- 10 hours ago
Emily (1962) [Full Movie] [New Drama]Full EP - Full
Category
🎥
Short filmTranscript
00:00:24For more information visit www.fema.org
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00:03:50LOOKING
00:03:51LOOKING
00:03:52QUICKLY
00:04:04IN
00:04:04Let's go now.
00:04:35Hello, Rachel. Welcome home, Miss Emily.
00:04:46Thank you, darling.
00:04:56Well, here we are.
00:04:57I'd almost forgotten what it looked like.
00:04:59Nothing's changed.
00:05:01I've arranged a little dinner party for you this evening.
00:05:03Really? Who's coming?
00:05:05Well, there's a friend of mine, Richard, coming from London.
00:05:07And there's our new neighbours, the Waynes.
00:05:08And a young American teacher, James Wise.
00:05:11Will I like him?
00:05:13I think you'll find him charming.
00:05:21Would you like to go upstairs and unpack now?
00:05:22Yes, I'll go help Rachel.
00:05:24See you later.
00:05:34It's so easy for you, Red.
00:05:36You don't understand how lucky you are.
00:05:38You could be fat or thin, handsome or ugly.
00:05:40It doesn't matter.
00:05:41You can still be attracted to women.
00:05:44For us it's different.
00:05:45We have to please to look our best to you at all times.
00:05:48If I might say so, you've succeeded admirably tonight.
00:05:51But I like my women always.
00:05:53To coin a phrase, variety is the spice of life.
00:05:58And what does our young American friend think who's been silent for so long?
00:06:02Well, I don't have...
00:06:04Well, you're more experienced.
00:06:06Well, women are okay.
00:06:09Well, some are better than others, but okay.
00:06:11Such charming modesty.
00:06:14James has more serious subjects to think of.
00:06:17Margaret tells me you're a teacher.
00:06:19Right, I've taken up a poster crate from your school.
00:06:21A steady job at an early age.
00:06:23You should enjoy yourself while you're young.
00:06:25James has a flying machine.
00:06:27Lunatic.
00:06:27Bound to get himself killed.
00:06:29And a car.
00:06:30Ah!
00:06:31Then there's hope.
00:06:32He's not so steady after all.
00:06:34You set a fine example to young people.
00:06:36No, no.
00:06:36Richard has a point.
00:06:37It's a mistake to settle down too early.
00:06:39There's always a side of Rupert who would like to go back to the fast society.
00:06:44Isn't there, darling?
00:06:44What happens in the fast society?
00:06:46That's what I would like to know.
00:06:48Then you'd have to read about it in my memoirs.
00:06:50Your memoirs?
00:06:51Oh, yes.
00:06:52I've already started volume one.
00:06:55Richard, really.
00:06:56Why do you laugh?
00:06:57I had a fascinating childhood.
00:06:59Will you tell us about it?
00:07:01All right.
00:07:03I was born in India, somewhere between Calcutta and Delhi, on a train.
00:07:08My mother refused to believe she was pregnant, you see.
00:07:11My father was fighting the darkies on the northwest frontier.
00:07:14And she was convinced that the swelling in her belly was nothing more than a mixture of curry and wind.
00:07:22Imagine her shock when yours truly appeared.
00:07:26Very nasty.
00:07:27Hmm.
00:07:28Poor dear.
00:07:29She died two months later.
00:07:32She was struck by a polo ball.
00:07:34In the first chucker.
00:07:37Who looked after you then?
00:07:38Well, I had a nurse.
00:07:40And then there were the officer's wives.
00:07:42All tried to mollycoddle me.
00:07:44You see, I was such a pretty baby.
00:07:46What happened next?
00:07:48I became a soldier.
00:07:49Regimental mascot.
00:07:51Run like a girl.
00:08:04Riding through the autumn.
00:08:08Brightening up the day.
00:08:11Give her some room.
00:08:13She's blossoming soon.
00:08:14Sweet Emily.
00:08:18The world and its wonders, pale as she passes by.
00:08:24Just say hello, I'll go where you go.
00:08:28Sweet Emily.
00:08:31Seeing the sunlight fall on her shoulders as she breezes by.
