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20:55What the hell did you do here?
21:03I work.
21:07You work?
21:10Yes, I was sure I had the door closed.
21:14Yes, you had it.
21:15Yes, you had it.
21:16Yes, I had the door closed.
21:20Yes, you had it.
21:23Did you forget the door?
21:25Yes, your man heard the ring there.
21:28Maybe it was inbreed with Camilla Lohan.
21:37Why don't you go to the hospital?
21:40Come on.
21:46What is it?
21:48What is it?
21:50What is it?
21:52What is it?
21:52Let me go.
21:58I'm sorry.
21:59I'm sorry.
22:00You have coffee?
22:02Eh...
22:03Yeah, thank.
22:08What kind of sovmedicine do you use?
22:16Heroin, sopitin.
22:20I bought a resept from abroad.
22:24I've got two flurenssmeck because it's scary.
22:30Do you use it?
22:31I?
22:32No, it's the freedom that causes angst, and I want to have the freedom.
22:42If you want to be an angst, then you'll be one-hersker in your own life.
22:48You must read it, Heidegger.
22:49But you don't have angst.
22:53I have angst.
22:54You have angst?
22:55Yes.
22:57You have angst.
23:00Yes.
23:02But this murder has not angst.
23:06No.
23:08Why not?
23:10The freedom that keeps us empty.
23:13The rules.
23:16The murder has no rules.
23:22The land and the room is empty.
23:25The witness is the reason they come here.
23:28You can't stand up.
23:31And why not?
23:32That's why he has to be fixed.
23:32The road has to be fixed.
23:33Locally, I don't know how to go down on the road.
23:39The Mate would know how to go down on the road.
23:50What do you think?
23:51You think?
23:52Barbara Svendsen is unique from the one to the other.
23:56Lisbeth Barley was maybe married now,
23:58but before that he flew out like a...
24:01...segøyner.
24:04And what about...
24:06...Kamella Lohan?
24:09He was not free for sin, or?
24:14The dream of the death...
24:17It's just a blessing.
24:21Hebrea 13, verse 4.
24:24God will kill them who live with hell.
24:31I heard it before.
24:35I'm not with the Hebrea.
24:38I'm not with Heidegger.
24:46Forresten,
24:47you who sell your kirk-gutsmykning,
24:50...
24:51... do you know what it means?
24:52You can make a pentagram-ytre?
24:57So, where did you find it?
25:02In the house of the house,
25:03... there up there.
25:06In the house?
25:07Yes.
25:08In the house of the house,
25:14...
25:15...
25:15...
25:15...
25:17...
25:19...
25:19...
25:20...
25:20...
25:20...
25:21...
25:22...
25:22...
25:22...
25:22...
25:22...
25:23...
25:23...
25:24...
25:25...
25:25...
25:25...
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25:26...
25:26...
25:27...
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25:29...
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25:38...
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25:40...
25:42...
25:42...
25:44...
25:48...
25:59...
26:00...
26:03...
26:03...
26:11...
26:16...
26:18...
26:30...
26:31...
26:33...
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26:33...
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26:34...
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26:34...
26:35...
26:35...
26:35...
26:37...
26:37...
26:37...
26:37...
26:37...
26:37and also a question, but also a concrete answer.
26:41What can you do with the sound?
26:43I would usually use AI for to remove the vibrations.
26:48But in this case, I use AI with adverse audio.
26:53Do you know how crazy it is?
26:54Can you remove it?
26:57100% not. It's impossible.
26:59Great. Holm, what do you have?
27:02These cassette you have bought over the internet.
27:05So, it's...
27:06But what the language expert said is that
27:10he can speak a little bit of Swedish,
27:13and sometimes a little bit of Norwegian.
27:14And that's why it's been a long time since he's been in Sweden.
27:18It's been a finger-outtryk.
27:19Yes, it's yours.
27:21So, yes.
27:24Yes.
27:26Naboen in Leiligheten under.
27:28Did you find finger-outtrykken?
