- 3 hours ago
Vanished S01E01 [Full Movie] [Trending Drama]Full EP - Full
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Short filmTranscript
00:11You
00:19Stranger
00:19I got offered a teaching position. You and I could live together
00:26Yeah, sir
00:27Sir, I can't. One sec
00:30Did my boyfriend return?
00:32Uh, no
00:37You know how many people are reported missing each day in France
00:43I know where Tom got off the train
00:45There was a door in the conductor's office
00:48Oh, the conductor is in the conference town
00:50This is all getting quite dramatic
00:51His name is Marie Chirou. He was hiding something I could tell
00:54The police are either useless or corrupt
00:57Tread carefully, Miss Monroe
00:59You know Tom better than anyone
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London
01:08You probably know more than you realize
01:11It's the same I rose, Finch
01:13Reminds me of you
01:29If you love me with my own
01:38Tell my heart which way to go
01:46Hey, look at that
01:50What's that?
01:52What's that?
01:52Pottery
01:53Maybe
01:54Greek
01:56It's probably been here for hundreds of years
01:58It's so beautiful
02:03Here
02:06No, you keep it
02:07Why?
02:10During those nights
02:11During those nights
02:12When you're in one far flung corner of the earth
02:14And I'm in another
02:15I want you to think of me
02:16With the same wonder and tenderness
02:17As you do when you look at that piece of clay
02:19We're two weary hearts
02:21Yeah
02:22Aglow
02:23Aglow
02:24No
02:27If you love me
02:30Let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:49Known
02:50A
02:50A
02:50A
02:50A
02:53Like
02:54We're
02:57There
03:06Can
03:06We're
03:14at
04:27Excuse me.
04:29Hi, my name is Alice Munro, and I need help.
04:32My boyfriend, Tom Parker, he works for this charity, and he's missing.
04:38Can someone help me?
04:39Can I speak to someone in charge?
04:40Tom Parker?
04:41Yes, Tom Parker.
04:42One minute, please.
04:49Hi, this is Tom Parker.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a student.
05:12But, metaphorically speaking, what happened?
05:16Um, Tom disappeared.
05:20What do you mean he disappeared?
05:22Okay, so he called here at SOS from Paris two days ago.
05:27Do you know who?
05:28He said he was talking to his uncle from England, but, like, I don't know why he would lie to
05:32me.
05:32It's possible he was trying to call Jordan.
05:36The weekend route calls through here so you don't have to pay international charges.
05:39But, uh, I know he's coming here after vacation, so there's no need for him to call him before.
05:45We encourage our people to take a complete break when they're on holiday, and especially Tom, after what he's been
05:54through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:11Okay.
06:12I'm going to tell you this, but...
06:16When Tom comes back all happy and healthy, I'd prefer if you kept me out of it, okay?
06:21Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old, and he lived in one of the camps where
06:39things were already hard, but that night it got even worse.
06:42His mom went into labor alone in the middle of the night.
06:47She was very sick, had no one to help her.
06:49So Malik ran for four miles, all the way to where the SOS team was staying, and got Tom to
06:56drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse.
07:04So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and...
07:15Yeah, Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school, he would make sure his family
07:23was taken care of.
07:26But, unfortunately, bandits were ready to camp.
07:35They took women and children, and no one knew who had survived.
07:42And Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy, alongside his mother and sisters, in a mass burial pit, 10 clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's, at least I think it was.
08:13But he didn't want to pack it in.
08:15We got him a counselor, we tried to give him support, but something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field, but he wasn't himself anymore.
08:27He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:34I don't think he ever really came back from what happened to me, but I don't think he ever really
08:39came back from what happened to me.
08:40Sorry, I...
08:42I...
08:43You didn't know any of this?
08:46Alan...
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets under your skin.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up.
09:11If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there, I'll make sure to let me know.
09:22Don't worry.
09:24Alice will find him.
09:53May the next day.
09:57Thank you so much.
10:06Yes.
10:13How do you see them doing this?
10:13I have to be a dream you're going by.
10:13I don't know.
10:13I'm sorry.
10:13I was sorry.
10:47Hello?
10:48Hey, Helen. It's Alice.
10:50Hello, Alice. Has your boyfriend returned?
10:53No, he hasn't.
10:55But does the name Orly mean anything to you?
10:58Is it a place in Marseille? It could be a person...
11:01Orly? Where did you find that?
11:04I was looking in Tom's notebook and it was in there.
11:08Orly?
11:10Orly?
11:10It could be anything or anyone.
11:12Helen, anything else in the notebook?
11:15Not really. I was just on a post-it note.
11:18Okay.
11:19Leave it with me. I will look into it.
11:51How do you know it's a boat?
11:52Oh, I don't. It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:02What do you notice?
12:04Men paint women's names on their boats to pretend those women are central to their life.
12:10And then, they'll run away to sea with their buddies.
12:17Et voilà.
12:20Orly.
12:29Anyone here?
12:30Bonjour.
12:33Hello.
12:34There's someone?
12:35Well, what are we going to do?
12:39What the heck?
12:41What?
12:41Oh.