00:08:37Hey, do you wanna try?
00:08:41Galloping across the sky.
00:08:45If I owned a rainbow and all of the autumn's hue.
00:08:50I'd give it to you.
00:08:53I'd give it to you.
00:08:55Sweet Emily.
00:08:56Sweet Emily.
00:08:57Sweet Emily.
00:08:58Seeing the sunlight fall on her shoulders as she comes breezing by.
00:09:04Hey, do you wanna try?
00:09:08Galloping across the sky.
00:09:11If I owned a rainbow and all of the autumn's hue.
00:09:17I'd give it to you.
00:09:19I'd give it to you.
00:09:21Sweet Emily.
00:09:26Sweet Emily.
00:09:27Sweet Emily.
00:09:33My sweet Emily.
00:09:42Emily.
00:09:59Hello, this is 3-5.
00:10:02When will she be returning?
00:10:05Okay, I'll call her later.
00:10:08Hello? Hello?
00:10:10Who was that on the telephone, Rachel?
00:10:11I don't know, ma'am. I forgot to ask.
00:10:14Rachel, I've asked you always to find out.
00:10:16Sorry, ma'am.
00:10:18Was it a man or a woman?
00:10:19For Emily?
00:10:20Yes, ma'am.
00:10:22Very well, thank you.
00:10:31Hello!
00:10:48Come on, I didn't see you here.
00:10:50How are you?
00:10:51Fine.
00:10:53It's a lovely place.
00:10:54It's good to see you again.
00:10:56We didn't have much of a chance to talk to each other last night.
00:10:59I know.
00:11:00Richard seemed to be doing most of the talking.
00:11:02He's quite a character.
00:11:04Where are you going?
00:11:06No, in particular.
00:11:07Shall we ride together for a while?
00:11:09Okay.
00:11:10Come on.
00:11:24What are you going to do now, you're back?
00:11:26I don't know, really.
00:11:27Have fun.
00:11:28You must come over to write Rose sometime.
00:11:31I'd love to.
00:11:32You paint, don't you?
00:11:33Rather badly, I fear.
00:11:34And Dr. Wayne?
00:11:36Rupert, he never stops working.
00:11:38By days of researching, and mostly it means he works on his book.
00:11:42What's it about?
00:11:43You have to wait and see.
00:11:45You sound just like my mother.
00:12:09Have you always lived in the country?
00:12:11Before I married, I had a studio in town.
00:12:16But I found it very difficult to work there.
00:12:18The noise, people dropping in, so many other things to do.
00:12:23I became very lazy.
00:12:25Then I met Rupert, and we came to live here in the country.
00:12:29I thought I'd never like it.
00:12:31I'd gotten so used to city life.
00:12:33Where were you born?
00:12:34I was born in New York.
00:12:36Then we moved to London when I was eight, and I loved it.
00:12:39Then when my mother told me we were coming to live in the country,
00:12:42I thought of cold baths and haunted houses.
00:12:45Do you think you would like it now?
00:12:47Now?
00:12:48Now I think I'll love it.
00:12:50I hope so.
00:12:53I must go.
00:13:04Will you come over to the house soon?
00:13:06How about tomorrow?
00:13:08Lovely. See you then.
00:13:13Come on.
00:13:14Bye.
00:13:16Come on.
00:13:22If you strike very hard, you can follow through.
00:13:26You're full of good advice, aren't you?
00:13:28Hmm.
00:13:35Excellent.
00:13:36What are you going to do now?
00:13:38I'm going to hit you into that flower bed quite hard.
00:13:43Richard, don't be so mean.
00:13:44Mean nothing.
00:13:46I intend to win.
00:13:47Well, reserve you right if you miss.
00:13:51Oh.
00:13:52Blast.
00:13:53Who's winning?
00:13:55I'm most definitely not.
00:13:57Would you like to take over?
00:13:58No, thank you.
00:13:59I'm hopeless.
00:14:00Mother, do you mind if I start lunch early?
00:14:02Why, dear?
00:14:02I'm going out this afternoon.
00:14:04Who with?
00:14:04James Wise.
00:14:06I see it.
00:14:07Is he who telephoned?
