- 9 hours ago
The Heiress Writes Back
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Short filmTranscript
00:11Congratulations to Dorothy for winning the Best Original Screenplay at the Rising Stars Movie Awards.
00:19Three years ago, I was the most sought after screenwriter.
00:25Three years later, I fell in love with Drake, keeping my identity a secret for the sake of his pride.
00:33I thought we were happy until...
00:39Hi!
00:46Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday,
00:51and instead of helping us, he just disappeared.
00:54What, did he bail so he could go and laze around or something?
00:57You know, people say that the only reason you're allowed to stay by Drake's side
01:01is because you're nothing more than a free maid.
01:04Otherwise, why would someone like you be allowed to marry my brother?
01:09A maid? I just hid my identity for the sake of this marriage.
01:14Well, I think Drake's idea is great, and it could be really good for us.
01:20But the risk is way too high.
01:22Dad.
01:24Please.
01:26Okay.
01:28And I'm sure you don't want him to know the real reason why I'm investing.
01:36Think about it, Dorothy.
01:38Since you got married, has he ever even touched you?
01:40How often does he actually come home?
01:43He doesn't even want to look at you.
01:46Let lady sleep with you.
01:48That's enough, Ellie.
01:49We're all here to celebrate Drake's birthday.
01:51I'm sure he wouldn't be happy to see us like this.
01:54Everybody knows that if it weren't for her, you would be married to Drake
01:57instead of being my late brother's widow.
01:59Ellie!
02:01Whatever happened between me and Drake is all in the past.
02:04Besides, I'm carrying Nick's baby.
02:11It's the perfect time.
02:14Oh, my God!
02:15Oh, my God!
02:16Oh, my God!
02:16Oh, my God!
02:16So, Dorothy just pushed Stephanie into the pool!
02:19What?
02:26Quick!
02:27Save Stephanie!
02:27She's carrying Nick's baby!
02:32Quick! Get in there!
02:46He chose Stephanie over me.
02:52My baby!
02:53My baby is gone!
02:55Why would you do this to me?
02:58How dare you!
02:59You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:04Are you happy now that Stephanie's baby's gone?
03:06I didn't do it.
03:07I know you don't want me here.
03:09I told you whatever happened between me and Drake is in the past.
03:12You can hate me however you want to, but how could you be so cruel as to kill my unborn
03:16child?
03:17I didn't do it.
03:18You know me, I would never do that to Stephanie.
03:21Just apologize to Stephanie.
03:24I'm not going to apologize for something I didn't do.
03:26Apologize to Stephanie right now or I will divorce you.
03:36Divorce.
03:37If you apologize right now, then I'm willing to give you another chance.
03:46It's been three years, Drake.
03:48I gave up everything to be your wife.
03:52I've always kept to the shadows, Dorothy.
03:54I already have a life.
03:56And right now I just want to focus on being on my marriage or Drake.
04:02I thought you would always be by my side, but I was wrong.
04:06The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:12Since you got married, has he ever even touched you?
04:14He doesn't even want to look at you.
04:18Fine.
04:21Let's get a divorce.
04:29There's nothing left in my heart.
04:32Drake's nothing without me.
04:36My ring!
04:38My ring!
04:39My ring is gone!
04:40Well, you must have taken it.
04:42Why would I take her ring?
04:43Well, look how quickly you packed your suitcase.
04:46You're probably seeing someone else.
04:49Dorothy.
04:51Yes?
04:52We were married for three years.
04:53Were you seeing someone else?
04:55Of course she was.
04:56Probably been cheating on you for a really long time.
04:59I couldn't wait for the divorce.
05:01So what if I was, huh?
05:03And what about you?
05:04Still hung up on your so-called sister-in-law?
05:07What gives you the right to talk about me?
05:10I only look after Stephanie because she's my brother's widow.
05:14Yeah.
05:14But you actually seeing someone else?
05:16Who is he?
05:17Big talk!
05:18Don't bring me down to your level.
05:21I'm not like you.
05:23Since your sister-in-law lost her ring.
05:28Why don't you take...
05:35This one.
05:37You've been waiting for this for a long time, haven't you?
05:45Bye.
05:52And so I left.
