- 55 minutes ago
Wonder Man 2026 S01E01 [Full Movie] [New Drama]Full EP - Full
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Short filmTranscript
00:01The End
00:24If we don't reverse the tomography in the next 30 seconds,
00:27Barnaby won't stand a chance.
00:28I know, Wondermath. I'm trying.
00:45Change the plans. There's too many. Get out of there. Head to the sanctum now.
00:48But what about you?
00:49I can't leave Barnaby to die.
00:51But they'll kill you both.
00:52I don't care!
00:53I can't.
01:06The Umbera people believe if a soul fails to turn right after death, it winds up in a dark and
01:11treacherous place.
01:13Well, I've been to the void. I've lived in that screaming silence.
01:20I know what it's like. I lost whatever part was left in me that makes a person...
01:25A person!
01:32Until Barnaby pulled me out.
01:34No one else separate gave a...
01:36Damn!
01:38It's too late for me.
01:40But you can still walk away.
01:42I'm begging.
01:44Please, just walk away.
01:45Don't go away.
01:46I'm begging.
01:48Don't go away.
01:50...
01:51...
02:02...
02:04...
02:05...
02:05...
02:24You got this, man.
02:27You already got the job.
02:30You just got to go out there and crush it.
02:34Just crush it.
02:36One step closer to the top.
02:40Mr. Williams, they're inviting you to set.
02:46Copy.
02:47On our way.
02:48Yeah, David, go ahead.
02:55Yeah, David, go ahead.
03:02What?
03:04Okay, who last set eyes on it?
03:06Hey, Kieran.
03:07Hey, Ashley.
03:09Hey, isn't that for American Horror Story?
03:11Sorry, day players don't get golf carts.
03:14David, where are we with that blood?
03:17Yeah, I just got to set.
03:19Hey, what's the status on that mask?
03:22Oh, beautiful.
03:23Talk soon.
03:24How is it always Mendocino Farms?
03:27Someone on the right is room.
03:28I don't stop.
03:29I hate choosing lunch when I barely had breakfast.
03:31I mean, how am I supposed to know my stomach want?
03:33Personally, I would go for the smoky chicken, the latte bowl.
03:36No creamer.
03:37Hi, I'm Lauren.
03:39You must be Professor Hoppin.
03:40Yeah, I love the Castle Rock.
03:41You direct it.
03:42Your Sons of Anarchy episodes.
03:43They were the best in the series.
03:45Thanks.
03:45Ashley, I'm a big fan.
03:47Yeah, loved you in the Twilight series.
03:49Okay, so classes just ended, and Professor Hoppin's packing up his desk at the end of the night.
03:55And then your colleague, Sarah, enters from here.
03:58You do the first couplet.
04:00How was your trip?
04:01Yada, yada, yada.
04:02And then, Ashley, you cross to about here, and Professor Hoppin says...
04:06You do realize, according to legend, that's where the Aztec god of death, Muglantelcutli, was tricked into giving up the
04:14bones that became humanity.
04:16Yeah.
04:17Duh.
04:19Great.
04:19And then, Sarah transforms into a monster.
04:22Ba-ba-ba-bam.
04:23Um, and bites off Professor Hoppin's head here.
04:28Any questions?
04:29Yeah.
04:30Mm.
04:31Should I switch to that a little table?
04:32Right now, it's sounding pretty good.
04:34Ha-ha.
04:36Uh.
04:38Just one thing?
04:39Yeah, of course.
04:42How long have Sarah and I known each other?
04:46Hmm, that's a good question.
04:47What are you thinking?
04:49I was thinking we'd go pretty far back.
04:50Like, maybe we were best friends, but we had a little falling out when she got tenure before me.
04:56Sure.
04:56Why not?
04:57Right?
04:58Might add a little layer to the scene.
05:00Totally.
05:00Yeah.
05:01Let's try it.
05:02Yeah.
05:02Great.
05:03Yeah.
05:03Yeah.
05:04Yeah.
05:05So, so maybe I shouldn't say Sarah, right?
