Mia And The Dragon Princess [Full Movie] [English Subs]Full EP - Full

1 hour ago

Transcript

00:00:28Transcription by CastingWords

00:00:58Transcription by CastingWords

00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed

00:01:08to Javanese royalty, renounced everything.

00:01:12Her title, her riches, much to her family's displeasure, she was Marshan de Damayanti, the Princess Pirate.

00:01:46She led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a

00:01:57new family.

00:01:58A loyal crew of women she saved from the shackles of servitude, or title.

00:02:15It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mordor.

00:02:20Together they ruled the Wraiths, becoming each other's only true ally.

00:02:27But their past was never far behind.

00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.

00:02:40When her pursuers eventually closed in, Marshan de Damayanti entrusted her share of the riches to Red, who in turn

00:02:46gave her a wrist device that would lead her back to Red and the treasure.

00:02:51She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one

00:02:58would dare follow.

00:02:59But tragically, her ship was lost to the ice.

00:03:04Lost for hundreds of years.

00:03:07Until now.

00:03:21SUNG

00:03:23SUNG

00:03:30SUNG

00:03:35I don't know.

00:04:01I don't know.

00:04:32I don't know.

00:04:48Okay, I got off stop we have one of those one less again

00:04:58Get mr. West down here immediately

00:05:10Oh

00:05:42She did not pay for that spring roll

00:05:43It's TJ Gary

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00:13:06So, I'll try these on.

00:13:15Okay, let's get you some real food, right?

00:13:17Um, what do you fancy? Scampi fries?

00:13:19Beef crisps?

00:13:21Are you vegetarian? Because that's all we have.

00:13:24Order your tea.

00:13:26Right, okay. Um, you might be a mass murderer

00:13:29and I'm here asking about your dietary requirements.

00:13:31I'm an idiot. Okay, please stay hidden, right?

00:13:33I'll be right back.

00:13:38Hey, hey!

00:13:40Ready yourselves for another delightful concoction

00:13:42from London's greatest mixologist.

00:13:44I call this one Succo d'Angelo.

00:13:47Angel Cheers.

00:13:48Welcome, explorers, to the Smuggler's Tavern.

00:13:52The Pirates' Private Party Palace.

00:13:55This is the most historically infamous sordid den

00:13:58of villainy and underworld chicanery

00:14:00that ever was in old London town.

00:14:02And it's here our walking tour of London should pause

00:14:05for refreshments and use of the facilities.

00:14:07Mine's a brandy Alexander if anyone's buying.

00:14:11No?

00:14:13No?

00:14:15Fair enough.

00:14:23No!

00:14:29No!

00:14:29Ah!

00:14:30Bro's banana!

00:14:31Oh, sack!

00:14:35I need to talk to Skip about our deal.

00:14:38He's busy.

00:14:39Please get him.

00:14:41I just said he's busy.

00:15:05I'm not selling.

00:15:06Mr. Walsh is offering you a great deal.

00:15:09I know it's been in your family for generations, but you need to think about it.

00:15:13I will not change my mind.

00:15:16Fine.

00:15:17Mr. Walsh won't be happy.

00:15:23Hey, look, I know you're really doing everything you can to help out.

00:15:27Is there anything you can do to just help out a little bit more?

00:15:32Well, if he doesn't pay any of you this month, he might just scrape by, but...

00:15:37What will happen this month?

00:15:40Hey, don't worry.

00:15:42You can always be a barmaid somewhere else.

00:15:45It's not the only pub in London.

00:16:04Everything over there.

00:16:08Everything over there.

00:16:11Everything over there.

00:16:15Everything over there.

00:16:17Everything over there.

00:16:18Eddie will be with you shortly.

00:16:21He's missing his queue.

00:16:23He's in the middle of something.

00:16:24Shit.

