- 2 days ago
Sightless 2020 [Full Movie] [New Drama]Full EP - Full
Category
🎥
Short filmTranscript
00:00:02Oh
00:02:02Blue team, I see you, please.
00:02:03Blue team, I see you.
00:02:30Blue team, I see you.
00:02:35Miss Ashland, I'm Omar.
00:02:38I'm the nurse who's been taking care of you.
00:02:40You're at Columbia Western Hospital.
00:02:42You're safe here.
00:02:44Are you comfortable?
00:02:47How about we take these bandages off, huh?
00:02:58Why can't I see?
00:03:03I'll let your doctor know you're ready.
00:03:07Back in two blanks.
00:03:14I understand we're trying to reach your brother overseas.
00:03:18Japan, is it?
00:03:23Look at me, please.
00:03:24It's not really necessary.
00:03:26I'm not sure.
00:03:27Doctors on TV do it?
00:03:28What is happening?
00:03:29Who did this to me?
00:03:32The chemicals that you were exposed to left your optic nerve intact, but seared.
00:03:37In simple terms, and I'm so sorry to say this, but the damage is irreversible.
00:04:06How tall would you say he or she was?
00:04:09He.
00:04:10Could be either.
00:04:11It felt like a man.
00:04:14It's medication.
00:04:16Was there anything else of value in your car?
00:04:20My rogerie.
00:04:21What's that?
00:04:23Other than tough to spell?
00:04:25Violin.
00:04:26I just took it out of storage.
00:04:28You'd say it's worth?
00:04:29Five hundred thousand.
00:04:31Dollars?
00:04:32No.
00:04:33We didn't see that.
00:04:35There's still no trace of your phone.
00:04:37Treating this as a robbery.
00:04:38It wasn't.
00:04:39I told you.
00:04:41He came for me.
00:04:43To do this to me.
00:04:46Did some reading on your husband.
00:04:48Ex-husband.
00:04:50No shortage of people he upset.
00:04:53Or there's your celebrity before him.
00:04:56Any interesting fans ever?
00:04:59I haven't been famous in a long time.
00:05:01Would that famous ever go away?
00:05:08Can we...
00:05:10We'll speak again soon.
00:05:11We'll find this guy.
00:05:13And in the meantime...
00:05:15Let yourself adjust to your new world.
00:05:19Let your senses get caught up.
00:05:36We got your brother.
00:05:38Here.
00:05:49Hello?
00:05:53Hello?
00:05:54Hello?
00:05:55Ellen, you there?
00:05:57Easton?
00:05:58Ellen, Christ.
00:06:00I can't believe that...
00:06:02This is what it takes for us to talk?
00:06:04I guess so.
00:06:06I've hired your care for two months until I'm back.
00:06:09He's on the line with us.
00:06:11Mr. Haley, you there?
00:06:12Clayton, please.
00:06:14Miss Ashland, hello.
00:06:15I was just about to tell my sister how you come highly recommended.
00:06:19Your speciality.
00:06:22People transitioning into a new...
00:06:24Handicap?
00:06:26Lifestyle.
00:06:27I think I found you an apartment near downtown.
00:06:30I can tell you all about it.
00:06:31But just know that it's safe.
00:06:33Quiet.
00:06:35What you need.
00:07:05Yes?
00:07:07We spoke yesterday.
00:07:08I'm Clayton.
00:07:09I hope I didn't startle you.
00:07:11I let myself in.
00:07:12Where am I?
00:07:13Home.
00:07:14For now.
00:07:15It's apartment 902.
00:07:18I can come back later.
00:07:19It's no problem.
00:07:21Wait.
00:07:24Come in.
00:07:28It's nice to meet you, Miss Ashland.
00:07:31The sun's out today.
00:07:33I bet you're happy to be out of the hospital.
00:07:36This place kind of reminds me of that story.
00:07:40The film?
00:07:41I think it's by Bradbury.
00:07:43What?
00:07:43This family and their luxurious home.
00:07:47Anything the kids imagine, the house brings to life.
00:07:50How did I get here?
00:07:52You took a town cart to the city, right?
00:07:55Yeah.
00:07:55Well, these would kick a linebacker's ass.
00:08:01I'd rather describe photos.
00:08:02I'd rather describe photos.
00:08:04Living room.
00:08:05Kitchen.
00:08:08What in here?
00:08:09Bathroom straight ahead.
00:08:11Hallway on the right.