05:56This is ridiculous!
05:58We, the Bennett family, are one of the four major production companies in the world.
06:02I let him marry my daughter and even invest it in his business.
06:07How dare that Drake do this to my daughter!
06:11It's actually good from Dad.
06:15Now we know who he really is and he has no idea who I am.
06:18Still, you're my daughter.
06:20I can't let him do this to you.
06:22If it weren't for you, I would not have considered investing in his company.
06:26We're gonna pull our investment immediately.
06:28Yes. It's time to cut him off.
06:30He doesn't deserve you.
06:32I'm over Drake.
06:34If we withdraw the plans now, it's going to hurt the family business.
06:39He's not worth it.
06:41Honey.
06:44Why don't you just take a vacation?
06:46Or just put all this aside and take some time out for yourself.
06:51Yeah.
06:53No.
06:57I've wasted too much time with Drake over the three years.
07:02You know, now I want to focus on something that actually matters.
07:06You know, Christopher has been saying that many people want to buy the movie, right?
07:11The Liar's Game.
07:13Universal. Paramount. Every major studio wants this.
07:19Liar's Game. Your story on the big screen.
07:22If you're in, I'd be happy to be the one headlining it.
07:25Oh. So that's why they're making it. Because of you.
07:28I'm sorry, Christopher Santoro.
07:31See? They're not funding the film.
07:34They're funding you.
07:35Wrong. They're funding the story.
07:38It's more than good.
07:40It's phenomenal.
07:42Christopher is right.
07:44I'm taking my life back.
07:50I'm going to adapt it myself.
07:53You are?
07:54Yes.
07:55I will.
07:57What do you think of you?
07:59I won't tell anyone I'm asking you.
08:02People on the comments are worth playing.
08:13The ģ“ģ© in some areas.
08:14The director of the season is driven through two compares episode.
08:16It might be soethical.
08:19But will this be goingļæ½ in the future?
08:22Top three days?
08:22I just had a collaborative idea to play.
08:26Hey, let me know, Guto and I career continue to play as well.
08:29Of course.
08:30All right.
08:31Okay.
08:33There's just one thing.
08:34I want to keep my identity as the writer a secret.
08:38I don't want anyone to know, especially not the team.
08:42SQ.
08:43Are you sure?
08:44But why keep it a secret?
08:46I just want people to focus on the story itself.
08:49Got it.
08:50Your secret's safe with me.
08:52Hey, me.
08:54Why are the two?
08:56Why are the two?
08:56Why are the two?
08:58Dave, it's a bit weird.
09:01Ever since news got out about our movie, my phone has not stopped ringing.
09:06Really?
09:12It's Stephanie.
09:17Yeah, just take it.
09:22Hello?
09:23Hello, Miss Wong.
09:24I've heard Liar's Game is being made into a movie.
09:27I'm interested in playing the lead.
09:29Can we arrange an audition?
09:33I'll speak to the writer and I'll let you know.
09:36Thank you, Miss Wong.
09:39What do you think?
09:42Anyone can audition, right?
09:44As long as they're right for the role.
09:47What happened between me and Stephanie is not important here, so...
09:51Okay.
09:53I'll call her back and let her know.
09:55Mm-hmm.
10:05What about me?
10:08Can I be your hero?
10:14Oh, you mean, uh...
10:16A film, right?
10:18I...
10:19I've never considered anyone else.
10:24I have to take this.
10:27Hi?
10:32You know, I'm not just talking about the film, Dorothy.
10:36It's okay.
10:38I can wait.
10:41Waited this long.
10:46Well, well, well, look who it is.
10:52Why are you here?
10:54Oh, I see.
10:56You're the production assistant.
10:58Well, do your job.
11:00Set me a water.
11:03Stephanie.
11:05Get your own water.
11:07I'm not your PA.
11:08Look.
11:09It's my first day on set,
11:11and I want to buy coffee for the crew.
11:13Why don't you be a doll
11:15and mark down everyone's order?
11:17Why are you deaf?
11:18I'm not a PA.
11:21Here's your tip.
11:22Go on.
11:24Show some respect, Stephanie.
11:27Do you know who she is?
11:30What are you doing?