12:42Every good journalist carries them.
12:45Oh, my God.
12:46Keep lookout.
12:47I'm so bad.
12:49I'm so bad.
12:53I'm so bad.
13:53Oh, my God.
13:58Is it his?
14:06Alice?
14:08Alice?
14:10Alice?
14:13Alice?
14:14Alice?
14:32Tati?
14:33Alice?
14:33It's Uncle Brian.
14:34He's in London.
14:35It's Uncle Brian.
14:38It's Uncle Brian.
14:39He's in London.
14:42What are you going to tell me about that?
14:45I was wondering what you'd notice.
14:46Alice?
14:47Alice?
14:48He may be useless with cars, but he could talk a dog of a Mitra.
14:51A dog of a big dog.
15:10I came as soon as I could.
15:12Hi.
15:15Um...
15:15Yeah.
15:16I spoke to Jordan.
15:18You were right?
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:32Alice, there's no easy way to say this.
15:35No.
15:36Um...
15:36I met her, actually.
15:39That...
15:40That woman that you're...
15:42Were...
15:44Were they...
15:46Are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:57He's not thinking rationally.
16:07So...
16:08What happens now?
16:12My God is he will show up somewhere.
16:14Or makes contact with someone in the next 48 hours.
16:18And then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around in my safe.
16:30If he turns up, you'd be the first one to know.
16:33Okay?
16:35Great.
16:38Alice, um...
16:39I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for tomorrow.
16:50Yeah?
16:51If you need anything, Al.
19:19Is everyone here from the dig?
19:22Yeah, why?
19:25I kind of want you to show me your world.
19:38This is totally illegal, you know.
19:41We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Yeah, why?
19:53I think your job is safe.
19:57What?
19:59Really?
20:00Come on, Jeff.
20:05Come here.
20:11Oh, this was built by the Neapoteans.
20:15Oh, so was that 9th century?
20:174th century.
20:18AD?
20:19BC.
20:19BC.
20:21Cool.
20:22Did you say the Neapoteans?
20:24Oh, you didn't hear me?
20:25No.
20:25Oh, now you know.
20:28That's what I want to hear.
20:29Yeah, sure.
20:30It actually flourished due to trade routes, incense, spices, silks, and of course, it's gorgeous.
20:37Rock-cut architecture, and it was annexed by the Romans that fell into total disrepair.
20:42By the time the earthquakes hit in the 6th century, entire infrastructure was basically destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Isn't that interesting to you?
21:02Very.
21:35He's coming back.
21:37He's coming back.
21:39Yeah.
21:47birthday.
23:51Excuse me.
24:00Excusez-moi.
24:03Excusez-moi.
24:04I need help, please.
24:07Hello.
24:08Hello.
24:13Hi, I'm looking for Maurice Giroux.
24:15Is he around here?
24:16Maurice?
24:16Oh, I'm sorry.
24:18He left around an hour ago.
24:20Do you know where I could find him?
24:22Why?
24:24It's personal.
24:26Do you have an address or a number or something?
24:29I'm afraid I can't give this address to a stranger, but how do you know Maurice Giroux?
24:33I don't.
24:33I don't.
24:33He was the conductor on a train I took recently, and I need to tell...
24:37Yeah, okay.
24:38I'm sorry, Ann.
24:39When was it?
24:39I...
24:40I can't just give out his address.
24:42You understand?
24:43Yes.
24:44Of course.
24:46Okay.
24:47Sorry.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant
24:59with Maurice's child.
25:01I need to speak to him right now.
25:02Qu'est-ce qu'elle dit?
25:03Oh, ouais.
25:06Elle dit qu'elle est enceinte de Maurice.
25:08Quoi?
25:09Quoi?
25:09Quoi?
25:09Quoi?
25:11Quoi?
25:12Quoi?
25:13Quoi?
25:13Quoi?
25:14Quoi?
25:14Quoi?
25:14Quoi?
25:15Quoi?
25:16Quoi?
25:16Quoi?
25:17Quoi?
25:17I'm sorry about my colleagues.
25:18Sorry.
25:19Of course, I'll give you his address.
25:22Sorry.
25:23Good.
25:24Of course.
25:26Here.
25:49I'm sorry.
25:51I'm sorry.
25:56I'm sorry.
26:05I'm sorry.
26:07I'm sorry.
26:08I'm sorry.
26:13I'm sorry.
26:14I'm sorry.
26:14I'm sorry.
26:15I'm sorry.
26:16I'm sorry.
26:17What are you doing?
26:34My baby, what are you doing?
26:36I lost you, it's what the hell?
26:38Why don't you talk about me?
26:40I promise you never will be like mine.
26:42Alex, 20 minutes.
26:44Laisse-moi 20 minutes.
26:4520 minutes.
26:46How's that 20 minutes?
26:47I'm not known for 2, you know?
26:492, you're so gay.
26:50You're so gay, you're so gay.
26:51You're so gay, you're so gay.
26:51Back up!
26:55Get out of my way!
26:57Oh, you're siloé?
26:58Tranquille.
27:00It's okay.
27:01It's okay.
27:02It's okay.