00:16:24here tell this lovely girl woman about the dastardly dealings that the smugglers have

00:16:29you do two for one cocktails between now and six nice cocktails

00:16:39actually you can find that our listening general knowledge expert knows a lot more than i do

00:16:44hey lots of the legends here are true i miss most mysterious places

00:16:50this before the great fire of 1666 um lots of various stuff and right here i mean this this bomb

00:17:01it's built right on top of the lost rivers and caves of london lost and they've rebuilt both fire

00:17:20to reach your destination you must leave the shore ah yes the maxim of ferocious pirate catherine

00:17:27morgan or red cat she was now oh yeah because she had nine lives

00:17:39cat discovered a baby kraken orphaned from its mother she cared for this crackling naming her lucy

00:17:47a fierce protector of the pirate who raised her

00:18:11red cat spent years trying to find a friend eventually cat turned up here her last hope was

00:18:18that her friend would follow in her footsteps to the infamous smugglers tavern known as a black market

00:18:23for trading pillaged riches allegedly she left a trail of clues should marchanda return to claim her

00:18:31share before cat herself became nothing more than legend

00:18:40the man being shot by red cat in the painting bears a likeness to skip's forefather who owned the

00:18:46tavern at the tavern at the time leading many to believe skip's family were more involved in the

00:18:51sordid deeds of this notorious pirate than we know

00:18:57cool uh i'll take two of those pack bales please

00:19:01i reckon it's a nice touch

00:19:23i hope you enjoy day-long sci-fi sessions with an unwashed flaccid ape man he feeds off self-esteem

00:19:31this

00:19:31one so i'd look out for that yeah hey eddie keep us yours hey check this out see this four

00:19:35over

00:19:36there so she used to date him and it looks like they've dragged new dates to the same place

00:19:47why don't you kick this date into phase two and just

00:19:49shit off to nandos you shit off to nandos you pass eddie the water

00:19:58oh hey um they've called down uh delivery's waiting been up there for about ten minutes

00:20:03ten minutes

00:20:06i can stick your apology

00:20:21hey well done another delivery's been nicked this one's on you everyone come on don't be like

00:20:25that mia

00:20:29skip eddie does that hope

00:20:30no no

00:20:37no no no

00:20:57Let's go.

00:21:29Quit, I'm hit.

00:21:43I know that, Chris.

00:21:48Are you all right down there, Skip?

00:21:51I think so.

00:21:53Call an ambulance, Eddie.

00:22:05Hey, don't kill him, don't!

00:22:10Yeah!

00:22:11Yeah!

00:22:16Help!

00:22:17Help!

00:22:18Help me!

00:22:18Get home!

00:22:23No!

00:22:29No!

00:22:30God!

00:22:32It's the same Chris as the rest of the next door.

00:22:34Oh.

00:22:36Hey, what does this mean?

00:22:39It's a mokui!

00:22:42It's a mokui.

00:22:44Your vocals sound obliterated.

00:22:46That's not healthy.

00:22:48Sounds like you've been doing eight phantoms a week.

00:22:50That's serious.

00:22:51I can fix this.

00:22:54Skip!

00:22:56Oh, hey, you can't be back here.

00:22:57Yep, just knocking together a cheeky vocal tonic.

00:23:00Eddie, they cut the landline before roughing me up.

00:23:03That's another thing an owl can pay for.

00:23:07Oh, you?

00:23:09See, if I was 15 years younger, I'd throw you about like an empty tracksuit.

00:23:14What?

00:23:14What's this?

00:23:19Gunpowder.

00:23:20And this is why you can't be back here.

00:23:24Alright.

00:23:30Hey, you're a polyglot.

00:23:32Maybe you can communicate with her what she's saying.

00:23:34I'll see what I can do.

00:23:36I might get some ice on that.

00:23:38There's no signal down there.

00:23:40I know.

00:23:40Right, I'll go and call the police.

00:23:41Yes.

00:23:49I don't think the police can help her.

00:23:51What is she looking for?

00:23:55Hey, who are those guys?

00:23:59They're just some people who'd want to cash in on mummy's fortune.

00:24:04I can't even afford to keep the lights on.

00:24:08And they can smell the blood in the water.

00:24:11So I'm going to have to sell.

00:24:16They let my father down.

00:24:19I can help you.

00:24:20I've been saving up.

00:24:22Oh, Mia.

00:24:24No.

00:24:24I can't do that again.

00:24:26Yes, please.

00:24:27Yes, you can.

00:24:28It's fine.

00:24:28You can owe me.

00:24:29I can't.

00:24:31Skip, please.

00:24:32It's fine.

00:24:33Mia?

00:24:34No.

00:24:36It's only a bar.

00:24:38It's our hope.

00:24:41I can't.

00:24:43I can't.

00:24:49It's not up to you.

00:24:51I'm going to help you.

00:24:54I won't be needing this anytime soon.

00:24:56Thank you so much for traveling the world.

00:24:59Come on, you.

00:25:02Let you go.

