- 14 hours ago
Wonder Man 2026 S01E02 [Full Movie] [Trending]Full EP - Full
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Short filmTranscript
00:07The showrunner just called.
00:08He's cutting your character from the show.
00:10You never let me in, Simon.
00:12Not really.
00:13What's this big audition you were talking about?
00:15I'm auditioning for Wonder Man.
00:18Anyway, nice meeting you.
00:20Wait, someone's asking me to be making Wonder Man?
00:22It's too late. Today was the last day of auditions.
00:30You're a bloody mess.
00:31You can't go in like this.
00:33And then you ran into each other at the audition?
00:36Yes.
00:37Are you sure he's buying the act?
00:39He doesn't suspect a thing.
01:09I was ten when the acting bug first bit.
01:13My first audience was my dear old mum, Dorothy.
01:17I had to keep her spirits up.
01:19It was the least I could do after all she gave to me.
01:23You can see how much she loves you.
01:26She was a saint.
01:27A true saint.
01:28She always believed in me, believed in my acting.
01:31I'd never have made it without her.
01:34Wait.
01:36Were you in a hospital show?
01:38South Shore Hospital, yeah.
01:40The first three episodes.
01:42Yes.
01:43With Joe Pantoliano.
01:45I love him.
01:46Yeah.
01:48No, yeah.
01:50People do.
01:52Yeah.
01:56Yeah, it's true.
01:57I've had some low points.
01:59Some bits I'd rather forget.
02:01But that's all behind me now.
02:03Thirteen years sober.
02:05Back in Hollywood.
02:07Ready to make my mum proud.
02:09You know, Joe has said my acting could be important.
02:14Vital.
02:16And I'm going to prove her, right?
02:18That's wonderful.
02:19Your mother would be so happy for you.
02:21Stay there!
02:23Do not move!
02:24Trevor Slattery.
02:25You're under arrest.
02:26I'm not resisting.
02:29We're not together.
02:31Some people call me a terrorist.
02:34I consider myself a teacher.
02:39America.
02:41Ready for another lesson.
02:45Thirty-nine hours ago,
02:47the Ali al-Salaam airbase in Kuwait was attacked.
02:51I, I, I did that.
02:56Pretty scary stuff.
02:57It's cold acting.
03:04I'm going to shoot him in the head.
03:06Live on your television.
03:11Acting.
03:12They're squibs, blanks.
03:13You sure about that?
03:14Why are we going through all this again?
03:15I had my trial.
03:16I went to jail.
03:16I never finish your sentence.
03:17Not my fault.
03:18No one cares.
03:26You know, the way that I see this,
03:28you have two options.
03:30Option one is that you go back to prison
03:34and finish your sentence.
03:35I like that option.
03:36And then you have option two,
03:37which is you do a little work
03:39for the Department of Damage.
03:40Two.
03:40Option two.
03:41Thanks.
03:43Okay.
03:47This is Simon Williams.
03:50You're an actor.
03:51Do you think you can get close to him?
03:53I would need some bait.
03:55An audition could work.
03:57Shouldn't be hard to set up a fake one.
03:59No, he'd see through it.
04:00He's a, he's a working actor with an agent.
04:03This is a small town.
04:04You'll know what's real.
04:04You need to find out what projects are coming up.
04:08Something juicy.
04:11Something Simon Williams would be particularly excited about.
04:35How in the hell did Ruth back?
04:37She called me about your audition for Wonder Man.
04:39Yeah, see, that's kind of a funny thing.
04:42No, no, no, it's actually not funny.
04:44I'm so mad, I don't even want to hear it.
04:46I'm sorry, Janelle.
04:47I had to.
04:48It's just, it's just something about this role.
04:51It feels like, it feels like the one,
04:55like it was made for me, you know what I mean?
04:57Actually, I don't.
04:58Mm-mm.
05:00She loved me, didn't she?
05:01Simon, stop.
05:03She loved me.
05:04She said something about you showing promise, maybe.
05:08I knew it.
05:08Yeah, but she's also realistic, like me.
05:11She's putting you up for an opportunity
05:12that you actually have a real shot at.
05:14It's a self-tape for an indie feature, the Carlisle.
05:17Get it to me as soon as you can.
05:19You better deliver for Ruth.
05:20You want her on your side.
05:22Can she type with Vaughn Colbert?
05:23Because she's a great casting director.
05:25Nah, nah, nah, nah, nah, nah, I got you.
05:27Do you?
05:27Do you got me?