11:32Oh, no.
11:33She can't know I'm asking you.
11:38I want to keep my identity as the writer a secret.
11:41I don't need anyone to know,
11:42especially not the team.
11:47What do you mean?
11:49Who is she?
11:52No one but a lower PA, I'm sure.
11:58Isn't that right?
12:00Well, actually, she's...
12:04She's just a PA.
12:06You're right.
12:09So why don't you show me
12:10a lower PA,
12:12your acting skills?
12:13Maybe I'll be impressed
12:14even by her the copies myself.
12:17Watch this.
12:23I loved you once.
12:25Or so I thought.
12:28But now I see that it was all just a lie.
12:31A beautiful...
12:35painful lie.
12:40You took everything from me!
12:44My dreams!
12:46I need you.
12:50See?
12:51There's no soul.
12:53That's not acting,
12:54it's just...
12:55reciting lines.
12:58When are you sure how it's done?
12:59What?
13:01Go on.
13:05Go on.
13:06Go on.
13:27I loved you once, so I thought, but now I can see it was all a lie, a beautiful, painful
13:40lie. You took everything from me. My heart, my dreams, my future. And for what? For your
13:58own personal gains. How is that possible? Dorothy, that was perfect. The role is yours
14:17if you want it. No! This role is mine! I'm the one with the investment. Without me, there's
14:25no funding for this movie. Your investment? Do you even know who she is? Who is she?
14:37Who is she? As you know, no one but a PA. Dorothy, this movie is important to Stephanie. I mean,
14:45why are you here? You're not a real actress. What are you doing? You're trying to ruin
14:48her career. You're trying to get back at me by ruining her career. I'm not ruining anything.
14:53If she can't handle the role, that's on her, not me. You can't blame this on anyone else.
14:58You embarrassed her in front of everyone. I mean, I know what you're doing. You're the
15:03one pulling all the strings here. You're trying to make her fail so you can take her place.
15:07She's using this whole thing to get to you, Drake. She's been jealous from the start, trying
15:11to ruin my chance. Just get back to you. Okay, no. I don't want to fight anymore. Well,
15:15let's just take a look at the script and maybe we can work something out. And you were just
15:21so damn selfish. You already care about yourself. Just give Stephanie her role back. You know
15:28what? I didn't want to do this. But I will. I'll take the role. I'll play the lead. I'll play
15:40the lead.
15:41No way. You can't be serious. She's not even a real actress. Dorothy's performance
15:48was far stronger than yours. Everyone in the room can see it. I'm so glad you've agreed to
15:56do the role. Right. It's settled then. The lead roles go to Christopher and Dorothy. I will
16:04double my investment if you give Stephanie a role. I never thought I'd see the day my ex-husband
16:15would go this far for his sister-in-law. I can always count on you, right? I will double my
16:27investment if
16:28you give a role to Stephanie. You two are just such... Okay, look. If the money's on the table,
16:37there's no reason to turn it down. Let's just give her a part. We have nothing to lose. I guess
16:43that'll be fine. I'll talk to SQ. Your father's production company is already the biggest investor
16:55in your movie. So why take Drake's money? You don't... You don't still have feelings for Drake.
17:01No. He's an asshole. Come on. I've got an idea. Why don't we just give her a character that'll
17:12make her miserable? Wow, Mr. Sontaro. I feel bad now. I only wish you didn't have feelings for
17:26Drake anymore. How did she land herself the role? She's practically a nobody. The fanbase,
17:33her real experience. Just one good scene. It doesn't make sense. Find out everything you can
17:42about Dorothy. I want all the dirt. Director, there must be a mistake. I'm only a side character
17:55and not even in the main scene. You wanted a role. We gave you a role. I came in with
18:01an investment.
18:04You're more than welcome to take it back and leave the set. Even a small role in SQ's film
18:11is going to do great things for your career. Now is not the time for you to be messing around.
18:16Fine. Two take one. Action. Lily, you're my best friend. How could you do this to me?
18:29I'm sorry, but this is a... Oh! What the hell are you doing? It's part of the scene!
18:40Okay, take it again from the slap. Action. Oh! Cut! Stephanie, why aren't you saying
18:51your lines? You have to keep going in the scene. I think we've had enough for today.
