- 47 minutes ago
Wonder Man 2026 S01E01 [Full Movie] [Full Story]Full EP - Full
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00:24WONDERMATH
00:25If we don't reverse the tomography in the next 30 seconds,
00:27Barnaby won't stand a chance.
00:28I know, Wondermath. I'm trying.
00:45Change the plans. There's too many. Get out of there.
00:47Head to the sanctum now.
00:48But what about you?
00:49I can't leave Barnaby to die.
00:51But they'll kill you both.
00:52I don't care!
01:06The Umbera people believe if a soul fails to turn right after death,
01:10it winds up in a dark and treacherous place.
01:13Well, I've been to the void.
01:15I've lived in that screaming silence.
01:20I know what it's like.
01:22I lost whatever part was left in me that makes a person, a person.
01:32Until Barnaby pulled me out.
01:34No one else separate key, but...
01:36Get out!
01:38It's too late for me.
01:40But you can still walk away.
01:43I'm begging you.
01:44Please, just walk away.
01:45I'm begging you.
02:24You got this, man.
02:27You already got the job.
02:30You just got to go out there and crush it.
02:34Just crush it.
02:36One step closer to the top.
02:40Mr. Williams, they're inviting you to set.
02:46Copy.
02:47On our way.
02:48Yeah, David, go ahead.
02:57Yeah, David, go ahead.
02:59Yeah.
03:00What?
03:04Okay, who last had eyes on it?
03:06Hey, Kieran.
03:07Hey, Ashley.
03:09Hey, isn't that for American Horror Story?
03:11Sorry, day players don't get golf carts.
03:14David, where are we with that blood?
03:17Yeah, I just got to set.
03:19Hey, what's the status on that mask?
03:22Oh, beautiful.
03:23Talk soon.
03:24How is it always Mendocino Farms?
03:27Someone on the right is room must own stock.
03:29I hate choosing lunch when I barely had breakfast.
03:31I mean, how am I supposed to know my stomach want?
03:33Personally, I would go for the smoky chicken or Lotte Bowl.
03:36No Kramer.
03:37Hi, I'm Lauren.
03:39You must be Professor Hoppin.
03:40Yeah, I love the Castle Rock, you directly.
03:42Your Sons of Anarchy episodes.
03:43They were the best in the series.
03:45Thanks.
03:45Ashley, I'm a big fan.
03:47Yeah, loved you in the Twilight series.
03:49Absolutely.
03:50Okay, so classes just ended, and Professor Hoppin's packing up his desk at the end of
03:54the night.
03:55And then your colleague, Sarah, enters from here.
03:58You do the first couplet.
04:00How was your trip?
04:01Yada, yada, yada.
04:01Yada, and then Ashley, you cross to about here, and Professor Hoppin says,
04:06You do realize, according to legend, that's where the Aztec god of death, Muglantucutli,
04:12was tricked into giving up the bones that became humanity.
04:16Yeah.
04:17Duh.
04:18Great.
04:19And then Sarah transforms into a monster, and bites off Professor Hoppin's head here.
04:28Any questions?
04:29Yeah.
04:30Should I switch to that a little table?
04:32I know it's sounding pretty good.
04:38Just one thing?
04:39Yeah, of course.
04:43How long have Sarah and I known each other?
04:46Hmm, that's a good question.
04:47What are you thinking?
04:49I was thinking we'd go pretty far back.
04:50Like, maybe we were best friends, but we had a little falling out when she got tenure before
04:54me.
04:56Sure.
04:56What?
04:57Why not?
04:57Right, might add a little layer to the scene.
05:00Totally.
05:00Yeah.
05:01Let's try it.
05:02Yeah.
05:02Great.
05:03Yeah.
05:03Yeah.
05:05So, so maybe I shouldn't say Sarah, right?
05:09What's that?
05:10Well, the script says Sarah, but if I've been secretly jealous of her career, I don't think
05:15I would be so friendly.