05:09What's that?
05:09Well, the script says Sarah, but if I've been secretly jealous of her career, I don't think
05:15I would be so friendly.
05:17You know, maybe I should call her Dr. Johnson instead, you know?
05:21Yeah, let's, let's try both ways.
05:23Okay, great.
05:24Cool.
05:25Let's shoot one.
05:26Oh, and I wouldn't let her get that far.
05:29Who?
05:30Dr. Johnson.
05:31Considering our history, I don't think I let her cross all the way to my desk.
05:36I think Professor Harpin will stop her right about here.
05:39Yeah.
05:40Hmm.
05:41No, no, no.
05:42That is interesting.
05:43Uh, we're already lit, so I, I did want your dead body kind of bleeding out in this moonbeam
05:51that we have.
05:52Uh, we can move the moonbeam.
05:54Uh, it'll only take a few minutes.
05:59If you want it.
06:06Let's move the moon.
06:08Yeah.
06:08Yeah.
06:09Move the moonbeam!
06:10More, more.
06:11Right there.
06:13Last looks!
06:17Should I be packing up a copy of Aztec Thought and Culture by Miguel Leon Padilla?
06:23Is there a problem, Simon?
06:24No, no problem.
06:26I was just, just wondering if I should be packing up a copy of Aztec Thought and Culture by Miguel
06:31Leon Padilla.
06:33And what is that?
06:34I'm assuming that's what I'm teaching.
06:36Unless you're thinking Aztec Civilization by Henry Freeman, but that kind of changes things.
06:41Does it?
06:42Aztec Civilization is a quick read.
06:44It barely touches on Mucantocotli.
06:46It might fit into an ancient civilization syllabus, but Professor Harpin is focused solely
06:52on Aztec studies.
06:54Right?
06:58No, there's no reference to a book.
07:02Oh, but it says, it says packing up his desk.
07:06Right.
07:07For the night.
07:08Mm-hmm.
07:08Mm-hmm.
07:09I think it's implied.
07:11Should we check with a writer?
07:13Just to be safe.
07:16Okay.
07:18Okay.
07:22Who is this bozo?
07:24He had a great audition.
07:26Yeah, but at this rate, we're never going to make our day.
07:28Mm-hmm.
07:29Can you get Ryan on the phone?
07:30Yes, ma'am.
07:31And the interesting thing is, it's all here in your words, if you really look at it.
07:36You think so?
07:36I do.
07:37Hmm.
07:38Professor Harpin's history with Professor Johnson is what makes his death at her hands
07:42all the more tragic.
07:44Honestly, I never thought of it that way.
07:46But it's here.
07:46Yeah.
07:46In subtext.
07:47Yeah, I see that.
07:48You found something really interesting.
07:49Simon.
07:50Hi, Linda Cox.
07:51Hey.
07:52Hi, really nice to meet you.
07:53I'm a big fan.
07:54Oh, thank you.
07:55Love all the thoughts that you're bringing to this role.
07:57Thank you, thank you.
07:58Yeah, thank you.
07:59The showrunner just called.
08:01And he is rethinking this episode, and he's worried about Professor Harpin's scenes
08:06being a remnant of an earlier version of Ashley's arc.
08:09Remnant.
08:09So he's cutting your character from the show.
08:15Thank you so much for all your hard work today.
08:21That's a series rough on Simon Williams!
08:31They're going to put me in the movies They're going to make a big star out of me
08:41We'll make a film about a man that's sad and lonely And all I got to do is act naturally
08:51Well, I'll bet you I'm not going to be a big star out of me
08:57Well, I'll bet you I'm not going to be a big star Night with a monster you can't ever tell
09:02The movie's going to be a big star out of me
09:09Well, I hope you come to see me in the movies And I know that you are playing the scene
09:23I'll bet you I'm not going to be a big star out of me
09:38We'll make a scene about a man that's sad and lonely And baking down upon his spindly knee
09:48We'll make a scene about a man that's sad and lonely And baking down upon his spindly knee
09:52I'm not going to be a person All I'll have to do is act naturally
10:16You moving up?
