toto lo smemorato di collegno

Pratico

#autostima, #problemid'amore,#narcisismo# narcissism #lifestyle #wood #works#game #music

Transcript

00:00:00Music

00:00:58Music

00:01:28Music

00:01:57Music

00:02:02Music

00:02:05Music

00:02:14Music

00:02:18Music

00:02:19But tell me what happened?

00:02:20There's a madman who barricaded himself in a hole. The priest is there too!

00:02:23Oh, we don't see!

00:02:37But it would be good if this thing stopped.

00:02:39Oh, sure, sure

00:02:40Father, intervene

00:02:41Eh, okay

00:02:42Let's go, though.

00:02:43I will do my best

00:02:46Come on, come out, son, for goodness sake.

00:02:48You've been locked in there for fourteen hours.

00:02:51If you did it because you were hungry, I'll take you to the parish to give you a bite.

00:02:56But for heaven's sake, get out

00:02:58But how hungry, hungry, father

00:02:59But what does a hungry person say? He doesn't lock himself in here.

00:03:02But the reason must be sought in a complex

00:03:06It's clear that as a child he was forbidden to lock himself in the toilet.

00:03:10In short, where to go from here

00:03:11Eh, I'm in a hurry

00:03:13Here you have to go to work

00:03:14Pappa, you are the director, sorry.

00:03:16No, no, I'm the guardian

00:03:18Can you tell me how they got screwed up?

00:03:20To her, I beg you

00:03:21I'm a journalist, if you tell me your name I'll put it in the article

00:03:24But what does he want me to tell him?

00:03:26He came in here, closed the door

00:03:28After an hour, seeing that he didn't come out, he knocked.

00:03:30He said he was still busy

00:03:31Fourteen hours have passed since then

00:03:33Fourteen?

00:03:35Silk lady, tell us something

00:03:37Come on, answer son.

00:03:39We're here to help you

00:03:40If you owe her anything, tell her right away.

00:03:42He's coming to the police

00:03:43Listen to me carefully, look

00:03:45I'm a psychoanalyst, right?

00:03:47Well, if she has something inside

00:03:49I don't know, what oppresses him

00:03:51And I make an effort

00:03:53You try to free yourself

00:03:54Silence

00:03:56Wide, wide, wide

00:03:57Here is the commissioner

00:03:57Wide, wide

00:04:02Open

00:04:04Busy

00:04:05Forward, forward

00:04:06No stories, I'm the commissioner

00:04:08Come out right now

00:04:09Otherwise I'll have the door broken down

00:04:11Is he really the commissioner?

00:04:13Yes

00:04:13Do you swear to me?

00:04:15It's certain I swear to you

00:04:16So why don't they ask me for my personal details?

00:04:19Come on, who are you? What's your name?

00:04:21This is where I wanted it

00:04:22This is the point

00:04:23Commissioner, this is where I'm at a loss.

00:04:26I don't know who I am

00:04:28I don't know where I come from

00:04:29I don't know where I'm going

00:04:31Commissioner, I've locked myself in here.

00:04:32To interest him it is not public

00:04:34And have this enigma revealed

00:04:36Commissioner, I am a moving enigma

00:04:38I need to stop

00:04:40Tell me who I am

00:04:41And don't tell me

00:04:42I'm staying locked in here

00:04:44Until next August 15th

00:04:46And why not?

00:04:47He's a poor man

00:04:47You be ready

00:04:48Go, go

00:04:49You were clearing out

00:04:50You were clearing out

00:04:50Be careful, be careful, he might be armed.

00:04:53Yes, agreed.

00:04:54As you like

00:04:55But now come out

00:04:56Come on, we'll clear everything up.

00:04:57You come

00:04:58I want the press

00:04:59And you will have the print

00:05:00I want the newspapers

00:05:01The newspapers

00:05:03The cameras

00:05:04The cameras

00:05:05The paparazzi

00:05:06The paparazzi

00:05:07But come out

00:05:08Come on, I give you my word.

00:05:09Word?

00:05:10Commissioner's word

00:05:11Then I'm coming

00:05:12Come out, come on

00:05:13Let them prepare themselves

00:05:15Yes, it's the paparazzi

00:05:19Here we are

00:05:20Bravo

00:05:21Commissioner

00:05:21Come inside

00:05:23I want to have a drink with her

00:05:24Come inside

00:05:26Come inside

00:05:26The press is there

00:05:27The photographers

00:05:28The paparazzi

00:05:29The paparazzi

00:05:30They are my strong point

00:05:30And no, in what ways are these

00:05:31Excuse me but

00:05:32Come out

00:05:33But with me

00:05:34Who knocked?

00:05:34He knocked

00:05:35I want the political wheel

00:05:37I want the press

00:05:41But I'm not sick at all

00:05:42I'm a loveless girl

00:05:43Only for sale

00:05:44I am just an enigma

00:05:46A noble enigma

00:05:47But what ways?

00:05:48But what is here?

00:05:49But what is it?

00:05:49A van

00:05:50Sorry, you know it's political stuff

00:05:51Yes, they had a cabinet meeting

00:06:00These are the facts that led to the hospitalization of the unknown man

00:06:03In Professor Gioberti's neuropsychiatric clinic

00:06:07Mr. President

00:06:08I ask for the word unknown to be removed from the records.

00:06:11As the defendant has been identified as Giuseppe Lobianco

00:06:15That this court is trying for aggravated and continued theft

00:06:18Scams and robberies

00:06:20With what evidence?

00:06:22Fingerprints

00:06:23Taken under my control

00:06:24At the time of his admission to the neuro

00:06:26Those of Giuseppe Lobianco were not found

00:06:28They could not be found

00:06:29Why Lobianco is not registered

00:06:31But there is irrefutable proof

00:06:33Recognition by his accomplice

00:06:35Fernando Menicon

00:06:36And the wife's recognition

00:06:39By engineer Alfredo Ballarini

00:06:40Isn't this irrefutable proof?

00:06:43Or perhaps one wants to give more weight

00:06:46To the fanciful insinuations of a criminal

00:06:49Instead of the voice of a bride's heart

00:06:52Who finally found the man

00:06:54Whom he lived alongside all his life

00:06:57Mr. President

00:06:59The life lived by the bride

00:07:01Next to the man

00:07:03Which according to my illustrious colleague

00:07:05He would have found

00:07:06It boils down to six months of marriage

00:07:08And what are six months of marriage?

00:07:10Facing thirty years

00:07:11What has passed

00:07:12With the soffatelli

00:07:13And the soffatelli didn't recognize him

00:07:15Mr. President

00:07:15We didn't recognize her

00:07:17He didn't recognize him

00:07:18What did I say?

00:07:18But they didn't want to recognize it.

00:07:20Why the similarity

00:07:21Between my defense

00:07:22And the engineer Alberto Ballarini

00:07:24It's perfect

00:07:25It's vague, Mr. President.

00:07:26Very vague

00:07:27But I trust

00:07:28By force

00:07:29Why an individual

00:07:29After 18 years

00:07:30It can also change

00:07:31The somatic traits

00:07:32Of this individual

00:07:33Especially when this person

00:07:34He lived through a war

00:07:36He lived a life of imprisonment

00:07:38He experienced unspeakable hardships

00:07:40Here, of course.

00:07:40That the somatic data

00:07:41No, I will be a colleague

00:07:43It's not possible

00:07:44Calm down, gentlemen lawyers.

00:07:45Calm

00:07:47The court is here

00:07:49To establish the truth

00:07:50It is the truth

00:07:51It can't come out

00:07:52That through the testimonies

00:07:54And following the course of events

00:07:55Call the witness

00:07:56Ademaro Gioberti

00:07:58Professor Ademaro Gioberti

00:08:08Professor Ademaro Gioberti

00:08:11Professor Ademaro Gioberti

00:08:12Professor Ademaro Gioberti

00:08:14There he is

00:08:19Ah, finally, Mrs. Ballerina

00:08:20He's late

00:08:21Ulso's lawyer is worried

00:08:22The ugente has already begun

00:08:23Be calm

00:08:24It will all be fine

00:08:29Here, bring them to the editorial office immediately

00:08:30Put him to pick on the others

00:08:31At the exit after

00:08:32As far as she knows

00:08:33It's in there

00:08:34Young

00:08:34The press tribune

00:08:35No, because

00:08:36Are you a colleague?

00:08:37From Milan

00:08:37Show for the broken convent

00:08:39Rizzoli chain

00:08:40All about the Ballerini tempina

00:08:41But who is this Ballerini?

00:08:43Here, the one that comes in now

00:08:44The whole case

00:08:45He commits himself to her

00:08:45The alleged wife of the unknown man

00:08:47View, like there

00:08:49As?

00:08:50Consume husbands the gender

00:08:52Oh, if you write like you speak

00:08:54They allowed

00:08:55They print for me

00:09:00Show for the first time

00:09:00It's the first time I've seen a dog in tuna

00:09:02Ok, dogs are welcome too

00:09:03Pusso, pussovi

00:09:26Professor Gioberti

00:09:28He recognizes the defendant as his former patient

00:09:33Yes, sir.

00:09:34Tell us about your behavior then.

00:09:37During the time he was treating him

00:09:39Here are the first days of hospitalization in my clinic

00:09:42The stranger did not eat

00:09:44Then he started stealing food from other patients too.

00:09:47The thief loses his memory

00:09:49But not the vice

00:09:50Continue, professor.

00:09:51Continue

00:09:53He cried often

00:09:54He was easily moved

00:09:56And he pointed to his wife who was anxiously waiting for him.

00:10:00And despite my repeated efforts

00:10:02My repeated psychodiagnostic exams

00:10:06He failed to bridge the chasm that had been created

00:10:11Between his past and his present

00:10:13By force

00:10:14The defendant was hindering his plans

00:10:16Because that bridge she wanted to build would collapse

00:10:19Under the weight of all the crimes committed by the white man

00:10:22It was convenient for him to pretend to be forgetful.

00:10:24And entrench yourself behind a I know, in a memory

00:10:27No, no, no, that's not right, sir.

00:10:29Indeed, there was in the unknown

00:10:32An overwhelming desire to find oneself

00:10:35As I was able to see on the first day

00:10:38Who showed up at my office

00:10:40No, no, not these

00:10:42Here, let's make him do this

00:10:44But be careful, eh

00:10:45Every other day, sister

00:10:46Excuse me

00:10:47After you

00:10:49These here

00:10:49Here we are

00:10:50Who is?

00:10:51Who gave her permission to enter?

00:10:53I don't know, who gave it to him?

00:10:54Who gave you permission to enter?

00:10:55To her, sister

00:10:56Who gave permission to enter?

00:10:57But what sister?

00:10:58Go away, sister

00:10:59Sister, go away, go away

00:11:01They have a cheek

00:11:02But anyway

00:11:03Hey, come in.

00:11:04But why don't you make yourself comfortable?

00:11:05I know very well how I am

00:11:05Can I know what you want?

00:11:06What do you want?

00:11:07No, I'm the one asking her.

00:11:09What do you want?

00:11:09Exactly, I say

00:11:11Telephones

00:11:12I heard

00:11:12Please

00:11:16Ready?

00:11:17Oh, Countess

00:11:20Yes, Countess

00:11:21All right, Countess.

00:11:23It will be done, Countess.

00:11:25Don't hesitate, Countess.

00:11:28Of course, Countess.

00:11:30I am reporting

00:11:31Basio your hands, Countess

00:11:34And a countess

00:11:36But anyway

00:11:37Can I know what he wants?

00:11:38Like what do I want?

00:11:39And I would ask myself what do I want?

00:11:41I can?

00:11:42Thank you

00:11:43I want a name

00:11:44And the little dog

00:11:45A name?

00:11:46I want a name and a dog

00:11:47But I can't give it to you.

00:11:49This name is doggie

00:11:50She has to remember that.

00:11:51How do you remember me, dear professor?

00:11:53I'm in love

00:11:54Be patient

00:11:54With a little calm

00:11:55A little patience

00:11:56You will see a nice curette

00:11:58And one day the next

00:11:59One day the next

00:11:59She also comes with one day the other

00:12:01She also comes with one day the other

00:12:02One month after another

00:12:03One year after another

00:12:03Professor, I've been 18 years old

00:12:05That I can't walk the name of my romantic

00:12:07What does she believe?