00:14:08Yes.
00:14:09Where are you going?
00:14:10He's taking me in his flying machine.
00:14:12Flying?
00:14:12Hmm.
00:14:14Yes.
00:14:14Very dashing.
00:14:15Do you mind?
00:14:16Yes, I do.
00:14:18Why?
00:14:19Well, you could get yourself killed.
00:14:20Oh, Mother, don't be ridiculous.
00:14:22Margaret, come.
00:14:23I thought the dangers you feared for your daughter were of a completely different nature.
00:14:27Don't be absurd.
00:14:28No, Emily, I forbid it.
00:14:29You're treating me like a child.
00:14:31You are still a child.
00:14:32Ladies, please, allow me to be the judge.
00:14:36Now, your daughter is, well, let us say, maturing fast.
00:14:42In your eyes, she may still be a child.
00:14:44But in the eyes of this experienced observer, she's most definitely a woman.
00:14:54Fair enough, Mother.
00:14:55May I go?
00:14:58Oh, very well, then.
00:15:05Lucky chap.
00:15:07James Wise.
00:15:11All set?
00:15:13What?
00:15:14I said, are you all set?
00:15:16Yes.
00:15:19Okay.
00:15:21Okay.
00:15:21Okay.
00:15:40All right.
00:15:41All right.
00:16:11Move out the way of a jam and a jelly roll.
00:16:15Hey, mister, what do you say?
00:16:19Let me hear some ragtime, let the piano man play.
00:16:24Ra-ra-ra-ra-ra-tine makes me fly.
00:16:28Ra-ra-ra-ra-tine makes me soar.
00:16:31Ra-ra-ra-ra-tine makes me feel so good.
00:16:34There ought to be a law against prison is whole.
00:16:37Ra-ra-ra-tine.
00:16:39Ra-ra-ra-ra-tine.
00:16:52Ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra
00:16:58-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra
00:17:00-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra
00:17:05-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra
00:17:05-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra
00:17:06-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra-ra
00:17:21How do you like it?
00:17:24Exciting!
00:17:45Mark?
00:17:46Yes, it looks, Mark.
00:18:12Emily!
00:18:14The stick!
00:18:16What?
00:18:17The stick!
00:18:54Jesus!
00:18:56What the hell was going on?
00:19:07What were you doing in there, anyway?
00:19:08I was just holding it.
00:19:11Holding it?
00:19:12What for?
00:19:15We might have crashed.
00:19:17I didn't realize.
00:19:21Emily, the joystick is a very sensitive piece of equipment.
00:19:27It has to be handled very carefully.
00:19:30Okay?
00:19:32Okay.
00:19:35Come on, I'll help you out.
00:19:41Did you enjoy it?
00:19:43Fantastic.
00:19:47You weren't frightened at all?
00:19:49No.
00:19:50Well, maybe a little, just at first.
00:19:53Great.
00:19:54You'll have to come another time.
00:19:57Do you mean it?
00:19:58Of course I mean it.
00:19:59Of course I mean it.
00:20:00No.
00:20:15I'm sorry.
00:20:16Do you know it?
00:20:16I'm sorry, I'm sorry.
00:20:24I'm sorry.
00:20:33No.
00:20:58Honey, honey, honey, if you go, without you to care, I'd be a broken, frigid egg.
00:21:10Honey, honey, honey, don't you know?
00:21:15Honey, honey, honey, don't you know?
00:21:27Emily seems to have enjoyed herself with her handsome young hero.
00:21:31I was frightened for her, Richard.
00:21:33You don't understand what she means to me, do you?
00:21:38All I know is she's a beautiful and alluring young girl.
00:21:52Mr. Walker's tax is here, madam.
00:21:54Thank you, Rachel.
00:21:58Richard, your taxi's here.
00:22:00Coming, coming.
00:22:03Captain Wall, hurry up, you'll miss the train.
00:22:05Yes, well, the driver's late, anyway.
00:22:07Put yourself up, you're not respectable.
00:22:08You can't go to London looking like that.
00:22:10I have no wish to go to London.
00:22:12I have no desire to be respectable.
00:22:15See you Wednesday afternoon.
