- 9 hours ago
- #imperfect
- #women
#Ḭmperfect #Women S01E01 [Full Movie] [Official Release]Full EP - Full
Category
🎥
Short filmTranscript
00:16It feels cheap to call it a friendship.
00:21It was something else, like a kinship from deep in our souls.
00:29We could face anything that life would throw in our path as long as we had each other to
00:34come back to.
00:37We were supposed to grow old together.
00:41What we had was powerful and essential, and it was supposed to last forever.
00:57But that's not what happened.
00:58What happened?
01:05What happened?
01:21What happened?
01:25What happened?
01:55When was the last time
01:56you saw the deceased?
01:58We had dinner last night.
02:01You don't seem sure about that.
02:03No, I am. I'm sorry.
02:05I am. I just...
02:07It doesn't seem possible that that was yesterday.
02:10You know, everything feels just so different now.
02:19Can I ask how...
02:23What happened?
02:25Was she robbed?
02:27Was she raped?
02:30Oh, that's not information we can share just now.
02:34We're hoping you can help us.
02:35Yes, however I can. What can I do?
02:39You may have been the last person to talk to your friend
02:41before the assailant,
02:43so you can tell us anything that you remember from last night.
02:56Okay, okay, okay, okay. Here we go.
03:06Thank you, thank you, thank you.
03:09I would like to thank my coworkers on the South Asian team for letting me win.
03:16And I have to thank our fearless leader, Eleanor, for the two most rewarding, challenging years of my life.
03:22May I say something?
03:24Of course.
03:24So, these somewhat ridiculous cornhole contests do serve a purpose.
03:32And it's not just to bring some joy and levity to the really difficult but crucial work that all of
03:39you are doing all over the world.
03:41These moments also mark passageways.
03:44So, Kumal, we raise our compostable cups to you today,
03:48because we are so proud of everything that you have accomplished at Rescue and Relief,
03:53and we are even more proud of all the work on your horizon.
03:59To Kumal!
04:00Everyone, please eat! I don't want to waste any food!
04:12Good speech, boss.
04:13What?
04:14I was just, you know, giving you a compliment.
04:16Well, don't do that.
04:19What's up?
04:20Do you have a second to talk?
04:21I don't. I'm so sorry. I don't. But maybe we can find some time later?
04:25Yeah.
04:27Yeah? I'll see you later.
04:28Mm-hmm.
04:28Okay.
04:35Aw.
04:35Come on, Chady.
04:36Aw.
04:36Aw.
04:37It better be.
04:38I know.
04:39Do I have to do this?
04:40It's just a tradition.
04:42Yeah.
04:42From college.
04:44We were young.
04:44We had that taste.
04:45Elle, help me.
04:46I do not make the rules.
04:49Happy birthday!
04:49Happy birthday!
04:54It's gotten worse.
04:57Yeah.
04:57It's disgusting.
04:58It's really bad.
04:58Okay, honey, how has the day been?
05:00Have you been adequately worshipped?
05:03Absolutely.
05:04Artemis woke up at 6 a.m. to start worshipping me.
05:07Why?
05:07By demanding pancakes.
05:09Oh.
05:09No, they were so sweet, the girls.
05:11And Howard had them write me little poems.
05:13That is sweet.
05:14Yeah, I know.
05:14It's kind of cheap.
05:15It's personal.
05:16Oh, Nancy.
05:17She deserves to be showered with gifts.
05:20Excuse me.
05:21Oh.
05:21Potato mini galettes with a tomato confine, paired with champagne.
05:25Compliments of the chef.
05:26Oh, thank you.
05:27Please thank Pornfield for me.
05:28Will do, Miss Boucher.
05:31Amazing.
05:31They look very nice.
05:33I mean, they're tater tots, right?
05:34No.
05:35They are very fancy, artisanal tater tots.
05:39Okay.
05:40Rude.
05:40I love it when you sleep with chefs.
05:42Oh, how's it going with the coworkers?
05:44That's still...
05:45Yes, we are still connecting here and there.
05:50You know?
05:50Yeah.
05:51It's very casual, though.
05:52Does he know that?
05:53Yes.
05:54Nancy, you good?
05:56What?
05:57Is everything okay?
05:58Yes.
06:00Ladies, I wanted to say...
06:02This is going to be long because I have to pee.
06:04No.
06:05I just wanted to say that I'm so happy to be here with the two people that I love most,
06:10who I feel most loved by in all the world.
06:13We do love you.
06:13Oh, super.
06:13There's an Irish saying.
06:15Oh, God.
06:16Please, though.
06:16I'm just kidding.
06:17Good girl.
06:18Happy birthday, beauty.
06:22Great.
06:22I'll be right back.
06:26We have your table ready, Mr. J.
06:27Oh, fantastic.