00:12:07That I have closed myself off

00:12:08In a Walter and closet like this

00:12:10In a Walter and closet like this

00:12:12But who are these two gentlemen?

00:12:14Which gentleman?

00:12:14It's something you lock inside yourself.

00:12:16He's busy

00:12:16Ah, the toilet

00:12:18She calls it a toilet

00:12:19For me it's a walter

00:12:21Clear?

00:12:21Agree

00:12:22You?

00:12:23Telephone

00:12:23I heard

00:12:24At a time it escapes

00:12:25Nothing escapes me

00:12:26A friend of mine is missing

00:12:27Ready?

00:12:28For the savory ones

00:12:29Yes, that's fine, princess.

00:12:31Yes, that's fine, princess.

00:12:32It will be done, princess.

00:12:35Don't doubt it, princess.

00:12:37I kiss your hands, princess

00:12:39A princess?

00:12:41What princess?

00:12:41The Madman of Number 22

00:12:42But screwed

00:12:44Of course

00:12:46Its bizarreness is explainable

00:12:48Only with his state of mental confusion

00:12:51Which embarrasses clinicians

00:12:53Do you see it?

00:12:54She too

00:12:56He thinks I'm crazy

00:12:57But tell me what kind of professor she is?

00:12:59I'm on time

00:13:00I locked myself in the toilet

00:13:02What does she call it?

00:13:03To make people notice me

00:13:06For years and years

00:13:07I knocked on every door

00:13:09To welfare organizations

00:13:10At work in Balilla

00:13:12To the prefectures

00:13:13To the sub-prefectures

00:13:13To the ministries

00:13:14Sub-ministries

00:13:15At the underpasses

00:13:15Nobody could tell me

00:13:17That I were to him

00:13:18Everyone slammed the door in my face

00:13:20For once though

00:13:22The satisfaction of slamming the door in your face

00:13:24To someone

00:13:24I was surprised too

00:13:26Professor

00:13:27Do you see this finger?

00:13:29This is a finger that belongs to a fighter

00:13:31A fighter who fought in the war

00:13:32Well

00:13:32Professor

00:13:33This is a post-war finger

00:13:35Very good

00:13:36Don't you want to give me a house?

00:13:37He's fine

00:13:37Don't you want to give me a family?

00:13:39He's fine

00:13:39But a name

00:13:40He's a dog

00:13:41I want it

00:13:42All right

00:13:42For goodness sake

00:13:44Calm down.

00:13:44We are on the right track

00:13:46View?

00:13:47Did he say he was torn?

00:13:48Yes

00:13:48You see that he is starting to remember something

00:13:50Now we have to look for

00:13:52Here you are

00:13:53With a little good will we try

00:13:55We are looking for

00:13:56If you tell me what is lost

00:13:57But what does he want to look for?

00:13:58No

00:13:59We must search in his memory

00:14:01Oh

00:14:01Yes

00:14:02You have to search

00:14:03Must

00:14:03We need to dig

00:14:05Here you are

00:14:06We need to dig

00:14:07But it would take

00:14:07A shovel or a pickaxe?

00:14:08No

00:14:08What shovel or pick

00:14:09No

00:14:10No

00:14:10No jokes

00:14:11Please

00:14:12No kidding.

00:14:13You have to go into the meanders

00:14:14Here you are

00:14:15Let's go into the meanders

00:14:16But even if I come dressed like this

00:14:17Hand

00:14:18Who understood

00:14:18In the recesses of his memory

00:14:20Excuse me

00:14:20But she talks about it in scientific terms.

00:14:21You listen to me

00:14:22You listen to me

00:14:22He said he fought

00:14:23No?

00:14:24Yes

00:14:24Well

00:14:24Very good

00:14:25Do you remember which weapon?

00:14:26He fought

00:14:26What weapon did I fight?

00:14:28Yes

00:14:28I don't remember

00:14:29For goodness sake

00:14:30Try to search through his memory

00:14:32Search for pleasure

00:14:33This makes her go out of her way to rummage

00:14:34That I got screwed

00:14:35No

00:14:36Search through his memory

00:14:37What dress was she wearing?

00:14:39He was carrying a pen

00:14:40On an Alpine hat

00:14:41Well

00:14:41He was an Alpine soldier then

00:14:42Alpine

00:14:43We are on the right track

00:14:44And then

00:14:45Search

00:14:46And then I wore jodhpurs

00:14:48Cavalry trousers

00:14:49The Alpine soldier on horseback could not be

00:14:50No

00:14:50It couldn't be

00:14:51A soldier's overcoat

00:14:53So

00:14:54Cavalry trousers

00:14:55Alpine hat

00:14:56Soldier's overcoat

00:14:57Yes

00:14:58And what a soldier

00:14:58I will have been the unknown soldier

00:15:00What do I know?

00:15:01Yes

00:15:01It was Giuseppe Caribaldi

00:15:02Caribaldi no

00:15:02No

00:15:03Don't insist

00:15:04No jokes please

00:15:06That his case is difficult

00:15:07And God knows how hard it is

00:15:09It's a case

00:15:10Please help me

00:15:12It's a case

00:15:12Horse case

00:15:13No

00:15:13What a case horse

00:15:14It's a case

00:15:14Pecorino

00:15:15No

00:15:15It's a case

00:15:16Parvigiano

00:15:17And we had a building case

00:15:19It's a closed case

00:15:20It's a closed case

00:15:22But we have to open it

00:15:24It's understood

00:15:24We have a duty

00:15:26I'm glad you think like me

00:15:28Bravo

00:15:28We open cases

00:15:30We need to shed some light

00:15:31Light

00:15:31We need a glimmer of hope

00:15:33He understands me

00:15:33A little air

00:15:34Where you go?

00:15:35What is he doing?

00:15:35Where you go?

00:15:36But for heaven's sake

00:15:37Don't do me a favor

00:15:38Don't be a child

00:15:39I'm playing the child

00:15:40And what way is this?

00:15:41She doesn't have the right

00:15:42To make me work hard

00:15:43I'm playing the child

00:15:43I can't take it anymore

00:15:44Please help me

00:15:46Where are we taking her?

00:15:47But where does he want to take her?

00:15:48Help me find myself again

00:15:49And you look for signatures

00:15:51What way is this?

00:15:53And it's not possible to go on like this

00:15:54I'm not a boy anymore

00:15:56She's making me mad

00:15:57Yes

00:15:58My head is in a mess

00:16:00I can't take it anymore

00:16:01There's a bit of cleverness

00:16:01But what is he doing?

00:16:03But what does he do?

00:16:03Leave me alone

00:16:04Let me stay in your room right away

00:16:07Do you see it?

00:16:08He's going to his department.

00:16:09Do you see it?

00:16:10Who is?

00:16:10Do you see it?

00:16:10Who is?

00:16:11Do you see it?

00:16:12Do you really want to keep me in here?

00:16:13But who wants it?

00:16:14Will you let me out?

00:16:17Now a little bit of dog

00:16:18A bit of noise

00:16:19Around me I did it

00:16:20People will care about me

00:16:21But can't I just fire her like this?

00:16:23He doesn't care

00:16:24We are among friends

00:16:25I'm resigning

00:16:25But how does he resign?

00:16:26I'm not saying it happens

00:16:27It's not possible

00:16:28What is he doing now?

00:16:29What does he write?

00:16:30What does he say?

00:16:30What does he write?

00:16:31What does he write?

00:16:32But what resignation?

00:16:32How do I write this resignation to you?

00:16:34But don't do that for goodness sake

00:16:36What do you tell me?

00:16:37I don't know who I am

00:16:38So do you see it?

00:16:39You try to reason

00:16:40Do me a favor

00:16:41Do me this charity

00:16:43Give me charity

00:16:44You try to reason

00:16:45This is not a small change

00:16:46But not this charity

00:16:47I wanted to say

00:16:47You try to reason

00:16:48Yes yes yes

00:16:49But excuse me, tell me something.

00:16:50professor

00:16:50Do you have children?

00:16:52I don't have any children.

00:16:52Why?

00:16:53Question has no children

00:16:54I have no children

00:16:54And did he get married?

00:16:55It is understood that I am married

00:16:56And for a long time

00:16:57Did you find the desire?

00:16:58But why shouldn't his wife have found it?

00:16:59Ninth

00:17:00So what?

00:17:00De gustibus

00:17:01De gustibus

00:17:02And he had no children.

00:17:03I have not had children

00:17:04I have not had children

00:17:05But what's so extraordinary about it?

00:17:06And his wife had some, right?

00:17:08How dare he?

00:17:09Sometimes you know

00:17:10He doesn't allow himself to know

00:17:11Adopt me professor

00:17:11But what do I adopt from her?

00:17:13But it's not possible

00:17:13I'm not talking about tufts

00:17:14Are you making me look like a youthful sin?

00:17:15But what sin of youth?

00:17:16You try to reason

00:17:17But I'll talk to his wife

00:17:18But it's not possible

00:17:19Like his wife?

00:17:19It's good but it doesn't do it

00:17:20If it's good I'll talk to her

00:17:21How dare you?

00:17:22Yes in his place

00:17:23Understood?

00:17:23Dad

00:17:23Don't touch me

00:17:25I take my hands off myself

00:17:26That I make her put on a straitjacket

00:17:27Understood?

00:17:28To her

00:17:28To me?

00:17:28Yes

00:17:29The straitjacket

00:17:30Oh yes

00:17:30And she is a professor

00:17:31Serve

00:17:32Toma Toma

00:17:32Cat cat

00:17:33And he wants to put me in a straitjacket

00:17:35Because he thinks I'm crazy

00:17:36But she's the crazy one

00:17:37And everyone

00:17:38Those who have been in here

00:17:39Understood?

00:17:40They call me crazy

00:17:40Because I want to know who I am

00:17:42Because I want to know who I am

00:17:43Because I want to know who I am

00:17:44Because I want to know

00:17:44My right

00:17:45You try to reason

00:17:45I have a passport

00:17:46A driving license

00:17:47A card

00:17:48A ration card

00:17:49An ice card

00:17:50A card that yields

00:17:52Give to Caesar

00:17:53Something about Caesar

00:17:54Wait

00:17:55Us

00:17:56Us

00:17:57Us

00:17:58Grab it

00:17:59Grab it

00:18:01Grab it

00:18:02Nurses

00:18:04Nurses

00:18:06In this madhouse

00:18:07Things happen, things happen

00:18:08What happened

00:18:09A hospitalized patient

00:18:10The one of the little head

00:18:11I forgot about it

00:18:13He is an autonatist

00:18:14Shuffled from my studio

00:18:14Grab it

00:18:16Find it

00:18:16It may be dangerous

00:18:17Stupid

00:18:18Professor

00:18:18Nicholas

00:18:20Nicholas

00:18:20Where is your partner?

00:18:21In the room

00:18:24Nicholas

00:18:25Where is your partner?

00:18:26In the room

00:18:28Bravo

00:18:29Tell me

00:18:32But what are you doing?

00:18:33Now

00:18:38No

00:18:38There is none here

00:18:39It's all this mystery

00:18:41To tell me something

00:18:41So obvious

00:18:42It's because I don't want to

00:18:43Let it be known

00:18:44That I'm a spy

00:18:45What do you have?

00:18:45When I

00:18:46I see her

00:18:47They are always there

00:18:48These midges

00:18:49But what midges?

00:18:50And these here

00:18:51You don't see how many flies there are

00:18:52All on me

00:18:52But what are you doing?

00:18:53He throws them at me

00:18:54Now

00:18:55Are you crazy?