05:17You know, maybe I should call her Dr. Johnson instead, you know?
05:21Yeah, let's, let's try both ways.
05:23Okay, great.
05:24Cool.
05:25Let's shoot one.
05:26Oh, and I wouldn't let her get that far.
05:29Who?
05:30Dr. Johnson.
05:31Considering our history, I don't think I let her cross all the way to my desk.
05:36I think Professor Harpin would stop her right about here.
05:39Yeah.
05:41No, no, no, no.
05:42That is interesting.
05:45We're already lit, so I did want your dead body kind of bleeding out in this moonbeam that
05:52we have.
05:52Uh, we can move the moonbeam.
05:54Uh, it'll only take a few minutes.
05:59If you want it.
06:07Let's move the moon.
06:07Yeah.
06:08Yeah.
06:09Yeah.
06:09Move the moonbeam!
06:10More, more.
06:11Right there.
06:12Last looks!
06:39Last looks!
07:10Does it?
07:12Should we check with a writer just to be safe?
07:22Who is this, Bozo?
07:24We had a great audition.
07:26Yeah, but at this rate, we're never going to make our day.
07:29Can you get Ryan on the phone?
07:30Yes, ma'am.
07:31And the interesting thing is, it's all here in your words, if you really look at it.
07:36You think so?
07:36I do.
07:38Professor Harpin's history with Professor Johnson is what makes his death at her hands
07:42all the more tragic.
07:44Honestly, I never thought of it that way.
07:46But it's here.
07:46Yeah.
07:47In subtext.
07:47I see that.
07:48You found something really interesting.
07:49Simon.
07:50Hi, Linda Cox.
07:51Hey.
07:52Hi, really nice to meet you.
07:53I'm a big fan.
07:54Oh, thank you.
07:55Love all the thoughts that you're bringing to this role.
07:58Yeah, thank you.
07:59The showrunner just called, and he is rethinking this episode, and he's worried about Professor
08:05Harpin's scenes being a remnant of an earlier version of Ashley's arc.
08:09A remnant?
08:09So he's cutting your character from the show.
08:15Thank you so much for all your hard work today.
08:21That's a series rough on Simon Williams!
08:31They're going to put me in the movies They're going to make a big star out of me
08:41We'll make a film about a man that's sad and lonely And all I gotta do is act naturally
08:51Well, I'll bet you I'm not gonna be a big star out of me
08:57Well, I'll bet you I'm gonna be a big star out of me
08:57I might win a monster you can't ever tell And who thinks gonna make me a big star out of
09:08me
09:12Well, I hope you come to see me in the movies And I know that you are plain to see
09:23They're going to make me a big star out of me
09:28They're going to make me a big star out of me
09:29And all I gotta do is act naturally
09:38We'll make a scene about a man that's sad and lonely And baking down upon his spindly knee
09:48I'll play the part But I won't need rehearsing
09:54All I'll have to do is act naturally
10:09What the hell?
10:17You moving up?
10:21I thought you were after five
10:25So you're sneaking out?
10:32I'm just trying to prevent this from becoming a thing
10:36Weren't you showing me pictures of rescue dogs last week And complaining I wouldn't commit?