06:28We don't have to grab that.
06:32Nancy, what is going on?
06:33Are you okay?
06:34Yeah.
06:35No.
06:36Um...
06:37What's happening?
06:38It's that guy.
06:39It's still happening.
06:41I...
06:41What?
06:42I thought you were breaking it off.
06:44I tried.
06:44I know.
06:45It's complicated.
06:46What does that mean?
06:48Mary doesn't know.
06:49Mary doesn't know.
06:49Can you not say anything?
06:50I...
06:51I don't want to make her upset.
06:54But it's okay for me to be upset.
06:57Well, it's not like you're monogamous.
07:00Nancy, if you were being honest with Robert about what you were doing, that would be fine.
07:07I mean, open marriages are like open kitchens these days. Everybody's putting them in.
07:10It's not exactly Robert's style.
07:12But this thing that you were doing...
07:15It's not liberating you.
07:17It's just making you miserable.
07:19I know.
07:20I...
07:23It's just when I'm with him, I feel powerless.
07:29Do you remember what you said to me about the difference between love and infatuation?
07:36What did I say?
07:38You said that love fills you up and infatuation depletes you.
07:43Are you sure I said that?
07:44Yes.
07:44That sounds more like Mary.
07:46No, you said it to me about Robert.
07:48The day that he proposed.
07:52Sometimes I think you see my life more clearly than I do.
07:55No.
07:56I just...
07:57Hi.
07:58Hi.
07:59It's beautiful.
08:00Right?
08:01What are we talking about?
08:04Just Eleanor's entanglements.
08:06Huh.
08:07Well...
08:08Oh, I was offered cocaine in the bathroom.
08:11What?
08:11I didn't take it.
08:12But, you know, it's nice to be asked.
08:13You still got it.
08:34Hey.
08:35Eleanor.
08:36It's Robert.
08:37Sorry to bother you so late or so early.
08:40It's okay.
08:41What's up?
08:42Well, Nessie didn't come home last night.
08:43She's not answering her phone.
08:45She didn't go home with you after dinner by any chance.
08:49Are you there?
08:51You okay?
08:52Yeah.
08:53Yeah.
08:53I'm sorry.
08:54Are you not alone?
08:55No, no.
08:56Um...
08:57Can you just give me a second?
09:08Okay.
09:09So...
09:11Nancy has a pneumonia?
09:12No.
09:13And I've left half a dozen messages and texts.
09:15There's no response.
09:16Um...
09:16Very concerning.
09:18Yeah.
09:18I don't...
09:19I don't know, Robert.
09:21I mean, we...
09:21We ate and then she left.
09:25And she told you she was coming home?
09:28I mean, she didn't say that exactly, but I assumed...
09:33Then...
09:34That's it.
09:35I'm calling the police.
09:36No, Robert.
09:36Just don't...
09:37Don't do that.
09:38Okay.
09:40So...
09:40But you...
09:41You do know where she is?
09:43Not exactly.
09:45Eleanor, what the hell is going on?
09:49Um...
09:50I'm gonna throw some clothes on and come to you.
09:52That's not necessary.
09:53If you could just tell me...
09:54Robert, stop.
09:55Stop.
09:56Do not call the police until we talk, okay?
09:58Please.
10:00Okay.
10:00Okay.
10:01Okay.
10:02I'm on my way.
10:03Shit.
10:07Hey, Jordan.
10:10Can I take these jeans?
10:12Yeah.
10:13Hi.
10:15You are.
10:16We didn't already?
10:17Yeah.
10:18But...
10:19It's fine.
10:20Because I was never here, remember?
10:22Yeah, don't even wanna go...
10:22Oh, I'm over.
10:22I'm over.
10:23Okay.
10:26I'll tell you.
10:27I'm over.
10:36Yeah, don't even wanna go.
10:52I don't know.
11:22So she's done with me.
11:26She's leaving?
11:27Is that what this is?
11:28I don't know what she's thinking.
11:31And she hasn't said that, but...
11:33What Jesus said? Come on, you came all the way over here.
11:35You might as well just tell me.
11:36Is she seeing someone else?
11:40I'm so sorry.
11:45Well.
11:48There it is.
11:49I really don't want to be in the middle of all this.
11:54So who is he?
11:56She told me it was over, but you know how Nancy is, right?
11:59Like sometimes she's very clear and then another...
12:01I didn't need a name.
12:04David.
12:05David who?
12:06I don't know.
12:07She says that she met him through work.
12:09The museum?
12:10The ballet?
12:12Hospital?
12:12Where did she find this guy?
12:14She hasn't told me.
12:18So this dinner with you and Mary last night, that's what, her alibi?
12:24No.
12:24We had dinner.
12:25We were celebrating Mary's birthday.
12:27Don't lie to me.
12:29Been lied to enough.