10:21I thought you wrapped in five
10:25So you're sneaking out?
10:32I'm just trying to prevent this from becoming a thing
10:36Weren't you showing me pictures of rescue dogs last week And complaining I wouldn't commit?
10:40Yeah, I'm sorry
10:43I'm just not happy, Simon
10:44I know
10:45I just think you need to book something
10:48Things will turn around
10:50Come on, Vivian, we're good together
10:54You never let me in, Simon
10:57Not really
10:58It's a little late to start caring about this relationship
11:21You never let me in, you never let me in, you never let me in, you never let me in,
11:22you never let me in, you never let me in, you never let me in, you never let me in,
11:22you never let me in, you never let me in, you never let me in, you never let me in,
11:22you never let me in, you never let me in, you never let me in, you never let me in,
11:22you never let me in, you never let me in, you never let me in, you never let me in,
11:22you never let me in, you never let me in, you never let me in, you never let me in,
11:22you never let me in, you never let me in, you never let me in, you never let me in,
11:22you never let me in, you never let me in, you never let me in, you never let me in,
11:24you never let me in, you never let me in, you never let me in, you never let me in,
11:27you never let me in
11:43well that's because jerry wasn't there and i was i remember yeah it was a python a giant bloody
11:52python i don't know if it was burmese or not love i can't speak to that it was in the
11:58pool
11:58that's what bloody matters maybe it had been somebody wasn't looking for cuddles oh sorry
12:06love i can't today auditions this afternoon damn right it's big biggest bloody movie of the year
12:12is all hey man do you mind give my love to uma smooches i've never talked to you in the
12:20actual
12:20film don't fret hey i'm sorry um aren't you oh yes
12:30i play the mandarin but that was all bloody 10 years ago and i was just a puppet and whatever
12:34theories you've seen on reddit are totally false i had nothing to do with pizzagate i'm not a member
12:39of the illuminati and i did not have my hands replaced with baby hands first of all i always
12:46dug your performance as the mandarin but i remember you from that omnibus episode you did in the 70s
12:52you played edgar allen pope the need for nightmare well well well not too many people remember that
12:59old gem including me how was i stole the episode and i should know i'm also an actor you don't
13:06say
13:07yeah yeah yeah do you mind movie's about to start
13:14i'll take the tent but when i take you over to see mr o daniel i'm gonna have to have
13:19another tent
13:20just a couple expenses all right uh come on i'll buy you school after you don't think
13:25break away from all the habits take a word of advice
13:33yeah that's what i'll do
13:37okay rico rico
13:41rico
13:41rico
13:41rico
13:41rico
13:41rico
13:42rico
13:43rico
13:43rico
13:43rico
13:43rico
13:43rico
14:11It's heartbreaking.
14:14I have a tower of re-watching that one.
14:17It's authentic, moving, really captures being an outsider on the fringe.
14:27And it's a little trippy, which is always nice.
14:31You know, Schlesinger didn't even think Hoffman was right for Ratso, even though he'd just
14:36come off the graduate.
14:39Apparently Hoffman convinced him by showing up dressed in rags to their first meeting
14:42on the street corner.
14:44He was begging for change, and Schlesinger didn't even recognize him.
14:47I was fortunate enough to attend Schlesinger's production of Timon of Athens with the Royal
14:53Shakespeare Company, Sublime.
14:55Pity I was blind drunk.
14:58So, uh, what's this?
15:02Big audition you were talking about.
15:07Look, man, I'm not a weirdo, and I'm not desperate.
15:10I'm just curious.
15:12Would love to know what you're up to.
15:15Well, uh, between you and me, it's a huge opportunity.
15:20I'm auditioning for Wonder Man.
15:23Anyway, nice meeting you.
15:25Wait, uh, someone's actually remaking Wonder Man?
15:29Not someone.
15:31Bonkovec.
15:49Hey, I'm out.
15:57We're looking fine if she could be.
16:01Hey, hey, I was, you were walking down the street.