18:57We'll just try again tomorrow.
19:06Did you see her face? Absolute gold. I mean, she got what she wanted. She asked for a role
19:13and that's what we gave her, so... Seriously, her performance is all over the place.
19:18Maybe we should just cut down on her screen time. We all know the film's better without her slowing us
19:25down.
19:26You're right. I'm not going to let anyone ruin your story.
19:35So, if you can just give me something that's a bit more...
19:39Something about her job.
19:47What's going on with my scenes? Why have so many of them been cut?
19:50It's a collective decision.
19:54Fuck that. Let me talk to the writer.
19:57The writer is SQ and, as you know, they never show their face, so their decision is final.
20:04I'll see you on set in five.
20:18Now it all makes sense.
20:25Now it all makes sense.
20:27That's the head of the production company.
20:30No wonder she got the role.
20:33Let's see how John's wife feels about that.
20:44Everyone, I have an announcement to make.
20:47Today will be Stephanie's last day on set.
20:54You really think I don't see through your little gaze?
20:58Somebody will be walking out that door today.
21:00But it won't be me.
21:03You really think you can get away with this?
21:06Sleeping your way up?
21:10John's wife is on her way.
21:12Let's see how you talk your way out of this one.
21:14Slut.
21:19That's enough!
21:24So were you the one who was stalking and secretly taking photos?
21:27What?
21:28Scared the truth is going to come out?
21:30Someone had to expose her for who she really is.
21:33So you admit it.
21:35You did it.
21:36Damn right I did.
21:37And I'd do it again if I had to.
21:41You don't know who you just crossed.
21:43Oh I know.
21:45Just some rich old bastard throwing a tantrum.
21:48I sent those photos to your wife too.
21:50And now your mistress is about to be exposed.
21:55Yeah, security.
21:57Stephanie is banned from the studio.
21:59Make sure she never sets foot here again.
22:01You can't just do that.
22:03Oh this is insane.
22:04Why aren't her rights?
22:06I'm only telling you the truth.
22:07She is a mistress.
22:08A loose woman.
22:09A lady of the night.
22:18Is it true that Dorothy is John's sugar baby?
22:21Otherwise why would he come onto the set and get me banned from the movie?
22:25That's unbelievable.
22:26And he humiliated me.
22:28He had me dragged off the set like a criminal.
22:30You should have seen it.
22:32I'm not going to let her just ruin her reputation like this.
22:36I mean this whole mess is just making us look like fools.
22:40Dorothy's always been trouble.
22:42I mean first she goes off with a married man and now this.
22:46I don't know how you put up with her for three years.
22:49You should have got a divorce earlier.
22:53Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:57It's the only explanation.
22:59She's killing nothing but a slut.
23:01Oh!
23:03Drake, Stephanie is your sister-in-law.
23:07Now you need to take care of her and forget about Dorothy.
23:11Can't you see she's the one behind all of this?
23:14She was sleeping her way to the top.
23:16Killing Stephanie's unborn child.
23:20I'm John dragging her off the set.
23:22You should be sticking up for Stephanie.
23:28I'm not going to let her do this to you.
23:44Do you think you can just walk away from what you did like nothing happened?
23:47I didn't walk away from anything.
23:49You did.
23:50You took Stephanie over me.
23:52Remember this one?
23:53Well, she's my sister-in-law.
23:54I'm so sick of hearing this.
23:57You have feelings for her and I'm just tired of it.
24:01You're out of your mind if you think I'm going to let you get away with this.
24:04You do what you want to do.
24:06For now, get out!
24:08What?
24:09Why?
24:15We were married for three years.
24:17And we never...
24:18My God damn fuck!
24:19You might let go!
24:20Hey!
24:29No wonder you want me to go.
24:33Just look at yourself.
24:35You're not half the man Christopher is.
24:38Get out.
24:40Or I won't call the cops.
24:43Just go!
24:52Are you okay?
24:59Ruby?
25:01Remember, safety first.
25:03The lifeguard's right there if you need him.
25:08Anything you need, let the AD know.
25:10Okay.
25:11Got it.
25:11Got it.
25:20Here's a coffee for you.