12:30Not by me.
12:31I have never lied to you.
12:33Not once.
12:35We all had dinner.
12:36And then she left.
12:40Would you like a drink?
12:43I quit.
12:44What?
12:46When?
12:47Two weeks ago.
12:48It was like a year.
12:51Did it for her.
12:57Is this new?
12:59No.
13:00She's always moving the art around.
13:02Says it keeps things fresh.
13:03Is she really that unhappy with me?
13:06I know she shares everything with you and Mary, but...
13:09Don't do that, Robert.
13:10Sir, it's not you.
13:12She is unhappy with herself.
13:20Thanks for coming, but I need to get myself together.
13:37Can we ask you to sit, sir?
13:41I'd rather stand.
13:44A body was found early this morning that we have reason to believe is your wife's.
13:48Nancy's.
13:53How do you know it was her?
13:56A wallet containing her identification was found with a body.
14:00Yeah, well, that...
14:04Where?
14:06In Roseco Park, sir.
14:08Under the Colorado Street Bridge.
14:10There's a lot right there.
14:11I know the Arroyo I've been messing in my life.
14:14What happened to her?
14:16The evidence suggests there was an assault that killed her.
14:21And unfortunately, those are all the details we can tell you right now.
14:28We will need someone from the family to identify the body.
14:35I'm sorry.
14:37I'm sorry.
14:38What did you just say?
14:41We need someone to identify the body.
14:43I mean...
14:43I mean...
14:46I mean...
14:58I mean...
15:08Yes, that's her, it's Nancy.
15:15That's Nancy.
15:23Miss Boucher, Miss Boucher, I asked how long you and the deceased had known one another.
15:31We've been best friends for 25 years with Mary.
15:36I have to call Mary because she can't read about this.
15:41You told Mr. Hennessy that she was seeing another man.
15:44Yes.
15:46What do you know about him?
15:49Not a lot. His name is David.
15:53They met at work.
15:54At work?
15:55Yes.
15:57Mr. Hennessy tells us she was a homemaker.
15:59Yes, she does a lot of philanthropic work.
16:02She sits on the board of several different organizations.
16:05I'm sure that Robert could give you a complete list.
16:08We're talking to you right now.
16:11Is there anything more that you can tell us about her lover?
16:15Hair color?
16:17Age?
16:18Race?
16:19Height?
16:20Weight?
16:20No.
16:21I'm sorry.
16:22I wish there were.
16:23My wife has a best friend from college.
16:26Can't get them off the phone with each other.
16:30Is that a question?
16:33It just seems she might have told you more than a first name.
16:38Well, she didn't.
16:40As it happens.
16:47Am I being held?
16:49Or am I free to go?
16:52Somewhere else you need to be?
16:53You are free to go.
16:55Just do us a favor and stay in town.
16:59Of course.
17:01Listen, let go.
17:16Just do your wild.
17:21Take it away again.
17:26Good lord.
17:31What's so funny about that?
17:34Hi.
17:35Hey.
17:37Ellie.
17:38Hi.
17:38I got a cat on my toe.
17:40It's infected.
17:40Whoa.
17:41I got a cat.
17:42You just started feeding a cat.
17:43It's not hers.
17:44Yes, it is.
17:45No, it's not.
17:46Yes, it is.
17:46Stop lying, you liar.
17:47Mom, tell her it's not her cat.
17:48This is a nice surprise.
17:49You okay?
17:50No, it's not.
17:51No, you don't.
17:52Yes, I do.
17:53No, you don't.
17:53Sweetie, why don't you take me inside for a second?
17:55Come on, girls.
17:55Who wants some iPad time?
17:56It's not yours.
17:57Come on.
17:57iPad!
17:57Ellie and Mommy need some grown-up time.
18:03What is it?
18:07It's Nancy.
18:11What?
18:13Oh, Mary.
18:14What?
18:17She's gone.
18:19What do you mean she's gone?
18:21Mary, she's dead.
18:25What do you mean she's gone?
18:30When you saw her body, what was it?
18:35What did they do to her?
18:38The wound is on the back of her head.
18:42So her face was still perfect.
18:50What the fuck was she doing in the Arroyo?
18:53I don't know for sure.
18:56But what do you mean for sure?
18:58Do you know anything else?
19:01She was meeting someone.
19:03What?
19:04What do you mean she was meeting someone?
19:06Somebody that she was seeing.
19:07Oh, my God.
19:11Oh, my God.
19:15Is this what you two were talking about last night when I came back from the bathroom?
19:19Yes.
19:20But, Mary, she didn't...
19:22She barely told me anything.
19:24But you knew.
19:27Who was he?
19:28I don't know.
19:29I don't know much.
19:30I just know that he was texting her and she was upset.
19:33And so they must have still been seeing each other and...