00:25:04Go.

00:25:06Okay, let's see how good this translation happens.

00:25:10You're welcome.

00:25:15Language not recognized.

00:25:18See if you can translate.

00:25:20Do your thing.

00:25:25What's this, eh?

00:25:26Who are you?

00:25:27Marshanda Damayanti.

00:25:29Marshanda?

00:25:30Marshanda.

00:25:31I'm Mia.

00:25:32Mia.

00:25:34Mia.

00:25:34Yes, Mia.

00:25:36Marshanda.

00:25:38Sod this shithole.

00:25:40Ladies, to Shampas.

00:25:45The police are on their way.

00:25:50Danger.

00:25:52Danger.

00:25:57Hey, Lisa can be here in a little bit.

00:25:58And I don't want my friend to get in trouble.

00:26:00Can she come with you?

00:26:01Just for a short while.

00:26:02I'll come find her and drinks will be on me.

00:26:05I have some bloody day, baby.

00:26:08Tell her that she needs to go and I'll come find her.

00:26:14Go.

00:26:15Should we stay for that?

00:26:22None of you saw her.

00:26:24Especially you.

00:26:26Don't, don't, don't.

00:26:27You're not supposed to go anywhere until the police...

00:26:30Don't do it.

00:26:30I will buy you shots.

00:26:32I will get you.

00:26:33You can't stop it.

00:26:34You're surprisingly strong.

00:26:37Wait, no.

00:26:37Ora, ora.

00:26:39I don't know, go.

00:26:39Ora.

00:26:40Come on.

00:26:43Go on in.

00:26:45Wait, Shin.

00:26:46I can't.

00:26:50I can't leave them.

00:26:59What are you doing?

00:27:02No.

00:27:03Did you call the police?

00:27:05Yes.

00:27:06Yes, I did.

00:27:07And they are coming to take statements.

00:27:09So everyone needs to stay here.

00:27:14What about the ambulance?

00:27:15Yeah, ambulance too.

00:27:17We can't have the police coming in.

00:27:19Huh?

00:27:19Why not?

00:27:21Well, Shanda, she might be running for something.

00:27:22I think.

00:27:24For what?

00:27:26What is she looking for?

00:27:29Look.

00:27:31I don't know.

00:27:32Until I figure that one out,

00:27:34let's maybe not throw her under the bus, right?

00:27:36The thing on her wrist.

00:27:41It's Chris.

00:27:41What is it?

00:27:46That crest is ancient.

00:27:47And it's been in that building upstairs long before it was a restaurant.

00:27:53They've been trying to buy me out.

00:27:56And they'll try anything about me.

00:27:59Look.

00:28:00I'm sorry, but I kept this quiet.

00:28:03They've put a bid in for this place.

00:28:06It's three times what the place is worth.

00:28:08Maybe she's involved with her.

00:28:10No.

00:28:11No.

00:28:13She's not with me.

00:28:17And keep her out of sight.

00:28:20What makes you think this is going well?

00:28:23I don't...

00:28:23No, no, no.

00:28:23It's...

00:28:24We'll just...

00:28:25Me and Chloe.

00:28:26Get your hands off of me!

00:28:28No, no.

00:28:28The police said not to leave.

00:28:32Help me out.

00:28:35Mia?

00:28:38Help me out.

00:28:50Hello, Matt.

00:28:51Mr. Walsh.

00:28:52Fancy seeing you here.

00:28:54This is DC Cross.

00:28:56Been a bit of a disturbance in the area.

00:28:58I just wanted to check our lovely neighbours were all right.

00:29:03Come on.

00:29:04Come on.

00:29:04In here.

00:29:05In here.

00:29:06Stay in here.

00:29:07Stay in here.

00:29:08I'm gonna keep you out of sight.

00:29:16Hello.

00:29:30Looks like our suspect committed similar acts on your premises.

00:29:35You're scared.

00:29:36Who is this guy?

00:29:37Theodore Walsh.

00:29:39He inherited the restaurant from his father and also acquired his master for this place.

00:29:44Who we did.

00:29:45As you know, Mr. Walsh.

00:29:46My associate believes our suspect is here.

00:29:52My niece.

00:29:56Your niece?

00:30:00We are just concerned.

00:30:09Well, maybe we should just wait for the police, eh?

00:30:12Sort this all out.

00:30:14There we are, the police.

00:30:16Get away.

