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Mia And The Dragon Princess [Full Movie] [Free Online HD]Full EP - Full
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Short filmTranscript
00:00:28Transcription by CastingWords
00:00:58Transcription by CastingWords
00:01:00Our story starts hundreds of years ago, when the only daughter of an 18th century aristocratic family, who was betrothed
00:01:08to Javanese royalty, renounced everything.
00:01:12Her title, her riches, much to her family's displeasure, she was Marshan de Damayanti, the Princess Pirate.
00:01:46She led a life of confinement to live unchained and unfettered, plundering the South China Sea, where she formed a
00:01:57new family.
00:01:58A loyal crew of women she saved from the shackles of servitude, or title.
00:02:15It was on the high seas she forged a friendship with the notorious pirate, Red Cat Mordor.
00:02:20Together they ruled the Wraiths, becoming each other's only true ally.
00:02:27But their past was never far behind.
00:02:30Victims of their ravage, hell-bent on tracking them down, wanting retribution and blood.
00:02:40When her pursuers eventually closed in, Marshan de Damayanti entrusted her share of the riches to Red, who in turn
00:02:46gave her a wrist device that would lead her back to Red and the treasure.
00:02:51She then headed towards the frozen waters of the Antarctic, so desperate to escape that she went somewhere no one
00:02:58would dare follow.
00:02:59But tragically, her ship was lost to the ice.
00:03:04Lost for hundreds of years.
00:03:07Until now.
00:03:21Lost for hundreds of years.
00:03:22Lost for hundreds of years.
00:03:50I don't know.
00:04:20I don't know.
00:04:50I don't know.
00:04:51We have one of those.
00:04:53One less again.
00:04:58Get Mr. Walsh down here immediately.
00:05:04Hey!
00:05:06Listen.
00:05:13Get out of here!
00:05:16Get the boss!
00:05:18Get Mr. Walsh!
00:05:25Daddy, she's hungry!
00:05:27Catch!
00:05:42She did not pay for that spring roll!
00:05:43It's TJ Gary.
00:05:46No!
00:05:48No!
00:05:50No!
00:05:51No!
00:05:52No!
00:05:53No!
00:05:54No!
00:05:54No!
00:05:55No!
00:05:55No!
00:05:57No!
00:05:58No!
00:06:16It's drugs!
00:06:18And I've got a big meeting with us
00:06:47He's financed Tosser Collins.
00:06:50He's in the bar waiting right now, and the timing's terrible.
00:06:54You know, sometimes I think it's a sign.
00:06:58You know, sometimes I think, you want me to lose this bar?
00:07:04Hmm?
00:07:07Fine. I'll do it. Give it.
00:07:10Oh, I love the way you unblock a toilet.
00:07:13Yeah.
00:07:30Oh, I'll do it.
00:07:31Sorry! Sorry!
00:07:34What does he...
00:07:41I don't speak.
00:07:43I'm really sorry. Listen, I don't.
00:07:45I'm recording!
00:07:48Um, do you know a coident?
00:07:55You're hiding for someone, is it it?
00:07:59It's going to be okay.
00:08:08Excuse me.
00:08:09She's sitting with a woman, run through this way she's now.
00:08:12Lady in the medical gown? Yes.
00:08:13Yes, she shoved me, went that way.
00:08:14No, no, no, no.
00:08:15She just left, you might still be able to catch her.
00:08:17Thank you, thank you.
00:08:19Lady!
00:08:20That was so exciting, I've never seen the police before.
00:08:24Oh crap.
00:08:26A uniscape killer on a violent rampage?
00:08:31That's just getting inside.
00:08:33I think that there's food inside.
00:08:35Food?
00:08:37I have no idea.
00:08:41Here, take this.
00:08:43Catch!
00:08:45Wait, wait, no, no, no, no, no.
00:08:47Good, good.
00:08:50Mmmmmmm.
00:08:50Mmmmm, good.
00:08:51Oh no, no, no, don't, don't, ah.
00:08:58Catch him.
00:09:02No, it's not there.
00:09:03Go on, the other one.
00:09:04Go on.
00:09:05Go on.
00:09:05Go on.
00:09:06Go on.
00:09:08Go on.
00:09:10Go on.
00:09:11Go on.
00:09:11What?
00:09:13You didn't do anything.
00:09:15This kid, they promised.
00:09:18Hey.
00:09:18It's okay.
00:09:19It's okay.
00:09:19It's okay.
00:09:23It's okay.
00:09:24Okay.
00:09:25Time to distract Eddie.
00:09:27Eddie.
00:09:28Eddie.
00:09:36Wait a minute.
00:09:37There's loads of blocks don't worry about it.
00:09:39Oh, careful.
00:09:42Oh, my God.
00:09:43Come on.
00:09:48No, no, no.
00:09:54Hey.
00:09:55Hey.
00:09:55Hey.
00:09:56Oh, my God!
00:09:58I know!