25:22It's still early before the shoot.
25:24Take your time.
25:51It's still early before the shoot.
25:52It's been early before the shoot.
25:54Get out.
25:54It's still early before the shoot, right?
25:56Get out.
26:01That's cool.
26:04Yeah.
26:13And you're done.
26:17I thought you were going to the party.
26:18There's something wrong.
26:21It was good.
26:22And the main point.
26:22That's not acting! She's in trouble!
26:30Where's the lifeguard?
26:35Where's the lifeguard?
26:57Where's the lifeguard?
26:58Where the fuck is the lifeguard?
27:08Come on, Dorothy!
27:32Why did you do that?
27:35Why did you do that?
27:35I don't think you, Dorothy.
27:40Christopher risked everything without hesitation.
27:44How could I have been so blind?
28:09I wasn't expecting that.
28:10I wasn't expecting that.
28:17Where were you? Dorothy could have drowned!
28:20I'm sorry. I had a summer gig.
28:22I had to go to the bathroom.
28:23Make sure it doesn't happen again.
28:29Do you think that I should call Dorothy just to make sure she's okay?
28:33Are you still hung up on her?
28:36No.
28:38It's not like that. I'm just trying to be helpful.
28:40Don't you remember, Drake?
28:43She's the one who had me kicked out of the movie.
28:46She's the one who killed my baby.
28:48Not just my baby, but Nick's baby.
28:50I know I just was sister-in-law.
28:53Whatever happened between us is in the past, but...
28:56I have no one now.
28:58No husband.
28:59No baby.
29:02I have left as humans.
29:05Haven't you seen through Dorothy yet?
29:08She's nothing but a slut sleeping away to the top.
29:10You don't know that.
29:13You know I'm right!
29:15What else would John come onto the set and stand up for her?
29:18Not just John, but Christopher too!
29:20She's sleeping around with anyone she can find!
29:22She's a whore!
29:22Paul, shut up!
29:32You want war?
29:35I'll give you war.
29:40Do it.
29:42And make sure Dorothy feels every...
29:44It's a baby.
29:45It's a baby.
29:49Breaking news!
29:50Unknown actor seduces Hollywood heartbroken.
30:09The choritten dĆa.
30:12It's a baby.
30:17Which is true.
30:17That's all.
30:17I know.
30:18It's a baby.
30:21I know.
30:22Of course.
30:22And maybe we should just reveal her real identity.
30:26Let everyone know she's not just some random actress.
30:33No.
30:34Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:38There's someone behind us.
30:40And whoever they are, I'll make them pay.
30:50Fuck off.
30:57Well, this can't be right.
31:02I'd die in the second scene.
31:05This must be Dorothy and John forcing S.Q. to cut me out.
31:09They won't get away with this.
31:16Trey, can you believe this?
31:17They've completely written me out of the script.
31:20Do you remember when Nick was lying in that hospital bed?
31:23You promised him you'd look after me.
31:26I've already lost my husband and my baby.
31:28I can't lose my career, too.
31:31I'll get you and your character back.
31:49There's a tape of a documentary that apparently S.Q. has always wanted.
31:53So, we win this bid and we gift it to them.
31:57We should be able to get you your rollback.
32:01Up next, a rare gem.
32:04The original film documentary chronicling the creative journey of none other than herself.
32:10Legendary screenwriter, Margaret Lane.
32:16What's she doing here?
32:19I don't know.
32:21I'm not going to let her win this.
32:23$60,000!
32:28$70,000.
32:31$100,000!
32:35This is my grandmother's documentary.
32:37It's her legacy.
32:39She's the one who inspired me to become a screenwriter.
32:42I can't let her fall into the wrong hands.
32:47$500,000!
32:57$500,000!
33:01I'm trying to get you your rollback.
33:03Don't worry.
33:04I've got it covered.
33:05Ladies and gentlemen, we are down to the final bid.
33:10Standing at a whopping $500,000.
33:14$500,000 going once.
33:17$500,000 going twice.
33:20Sold.
33:21To the lady in the blue dress.
33:30I can't believe this.
33:32You have no right to take that film reel with you.
33:39You have no right to take that film reel with you.
