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Young Sherlock S01E06 [Full Movie] [Recommended]Full EP - Full
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00:25Go upstairs, find my mother, take her to the gatehouse.
00:29Do not leave her side.
00:40Here, dry yourself off.
00:42You've had quite a shock.
00:45Sorry.
00:47It's for my own protection.
00:49Your protection?
00:49Exhuming your sister's body.
00:51Hardly rational, is it?
00:52No, no, no, no, no, don't.
00:54Don't try to make it out like I'm the dangerous one.
00:56I always feared this day would come.
00:57That I would find out.
00:58You would show signs of your mother's affliction.
01:00Is my sister still alive?
01:02Sherlock, for God's sake.
01:04It's not her in the grave.
01:05It's not her body.
01:06Of course it's her.
01:07No, it's not.
01:08Her arm was broken.
01:09That arm's not broken.
01:10You're misremembering.
01:12It was in a sling.
01:14It was in a sling.
01:15I remember that.
01:16Yes, yes, it was.
01:19Because she had sprained her arm, falling from a tree, trying to climb after you, trying
01:25to keep up after you.
01:28No wonder you've locked it from your memory.
01:30I understand how desperately you want to believe she's alive.
01:33I know about your failed businesses, and how your fortunes change when mother was sent
01:38away.
01:38Explain that.
01:39You know why my business went under?
01:41Because I was here looking after your mother.
01:43She wasn't well, Sherlock, long before Beatrice died.
01:46And after she went away, I buried myself in work, and so my fortunes improved.
01:49There is nothing sinister about it.
01:52Only two people saw the body.
01:54Only you and the groundskeeper.
01:56No, that is simply untrue.
01:57The doctor, he issued a death certificate.
01:59He saw her.
02:00I can't believe we're even having this conversation.
02:01A doctor who didn't even know what Beatrice looked like?
02:04Enough.
02:04I've been more than patient.
02:06Why would you bring a doctor all the way from Oxford?
02:08That was your mother's idea!
02:12She was an old friend of his.
02:14He was an old friend of hers.
02:16She wanted him to be here.
02:18She wanted him to be here.
02:24Listen to me.
02:27Sherlock.
02:29Listen.
02:30It was the worst day of our lives.
02:38Of course you find it confusing.
02:42Do you think that I'm capable of something so heinous?
02:49Imagination can be a curse.
02:51I'm sorry.
02:55You stay away from him!
02:57That's a lie about the doctor.
03:00It's a lie!
03:01How many others are there?
03:03Cordelia, my love, you don't remember.
03:05James told me what they found in that grave.
03:09Yes, Beatrice.
03:11Where is she?
03:12We all just need to calm down.
03:15Oh, do we?
03:21Get me!
03:31Get up!
03:37Hey, son.
03:40I'm looking forward.
03:42You're aiming backwards.
03:44Up to some shore.
03:47Have you had enough?
03:49Are you feeling rough?
03:51Thought you're strong, huh?
03:53Well, if you're strong.
04:00I'm feeling...
04:03I'm waiting...
04:05I'm waiting...
04:06I'm waiting...
04:07I'm waiting...
04:07For so long...
04:09For so bad...
04:11You took me, you took me over days...
04:15You took me, you took me over days...
04:18Days are forgotten now.
04:23And I hit so long ago...
04:27You took me, you took me up...
04:31How do you feel?