00:18:57I

00:18:58But I'm healed

00:19:04Well

00:19:05Close the gate

00:19:06Listen to me

00:19:07Listen to me

00:19:07I also put on my glasses

00:19:08The other gates

00:19:09They are all closed

00:19:10Bravo

00:19:11Well done Giuseppe

00:19:12But do one thing

00:19:13Look at me

00:19:14By Luigi

00:19:14Good morning

00:19:15Good morning

00:19:16Be calm

00:19:17You go to the other side

00:19:23Professor

00:19:23Who is

00:19:24Look

00:19:26Come on

00:19:27Come on

00:19:28But

00:19:29They are the mortarmen

00:19:30Stops

00:19:31It's him

00:19:32The Madman in the Toilet

00:19:34But what?

00:19:34But who is he?

00:19:35Buffalo Bill

00:19:36Grab it

00:19:37I am the one in charge

00:19:38Call the winners

00:19:39From the police station

00:19:40Calls to the asylum

00:19:42But we are the madhouse

00:19:43Oh yeah

00:19:43He made me stupid

00:19:45Acellero

00:19:47Go back

00:19:48Acellerone

00:19:57Sister

00:19:58Honorable

00:20:01Thank you

00:20:02Good evening

00:20:02Excellence

00:20:03After after

00:20:04Later

00:20:04Come sister

00:20:06Come in

00:20:13An opening to the center-left

00:20:14These do

00:20:15And then they go in

00:20:15Only on the right

00:20:16Please

00:20:20So tell me

00:20:21What can I do for you?

00:20:24Honorable

00:20:26A trifle

00:20:27A trifle

00:20:28A nothing thing

00:20:29Own

00:20:30I would like her to

00:20:31With his authority

00:20:32He had it published

00:20:34In all the newspapers

00:20:34A photograph

00:20:35A photograph of who

00:20:37Like whose

00:20:38My

00:20:39In perspective

00:20:41In profile

00:20:41And if by chance

00:20:42In profile

00:20:43Should it go badly

00:20:44Prevent the big hat

00:20:45I'm taking it off

00:20:46You know

00:20:47I do not understand

00:20:48In what capacity?

00:20:49In recognition

00:20:51I understand

00:20:52She deserved it well

00:20:53With his watchman

00:20:54Constant work of charity

00:20:55And he would like to

00:20:56An official recognition

00:20:58Honorable

00:20:59I'm sorry to tell you this.

00:21:00But she didn't understand anything

00:21:01Excuse me

00:21:01He doesn't take offense

00:21:02It's not for her

00:21:02Yes

00:21:02Abroad

00:21:03There are ministers

00:21:04Who don't understand anything

00:21:05But here in Italy

00:21:06It's a whole other thing

00:21:07Our country

00:21:08It's a country of navigators

00:21:09Of saints

00:21:09And of poets

00:21:10And of undersecretaries

00:21:11Yes

00:21:13Some of these

00:21:13There may be

00:21:14Who doesn't understand anything

00:21:15But that's not his case.

00:21:16She understands immediately

00:21:17Well yes

00:21:18But in this case

00:21:21I didn't quite understand everything

00:21:23He would like

00:21:24Honorable

00:21:25I fought in the war

00:21:26I understand

00:21:28She during the last conflict

00:21:29He did his work

00:21:30In a military hospital

00:21:31In a war zone

00:21:32Huh?

00:21:33Oh yeah

00:21:33I did the red cross

00:21:35All right?

00:21:36Ah the little red cross

00:21:37Good

00:21:38Compliments

00:21:39But what compliments?

00:21:40Who said the Red Cross?

00:21:42She who said

00:21:43But he didn't say it just for the sake of it.

00:21:45Be patient

00:21:46Let me finish

00:21:46Under this guise

00:21:48Which I wear unworthily

00:21:49A soldier's heart beats

00:21:51But I know

00:21:51Many many nuns

00:21:53During the last conflict

00:21:54They fought

00:21:56Beautifully

00:21:56Showing courage

00:21:57Superior

00:21:58To that of the fighters

00:21:59And she

00:22:00It's one of those

00:22:01Oh no

00:22:02Oh no

00:22:02She is now offending

00:22:04Be patient

00:22:04Why sorry

00:22:05And I return to her

00:22:05But damn damn

00:22:06To say that I am one of those

00:22:07Honorable

00:22:08And see how he speaks

00:22:09But excuse me

00:22:10I do my scopole

00:22:11You are not recommended

00:22:12Far away

00:22:13From me

00:22:13Far be it, but he said it.

00:22:15He said it far far away

00:22:16Be patient

00:22:17If I said so

00:22:17I apologize to you

00:22:18Oh okay

00:22:19Excuse me

00:22:19I was a soldier

00:22:20In the assault departments

00:22:21So you look

00:22:27Understood?

00:22:28But like a nun?

00:22:30But am I a nun?

00:22:31I am an Alpine soldier

00:22:32Look

00:22:33The beautiful mountain girl

00:22:37The beautiful mountain girl

00:22:37Parino

00:22:39Taboo

00:22:40Taboo

00:22:41Did you understand?

00:22:42But I'm not sure I'm an Alpine

00:22:43Why did you bring Cavalleggielo's bandits?

00:22:45And a militia overcoat

00:22:47But anyway

00:22:48Who are you?

00:22:49And what do I know?

00:22:50That's why I came here to you.

00:22:51But she's not a nun

00:22:53But what kind of nun is a nun?

00:22:54I am a man

00:22:55I'm a male

00:22:57I understand

00:22:57Now this is a tragedy.

00:23:01Sex change

00:23:02But I'm not a ladybug I know

00:23:03But then can you explain to me why this masquerade?

00:23:06To leave the clinic

00:23:07And have her receive me

00:23:08Because I'm forgetful

00:23:10I don't remember anything anymore

00:23:11Where am I from?

00:23:12Who am I?

00:23:12What do I do?

00:23:13What was I doing?

00:23:13What will I do?

00:23:14I do not know

00:23:15Nobody wants to recognize me

00:23:16Did you understand?

00:23:17So I came to her

00:23:18Because I even got on the horse

00:23:19To have someone take my picture

00:23:21Nobody took a picture of me

00:23:22I'm doing it for her

00:23:23In perspective

00:23:24Of profess

00:23:25Disgusting

00:23:26As you wish

00:23:26Below I'll write

00:23:28Who saw it?

00:23:29She call her to me

00:23:30I'm going to call right now

00:23:31The photographers

00:23:32In the meantime, calm down.

00:23:32And wait for me, I'll be right back

00:23:34Several photographers

00:23:35Not one

00:23:35Listen

00:23:36Cumin

00:23:37Hey

00:23:38I'm not crazy

00:23:39Open

00:23:40Open

00:23:41I am a simple Alpine soldier

00:23:43I'm a forgetful Alpine soldier

00:23:45Alpine

00:23:46Open

00:23:46Alpine

00:23:47The beautiful mountain girl

00:23:51Taboo

00:23:52Taboo

00:23:53All this

00:23:54He took it

00:23:55Naturally with a wealth of details

00:23:57From the living voice of His Excellency

00:23:58When I personally went to the ministry

00:24:00To bring the amnesiac back to the clinic

00:24:03The next day

00:24:04The photographs of the unknown

00:24:06Published by newspapers

00:24:08They brought people to my clinic

00:24:11A considerable number of females

00:24:13Well

00:24:14Let's call them that

00:24:15I was talking about females

00:24:17Which they claimed to recognize

00:24:19In the forgetful

00:24:20Their husband

00:24:28But what a scoundrel he is

00:24:30The scoundrel

00:24:31The rascal is long

00:24:33Stop everyone

00:24:34There is not even a result

00:24:36At once

00:24:36Leave him alone

00:24:38Leave him alone

00:24:39Don't scare him

00:24:40Which can become bad

00:24:41I can get bad

00:24:42And I'm bad

00:24:53He's not my husband

00:24:54Now that I look at it carefully

00:24:56He's too old

00:24:56You've already spoken the win

00:24:59Dorotheus

00:24:59Oh mama

00:25:01No I'm not your mom

00:25:02I am your wife

00:25:03Your little Eulagia

00:25:03He recognizes it for your husband

00:25:04Oh sure

00:25:05I couldn't go wrong

00:25:06It's Dorotheus himself

00:25:07Here we are

00:25:08Oh but you don't remember

00:25:10When you called me

00:25:10My beautiful angel

00:25:11Me to whom?

00:25:12But it's worth it

00:25:12You fell in love

00:25:13My beautiful angel

00:25:14Professor

00:25:15But I say he sees it

00:25:16Yes yes

00:25:16But I say I'm forgetful

00:25:17Or I'm difficult

00:25:18He is not forgetful

00:25:19So what?

00:25:19At that time

00:25:20At that time

00:25:20He's leaving

00:25:24Go away everyone

00:25:28Go away everyone

00:25:30Go away everyone

00:25:31But he called Pippo

00:25:33He didn't recognize her

00:25:34Finally

00:25:35As

00:25:36Finally

00:25:37He won't say anything

00:25:38That I am her husband

00:25:39No

00:25:40Don't let them talk

00:25:40For goodness sake

00:25:41Let him talk

00:25:41But she's very nice

00:25:43And what are they?

00:25:44You say he's three times nice

00:25:45Oh yes yes yes

00:25:46Here I now rest the reasons for my coming

00:25:48Here you go, good girl

00:25:49Please look around and talk

00:25:51As

00:25:51Professor says glimpses speak to her

00:25:53I do not know

00:25:54Don't go on too long

00:25:55Don't go on too long, my patient has already been transported too long.

00:25:57Yes yes

00:25:57Oh okay

00:25:58I'll say it all in a nutshell

00:26:00As soon as I saw it in the newspaper

00:26:03I told myself

00:26:04Sassamo grandfather

00:26:05Understood

00:26:06Thank you

00:26:06Behdimensional

00:26:06Sassamo grandfather

00:26:07What does it mean

00:26:08Sassamo grandfather

00:26:09Here we are

00:26:10Here you are

00:26:10With me

00:26:11You say six I am the grandfather

00:26:12But look

00:26:12How many grandfathers

00:26:33implicitly

00:26:34Advertising and contacts.

00:26:36No, it's an advertising agency.

00:26:38I understand, I understand.

00:26:40Translated advertising and contacts.

00:26:42Please don't say that.

00:26:44Who would you like to contact? Him?

00:26:46Of course!

00:26:48But after all she's done,

00:26:49and on everyone's lips,

00:26:51we would like to have Fiato Bello toothpaste.

00:26:54No, no, no, no.

00:26:55It's an advertisement.

00:26:58She should do carousels.

00:27:00He doesn't want to do it, sir.

00:27:06In the end she will have to say...

00:27:08I don't remember who I am,

00:27:10but I remember perfectly every morning

00:27:13to brush my teeth with Fiato Bello toothpaste

00:27:15with green and blue stripes.

00:27:17Listen! If he doesn't go,

00:27:19I make the blue stripes here, but as a souvenir...

00:27:21But we have to!

00:27:22I'm leaving the streak!

00:27:23I'm not!

00:27:26Then nothing!

00:27:27But you barefoot!

00:27:28But you barefoot!

00:27:30Vultures!

00:27:31Speculate on my misfortune!

00:27:33Forgetful people of the world!

00:27:35Let's unite!

00:27:37Holy crap!

00:27:39The other one too!

00:27:41It always happens like this, Mr. President,

00:27:43when a news story takes on national interest.

00:27:47the sick, the maniacs, the mythomaniacs believe in good faith that they are the protagonists of a crime,

00:27:54of a murder, of a heroic act.

00:27:56And so it happened to those poor women who had lost their husbands or who had been abandoned.

00:28:02And it is understood that there is always the speculator who takes advantage of it as in our case.

00:28:06As you can see, Mr. President, my defendant does not accept the lure of easy gain,

00:28:11because it is fundamentally honest.

00:28:13All he cared about was finding his home with a name and the affection of his sweet wife.

00:28:19Mr. Orso, you'll tell us all these things later.

00:28:22Now let's move on to the testimonies.

00:28:25Professor Gioberti, continue.

00:28:27What happened next?

00:28:28Then I received a call from Dr. Zannini.

00:28:31Thank you, Professor. You may go.

00:28:33Bailiff, call the text to Alessandro Zannini.

00:28:36Doctor Alessandro Zannini.

00:28:40Doctor Alessandro Zannini.

00:28:44Zannini.