05:29Bye.
05:43Poetry teacher.
05:44Close with.
05:45You never judge.
05:46Who says?
05:46Who says what?
05:47That I don't judge.
05:48How is it that no matter who I bring in here,
05:50boy or girl,
05:51my mother or that odd poetry teacher,
05:53you never judge?
05:57Who says?
05:58Who says what?
05:59That I don't judge.
06:10That I don't judge.
06:32Maybe I'm just good at hiding it.
06:50It's good.
06:51Maybe just,
06:52maybe just,
06:53like,
06:54down in the back.
06:55Okay.
06:55And then maybe this out.
06:56Okay.
06:59Yeah,
07:00I like that.
07:00Okay.
07:01I'm a nutty.
07:03I like it.
07:04I like it.
07:34I like it.
07:36I like it.
07:39I like it.
07:40I like it.
07:42I like it.
07:45I like it.
07:45I like it.
07:47I like it.
07:47I like it.
07:48I like it.
07:50I like it.
07:50I like it.
07:51I like it.
07:53I like it.
07:53I like it.
07:54I like it.
07:55I like it.
07:55I like it.
07:56I like it.
08:00did you notice any signs of visible enhancement what exactly i don't know like a subtle glow
08:07maybe no he was not glowing i said subtle look trevor the department of damage control
08:16considers simon williams an extraordinary threat and i just need some proof i need it fast i think
08:23we've wasted enough time trying to search for this perfect audition it was worth it i think we could
08:28have gone with megan 3.0 that's why you hired me oh what do you look at that simon williams
08:35needs help with an audition wants me to come over you see my friend that is great news
08:45i want you to wear this when you enter his place find his computer and place this right on top
08:51and i'll handle the rest remotely got it why aren't you texting him back i wouldn't want him to think
08:58i'm just sitting around all day waiting for someone to text me okay
09:17i think we've waited a long enough i'll handle the role of trevor slattery if you don't mind
09:22i do appreciate it okay i put down my book i have crossed the room i've reached my phone
09:31intriguing when were you thinking
09:36he's thinking now i see that might be tricky i would have to move some things around but there
09:46might be a chance i could manage just say see you in twenty i would never text a sentence fragment
09:56meeting is set great
10:00how far that little candle throws his beams so shines a good deed in a naughty world
10:08yeah shakespeare right merchant of venice sure don't mess this up trevor yep
10:31yeah yeah it's trev trevor slattery cool we're right in wait uh uh aren't i coming up
10:49hey thanks for coming let's go shoot this thing how are we using your apartment
10:54nah it's got bad energy
10:58look i just went through a breakup so it's kind of hard to focus in there i gotta be centered
11:02for this it's gotta be good okay okay so where did we go that's a self-tape studio not far
11:09from
11:09and what pray tell is a self-tape studio
11:15they sprang up over the last few years you rent the room by the minute it helps
11:20it's almost everything these days is a self-tape it's tragic how the industry's changed
11:25oh sorry i've got to take this i'll sign this up
11:34i couldn't get into his apartment
11:36how did you already screw this up editing and upload are included and there are no hidden
11:41fees sign right there and i can fit you in right now if that works nice
11:47okay fine just stay close and keep an eye out for anything suspicious i think i can handle that
11:59so it's an indie feature in the vein of igby goes down or the only living boy in new york
12:05and i play a waiter who the man-boy protagonist has an unexpected emotional connection with sounds rich and textured
12:13this could be good for you right so i'm thinking the waiter character is third generation of new york
12:22from the bronx his father always wanted to own his own restaurant he was a great cook and he took
12:28corey to the carlisle when he was a little boy for t1 so he's always had this emotional attachment to
12:33it
12:34not sure how you'll convey all this with would you like to charge it to your room may i see
12:39the sides i'd like to prepare before we start
12:42oh uh no sorry the two of us we can handle it that's why we came together
12:47well you should have read the waiver you signed because it stipulates that i read all off-camera lines
12:58would you like to charge it to your room
13:03oh sorry is that me yes ma'am it is
13:09okay let's start again pick up the pace
13:18would you like to charge it to your room
13:21how is it that
13:27is it that that sounds weird i think we're good thank you marcy is it that that found it here
13:34right thank you
13:42thank you
13:43how do you still have a place in l.a after all these years bought it from the south shore
13:47hospital money
14:00make yourself at home