00:30:19You got any ID?

00:30:22Isn't that how you do things here?

00:30:25Come here.

00:30:30Look at my face.

00:30:33This is the only ID you need.

00:30:35Take a good, long look.

00:30:37Every pull.

00:30:43You're dead.

00:30:44You're dead.

00:30:47You're dead.

00:30:47Like us.

00:30:50You're dead.

00:30:51Violent. Quite the character. Troubled your woman, I have to say.

00:30:56We were in the process of getting her some assistance. Psychiatric assistance.

00:31:01She had an episode. Run away. Millennials.

00:31:10Your niece.

00:31:15You're her uncle.

00:31:17Yes.

00:31:18And this lot? They're your task force?

00:31:22Uncle.

00:31:23We're also uncle.

00:31:24Also uncle.

00:31:28Big family.

00:31:33More police are on the way.

00:31:35Are they?

00:31:42We were just trying to leave.

00:31:45Aye, we have a schedule to keep her.

00:31:48Hey.

00:31:50Don't touch me.

00:31:56Relax. Let's all have some drinks. That's why we're here, right?

00:32:01All we need is the woman.

00:32:04Where is she?

00:32:10She, um...

00:32:11She was here, Mr. Walsh.

00:32:15I, uh...

00:32:16I don't know where she is currently.

00:32:20Whoops.

00:32:21I'll get those up.

00:32:24Let's try again.

00:32:26No, no, no.

00:32:30Fuck!

00:32:31Fuck!

00:32:33Fuck!

00:32:35Fuck!

00:32:37Fuck!

00:32:39Fuck!

00:32:41Fuck!

00:32:44Fuck!

00:32:46Fuck!

00:32:58Well, look who it is.

00:32:59Come on, darling.

00:33:12Why are you hiding in there?

00:33:23Nia, these men are dangerous.

00:33:28No, stop!

00:33:32Wait, I'm sorry.

00:33:34I'm sorry.

00:33:41Mr. Walsh?

00:33:49Mr. Walsh, I think I might have seen them going into the toilets together.

00:33:56She might still be in there.

00:34:04Made a new friend today.

00:34:06Hmm?

00:34:09I wonder what you both talked about.

00:34:26I'm sorry.

00:34:30I'm sorry.

00:34:31I'm sorry.

00:34:38I'm sorry.

00:34:45Mia!

00:35:09I thought she was there, boss.

00:35:11That's her.

00:35:11Oh, yes.

00:35:20I want you all out of my bar.

00:35:24I want you all out of my bar.

00:35:35Ready?

00:35:36Glass?

00:35:47Right now!

00:36:04No!

00:36:05No!

00:36:06No!

00:36:08No!

00:36:09Do you want to see if this thing works?

00:36:10Do you want to get the fuck out of here?

00:36:15Mac.

00:36:16Get back!

00:36:17Get back!

00:36:17Take those two girls!

00:36:19Chicken!

00:36:22Chicken!

00:36:24Chicken!

00:36:32Chicken!

00:36:33I don't know.

00:37:08I've been shocked.

00:37:12What is this?

00:37:14It's all right.

00:37:19Clear.

00:37:21My browser history.

00:37:27It's gonna be.

00:37:29That's life.

00:37:31Sorry.

00:37:34Bring her to me.

00:37:37No witnesses.

00:37:39Kill them all.

00:37:55Help!

00:37:57Help!

00:38:03Let's go.

00:38:40What is that?

00:38:43This really was this one to send centuries ago, you know that?

00:38:45Way out.

00:38:46Yes.

00:38:47Something better than nothing.

00:39:08It looks like a hatch.

00:39:26No, no, Eddie.

00:39:31No!

00:39:37Stop!

00:39:39Mommy!

00:40:17Oh, my God.

00:40:39Oh, my God.

00:40:49Oh, my God.

00:40:54Oh, my God.

00:40:55Oh, my God.

00:40:57It's going to be...

00:40:59It's not what they want.

00:41:01It's okay. We'll give you help.

00:41:02We'll give you help. We'll give you help.

00:41:03We'll give you the help you need.

00:41:05We'll give you help.

00:41:07There's a way out.

00:41:08There's a way out.

00:41:10I'm not leaving you mine.

00:41:14The Orla River.

00:41:17The Orla...

00:41:19What do you mean, the Orla River?

00:41:23No!

00:41:25Run!

00:41:25Get away with me.