00:28:47Doctor Alessandro Zannini.

00:28:49Doctor Alessandro Zannini.

00:28:50Doctor Zannini, eh.

00:28:52Gioberti.

00:28:52Professor.

00:28:56Doctor Zannini.

00:28:58Here I am.

00:29:07Doctor Alessandro Zannini.

00:29:09Say it with me.

00:29:09Doctor Alessandro Zannini.

00:29:09I swear to tell the truth.

00:29:11The whole truth.

00:29:11Nothing but the truth.

00:29:13Raise your right hand and say I swear.

00:29:15I swear.

00:29:16Is this what they called it now?

00:29:17Cue?

00:29:18Doctor Zannini.

00:29:20I look after the widow's interests.

00:29:21Cue?

00:29:22Cue?

00:29:23Doctor Zannini.

00:29:24It was she who called Professor Gioberti

00:29:27to arrange a confrontation between the stranger and Mrs. Ballarini?

00:29:31Yes Mr. President.

00:29:33In my capacity as administrator I often went to the Ballarini house.

00:29:38And that day I was there to report to Mrs. Linda

00:29:40on the sale of a share package.

00:29:44I sold all the shares at a point and a half above the after-market price.

00:29:47while I have put off the sale of Lombardy Electricity for the moment.

00:29:50I still want to wait a week or two to see how things go.

00:29:54Zannini did well.

00:29:56Besides, she knows that I have the utmost confidence in her.

00:29:58Thank you.

00:30:04It's him!

00:30:06It's Alberto!

00:30:08He's my husband!

00:30:14Mrs. Linda, what? Are you feeling unwell?

00:30:16Mrs. Linda?

00:30:18Mrs. Linda?

00:30:18The newspaper.

00:30:19The newspaper?

00:30:25But yes.

00:30:27He is the stranger.

00:30:28But it's incredible.

00:30:30Engineer Ballarini...

00:30:31King alive after eighteen years.

00:30:34Take me to him.

00:30:36From my Alberto.

00:30:37I want to see myself.

00:30:37Yes Mrs. Linda.

00:30:38She will see him again today.

00:30:40I'm going to call the clinic right away.

00:30:43Come, come

00:30:50There it is, it's behind that hedge

00:30:53He's talking to his roommate

00:30:55Oh my god, make my husband sleep with a madman

00:30:56No, don't worry madam, the one who sleeps with your husband

00:31:00If he's her husband he's not crazy

00:31:02He had a major nervous breakdown

00:31:04But he's already better, so much so that in a few days I'll release him.

00:31:07But I don't know the lady's husband. What condition is he in?

00:31:11But normal, only he doesn't remember his past

00:31:14If only I could make him remember it

00:31:15Let's hope, ma'am, let's hope

00:31:19Poor thing, why does he always repeat the same name?

00:31:22This is a case of love madness

00:31:24He went crazy the day his girlfriend, Maria Luisa

00:31:27She left him to go away with someone else

00:31:30Hate

00:31:30And what is this?

00:31:33This is the unfortunate man who married Maria Luisa

00:31:36Please madam, now we are approaching the stranger

00:31:39And from behind that hedge she will be able to observe him without him noticing.

00:31:44But in comparison then?

00:31:45Yes, she had promised the lady that there would be one.

00:31:48Yes, sir?

00:31:50Doctor Zanini

00:31:51Doctor Zanini, the meeting will take place at a later time.

00:31:54The important thing is that you recognize it now, madam.

00:31:57Here, let's put ourselves here

00:31:59We can observe it without being seen

00:32:01Here, here, here ma'am, here

00:32:04The one on the right or the one on the left?

00:32:06And the one on the left, look

00:32:07But if he doesn't turn around, what do I do?

00:32:10I don't see it

00:32:12I'm so excited

00:32:14You understand, right, doctor?

00:32:15You look at it, you observe it carefully

00:32:17And not the ball, the old one

00:32:24But what...

00:32:25I've been studying for a week

00:32:27I can't get it in the hole, you know?

00:32:31But how is that possible, excuse me?

00:32:32But how is this possible?

00:32:33It's the speed of thought

00:32:34But it doesn't make me laugh

00:32:35Trial

00:32:36I try

00:32:37You try it, then see, if you think quickly

00:32:39Ninth

00:32:40Yes, yes, but if you said

00:32:43Ogre, how did you do it?

00:32:45The speed of thought

00:32:46What have you gone crazy for?

00:32:48No, I have it, I am cured

00:32:49Actually, I'm going out soon.

00:32:51Yes, it's true.

00:32:52And yet, you see, Nicola

00:32:53I'm sorry you're doing it

00:32:55I'm now very fond of you

00:32:56Oh well, I'm sorry too.

00:32:58They'll put this on him

00:32:59In my room instead of you

00:33:00Yes, then

00:33:01Come on, but don't take it personally.

00:33:03Even if I wanted to stay

00:33:04What do you want?

00:33:04They don't hold me

00:33:05I need a lot of places, you understand?

00:33:07You are right

00:33:07And yes, with all these crazy people

00:33:08That are around

00:33:09In the world

00:33:10It's Alberto, no doubt about it.

00:33:12The same head

00:33:14The same voice

00:33:15The same way he does things

00:33:17But yes, it's him, doctor.

00:33:18Believe me

00:33:19And why shouldn't I believe her?

00:33:21He shouldn't believe her.

00:33:22A young woman

00:33:23Beautiful and rich like her

00:33:24He has no interest whatsoever

00:33:26To claim a husband

00:33:26That is not his

00:33:27Right

00:33:28You are right, sir.

00:33:29Doctor Zannini

00:33:31He's right

00:33:32Handsome

00:33:33Is it new?

00:33:34Ninth

00:33:34I've had it for twenty years

00:33:36Well preserved, though

00:33:37But I'm not going to steal it.

00:33:38No

00:33:39Instead of moving the fan

00:33:40I'm holding it still

00:33:41I move my head, like this

00:33:44And how is this possible?

00:33:46Eh, try, try you

00:33:47But go on

00:33:47You can hear the rietta

00:33:48But it doesn't make me laugh

00:33:49You can hear the rietta

00:33:50Stop like this

00:33:50Yes, stop

00:33:51Moves

00:33:51No, too cold

00:33:53I suffer from a cold

00:33:54I suffered from the climate

00:33:54Well yes

00:33:55But down

00:33:55But you want to let it go

00:33:57That poor wretch?

00:33:58And what fault is ours?

00:33:59What if he thinks he's a bench?

00:34:01But now it's exaggerated, go on

00:34:02But if we sit on a real bench

00:34:04He offends us

00:34:05Up, up, up, up

00:34:07Pass by

00:34:07Oh, what a drag

00:34:08Let's go, come on

00:34:08Come to my studio

00:34:10I'll show him face to face

00:34:11Who knows, maybe he'll recognize her too.

00:34:12It would be a decisive test

00:34:14But what are you doing?

00:34:15You're not a nurse

00:34:16And I'm the bench

00:34:19Let's go

00:34:19But don't you go?

00:34:21And now you leave me there

00:34:22For if they take care of me

00:34:23Put a mark on yourself

00:34:24The hat

00:34:25What hat?

00:34:26What hat?

00:34:27And excuse me

00:34:28There's his sign

00:34:30Here you are

00:34:31Ah, incredible

00:34:33Incredible

00:34:34After 18 years

00:34:36When I was already resigned

00:34:37To give up on life

00:34:38In the heart the deepest mourning

00:34:40Here it appears before me again

00:34:42Like a ghost

00:34:43Like a king of life

00:34:44Dear Mrs. Linda

00:34:46These things happen.

00:34:47And life sometimes reserves things for us

00:34:48Of these surprises

00:34:52But we have to be sure though

00:34:54She recognized him from afar

00:34:56He heard her voice

00:34:57He saw his gestures

00:34:59And he

00:34:59What can we know about him?

00:35:02What will happen

00:35:04In the brain of that poor wretch

00:35:06When will he see her?

00:35:07Anything can happen

00:35:08Anything

00:35:09So you have to be careful

00:35:11Prudent

00:35:12I'm right, sir...

00:35:13Doctor Zannini

00:35:14Excuse me

00:35:15Doctor Zannini

00:35:16That's why I wanted to

00:35:17That the meeting took place here

00:35:18In my studio

00:35:20But why?

00:35:22Why isn't he coming?

00:35:24But who does it?

00:35:29There he is

00:35:29It's him

00:35:30Here is the gentleman

00:35:31It's him

00:35:45Alberto

00:35:47Linda

00:35:48Linda

00:35:49Linda

00:35:50My big wife

00:35:51He finally comes back to us

00:35:53Don't get agitated

00:35:55Don't get agitated

00:35:55But how can it still be

00:35:57To question

00:35:58The identity of this man

00:35:59That almost by a miracle of love

00:36:02He recognizes

00:36:03After so many years

00:36:05The woman who chose him

00:36:06A companion for his life

00:36:07Not only

00:36:08But suddenly regains

00:36:10The memory

00:36:11And he calls her by name

00:36:13Linda

00:36:15Linda

00:36:16Linda

00:36:16All right, lawyer.

00:36:17But he hasn't come yet

00:36:18The moment of his ring

00:36:20She in the meantime

00:36:22Doctor Zannini

00:36:22I go

00:36:23If we need her

00:36:24We'll have her called back

00:36:38She's still in love

00:36:39Of the unknown

00:36:40Let's tell the truth

00:36:41It's a bit fossilized

00:36:43You mean it's old?

00:36:44Yes, of which he is beginning to understand

00:36:46But I can't believe it

00:36:48How could he have done this?

00:36:49Repeat the marine

00:36:49After so many years

00:36:50Yes

00:36:51He must have some hidden talent

00:36:53In what sense

00:36:55I'll explain it later.

00:36:56Mr. President

00:36:58I ask that it be heard

00:36:59Mr. Nicola Politi

00:37:00Already hospitalized

00:37:00The neuropsychiatric clinic

00:37:02By Professor Gioberti

00:37:04And roommate

00:37:05Of the accused

00:37:06Bailiff

00:37:07Call the Politi test

00:37:09Nicola Politi in the courtroom

00:37:10But this Nicola Politi

00:37:13He never testified

00:37:14Investigation

00:37:14He was discharged from the clinic

00:37:16A few days ago

00:37:17Oh

00:37:17The Politi women

00:37:27I swear to tell the truth

00:37:29The whole truth

00:37:30Nothing but the truth

00:37:31Raise your right hand

00:37:32And say I swear

00:37:35Say I swear

00:37:36Yes yes yes

00:37:37It is fine for me

00:37:38Say I swear

00:37:39I swear

00:37:41Yes yes

00:37:43Mr. President

00:37:44Mr. Nicola Politi

00:37:45What can you tell us?

00:37:46On this miracle

00:37:47Of love

00:37:48Which he told us about

00:37:49With pathetic accents

00:37:50The Bear's Advocate

00:37:51And what did he do?

00:37:52It made me remember

00:37:53To the forgetful

00:37:55Suddenly

00:37:55The first name

00:37:57By Mrs. Ballarini

00:38:00Reply

00:38:01Reply

00:38:01And what do you want me to answer?

00:38:03I did not understand

00:38:04What he said

00:38:06Silence

00:38:07Silence

00:38:10Mr. Attorney

00:38:12He wants to ask the question

00:38:13In more accessible terms

00:38:15To the test

00:38:20Before meeting

00:38:21In the clinic garden

00:38:23With Mrs. Ballarini

00:38:25The defendant

00:38:27Did you know there would be a confrontation?

00:38:30Yes sir

00:38:32He had also seen the photograph of the lady

00:38:35Where?

00:38:36He had seen Mrs. Ballarini's photograph

00:38:40On a newspaper he found in the toilet

00:38:44Silence

00:38:46Silence

00:38:46Use more appropriate terms

00:38:48To the austerity of the place where it is located

00:38:50Say he found it in the toilet

00:38:53No no no

00:38:53He actually found it in the toilet

00:38:55Yes against the wall

00:38:57He knows where the water hose is

00:38:59That goes down the cup

00:39:00He knows well

00:39:01They will know

00:39:02Silence

00:39:02Or I'll disrupt the classroom

00:39:07Please proceed

00:39:08Remember the sentence his roommate said after looking at the newspaper

00:39:14Sorry I didn't understand that

00:39:18Remember the sentence his roommate said after looking at the newspaper

00:39:26Yes he told me

00:39:28We hope that this Mrs. Linda Ballarini

00:39:33Don't realize that I'm not your husband.