04:38uh that's uh most mysterious most mysterious um what is what what is what young man what
04:50is most mysterious well no sign of skin discoloration no lingering smell that you'd
04:57indicate poisoning no sign of a heart attack no blood vessels burst as you'd expect and no flesh
05:05wounds of any sort so the man has been murdered and you're telling me that we don't know how what
05:12i'm telling you is that the body is in excellent health yes apart from the rather unfortunate fact
05:18that he is dead hmm what is this that's the contents of his airways the sort of thing that
05:30you would expect in a drowning victim except he didn't drown i was there it's on dry land
05:38would you excuse us for a moment please sir yes certainly young man thank you so much
05:46do you know what he was working on because if you do now is the time it was um something
05:53for the
05:53government most secretive so he and professor mag they were working together is that right yes
05:59although he never shared any of the details with me you neither no ah are we getting anywhere
06:07not really lestrade no each question leads to more questions like fighting the hydra
06:17lestrade what do you have for me why i came for you sir
06:24oh i have been summoned
06:42who is she we don't know they would have got a buddy from the hospital or the poor house
06:58do you think she might still be alive i don't know but it is a possibility yes it is a
07:06possibility
07:07where are you going to find her
07:18and where is professor malik now i'm afraid i don't know sir and the chinese assassin whereabouts
07:24also unknown sir mr holmes your handling of this whole thing has been nothing short of a
07:28poor yes well perhaps if you gentlemen have been a little more forthcoming with me from the start
07:32i might have been better placed to protect sir bucephalus are you insinuating this is our fault
07:37i can say it more plainly if you prefer holmes i believe that hodge was killed owing to a secret
07:41government project based out of oxford the details of which you have refused to share with me
07:47but i suspect whatever he was working on was highly dangerous hodge died working for this government
07:56i need to know what you know
08:01how does a man show signs of drowning on dry land
08:06don't try to confuse us with riddles sir you were sent to oxford to assist sir bucephalus
08:12with the new science building now he's dead on your watch
08:17you're done here sir your career with her majesty's government is at an end
08:22sir if i may that will be all
08:31good day
08:33tell me everything that you've uncovered so far
08:36well we think it was the groundskeeper who actually took beatrice
08:40not nathan
08:41yes nathan father paid off his debts just after beatrice disappeared
08:45my darling he was always so kind
08:47well father was with us at the picnic the entire time so he would have needed an accomplice
08:51and the groundskeeper would have squirreled her off the estate so he would have needed to thank you take her
08:55as far away from here as possible without anyone noticing
08:57did he have a cart or a trap
08:59yes he had a cart for his deliverance
09:09and beatrice would never eat the rabbits
09:11she used to give them all names
09:12so there was lots left over and nathan would sell it once a week from his cart
09:16so nathan renders her unconscious and hides her in the cart
09:19underneath the sacks of pheasants and rabbits
09:22and then it's a standard delivery and he draws no attention to himself
09:26do you remember where he'd make these deliveries too
09:28no darling i have no idea
09:35the game book
09:37the estate game book
09:39everything that was shot and sold has been recorded in there
09:43nathan burford makes a delivery the day after beatrice supposedly dies
09:49isn't that a peculiar day to go about your business as usual
09:52abrasive pheasants
09:56four rabbits
10:00and a hare
10:04delivered to an address in highgate
10:07what's the best part of 60 miles from here
10:09where no one would know her
10:12i will get crow to saddle some horses and i promise to wire news as soon as i have it
10:17oh no
10:18i'm coming with you
10:21if beatrice is out there
10:23i'm going to find her
10:26with or without you
10:32that's you taunt
10:42go down for one of my feet
10:45go on you little tyrants
10:46go play over there
10:51who are you then?
10:52my croft holmes
10:53i was wondering if your good husband might be home
10:56my good husband
10:57i only have the one
11:01visitor
11:01thank you light of my life
11:03thank you
11:07excuse me
11:09a little early isn't it constable to be on the cider
11:12i'm drowning my ambition mr holmes
11:14scotland yard that's where i had my sights on
11:16but after everything that's gone down
11:18hodge dead
11:19she won't have fled i'll be lucky to keep my job in oxford
11:24constable it is a safe bet is it not to assume that professor malik killed sir pucephalus hodge
11:28it is
11:29well then is it also a safe bet to say that if we were to apprehend professor malik
11:34we could also rescue both of our careers
11:38i'm listening
11:39when we were at the police station in oxford you mentioned professor malik having a file
11:43what of it what was in it nothing just his name and his address in oxford which we've already