27:30Yes, on the inside of the door.
27:31But he was the same with the captain.
27:33So, it's not so weird.
27:35So...
27:35Yes.
27:36You're right.
27:37You're right.
27:37You're right.
27:38You're right.
27:38Yes.
27:38You're right.
27:40You're right.
27:41You're right.
27:41You're right.
27:41You're right.
27:42You're right.
27:42Which would you be the same?
27:43You're right.
27:44What's that cascette?
27:45I'm here.
27:47I mean, you're right.
27:50You're right.
27:52You're right.
28:04You're right.
28:08I don't know what's going on here.
28:51I don't know.
29:13There was no one here in the day. Are you all sure about it?
29:19For example a bike?
29:21I said that I didn't have any customers.
29:26A bike?
29:27There was a bike there in full blood.
29:34But he drove again, and he understood that it was a bad thing.
29:40Don't take the bike there, just go in there.
29:43Kate?
29:44Hey.
29:46Hey.
29:47You see it like a finger in there.
29:52Give me five.
29:54Give me a signal on the bike.
29:56You can't see it on the bike.
29:58You can't see it on the bike.
30:00Try it.
30:02He was so good in there.
30:04I sat on the keyboard here.
30:06People will ask for help if they need it.
30:09Harry, I'm going to grab it.
30:12I'm going to grab it.
30:15I'll ring you if you find it.
30:16Yeah.
30:36Sure.
30:38Matt.
30:39Uh, even...
30:40Ha ha ha ha.
30:50Yeah, hello.
30:52It's someone who has sparked a corpse here.
30:55He says that Attila is on the path to the hospital to kill him.
30:58That's why the flame costs.
31:11We need people.
31:12Everyone is dead in Göteborg.
31:15Because they are here, you know.
31:28I don't know where to go.
31:30I want to be so crazy.
31:33You know what I'm so...
31:37Do you talk to me?
31:39Do you want me to hold it?
31:40Will you sell me now, yes or no?
31:43Yes, I will.
31:45Do you know what I'm putting on?
31:46I can sell the names on the one who sells the weapons to the dead people.
31:54Yes, that's me you visited at the hospital.
31:57You have to come here.
31:58And you have to take your friends with weapons.
32:02What's going on?
32:05Yes, I am.
32:06The whole Korps group is on the way here.
32:09And no one has told us where we are.
32:13How do you know that I'm not going to get back?
32:15Yes, but it's a chance to take.
32:19If you want to name it.
32:20If we die, take information with us.
32:35Yes, Pole.
32:36Hey, Wolf.
32:37I'm going to drive here.
32:39Help me.
32:39I'm going to take the Delta.
32:41Korps is on the way to get out of the gate.
32:43It's back to the sykehus.
32:44It's room 505.
32:45Mottat.
32:46Mottat.
32:54Mottat.
32:55What's going on?
32:56What's going on?
32:57No, it's frustrating.
32:58But I don't want to do anything.
33:00Why not?
33:01Because we're not an American film in Norge.
33:03And the police have a boat in the middle of us.
33:06I'm going to drive a police bill.
33:06And this is not a police bill.
33:07It means that there won't be any action.
33:09I'll be at the troppel.
33:10I'll be at the troppel.
33:11I'll be at the troppel.
33:13I'll be at the troppel.
33:14I'll be at the troppel.
33:14That's exactly what I do.
33:17Yes!
33:23I'll be at the troppel.
33:24Hey, there.
33:25It was great you came.
33:26I thought you almost did not get off the middle.
33:29Was it good?
33:30It could have been good.
34:09Is this not the hospital?
34:11This is Aker. We are going to Ullevall hospital.
34:19We need to get out of the hospital.
34:21Get out of here!
34:34Get out of here!
34:40Can you hold on to me?
34:41Oh shit!
34:42Oh shit!
35:11I'm just gonna have to go!
35:14You're already there.
35:15Yeah!
35:22What are you doing?
39:15Yeah.
39:29We're right back.
39:31We're right back.
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