all, yeah.
00:58:27Yes?
00:58:30Yes?
00:58:30Who is that?
00:58:32I'm a good friend of Mr. Conquest.
00:58:33He's in danger.
00:58:35Who are you, please?
00:58:36Are you the blonde?
00:58:38Yes, I've heard about you.
00:58:39Oh, please.
00:58:40This is important.
00:58:41My conquest's been hit on the head.
00:58:44Your conquest?
00:58:45Oh, do listen.
00:58:47There is much hurry.
00:58:48They're bringing him home.
00:58:50And I'm sure that these men will try to force their way in.
00:58:53Yes, they want Mr. Feather.
00:58:55Yes, it is from his house that I speak.
00:58:58How is he being brought here?
00:59:02And his own car?
00:59:05I hope you can drive well.
00:59:06It's practically jet propelled.
00:59:09Yes.
00:59:10Now listen carefully.
00:59:11There's a side road at the corner of Conquest Court.
00:59:25You're in danger.
00:59:31Oh, God.
00:59:33You're a boy.
00:59:37You're not going to drive well.
00:59:38Oh, God.
00:59:48I want to drive well.
00:59:50You're in danger.
00:59:53You're not going to drive well.
00:59:53With a great chance.
00:59:54You're in danger.
00:59:54You're in danger.
00:59:55If you're in danger, you're in danger.
01:00:09Put that down, you fool. Keep your gun in his ribs.
01:00:13What's the matter, Baron? Nervous?
01:00:16I am desperate with everything to lose, including my life.
01:00:18One step out of the place and I will not hesitate to use this.
01:00:21You know, Baron, I believe you mean that.
01:00:43But he will not leave.
01:00:44Shit, you will not win.
01:00:44You will not spend any money here.
01:00:45I will not.
01:00:45It will be a raise of two.
01:00:45A large half of one.
01:00:46Well, it will be the last half of the half of the night.
01:00:46God, this is the last half of the night.
01:00:47We will not lose weight.
01:00:51We will not lose weight.
01:00:53We could not lose weight.
01:00:54Oh, my God.
01:01:26Oh, my God.
01:02:07Oh, my God.
01:02:15Oh, my God.
01:02:33Oh, my God.
01:02:38Oh, my God.
01:02:41Oh, my God.
01:02:49Oh, my God.
01:02:53Oh, my God.
01:03:15Oh, my God.
01:03:27Oh, my God.
01:03:48Oh, my God.
01:03:52Oh, my God.
01:04:21Oh, my God.
01:04:25Oh, my God.
01:04:28Oh, my God.
01:04:53Oh, my God.
01:05:39Oh, my God.
01:05:42Oh, my God.
01:06:05Oh, my God.
01:06:06Oh, my God.
01:06:06Oh, my God.
01:06:12Oh, my God.
01:06:12Well, it might interest you to know that Baron von Henschel's fingerprints were found on the dead man's collar.
01:06:17That means he's not as dead as we thought he was, doesn't it?
01:06:20I'll be over.
01:06:22Okay.
01:06:25Who was that?
01:06:26Only Bill. He's waking up. Just found out von Henschel is alive.
01:06:30Fine. Let's leave it to him. Thank heavens all that's over as far as we're concerned.
01:06:35Over?
01:06:36What, and let von Henschel get away with a fortune?
01:06:39I'm only just starting.
01:06:42Well, there's no use dashing off wildly.
01:06:44They may have gone to the country place, Heathfume, elsewhere.
01:06:49Why did von Henschel come here?
01:06:51To rescue Feather, of course.
01:06:52Therefore, he must be the only one who knows where the loot is hidden.
01:06:55Where does that lead us?
01:06:56It leads me to follow my hunch.
01:06:58Hey!
01:07:00Oh.
01:07:20Take that car out of the back.
01:07:28Every moment here is right.
01:07:30Oh.
01:07:33Oh.
01:07:33I don't know.
01:07:34Narina, untie this man.
01:07:36We shall go upstairs.
01:07:57Hello.
01:07:59Pixie.
01:08:00I can't explain now.
01:08:02But I'm at 45.
01:08:03I'll leave the terrace.
01:08:04This is a bad line.
01:08:05I can't hear you.
01:08:06Speak up.
01:08:08There isn't much time.
01:08:10But you must believe me.
01:08:11Hello?
01:08:13Hello?
01:08:14Narina, what's wrong?
01:08:15Hello?
01:08:16Narina, what's wrong?
01:08:18Hello?
01:08:26I'm sorry.
01:08:29One voice.
01:08:35You understand?
01:08:38I don't know.
01:08:41I don't know.
01:08:43You understand?
01:09:05La Pampa, Victoria Dock.
01:09:22The package, please.
01:09:24There is no hurry.
01:09:25I'll give them to you when we arrive on the ship.
01:09:39You will not double-cross me again.
01:09:41Where are those diamonds?
01:09:43Look out!
01:09:50You're a novice now, you dammit!
01:09:59I want to ask you again.
01:10:01Where are those diamonds?
01:10:04They are in my flat.
01:10:06I must phone my friends to bring them to the ship.
01:10:10All right.
01:10:11I will come with you.
01:10:13And you must make it perfectly clear to your friends
01:10:16that if they wish to see you again,
01:10:18those diamonds must reach the ship before she sails tonight.
01:10:34If he doesn't show up soon, we'll lose the tide.
01:10:36We will give him 20 minutes, and then we will cart off.
01:10:42This must be him.
01:10:46Then, sir.
01:10:48So long as he pays.
01:10:58What kept you?
01:11:10Unfortunately, I can't do that to you.
01:11:14You don't understand.
01:11:17I suppose trying to explain won't help.
01:11:21You all right?
01:11:22But...
01:11:25He said nothing.
01:11:27Nothing I can say that would make any difference.
01:11:31No, I'm afraid not.
01:11:33It's a pity.
01:11:34I was beginning to like you.
01:11:40Look out!
01:11:41Look out!
01:12:08Perhaps, for me, this is the best thing.
01:12:16You know, you fled.
01:12:20That was the only thing to do.
01:12:23If I had not done as I did,
01:12:28he would have shunned you.
01:12:31I know.
01:12:35Norman, one little thing for me.
01:12:40You sure, Nadina?
01:12:42My two comrades,
01:12:46and they were here.
01:12:49Look after them for me.
01:12:51Of course.
01:12:56Then, we are friends again.
01:12:59Yes, we are friends again.
01:13:04Kiss.
01:13:07Be friends.
01:13:15Hey, be careful of that thing. It might go off.
01:13:26You see, chum, I had no trouble at all solving that little lot.
01:13:29I realized that once von Hentschel had been recognized by Gregor, he had to kill him.
01:13:33Now that the case against him is complete, we've dropped all the other charges. Got it?
01:13:36Yes, bless you.
01:13:38And you.
01:13:41Well, I'm sorry I've got to take your stolen property.
01:13:44Ah, well, it can't be helped.
01:13:45Do me a favor, Pixie. Keep him out of trouble.
01:13:47Goodbye.
01:13:54You're going to look lovely in diamonds.
01:14:06What am I saying?
01:14:07You look lovely just the way you are now.
01:14:10You look lovely just the way you are now.
01:14:10No?
01:14:16No.
01:14:36No, no, no!
01:14:45THE END
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