10:40Yeah, I'm sorry
10:43I'm just not happy, Simon
10:44I know
10:45I just think you need to book something
10:48Things will turn around
10:50Come on, Vivian, we're good together
10:54You never let me in, Simon
10:56Not really
10:58It's a little late to start caring about this relationship
11:06You never let me in, you never let me in, you never let me in, you never let me in,
11:11you never let me in, you never let me in, you never let me in, you never let me in,
11:16you never let me in, you never let me in, you never let me in, you never let me in,
11:16you never let me in, you never let me in, you never let me in, you never let me in,
11:16you never let me in, you never let me in, you never let me in, you never let me in,
11:16you never let me in, you never let me in, you never let me in, you never let me in,
11:16you never let me in, you never let me in, you never let me in, you never let me in,
11:17you never let me in, you never let me in, you never let me in, you never let me in,
11:23you never let me in, you never let me in, you never let me in, you never let me in,
11:29you never let me in
11:43well that's because jerry wasn't there and i was i remember yeah it was a python a giant bloody
11:52python i don't know if it was burmese or not love i can't speak to that it was in the
11:58pool
11:58that's what bloody matters maybe it had been somebody wasn't looking for cuddles oh sorry
12:06love i can't today auditions this afternoon damn right it's big biggest bloody movie of the year
12:12is all hey man do you mind give my love to uma smooches i'd never talked to you in the
12:20actual
12:20film don't fret hey i'm sorry um aren't you um oh yes
12:30i played the mandarin but that was all bloody 10 years ago and i was just a puppet and whatever
12:34theories you've seen on reddit are totally false i had nothing to do with pizzagate i'm not a member
12:39of the illuminati and i did not have my hands replaced with baby hands first of all i always
12:46dug your performance as the mandarin but i remember you from that omnibus episode you did in the 70s
12:52you played edgar allen pope the need for nightmare well well well not too many people remember that
12:59old gem including me how was i stole the episode and i should know i'm also an actor you don't
13:06say
13:07yeah yeah yeah do you mind movie's about to start
13:14i'll take the tent but when i take you over to see mr o daniel i'm gonna have to have
13:19another tent
13:20just a couple expenses all right uh come on i'll buy you school after you don't think
13:25break away from all the habits take a word of advice
13:33yeah that's what i'll do
13:37okay rico rico
13:41rico
13:41rico
13:41rico
13:41rico
13:41rico
13:45rico
13:51rico
13:52rico
13:56rico
13:57rico
14:11it's heartbreaking
14:14never tired of re-watching that one
14:17it's authentic
14:19moving
14:21really
14:22captures being an outsider on the fringe
14:27and it's a little trippy which is always nice
14:31you know
14:32Schlesinger didn't even think Hoffman was right for Ratso
14:35even though he'd just come off the graduate
14:39apparently Hoffman convinced him by showing up dressed in rags
14:42to their first meeting on the street corner
14:44he was begging for change and Schlesinger didn't even recognize him
14:47I was fortunate enough to attend Schlesinger's production of Timon of Athens
14:51with the Royal Shakespeare Company
14:54Sublime
14:54pity I was blind drunk
14:59so what's this
15:02big audition you were talking about
15:07look man I'm not a weirdo and I'm not
15:10desperate I'm just curious
15:12would love to know what you're up to
15:15well
15:16between you and me
15:18it's a huge opportunity
15:21I'm auditioning for Wonder Man
15:22anyway
15:23nice meeting you
15:24wait
15:26someone's actually remaking Wonder Man
15:28not someone
15:30Bonkovec
15:49hey
15:50good
15:51good
15:51look at me
15:59good
16:00good
16:03I wish he was walking down the street
16:07Jeanette!
16:10Did you hear about Wonder Man?
16:12You didn't tell me Von Kovac was directed?
16:15A superhero remake.
16:16Not exactly what we'd expect from an Oscar-winning director.
16:20Finding inspiration in another movie is not a crime.
16:26Look at what Kovac did with the flyer.
16:28Silly big picture.
16:30He made it.
16:32Personnel grounded it in modern science.
16:36And discovered new unthinkable horrors.
16:41Why not Wonder Man?
16:44Human and spectacular.
16:47That's where this film needs to live.
16:50Superheroes are part of our lives now.
16:54So what we will find when we look at Wonder Man today,
16:59what can he teach us?
17:02About ourselves.
17:06Sounds good.
17:07I need to be in this movie.
17:10Sorry, you crazy.
17:12I was born to play this character.
17:14Are you serious?
17:16Boo, they are already talking to Leo.
17:18No, no, Deadline said they're looking for a new face.
17:21I have a new face.
17:23It's too late.
17:23Today was the last day of auditions.