11:47searched but if he had no criminal record why bother to create a file for him in the first place
11:55answer there was something in that file before it's since been taken so where's the arrest report
12:01worth another gander don't you think i'll get my coat
12:20thank you hello
12:25can i help you oh yes we're looking for a young girl we have reason to believe that she was
12:32brought here
12:32about 12 years ago um this is her i'm afraid i've never seen her now i bid you good day
12:57i would ask you to stop pestering me her name is beatrice i i'm her mother my name's cordelia holmes
13:05until yesterday i believed that she was dead i now have reason to believe that she may have been brought
13:11here tell me anything you know anything at all i'm asking you i'm begging you please help me
13:22we didn't know her name so we called her hannah because she came to us as a blessing
13:29i couldn't have children of my own you see mrs holmes and we thought that she was an orphan
13:37and it was nathan berford who brought her here he said he was from the orphanage it's been a terrible
13:43accident a fire at the house so you're gonna stay with me sit here for a while hello little one
13:49we
13:49tried to give her a good life i'm sure you did i gave her all the love i had gave
13:56you said gave she's not
14:00here is she she's gone yes she left us when she was 14 we woke up one morning she'd written
14:11a note
14:11thanking us and saying that she didn't want us looking for her and you have no idea where she went
14:18no mrs tilcott could i see her room
14:38what was she like
14:42bright determined stubborn
14:54did she call you mother i'm so sorry no no please please don't apologize i can see that this
15:01was a a happy and loving home
15:07she loved nature we'd get her those on her birthday a different one every year you would buy her this
15:16no need to lie to us now mrs tilcott no mrs tilcott just anything you can tell us that might
15:21help us to
15:22find her they were sent
15:28where did they come from sent from who i never learned his name never met him he was her benefactor
15:35that that was all i knew there was never any return address on the parcels none do forgive me
15:44that was all i knew there was never met him he was never met him he was never met him
15:50steel pin
15:52lacquered preventing rust from the moisture inside the thorax specialist equipment
16:00only one place in london makes these
16:09annual commission beatrice was sent to butterfly every year on her birthday
16:13and paid front by silas no name but they gave me an address bedford roe holborn please sam
16:20darling apologies
16:22manners surely
16:29constable lestrade mycroft hopes leave the door open
16:38kish or malik
16:42as i said
16:43as i said it's empty
16:45someone trying to protect him you think
16:51look at this the ink was wet when the document was put into the file but i can't read it
16:56it's
16:56it's backwards never leave home without a dressing mirror constable like so
17:04two names two addresses first is undoubtedly malik's second is harder to read
17:11it looks like alvie gordon shelbourne hotel bayswater london
17:30but i suppose she'll know who i am she won't remember me after all this time and she's been
17:37raised by another woman so now now mrs holmes you'll never forget your mother i certainly won't
17:43forget mine james what happened to your mother well she's long past
17:48she had the consumption i was only a little lad at the time oh you poor thing i'm so sorry
17:53but
17:54there's not a day that goes by that i don't think of her and i promise you it'll be the
17:58same for
17:59your beatrice you are such a kind man well you bring out the best in me and you have such
18:04a beautiful
18:23smile
18:24will you kindly stop it
18:27i wasn't referring to the whistling james kindly stop what flirting with my mother i'm doing no such
18:33i know you you can't help yourself what i cannot help sherlock is if people find my charm irresistible
18:43you can't deny your mother's a very beautiful woman
18:48and i certainly wouldn't kick her out of bed for eating biscuits
18:50i am serious james cease and desist
19:01please
19:20This is the address for Albie Gordon, Esquire.
19:23If your cute little mirror trick is correct.
19:26Good afternoon.
19:28We're looking for an Albie Gordon.
19:30Yes, of course.
19:31I'm Mr. Gordon.
19:32Perfect.
19:34We're looking for Professor Malik.
19:36Kiss your Malik.
19:37I'm sorry, I don't know anyone by that name.
19:39Strange that, sir.
19:41Seeing as this address was listed on his arrest report.
19:48Perhaps this is best discussed in my office.
19:54Now.
19:56What's all this about?
20:01I couldn't possibly trouble you for a glass of water, could I?
20:07Wait here.
20:08Thank you so much.
20:18A receipt from Hatchard's bookshop for a Moody's Guide, latest edition.
20:24I said ask, what do you think you're doing?
20:26As I said, sir, we're trying to find Professor Malik.
20:28And as I said, I don't know him.
20:31Have you recently purchased a travel guide, sir?
20:34Huh?
20:34I thought I might take a holiday.
20:36This receipt mentions that you paid to have it gift-wrapped.
20:39Traveling with someone, are we?