14:05wow this place is crazy sure beats the old dungeon
14:13turtle diary directed by
14:17john iran you've seen turtle diary of course
14:20you and glendon jackson free a couple sea turtles from the london zoo but you really free yourselves along the
14:25way
14:25yeah no yeah how am i just realizing that now
14:30coronation street you play ryan zinkers right well done a pint of bitter please and one for my friend
14:38every brit did their stint the producers were thrilled to get me after my runners lear
14:43oh careful with that
14:48there's a tradition in the theater of handing down your prompt to the next generation this particular skulls had quite
14:55the journey it was used by david garrick when he played hamlet he gave it to keen who passed it
15:02to irvin who passed it to burton who left it in a bar and i nicked it
15:09is this you yeah my mother dorothy she was a nurse she always believed i'd make a great performer one
15:18day have a positive impact on the world
15:26max factor's grandson used to live in that apartment now we've got this
15:30when i ask him to stop it's just place a louder
15:34should we get to work
15:39would you like to charge her to the room
15:41how is it that no matter who i bring in here that should be whom by the way
15:45whom i bring in here boy or girl my mother or that our poetry teacher i'm close with you never
15:49judge
15:50who says who says what that i don't judge maybe i'm just good at hiding
15:54he stopped
15:56all right let's let's set up uh before we record i had a thought i think uh the key to
16:01this role is finding what's not being said think about what you're doing between your lines that's where the character
16:09oh bloody hell
16:11it's never been this hard to do a tape in my life ruth bakshi is never gonna work with me
16:15again ruth bakshi yes casting director on wonder man yes you better not mess this up
16:19i know we could shoot on the street or in your car but no it's too weird it's a way
16:24to see
16:24you have any friends we could ask no you've been out here for how long now eight years eight years
16:30you don't have any friends what about you you've been out here for decades where are your friends
16:34used to have plenty
16:36oh there is someone i could ask
16:41we were both in south shore hospital together i played the lead
16:46somehow he managed to get in the showrunner's ear
16:48he had my character killed off
16:50walked away with the lead role and the people choice award
16:53the most promising newcomer
16:56yeah that's cool
16:57he owes me
17:07trevor slattery
17:09i can't freaking believe it
17:13oh
17:15get in here
17:20simon joe pantoliano
17:22joe pantoliano simon williams
17:24everybody calls me joey pants
17:26yeah of course it's a plus you know i never eat a steak without thinking about you in the matrix
17:30everybody always go on and on about growing at the nero and midnight rumba you were the third side of
17:34that triangle man
17:35i like this guy
17:37wow
17:38you done well for yourself man that's a lot of marble
17:41yeah well my wife she designed the place
17:45hang on a sec
17:47gotta give the tree some life
17:50you know art link letter taught me a crucial lesson about show business
17:54it's not enough to make a living
17:57you gotta make a killing
17:59so
18:00i got into real estate early on
18:02bought in venice
18:03way before arnold
18:05made a disgusting amount of money
18:08just disgusting
18:10so
18:10you guys hungry
18:11my chef be happy to make you something
18:13well we're not really here to socialize
18:15we're on a tight schedule
18:15oh come on trev
18:17nester's the best
18:18i just stole it from mcconaughey
18:21thank you nester
18:24ah
18:25my favorite we got some duck prosciutto
18:28some roasted peppers from my garden
18:30and
18:31we just flew in the moots
18:34fresh from hoboken
18:35they can't audition on an empty stomach
18:38here sit down
18:39okay
18:42you know people don't appreciate all the work that goes into the audition process
18:48i'm offer only so
18:50it's hard for me to relate
18:58man i'm so glad
19:01all that mandarin business is behind you
19:04i mean the performance
19:06was good
19:07but
19:09i was worried about you man
19:11that was some dark shit
19:17simon what the hell is this damn audition
19:18i'm sorry i'm at joe pantaliano's house right now
19:22he just offered me mocks from hoboken
19:24he got a treat in the foyer
19:25i'm just trying to be polite
19:26i'm in here cold switching to everything
19:28i'll give a damn if you was having sloppy joes with sarah paulson
19:30you need to hurry the hell up
19:32that's why i'm here
19:33to do the tape
19:34i'm just
19:34trying to stroke the man ego a little bit
19:36let me play this
19:37just put your face