00:09:59Oh, my God!
00:10:02Oh, my God!
00:10:06Oh!
00:10:14Oh!
00:10:14Oh!
00:10:16Oh!
00:10:18Oh!
00:10:18Oh!
00:10:20Oh, my God!
00:10:22Oh, my God!
00:10:23Oh, my God!
00:10:23Oh, my God!
00:10:24Oh, my God!
00:10:25Oh, my God!
00:10:26Oh, my God!
00:10:29Oh, my God!
00:10:29Oh, my God!
00:10:36State of that shitting bar, make it yourself, did you?
00:10:39Oh!
00:10:40Oh!
00:10:41Oh!
00:10:42Oh!
00:11:04Oh, my God!
00:11:07Oh, my God!
00:11:07Oh, my God!
00:11:08Oh, my God!
00:11:11Great-great-great-great-great-grandfather had it commissioned or something
00:11:36Yeah, can I trouble you for another? Yeah, of course. Hey, how's Sydney going?
00:11:41Oh, you know. Another day on the right side of the grass, and oh, look, they let me keep a
00:11:49spot.
00:11:50Very nice fair dues. I hate the usual. Oh, yes, please.
00:11:54Let me make me something more discharge of the light brigade.
00:11:59No worries, leave with me.
00:12:17Come on, I need to get you unhooked from this taser. This is going to suck, but...
00:12:31I'm sorry. I think I understood that, and I'm really sorry. I'm so sorry. I'm so sorry.
00:12:37Bear with me, breathe. Let's get you into something a little less conspicuous.
00:12:50Looks good.
00:12:54Let's see.
00:12:59It's amazing what people are using behind in pubs after cube fights, honestly.
00:13:04Well, these look like they'll fit, so I'll try these on.
00:13:15Okay, let's get you some real food, right? Um, what do you fancy? Scabby fries? Beef crisps?
00:13:21Are you vegetarian? Because that's all we have.
00:13:24Order the tea.
00:13:26Right, okay. Um, you might be a mass murderer, and I'm here asking you about your dietary requirements.
00:13:31I'm an idiot. Okay, please stay hidden, right? I'll be right back.
00:13:38Hey, hey!
00:13:40Ready yourselves for another delightful concoction from London's greatest mixologist.
00:13:44I call this one Succo d'Angelo. Angel chis.
00:13:48Welcome, explorers, to the Smuggler's Tavern. The Pirates' Private Party Palace.
00:13:54This is the most historically infamous sordid den of villainy and underworld chicanery that ever was
00:14:01in old London town. And it's here our walking tour of London should pause for refreshments
00:14:06and use of the facilities. Mine's a brandy Alexander if anyone's buying.
00:14:11No? No?
00:14:15Fair enough.
00:14:29Ah, gross banana bone sack!
00:14:35We need to talk to Scabby about our deal.
00:14:38He's busy.
00:14:39She's getting.
00:14:41He, I just said he's busy with us.
00:15:04I'm not selling.
00:15:06Mr. Orps is offering you a great deal.
00:15:08I'm not selling!
00:15:09I know it's been in your family for generations, but you need to think about it.
00:15:13I will not change my mind!
00:15:16Fine, but Mr. Walsh won't be happy.
00:15:23Hey, look, I know you're really doing everything you can to help out.
00:15:27Is there anything you can do to just help out a little bit more?
00:15:32Well, if he doesn't pay any of you this month, he might just scrape by.
00:15:36Whatever.
00:15:37What about this month?
00:15:40Hey, don't worry.
00:15:42You can always be a barmaid somewhere else.
00:15:45It's not the only pub in London.
00:16:04there's no place here in London.
00:16:09I look over here.
00:16:11Yeah.
00:16:12No.
00:16:12We'll see you soon.
00:16:14Yeah.
00:16:16No.
00:16:18Eddie will be with you shortly
00:16:22He's missing his cue
00:16:23He's in the middle of something
00:16:24Here, tell this lovely girl woman about the dastardly dealings that the smugglers have
00:16:30They do two for one cocktails between now and six
00:16:34Nice
00:16:36Cocktails
00:16:39Actually, you can find that our listening general knowledge expert knows a lot more than I do
00:16:44I hear lots of the legends here are true
00:16:47I miss most mysterious places
00:16:51Before the great fire of 1666
00:16:56Lots of nefarious stuff
00:16:59And right here, I mean, this, this bar
00:17:01It's built right on top of the lost rivers and caves of London
00:17:09Lost
00:17:10And they rebuilt both fire
00:17:13Hurling
00:17:20To reach your destination, you must leave the shore
00:17:23Ah, yes
00:17:24The maxim of ferocious pirate Catherine Morgan or Red Cat
00:17:29She was known
00:17:30Oh yeah, because she had nine lives
00:17:39Cat discovered a baby kraken orphaned from its mother
00:17:42She cared for this crackling
00:17:44Naming her Lucy
00:17:46A fierce protector
00:17:48Of the pirate who raised her
00:18:11Red Cat
00:18:11Red Cat spent years trying to find a friend.