16:07Oh, man.
16:10Did you hear about Wonder Man?
16:12You didn't tell me Von Kovac was directed?
16:15A superhero remake, not exactly what you'd expect from an Oscar-winning director.
16:20finding inspiration in another movie is not a crime look at what cornerback did with the fly
16:28silly big picture he made it personal grounded it in modern science and discovered the new
16:38unthinkable horrors why not wonder man human and spectacular that's where this film
16:49needs to live superheroes are part of our lives now so what we will find when we look at the
16:57wonder man today what can he teach us about ourselves
17:06sounds good i need to be in this movie sorry you're crazy i was born to play this character
17:14are you serious boo they are already talking to leo no no deadline said they're looking for a new face
17:21i have a new face it's too late today was the last day of auditions well couldn't you work a
17:26little
17:26bit of your magic no one can say no to you not when you put on that charm i know
17:32you're not doing this
17:33right now mister i got fired from american horror story this morning yeah they told me you couldn't
17:37even lay in blood simon how hard is that you just you just sit there you just lay then you
17:43storm into
17:43this meeting with my colleagues acting like you own the place and now you're trying to work me you know
17:48what you got some nerve i just need you to believe in me janelle you know i believe in you
17:55i think you're
17:57one of the most talented people that i know but there's a lot of talented people out here who are
18:02not
18:02pains in the ass do you feel me all right we can talk about american horror story first thing tomorrow
18:10morning nandy will validate you and maybe have an early dinner so i'll be gone okay
18:40hey girl this is imani from hanover agency i got janelle jackson for ruth she's in session but i can
18:47have her return oh she's in on wonder man huh yeah till six tonight oh no that is not good
18:54nandy is
18:55gonna be in so much trouble why what's wrong well nandy is out sick you know she got that stomach
19:01bug
19:02that's going around you better make sure you wash your hands girl no i do anyway i'm coming for her
19:08and she just texted me because she forgot to get simon williams in on wonder man for janelle and now
19:14see
19:14the sessions already started and today's the last day so when janelle finds out she is going to go
19:18ballistic can you still make it in i can put him on the list oh my god girl you are
19:24an angel i'm gonna call
19:26him right now okay thank you
19:37hey sorry i'm late i'm assuming you're a wonder man and not a barnaby
19:43correct just need you to sign this nda
19:47okay also i don't have a doorman waiver on file for you so i'm gonna need you to sign this
19:53assuming of course you don't have superpowers
19:59okay okay you're all set
20:06come on if i keep
20:10i don't know
20:19No one else.
20:50No one else.
21:08Ask Damien how things went.
21:10Oh, that's right.
21:11You can't, because he's dead.
21:14You guys are killing it in there, bro.
21:16Oh, and please tell Mr. Von Kovac
21:18that if he'd prefer a Cockney accent,
21:21I can throw one in and know it's for charge, all right?
21:25Where have you seen him before?
21:27Pretty sure he used to be a terrorist.
21:40Come with me.
21:50You're a bloody mess.
21:52You can't go in like this.
21:56You're trying to get in my head.
21:59I'm trying to help you, love.
22:00You know, some of us actually believe in supporting each other.
22:03Take it from someone who's eaten shit on stage more times
22:06than he can count.
22:07Not literally, mind you.
22:08You can still turn this around.
22:09It's not too late.
22:10I know.
22:11There's a lot to memorize.
22:12No, but my memory isn't the problem.
22:14So what's wrong?
22:21I can't get old of the character.
22:24I've seen the original too many times.
22:26And I'm trying to come up with a backstory
22:28for his relationship with Barnaby,
22:29but it's not making sense.
22:31Well, trust the words.
22:32Just show up and say them.
22:33Be present.
22:35No, that's not my process.
22:37Well, your process can go blow a spider.
22:39Do you mind?
22:39Let me see this.
22:43Oh.
22:45Oh, this is your problem.
22:46You see, these nodes are garbage.
22:47Sorry.
22:48No, it's how I learned it.