00:39:38I object

00:39:39But what is it against?

00:39:40Lawyer

00:39:41Well, I correct myself, Mr. President.

00:39:44I ask that the testimony of the Politi test not be sold as a false statement.

00:39:48Because it was born from the sick mind of a madman

00:39:50I object, Mr. President.

00:39:52This certificate from Professor Gioberti

00:39:55Which I ask Your Excellency to attach to the documents.

00:39:57Declares that Mr. Nicola Politi

00:40:00He was discharged two weeks ago

00:40:02From the clinic

00:40:03Perfectly healed

00:40:05But he might not have been healed yet the day he showed the newspaper to my defendant.

00:40:08Attorney Dell'Orso

00:40:09She knows very well that a maniac does not leave the hospital

00:40:12If not a month after the healing is found

00:40:15Not always Mr. President

00:40:16Not always

00:40:17And the Politi test left the clinic the day after the confrontation

00:40:22So as it is not now

00:40:24He wasn't crazy even then

00:40:27Chancellor, put it on record

00:40:30Mr. President

00:40:32Can I ask some questions on the test?

00:40:34Yes but keep it short

00:40:35Thank you

00:40:36I will be very short

00:40:37Heads?

00:40:39Heads?

00:40:40Big head

00:40:41Ui

00:40:46Who are you?

00:40:48You ask me but

00:40:49We slept together in the dormitory

00:40:52Remember well

00:40:54Who are you?

00:40:58Your brother-in-law

00:41:00It's false

00:41:01Mr. President

00:41:02There is no family relationship between the politicians and the accused.

00:41:05Mr. PN, please let me continue.

00:41:08And why are you my brother-in-law?

00:41:10And why I married your sister

00:41:13Where did you marry my sister?

00:41:15At Austerlitz

00:41:17My Emperor

00:41:18General Gioacchino Mura

00:41:20There he is

00:41:21It is you who sends you to fight

00:41:23From the Alps to the Pyramids

00:41:24Or from Manzanarri to Reda

00:41:26Where my emperor commands

00:41:28For you I lost this arm

00:41:30But what if you have it?

00:41:31Yes because then I found it again

00:41:32Dragoons of the Third Squadron

00:41:34Long live the emperor!

00:41:36Long live France!

00:41:37General Gioacchino Mura

00:41:41Caricat

00:41:42Caricat

00:41:48Stop that step

00:41:49Stop that step

00:41:52Stop that step

00:41:59Mr. President, I must put this on record.

00:42:02But what report?

00:42:03Stop that step

00:42:06The believed one is cough

00:42:10A very interesting process

00:42:12Very interesting

00:42:13See you tomorrow

00:42:14And let's hope it's more sinful

00:42:16But I have to go to the newspaper

00:42:17What are you doing?

00:42:17Give me a hearing on the rate

00:42:19Is there a lion?

00:42:20Okay, phone

00:42:21I have the phone under my hand

00:42:22I'll marry you too

00:42:23But do you understand?

00:42:27All morning

00:42:28It is a fungal process

00:42:29Like a decree

00:42:30Tell him I'll kick him out alive

00:42:32Oh what are you doing?

00:42:34But what do you want?

00:42:38Silence

00:42:41Go ahead and continue.

00:42:42Mrs. Linda Pallarini

00:42:45As I was saying

00:42:46Only obstacle

00:42:48At our wedding

00:42:48It was the age difference

00:42:50My parents

00:42:51They didn't want to

00:42:52And not even Alberto's brothers

00:42:54But we loved each other

00:42:55And when two love each other

00:42:57In the end

00:42:59All obstacles overcome

00:43:00September 10, 1941

00:43:02Let's crown our dream of love

00:43:05Mr. President

00:43:06My stop

00:43:07My stop

00:43:08I have always supported

00:43:10From day one

00:43:11Of the preliminary investigation phase

00:43:12Of this process

00:43:13That that dark individual there

00:43:14It's not the engineer Alberto Pallarini

00:43:16Now

00:43:16Since we're talking about weddings

00:43:18I can give you proof of that.

00:43:20Showing you the true face

00:43:21Of the lady's real husband

00:43:23Through projection

00:43:24Of a little film

00:43:25Yes, little movie

00:43:27Shot by a cinematographer

00:43:28Which Poerino

00:43:29He was present

00:43:30The wedding day

00:43:31And who is he?

00:43:31I repeat

00:43:31Where is the little movie?

00:43:34Who is?

00:43:35Ah, here it is

00:43:36Here it is

00:43:36Excuse me

00:43:37If this court

00:43:39It allows it

00:43:40I have already prepared

00:43:41For the projection

00:43:42What do you want here, chancellors?

00:43:45Mushroom God

00:43:46Magnetic tapes and films

00:43:48They do not constitute conclusive evidence

00:43:50Even if they do not constitute

00:43:52A convincing proof

00:43:53A whole lot of evidence

00:43:54They always constitute proof

00:43:56A whole test

00:43:57And they serve as guidance to the court

00:43:59So let's see this wedding

00:44:01Footage from amateur cinema

00:44:02Everything is ready, Your Excellency.

00:44:06Strange that they don't send us away

00:44:08To continue behind closed doors

00:44:10But why should they send us away?

00:44:13And he knows

00:44:14Since it's about two newlyweds in the film

00:44:16Something sinful might slip out

00:44:19They will show us the first night of the wedding

00:44:21And who knows?

00:44:22I'm counting on it a lot

00:44:23He didn't lay down

00:44:24He turned it over

00:44:26An amateur cinema

00:44:27But why?

00:44:28In your opinion, what is an amateur filmmaker?

00:44:30An erotic

00:44:31An erotic

00:44:43So, Mr. President, can we go?

00:44:44Yes, go ahead.

00:44:52HI

00:45:13HI

00:45:29Thank you all.

00:45:50Thank you all.

00:46:15But haven't you seen it before?

00:46:16Oh no, the cinematographer only gave it to me this morning and I saw it.

00:46:20Here, here, they're forcing it, they're forcing it, Mr. President.

00:46:23Now you will see the true face of the real Ballarini.

00:46:41But how come you don't remember it?

00:46:57But...

00:46:58Exciting.

00:47:00For me the influence is clearly half Soviet and half physical.

00:47:09Kill him.

00:47:19That face doesn't change me.

00:47:21Ibutato, don't be funny.

00:47:24Mr. President, I'm not the one being funny.

00:47:26It's the lawyer who wanted to post my face.

00:47:30Lawyer, my face is not round.

00:47:32It's long, rather than not.

00:47:33Florence, Florence!

00:47:38Florence!

00:47:40Florence!

00:47:47Florence!

00:47:49Florence!

00:47:51It's finished.

00:47:52There's another little piece of it.

00:47:53No, but...

00:48:26Tonight, the film is over.

00:48:28Go out!

00:48:28Shed some light.

00:48:34But where did you find this lawyer?

00:48:36He does it like this, good job.

00:48:38Let's hope so.

00:48:38Your Excellency, do I have to put this on record?

00:48:40What do you want to put on record?

00:48:42The girl's prosperity.

00:48:43Rather, write that the test was of no use.

00:48:46I'm not blaming him.

00:48:48Mr. President, I'm sorry, but I don't understand.

00:48:50But he said it in the little movie, then...

00:48:52Not in China, anyway.

00:48:53All right, lawyer, all right.

00:48:55The important thing is that we don't waste any more time.

00:48:59The doctor, on the other hand, has space to think about these mix-ups.

00:49:02Silence at the back!

00:49:05Madam, we saw your wedding.

00:49:08Now tell us what happened next, except for the honeymoon, of course.

00:49:13Six months later, married, Alberto, my husband,

00:49:17he was recalled with the rank of artillery captain

00:49:20and sent to the Russian front.

00:49:22I only received two letters and then nothing else.

00:49:25Until the Ministry of War informed me

00:49:27that Captain Alberto Pallarini had been reported missing.

00:49:31I fought desperately for years and years

00:49:34in the belief that my husband was alive.

00:49:37And now, finally, I've found it again.

00:49:39This woman lies, knowing she is lying,

00:49:41It suits her to have a husband, whoever she is.

00:49:44Why I protest against these base insinuations

00:49:47who wait to influence the court.

00:49:53The court is immune from any form of influence,

00:49:56lawyer Dall'Orso.

00:49:57Don't worry.

00:49:59And you, lawyer Rossetti,

00:50:01I don't interrupt the five minutes,

00:50:03it's no use anyway.

00:50:05Let's get to the point, madam.

00:50:07How the accused behaved

00:50:09during the period in which it was entrusted to you by Professor Gioberti?

00:50:13When after 18 years my husband Alberto set foot in the house again,

00:50:17It seemed to all of us that nothing in him had changed.

00:50:22Oh, my sweet home!

00:50:24Each room a dear object,

00:50:26every corner a memory.

00:50:29So you also remember our butler.

00:50:31Of course, dear!

00:50:32I remember the butler, the waiter, the maid,

00:50:35the cook, the driver.

00:50:36How's it going, old man, eh?

00:50:38Let me hug you.

00:50:40Wait a minute!

00:50:40What the lady has declared so far

00:50:43it is in stark contrast to the deposition

00:50:44which the butler of the Ballarini house brought to the attention of the investigation.

00:50:48I told the truth.

00:50:50I don't know what the butler said differently.

00:50:52I'll tell you.

00:50:54Request.

00:50:55He recognized the amnesiac well

00:50:56when did engineer Alberto Ballarini arrive at the villa?

00:51:00Answer.

00:51:00As soon as I saw him come in he looked like the engineer to me.

00:51:04But soon after I had to change my mind because...

00:51:07Eh, my house, my house!

00:51:09As small as you are, you seem like an abbey to me.

00:51:14Tiny in a manner of speaking, there are twelve rooms.

00:51:17Twelve rooms?

00:51:18By the way, how time flies, huh?

00:51:21I left this house which was so small

00:51:23and now I find it grown up.

00:51:26Here is our butler.

00:51:28Him.

00:51:28Eh, how are you, how are you, me good Francesco?

00:51:32My name is Christmas, ma'am.

00:51:33Well then, Merry Christmas.

00:51:35Please.

00:51:36Happy Easter!

00:51:37Please.

00:51:38This is Merina.

00:51:39I'm white, sir.

00:51:40Well, we got the tinderella.

00:51:42Please.

00:51:43And if I'm not mistaken this...

00:51:44Is she hired?

00:51:45No, this is Columba.

00:51:46She can't know because she was recently hired.

00:51:48Well, either recently hired or long-employed.

00:51:51It seems assumed.

00:51:52But who is she then?

00:51:53What does he want?

00:51:54What's getting in the way?

00:51:55Can you tell me who he is?

00:51:56Is he a relative?

00:51:56Is it an end, is it a blood relative?

00:51:58Is it a collateral, is it an ascendant?

00:51:59But is it possible that since I recognized my wife

00:52:01do I always find it underfoot?

00:52:03But where are we?

00:52:05Sorry, Alberto.

00:52:06Alberto?

00:52:06Who is Alberto now?

00:52:07But is that you, dear?

00:52:08Oh, that's right.

00:52:09It's true, it's true, it's true.

00:52:11Sorry, little one, but you're with me.

00:52:13After a long time, this amanexia...

00:52:15It's understandable.

00:52:16It's understandable, but do you want to define who you are?

00:52:18But who do you want to describe yourself as?

00:52:20I can't take it anymore, you know?

00:52:21Oh!

00:52:22That's right, I was just apologizing to you.

00:52:25why with all this confusion

00:52:27I forgot to tell you

00:52:29that Dr. Zannini is our administrator.

00:52:32Him?

00:52:33Our administrator?

00:52:34My administrator?

