05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to say.
05:51What are you going to tell me about that?
05:53What are you going to tell me about that?
05:54I was wondering when you noticed.
05:57It's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05Oh.
06:05So you just thought you'd have it with you forever?
06:07Mm-hmm.
06:09Reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:25So, come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archaeology, Princeton.
07:02Oh, my God.
07:03Alice, I mean, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:15I'm going to have an apartment, you know, a place on campus from which you and I could live together.
07:28I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:32No, no, no.
07:33Um, no, no, no, no, that, that, that is, uh, big.
07:40Um.
07:41Big?
07:42No, um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:47I know, I know.
07:47It's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world and that we actually want
07:57to have sex with each other all the time.
07:59Um, but I want this job, you know, I want to build a life that's mine, not just uncovering
08:10other people's.
08:13We have to make a decision, you and me, like, Tom, I, I love you so much and I want
08:21to keep
08:21loving you and I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro, and I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
09:04Hey, what time is it?
09:11Tom?
09:16Tom?
09:19Hey.
09:22Hey.
09:22Hey.
09:23It's Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:29The train's at 10.30.
09:34Yes.
09:35Hi.
09:36Hi.
09:36Hi.
09:36Hi.
09:42Hi.
10:01Sorry.
10:08Sorry.
10:09Ryan talks like it's an Olympic sport.
10:11Oh, that's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have
10:19left us destitute for the rest of our lives yes well it turns out that brian and the owner are
10:25on the same board for this wildlife project and brian has called in a favor oh my god are you
10:31kidding can we get massages and lay by the pool yes yes can we have oysters and champagne we
10:37can do whatever you want oh i love you well i feel it's very conditional right now oh no it
10:44is oh it
10:45is completely yes
10:57don't stay there almost over
11:11that's a bingo okay maybe we don't do impressions of fictional ss officers as
11:17we're traveling through previously occupied france what do you think okay
11:24oh my god no nine for you
11:44hi hello uh sorry i can't i can't hear you can you can you repeat that by the telephone
11:56one one second yeah all right one second
12:07salon are yeah and uh he's not my husband he's my boyfriend
12:26uh
12:41so
12:43It's a big deal.
12:45Yeah, it's a big deal.
12:47I got it.
12:48It's a big deal.
12:50We're in a lot of business.
12:52I don't know.
12:57It's a big deal.
12:58It's a big deal, but it's a big deal.
12:59It's a big deal.
13:02It's a big deal.
13:08Hold your hand.
13:09Hello, our TGV train from Marseille-Saint-Charles will arrive in Gare d'Avignon in a few minutes.
13:16Avignon, 5 minutes left.
14:03Did my boyfriend return?
14:07Marami?
14:08Uh, no.
14:10I know, he's already in.
14:13So weird.
14:15Where are you?
14:20Oh.
14:23Hi, this is Tom Parker.
14:25Watching an unavailable, leave a message after the time.
14:38Tom?
14:40Oh, my God.
15:08Oh, my God.
15:11Oh, my God.
15:16Oh, my God.
15:30Oh, my God.
15:34Oh, my God.
15:44Oh, my God.
15:56Oh, my God.
15:59Oh, my God.
16:16Tom, hey, very funny.
16:20I have been looking all over this trip.
16:22Oh, my God.
16:23I'm sorry.
16:24No, Desolée, I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:39Excuse me, did you see him walking?
16:43No.
16:52Excuse me.
16:54What's your problem, madame?
16:55My...
16:56Mon ami?
16:57He's gone.
16:59He's...
17:00I can't find him.
17:01He kind of...
17:03Il est peut-être descendu à Avignon.
17:06Est-ce que vous avez essayé de l'appeler?
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:21But if he was leaning against a door and maybe fell under the track, is that possible?
17:24En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte et tomber sur
17:28les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portées sont fermées.
17:31Quand le train est en route.
17:33Non, non.
17:34Ok, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43Ok, they only open up this place.
17:45Ok, I just wanna...
17:46I just wanna find my boyfriend.
17:47Je comprends très bien ça, madame.
17:50Continue à l'appeler, je suis sûr qu'il va finir par vous répondre.
17:53Hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est réservé au personnel.
18:07Ok.
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:16Elle a du stand-up, c'est la rassurant.
18:17C'est le règlement, c'est comme ça, c'est tout.
18:19Elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26It's important, I...
18:27C'est contre l'âge de moi, c'est dit.
18:32Oh my God.
18:37Tom, I've been looking all over from you.
18:38Where?
18:41Tom, are you there?
18:51Tom.
18:54What?
18:55Oh my God.
19:29Do you know Marseille?
19:32No, no, but it's...
19:34I'll be fine, I'm okay, thanks.
19:36What are you going to do?
19:38I don't know.
19:40We're supposed to go to Aurel, but...
19:42Maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm...
19:47You've been so helpful, thank you.
19:49I'm just kind of...
19:51I'm, um...
19:52Where is the police station?
19:54You go down the hill, it's on your right, you can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine.
20:02I'm positive, this is all a big misunderstanding, so...
20:11You know...
20:13If you need help, I'm Helen.
20:19Alice, thanks.
20:26So, good luck, Alice.
20:29And don't worry, it's going to be okay.
20:34Bye.
20:35Bye.
21:25Do you know how many people are reported missing each day in France?
21:30Six hundred on the good day.
21:33Okay, well, that cannot be an excuse to not help me, please.
21:36It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say.
21:46What about his passport?
21:47Yes, I have it.
21:48I have it right here.
21:51Just one second.
22:04I don't...
22:05I don't understand.