00:22:16Yes.
00:22:17You're bringing your friend?
00:22:18Of course, Gerald Andrews.
00:22:20He's terribly amusing.
00:22:21You'll love him.
00:22:22Mm-mm.
00:22:23Oh, dear.
00:22:26Oh, dear.
00:22:51darling. May I take the trap? Yes, of course. Where are you going? Over to see Mrs. Wayne.
00:22:59Is she expecting you? Yes, she said I could come. Well, have a nice morning. Thank you.
00:23:05Bye-bye. Goodbye. And don't forget to telephone if you're going to be late.
00:23:28God, man, you're an ass. You're an ass. Wilhelm. Oh, Emily. Hello. What's happened?
00:23:37How damn did I know? Ask the driver. Engine spoiled over, madam. The man's an ass. Look,
00:23:43Emily, would you give me a lift to the station? My train leaves in five minutes.
00:23:47Ah, excuse me, sir. Afraid I'll have to charge you. Listen, sir, you can go to hell. Pardon?
00:23:52Go to hell. All right, Emily? Of course. Thanks.
00:23:59The damn car was filthy. Sorry you'll have to make it snappy. Welcome.
00:24:05Hey!
00:24:08Well, it's very good of you, Emily. I couldn't afford to be late this morning.
00:24:12Are you going to town? Yes, I have some business to attend to.
00:24:16Ah. Have you known Mother Long? Yes, quite a while. About, um, several months, in fact.
00:24:24Have you been here before? Yes, once or twice. Parties and... and things.
00:24:31You know, your mother's a very... Well, I hope we're going to see more of you now that you're here.
00:24:37I expect you will.
00:24:39I know. Your mother must be very proud.
00:24:43Having such a beautiful daughter.
00:24:49We're nearly there. Oh, yes.
00:25:02Well, uh...
00:25:08Another time, perhaps?
00:25:10Perhaps.
00:25:11I'll ask Mother.
00:25:14Well, thanks terribly, Emily.
00:25:18See you in a couple of days.
00:25:23Bye.
00:25:24Welcome.
00:25:28Can I help?
00:25:30Yes, you could.
00:25:31Clean these brushes.
00:25:32There you are.
00:25:33Where?
00:25:43Look at my hands.
00:25:45You'd better put that smock on.
00:26:02Do you think it sits me?
00:26:04You look lovely.
00:26:07Oh, hello, Emily.
00:26:09My new assistant.
00:26:11Very pretty, too.
00:26:12I'm just on the telephone to the Davises.
00:26:14They want us to go up to town tomorrow to the theatre and stay the night.
00:26:16Would you like to?
00:26:17Well, why not?
00:26:19Okay.
00:26:19You're settled.
00:26:20It should be fun.
00:26:22Don't work her too hard now.
00:26:23Good assistants are difficult to find.
00:26:24I won't.
00:26:29Ha!
00:26:30Ha!
00:26:31Ha!
00:26:32Ha!
00:26:32Ha!
00:26:33Ha!
00:26:33Ha!
00:26:33Ha!
00:26:34Ha! Ha!
00:26:41Ha!
00:26:50Hello, Mother.
00:26:51Sorry, Emily.
00:26:53You were there a long time.
00:26:56It was such fun.
00:26:58Well, you might have telephoned.
00:26:59Telephone?
00:27:00Why?
00:27:00Were you worried?
00:27:02No, not really.
00:27:03I can look after myself, you know.
00:27:05Just hope you weren't in the way, that's all.
00:27:07No, I was helping Augustine in the studio.
00:27:11She has some lovely paintings.
00:27:13Have you seen them?
00:27:14Why don't you get her to paint you?
00:27:16I see myself hanging on the wall every day, you know.
00:27:19She's asked me to pose for her.
00:27:21And you've accepted?
00:27:22Of course.
00:27:26What are you drinking?
00:27:27A cocktail.
00:27:29May I have one?
00:27:30No, you may not.
00:27:32But you can try just a little tiny sip of mine.
00:27:40Mmm, it's good.
00:27:42Can I have just a little?
00:27:44All right, just a very little.
00:27:47Don't blame me if you're sick.