00:18:14Eventually, Cat turned up here.
00:18:16Her last hope was that her friend would follow in her footsteps to the infamous Smuggler's Tavern, known as a
00:18:22black market for trading pillaged riches.
00:18:26Allegedly, she left a trail of clues should Marshanda return to claim her share, before Cat herself became nothing more
00:18:35than legend.
00:18:41The man being shot by Red Cat in the painting bears a likeness to Skip's forefather who owned the tavern
00:18:47at the time, leading many to believe Skip's family were more involved in the sordid deeds of this notorious pirate
00:18:53than we know.
00:18:57Cool. Uh, I'll take two of those crack dales, please.
00:19:01I can... it's a nice touch.
00:19:04I had to open the door.
00:19:09I can open the door!
00:19:25I hope you enjoy day-long sci-fi sessions with an unwashed flaccid ape-man.
00:19:29He feeds off self-esteem this one, so I'd look out for that, yeah?
00:19:32Hey, Eddie, could you pass me awesome?
00:19:34Hey, check this out. See this four over there?
00:19:37Sir.
00:19:37She.
00:19:38Used to date.
00:19:39Him.
00:19:40And it looks like they've dragged new dates to the same place.
00:19:47Why don't you kick this date into phase two and just shit off to Nando's?
00:19:50You shit off to Nando's, you pass.
00:19:52Eddie, the water.
00:19:58Oh, hey, um, they've called down.
00:20:00Uh, delivery's waiting. Been up there for about ten minutes.
00:20:03Ten minutes?
00:20:04Ugh.
00:20:07I can stick your apology.
00:20:21Hey, well done.
00:20:22Another delivery's been nicked.
00:20:23This one's on you, Edward.
00:20:25Oh, come on, don't be like that.
00:20:26Mia!
00:20:29I'm scared of Eddie.
00:20:30He needs that hope, no, no.
00:20:32Oh, oh, oh, oh, oh.
00:20:37Run, Mia!
00:20:38Run!
00:20:39Oh, bless!
00:20:45Ah!
00:20:50Ah!
00:20:58Let's, let's do this!
00:21:43I know that, Chris.
00:21:48Are you alright down there, Skip?
00:21:50I think so.
00:21:53Call an ambulance, Eddie.
00:22:03Hey, don't kill him, don't!
00:22:10Yah! Yah!
00:22:13Yah!
00:22:14Yah!
00:22:16Help!
00:22:17Help!
00:22:18Okay, hold on!
00:22:21Shhh!
00:22:29No!
00:22:30No!
00:22:30God!
00:22:32It's the same Chris as the rest of the next door.
00:22:35Hey, what does this mean?
00:22:39It's a mokui!
00:22:42It's a mokui!
00:22:44Your vocals sound obliterated.
00:22:46That's not healthy.
00:22:48Sounds like you've been doing eight phantoms a week.
00:22:50That's serious.
00:22:51I can fix this.
00:22:54Skip!
00:22:54Hey, Eddie!
00:22:56Oh, hey, you can't be back here.
00:22:57Yep.
00:22:58Just knocking together a cheeky vocal tonic.
00:23:00Eddie, they cut the landline before roughing me up.
00:23:03That's another thing an ALS can pay for.
00:23:07Oh, you?
00:23:10See, if I was fifteen years younger, I'd throw you about like an empty tracksuit!
00:23:15What's this?
00:23:19Gunpowder.
00:23:20And this is why you can't be back here.
00:23:24All right.
00:23:30Hey, do you want to get off my club?
00:23:32Maybe you can communicate with her what she's saying.
00:23:35I'll see what I can do.
00:23:36I'll get some ice on that.
00:23:38There's no signal down here.
00:23:39I know.
00:23:40Right, I'll go and call the police.
00:23:49I don't think the police are going to help her.
00:23:51What is she looking for?
00:23:55Hey, who are those guys?
00:23:59There are just some people who'd want to cash in on my misfortune.
00:24:04I can't even afford to keep the lights on.
00:24:08And they can smell the blood in the water.
00:24:11So I'm going to have to sell.
00:24:16They'll...
00:24:16They'll let my father down.
00:24:19I can help you.
00:24:20I've been saving up.
00:24:22Oh, Mia.
00:24:24No.
00:24:24I can't do that again.
00:24:26Yes, please.
00:24:27Yes, you can.
00:24:28It's fine.
00:24:28You can owe me.
00:24:30I can't.
00:24:31Skip, please. It's fine.
00:24:32Mia?
00:24:34No.
00:24:36It's only a bar.
00:24:38It's all hope.
00:24:41I can't.
00:24:43I can't.
00:24:46I can't.
00:24:49It's not to you.
00:24:51I'm going to help you.
00:24:54I won't be needing this anytime soon.