22:49It's how I make choices.
22:51Well, your choices are getting in the way.
22:53No one gives a fart about the subtext
22:55of the tales of the Invera people.
22:58We've got to get you out of your head.
23:01Then how do we do that?
23:02When you're in there,
23:04blow every last bit of air
23:05out of your lungs hard and fast.
23:07With no air in your lungs,
23:08your body will go into shock.
23:09Shut down your frontal lobes,
23:10so no more logic getting in the way.
23:12Then your amygdala kicks in
23:13and you'll be left with instinct.
23:15Simon William?
23:16Here.
23:19Don't think.
23:42You can slate whenever you're ready.
23:44Simon Williams,
23:46reading for Wonder Man.
23:53Everything okay?
24:13The Invera people believe
24:15if a soul fails to turn right after death,
24:18it ends up in a dark
24:19and treacherous place.
24:25Well,
24:29I've been to the void.
24:35I lived in that scream in silence.
24:40I know what it's like.
24:46I lost whatever part was left in me
24:48that makes
24:49a person
24:51a person
24:55until Barnaby pulled me out.
25:00No one else ever gave a damn.
25:03No one.
25:06It's too late for me.
25:09But you can still walk away.
25:14I'm asking you
25:15nicely
25:16just walk away.
25:20It's a wonderful thing.
25:22Not thinking too much.
25:24Served me well most of my life.
25:26I'm not sure I'd do it again.
25:28Why not?
25:29John Gielgud
25:30used to have me
25:31whipping with a belt
25:32across his bare ass
25:33every night before curtain up
25:34and that was before
25:35we were friends.
25:37Then things got weird.
25:39Hayashi Neats
25:40and a Virgin Mary
25:41with extra horseradish.
25:4313 years sober.
25:44Congrats.
25:45But
25:46an actor
25:48needs to think
25:50to do the work.
25:51You have to fill in
25:52the backstory
25:53and the character's psychology.
25:55If you don't understand it,
25:56how can you perform it?
25:59When we are born,
26:01we cry that we are come to this.
26:03Great stage of fools.
26:05Can you live?
26:07All spotted.
26:10I had a run of it in Croydon
26:11back in the 80s.
26:13I really struggled with her all at first.
26:16Then,
26:17I remembered that great speech from Hamlet.
26:20The purpose of playing
26:23is to hold us to the mirror
26:26up to nature.
26:29Never forget that.
26:31Nature,
26:31that's our job.
26:33To understand
26:34the world around us
26:36and ourselves within it.
26:40The real work
26:41isn't digging for subtext
26:43or passing a writer's intent.
26:47The real work is living.
26:55Let's probably get going.
26:57Of course.
26:58You're a young man
26:59with friends to see
27:01and important things to do.
27:02This one's on me.
27:04I think I'm going to do
27:05the wedge salad.
27:08Hey, let's keep in touch.
27:10Of course.
27:11Oh, Simon.
27:14I have a good feeling
27:15about today.
27:18Something faithful in the air.
27:44Is Trevor Slatter it?
27:47How are we drinks?
27:48Fifteen dollars
27:48for Virgin Mary's
27:49bloody criminal.
27:50Trevor.
27:52Third contact was established.
27:53We don't call it
27:54third contact.
27:55He was at the matinee?
27:56Yes.
27:57And then you ran
27:58into each other
27:59at the audition?
28:00And then we had drinks.
28:02Third contact.
28:04Trevor,
28:05you need to take this seriously.
28:07Simon Williams
28:08is superpowered,
28:09he's unstable
28:10and incredibly dangerous.
28:12This country isn't safe
28:14until he's in my custody.
28:16You sure he's buying the act?
28:18Don't fret.
28:19I've got him right
28:20where I want him.
28:46I've got him right where I want him.
28:55the faces.
28:56And then we'll make it
28:56and he's talking about it.
28:56I'm loving you.
28:57He's so dangerous.
29:00Get back with me.
29:01Good for ya.
29:12Good for ya.
29:16Come here.
29:17I'm sorry.
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