00:08:13Window on your left.
00:08:15Colors of this room are shades of blue.
00:08:18Meant to soothe.
00:08:20And you?
00:08:22Who do I want to be today?
00:08:25If I said a young Brando, would that make it easier?
00:08:28Maybe for you.
00:08:30Look, I know you hate this.
00:08:32And you can hate me too.
00:08:33But I am the easiest part of this puzzle.
00:08:35I graduated top of my nursing class.
00:08:38I've worked with plenty of patients like you before.
00:08:40Legally blind, deaf, young, old.
00:08:42I'm the Ferrari of personal care.
00:08:49How does lunch in 30s sound?
00:08:52Not very.
00:08:53You gotta eat.
00:08:54Take it in here.
00:08:57This place is nice, but it isn't the Ritz.
00:09:00Kitchen in 30.
00:09:41This place is nice, but it isn't the Ritz.
00:10:06There she is.
00:10:08Don't do that.
00:10:10Sorry, you stuck up on me.
00:10:13On you?
00:10:14Why don't you have some of this garlic pané,
00:10:18and then we'll get a lay of the land.
00:10:22I'm here weekdays 11 to 2 for now.
00:10:24Rejoice or shudder at that thought.
00:10:26I'll let myself in.
00:10:27I'll tend to cooking, some cleaning,
00:10:29but I'm mostly here to help in the capital A adjustment department.
00:10:33Losing your sight doesn't mean you have to lose yourself.
00:10:36You can do all the things you love, that you're good at, and more.
00:10:40And down the line I'll teach you Braille, your cane, dictation software.
00:10:4411 calls building security, 22 gets my cell programmed here, and the master bedroom.
00:10:53I am off to the finicky Mr. Hudson on Mercer Island, unless you need anything else.
00:11:00It's been my pleasure, Miss Ashland.
00:11:03Hasta mañana.
00:11:16Hi, you've reached Sasha.
00:11:18I'll get back to you.
00:11:20Third time trying.
00:11:22I can't reach my brother.
00:11:24His work, time zones, I get it.
00:11:28But you, where are you?
00:11:34I hate it here.
00:11:37It feels so empty.
00:11:42Is it home?
00:11:45I miss you.
00:12:06I miss you.
00:12:14Oh, my God.
00:12:39Oh, my God.
00:13:12I got you something.
00:13:17I can take her back.
00:13:18No. No.
00:13:21What color?
00:13:23What do you want it to be?
00:13:25It doesn't matter what I want.
00:13:27Sure it does.
00:13:28You see her in your head,
00:13:31so your imagination's either free in there or...
00:13:35Opposite of free is captive.
00:13:40Which you would know something about?
00:13:43Other than you as my soulmate,
00:13:46I've had to use my imagination.
00:13:51Might as well redecorate the whole place in my head while we're at it.
00:13:58What color is she?
00:13:59Baby blue.
00:14:07You gonna name her?
00:14:09We just did.
00:14:11Put a mirror in there, will you?
00:14:13Want to recognize something?
00:14:15Sure.
00:14:19Come here.
00:14:26How come I can hear all this?
00:14:34Still loud and clear.
00:14:37If it's overkill...
00:14:39Shh.
00:14:44But here...
00:14:49Here...
00:14:53This is thicker glass.
00:14:55This is thicker glass.
00:14:57Faces west and wind coming off the bay.
00:15:02You got a voicemail?
00:15:06Miss Ashlyn.
00:15:07It's Detective Bryce.
00:15:09I've looked into the clients of your husband.
00:15:12And everyone checks out so far.
00:15:14Forensics couldn't pull any unusual fingerprints from your car.
00:15:17But there are boot treads we're looking into.
00:15:20Think of anything.
00:15:21Call me.
00:15:28Your brother told me how it happened.
00:15:33Hey.
00:15:34It's okay.
00:15:35You're safe.
00:15:35No one's gonna find you here.
00:15:37Castle Keep.
00:15:39Heard that before.
00:15:43Bennett.
00:15:44The ex?
00:15:46His words?
00:15:47You hang with me, you're safe with me.
00:15:50You Googled us?
00:15:52None of my business.
00:15:55Maybe.
00:15:58It's kind of the first thing I did.
00:16:00You tend to find yourself on scorched earth when you steal other people's life savings.
00:16:05Except Sasha.
00:16:07She's the only friend who stuck around.
00:16:11Even after what we did to her.
00:16:13We?