00:24:56So much for traveling the world.
00:24:59Come on, you.
00:25:02Okay, let's see how good this translation happens.
00:25:10You're welcome.
00:25:15Language not recognized.
00:25:18See if you can translate.
00:25:20Do your thing.
00:25:21Who are you?
00:25:23Who are you?
00:25:24Who are you?
00:25:26Who are you?
00:25:26Who are you?
00:25:27Who are you?
00:25:27Marshanda Damayanti.
00:25:29Marshanda?
00:25:30Marshanda.
00:25:31I'm Mia.
00:25:32Mia.
00:25:34Mia.
00:25:34Yes, Mia.
00:25:35Marshanda.
00:25:38Sod this shithole.
00:25:40Ladies, to Shampas.
00:25:45The police are on their way.
00:25:50As they come in here.
00:25:50We shouldn't.
00:25:51Danger.
00:25:52Danger.
00:25:57Hey, Lisa could be here in a little bit.
00:25:58And I don't want my friend to get in trouble.
00:26:00Can she come with you?
00:26:01Just for a short while.
00:26:02I'll come find her and drinks will be on me.
00:26:05What was it, isn't it?
00:26:08Tell her that she needs to go and I'll come find her.
00:26:11You and Mia are going to meet you.
00:26:14Go.
00:26:14Should we be safe for that?
00:26:22None of you saw her.
00:26:24Especially you.
00:26:26You're not supposed to go anywhere until the police...
00:26:30I will buy you shots!
00:26:32I will get you...
00:26:33I can't stop it!
00:26:34It's surprisingly strong!
00:26:37Wait, no!
00:26:37Ora, ora!
00:26:39I don't know how to go.
00:26:40Ora!
00:26:40Come on!
00:26:41No!
00:26:43Go on in.
00:26:45Leash in!
00:26:46I can't!
00:26:50I can't leave them.
00:26:59What are you doing?
00:27:03Did you call the police?
00:27:05Yes.
00:27:06Yes, I did.
00:27:07And they are coming to take statements.
00:27:09So, everyone needs to stay here.
00:27:14What about the ambulance?
00:27:15Yeah, ambulance too.
00:27:17We can't have the police coming here.
00:27:19Huh?
00:27:19Why not?
00:27:21Shanda, she might be running for something.
00:27:23I think.
00:27:24For what?
00:27:26What is she looking for?
00:27:29Look!
00:27:30I don't know.
00:27:32Until I figure that one out,
00:27:34let's maybe not throw her under the bus, right?
00:27:36The thing on the wrist.
00:27:41It's crest.
00:27:41What is it?
00:27:46That crest is ancient.
00:27:47And it's been in that building upstairs long before it was a restaurant.
00:27:53They've been trying to buy me out.
00:27:56And they'll try anything about me.
00:27:59Look.
00:28:00I'm sorry, but I keep this quiet.
00:28:03They've got a bid in for this place.
00:28:06It's three times what the place is worth.
00:28:09Maybe she's involved with her.
00:28:10No.
00:28:11No.
00:28:13She's not with them.
00:28:17Then keep her out of sight.
00:28:20What makes you think this is going well?
00:28:23I don't...
00:28:23No, no, no.
00:28:23It's...
00:28:24We'll just...
00:28:25Me and Chloe.
00:28:26Get your hands off of me!
00:28:28No, no.
00:28:28The police said not to leave.
00:28:32Help me out.
00:28:35Mia?
00:28:38Help me out.
00:28:42Okay.
00:28:50Hello, Matt.
00:28:51Mr. Walsh.
00:28:53Fancy seeing you here.
00:28:54This is DC Cross.
00:28:56Been a bit of a disturbance in the area.
00:28:58I just wanted to check our lovely neighbours were all right.
00:29:03Come on, go under there.
00:29:04In here, go.
00:29:05In here, in here.
00:29:06Stay at the extent of night.
00:29:07You wanna go?
00:29:07Stay at night.
00:29:08I'm gonna keep you out of sight.
00:29:18Okay.
00:29:30Well...
00:29:30Looks like our suspect committed similar acts on your premises.
00:29:35You're scared who is this guy?
00:29:38Theodore Walsh.
00:29:39He inherited the restaurant from his father and also acquired his master for this place.
00:29:44Who me, Ted?
00:29:45Actually, no, Mr. Walsh.
00:29:46My associate believes our suspect is here.
00:29:52My niece.
00:29:56Your niece?
00:29:59We are just concerned.
00:30:08Well, maybe we should just wait for the police, eh?
00:30:12Sort this all out.
00:30:14There we are, the police.
00:30:16Anyway.
00:30:19You got any ID?
00:30:22Isn't that how you do things here?
00:30:25Come here.
00:30:30Look at my face.
00:30:33This is the only ID you need.
00:30:35Take a good, long look.
00:30:37Every pull.
00:30:42I'm sorry.
