- 8 hours ago
Young Sherlock S01E07 [Full Movie] [Full Episodes]Full EP - Full
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00:01Hey son, I'm looking forward, you're aiming backwards, up to some shore, have you had enough, are you feeling rough,
00:15but you're still hard, well if you're wrong.
00:23I'm waiting, like you now, I'm waiting, for so long, for so bad, to take me, to take me over
00:38the days, as I've forgotten, now it's a long way.
01:05It's not your fault Sherlock, it's not your fault.
01:20You're out!
01:35Shluck!
01:39One's for sorrow, two's for joy, and three's for a girl, and four's for a boy,
01:55five's for silver, six's for gold.
02:04No, no, no, no, don't go, please, I'm the sheriff, I'm the sheriff, I'm the sheriff.
02:10That's right, that's right, that's right, that's right, that's right, shut up, shut up, shut up.
02:24You're all right, I got you, come here, now I'm getting shot, that was a terribly stupid thing to do.
02:32Here, let's get you up. No, no, no, Shuan, she's trying to shoot my father, and we have to stop
02:38her.
02:38I'm not leaving you, don't you? Shut up!
02:41Oh, he's bleeding, I think that has something to do with the bullet in his abdomen.
02:45Yes, I'm sorry to be a burden, you brother, dear. No burden, brother, dear.
02:48Come on, let's get him off, take him away, Matrix.
02:50If she gets to my father, we may never find Beatrice.
02:53Go, you have him. Go, James, go!
02:56Now, if you listen to me, we are going to get this fixed up.
02:59Are you crying? No.
03:02Why not? One, two, three, up!
03:09Shut up!
03:10He's been shot.
03:11Oh, my poor boy! We have to find a hospital.
03:15A dash of opium would be greatly appreciated.
03:26This way.
03:28Why? How do you know?
03:29There's only one hospital still open. Sadly, it's where the gunfire's coming from.
03:43All right, put him down.
03:45Take him, take him, take him.
04:04Hurry!
04:05Hey, hey!
04:06What are you doing?
04:07Give me that. I'm stopping you from shooting that man.
04:10Why? Because that sure looks quieter!
04:14That's his father!
04:15I didn't know.
04:16Easy, easy!
04:20Oh, I'll be taking that.
04:23Thank you kindly.
04:28Up we go. Over the top.
04:33Right in the back.
04:34Where are we going?
04:35I'm afraid we're gonna have to go the long way round, brother.
04:38All aboard.
04:39Off we go.
04:41You may be my way, James.
04:43But I have no wish to see you dead.
04:45Am I the fair for one, huh?
04:47Because you shot Sherlock.
04:49Not intentional.
04:50Oh, right. It wasn't intentional. I suppose that makes it okay, then.
04:53I'll be sure to tell him.
04:55How is he?
04:57He's alive.
04:59You'll be glad to hear.
05:01His brother's looking after him.
05:04Is Sherlock looking for his father?
05:05Yes.
05:07Where are you going?
05:08To find Sherlock.
05:09He's looking for Silas, I'm looking for Silas.
05:12And Sherlock has a rather stubborn habit of finding people.
05:14There's only one hospital still open in Paris.
05:17That's where Mycroft will take him.
05:20Come in.
05:21Hey, let me go!
05:22Let me go!
05:40Let me go!
05:50You had no choice.
05:52There'll be more of them.
05:54We need to go.
06:01James!
06:02We need to go!
06:30Come on!
06:33You got here!
06:41Come on.
06:55Oh come on, who's going to make my life impossible to get around here?
07:12You have to, you have to cut you immediately, by pity.
07:17Monsieur, please.
07:18Quickly, quickly.
07:19Monsieur, here, here.
07:20Let me see.
07:23The nurse, prepare for a surgical operation.
07:28Come on, let's go now, please.
07:29You can't stay here.
07:31Let me do my work.
07:34Thank you, monsieur.
07:40He's, he's stubborn as a mule.
07:42Yes, he is.
07:43He will be up and drowning us both mad in no time.
07:45You watch.
08:10I suppose no news is good news.
08:12Absolutely.
08:28How do you go?
08:31Well, I've done my best, but I'm going to get back now.
08:35Thank you for all, monsieur.
08:37Thank you, monsieur.
08:40Daddy.
09:16Come on, Cheryl.
09:18Fight!
09:22Mother.
09:36Mother.
09:40Oh, my darling boy.
09:42Sherlock.
09:45Oh, there he is.
09:46He's lost you.
09:47Little brother, luckiest Englishman alive.
09:49Little brother, luckiest Englishman alive.
09:51Can I give you some water?