33:45What's going on?
33:51Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited guest.
33:59Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
34:05This is ridiculous.
34:06I was invited.
34:08Well, in that case, may I see your invitation?
34:17I did have it, I swear.
34:18I'm sorry, Miss Dorothy.
34:20If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
34:25This is the protocol.
34:26I don't understand.
34:27I'm sorry.
34:47These are the rules.
34:49The documentary reel will go to the honourable couple.
35:11Stephanie, wait.
35:13Just sell it to me.
35:15Name your price.
35:16I'll pay you anything you want.
35:18It's really important to me, please.
35:20Why are you doing this?
35:22Are you just trying to get my attention by going after something that Stephanie wants?
35:26No, you don't understand.
35:27Dad, just let me buy this.
35:31Whatever it takes.
35:33Dorothy.
35:34You think this is about money?
35:37Please.
35:37This isn't something you can just buy.
35:40Dorothy.
35:41What the hell?
35:43Why do we just have to go against her like that?
35:45This reel is important to Stephanie.
35:46She can use this to help her career.
35:49Her career?
35:51Is this about your role being cut from the tail?
35:55Is that why you're doing this?
35:59I'm the writer.
36:01I've got to fix this.
36:02Then you write the story and bring your character back.
36:05Just let me have the real place.
36:08You're the writer.
36:10Are you telling me that you're SQ?
36:16You, the writer SQ.
36:18Can you give us a break?
36:20Look, this reel is important to Stephanie.
36:24End it.
36:24Don't make this harder than it has to be.
36:28You've been with Dorothy for so long, and you don't even know her.
36:31Oh, and you do.
36:32A hell of a lot more than you.
36:33What do you think you are?
36:35Both of you, come down.
36:50Scratched all over.
36:51It's ruined.
36:52Not even fit to be a gift anymore.
36:54I can fix this.
36:56Stephanie, I know someone who can restore it.
36:58Just sell it to me, please.
36:59Just name your price.
37:03Even if I had no use for it, I'd never give it to you.
37:34I want to be a writer like you, Grandma.
37:37I want to make movies like you do.
37:40This reel has more than pictures and sound on it.
37:45Really?
37:46An entire world I've captured.
37:49But it's just one way of seeing things.
37:52The magic is creating it yourself.
37:55Someday you will.
38:09Dorothy, I need you to go apologize to Stephanie and give her her rollback.
38:14Apologize?
38:15To her?
38:17She destroyed the reel.
38:18She wouldn't have done that if you hadn't pushed her.
38:25So go apologize or I'm pulling my funding.
38:28Look, Dorothy.
38:30Let's be real here.
38:32Without Stephanie, who's going to invest?
38:36Even the production company will call out if they hear that she's not involved anymore.
38:39Her name carries weight.
38:41Let's not pretend that your reputation is exactly stellar right now.
38:44Well, Christopher's fans hate you.
38:47Stephanie's fans hate you.
38:48Even if you actually make this film, no one's going to support you.
38:52You will be very well.
38:56If you apologize to Stephanie now, I can help you.
39:02I can control the press.
39:04I can control the narrative.
39:05I can actually give you a chance.
39:10What's so funny?
39:13What's so funny?
39:15Pull your funding?
39:17Do it.
39:18You'll see it does nothing for the movie.
39:20Okay.
39:22So what if I tell the production head to pull his funding too?
39:26Didn't I tell you that I know Mr. Bennett?
39:28Oh.
39:29Go ahead.
39:30Quiet.
39:30Quiet.
39:31You want me to call?
39:33No, no.
39:34Fine.
39:39Hi, Mr. Bennett.
39:40It's Drake.
39:41Drake Mossbacher.
39:43Yeah, I'm pulling my funding from Liar's Game and I suggest that you do the same thing.
39:46I've seen it and it's a sinking ship.
39:50You're pulling up?
39:51Great.
39:52I'll take full control of the investments.
39:54Not a problem.
40:01So you're sat with him.
40:06That's why he's supporting you, isn't it?
40:11Is this how you see me?
40:12The type of woman who would use her body to get what she wants?
40:14What other explanation do you have?
40:17You know nothing about Dorothy.
40:23Apologize to Stephanie.