00:41:37Put you on...

00:41:40Get away!

00:41:43Yes!

00:41:44No, I'm not.

00:41:54No!

00:42:02Go see what's in there for me.

00:42:07No, thank you, Mr. Walsh.

00:42:09We should leave.

00:42:14Okay.

00:42:19Come on!

00:42:21Game warfare!

00:42:22What are you doing?

00:42:32There has to be a way out.

00:42:34Hey, you sit with me now.

00:42:35Come on.

00:42:37She works, baby.

00:42:38Come on.

00:42:38Look!

00:42:49Guys, there's another room back here.

00:42:56Come on, let's go!

00:42:58Hurry, hurry, hurry.

00:42:59Come on, hurry.

00:43:05Watch out the car.

00:43:06Let's go!

00:43:10Help me!

00:43:11Yeah.

00:43:24Come on!

00:43:26Let's go, Betty!

00:43:28Betty!

00:43:29Come on, Betty!

00:43:30Come on!

00:43:32No!

00:43:47This is all, Dewey!

00:43:51I'm Jim Long.

00:43:52Now let go.

00:43:57Put the girls in here with me, Mr. Walsh!

00:44:00Why do they want her?

00:44:02I don't know.

00:44:03How long have you worked here and not had access to this room?

00:44:06I had no idea this was here until a minute ago.

00:44:09Do you think these are access points to fix the pipes?

00:44:11Well, who cares?

00:44:13They block it up.

00:44:15Crowd shooting in.

00:44:16Are we in?

00:44:23No!

00:44:44You shot me!

00:44:56I need a doctor!

00:45:00Portia, I'm sure I've got a journal.

00:45:02How many muskets?

00:45:04Muskets?

00:45:05God, they're happening.

00:45:06He's updating.

00:45:06Yes, muskets.

00:45:08Very bad.

00:45:11What do they want with her?

00:45:14There's no way to run.

00:45:16You should...

00:45:22All Up River.

00:45:23River?

00:45:26You think this pipe leads to one of the sunken rivers?

00:45:29All Up River's what they've said.

00:45:30You lot need to get your prority straight.

00:45:32There is no All Up River.

00:45:34The nearest sunken river's a tie being or something.

00:45:39Might as well just give it up!

00:45:42All Up.

00:45:43All Up is always part of a ship where the ropes are kept.

00:45:47The skips said all upriver, but...

00:45:49It could be a way out.

00:46:02Look, is there anything we can do to keep your boss happy?

00:46:11Well, they're obviously looking for what?

00:46:16Something Cap Morgan brought down here hundreds of years ago.

00:46:21Red Cap Morgan.

00:46:26What are you talking about Red Cap's treasure?

00:46:30That's just a myth.

00:46:35Can Can!

00:46:38Can Can!

00:46:43Your phone, can you tell us this?

00:46:48Language not found.

00:46:50It's not a language in the app.

00:46:53Maybe you can have her say something, and it'll translate that.

00:46:56Can you read this?

00:46:58Read it.

00:47:04Do destination advance.

00:47:07Coast departure urgent.

00:47:09No, no, no, no. I think I get it.

00:47:12It's read some words or written in some coded language.

00:47:16Skip said for the old river, and the pipe says all upsteel on it.

00:47:20I think Cat, Red Cat must have left that painting for someone, and Marciana knows something about it.

00:47:26I bet whatever the art is through this pipe, and Skip realized it when he saw the hatch.

00:47:32Let's try and find it.

00:47:34Let's try and find it, yeah?

00:47:35Maybe we can give it to you, boss.

00:47:37We can throw things over by some time, and we can keep running.

00:47:40Okay?

00:47:42You're safe.

00:47:43We are safe.

00:47:45Right?

00:47:53Come on, come on, come on!

00:48:08Up that away, right?

00:48:11I really can't do this.

00:48:19save yourselves

00:48:21stop showing off

00:48:30quick

00:48:31stop

00:48:32stop

00:48:33stop

00:48:54No!

00:48:55Boss, the room's empty. They've disappeared.

00:48:57I need a...

00:49:00Well, well, well. What have we here?

00:49:06Now, what is the deal with that room?

00:49:09Well, how would I know? I've never been in there.

00:49:12And besides, it's way too hench to fit through that shit.

00:49:16You saying I'm not hench enough?

00:49:18It's a fucking hatch. What do you want?