09:52Yes, yes.
09:55Ah!
09:56He's too stubborn to die.
09:58James, where on earth have you been?
10:01Are you all right?
10:03Are you all right?
10:09I'm fine.
10:11James.
10:12I'm fine.
10:14I'm fine.
10:16They're still lazing about, I see.
10:19Up you get.
10:20What?
10:20There's work to be done.
10:22Oh, I'm only messing, Mrs. Holmes.
10:26It's good to see you.
10:30Did you stop her?
10:34I did.
10:38And I brought her here.
10:40Now, don't piss your bedpan.
10:42She's unarmed.
10:48Hello, Sherlock.
10:50What on earth are you doing here?
10:52I need to speak with you.
10:53I need to speak with you.
10:54An inch to the left, my brother would be dead.
10:55I wasn't aiming at him.
10:57I was aiming at your father.
10:59Ah!
10:59Well, that is understandable.
11:01I've tried to shoot him twice myself and missed both times.
11:04James.
11:05James?
11:06Why is she here?
11:08Because I think you need to hear what she has to say.
11:14Oh, my name is Xiaowei.
11:17I come from the village of Tai'an and Gansu.
11:21High in the hills.
11:26This is the effect of what the scientists in Oxford were working on.
11:31What you saw in that tunnel.
11:33They first tested on my village.
11:38On my parents.
11:42There's a mineral deep beneath my people's lands.
11:45Professor Malik found a way to transform that mineral into a creeping death.
11:50And turn it into a weapon.
11:52The program was paid for by your government and run by Becephalus Hodge.
11:57But Professor Malik betrayed him.
11:59Sold it to the highest bidder.
12:02A private buyer.
12:04My father.
12:07Yes.
12:13I'm so profoundly sorry.
12:17It's not your pity I need, but your help.
12:20To ensure this can never happen again to anyone.
12:23Anywhere.
12:24You want to stop our father.
12:26And you want to find him.
12:28Yes.
12:29I propose we combine our talents.
12:31Double our chances of tracking him down.
12:34Yes.
12:34Yes.
12:35But on one condition.
12:38We have to find out where Beatrice is from Silas.
12:41So you cannot touch him until we have that information.
12:45And after that?
12:46Well, after that you can do whatever you like to him.
12:48And provided my sons don't have any objection, of course.
12:52Given the circumstances, I do not intend to stand in your way.
12:55I find it difficult to condemn him to death so readily.
13:01But if that's what it takes to find Beatrice.
13:04That's what it takes.
13:06He's still in Paris.
13:08Or at least the man who works for him is.
13:10His name is Esad Kashkali.
13:14At the demonstration, the boys were told to follow the usual channels at the two corners.
13:19For those of you who wish to place an order, it's only fitting that we should meet at the famous
13:23two corners.
13:24Two corners.
13:28An intersection.
13:29Doesn't exactly narrow it down, Sherlock.
13:41Matchboxes.
13:43What do you mean, darling?
13:44On the table where Father was set, they were matchboxes.
13:49With a design on the front of two corners.
13:54Was there an address in it?
13:59I wasn't close enough to get a good look.
14:02I can't be sure.
14:04Well, this is as good a place as I need to start.
14:08I'll get going.
14:11I'll go with him.
14:14Well, I'd be delighted to have your company.
14:22Salud, salud.
14:23You could make you very rich.
14:28You could make you very rich.
14:29Yes, my pocket.
14:40It's no dress.
14:42Excuse me.
14:45Have you found this one?
14:48No.
14:49Sorry, my pocket.
14:51It's impossible.
14:52Impossible is a word.
14:54Only found in the dictionary of fools.
14:58That's what Silas said.
15:01Why that quote maybe means something?
15:04Originally, who said it?
15:07Napoleon Bonaparte.
15:10Napoleon.
15:11Napoleon.
15:21Napoleon's hat.
15:24Famous bicorn.
15:25It has two corners.
15:27Leglet l'olive.
15:28What?
15:29The eagle and the olive on the outskirts of Paris.
15:32It's a restaurant where Napoleon supposedly left his hat behind him.
15:35It's only fitting that we should meet at the famous two corners where you can contact Mr. Escalcashca.
15:43Tu es genial.
15:44You have no idea.
15:49I fear that I may have unwittingly set this all in motion.
15:53Why do you say that?
15:54About a year ago, father asked me what I was working on.
15:58Yes.
15:59Now, I told him that I was working for Hodge, but if memory serves, his ears did prick up.
16:04I didn't know any details at the time, but I told him that I was working for the government.
16:08It was secret.
16:10He obviously set about making his own inquiries.