17:25Well, couldn't you work a little bit of your magic?
17:28No one can say no to you.
17:30Not when you put on that charm.
17:32I know you're not doing this right now.
17:34Mister, I got fired from American Horror Story this morning.
17:36Yeah, they told me you couldn't even lay in blood, Simon.
17:39How hard is that?
17:40You just sit there.
17:41You just lay.
17:42Then you storm into this meeting with my colleagues,
17:45acting like you own the place,
17:47and now you're trying to work me?
17:48You know what?
17:48You got some nerve.
17:50I just need you to believe in me, Janelle.
17:53You know I believe in you.
17:56I think you're one of the most talented people that I know.
17:59But there's a lot of talented people out here
18:02who are not pains in their ass.
18:03Do you feel me?
18:07All right.
18:08We can talk about American Horror Story
18:10first thing tomorrow morning.
18:11Nandi will validate you.
18:18Hey, maybe have an early dinner, so I'll be gone, okay?
18:40Hey, girl, this is Imani from Hanover Agency.
18:43I got Jaleel Jackson for Ruth.
18:46She's in session, but I can have her return.
18:48She's in on Wonder Man, huh?
18:51Yeah, till 6 tonight.
18:53Oh, no, that is not good.
18:55Nandi is going to be in so much trouble.
18:58Why, what's wrong?
18:59Well, Nandi is out sick.
19:00You know, she got that stomach bug that's going around.
19:03You better make sure you wash your hands, girl.
19:05You know I do.
19:07Anyway, I'm coming for her,
19:08and she just texted me
19:09because she forgot to get Simon Williams in
19:11on Wonder Man for Janelle.
19:14And now, see, the session's already started,
19:15and today's the last day.
19:16So when Janelle finds out,
19:18she is going to go ballistic.
19:20Can you still make it in?
19:21I can put him on the list.
19:22Oh, my God.
19:24Girl, you are an angel.
19:25I'm going to call him right now, okay?
19:37Hey, Simon Williams.
19:39Sorry, I'm late.
19:40I'm assuming you're a Wonder Man and not a Barnaby?
19:43Correct.
19:44I just need you to sign this NDA.
19:48Also, I don't have a doorman waiver on file for you,
19:50so I'm going to need you to sign this.
19:53Assuming, of course, you don't have superpowers.
19:59Okay, you're all set?
20:06Come on, if I keep...
20:07Um, I guess so.
20:12I feel a part of you pulled me out.
20:14No one else ever did.
20:15I'm true.
20:17I feel a part of you pulled me out.
20:20No one else to turn right after death.
20:23I don't know.
20:26I don't know.
20:28I don't know.
20:30I don't know what else.
20:43I don't know.
20:49OK, I don't know what else.
21:08Ask Damien how things went
21:10Oh, that's right, you can't, because he's dead
21:14You guys are killing it in there, bro
21:16Oh, and please tell Mr. Von Kovac
21:18that if he'd prefer a Cockney accent
21:20I can throw one in and now it's in charge, all right?
21:25Where have you seen him before?
21:27Pretty sure he used to be a terrorist
21:39Come with me
21:50You're a bloody mess
21:52You can't go in like this
21:56You're trying to get in my head
21:58I'm trying to help you, love
22:00You know
22:01Some of us actually believe in supporting each other
22:03Take it from someone who's eaten shit on stage
22:05more times than he can count
22:07Not literally, mind you
22:07You can still turn this around
22:09It's not too late, I know
22:11There's lots to memorize
22:12No, but my memory isn't the problem
22:14So what's wrong?
22:21I can't get hold of the character
22:23I've seen the original too many times
22:26And I'm trying to come up with a backstory
22:28for his relationship with Barnaby
22:29but it's not making sense
22:30Well, trust the words
22:31Just show up and say them
22:33Be present
22:35That's not my process
22:36Well, your process can go blow a spider
22:38Do you mind? Let me see this
22:43Oh
22:45Oh, this is your problem
22:46You see, these nodes are garbage
22:47Sorry
22:48No, it's how I learned it
22:49It's how I make choices
22:50Well, your choices are getting in the way
22:53No one gives a thought about the subtext
22:55of the tales of the Invera people
22:58We've got to get you out of your head
23:01Then how do we do that?