20:41What exactly is your relationship with the Professor?
20:48We have the arrest report, Mr. Gordon.
20:50Someone tried to suppress it, but recently it came into our possession.
20:54Now, as far as I'm concerned, how a man chooses to live his life is his own affair.
20:59But many in my profession may hold a different view entirely.
21:03Fortunately for you, I'm able to ensure the arrest report remains hidden.
21:07As I'm sure you would prefer.
21:10Yes.
21:13Very much so.
21:14So tell me, where is Professor Malik?
21:22Paris.
21:23Well, well, well, Constable Lestrade.
21:26Bluff and blackmail all in the same breath.
21:29We'll go fast, Scotland Yard, I'm quite sure.
21:32I won't be able to come with you to Paris.
21:34Well, that is a shame.
21:36Have to get back to work.
21:37Can't leave Mrs. Lestrade with her hands full.
21:39Not to mention the goats.
21:42Fine, Malik.
21:43Yes, if I do.
21:45When you do.
21:45I will be sure to let your superiors know quite how invaluable you were.
21:51Thank you, Mr. Holmes.
21:53Please, call me Mycroft.
22:02Please, call me Mycroft.
22:07Pleaseu.
22:13She has been beer, Maik.
22:14Hello.儹åŗę„äŗå?
22:16Very nice.
22:18It's the only one we found out Malik's
22:20is the only one we found out.
22:33Red Street.
22:35Yes.
22:38Have you found out the phone?
22:39Red Street.
22:40Cheap side.
22:42Cheap side.
22:43Please.
22:53Oh, you're right.
23:21Oh, you're right.
24:09Oh, you're right.
24:15Oh, you're right.
24:30Oh, you're right.
25:00Oh, you're right.
25:33Oh, you're right.
25:39Oh, you're right.
26:07Oh, you're right.
26:23Oh, you're right.
26:39This is the address that paid for Beatrice's butterflies.
26:42It is.
26:44And appears to be closed.
26:46Oh, you're right.
26:55Come back in the morning.
26:56Come back in the morning, which is right and proper.
26:57And what if we're not being right and proper?
26:59Do you have a hairpin, mother?
27:29Careful now.
27:30Live life on the way, live life on the edge.
27:37We'll make a thief over you yet, Mrs. Orbs.
27:55What is this place, let's light her up and find out.
28:04Good night.
28:06Good night.
28:16Some sort of text, let's look at her, let's look at her.
28:17Some sort of textile company.
28:18Some sort of textile company.
28:18Sherlock, look.
28:20This is Beatrice.
28:21I mean, she's older.
28:23I mean, she's older, she's older, but about 14.
28:25That's definitely her.
28:26I knew it.
28:27I could feel that she is still alive.
28:36Father's name.
28:37That's definitely his signature.
28:47Importing textiles?
28:48I don't understand.
28:49Why would he hide that from us?
28:51We should hurry.
28:52James.
28:53Yes?
28:53Yes.
28:53Silas's travel itinerary.
28:56He's a busy man.
28:57Brussels, Bordeaux, London to Monaco, Amsterdam to Madrid.
29:01There's a name here.
29:03Therese.
29:04Perhaps a female travel companion.
29:06Well, whoever Therese is, is with her this weekend.
29:11Wow.
29:11Yes.
29:12So where is Therese?
29:13All of those journeys were made by train.
29:15What are you doing?
29:16Linear interpolation.
29:17Brussels to Bordeaux.
29:20London.
29:21Monaco.
29:22To Monaco.
29:23Amsterdam.
29:24Madrid.
29:25All of those journeys intersect the same place.
29:29Paris.
29:30Oh.
29:31I saw something.
29:32Look.
29:34A guidebook to Paris.
29:36Right.
29:37Well.
29:38Therese is not a woman.
29:40Therese is the name of a hotel in Paris, in Rue Saint Anne.
29:44Gosh, I'm not that clever.
29:49Right.
29:49Time to skedaddle.
29:51Well done, Mother.
29:52When you're ready.
29:53Mrs. Holmes.
29:53Yes.
29:53No.
29:54After you.
29:54This way.
29:58Not that way.
30:00This door.
30:01Yes, sir.