16:13The only person who can be blamed for what has happened is your father.
16:18Oh, let's let Mycroft torture himself, mother.
16:22At least for a while.
16:27Righto.
16:29Where are you going?
16:30I need to get a message to London, warn them that father has the weapon.
16:35Another nail in the coffin of what remains of my career.
16:40Try not to die in my absence, would you?
16:43Hmm. Reasonable request, mother.
16:46Thank you, darling.
16:50Hmm.
16:50No sign of his head.
17:01You can ask me, you know.
17:03What you've been wanting to ask since you shot that soldier.
17:09You're not nearly as mysterious as you assume.
17:13Hmm.
17:18When you killed for the first time,
17:23how did you feel?
17:25a great weight on my chest, pressing harder every day so I can hardly breathe.
17:32And now I live with it.
17:38Strange.
17:41I don't feel any of that.
17:45I don't feel any of that.
18:01Sorry.
18:10I said Kashkali has a regular table at a brasserie called The Eagle and the Olive.
18:16Where he meets his potential customers.
18:18And tomorrow he is meeting a man called the Duke d'Aumont.
18:21But there's still no sign of silence.
18:23No, I'm afraid not.
18:25Mrs. Holmes.
18:26So we will need to lure him out of the shadows.
18:29But how, darling?
18:32By posing as customers.
18:34Hmm.
18:37Please don't mind your stitches.
18:39I am all right.
18:45This is what we are going to do.
18:51Bonjour.
19:06Sorry, madame.
19:07It's occupied.
19:08I'm expecting so.
19:10Yes.
19:11Oui.
19:12Madame Dormand.
19:13Mother will explain the Duke never attends meetings.
19:16That's his wife's duty.
19:17Enchantée.
19:18What if he recognizes you?
19:20With them we're thunk.
19:25Meanwhile, the actual buyer will be redirected by the Eagle and Olive's newest waiter to me.
19:33Excusez-moi, monsieur.
19:34Le Duke Dormand.
19:36Cecil Fillimont.
19:37Cecil Fillimont.
19:37I'll give him the sales pitch.
19:39Then, the Duke will duly hand over his money, which James will deliver to my mother, allowing us to finance
19:45stage two of the operation.
19:54What is stage two of the operation?
19:57I'm so glad you asked.
19:59I have something for you.
20:01You will ask to meet the bigwig himself.
20:04Excuse me, madame.
20:08Unable to resist so intriguing an offer, Silas will then agree to meet with them a day.
20:14I'll give you a little bit of a minute to finish.
20:16I don't know.
20:16Something like talking about my generation.
20:23Keep moving.
20:24Well, it's a little bit like that.
20:27I'll take my breath in.
20:28Bonjour.
20:30And voila.
20:30You know, tell us where Beatrice is.
20:33Yeah.
20:34That's it.
20:35What could possibly go wrong?
20:38The key to being successful confidence men.
20:40And women.
20:42The key to being successful confidence men and women is confidence.
20:50I'll love the eye patch.
20:55Enchanté.
21:00Oh, God.
21:02Oui, bien, monsieur.
21:05Excusez-moi, monsieur, le Duc d'Aumont.
21:10Cecil Fillemont.
21:17So, where is Mr. Casgalli?
21:19I do hope you understand, Duke.
21:21The unexpected events of our demonstration have forced us to change our plans.
21:27My instructions were to hand the money only to Mr. Casgalli himself.
21:32I don't deal with the monkey, only with the grinder of the organ.
21:36Speaking as a monkey, I concur. More common sense is what is needed in this topsy-turvy world of ours.
21:43But, if that is your instinct, you will have to come back another day, understood?
21:48Understood? Then I shall take your advice.
21:53It would be remiss of me not to inform you that the incident in the tunnels has only, in fact,
21:59proven the potency of our product.
22:02We're selling out fast.
22:06If you delay, you would risk missing out altogether.
22:15Have a good day, sir.
22:23I'm going to take your advice.
22:25I'm going to take your advice.
22:25Are you going to take your advice?
22:27Go to your boss.
22:28Go to your boss.
22:30Look at this.
22:31It's a joke.
22:32It's a joke.
22:33It's a joke.
22:34It's a joke.
22:36I told you I'm going to take it.
23:07And in return, I furnish you with a finder's fee.
23:14Voilà.
23:19You carry your money in a plant pot.
23:27Mr. Holmes is in the back.
23:31Perhaps Mr. Holmes could come here?
23:33You would be able to talk to him more freely and private.
23:41If you wish to meet him, there it is.
23:55It's in here.
24:02I do not see Monsieur Silas Holmes.
24:07If you please.
24:11Monsieur.