00:49:20Good point. What we want is the girl.

00:49:23And most specifically, something she has, a little wrist device and what she can find with it.

00:49:27But the chief concern is where they could have gone because they're not in there.

00:49:33I think this one may be able to work it out.

00:49:37Me? What makes you think that?

00:49:39Call it a hunch.

00:49:48It's not my hat.

00:50:00Come on.

00:50:07Come on. Get home with it.

00:50:10Get home with what?

00:50:13Where'd they go?

00:50:17There's a secret door in here or something.

00:50:22Find it.

00:50:43Keep moving.

00:50:45We're getting there.

00:50:47Getting where?

00:50:49All the way.

00:50:50You're the bad guys.

00:50:52You're the bad guys.

00:50:53You're the wreck.

00:50:56Come on!

00:50:57Don't push me!

00:50:58Stop!

00:50:59Stop!

00:51:00Stop!

00:51:03Get home!

00:51:06Go!

00:51:08Go!

00:51:09No, no, no, no, no!

00:51:20Stop!

00:51:46Well, shit!

00:51:49He's done it! He's found a little escapement.

00:52:01Oh, God! Stop pushing me!

00:52:04Go faster!

00:52:05I'm stuck!

00:52:06I'm stuck!

00:52:07Get out!

00:52:08Oh, my God!

00:52:20I'm stuck!

00:52:22I'm stuck!

00:52:23I'm stuck!

00:52:26I'm stuck!

00:52:27I'm stuck!

00:52:29I'm stuck!

00:52:30No!

00:52:32No!

00:52:33No!

00:52:33What's going on?

00:52:34Why are we stopping while the lights out?

00:52:35Is someone talking to you, please?

00:52:36No!

00:52:37No!

00:52:39No!

00:52:40No!

00:52:41No!

00:52:45No!

00:52:46No!

00:52:47No!

00:52:48I'm gonna die!

00:52:49No!

00:52:50I'm gonna die!

00:52:52Breathe!

00:52:59Breathe!

00:53:00Breathe!

00:53:19Here, take this.

00:53:25It's her penis.

00:53:35She's gone.

00:53:38The American girl is gone.

00:53:41Hello?

00:53:44Something's coming.

00:53:49Something's coming!

00:53:54Are we good?

00:53:57I found a way out.

00:53:59It's a crazy call.

00:54:03It's not mine.

00:54:05Sorry.

00:54:06It doesn't mean anything.

00:54:15It's fine.

00:54:16I can't believe it's mine.

00:54:22I can't believe it's mine.

00:54:23The price went...

00:54:25We're getting closer.

00:54:27They definitely get her this way.

00:54:28I don't know.

00:55:02All this is under the bar?

00:55:04Under the bar and so far back we are no longer in Soho.

00:55:08Here's no shit.

00:55:10Skip starting your gun supplies.

00:55:16I heard voices.

00:55:17They're coming.

00:55:22The way out's that way.

00:55:24Well, let's move, yeah?

00:55:25If they catch us, we're dead.

00:55:29Someone's been paying attention.

00:55:32Follow the breeze.

00:55:40Hang on.

00:55:43We're going out, you're up.

00:55:45Your translation.

00:55:49Stop working.

00:55:50What are you doing?

00:55:51Let's move.

00:55:52We can't hang about.

00:55:53One second.

00:55:54We're going out, you're up.

00:55:56I need to go this way.

00:55:57Oh, no, no, no.

00:55:58We need to get out of here.

00:55:59It's too dangerous.

00:56:00Hey, what a danger.

00:56:02We need to get out of here.

00:56:08What do we do?

00:56:10I'm sticking with her, but if you want to go, you can go.

00:56:13I'm still with you guys.

00:56:15It seems safe.

00:56:16We do hanging about.

00:56:17Come on.

00:56:18It's that way.

00:56:20You said follow the breeze.

00:56:23The breeze is that way.

00:56:25You're following the echo of the breeze.

00:56:28What?

00:56:28The echo of the breeze.

00:56:30It makes sense to me.

00:56:47Oh, Shanda, slow down.

00:56:49Oh, Shanda!

00:57:08Oh, Shanda, slow down.

00:57:54My sister, my friend.

00:57:58Oh, my God.

00:58:00Oh, my God.

00:58:01She's found her.

00:58:02Found who?

00:58:05Red Cat Morgan.

00:58:08Oh, my God.

00:58:09Oh, my friend.