00:16:14The kind of money he made for everyone.
00:16:17Nobody questioned it.
00:16:18I didn't want to.
00:16:19And now he's...
00:16:20Serving 15.
00:16:22I stopped someone who can't get to him, so they're after me instead.
00:16:26If I couldn't see them the first time.
00:16:28Okay, enough.
00:16:30Sit.
00:16:38Look, I know it's hard, but no amount of anger is going to save you.
00:16:44Optimism, passion, who you were before him.
00:16:48Ended.
00:16:51Music.
00:16:53The violin.
00:16:55Your album went gold.
00:16:57I saw the videos.
00:16:58Child Prodigy sells out London, Prague, moves people to tears.
00:17:03Who you were, the original element.
00:17:05Ended with it.
00:17:07Can we not?
00:17:14All I'm saying is you might not know what she meant...
00:17:17What she meant...
00:17:21Definitely not the Ritz.
00:17:32Salt.
00:17:45I'm sorry.
00:17:46I have no good like this.
00:17:51I'm sorry.
00:18:05I am going to leave you with this because I value my personal safety.
00:18:11I wouldn't dare force a lesson on you just yet.
00:18:14Au revoir.
00:18:41All right.
00:18:44All right.
00:19:13All right.
00:19:42I don't know.
00:20:12You've reached the security office of the Laguna Center.
00:20:27Hi, you've reached Sasha. I'll get back to you.
00:20:45Here we go.
00:20:47I'll get back to you.
00:20:52Here we go.
00:20:56Here we go.
00:20:59Here we go.
00:21:02Here we go.
00:21:31I don't know.
00:21:38I don't know.
00:22:13I don't know.
00:22:25You okay?
00:22:26Didn't mean to.
00:22:28Hey.
00:22:53Hello?
00:22:55Hello?
00:23:15I'm not going to tell you again.
00:23:17I don't know.
00:23:21I don't know.
00:23:24I don't know.
00:23:32I don't know.
00:23:35I don't know.
00:23:36I don't know.
00:23:38I don't know what you've done.
00:23:39I hope you stay away from her.
00:23:40I hate you.
00:23:41She's drunk.
00:23:42She's dangerous.
00:23:44I got drunk.
00:23:45I need help.
00:23:53I swear it was like she was in here.
00:23:56Into overdrive.
00:23:58You told me I could reach security if I dialed 11.
00:24:00That's what security told me.
00:24:02Did you hit the right button?
00:24:04Okay.
00:24:05I'll talk to someone.
00:24:07Do yourself a favor.
00:24:08Focus on this side of the wall.
00:24:10And if you hear anything else, Seattle's finest.
00:24:16I was thinking we could brave the lunch crowds and take a walk to the water.
00:24:21No.
00:24:23Sure.
00:24:25Can hit like a train if you're not ready.
00:24:29World outside.
00:24:36World inside.
00:24:42World outside.
00:24:58World outside.
00:25:02I don't know.
00:25:37I don't know.
00:26:05I don't know.
00:26:38Okay, so this program will help you with your internet, your email.
00:26:46Okay, where do you get these ideas?
00:26:49So, hit return to start and stop.
00:26:53That will read your email.
00:26:56To Ellen Ashland, from Easton Ashland.
00:27:00I'm writing you from another rainy night in Tokyo.
00:27:15Want to learn this or not?
00:27:21Bow.
00:27:24Mo.
00:27:28Duck.
00:27:30You.
00:27:32Okay, let's go to voice command mode.
00:27:36Voice command mode?
00:27:44So, why this line of work?
00:27:47You can't be good enough to put up with me.
00:27:50My mother.
00:27:54She was sick since I was little.
00:27:59Couldn't get out of bed.
00:28:01My dad didn't have to work like me, inheritance.
00:28:06So, the only thing he ever really got good at was drinking.
00:28:15And when you grow up that way, looking after her and losing her to that,
00:28:25you want to make yourself useful.
00:28:28Your imagination get you through?
00:28:31She'd pass the days by making birdcages from her bed.
00:28:37These huge, ornate things.
00:28:41And if it was exotic, she had to have it.
00:28:43African greys, macaws.
00:28:45I'd give them names and personalities.
00:28:49And I'd make my sister act out all these stories with me.
00:28:53The whole flock.
00:28:54But it's weirder still.
00:28:57The job's not so different now.
00:29:00Every client requires something tailor-made.
00:29:03Mr. Nielsen and Ballard gets one Clayton.