27:04It's okay.
27:05It's okay.
27:05It's okay.
27:07It's like that.
27:09How do you feel?
27:14How do you feel?
27:15What are you doing now?
27:19Look at why.
27:20Look at me when I'm talking.
27:23Come on.
27:27Look out where I'm talking.
27:32Come on.
27:34Come on.
27:34Come on, you're right, you're right.
27:35Come on, come on.
27:37Come on, you're right.
27:38You're in the middle of the brain.
27:39What did you say?
27:40You want to talk to me once again?
27:42Just like that.
27:43Well, I'll call your mother.
28:08No, I'm not going to talk to you.
28:10No, I'm not going to talk to you.
28:17No, I'm not going to talk to you.
28:49Hello.
29:12Oh my God.
29:13Oh my God.
29:14Oh my God.
29:14I'm here.
29:15Oh my God.
29:17No, no, no.
29:19Oh my God.
29:25Oh my God.
29:32Madame?
29:35Who is that?
29:37Madame, hold on.
29:39Wait, wait, wait. Hold on. It's okay.
29:40I know.
29:42I'm so sorry.
29:43I just got in here.
29:46Oh my God.
29:48Oh my God.
29:50Oh my God.
29:53Oh my God.
29:55Oh my God.
29:56Oh my God.
30:00Wow!
30:10Oh my God.
30:11Hey guys look at it!
30:13Oh my God.
30:15Halo!
30:16Oh!
30:18Oh my God.
30:24We can see you there!
30:40The meuf crase de ouf, eh!
30:42The meuf crase de ouf, eh!
30:44The assistant's on t'a crier!
30:46T'inquiète pas, je vais m'occuper de toi, ma.
30:54I'm sorry, I'm sorry!
30:54I'm sorry, I'm sorry, I'm sorry, I'm sorry!
31:00Matt, Matt, elle a dit quoi, elle a dû filer par là!
31:02Venez, on a carrément pour la rue.
31:24...
31:46Ah!
31:48Ah!
31:49Oh!
31:51Ah!
32:04It's not a matter of policies, it's a matter of marketing.
32:08When did you get so cynical?
32:10Here's your mom.
32:15Something has happened, I need to see you right away.
32:19Is everything okay? I thought you'd left.
32:22No, no, it's not. I just went to see the conductor, the one from Tom's train, and when I got
32:26there, he was dead. He was dead. He was dead. He was dead.
32:29Wait, wait, wait. Slow down, okay? Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular. He had very dark hair with, like, a bun.
32:42Where are you?
32:44I'm at the Hotel Peron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:10She's at the Hotel, room 218.
33:14Go to her now.
34:00What?
34:01I was right about the conductor.
34:03What?
34:04I went to his apartment, but when I got there, he was already dead.
34:06Someone slit his throat.
34:09Who have you spoken to?
34:11Um, just one person from Tom's charity coming actually to meet me right now.
34:16Alice, which hotel, which hotel are you staying at?
34:20Peron.
34:21I'm coming now.
34:23Do not speak to anyone.
34:25You hear me?
34:25Do not speak to anyone.
34:27What?
34:29You hear me?
34:31Come in.
34:38I don't know.
34:39Come in.
34:43Come in.
34:49I don't know.
35:13I have a delivery for Alice Monroe.
35:39I have a delivery for Alice.
36:19I have a delivery for Alice.
36:20Now!
36:20Quick!
36:22Quick!
36:23No!
36:33Are you okay?
36:35Yes.
36:36Okay?
36:37I'm having a panic attack.
36:38Freeze!
36:41Oh my God!
36:42Freeze!
36:42Freeze!
36:42Slowly!
36:44Oh my God!
36:45You're safe, Alice.
36:48It's Durand.
36:48The works at SOS.
36:51Don't answer.
36:52No, he's been helping me.
36:54I cannot protect you if you do not want to be protected.
36:58Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but it does.
37:02Who else knows?
37:03I guess Inspector Drax knows, but...
37:05Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To...
37:30To know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:35Okay, fine.
37:36Don't be so...
37:37Please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:48First, we need to go somewhere safe.
37:51First.
37:55Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a Bette Noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:05I have reason to believe.
39:09Oh, no.
39:09You are...
39:10You are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me?
39:26No.
39:27I with her, the truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh, I'm freelance.
39:41Suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:48Five years ago.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:23This city is packed with dirty cops.
40:25Maybe he plans to set you up for Jero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
41:09You have nowhere to go.
41:11Contrôleur Maurice Giroux.
41:13Nous recherchons activement la suspecte numéro 1.
41:16Une Américaine dénommée Alice Monroe, la trentaine.
41:20Vous avez la moindre information concernant cette personne.
41:22La moindre information.
41:24Contactez la police.
41:27Le thème novelle de la mort.
41:29Aux点灵点.
41:30Receive.
41:35La naturelle de la mort.
41:37Une Américaine dénommée.
41:39Todé.
41:46La mort.
41:47Sous-titrage.
41:48La mort.
41:48C'est la mort.
41:51La mort.
41:51C'est la mort.
41:52La mort.
41:54La mort.
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