00:58:12That thing around her neck, that's what Walsh has been looking for.

00:58:16Walsh's father was a respected historian and archaeologist specializing in 18th century piracy.

00:58:24In particular, Red Cat Morgan and her vast riches.

00:58:29On one of his expeditions, he discovered three small bundles of cloth, all decorated with a distinct crest.

00:58:36In one, a pendant.

00:58:39In the other two, nothing.

00:58:42It led him to buy the dragon princess restaurant, thinking the crest was a sign of where the treasure, or,

00:58:49at the very least, the other two pendants were kept.

00:58:54That's why the symbol on the wrist matches the one with the dragon princess restaurant.

00:58:59He was wrong.

00:59:00It was a red herring, and there was no treasure.

00:59:02There was no more pendants.

00:59:04He got the wrong place.

00:59:07It was an obsession that spread from father to son.

00:59:11All that spurred them on was that single pendant, which they knew was only one of three.

00:59:21Months ago, a geological expedition stumbled across Marshander's ship.

00:59:26Walsh used all his underground connections to get Marshander's body, and what she wore around her wrist.

00:59:32It was only then he learned what his father never knew.

00:59:36The wrist device contains a compass, which locks in on each of the pendants.

00:59:42When all three are brought together and inserted into the wrist device, the compass would guide the wearer to the

00:59:48final treasure.

00:59:50Marshander's pendant guided her to Red Cat.

00:59:53Now it's only Walsh's piece that needs to be added before he can finally get what he wants.

01:00:08I'm your crew now.

01:00:11You're safe.

01:00:13Take care of you.

01:00:15Sister.

01:00:19Sister.

01:00:34You don't want to go, right?

01:00:36Which way?

01:00:46No, no, that wasn't, like, the wrong way.

01:00:49You said it was that way.

01:00:55You go, I fight.

01:00:57Good idea.

01:00:58She should fight.

01:00:58Shut up.

01:01:00She's great at it.

01:01:01What do you want from me?

01:01:02What are those?

01:01:03Blacks?

01:01:04Yeah.

01:01:04I must have gone down there.

01:01:05Yeah, I see you.

01:01:06I can't leave her.

01:01:08Oh.

01:01:11Move!

01:01:12Move!

01:01:13Move!

01:01:28Get them out of bed.

01:01:37Move!

01:01:42Move!

01:01:47Move!

01:01:51Move!

01:01:54Move!

01:01:55Move!

01:02:13Stop them!

01:02:49I can't come back, don't kill Nadia, I'll be busy, I'm gonna get help, run!

01:02:55They need her alive, you do better than the others.

01:02:57Get out of here.

01:02:59Go, go!

01:03:00Alright.

01:03:43Look out!

01:04:00No!

01:04:04No!

01:04:05No!

01:04:06Ah!

01:04:07No!

01:04:30No!

01:04:47We've got them all now, boss.

01:04:49They're not going anywhere.

01:04:51Good.

01:04:53I'll go get Mr. Walsh down here.

01:04:57Let's finish this.

01:05:05No!

01:05:15No!

01:05:19No!

01:05:21No!

01:05:22No!

01:05:24No!

01:05:27No!

01:05:29No!

01:05:31No!

01:05:39No!

01:05:43No!

01:05:52No!

01:06:14No!

01:06:16No!

01:06:17No!

01:06:19No!

01:06:20No!

01:06:21No!

01:06:23No!

01:06:27No!

01:06:28No!

01:06:48No!

01:06:49No!

01:06:50No!

01:06:53No!

01:06:58No!

01:07:10No!

01:07:11No!

01:07:12No!

01:07:25No!

01:07:29Oh!

01:07:29No!