00:52:36My simbediate?

00:52:37My independent?

00:52:38Yes.

00:52:39Does she depend on me?

00:52:39Yes, I have had the honor of serving you for ten years.

00:52:42Huh?

00:52:42I have had the honor of serving you for ten years.

00:52:44For ten years?

00:52:45Yes.

00:52:45Do you need me?

00:52:45Yes.

00:52:46Oh yeah?

00:52:46Yes.

00:52:47Oh yeah?

00:52:48Do you need me?

00:52:49Honey, Zannini helped me look after our interests,

00:52:51you know, I was alone.

00:52:53Alone?

00:52:53Were you alone?

00:52:54With all this servitude?

00:52:56But, but, but, but...

00:52:57But what has happened to me, that I'm going to steal?

00:52:59But do you know how I earn money?

00:53:01Do you know what I do to earn money?

00:53:03We know it.

00:53:04We know it.

00:53:05And tell me, because I remember it.

00:53:06She owns a contracting and construction company.

00:53:11Procurement and construction.

00:53:12So I contract and build.

00:53:14Exact.

00:53:14And where do I build, where do I contract?

00:53:16Anywhere.

00:53:17Well.

00:53:17And how is my business going?

00:53:18Ah, very good, very good.

00:53:20The company closed this year with a profit of 90 million.

00:53:23Did it close the balance sheet with a profit of 90 million?

00:53:25And you, the administrator of my boxes, closed the balance sheet with a profit of 90 million?

00:53:30But with 90 million in profits?

00:53:32The budget is left open, do you understand?

00:53:34Let it float, floating.

00:53:37Oh, look at that.

00:53:39Darling, Zannini has closed the budget.

00:53:40But he did very badly.

00:53:41I open it, I am the master, I open the balance sheet.

00:53:43And if I meet someone with balance sheets on the street, I open them.

00:53:46But I don't care!

00:53:48Now...

00:53:48Be quiet!

00:53:49Tell me!

00:53:49Now I'll explain it to you.

00:53:50First fire the servants.

00:53:52Oh, yeah?

00:53:52Yes.

00:53:53Oh yes, are you giving me orders?

00:53:55She comes to tell me to fire the servants.

00:53:57She comes here, come here, come here, damn it, damn it, and tells me that I have to fire her.

00:54:00But I'm firing the ESA!

00:54:01Now that I've arrived, after 18 years, they want to do the economy.

00:54:04But we need to expand, we need to spend.

00:54:07I have to enjoy the lost time.

00:54:09Understood?

00:54:10Merry Christmas.

00:54:11Thank you, sir.

00:54:12Please.

00:54:12But dear, Zannini intended to send the servants away.

00:54:15Oh, yeah?

00:54:15Well, if that's the case, then let them go away, but let them stay around.

00:54:19Go, the doctor is staying for lunch.

00:54:21Doctor, who called the doctor?

00:54:22I'm fine, I'm the doctor engineer.

00:54:24But are you the doctor engineer?

00:54:25But I am the doctor, graduated in economic science.

00:54:28But excuse me, you're an administrator.

00:54:29Precisely.

00:54:30And then what, what, what, what, I don't understand.

00:54:32Who is?

00:54:34We have visitors.

00:54:36In short, do it like me.

00:54:36Right away, ma'am.

00:54:37They arrived earlier than expected.

00:54:39And who are they?

00:54:40They must be your dear brothers.

00:54:42Doll, I'm not an only child.

00:54:44No, unfortunately, she has two brothers.

00:54:46Yes, that's true.

00:54:46How stupid.

00:54:47Peter and Paul.

00:54:48Hand.

00:54:48Gastro and Polluccio.

00:54:49Not even Giorgio and Francesco.

00:54:51That's true, Giorgio and Francesco.

00:54:52Fr, fr, fr, fr, fr, fr, my handsome Franciscan, how are you?

00:54:58No, no, no, you're wrong, you know.

00:55:00Yes, you're tanning our lawyer.

00:55:02Because we are your brothers.

00:55:04Yes, it's you.

00:55:05But why are we stuck here?

00:55:06Please, have a seat.

00:55:07Let's go in here, shall we?

00:55:10Get busy.

00:55:10Alberto, please, this way.

00:55:13This way, please.

00:55:15Alberto, please, this way.

00:55:28Please, have a seat.

00:55:30Thank you.

00:55:30We're better on our feet.

00:55:33But how come, bro, brothers, do we pay compliments?

00:55:36We're still not sure if we're brothers.

00:55:40However, however, the chin looks like Alberto's to me.

00:55:44Yes, strong-willed, energetic, shifted slightly to the left.

00:55:47No, no, no.

00:55:48Why not?

00:55:48Oh no, because Alberto had moved it to the right.

00:55:51You're wrong, Francesco, look, I have it right before my eyes.

00:55:54I assure you, he had moved it to the left.

00:55:57Agree, right or left?

00:55:58I'm absolutely sure, he had moved it to the right.

00:56:01Before the opening, though.

00:56:02But now, since the world is going left, my chin has adapted.

00:56:05Yes, I'm sure.

00:56:06That's right, it's him.

00:56:07It's just me, dear brother.

00:56:08And to you too.

00:56:09No, no, what is it?

00:56:11It's just that I have scabies.

00:56:13Oh, it's the nose.

00:56:14The nose?

00:56:15But the nose.

00:56:16He even has a nose.

00:56:17He even has a nose.

00:56:18Oh my God, I'm going.

00:56:19And I've always had a nose.

00:56:20But it's not his.

00:56:21It's not his.

00:56:22I was born there.

00:56:23I am the master of this nose.

00:56:25For goodness sake.

00:56:26Alberto had another one.

00:56:27Yes, yes, yes.

00:56:28Two noses.

00:56:29No, he had two noses.

00:56:30It's an eye.

00:56:31Two noses.

00:56:31Yes, yes.

00:56:31No, two noses is one eye.

00:56:33What was wrong with Alberto?

00:56:34He had a different eye than hers.

00:56:36And this isn't it, what is it?

00:56:41The smile.

00:56:42But do you remember when Alberto smiled?

00:56:46This is a smirk.

00:56:47What is it?

00:56:47A grin?

00:56:48Let's not be offended.

00:56:49Don't let me be called a sneer.

00:56:50Did you understand?

00:56:51Everything is allowed, but we don't grin.

00:56:53Don't call me a sneer because I go mad.

00:56:55Let's go for a moment.

00:56:56Oh, damn it.

00:56:57Look a little to the right.

00:56:57Grinning at me.

00:56:58At my age.

00:56:59Yes, at my age.

00:57:00Look.

00:57:01Wait till I get wet, the thief.

00:57:02Stopped.

00:57:03Smile.

00:57:05If the copies are an enlargement.

00:57:06No, no, no, no.

00:57:07Enough.

00:57:08This comedy of yours is useless.

00:57:10I found my husband again and no one will ever take him away from me.

00:57:12But if you're still keeping him as a husband, it certainly won't be us.

00:57:15He's not our brother, anyway.

00:57:17But how?

00:57:17This woman resurrected me and you want to kill me a second time.

00:57:21It's me they're picking on.

00:57:23Your brothers have hated me since the day you married me.

00:57:26He is not our brother.

00:57:27Caini!

00:57:28Caini!

00:57:28But how come you don't hear the voice of the blood calling you?

00:57:31George!

00:57:33Francis!

00:57:34We are brothers, children of a mother and a father.

00:57:37We are blood relatives.

00:57:38The blood...

00:57:39But what blood?

00:57:40I!

00:57:40But I say, speaking of blood, the wound.

00:57:44Oh, right, the wound.

00:57:45The last time Alberto wrote to us, he told us that he had received a bad wound on the forehead.

00:57:50I have a nasty wound.

00:57:51And where?

00:57:52On the gift.

00:57:52And you show it to us, then?

00:57:55Can you show it to us?

00:57:58So, where here, in public, and then there's a lady?

00:58:01In a very delicate place, I know.

00:58:02Very delicate?

00:58:03Very delicate.

00:58:04All right, there's a screen here.

00:58:06Great idea!

00:58:06Let's go behind the screen.

00:58:07No, not me, not her.

00:58:10She can't come for two reasons.

00:58:11For those who I don't like.

00:58:12Second is not a blood relative.

00:58:14Blood relative?

00:58:14To us.

00:58:16Let's go.

00:58:17So what?

00:58:18See you soon.

00:58:19Wait a minute, I don't know about failures.

00:58:20And where is he?

00:58:21Here it is.

00:58:22Where?

00:58:22This.

00:58:23I don't see anything.

00:58:23How come I don't see anything?

00:58:24Where?

00:58:25And what is this?

00:58:26That would be the wound.

00:58:27And already?

00:58:27But let's go.

00:58:28But now stop kidding us.

00:58:30But what wound?

00:58:31That's an appendicitis operation.

00:58:32Oh yeah?

00:58:33Because according to you, when the Don Cossacks wound, they take care of appendicitis.

00:58:38The Cossacks handle the white arba, what if they handled scalpels,

00:58:41to a friend of mine, a Don Cossack, with a bayonet thrust,

00:58:45he took the damsels away from him.

00:58:46But talk!

00:58:48Chit chat!

00:58:48We'll see each other in court.

00:58:49Oh yes, let's meet wherever you want, in court, at the police station, at the magistrates' court, at the assize court,

00:58:52at the bar, anyway, understood?

00:58:54And you two should get it into your heads that I am your older brother.

00:58:58I am the Vincenzo Alberto Ballerino.

00:59:00It is not true.

00:59:01Who is?

00:59:03It's not true, it's not true, you're not my father, you're not my father, you're not my

00:59:08father,

00:59:08you are not my father, you are not my father, you are not my father, you are not my father.

00:59:14Why, Mrs. Polacic, did your son curse the defendant instead of hugging him,

00:59:20What would any son who finds his father do?

00:59:24What is flight, Mr. President?

00:59:25And my Pug was so happy to have found his dad again,

00:59:30that what he heard was gar... was shouted,

00:59:33I am the engineer Ballerini instead of saying that it was Antonio Polacic,

00:59:37and who felt great disappointment, and who reacted in that way.

00:59:42Do you have a photograph of your husband?

00:59:44Yes, Mr. President.

00:59:46Here you are.

00:59:48Here, you're the only one who goes.

00:59:50And here you can't see anything, her husband's face is erased.

00:59:54It was my son, Carletto.

00:59:56What has become a little bigger,

00:59:58that I had to tell him that his father had abandoned him.

01:00:01Mr President, if I shed tears,

01:00:03who dissolved the photograph,

01:00:04and with the pencil he was telling him to draw little dolls,

01:00:07who with such anger erased his father's usage.

01:00:10But, if you accommodate, you are, you are.

01:00:13Tell me, Mrs. Polacic, why did your husband abandon you?

01:00:19What is a scampi from De Pola, mine and my husband,

01:00:21he denies him being placed in a refugee camp.

01:00:24There Antonio met a woman,

01:00:27a Slav like him,

01:00:28and he lost his mind, that's it.

01:00:31And so one fine day, a few months before my son was born,

01:00:35he brought it back to Yugoslavia with it.

01:00:38I haven't heard from him since.

01:00:41Do you recognize Antonio Polacic as the defendant?

01:00:48Yes.

01:00:51Silence!

01:00:52May I, Mr. President?

01:00:54Tell me, lawyer,

01:00:55since it is not allowed that my client is the refugee from Pola, Antonio Polacic,

01:00:59Why does a Slav speak with such a distinctly Neapolitan accent?

01:01:04If you allow me, Mr. President, let me explain it to you.

01:01:07He is De Antonio's father and he was an officer at the post office

01:01:10and when Polo passed through Italy he transferred him to Afragola,

01:01:14a small village near Naples.

01:01:16That's where he was born, Antonio.

01:01:18As the Pole sees from this certificate.

01:01:29It's just as the lady says, lawyer, if you want to check.

01:01:33No, you don't need that, thanks.

01:01:36Just would like to ask Mrs. Polacic

01:01:38why did she wait to recognize her husband in the amnesiac?