00:29:06Mrs. Woodson on the water requires another.
00:29:09And part of me just feels I have to be all these things for all these people.
00:29:14And which Clayton do I get?
00:29:17Uh, that's the scary part.
00:29:20I think you get me.
00:29:45What are we looking at?
00:29:52Um, there's a couple walking their sheepdog past the car that's been parallel parking since the ice age,
00:29:59but looking up, countless windows.
00:30:07Can I see you?
00:30:21I待at她.
00:30:27Amen.
00:30:28Hoy Um.
00:30:29I do not feel alone.
00:30:34I came to alarm.
00:30:35Can I see you?
00:30:36Let me hear me.
00:30:37I was expecting you to find me in the Here éally family with my father.
00:30:38I do not feel safe.
00:30:39I do not feel safe.
00:30:47Oh. It's half past two. I should go. Sorry, I didn't...
00:31:00Speak.
00:31:01From Easton Ashland. How are you settling in? I'm going to find a weekend to fly home.
00:31:06Stop!
00:31:10Who is it? You left me a note? Next door?
00:31:31I'm Lana. Brought tea.
00:31:34I don't... I can't see.
00:31:42I'm Ellen. I'm coming up with some water on.
00:31:53Fancy art. Matches the music.
00:31:59You know who I used to play?
00:32:02Classical stuff, I heard.
00:32:06Russo's got a painting like this one.
00:32:08Wasn't cheap.
00:32:09Russo?
00:32:11My husband.
00:32:14You just got here, hmm?
00:32:17It's just temporary for me here. My brother's in business on Japan. My brother's in business...
00:32:24You mind if I...
00:32:27Not inside, thanks.
00:32:30There's smokes in this city.
00:32:31Even my brother quit.
00:32:34Even my brother quit.
00:32:34Otherwise you'd have a cancer partner when he visits...
00:32:37Smoking partner.
00:32:44Excuse me.
00:32:46You said smoking partner.
00:32:49Here.
00:32:51I said my brother.
00:32:56I miss him.
00:32:58Think he misses you?
00:33:02Of course he does.
00:33:03He must.
00:33:04Why?
00:33:09Did it...
00:33:12Did it hurt?
00:33:14What?
00:33:16Your eyes.
00:33:17Losing them.
00:33:19I...
00:33:20Didn't...
00:33:21Lose them.
00:33:23Your sight.
00:33:24I mean...
00:33:24I didn't lose anything.
00:33:27It was taken from me.
00:33:29I...
00:33:30You didn't mean...
00:33:31I should probably...
00:33:32How'd you know I ever had my sight?
00:33:34I...
00:33:35I didn't.
00:33:37It's...
00:33:38Just I wondered...
00:33:39Who put those bruises there.
00:33:43You're right.
00:33:44It's none of my bruises.
00:33:45Oh, I didn't say that.
00:33:46No.
00:33:48I'm making another mess.
00:33:50What do you mean mess?
00:33:51It's nothing, it's nothing.
00:33:51What do you mean mess?
00:33:55You know you heard me scream.
00:33:57Like my husband goes out of town sometimes and I get sad.
00:34:01I...
00:34:02You're shaking.
00:34:08How old are you?
00:34:10None of your business.
00:34:1448.
00:34:15Why are you lying to me?
00:34:20I don't...
00:34:23I don't...
00:34:24Trust...
00:34:24Anyone.
00:34:32Wait.
00:34:35Wait!
00:34:37It's him.
00:34:41What?
00:34:51Yes, a scar.
00:34:53Fresh stitches.
00:34:54Her husband did that to her.
00:34:56I met him.
00:34:58When?
00:34:59Today.
00:35:00Left your place as he was getting in.
00:35:02He asked if I was seeing the guest in 902.
00:35:04He seemed nice enough.
00:35:05Of course he did.
00:35:07When she saw him...
00:35:09You didn't hear the fear in her voice.
00:35:12He apologized for the noise.
00:35:15He said his wife hadn't been well.
00:35:17He speaks for her and you just believe him?
00:35:21Exactly.
00:35:33Detective Bryce.
00:35:36Detective Bryce.
00:35:53Hi there.
00:35:54My name is Officer Neiman.
00:35:56I'm responding to a noise complaint at this address.
00:35:59Officer Neiman said she was lucid.
00:36:01Calm.
00:36:02Didn't convey she was in danger.
00:36:04She was terrified.