01:07:36what are you doing

01:07:39I just thought we were really good back there

01:07:42no not really

01:07:44no

01:07:44don't ever

01:07:46do that again

01:07:49right

01:07:50sorry

01:07:51you're a strange man

01:08:08so fast or turn our faces to suit

01:08:11all clear

01:08:21wonderful

01:08:23you're all here

01:08:29where's eddie

01:08:31resting easy with the dock

01:08:34helping restore your little tavern

01:08:36to its former glories

01:08:39there he is

01:08:43not playing with rocks do you

01:08:51look at me

01:08:57stop stop stop

01:09:01put your hands down

01:09:04put your hands down

01:09:09please

01:09:11please

01:09:12please don't let

01:09:14please make your men hurt him

01:09:15please

01:09:15please honestly we'll help you

01:09:20Jesus

01:09:39bring me the wrist divide

01:09:51it still works

01:09:53we found Red's piece

01:09:56and of course

01:09:57my Shanidas

01:10:15let's hear

01:10:17bring our niece

01:10:18and the barmaid

01:10:20to keep her well behaved

01:10:23keep the rest here

01:10:24as a bit of extra collateral

01:10:25if you behave

01:10:27they'll live

01:10:28if she behaves

01:10:29you live

01:10:36yeah

01:10:37yeah

01:10:39yeah

01:10:40yeah

01:10:44yeah

01:10:45yeah

01:10:46yeah

01:10:47yeah

01:11:10why

01:11:13because I can't

01:11:15and he couldn't

01:11:16is that worth murdering my friends

01:11:18needs must

01:11:20and I need her

01:11:52and I need her

01:11:52if I could not do it

01:11:52because I can't change the road

01:11:52but I'm not ashamed to Niekang

01:11:54I don't know.

01:12:32I don't know.

01:12:56How do you let me know, Dad?

01:13:00With these scrolls in this particular order.

01:13:05I...

01:13:08You fucker.

01:13:10Do you remember the order they were in?

01:13:14No.

01:13:15I was keeping my eye on them.

01:13:17Does anyone remember the order they were in?

01:13:21Fuck.

01:13:23Years we've been working on this.

01:13:28Does it say what order they should be in?

01:13:31I can't read this shit.

01:13:33This is some dead pirate code.

01:13:52Mia, catch!

01:13:59It's a code.

01:14:09It's a silence.

01:14:11Let me help you open that.

01:14:13That's a baby trap.

01:14:16Come on, Mia.

01:14:17Come on.

01:14:21Come on.

01:14:22Come on.

01:14:22Think.

01:14:23Come on, Mia.

01:14:24Think.

01:14:25Think.

01:14:25Come on.

01:14:26Oh, my God.

01:15:13What do I see?

01:15:21I got the cuties.

01:15:33Hey, I don't suppose the goons holding Alfred's hostage will be a problem for you?

01:15:38Nah.

01:15:40No!

01:15:41You can't leave!

01:15:44I have money!

01:15:46Asshole!

01:15:49You can't leave me!

01:15:53Wait!

01:15:55No!

01:16:17Welcome to the smuggler's tavern.

01:16:19So, head to the toilets, empty those bladders before entering Benny's hatch and crawling

01:16:24through the claustrophobic labyrinth of Sebastian's tunnels.

01:16:27Yarr!

01:16:28Welcome, mateys, to the underground caves of Soho.

01:16:33Waterproofs are available just through here.

01:16:35It is quite claustrophobic, so you have been warned.

01:16:37No refunds.

01:16:38How much do pirates pay for their hearing aids?

01:16:42A buccaneer!

01:16:43Ha, ha, ha, ha!

01:16:44Come on this way!

01:16:47All right, Raph.

01:16:50Be careful.

01:16:54Don't fuck the place up, Eddie.

01:16:59Ah, she's getting really good at that.

01:17:00I know, it's the most pertinent sentence.

01:17:03Seriously, though.

01:17:04Be careful.

01:17:09Very nice, and I've got pictures on my phone and the clouds, so we've got a plan B.

01:17:15Yo, go lay my school!

01:17:19Nice.

01:17:20Amy.

01:17:25Thanks.

01:17:33What?

01:17:34What?

01:17:34Hey!

01:17:38Why are you doing all the hands with that?

01:17:40Ah!

01:17:41Ah!

01:17:43Ah!

01:17:44Ah!

01:17:46Ah!

01:17:47Ah!

01:17:50Ah!

01:17:54Ah!

01:17:55Ah!

01:17:57Ah!

01:17:58Ah!

01:18:01Ah!

01:18:03Ah!

01:18:04Ah!

01:18:25Let's go.

01:18:56Let's go.

01:19:25Let's go.

01:19:56Let's go.

01:20:26Let's go.

01:20:55Let's go.

01:21:28Let's go.

01:21:56Let's go.

01:22:26Let's go.

01:22:27Let's go.

01:22:28Let's go.

01:22:29Let's go.

01:22:31Let's go.

01:23:00Let's go.

Mia And The Dragon Princess [Full Movie] [English Subs]Full EP - Full

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