24:20So, we both know you're not the Duke's wife.
24:25Who are you really, madame?
24:29Do you doubt my monies?
24:33Pardon?
24:34Do you doubt the value of my money?
24:36Do you believe it's real?
24:38It looks real.
24:41You are correct.
24:42I am not madame Dormand.
24:44And I do apologize for the deception.
24:47But now that I have your attention, I should like to inform you that I am working on behalf
24:53of a very prominent British investor who wishes to make a significant purchase from Mr. Silas Holmes.
25:01And if you play your part in arranging this, I can assure you that the money in that pot
25:08is merely the tip of the iceberg, purely for your own pockets, you understand.
25:15So, as I see it, you have two options.
25:20You can either continue to insult me and let this golden opportunity slip through your fingers,
25:26or you can simply introduce me to Mr. Silas Holmes.
25:33This is taking too long.
25:49Come back here, tomorrow, at the same time, and I will have an answer for you, madame.
25:54Thank you, sir.
25:56I am much obliged.
26:19He's sending a telegram to Silas.
26:24I am.
26:44I'll go ahead.
26:45Of course I'm distracted.
26:46No, no, no.
26:46No distraction.
26:47How about this time we don't do one of your clever little scams, or pickpocket dances.
26:54Just let me try something.
27:01Bonjour, monsieur.
27:02Bonjour, monsieur.
27:02C'est bon.
27:03Cet homme-ci était dit il y a quelques-uns sont.
27:08Je veux voir ce qu'il a envoyé.
27:11Euh, monsieur.
27:13Hmm.
27:17Pour votre peintre.
27:21Pour vous, pour pas vrai que le rex sera trop bon.
27:26Bien sûr.
27:27Non?
27:34Enversons.
27:39Qu'est-ce que c'est?
27:40Le...
27:45Mrs. Holmes.
27:47Your husband's in Constantinople.
27:53Pardon me.
27:59I need to see the ambassador.
28:01Mycroft Holmes.
28:04the point is ambassador i now know who sabotaged our government's secret weapons program and
28:09indeed i know who stole the weapon yes yes well go on regretfully sir
28:19it was my father silas holmes
28:24you certain of this i'm afraid so sir and it appears the government's interests are now
28:30aligned with my own we must find my father and bring him to justice yes well quite quite quite
28:40i shall wire the foreign secretary immediately yes sir please wait here will do
29:16apologies for the weight not at all sir i have a reply from the foreign secretary informs me that
29:23you are in disgrace and in fact no longer work for her majesty's guard yes well it's a little more
29:28nuanced than that there is however a path to redemption if you are prepared to walk it now listen carefully
29:46train leaves in an hour
29:58it's not your injury that makes you weak it's your insistence that your body is unchanged
30:04my body has changed it's changed because you shot me in the stomach the details are irrelevant
30:14not to me
30:18you think strength is something physical it's body mass and muscle
30:26and reach
30:29all of which you have over me and yet i've bested you in every encounter
30:34why
30:37because real strength comes from here
30:42and here
30:50james
30:50james mother you found him
30:54i did
30:56well he found his own attire
31:01mother were you met with success
31:04i was
31:05the british government has offered her full support in helping to bring fathers to justice
31:09this
31:11excellent
31:13so this is what it's come to
31:15it would certainly seem that way wonderful right then constantinople
31:36where are we going exactly to meet friends of mine
31:46this is amine she has agreed to help us welcome to my city
32:01her
32:03show her the photo
32:14have you seen this man no
32:35that small child is going to find our father is he
32:37the lowly status of the street urchin is what makes them the most useful of allies
32:42they can go anywhere they are invisible
32:46they're irregulars
33:14so they are looking for you
33:26after when to shake your head during work
33:31back to the dm
34:00they have found your father he knows you're here with me how it seems our street telegraph works
34:09both ways he wants to see you alone well darling I have to come with you he was quite specific
34:18if you
34:20want to see your sister you come alone very well Sherlock good luck
34:51do you know why magic is so beguiling Sherlock no when something seems to defy rational explanation
35:08wonder the impossible made possible
35:24is she still alive please sit I'd rather not
35:30what you did back in England solving all this finding me here so clever I'm proud of you my son
35:38not natural for a father to leave his boy for dead now is it
35:42Sherlock what are you talking about in the tunnel I was shot
35:47you ran
35:49I ran because that crazy woman was trying to kill me
35:53I was the one under attack remember you really think I'd want any harm to come to you
36:05harm
36:08you've done nothing but harm
36:11look at me you broke my heart you broke my mother's heart and only God knows what you've
36:18done with my sister so I ask you politely please tell me is my sister still alive
36:31Beatrice is fine I made sure she was looked after
36:40where is she
36:43I still love you you know I'm still the man who raised you
36:47you're a monster
36:48oh Sherlock don't be so simple were all of us capable of good and evil even if it helps to
36:57call it
36:57that you included whether you realize it or not tea
37:01no I acted in my best interest of course I did but I also acted in yours
37:13You think you would have become the man you have had you not been tested in the fire?