00:36:06We did a little digging and I'll confide.
00:36:08Mrs. Latch has a bit of a history.
00:36:11She's hurt herself.
00:36:11I...
00:36:12I heard her scream.
00:36:13She came to me frightened.
00:36:16The...
00:36:17The stitches?
00:36:18Stitches?
00:36:19Her face?
00:36:21Her scar?
00:36:22Long heel.
00:36:23Or so Neiman says.
00:36:24Thought it was a birthmark.
00:36:27No.
00:36:28I know what I felt.
00:36:32How old is she?
00:36:33Neiman said 48.
00:36:36She didn't tell you he hit her.
00:36:39She said...
00:36:41Don't trust anyone.
00:36:42Does that sound like a well person?
00:36:45Listen to you.
00:37:00Two days ago.
00:37:01Same car.
00:37:03Same alarm.
00:37:04Same time.
00:37:05How do you know?
00:37:06Happened right when you got here.
00:37:0811am.
00:37:09Heard the alarm as you ring the bell.
00:37:13Same siren?
00:37:15Alarm?
00:37:17Forget it.
00:37:19Look.
00:37:20I believe you.
00:37:21It's a big city.
00:37:22It's got lots of alarms.
00:37:23You heard it all the way up here?
00:37:25Overdrive?
00:37:27Yeah.
00:37:28Where do you want the slider?
00:37:31I don't...
00:37:33It's...
00:37:33Not...
00:37:34My...
00:37:35I mean it was just sitting right here.
00:37:4510 57 AM.
00:37:5011 02 AM.
00:38:05You hungry?
00:38:06Shh!
00:38:07Get in here.
00:38:13What kind of car?
00:38:16You were right.
00:38:17You were right.
00:38:18It's the same time.
00:38:21Why'd it stop?
00:38:23Some guy's getting in.
00:38:27Same time.
00:38:29Every other day.
00:38:32Aim for patterns where there are none.
00:38:34It is a pattern.
00:38:36I get here for my job as he takes off for his.
00:38:40Hey.
00:38:41You've gotta take it easy on yourself.
00:38:43Okay?
00:38:44The thing that saves you isn't out there or at the bottom of a cocktail glass.
00:38:49It's...
00:38:50Pure.
00:38:57Your eyes won't ever be what they were.
00:39:00But...
00:39:00Once the rest of you heals...
00:39:02You won't need them too.
00:39:18You won't need them too.
00:39:19Well, we're just gonna do the mess in the house and we still have to get into the house.
00:39:19I mean...
00:39:35What if?
00:39:39I mean...
00:39:40I mean...
00:39:47That is what I'm saying.
00:39:48I mean, how did you do that?
00:39:48No, no, no, no.
00:40:31No, no, no.
00:40:48No, no, no.
00:40:54No, no, no.
00:41:12No, no, no.
00:41:30No, no.
00:41:46No, no, no.
00:42:04No, no, no.
00:42:14No, no, no.
00:42:43No, no, no.
00:42:47No, no.
00:42:49No, no.
00:42:49No, no.
00:42:50No, no.
00:43:13No, no.
00:43:17No, no.
00:43:30No, no.
00:43:58No, no, no.
00:44:17No, no.
00:44:20No, no.
00:44:40No, no.
00:44:41No, no.
00:44:42No, no.
00:44:45No, no.
00:44:48No, no.
00:44:55No, no.
00:45:03No, no.
00:45:16No, no.
00:45:16No, no.
00:45:35No, no.
00:45:37No.
00:45:48No, no.
00:45:49No.
00:45:54No, no.
00:46:03No, no.
00:46:06No, no.
00:46:06No, no.
00:46:10No, no.
00:46:13No, no.
00:46:24No.
00:46:25Alan, I'm a paramedic.
00:46:28Alan.
00:46:29Alan, can you hear me?
00:46:34You were bleeding from your wrist, but I bandaged you up.
00:46:40Are you feeling alright?
00:46:43Your neck?