00:30:47So, your niece?
00:30:48Yes.
00:30:50Hospital guard.
00:30:52Violet.
00:30:53Quite the character.
00:30:54Troubled your woman, I have to say.
00:30:56We were in the process of getting her some assistance.
00:30:59Psychiatric assistance.
00:31:01She had an episode.
00:31:02Run away.
00:31:04Millennials.
00:31:09Your niece.
00:31:15You're her uncle.
00:31:17Yes.
00:31:18And this lot?
00:31:20They're your task force?
00:31:22Uncle.
00:31:23We're also uncle.
00:31:24Also uncle.
00:31:28Big family.
00:31:33More police are on the way.
00:31:35Are they?
00:31:42We were just trying to leave.
00:31:44Hi, we have a schedule to keep up.
00:31:48Hey.
00:31:50Don't touch me.
00:31:56Relax.
00:31:58Let's all have some drinks.
00:31:59That's why we're here, right?
00:32:01All we need is the woman.
00:32:04Where is she?
00:32:10She, um, she was here, Mr. Walsh.
00:32:15I, uh, I don't know where she is currently.
00:32:21Whoops.
00:32:23I'll get those up.
00:32:24Let's try again.
00:32:44What?
00:32:58Well, look who it is.
00:32:59Come on, darling.
00:33:12Why were you hiding in there?
00:33:23Nia.
00:33:25These men are dangerous.
00:33:28Hey!
00:33:29No!
00:33:29Stop!
00:33:32Wait.
00:33:33I'm sorry.
00:33:34I'm sorry.
00:33:39I'm sorry.
00:33:42Larissa, I'm not who you're looking for.
00:33:45Mr. Walsh?
00:33:49Mr. Walsh, I think I might have seen them going into the toilets together.
00:33:57She might still be in there.
00:34:04Made a new friend today.
00:34:06Hmm?
00:34:09I wonder what you both talked about.
00:34:24No, no, no.
00:34:30No, no.
00:34:33The police.
00:34:37Hm.
00:34:38Hey, my, my, my!
00:34:41Yes, ma, my.
00:34:44Mia!
00:35:10I thought she was there, boss. That's her.
00:35:12Oh, yes.
00:35:20I want you on. Out of my bar.
00:35:35Ready?
00:35:36Glass.
00:35:48Right now.
00:36:04Now! Now!
00:36:08Do you want to see if this thing works?
00:36:10Do you want to get the fuck out of here?
00:36:15Get back! Get back!
00:36:17Take those two girls.
00:37:08I've been shocked.
00:37:11What was this?
00:37:15Sorry.
00:37:18Clear.
00:37:21My browser history.
00:37:27It's gonna be.
00:37:29That's life.
00:37:31Sorry.
00:37:34Bring her to me.
00:37:35No witnesses.
00:37:39Kill them all.
00:37:40Oh, my God.
00:38:24Oh, my God.
00:38:40What is that?
00:38:43This really was this one to send centuries ago.
00:38:45You know that.
00:38:45Well, yes.
00:38:47Something better than nothing.
00:39:08It looks like a hatch.
00:39:10Oh, my God.
00:39:14Oh, my God.
00:39:22Oh, my God.
00:39:28Oh, my God.
00:39:32Oh, my God.
00:39:38Oh, my God.
00:39:46Oh, my God.
00:40:25PHONE RINGS
00:40:35PHONE RINGS
00:41:03PHONE RINGS
00:41:05We are here, we are here, there's a way out, there's a ground.
00:41:10I'm not leaving you mine.
00:41:15The Orlop River, the Orlop.
00:41:19What do you mean the Orlop River?
00:41:23Skim, no!
00:41:25Run!
00:42:02Go see what's in there for me.
00:42:07No thank you, Mr. Walsh. We should leave.
00:42:14Okay.
00:42:20Come on!
00:42:21Game warfare!
00:42:22What are we doing?
00:42:32There has to be a way out.
00:42:34Hey, you sit with me now, come on!
00:42:35Come on!
00:42:37She works here, come on!
00:42:40What?!
00:42:49Guys, there's another room back here!
00:42:56Come on, let's go!
00:42:58Hurry, hurry, hurry, hurry!
00:43:05Let's go!
00:43:09Help me!
00:43:24Go!
00:43:26Go!
00:43:27Go, Betty!
00:43:28Baby!
00:43:29Come on, Billy!
00:43:30Come on, Billy!
00:43:36Hey!
00:43:37Oh, man!
00:43:47Hey!
00:43:47And this is what you're doing!
00:43:51Hey, Jim Long!
00:43:52Come on, come on!
00:43:57Put the girls in here with me, Mr. Walsh!
00:44:00Why do they want her?
00:44:02I don't know.
00:44:03How long have you worked here and not had access to this room?
00:44:06I had no idea this was here until a minute ago.
00:44:09Do you think these are access points to fix the pipes?