00:27:59Your young friend James called round.
00:28:02Yes.
00:28:05I think he wanted you to go for what he called a spin in his motor car.
00:28:10Oh, lovely.
00:28:11Is he calling back?
00:28:12I invited him to tea tomorrow afternoon.
00:28:15Good.
00:28:17He was a pleasant enough young man.
00:28:19You like him a lot, don't you?
00:28:23He's fun to be with.
00:28:36Now, Rachel, you'd better leave the rest to you.
00:28:44I'm off to the baker.
00:28:45And don't you be leaving those eggs on too long.
00:28:52What's he doing here?
00:28:55I don't know.
00:28:56I'm not having your boyfriend's in and out of the house all the hours of the day.
00:29:00You never told me he was coming.
00:29:03Morning, ladies.
00:29:06You've got a nerve barging in here like that.
00:29:08What do you want?
00:29:09I work with my girl. In private.
00:29:12You'd better not be here when I come back, or else I'll tell madam.
00:29:19What are you doing here, Billy?
00:29:21Oh, I bought you a present.
00:29:23You shouldn't have come.
00:29:24If madam sees you here, I'll be in awful trouble.
00:29:26Yeah, I've only come for a moment. Here.
00:29:30What is it?
00:29:31Have a look.
00:29:45Oh, they're lovely.
00:29:47I, er, bought them for you to wear tomorrow night.
00:29:49Oh, they're really lovely, Billy.
00:29:52Oh, go on then. Try them on.
00:29:54What, now?
00:29:55Yes, go on.
00:29:56No, I can't. Not now.
00:29:58Oh, go on, try them on. Then I'll go.
00:30:01Come on.
00:30:01Well, they shouldn't really.
00:30:03Oh!
00:30:05It's heavy, Meg.
00:30:16Hey, what about those, then, eh?
00:30:18Fancy, eh?
00:30:19Good morning, Miss Emily.
00:30:22Well, er, I'll be off now, then.
00:30:34Is there any breakfast?
00:30:36Yes, Miss Emily.
00:30:38Who's that?
00:30:39Billy Edwards.
00:30:46Is he your boyfriend?
00:30:51In a manner of speaking.
00:30:53He's very manly.
00:30:55Is he the one who feels you?
00:30:59Oh, I'm sorry, Rachel.
00:31:01I was only teasing.
00:31:03You made me feel so ashamed.
00:31:05I didn't mean to upset you.
00:31:08Do you want to marry him?
00:31:11He's asked me to.
00:31:12Did he say yes?
00:31:14Well, yes.
00:31:16That's wonderful.
00:31:17When's it to be?
00:31:18I don't know.
00:31:20We haven't fixed a date.
00:31:21Can't afford to yet.
00:31:23I don't think I ever want to get married.
00:31:27I just want to have lots and lots of lovers.
00:31:32Does that sound shocking?
00:31:34Well, you don't mean it, do you?
00:31:35I mean, you'd not be happy.
00:31:37Would you?
00:31:40It's fun to imagine.
00:31:43Do you think you and Billy will be happy?
00:31:45I hope so.
00:31:46I really do.
00:31:47So do I.
00:31:51Will you bring the tray up when it's ready?
00:31:53Yes, Miss Emily.
00:32:22What's the matter?
00:32:23Can we stop now?
00:32:24I'm getting very tired.
00:32:25Not yet.
00:32:26The longer the sitting, the better the result.
00:32:29How much longer?
00:32:30I'll tell you.
00:32:32If you want to be an artist model, you must learn to sit.
00:32:46Well?
00:32:47I don't know.
00:32:49You're more difficult to paint than I imagined.
00:32:51You have so many faces.
00:32:53A young girl.
00:32:54A knowing woman.
00:32:56Which would you like to be?
00:32:57A knowing child?
00:32:58Can I take a look?
00:33:00Yes.
00:33:05What do you think?
00:33:06Oh, I like it.
00:33:07I'm not sure.
00:33:09Couldn't go on a little longer, please.
00:33:11Oh, can't I rest?
00:33:12My back hurts.
00:33:14You're like an old woman.
00:33:17Ow!