01:01:43only after it was entrusted to Mrs. Ballarini

01:01:46and not when the newspapers published his photograph?

01:01:50I didn't want to be any better than him.

01:01:52But after I had to give in to my son's insistence,

01:01:55He also wanted a dad like all his schoolmates.

01:01:59And then Gavaria did it anyway

01:02:02when who remained like Giuseppe Lobianco.

01:02:06A woman can also hate her husband who has abandoned her,

01:02:09but not to the point of sending the father of her child to jail.

01:02:13This Polacic is a really good woman, a workmanship.

01:02:18But let's admit a prank by a husband like that,

01:02:20it would have given him allergies.

01:02:21What's the matter with you? Are you talking like a real woman?

01:02:24And what if I'm pretending, I don't know.

01:02:26No, no, no, you're drinking me like that.

01:02:29Silence! Silence!

01:02:35Does the defendant recognize this woman as his wife?

01:02:38I don't know, I had already recognized another one.

01:02:42However, after the invectives of that dear child,

01:02:45and there is no irony when I say dear,

01:02:47because I was a little fond of it.

01:02:50Yes, yes, I went to visit them often.

01:02:52And what do you want, Mr. President?

01:02:54In my mental confusion, doubts easily arise.

01:02:57Well, what am I supposed to say?

01:02:59You have to understand a real correspondence with me.

01:03:03I didn't hear it, that's all.

01:03:05Yes, she's a good woman, for goodness sake,

01:03:07a good housewife,

01:03:08cooks well,

01:03:09kennel washes and styles,

01:03:11but, Mr. President,

01:03:12I know,

01:03:15I understand myself.

01:03:16But the little one recognized him.

01:03:19How many of our children here recognize their fathers?

01:03:22Since when have fathers recognized their children?

01:03:27Defendant,

01:03:28please limit yourself to answering only the pertinent things.

01:03:31Oh, Mrs. Polanci,

01:03:33do you have any good luck?

01:03:38Lady,

01:03:39I have only one identity for this poor amnesiac.

01:03:42Has he always pretended to be one to escape the punishment that awaits him?

01:03:45I don't know the reasons that pushed these two women to claim him as their husband,

01:03:51but I am sure that the defendant is Giuseppe Lobianco

01:03:53and I therefore ask that the testimony of his accomplice who reported him be heard,

01:03:58Fernando Menigoni.

01:03:59Bailiff,

01:04:00you call the text Menigoni.

01:04:02Call the text Menigoni.

01:04:04Mr. Menigoni in the classroom!

01:04:07Mr. Menigoni in the classroom!

01:04:10Sorry, if you're an accountant,

01:04:11as far as she knows,

01:04:12Isn't this Menigoni related to the pharmacist from Calascebetta?

01:04:16I don't know who he is,

01:04:17I don't know who he is,

01:04:17I don't know him.

01:04:18But how?

01:04:20Ciccio Menigoni,

01:04:21the one whose wife ran away with the band's trombone.

01:04:25But what do you expect me to care about this fat Manigoni?

01:04:28Now they call him Ciccio the Sheep.

01:04:31Oh, no way!

01:04:32Look away, leave me alone.

01:04:34Swear to each other,

01:04:35it's the whole truth,

01:04:36it's the whole truth,

01:04:37I swear to you,

01:04:38I swear.

01:04:38Sit down,

01:04:39Thank you.

01:04:41Well, I was here before too,

01:04:43That's good,

01:04:43they took away.

01:04:44Silence!

01:04:46Let's get to the facts.

01:04:47Well, anyway,

01:04:47before he got together with me,

01:04:49Peppe Lobianco,

01:04:50Yes,

01:04:50he had made a few mistakes.

01:04:53Sgobbi,

01:04:53American theft,

01:04:55Neapolitan scam,

01:04:56In short,

01:04:57it's a question that he has always had,

01:04:59In short,

01:05:00fortune,

01:05:00but?

01:05:01I, on the other hand, did two jobs immediately after the war

01:05:03and they kidnapped me,

01:05:05then since I had some burden hanging over me,

01:05:07I succeeded last year,

01:05:08here I am.

01:05:09We know his CV.

01:05:12Can you tell us about Lobianco?

01:05:13Eh, okay.

01:05:14Then we made this company,

01:05:16me and Peppe Lobianco,

01:05:19immediately after the war,

01:05:20when there were no more cars,

01:05:21people were pedaling,

01:05:22in 1947.

01:05:24The idea was Peppe's.

01:05:26The idea is good,

01:05:28the idea was good.

01:05:29In short,

01:05:30he was the one who invented

01:05:31illegal parking,

01:05:32alright.

01:05:32What was he doing?

01:05:33Eh, he did,

01:05:34I liked a rack

01:05:35and he stood in front of a factory.

01:05:37When they arrived,

01:05:38I saw him with the bicycle,

01:05:39he liked bicycles,

01:05:40he put a rack

01:05:41and he handed it over to him

01:05:42the right receipt,

01:05:44delivered to the magicians,

01:05:45Understood?

01:05:45The right receipt,

01:05:46regular.

01:05:47I don't see where the crime is.

01:05:49So what am I here to do?

01:05:50It doesn't matter to me,

01:05:52they call me

01:05:53the Napoleon of the bicycle.

01:05:55And when Peppa

01:05:57he had loaded the load

01:05:58really full

01:05:59to the rack

01:05:59in full,

01:06:00he made me

01:06:01you whistle to sheep,

01:06:02then I arrived

01:06:02with the truck.

01:06:04Here you are.

01:06:05And then?

01:06:06And then,

01:06:07and then,

01:06:07Peppa aside,

01:06:08I on the other,

01:06:09we liked the whole rack

01:06:10with bicycles,

01:06:11we load it onto the truck

01:06:12and off we go!

01:06:13And so,

01:06:14from neighborhood to neighborhood,

01:06:15from city to city,

01:06:15In short,

01:06:16we did

01:06:16the tour of Italy

01:06:17with bicycles.

01:06:19The defendant

01:06:20admits to having done

01:06:22in cahoots

01:06:23with Maniconi

01:06:24this tour of Italy

01:06:25with bicycles?

01:06:26Yes sir,

01:06:28I admit it.

01:06:29I

01:06:29I took the pink jersey

01:06:31and he

01:06:32the striped pajamas.

01:06:34My partner,

01:06:36however,

01:06:36he forgot

01:06:37of the robbery

01:06:39at the gas station

01:06:39on the ribbon

01:06:40from Terracina.

01:06:41Huh?

01:06:42What robbery?

01:06:43What gas station robbery?

01:06:44What, what,

01:06:44That?

01:06:45That?

01:06:45But how come you don't remember?

01:06:47We filled it up

01:06:48of gasoline.

01:06:49On the car,

01:06:50we put the petrol in

01:06:51in the car.

01:06:51No, no, no,

01:06:52Mr. President,

01:06:53at the gas station.

01:06:54Yes,

01:06:55he held it

01:06:56and I in my mouth

01:06:57I pumped his super.

01:06:58But, what is he saying?

01:06:59But what is he saying?

01:07:00But what, but what,

01:07:00but what, but what,

01:07:01It is not true,

01:07:02It is not true,

01:07:03I didn't kill anyone,

01:07:04I am the other,

01:07:04but said.

01:07:06Silence,

01:07:07I said.

01:07:08Continue.

01:07:08Mr. President,

01:07:09not the tiara

01:07:10and he does so out of modesty.

01:07:13Tell me a little,

01:07:14and you remember

01:07:14of the shot

01:07:16of the statuette

01:07:17by Jade

01:07:17in the villa

01:07:18of the baroness?

01:07:19But what baroness?

01:07:20What are you burning?

01:07:22It's a lie.

01:07:23Silence,

01:07:24I'll let him talk.

01:07:26Tell us about this coup

01:07:28with the statuette?

01:07:29Mr. Yes,

01:07:30at night

01:07:31we went to steal

01:07:32precisely in this villa

01:07:33and to his misfortune

01:07:35the baroness

01:07:36she was still awake

01:07:37and he got caught

01:07:38such a statuette

01:07:39on the head

01:07:40that the poor baron

01:07:41remained

01:07:43ipsofacto widower.

01:07:45But what are you saying?

01:07:46But who knows you?

01:07:47But who has ever seen you?

01:07:49But don't you know me?

01:07:50I've never seen it.

01:07:50No,

01:07:51the President,

01:07:51look at all that

01:07:52who said

01:07:52in reality nothing.

01:07:53I don't know him,

01:07:54I didn't see it,

01:07:54but I know,

01:07:55yes now

01:07:55you can accuse me

01:07:57even in the face of testimony.

01:07:58Chancellor,

01:07:59write.

01:07:59It's three months or three years,

01:08:01I know a lot.

01:08:02Enough!

01:08:02I always know

01:08:03from a clear fact,

01:08:04I've never lumped anyone together.

01:08:06Oh,

01:08:06I didn't pile it up.

01:08:08Mr. President,

01:08:09Mr. President,

01:08:09he heard

01:08:10that species

01:08:11of a gentleman

01:08:11he wanted to blackmail me.

01:08:13I don't know who he is,

01:08:14I don't know him,

01:08:15I've never seen it.

01:08:16I only remember

01:08:17that one day

01:08:17he came to visit me

01:08:18and he wanted from me

01:08:19200,000 lire

01:08:20not to mention clear.

01:08:22I kicked him out

01:08:23and he to take revenge

01:08:24he reported me.

01:08:25That's why I'm here.

01:08:27I could have even given him

01:08:28the 200,000 lire

01:08:29because the means

01:08:30I didn't miss them.

01:08:31But I didn't want to give it to him.

01:08:32and he knows why

01:08:33I didn't want to give it to him

01:08:34because I'm not white.

01:08:36Naturally

01:08:36it's more comfortable

01:08:37to be engineer Ballarini.

01:08:39Ninth,

01:08:40it's uncomfortable.

01:08:41On the contrary,

01:08:41it's very uncomfortable.

01:08:43And I'll tell you more

01:08:44that aren't even

01:08:46engineer Alberto Ballarini.

01:08:48But anyway,

01:08:49who is she?

01:08:52Silence.

01:08:53Silence,

01:08:54I'm having the room cleared.

01:08:58Defendant,

01:08:59come to the witness stand.

01:09:01Right away, Mr. President.

01:09:14Listen,

01:09:15but why

01:09:16after having always supported

01:09:17from the first meeting

01:09:18with Mrs. Ballarini

01:09:19to be the engineer

01:09:20Alberto Alessi

01:09:21suddenly

01:09:22he says it isn't?

01:09:22But,

01:09:23Oh,

01:09:24let me explain,

01:09:24Mr. President.

01:09:25The house

01:09:26that my wife

01:09:27he was calling

01:09:28our love nest

01:09:29during my stay

01:09:31the nest

01:09:32I found it

01:09:33but of love

01:09:34not even a shadow.

01:09:35Now I say,

01:09:37a wife

01:09:37who finds her husband

01:09:39after 18 years

01:09:40even if this

01:09:41it's a little bit

01:09:42Nadello season

01:09:43like the undersigned

01:09:44present here

01:09:45anyway I say

01:09:47longs for

01:09:47and in fact

01:09:49I was longing

01:09:50Mr. President

01:09:51believe me

01:09:51on what I hold most dear

01:09:53I was longing

01:09:54my wife instead

01:09:55every night

01:09:55he gave me a kiss

01:09:57on the forehead

01:09:57he let me sleep

01:09:59in the study

01:10:00and she

01:10:00take take

01:10:01damn damn

01:10:02he was retiring

01:10:03in his apartments

01:10:04after 15 days

01:10:06I decided

01:10:07to break

01:10:07the delay

01:10:08and as in fact

01:10:09Mr. President

01:10:10believe me

01:10:10I broke it

01:10:40Mr. President

01:10:50Mr. President

01:10:51Hate

01:10:53my heart is in my throat

01:10:55Saint Cemeli

01:10:56patron of males

01:10:57support me

01:10:58hold me up

01:11:00hate

01:11:01I don't dare

01:11:01I dare

01:11:04who is?