00:44:11Well, who cares?
00:44:13Let's lock it up.
00:44:15Cloud shooting in.
00:44:16Only in.
00:44:22No!
00:44:44You shot me!
00:44:56I need a doctor!
00:45:00Portia, I'm sure I've got a journey.
00:45:02How many muskets?
00:45:04Muskets?
00:45:05God, they're happy. He's updating. Yes, muskets. Very bad.
00:45:11What do they want with her?
00:45:14There's no way to run. You should...
00:45:22All Up River.
00:45:24River.
00:45:26You think this pipe leads to one of the sunken rivers?
00:45:29All Up Rivers, you should have said.
00:45:30You lot need to get your pour at you straight.
00:45:32There is no All Up River.
00:45:35The nearest sunken river is a tide being or something.
00:45:39Might as well just give it up.
00:45:42All Up.
00:45:43All Up is always part of a ship where the ropes are kept.
00:45:47The skips said All Up River, but...
00:45:49It could be a way out.
00:46:01Look.
00:46:02Is there anything we can do to keep your boss happy?
00:46:11Well, they're obviously looking for what?
00:46:16Something Cap Maldon brought down here.
00:46:19Hundreds of years ago.
00:46:21Red Cap Maldon.
00:46:26Are you talking about Red Cap's treasure?
00:46:30That's just a myth.
00:46:35Look.
00:46:38Look.
00:46:39Look.
00:46:40Look.
00:46:41Look.
00:46:43Look.
00:46:43Look.
00:46:43Your phone.
00:46:44Can you translate this?
00:46:48Language not found.
00:46:50It's not a language in the app.
00:46:52Maybe you can have her say something and it'll translate that.
00:46:55Can you read this?
00:46:58Read it.
00:47:04Do destination advance.
00:47:07Coast departure urgent.
00:47:09No, no, no, no.
00:47:10I think I get it.
00:47:12It's read some words or written in some coded language.
00:47:16Skips it for the All Up River and the pipes is all up steel on it.
00:47:19I think Cat, Red Cat must have left that painting for someone and Marciana knows something about it.
00:47:26I bet whatever the art is threw this pipe and Skip realized it when he saw the hatch.
00:47:32Let's try and find it.
00:47:33Hey, what's that?
00:47:34Let's try and find it, yeah?
00:47:35Maybe we can give it to you, boss.
00:47:37I think everything's over by some time.
00:47:39Maybe we'll keep running.
00:47:41Okay?
00:47:42You're safe.
00:47:43We are safe.
00:47:45Right?
00:47:53Come on, come on, come on!
00:48:08I've got away, right?
00:48:11I really can't do this.
00:48:20Save yourselves!
00:48:21Stop showing off!
00:48:31Quick!
00:48:32Get off!
00:48:34Get off!
00:48:42Kill him!
00:48:53Aww.
00:48:54Kill him!
00:48:55The room's empty!
00:48:56They've disappeared!
00:48:57I need…
00:49:00Well, well, well.
00:49:02What have we here?
00:49:06Now, what is the deal with that room?
00:49:09Well, how would I know? I've never been in there.
00:49:12And besides, it's way too hench to fit through that shit.
00:49:16You saying I'm not hench enough?
00:49:18It's a fucking hatch. What do you want?
00:49:20Good point. What we want is the girl.
00:49:23More specifically, something she has,
00:49:25a little wrist device and what she can find with it.
00:49:28But the chief concern is where they could have gone,
00:49:30because they're not in there.
00:49:33I think this one may be able to work it out.
00:49:37Me? What makes you think that?
00:49:39Call it a hunch.
00:49:48It's not my hat.
00:50:01Come on.
00:50:07Come on.
00:50:08Get home with it.
00:50:10Get home with what?
00:50:13Where'd they go?
00:50:17There's a secret door in here or something.
00:50:22Find it.
00:50:44Keep moving.
00:50:45We're getting there.
00:50:47Getting where?
00:50:49All the way.
00:50:51You're the bad guys.
00:50:53You're right.
00:50:56Come on!
00:50:57Don't push me!
00:50:58Stop!
00:50:59Stop!
00:51:00Stop!
00:51:05Go!
00:51:07Go!
00:51:09No!
00:51:09No!
00:51:10No, no!
00:51:10No, no, no!
00:51:11No!
00:51:11Open the door, open the door, open the door, open the door.
00:51:46Well, shit! He's done it! He's found a little escapement.
00:52:01Ruth! Oh, God! Stop pushing me!
00:52:04Go faster! I'm stuck!
00:52:06I'm stuck! Get out!
00:52:08Stop!
00:52:08Help!
00:52:20I hurt!
00:52:22I hurt, but, please don't.
00:52:25No.
00:52:27No, no, no, please.
00:52:29Hey.
00:52:30No, no.
00:52:33What's going on? Why did we stop the white lights out?
00:52:35Someone talk to me, please.
00:52:36No!