00:33:18Oh, come on.
00:33:19Is it really that bad?
00:33:20Yes.
00:33:21You should take the hot shower and then a cold one.
00:33:23It's the best thing to relax the muscles.
00:33:25Have you got one?
00:33:27Yes.
00:33:27It's Rupert's.
00:33:28But we won't tell him.
00:33:30Will you come with me?
00:33:31You can call me if you want anything.
00:33:45Aldersteen.
00:33:57Aldersteen.
00:34:01Is it dry yet?
00:34:03Nearly.
00:34:06Do you think I'm a bad influence on you?
00:34:09No.
00:34:10Why?
00:34:11I don't know.
00:34:14I like your being here with me.
00:34:17But you seem very impressionable.
00:34:21I don't think it's good for you.
00:34:23But it's lovely.
00:34:24We're friends.
00:34:26And anyway, you know so much about everything.
00:34:29You should get James to teach you.
00:34:31He's a man.
00:34:33And you like him, don't you?
00:34:35Yes.
00:34:36But I don't feel so close to him as I do to you.
00:34:40Is that wrong?
00:34:42Of course not.
00:34:44But we must take care not to hurt each other.
00:34:47Why should we?
00:34:48I have a husband, Emily.
00:34:49And I'm very happy with him.
00:34:52I don't want anything to happen that would change that.
00:34:56Do you understand?
00:34:57I think so.
00:34:59Come on.
00:35:00You must be off now.
00:35:01If you want to be home on time.
00:35:03Can I see you again?
00:35:04You want to finish your portrait, don't you?
00:35:08Thank you, Aldersteen.
00:35:24Sorry I'm late.
00:35:25Hello, Emily.
00:35:26Hello, Emily.
00:35:26How are you?
00:35:26Very well, thank you.
00:35:28Hello, Mother.
00:35:30I hope you haven't been waiting long.
00:35:33No, just a few minutes.
00:35:35I was with Augustine.
00:35:36She's painting me.
00:35:38Is it good?
00:35:39I think so.
00:35:40But she says I'm a difficult subject.
00:35:42Would you like some tea?
00:35:43No, thank you.
00:35:44Are we going driving?
00:35:46Holy darling, please, you're like a jack in the box.
00:35:48Please give poor James a chance to finish his.
00:35:50No, I'm ready.
00:35:51Oh, please, James.
00:35:53Don't rush.
00:35:53Who's rushing?
00:35:55Mmm.
00:35:57Cucumber sandwiches.
00:35:59How delicious.
00:36:02Where are we going?
00:36:05Anywhere you like.
00:36:07You tell me which roads to take and I'll follow your commands.
00:36:10You trust me that much?
00:36:11Hmm.
00:36:12Well, we'll soon see.
00:36:13Hey?
00:36:16That's the car, James.
00:36:26Good girl.
00:36:29Hey!
00:36:36There?
00:36:37Okay.
00:36:38Hang on.
00:36:43Here.
00:36:46I hope there's nothing coming.
00:36:50Hey!
00:36:51Up.
00:36:52Here we go.
00:36:58Which way?
00:37:00This way.
00:37:01Oh!
00:37:18He really did, I promise.
00:37:20No, he didn't.
00:37:20Yes, he did.
00:37:21Really?
00:37:22Good evening, Rachel.
00:37:24Good evening.
00:37:24Good evening.
00:37:27Oh.
00:37:28Ah, Margaret.
00:37:30You look lovely.
00:37:36Margaret, this is Gerald Andrews.
00:37:39Terribly...
00:37:40...
00:37:43...
00:37:46It's time to go.
00:37:48It's time to go.
00:37:49It's time to go.
00:37:51It's time to go.
00:37:56It's time to go.
00:37:56It's time to go.
00:37:57It's time to go.
00:37:59It's time to go.
00:38:16It's time to go.
00:38:19I don't know.
00:38:50The
00:38:51The
00:38:51The
00:38:51The
00:38:51The
00:38:51The
00:39:19The
00:39:19The
00:39:19The
00:39:19The
00:39:19The
00:39:20The
00:39:20The
00:39:20The
00:39:20The
00:39:20The
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