01:11:06It's me

01:11:07Alberto

01:11:08your affectionate conice

01:11:12Take your time, hurry up

01:11:23What's up, Alberto? Are you feeling sick?

01:11:27I have nothing else at all, in fact I dare say I feel great, I feel fit.

01:11:32But then what do you want?

01:11:34What? It's not clear, a priori, what I want.

01:11:37Doll, what could a male husband want after 18 years of separation from his female husband?

01:11:45I'll tell you, a little closeness, open

01:11:49Alberto, please Alberto, go and rest

01:11:54But I'm not tired at all, quite the opposite.

01:11:57No Alberto, no, you suffered, you fought in the war, you still need real rest.

01:12:03Yes, warrior's rest, come here darling, come here darling

01:12:06Try to think, you have suffered a trauma, you have to recover, you are not ready yet, prepared

01:12:13Prepared? But why do I have to take a test, perhaps? Do I have to get a driving license, perhaps?

01:12:19You ask me questions on the topic and I will answer you ad hoc.

01:12:23But you are not completely healed yet, you still suffer from amnesia

01:12:27What does that mean? Someone forgets what they're supposed to do, right?

01:12:29And then, it's a separate matter, darling.

01:12:33Enough, please, I don't want anyone to find you in here, Alberto

01:12:36Would anyone find me in here?

01:12:39This is a bond that you are saying, be patient

01:12:41But how come there's someone passing by in your room?

01:12:44And then, even if someone came, excuse me, what's the point?

01:12:47After all, I'm your husband

01:12:52The compass

01:12:55The telephone

01:13:01Ready?

01:13:02Yes?

01:13:04Ballarini House?

01:13:06As?

01:13:07At this time?

01:13:09But no, I say, sorry, you know

01:13:10Who is?

01:13:12He's a guy, look for Zanini

01:13:14You say it's urgent

01:13:15But who's bringing him to us, Zanini?

01:13:17Here, at night

01:13:19There's what I say too

01:13:21But sorry, it's absurd, bear with me.

01:13:23The thing is that he's here at this time

01:13:26Zanini, but

01:13:28Oh, yeah?

01:13:30Yes?

01:13:33Yes, yes, yes, yes, yes

01:13:35Well, now I'm telling you

01:13:37Zanini

01:13:38Is it for her?

01:13:40Keep

01:13:41What do I know?

01:13:44Ready?

01:13:45As?

01:13:45She's an idiot

01:13:48He's fired

01:13:49Thank you

01:13:49Please

01:13:50Here you are

01:13:51Hand

01:13:53You're tired

01:13:55You still suffer from amnesty

01:13:57Someone can see you here

01:14:00This someone was him

01:14:02The administrator

01:14:04What a tome tome

01:14:05Damn damn

01:14:07He slams himself under the bed

01:14:08It's true that he administers you

01:14:10Administer

01:14:11But she

01:14:12He's eating it

01:14:13All the minestrone

01:14:14My friend

01:14:15And the minestrone

01:14:17It's mine

01:14:18Now

01:14:19What should I do?

01:14:21I should shoot

01:14:22But what shooting?

01:14:23Shoot

01:14:23Don't talk nonsense

01:14:24To defend my honor

01:14:26I caught him red-handed

01:14:27Under my wife's bed

01:14:28She knows very well

01:14:28That is not his wife

01:14:29No

01:14:30She's not my wife

01:14:32She's not my wife

01:14:34But if he recognized me

01:14:36No

01:14:37I took advantage

01:14:38Of the resemblance

01:14:39With my husband

01:14:40And of the providential

01:14:41Loss of his memory

01:14:43And why?

01:14:44Why take advantage?

01:14:45From my misfortune

01:14:46Here you are

01:14:46I'll explain to you

01:14:47The husband's brothers

01:14:48Of the lady

01:14:49After the legal deadlines

01:14:50They advanced

01:14:51Request for presumed death

01:14:52To benefit

01:14:53Of the legitimate two thirds

01:14:54Of the engineer's assets

01:14:56I had pulled

01:14:57Things in the long run

01:14:58Taking advantage

01:14:59That the situation

01:14:59Missing people in Russia

01:15:00It had never been clear

01:15:01But now

01:15:02My brothers-in-law

01:15:03They were about to get

01:15:04Yes, in short.

01:15:05It had been foreseen

01:15:05This good opportunity

01:15:06Who cut the head off the bull

01:15:08And already

01:15:09In this case

01:15:10The bull would be me

01:15:12Hand

01:15:13Hand

01:15:14She is not the real husband

01:15:16Yes but

01:15:17For the eyes of the world

01:15:18I am the engineer

01:15:20Alberto Ballerini

01:15:21And if I accepted

01:15:22This triangle

01:15:23Dear you

01:15:24I would be

01:15:25Alberto

01:15:26Engineer

01:15:27Dancers

01:15:28And Cuckold

01:15:29Try to understand

01:15:31Me and Sandro

01:15:32We loved each other

01:15:32Before I came on the scene

01:15:34She

01:15:34Yes eh

01:15:35And then it means

01:15:36That I

01:15:36I'm leaving at the end

01:15:37Hand

01:15:37One moment

01:15:38You touch me

01:15:38Zanini

01:15:39Don't touch me

01:15:40Please

01:15:40I don't like her

01:15:41I always disliked him

01:15:43From the very first moment

01:15:44That I saw her

01:15:44It was love at first sight

01:15:45How do you say

01:15:46Love at first sight

01:15:47Of antipathy

01:15:48He understood

01:15:49And now

01:15:49Besides being unpleasant to me

01:15:51Cordially

01:15:51It also makes me

01:15:52A little bit disgusting

01:15:53Here you are

01:15:54Listen

01:15:55What is his name

01:15:56She listens to me

01:15:57You accept the situation

01:15:58She has everything to gain

01:15:59A name

01:16:00A position

01:16:01A bank account

01:16:03And a house

01:16:03Yes eh

01:16:05And the wife

01:16:06I am not his wife

01:16:09And then not even the name

01:16:10The bank account

01:16:11The house

01:16:12And so on

01:16:13They belong to me

01:16:13Well listen

01:16:14Listen

01:16:15He wants some advice

01:16:16Don't kick your luck

01:16:18Play our game

01:16:19Oh yes

01:16:20I would play your game

01:16:23I would accept to act

01:16:24My part

01:16:25And playing the part

01:16:27By engineer Alberto Ballerini

01:16:29I would also be jealous of my wife

01:16:31It's the game of parts

01:16:33Zanini

01:16:33If I accept the role

01:16:34I have to recite it to the end

01:16:36I have a husband in all respects

01:16:38I have nothing

01:16:39Think about it

01:16:40Think about it

01:16:41Ninth

01:16:42Let them think about it

01:16:43And give me an answer

01:16:45The answer

01:16:46They haven't given it to me yet

01:16:48And I don't know

01:16:49If they give it to me now

01:16:50What is this man doing?

01:16:51He's crazy

01:16:52Please

01:16:53Forgetful

01:16:54Amnesty of the remote past

01:16:56Why the past perfect?

01:16:57I remember that well.

01:16:59And how

01:16:59He's just a crazy person

01:17:01A poor madman

01:17:03Sorry Mr. President

01:17:04But I can't

01:17:05To continue to defend

01:17:06A man

01:17:06Who doesn't know what he's saying

01:17:08Silence

01:17:10Silence

01:17:15Silence

01:17:16Silence

01:17:32Silence

01:17:33He knows he is not

01:17:33Joseph Lobbianco

01:17:34He knows he is not

01:17:35Alberto Ballerini

01:17:36He doesn't remember being

01:17:37Antonio Polacic

01:17:39But anyway

01:17:39She

01:17:40Who is?

01:17:42Who am I?

01:17:44Mr. President

01:17:45I already said it

01:17:46I do not know

01:17:48It's you

01:17:49Do you have to give me a name?

01:17:52Dancer

01:17:53Lobbianco

01:17:54Polacic

01:17:54Oh

01:17:55For me

01:17:55Any name is fine

01:17:57I was born yesterday

01:17:59I'm a child

01:18:00Maybe a child was struck

01:18:02If they give it a name

01:18:03Prosdocimo

01:18:04Themistocles

01:18:05Oh senofonde

01:18:06No

01:18:07It's the parents' fault

01:18:09And in this case

01:18:10Lord of the court

01:18:11You are my parents

01:18:13Yes

01:18:14I could have stayed

01:18:15Dancers

01:18:18Striped and beak

01:18:19No

01:18:20It's not dignified

01:18:21I chose freedom

01:18:23I could leave

01:18:24To the graves

01:18:25In jail

01:18:26Like the white one

01:18:27So much

01:18:27What do I have to lose?

01:18:28Nothing

01:18:29Or

01:18:30Recognize that you are

01:18:31Polacic

01:18:32All the more so

01:18:33That good woman

01:18:35It would have no material purpose

01:18:37To say that I am her husband

01:18:38But I

01:18:39Mr. President

01:18:41I don't remember who I am

01:18:43This

01:18:44That's the real point

01:18:45On the question

01:18:47Who I am

01:18:48I do not know

01:18:49You tell me

01:18:50If you think

01:18:51That today it is really necessary

01:18:52Have a first and last name

01:18:53I

01:18:54I trust your judgment

01:18:57Fido

01:18:58Fido

01:18:59He called him Fido

01:19:00Then he recognized this dog

01:19:03In short

01:19:03It's the dog who recognized me

01:19:04And then I called him Fido

01:19:06Because almost all dogs

01:19:07They're called Fido

01:19:08Mr. President

01:19:09And it is communicated at this time

01:19:11That the real Giuseppe Lobianco

01:19:12He was arrested in Montalto di Castro

01:19:14While he was trying to steal

01:19:15A flock of sheep

01:19:17And he is currently in prison

01:19:19In the Civitavecchia prison

01:19:20I therefore ask

01:19:22The suspension of the trial

01:19:23And the immediate release

01:19:26Of the accused

01:19:28Fido

01:19:29Did you hear?

01:19:30Fido

01:19:32Fido

01:19:49Fido

01:19:50Fido

01:20:02Fido

01:20:12Fido

01:20:16Fido

01:20:17This part didn't come out

01:20:18Thank you superior

01:20:19Thank you superior

01:20:19Please

01:20:22Fido

01:20:23Fido

01:20:24I didn't know you were coming

01:20:25My dear beautiful dog

01:20:27Dear

01:20:28Thank you superior

01:20:29But I'm passing

01:20:30Please

01:20:31Fido

01:20:31Let's go up

01:20:36And you're not taking the suitcase?

01:20:37Huh?

01:20:38Ah, the... the... it's not mine

01:20:40Give it back to Mrs. Ballerini

01:20:43Good morning

01:21:07Thank you for coming

01:21:09But you could have saved yourself this effort

01:21:12I would be at home looking for you

01:21:13From that good husband that from now on I want to be

01:21:17She...

01:21:18She is not my husband

01:21:21I know

01:21:22But I wanted to hear it from your mouth

01:21:25Sorry, from his mouth

01:21:27But why not?

01:21:29And the lawyer of the Ballerini brothers

01:21:31He gave me a little bit of money

01:21:33Why did I play this part?

01:21:35And I... I just...

01:21:37I have this desire to make this great

01:21:39I need so much

01:21:43I understand

01:21:44And then... then I didn't think I was doing any harm

01:21:47In fact, I thought I was only doing good.

01:21:49Since I was avoiding a conviction

01:21:52Sin

01:21:53But the ga has somewhere to go now

01:21:56The ga?

01:21:58Yes, if he has somewhere to go

01:22:00Oh, don't worry.

01:22:02I'll go where Fido takes me

01:22:03Maybe he really knows who I am

01:22:08Who knows, maybe it will take me back to where I lived

01:22:09Where I was born

01:22:11Goodbye

01:22:14Let's go, Fido

01:22:17I'm in your paws

01:22:19Let's go, Fido

01:22:59Pope of Rome, citizens of the city of the annexed provinces, listen to my word.

01:23:07I know that you are a people of attentive men, win them, your education is proverbial, your ways are

01:23:16urban, or people of urban conquerors, listen!

01:23:37Thank you all!

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