19:38say in the lines on a tape
19:39and get it to me
19:40okay
19:41okay all right
19:42and don't do what you always do simon
19:44okay i know you're already overthinking and doing that bullshit
19:46just be normal
19:47okay can you play that
19:48normal man
19:49the breakdown is
19:50go method
20:00you know i don't think we've crossed swords since
20:04we wrapped south shore hospital
20:06sounds about right
20:07well i miss you dr jack
20:09what's that supposed to mean
20:11dr jack cronk
20:12that was your character
20:13oh right lovely
20:15before you stole the lead from me
20:20what the hell are you talking about
20:21i'm surprised you bring that up joe pantaliano right to my face
20:26trevor
20:27you were high
20:29out of your mind
20:31you weren't showing up to set
20:33and when you did you were screaming
20:35white worms were coming out of your skin
20:38you told me
20:39that you couldn't handle the pressure of being the lead
20:43showrunner
20:44rewrite to work around you
20:46until finally network had enough
20:48killed you off
20:49can we please
20:51tape this audition already
20:54already
21:00so let's
21:03shoot this
21:04gentleman shall we
21:07that's quite a career
21:09well yeah
21:10i've been lucky
21:12hell if i was british
21:14they would have knighted me by now
21:15can i uh
21:17can i give you some free advice
21:19louis b mayor
21:21he has a saying
21:24the most important thing about acting
21:29is sincerity
21:32once you learn to fake that you got it made
21:37no
21:37look
21:38show business
21:40is crazy
21:41it's built on a foundation of insanity
21:44so
21:44success
21:45is the collateral you use
21:47to build something real for yourself
21:49remember this
21:51acting
21:52it's just a job
21:54i mean
21:55yeah
21:56it's a great way to make a buck
21:58it's better than any other job out there
22:00but the minute you try to get something else out of it
22:03fame
22:05validation
22:05getting even with your parents
22:07whatever
22:07you're screwed
22:09you keep
22:10digging that hole
22:12and you'll never get up
22:16i gotta say
22:17trev
22:19oh i envy you
22:21to finally be done with it all
22:24must be nice
22:26not have to worry about your weight
22:29or
22:29or your appearance
22:30you can ignore the stupid trades
22:35actually he's not done with acting
22:38really
22:40he just had a huge audition for a lead role
22:43in a von kovac movie
22:44well holy shit
22:46that's terrific
22:50don't pretend to be happy for him joe pantoliano
22:53what
22:54you think you're being nice
22:55but you're actually condescending as shit
22:57do you know that
23:00that speech was the dumbest most patronizing thing
23:03i've ever heard
23:04oh man
23:05fellas
23:05you suck
23:07joe pantoliano
23:08baby's day out is garbage
23:10even that dumb baby couldn't make you funny
23:17let's get the hell out of here man
23:20come on guys
23:24acting
23:25isn't a job
23:27it's a calling
23:29it's the single most consequential thing
23:31anyone could ever do
23:33with their life
23:51barry
23:53what's this i'm hearing about a new von kovac movie
23:56and why am i not meeting on it
24:01can you believe that guy
24:06you okay
24:09sorry that didn't quite work out
24:12sorry man
24:17i know a place we could go
24:29just ignore the mess okay
24:38i've been thinking about what you said earlier
24:42about how the key to this scene is
24:45it's finding what's not being said
24:48all this time i've been assuming the line
24:50maybe i'm just good at hiding it
24:52was like a gentleman buff
24:53telling the kid to watch himself
24:55right
24:56but
24:57i'm wondering if the waiter's actually feeling some type of connection
25:02like maybe it's an invitation
25:03maybe i'm just good at hiding it
25:05you can trust me with your secrets
25:08feel free to tell me more that kind of thing
25:10might be worth a shot
25:29would you like to charge her to your room
25:32how is it that no matter whom i bring in here
25:36boy
25:37girl
25:38my mother
25:40oh that out portrait teacher i'm too close with
25:45you never judge
25:50who says
25:53who says what
25:54that i don't judge
25:57maybe i'm just
25:59good at hiding it
26:07who says
26:09who says what
26:11that i don't judge
26:14maybe i'm just good at hiding it
26:22do i send it
26:23you'd be crazy not to
26:25i think it's good
26:27it's transcendent
26:33i'm cold
26:42i gotta pee
26:43i think it's good at all
27:07i think it's good at all
27:11i think it's good at all
27:15you don't know
27:16i think it's a good
27:17no
27:24i think it's good at all
27:42and it's gonna be
27:49yeah pepperoni no doubt I'll call it in
28:07the
28:07we're not going to be a see a
28:08a
28:09a
28:10a
28:10a
28:10a
28:11a
28:11a
28:12a
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