00:52:37My phone!
00:52:38My phone!
00:52:40My phone!
00:52:43My phone!
00:52:43Get out!
00:52:45Get out!
00:52:46Get out!
00:52:46No!
00:52:47No, I'm gonna die.
00:52:49Oh, God.
00:52:51I'm gonna kill you.
00:52:52Breathe.
00:52:52Breathe.
00:52:54Ah!
00:52:56Ah!
00:52:56Ah!
00:52:57Ah!
00:52:58Ah!
00:52:59Ah!
00:52:59Ah!
00:53:00Ah!
00:53:00Ah!
00:53:01Breathe!
00:53:02Breathe!
00:53:19Here.
00:53:20Take this.
00:53:25It's a penis.
00:53:34She's good.
00:53:37The...
00:53:39The...
00:53:39The American girl's good!
00:53:42Hello!
00:53:43Something's...
00:53:45Something's coming.
00:53:49Something's coming!
00:53:57I found a way out!
00:53:59It's a crazy call.
00:54:03It's not mine.
00:54:05Sorry.
00:54:06Okay.
00:54:06Doesn't mean anything.
00:54:08Okay.
00:54:08That's the...
00:54:17What?
00:54:23I can't see the...
00:54:25I can't see the
00:54:27They're in...
00:54:27They can't see the others...
00:54:28You can't see the others...
00:54:32I can't see the others...
00:54:36You can't see the others...
00:54:38I'm not...
00:55:02All this is under the bar.
00:55:04Under the bar and so far back we are no longer in Soho.
00:55:07You're no shit.
00:55:10Skip starting your guts, please.
00:55:16I heard voices. They're coming.
00:55:22The way out is that way.
00:55:24Well, let's move, yeah?
00:55:26If they catch us, we're dead.
00:55:29Someone's been paying attention.
00:55:33Follow the breeze.
00:55:37Oh.
00:55:41Hang on.
00:55:43We're out, you're out.
00:55:45Your translation.
00:55:49It's still working.
00:55:50What do you mean? Let's move.
00:55:52We can't hang about.
00:55:53One second.
00:55:54We're out, you're out.
00:55:55I need to go this way.
00:55:57Oh, no, no, no. We need to get out of here. It's too dangerous.
00:56:00Okay.
00:56:01Danger.
00:56:06What do we do?
00:56:10I'm sticking with her, but if you want to go, you can go.
00:56:13I'm still with you guys. It seems safe.
00:56:16We're doing hanging about. Come on.
00:56:18It's that way.
00:56:20You said follow the breeze.
00:56:23The breeze is that way.
00:56:25You're following the echo of the breeze.
00:56:28What?
00:56:28The echo of the breeze.
00:56:29Makes sense to me.
00:56:31Oh, blow him down!
00:56:55Oh, no.
00:56:57Oh, wow.
00:57:07Oh, my God.
00:57:42Oh, my God.
00:57:43What a fang-young.
00:57:52Try again the mandarin.
00:57:54What a fang-young.
00:57:56What a fang-young.
00:58:00My friend.
00:58:00Oh, my God, she's found her.
00:58:03Found who?
00:58:05Red Cat Morgan.
00:58:08Oh, my God.
00:58:09My friend.
00:58:12That thing around her neck, that's what Walsh has been looking for.
00:58:16Walsh's father was a respected historian and archaeologist specializing in 18th century piracy.
00:58:24In particular, Red Cat Morgan and her vast riches.
00:58:29On one of his expeditions, he discovered three small bundles of cloth, all decorated with a distinct crest.
00:58:36In one, a pendant.
00:58:39In the other two, nothing.
00:58:42It led him to buy the dragon princess restaurant, thinking the crest was a sign of where the treasure, or
00:58:49at very least, the other two pendants were kept.
00:58:54That's why the symbol on her wrist matches the one with the dragon princess restaurant.
00:58:59He was wrong.
00:59:00He was wrong.
00:59:00It was a red herring, and there was no treasure.
00:59:02There was no more pendants.
00:59:04He got the wrong place.
00:59:07It was an obsession that spread from father to son.
00:59:11All that spurred them on was that single pendant, which they knew was only one of three.
00:59:17What did he do?
00:59:21Months ago, a geological expedition stumbled across Marshanda's ship.
00:59:26Walsh used all his underground connections to get Marshanda's body, and what she wore around her wrist.
00:59:32It was only then he learned what his father never knew.
00:59:36The wrist device contains a compass, which locks in on each of the pendants.
00:59:42When all three are brought together and inserted into the wrist device, the compass would guide the wearer to the
00:59:48final treasure.
00:59:50Marshanda's pendant guided her to Red Cat.
00:59:53Now it's only Walsh's piece that needs to be added before he can finally get what he wants.
01:00:08I'm younger now.
01:00:11You're safe.
01:00:13Take care of you.
01:00:15Sister.
01:00:16Sister.