00:46:44it hurts
00:46:47not seeing anything
00:46:48are you looking at it
00:46:53I'll be right back
00:47:07I shouldn't have left you
00:47:09what happened
00:47:11it's okay
00:47:14you're alright
00:47:17detective Bryce drove in
00:47:19I told him about next door
00:47:21no it wasn't him
00:47:23it was the man from that night
00:47:27do you need to tell me anything
00:47:29before you talk to him
00:47:32you've been drinking
00:47:33I've been worried about the drinking
00:47:37we've all felt lost at some point
00:47:39wait for me
00:47:39do you know where they take you
00:47:44do you really want to be anywhere but here
00:47:46in your condition
00:47:52he wants to talk to you alone
00:47:54then get him
00:47:55and get everyone else out of here
00:48:07it's just the front door
00:48:09no sign of forced entry
00:48:10Clayton locked it behind him
00:48:12I heard it
00:48:13lock
00:48:14and
00:48:16unlock
00:48:16usually the one I would suspect here is the
00:48:19caretaker of the blind woman
00:48:21wasn't him either
00:48:22I said usually
00:48:23how long have you known Sasha Crinlin
00:48:27three years
00:48:28rather how well do you know her
00:48:31she's a good friend
00:48:33the boot treads we pulled from beside your car
00:48:36were half a shoe size smaller than yours
00:48:39after I first spoke to Miss Crinlin
00:48:41we haven't been able to locate her
00:48:42left town in a rush
00:48:45but not without leaving ample shoe prints outside her property
00:48:48I won't ask you to guess what size they were
00:48:51what are you saying
00:48:52a restraining order was taken out against her
00:48:55six years ago
00:48:56Vancouver
00:48:56for stalking a co-worker's wife
00:48:59charges were filed
00:49:01aggravated assault
00:49:02she couldn't
00:49:03but she has reason to
00:49:06oh my god
00:49:07this is not your fault
00:49:11but tonight
00:49:12she was wearing that mask again
00:49:14you saw it
00:49:15I heard it
00:49:16I heard her breathing through it
00:49:18that mask was the last thing
00:49:21I ever saw
00:49:22and it'll be the first thing you see
00:49:23when you review the security footage
00:49:24I have
00:49:25for the hallway
00:49:26lobby
00:49:27stairwells
00:49:28your caretaker left this unit at 8.05pm
00:49:31a few minutes later
00:49:32he let himself back in
00:49:33with a man from lobby security
00:49:35after 9-1-1 dispatch alerted them of your call
00:49:38and
00:49:38cameras show no one else coming into this unit tonight
00:49:42by all accounts
00:49:42you've been alone
00:49:45you just said it was her
00:49:48that night
00:49:48we think
00:49:49but tonight
00:49:50someone broke in here
00:49:52attacked me again
00:49:55my god
00:49:56next door
00:49:57ask them
00:49:58they told me they heard nothing
00:50:00no shared wall with this room
00:50:02the van
00:50:04they were playing my music
00:50:06you know that
00:50:07look there's either a glitch
00:50:08with the camera
00:50:10or
00:50:10she was in here
00:50:12she could have come in
00:50:13through the balcony
00:50:14we reviewed the tapes from the roof
00:50:16the space above you is empty
00:50:19I can't do this
00:50:26this intruder didn't enter by force
00:50:28didn't take anything
00:50:29didn't say anything
00:50:31did they
00:50:35that window doesn't make a sound
00:50:37I gave the same alarm
00:50:39at the same time
00:50:42a lot of stitches
00:50:44now
00:50:45no one believes me
00:50:46I can't
00:50:49this is what she wants
00:50:50isn't it
00:50:51I'll let you rest
00:50:52and I'll
00:50:53check the cameras again
00:50:56thank Mr. Haley
00:50:57for going to bat for you
00:50:58without him
00:50:59I'd recommend you be put
00:51:00on suicide watch
00:51:04and if I may offer
00:51:05the simplest explanation
00:51:06in your virgin state
00:51:08of being sightless
00:51:10perception won't always
00:51:11be reality
00:51:24perception is my only
00:51:26reality
00:51:42I'm sorry
00:51:45didn't mean to wake you
00:51:48make it up to you
00:51:49with an omelette
00:51:51take the day off
00:51:55I'm going to
00:51:58call my brother
00:52:14I believe I felt lost
00:52:16at some point
00:52:25drop by later
00:52:26make a special
00:52:28take care of you
00:52:29dinner
00:52:48Easton
00:52:50you were right
00:52:51about my marriage
00:52:52and I was wrong
00:52:53to put this distance
00:52:54between us
00:52:56I'm sorry
00:52:56to do this to you
00:52:59but it has nothing
00:53:00to do with you
00:53:03Clayton
00:53:03you've hardly come
00:53:04to know one another
00:53:07but you deserve
00:53:08someone stronger
00:53:09than I am
00:53:11forgive me
00:53:12for bringing you
00:53:12into this
00:53:15Sasha
00:53:17I chose not to see
00:53:18what he was doing
00:53:20stealing
00:53:21from you
00:53:25maybe I've had a hand
00:53:26on what you've done
00:53:27to me
00:53:29but may you pay
00:53:30for what you've done
00:53:32I know I am
00:53:34I'm afraid to fall
00:53:35asleep at night
00:53:38terrified of the
00:53:39days in between
00:53:40unable to convince
00:53:41anyone of anything
00:53:42I believe
00:53:46myself
00:53:52which is what
00:53:53scares me most
00:54:01next door
00:54:03Anna
00:54:04might be in trouble
00:54:10maybe now
00:54:11someone who
00:54:12can make sense
00:54:12of it all
00:54:12will
00:54:14because I can't
00:54:25not while I'm
00:54:26locked in my own
00:54:27head like a house
00:54:27with no windows
00:54:33but any truth
00:54:34I look for
00:54:41I can't fight
00:55:04I'm sorry
00:55:09and
00:55:10good bye
00:55:13good bye
00:55:16good bye
00:55:29Oh, my God.