30:01Come on.
30:13Good catch-off.
30:14Oh.
30:15Goodness.
30:17Doesn't that hurt?
30:18Well, I never think to stop and ask them.
30:20They're not policemen.
30:21Police don't wear brown boots.
30:22Well, who are they then?
30:24Well, we could ask them.
30:25Or.
30:25Come on.
30:26We could run.
30:26Come on.
30:27Come on.
30:28Go.
30:28Run.
30:29Stop.
30:30Oh, yes.
30:31Oh, yes.
30:32I'm running.
30:38Shut up.
30:39Where are we going?
30:42Not sure.
30:43Yet.
30:46What are we doing?
30:48Thinking.
30:48Come on.
30:53Stay away, mother.
31:03I'm running.
31:05Step aside, mother.
31:26This world of yours, Sherlock, it is rather fun, isn't it?
31:32Yes, I suppose it is.
31:38Right, well.
31:41Surprise?
31:43Oh, my God.
32:07Now, they are in the midst of a revolution.
32:09What a case.
32:10How many revolutions does a country need?
32:12Some parts of the city remain relatively unscathed,
32:15but we will have to navigate one or two barricades to get to where we need to go.
32:19Oh, you are too focused on the obstacles, my friend.
32:37Merci.
32:45This way, this way.
32:46Get down.
32:58Through here.
33:10Oh, no.
33:12English?
33:13Yes, yes, we're English.
33:14We do not like the English.
33:16How do you feel about the Irish?
33:18We like the Irish.
33:20Oh, what a chance for me.
33:22I'm a islander.
33:23Vive la revolution.
33:24So what do you propose?
33:26I don't shoot you, but I do shoot them.
33:29No, we'd quite like if you didn't shoot any of us, if it's all the same to you.
33:33We're just looking for my husband.
33:35He's on your side.
33:36He would lay down his life for the revolution.
33:40Ben, get over it.
33:43Merci.
33:46Merci.
33:49EnchantƩ, madame.
33:52Gaines?
33:58Here she is.
33:59Hotel Therese.
34:01Right.
34:01Let's find a spot and watch the place.
34:03Wait for him to show.
34:04There's no time to wait.
34:05We have to find B.
34:12Ah, bonsoir, monsieur.
34:14Madame.
34:14Je viens rejoindre mon mari, monsieur Silas Holmes.
34:18DƩsolƩe, madame.
34:19Monsieur Holmes n'est pas ici en ce moment.
34:21Pourriez-vous avoir l'obligence de me dire oĆ¹ je pourrais le trouver?
34:26Un homme Ć doigt dans son jardin secret, madame.
34:29Monsieur, je suis fatiguƩe.
34:32Je suis affamƩe.
34:34Et je viens de m'Ć©chapper d'un asile.
34:37Mais croyez-moi, il n'est pas dans votre intĆ©rĆŖt que je cause un esclandre dans votre hĆ“tel si Ć©lĆ©gant.
34:45Elle est assez fatale avec on vous dit.
34:48Nous cherchons Silas Holmes.
34:51Parti Ć une quinzaine de minutes.
34:54Vous partez qui?
34:55Aucune idƩe.
34:57Il n'a pas pris de quel Ć¢ge?
34:58Alors, il ne peut pas aller bien loin.
35:02Quelle direction?
35:08Quelle direction?
35:10SĆ©bastopol.
35:11Uno.
35:13D'accord.
35:14Qui portait-il?
35:15Ce qui portait.
35:17Pou de forme.
35:18Cap.
35:19L'opƩra?
35:20Mauvaise direction.
35:21Donc, qui est-il dans cette direction Ć pied pour qu'on en se mette sur son trotĆ©on?
35:33Chuchotez-le.
35:34Les folies bergĆØres.
36:04Sous-titrage SociƩtƩ Radio-Canada
36:32Mon Dieu, le visage d'un ange.
36:35Je suis au paradis.
36:50Les choses que vous pouvez me enseigner.
36:52Qu'est-ce que vous voulez.
36:53Pour une affaire.
36:54Une affaire qu'il ne peut pas s'arrĆŖter.
36:55Maintenant, si vous ne vous plaƮt, je voudrais trouver Silas.