22:08Mother Monho,
22:12how long have you known your boyfriend?
22:15Um, well...
22:16We've been dating for four years.
22:20We met in Jordan.
22:21That's where he heads the region for SOS Global.
22:23It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist.
22:37Do you know how you fight?
22:40What?
22:42Fights, disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else?
22:49Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And he agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so he got off the train at Avignon without telling you, eh, voilà?
23:29He would never do that.
23:31You don't know Tom.
23:32I am no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
23:57Don't know Tom.
23:58Trust me.
25:36Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:50Right.
25:51What's in there?
25:53Uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So, you're screwed.
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you'd better hop in.
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You, too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:14What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:54I know how to get dirty.
28:00I know how to get dirty.
28:39Okay, uh, can you stop already up here?
28:44Okay.
28:44Let's see if I play.
28:48Let's go.
29:17Let's go.
29:47Let's go.
30:07Tom?
30:09Let's go.
30:11Let's go.
30:12Let's go.
30:14Let's go.
30:16Let's go.
30:17Let's go.
30:21Let's go.
30:25Let's go.
30:25Let's go.
30:29Let's go.
30:33Let's go.
30:42Let's go.
30:52Let's go.
30:54Let's go.
31:23Let's go.
31:25Let's go.
31:39Let's go.
31:42Let's go.
31:48Let's go.
31:57Let's go.
32:02Let's go.
32:04Let's go.
32:09Let's go.
32:10Let's go.
32:12Let's go.
32:14Let's go.
32:15Let's go.
32:15Let's go.
32:16Oh, my God.
32:58Oh, my God.
33:18Oh, my God.
33:23Hi. Hello.
33:24Mademoiselle Monroe.
33:26What a pleasant surprise.
33:27So, has the prodigal son returned?
33:29No, but...
33:31Ah, voilà.
33:32Then we can report him missing tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me.
33:37I'm late to the cinema.
33:39For an Alain Delon double bill and Madame Drax will not take it kindly.
33:42if i'm late i know where tom got off the train bravo madame cruso i followed the line back from
33:48avignon where the train stopped and i found this
33:55well yeah it's tom's favorite he offered me a piece before he disappeared
34:00and the ejected seat on the train where was that found should really be a stand-up comedian you
34:05know that my wife doesn't think so so there was a door in the conductor's office oh the conductor
34:10is in the compass now this is all getting quite dramatic his name is marie shiru he was hiding
34:15something i could tell you have to bring him in for questioning i have to go to the cinema
34:19samurai awaits you know i'm not making this up and i'm late nice car
34:29my wife makes the money in our house i chose well better than you it seems
34:36tread carefully miss monroe
34:42so
34:55so
34:56so
36:26Mr. Tom!
36:28Mr. Tom!
36:29I want you to hear!
36:30All right.
36:31No, I want you to hear!
36:31No, I want you to hear!
36:31Salma, Salma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me or they need to be in the fridge right away.
36:38Okay.
36:41Okay.
36:4230, 6, 2.
36:46Hi.
36:47Who are you?
36:49I just gave Tom a lift.
36:51You broke down?
36:52Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:01I know.
37:08Wait, what's happening?
37:09Stay back!
37:12What's he doing?
37:17What's he doing?
37:18Hi he's a liar, pup!
37:19Look, look.
37:19Come.
37:22Oh, hey, hey!
37:23You're not taking him.
37:24You're not taking him!
37:25You're not taking him!rente!
37:32No,
37:34terrible. No,
37:37terrible. No,
37:37terrible. No,
37:38terrible. We got
37:38to pass who we ate. No...
37:51who are they local bandits i think no one will notice missing refugees from syria
37:58take them down to tripoli sell them to traffickers for a king's ransom
38:04he stopped them before he may be useless with cars but he could talk a dog off a meat truck
38:20so
38:24so
38:25so
38:48You look like you need a drink.
38:53Something must have happened at home before it happened, Jan.
38:55And I just feel like the conductor had something to do with it.
38:58I mean, you saw him yourself, the way he was acting, all shifty.
39:02What do you think happened?
39:04Okay, this is going to sound insane, but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Are you rich?
39:14No.
39:14So why would someone kidnap him?
39:18Maybe it's not about money.
39:20It's always about money.
39:22What is...
39:29Oh, diabetes.
39:32Wow.
39:36Okay, so what do I do?
39:38The police are either useless or corrupt.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archaeologist.
39:56Yes.
39:56You're like me.
39:57You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone, so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:17Who has he been in touch with lately?
40:26Has he said anything strange?
40:34Find something more than a piece of Twingo man.
40:37Maybe I can help.
40:39Get one.
40:52Ah, sorry.
41:04If you hold on my floor, I'm his big hand.
41:08I explained to her about your steps.
41:22It's Uncle Brian.
41:25He's in luck, he's in luck, he's in luck.
41:46SOS Global, Bureau de Marseille.
42:21It's a semi-rose finch.
42:23It reminds me of you.
42:25It reminds me of you.
42:39It reminds me of you.
42:41It reminds me of you.
43:06It reminds me of you.
43:11It reminds me of you but it reminds me of you.
43:14It reminds me of you.
43:17It reminds me of you.
43:22It reminds me of you.
43:26It reminds me of you.
43:27It reminds me of you.
43:30I might have been curious that a few weeks ago
43:30duas Moon Noiradwendib
43:32features different here. But
43:32if you find me of you and others are consumption in two pan. nessa
43:32chat Doc Leo Oitzer There
43:33are the other many. I
43:33hope you find me more an тай tại. It
43:33reminds me of you've been to clean that cube.
44:05Transcription by CastingWords
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