40:24Cut ties with Mr. Bennett and end this.
40:26Dorothy, come back to me.
40:27Whatever he's offering you, I'll match it.
40:29I'll double it.
40:30You must be out of your fucking mind.
40:33What makes you think I would ever go back to that living hell?
40:37Living hell?
40:38You heard me.
40:39Being married to you was a fucking nightmare.
40:43You made me believe you loved me.
40:46And then you had me waiting in vain for three years, Drake.
40:50You said you always protect me, but then when I needed you the most,
40:55you just turned your back on me.
40:57You chose your sister-in-law over your wife.
41:03I've had enough drink.
41:05You were my prison.
41:07So just go back to your precious Stephanie.
41:14Let's just go.
41:24Why are you hurt?
41:25Are you okay?
41:33What is it, Steph?
41:34What are you doing?
41:34Well, you want me, don't you?
41:36Just kiss me.
41:37I'm all yours.
41:38Steph!
41:39You're Nick's wife.
41:40I've always thought of you like a sister.
41:42Sister?
41:44Funny.
41:45Don't you remember when you came to me the night Nick and I got married?
41:48Don't you remember what you said?
41:52Remember this?
41:53Yeah.
41:53I want to marry Stephanie.
41:56You're practically begging me not to marry Nick.
41:58No, I shouldn't have said that.
42:00I shouldn't have said that.
42:00I don't see.
42:04What's that?
42:05Oh, it's nothing.
42:06Yeah, what is that?
42:07No, Drake, no.
42:08Please.
42:11You lied about this.
42:15You lied about this.
42:20You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:24It's a glitch.
42:26A glitch.
42:28So, do you actually expect me to believe that?
42:31What's this?
42:33Fine pills of the black market.
42:36Never hit your pregnancy.
42:39It's me.
42:40First time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:44Please, no, you have to believe me.
42:46I didn't.
42:47Do you know what?
42:47I've always thought of you like a sister.
42:50I've always taken care of you.
42:51I even thought that I loved you once, but that was before you were Nick's wife.
42:56You changed.
43:00You changed.
43:03You're not the person I thought you were.
43:07I only looked after you because I thought it was my duty as Nick's brother to look after his widow.
43:12I guess there's no need to look after you anymore, huh?
43:16What does that mean?
43:17You're just going to throw me away?
43:19I'm not going to throw you away, but this is my house.
43:25When I'm back, I hope that we can't.
43:27But you can't just walk away from me like that.
43:30I've said everything that I need to say.
43:31Now I'm going to go find the person that I actually care about.
43:39It's all your fault.
43:45Let's take this bitch down.
43:48Dorothy, please.
44:06I was wrong.
44:09I misunderstood everything about you and about us.
44:16Can you please just hear me out?
44:18You think you can just come here and apologise?
44:22After everything?
44:23I didn't mean to hurt you.
44:26Look, I understand what I did.
44:27It was just because it was definitely anyone.
44:30Can you please just forgive me?
44:33I don't need your apology, Drake.
44:35You let me down.
44:37You abandoned me.
44:39When I needed you the most.
44:41You used me.
44:43Manipulated me.
44:44And now you beg for my forgiveness.
44:47Oh God, please, just don't show me out.
44:49I can fix this.
44:51I can fix it.
44:52I can do anything, Dorothy, please.
44:54No.
44:57You were never the person I thought you were.
45:00And I'm not either.
45:02I've moved on.
45:05I don't need you.
45:10Not like I used to.
45:12Just like that.
45:13After everything.
45:15Yeah.
45:15That's it.
45:27I deserve better than this.
45:48You did it.
45:55Before you all celebrate this movie,
45:58there's something you should know.
46:01Dorothy is nothing but a homewrecker.
46:04What's going on?
46:05A glorified mistress who's been playing the part of a wonderful actress
46:09when all she's really done is ruin lives.
46:14Is it true, Dorothy?
46:16Are you involved with a married man?
46:17What's your response to Stephanie's claim?
46:22This is ridiculous.
46:24Let's talk about how she got here.
46:27Shall we?
46:28She didn't get here off her talent.
46:30Oh, no.
46:31She got here by clinging to powerful men.