37:16I can't listen to this.
37:17And yet you can't leave, can you?
37:20I can't leave because you won't tell me where my sister is.
37:24Where is she?
37:27She's here.
37:29In Constantinople, with me.
37:32You can see her tomorrow if you like, but...
37:38I request something in return.
37:42So that's his price?
37:45That's his price.
37:48She wants me dead, and if she kills me, well, then you'll never find Beatrice.
37:53Our futures are intertwined.
37:57Bring Shewan tomorrow, the square, same time, and I'll give you your sister.
38:03Well, then, the choice is not choice at all.
38:06You really find it that easy?
38:08Condemning someone to death?
38:09You owe Shewan nothing.
38:11No, I don't find it easy, but if it was my sister, then I wouldn't have the slightest breath of
38:15hesitation.
38:16I don't think you should either.
38:19Am I interrupting?
38:20Not at all.
38:23No cracks a noble heart.
38:25Good night, sweet prince.
38:29And flights of angels sing thee to thy rest.
38:42I'm pleased for you, that your journey ends well, that you'll see your sister.
38:53Afterwards, your father is mine to do with, as I see fit.
38:57I realize this is hard for you, but we had an agreement.
39:01I want what's mine.
39:02And you shall have it.
39:04You have my word.
39:11The porter and the princess.
39:21Scout.
39:24Never made it to the illustrious position of porter.
39:26And I was never a princess.
39:28Only shall we.
39:42How do you feel?
39:43How am I supposed to feel?
39:44How do you want to feel?
39:45However I'm supposed to.
39:50You are a work in progress, Sherlock.
39:56Sherlock.
40:24I think it's just me and mother from here.
40:40Is that?
40:41There he is.
40:45She's not with him.
40:47Let me talk to him.
40:48I don't trust him.
40:49I'll be fine, mother.
40:50You wait with my coffee.
41:08Silas?
41:10Don't you call me father.
41:14I can't see my sister.
41:17Do you know this city was built to rival the majesty of Rome.
41:22It had the most sophisticated defense fortifications.
41:26In antiquity.
41:27It has survived foreign empires, brutal wars, disease, just about anything human history could throw at it.
41:41This city has endured.
41:45A lovely lecture.
41:47Is it finished?
41:50She doesn't exactly look ready to surrender, Shirley.
41:54She is.
41:56She just doesn't know it yet.
41:59She's like a father.
42:00What are they talking about?
42:05You, I expect her.
42:09Now, as you can see, I'm ready to deliver.
42:16So, where's my sister?
42:18Let's go, let's go, let's go.
42:50Let's go, let's go, let's go.
42:53My dad.
42:56Your move, my boy.
42:58I've missed you.
43:03Silas, son.
43:07You know what trouble me the most about killing that soldier I look for?
43:12I might have got a taste for her.
43:14Move.
43:23Let me see your face.
43:26Sheila!
43:34I find myself rather lost for words, which will be a first.
43:40What's the matter, Mother?
43:43It's not her.
43:45Mother.
43:49Silas.
43:50Trust me.
43:52It's not Beatrice.
43:55How about him, Princess?
43:56Thank you, James.
44:06You're not my daughter!
44:14Mother!
44:18Finding her!
44:20Nathan.
44:20You.
44:21I knew you'd betray me, Sherlock.
44:25Are you not my son after all?
44:29Hello, Mother.
44:34Bea?
44:36Bea?
44:45Sherlock.
44:48Mycroft.
44:50Close your hands.
44:53If you'd be so kind.
44:58You too, brother, dear.
45:07Isn't this nice?
45:14All it is, it's not what you think it's for.
45:22And I can't seem to say it all.
45:27And make me up and insecure.
45:32The chances all I left are I might be hiding.
45:37The metrics of my sleep used to be the greatest I've seen.
45:47It's hard to say it all.
45:56The now on.
45:57The time is, it's hard to say it all.
46:04The time is, it's hard to say it all wishes.
46:13Keep your feet on the ground
46:16The guilty people follow me now
46:23It's the age of words to come
46:27And they hear you all
47:09It's the age of words to come
47:39It's the age of words to come
48:09It's the age of words to come
48:34It's the age of words to come
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