01:00:34So you didn't want to go, right?
01:00:36Which way?
01:00:55You go, I fight.
01:00:57Good idea.
01:00:58She should fight.
01:00:58Shut up.
01:01:00She's great at it.
01:01:01What do you want from me?
01:01:02What are those?
01:01:03Max?
01:01:04Yeah.
01:01:04That must have gone down there.
01:01:05Yes.
01:01:06Yeah.
01:01:06I can't either.
01:01:08I'll help.
01:01:11Move!
01:01:12Move!
01:01:28Get them out of bed.
01:01:37Move!
01:01:42Move!
01:01:47Move!
01:01:51Move!
01:01:53Move!
01:01:54Move!
01:02:12Stop them!
01:02:15Stop them!
01:02:30Stop them!
01:02:48Let's get your gun.
01:02:49I can't come back. Don't kill Lizzie.
01:02:52I'll kill Lizzie.
01:02:53Run and get help. Run!
01:02:55They need your life.
01:02:56You do better than the others.
01:02:59Let's go in the breeze. Go! Go!
01:03:00Alright.
01:03:43Look out!
01:03:45Look out!
01:04:00No!
01:04:04No!
01:04:05No!
01:04:06No!
01:04:06No!
01:04:07No!
01:04:07No!
01:04:35No!
01:04:47We've got them all now, boss.
01:04:49They're not going anywhere.
01:04:52Good.
01:04:53I'll go get Mr. Walsh down here.
01:04:57Let's finish this.
01:05:11No!
01:05:27Quick!
01:05:28You're not going to get away with this.
01:05:33Don't you try to hurt the face of you.
01:05:43Whoa!
01:05:44Careful!
01:05:46Sorry.
01:05:48What?
01:05:49It's him.
01:05:50I knew I'd find you.
01:05:52Shut up.
01:05:53I thought you were dead.
01:05:55I thought you were all dead.
01:05:56Yeah, we tried to slip a gun off one of them, and then these two gave me the old Liam
01:06:00Neeson.
01:06:00Which one of these is loaded?
01:06:01I don't know.
01:06:02Well, is she going to be all right?
01:06:04Well, she's made up pretty tough stuff.
01:06:05We have to go.
01:06:06We can't get her through that pipe.
01:06:08No, no, she's our call.
01:06:09Worse than that.
01:06:10There's more of them waiting on the other side.
01:06:11Well, we have to go.
01:06:12We need to get out of here.
01:06:12We need to fill in that breeze.
01:06:14Tough guys up there.
01:06:15Yeah, well, we have these.
01:06:27We have to go.
01:06:29We left it in the car.
01:06:32We have to go.
01:06:54We left it in the car.
01:06:56I found it.
01:06:58A way out.
01:06:59South Bank.
01:07:00I can see Peter Express.
01:07:01It's this way.
01:07:02Oh.
01:07:02If you wouldn't mind leaving a positive trip advisor of you, I'd be very grateful.
01:07:06Perhaps best not to mention the hostage situation.
01:07:10Or you'll be dead people.
01:07:17Get them out.
01:07:18There's a police now, buddy.
01:07:19You're not coming.
01:07:20I know.
01:07:23Passcodes one, two, three, four.
01:07:25Don't check my messages.
01:07:36What are you doing?
01:07:39I just thought we were really good back there.
01:07:42I didn't know.
01:07:43No.
01:07:43Not really.
01:07:44No?
01:07:44Don't ever do that again.
01:07:49Right.
01:07:50Sorry.
01:07:51Sorry.
01:07:52You're a strange man.
01:08:08Ah, not so fast, I'll turn our faces to soup.
01:08:17All clear.
01:08:21Wonderful.
01:08:23You're all here.
01:08:29Where's Eddie?
01:08:31Resting easy with the dock.
01:08:34Helping bestow your little tavern to its former glories.
01:08:39There he is.
01:08:43Might playing with rocks, do you?
01:08:51Look at me.
01:08:57No.
01:08:58Stop, stop, stop, stop.
01:09:01Put your hands down.
01:09:04Put your hands down.
01:09:09Please.
01:09:12Please.
01:09:13Please.
01:09:13Please don't let...
01:09:14Please make your men hurt him.
01:09:15Please.
01:09:15Please, honestly, we'll help you.
01:09:20Ah!
01:09:20Jesus!
01:09:38It's a process!
01:09:39Bring me the wrist device.
01:09:51And it still works.
01:09:54We found Red's piece.
01:09:56And of course, Mashaan does.
01:10:15It's here.
01:10:17Bring our niece and the barmaid
01:10:20to keep her well-behaved.
01:10:23Keep the rest here as a bit of extra collateral.
01:10:26If you behave, they'll live.
01:10:28If she behaves, you'll live.
01:10:36Yeah!
01:11:13I can't.
01:11:15I can't.
01:11:16I can't.
01:11:19It's a must.
01:11:20And I need her.
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