46:35No real experience.
46:36No skill.
46:37Just a man's name and a man's money.
46:40Security!
46:41Get her out of here.
46:42Wait.
46:43If she has something to say, let's hear it.
46:46Dorothy, it's a trap.
46:48I'm not afraid of the truth.
46:51Let's see what she's got.
46:55What's going on?
46:57Tell us, Dorothy.
46:59How did you get here?
47:01Did you use your relationship with John Bennett to land the part?
47:19A homework, are you saying?
47:22Dorothy, is there something wrong with me appearing with my own dad?
47:26You're the one who sent me this photo, right?
47:28How about you take another one?
47:30This time, of my lovely family of three.
47:33Dorothy.
47:33Dorothy.
47:34Dorothy.
47:34Are you really John Bennett's daughter?
47:36Yes.
47:36I bet you'll never ask my last name.
47:39It's Bennett, by the way.
47:42So, Dorothy is the producer's daughter.
47:46Dorothy.
47:47So, did you use your father to get the part?
47:49Uh-huh.
47:50So, it's just nepotism, then.
47:54Well, even if she didn't fuck her way to the top,
47:59she still only got here through her connections.
48:01Whether you like it or not, my performance speaks for itself.
48:04And everyone here saw it.
48:06She was actually really good.
48:07Yeah, she handled the mortgage.
48:09Oh, are you saying that everyone here is wrong?
48:11You think you're so clever, don't you?
48:15Fine.
48:15You can act a little bit.
48:17But let's be real.
48:19You didn't land this role on your own.
48:20You just snapped your bony little fingers and let Daddy give you a role.
48:24How else would a nobody like you have landed yourself the lead otherwise?
48:28Dorothy isn't just a nobody.
48:33She wrote Lier's Game.
48:36She is SQ.
48:41Dorothy is SQ.
48:43How can that be possible?
48:45Lier's Game is a masterpiece.
48:47There's no way you could have written it.
48:48You don't have to believe me.
48:50Just let the credit speak for itself.
48:56How can this be true?
49:03Dorothy Van Eyck, you're the daughter of the producer and the famous writer SQ.
49:07Why did you keep your identity a secret so long?
49:13Why did you keep your identity a secret so long?
49:15Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker, I'm arresting you on suspicion of defamation.
49:20No, no, no, no, no.
49:21I didn't do anything wrong.
49:22This was all Stephanie's idea.
49:23I didn't do anything.
49:31This whole time, she was actually telling the truth.
49:35Dorothy's SQ.
49:37She's genius.
49:40That's why she always had a book in her hand.
49:44Always writing something on her laptop, always lost in her thoughts.
49:50Didn't even see her.
49:53I guess I was blind all along.
49:57I don't deserve that.
50:17I've missed this place.
50:20Don't you remember?
50:21Of course I do.
50:23We saw so many films here.
50:25We would just stay in our seats and talk about life and everything.
50:33But you just made me feel like I could face more of anything, really.
50:40God, I used to be so nervous back then.
50:43About everything.
50:44About the future.
50:47But you just made me feel like I could face more of anything, really.
50:52No.
50:54Someone had to be there to make sure you didn't have to think everything.
50:57I remember you used to unpick every little detail like it was a life or death situation.
51:06You know, Dorothy.
51:10Life's not been the same without you.
51:15Even when we parted ways, I...
51:18I always knew that we would find each other again.
51:23I don't care what we've been through.
51:26I don't care what's happened.
51:27All I know...
51:30Is that I need you now.
51:34More than ever.
51:48And the award for Best Adapted Screenplay goes to...
51:53Dorothy Bennett with Liar's Game!
51:58Wow.
52:00Best screenplay.
52:02What, shall I start calling you Your Majesty?
52:04I think that's a great idea.
52:07Why don't I start now?
52:09You deserve this.
52:11Your Majesty.
52:13Every bit of it.
52:15Now.
52:17Since you won, I think this calls for a reward.
52:21Oh, yeah?
52:24And what would that be?
52:27Me.
52:29Me.
52:49Me.
52:58Me.
52:59Me.
52:59Me.
53:00Me.
53:01Me.
53:02Me.
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