00:55:58Oh, my God.
00:56:26Oh, my God.
00:56:55Oh, my God.
00:57:04Oh, my God.
00:57:12Oh, my God.
00:57:13Oh, my God.
00:57:39Oh, my God.
00:57:45Oh, my God.
00:57:54Oh, my God.
00:58:07Oh, my God.
00:58:12Oh, my God.
00:58:43Oh, my God.
00:58:50Oh, my God.
00:59:10Oh, my God.
00:59:16Oh, my God.
00:59:21Oh, my God.
00:59:31Oh, my God.
01:00:10Oh, my God.
01:00:27Oh, my God.
01:01:07Oh, my God.
01:01:20Oh, my God.
01:01:50Oh, my God.
01:02:23Oh, my God.
01:02:45Oh, my God.
01:03:14Oh, my God.
01:03:42Oh, my God.
01:04:13Oh, my God.
01:04:34Oh, my God.
01:05:05Oh, my God.
01:05:42Oh, my God.
01:05:54Oh, my God.
01:06:23Oh, my God.
01:06:49Oh, my God.
01:06:52Oh, my God.
01:07:33Oh, my God.
01:07:52Oh, my God.
01:07:59Oh, my God.
01:08:27Oh, my God.
01:08:57Oh, my God.
01:09:06Oh, my God.
01:09:23Oh, my God.
01:09:33Oh, my God.
01:10:00Oh, my God.
01:10:28Oh, my God.
01:10:35Oh, my God.
01:10:58Oh, my God.
01:11:09Oh, my God.
01:11:13Oh, my God.
01:11:20Oh, my God.
01:12:13Oh, my God.
01:12:17Oh, my God.
01:12:45Oh, my God.
01:13:04Oh, my God.
01:13:35Oh, my God.
01:13:38Oh, my God.
01:13:50Oh, my God.
01:14:00Oh, my God.
01:14:12Oh, my God.
01:14:19Oh, my God.
01:14:29Oh, my God.
01:14:37Oh, my God.
01:15:12Oh, my God.
01:15:32Oh, my God.
01:16:02Oh, my God.
01:16:11Oh, my God.
01:16:41Oh, my God.
01:16:58Oh, my God.
01:17:05Oh, my God.
01:17:20Oh, my God.
01:17:48Oh, my God.
01:18:18Oh, my God.
01:18:34Oh, my God.
01:18:36Oh, my God.
01:19:09Oh, my God.
01:19:36Oh, my God.
01:19:40Oh, my God.
01:20:21Oh, my God.
01:20:26Oh, my God.
01:21:05Oh, my God.
01:21:28Oh, my God.
01:21:56Oh, my God.
01:22:08Oh, my God.
01:23:00Oh, my God.
01:23:03Oh, my God.
01:23:39Oh, my God.
01:23:42Oh, my God.
01:23:55Oh, my God.
01:24:25Oh, my God.
01:24:35Oh, my God.
01:25:05Oh, my God.
01:25:20Oh, my God.
01:26:03Oh, my God.
01:26:06Oh, my God.
01:26:25Oh, my God.
01:26:55Oh, my God.
01:27:25Oh, my God.
01:27:55Oh, my God.
01:28:25Oh, my God.
01:28:55Oh, my God.
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