36:58Mycroft.
36:59Silas?
37:00Non.
37:01Mycroft.
37:04Mother.
37:06What is Mycroft doing here?
37:13Sherlock.
37:15Mon cher frĆØre.
37:15You brought Mother to Paris.
37:17Have you finally lost your marbles, brother dear?
37:19It wasn't his decision, darling.
37:22I'm fed up of people making decisions on my behalf.
37:25I must say, it does seem to be rather agreeing with you.
37:28Yes, I do find this life of adventure rather suits me.
37:32I just wish I'd discovered it before, darling.
37:36I'm sorry, I'm just not used to...
37:38Seeing me like this, I know.
37:39Neither am I.
37:40I'm finding it so liberating.
37:46Finished?
37:47Yes.
37:48What are you doing here?
37:49Ah.
37:51Following him.
37:54Malik.
37:56More to the point, what are you all doing here?
37:59We've been following him.
38:05Father.
38:06What's he doing here?
38:08It appears those two gulls know each other.
38:12Curious, sir.
38:13I'm curious, sir.
38:14Would anybody care to enlighten me as to what the hell is going on?
38:20We think Beatrice might still be alive.
38:23I'm sorry, what did you say?
38:24We think Beatrice might still be alive.
38:26Yes, I heard you, Sherlock, but what did you say?
38:28Darling, I know that Bea is alive.
38:32And Silas knows where she is.
38:34Darling, he's on the move.
38:36No time to explain.
38:38Sherlock.
39:14There's a guard.
39:17Mycroft.
39:18Yes.
39:22Oh, madame.
39:23Est-ce que vous allez bien, madame?
39:25J'ai ƩtƩ prise de vertige, monsieur.
39:29Je vous en prie.
39:30C'est moi, vous aider, mon homme.
39:32Je vous remercie.
39:43C'est moi, j'ai ƩtƩ dƩlicat.
39:48Selonā
39:57This one looks rather young.
40:29This is life, but act your mind. This will be worth your while.
40:36A moment of silence. A moment of silence, please.
40:43I trust you enjoyed the festivities upstairs, to which we shall return.
40:47But for now, we must get down to business.
40:51Gentlemen, I know you stand here today with the same question on your minds.
40:55How do you take back control of your city?
40:57How do you take back control of your country?
41:00Impossible, some might say.
41:02As a famous man once said, impossible is a word only found in the dictionary of fools.
41:12What I am offering you here today, gentlemen, what Professor Malik here has developed, will change the face of modern
41:24warfare.
41:32Odorless, colorless, silent, deadly.
41:38This nerve agent is unlike anything the modern world has seen before.
42:02Killing butterflies is hardly our mission, sir.
42:05Indeed, General, quite so.
42:09Bring out the deplorable.
42:21You see, what I have here, in the right concentrations, will work on a barricade, a neighborhood, or even an
42:28entire city.
42:29You no longer need armies to defeat your enemies, General.
42:33You simply need me.
42:34Or, more precisely, you need what I'm selling.
42:38For those of you who wish to place an order, it's only fitting that we should meet at the famous
42:43two corners,
42:44where you can contact Mr. Esad Kashkali.
42:53You can't get me.
42:56No, no, no!
42:57No, No, No!
43:01No, No, No!
43:04No!
43:04No, No!
43:05Where the hell?
43:05No!
43:10No!
43:11No!
43:11No, No!
43:12No!
43:13No!
43:14No!
43:15No!
43:16No!
43:17No!
43:19Come on.
43:48Here we go.
43:54Let's go!
44:07Father!
44:09Father!
44:10Sherlock?
44:15Go!
44:42Remember me when you're the one who's silver screened?
44:46Remember me when you're the one you've always dreamed
44:52Remember me whenever noses start to bleed
44:57Remember me, special needs
45:02Just 19, it suffers dreams
45:06I guess I thought you had the flavor
45:14Just 19, a dream of seeing
45:17Six months off the bad behavior
45:25Remember me when you clinch your movie deal
45:30Think of me stuck in my chair at the past four wheels
45:35Remember me through flash photography and screams
45:41Remember me, special dreams
45:46Remember me
46:13Before me
46:15When you slam
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