23:02When you're in there
23:03Blow every last bit of air
23:05out of your lungs hard and fast
23:06With no air any longer your body will go into shock
23:09Shut down your frontal lobes
23:10So no more logic getting in the way
23:12Then your amygdala kicks in
23:13and you'll be left with instinct
23:14Simon Williams?
23:16Here
23:19Don't think
23:42You can slate whenever you're ready
23:44Simon Williams
23:45Reading for Wonder Man
23:54Everything okay?
23:56Okay
24:13The Invera people believe
24:15if a soul fails to turn right after death
24:18it ends up in a dark and treacherous place
24:25Well
24:29I've been to the void
24:35I lived in that screaming silence
24:40I know what it's like
24:46I lost whatever part was left in me
24:48that makes
24:50a person
24:51a person
24:56until Barnaby pulled me out
25:00No one else ever gave a damn
25:03No one
25:06It's too late for me
25:09But you can still walk away
25:14I'm asking you
25:15nicely
25:16Just walk away
25:20It's a wonderful thing
25:21Not thinking too much
25:23It's served me well most of my life
25:25I'm not sure I'd do it again
25:28Why not?
25:29John Gilgood
25:30used to have me
25:31whipping with the belt
25:32across his bare ass
25:33every night before curtain up
25:34and that was before we were friends
25:37Then things got weird
25:38Hayashi Neats
25:40and a Virgin Mary
25:41with extra horseradish
25:4213 years sober
25:43Congrats
25:44Thank you
25:45But
25:46an actor
25:48needs to think
25:50to do the work
25:51you have to fill in the backstory
25:53and the character's psychology
25:55if you don't understand it
25:56how can you perform it?
25:59When we are born
26:01we cry that we are come to this
26:03great stage of fools
26:05Can you live?
26:07All spotted
26:07I had a run of it in Croydon
26:11back in the 80s
26:13I really struggled with her all at first
26:16Then
26:17I remembered that great speech from Hamlet
26:20The purpose of playing
26:23is
26:24to hold us to
26:25the mirror
26:27up to nature
26:29Never forget that
26:31Nature
26:31that's our job
26:32to understand
26:35the world around us
26:36and ourselves within it
26:40The real work
26:41isn't digging for subtext
26:43or
26:43passing a writer's intent
26:47The real work is living
26:55Let's probably get going
26:57Of course
26:57You're a young man
26:59with friends to see
27:01and important things to do
27:02This one's on me
27:03I think I'm gonna do
27:05the wedge salad
27:08Hey, let's keep in touch
27:09Of course
27:10Oh, Simon
27:14I have a good feeling
27:15about today
27:18Something fateful in the air
27:33Is Trevor Slattery?
27:44Is Trevor Slattery?
27:46How are drinks?
27:48$15 for a Virgin Mary
27:49It's bloody criminal
27:50Trevor
27:52Third contact was established
27:53We don't call it third contact
27:55He was at the matinee?
27:56Yes
27:57And then you ran into each other
27:59at the audition?
28:00And then we had drinks
28:01Third contact
28:04Trevor
28:05Trevor
28:05You need to take this seriously
28:07Simon Williams
28:08is superpowered
28:09He's unstable
28:10and incredibly dangerous
28:12His country isn't safe
28:14until he's in my custody
28:15You sure he's buying the act?
28:18Don't fret
28:19I've got him right
28:20where I want him
28:27So he doesn'tress
28:31He says
28:32He has also shared
28:41He's home
28:42How is he doing
28:47He knows
28:47that he's in the air
28:47He's wearing the carpet
28:48He knows
28:48And then he knows
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