19:37Still?
19:38Yes.
19:38Still seeing each other?
19:39Yes.
19:41How long have you known about this?
19:44I don't know.
19:45Maybe a couple of weeks?
19:47My God.
19:48Jesus, Ellie.
19:49It wasn't my business to tell you.
19:51And I thought that she was going to end it.
19:53I did not think it was going to be a big deal.
19:54I did not think she...
19:59Okay.
20:00Okay.
20:02Did she tell you anything else about him?
20:05She told me that his name is David and that they met at work.
20:10Did you tell the police?
20:12Yes, of course.
20:13I told them everything.
20:14Well, yeah, but neither have you told me, so...
20:18What did you think?
20:19I was going to be judgmental.
20:21Is that what she thought?
20:22No, Mary, I think she...
20:24You know, you can be more judgmental than me sometimes.
20:27Okay?
20:28You know?
20:28Yes.
20:29Fine.
20:29Maybe that's why she told me, Mary.
20:31Because she knew that I would be harder on her.
20:33And I was.
20:34I am the one who told her that she had to break it off with him.
20:37And so she went to see him.
20:38And now she's dead.
20:40Are you blaming yourself?
20:41You cannot do that.
20:43What happened?
20:46Hey, Marcus.
20:47Hi, sweetheart.
20:48Hey.
20:48How was it with your caseworker this morning?
20:50Mom, I'm an actual person now.
20:52You can talk to me.
20:55What's going on?
21:00Um.
21:03Okay.
21:06Um.
21:08Your...
21:10Your...
21:10Nancy was killed last night.
21:14They found her.
21:15Honey.
21:16Oh, my God.
21:16I'm sorry.
21:17Mom.
21:17Oh, my God.
21:19Oh, my God.
21:20Mom, I'm so sorry.
21:23It's okay, sweetie.
21:25It's okay.
21:26I'm sorry.
21:29I'm sorry.
21:30I'm okay, sweetheart.
21:32I'm okay.
21:38Jake.
21:45No.
21:55I'm sorry.
21:57for you, when you look out for me too, how could I ever forget about you?
22:48Do they really think this will help?
22:52It might. It might make people care about her.
22:56Oh, come on. Be honest. If all you saw was this highlight reel of her life, don't you think
23:03you would hate her?
23:04Well, hate's an ugly word.
23:10Envy, maybe. That's all I saw. This wasn't even the real her.
23:16Yeah, it was, Ellie. It just wasn't the whole her.
23:26Have you seen Cora?
23:28No. Not yet.
23:54I don't even know my mom owned any black clothes.
23:57She used to have this gorgeous black leather jumpsuit that she wore when we went to the club.
24:04I can't picture that at all. She always wanted to take me shopping. I never let her.
24:10I get that. Mothers and daughters. It's very complicated.
24:15No, but I would roast her for all the shopping she did. Now I'm like digging through her clothes,
24:22trying to find something to wear to her funeral.
24:27Cora, if this feels like too much, we don't have to do this right now.
24:34I can't feel anything, Ellie. I think you might be in shock.
24:39Is that what it is? Because I feel like something's wrong with me?
24:43Nothing is wrong with you, okay?
24:47I remember being in this room with your mom when you were just an infant,
24:53and she was holding you in her arms, and she was so in love with you.
25:00Nothing made her happier than being your mom.
25:05And all I did was push her away.
25:09And it's too late now.
25:14It's okay.
25:17I'm here.
25:22Would you stay with us?
25:25Really?
25:26I don't want to be alone with my dad.
25:30Oh, Cora, I...
25:33Okay.
25:35I know that he struggles with his emotions,
25:38but trust me, I have known him since I was barely older than you.
25:42It's not just the emotions.
25:45I don't feel safe with them right now.
25:55I don't need a publicist. I need them to find out who killed my wife.
26:01It's a crisis firm, Robert.
26:04And daddy just wants to make the introduction. That's it.
26:08Ultimately, it's your choice.
26:11Have you given me more thought to the idea of a reward?
26:15I hate the idea of a bounty hunt.
26:17I know. No one wants to put any pressure on you.
26:20But at this point, it's just about controlling the narrative.
26:23Hey.
26:23I mean, we're in...
26:25Oh, Eleanor.
26:26Didn't know you were here.
26:28Sorry to interrupt.
26:29No, come on in.
26:30Come on in.
26:31You've been such a good friend to be here with the family.
26:35Do this long.
26:38I was just headed to the kitchen.
26:41Does anyone else need a drink?
26:43No, thank you.
26:49Is it cold in here?
26:51My sister's just trying to help finish all the alcohol in the house.
26:55Yes, I think she's doing that.
26:59Cora asked me if I would stay with you guys for a while.
27:03Okay.
27:05So, how do you feel about that?
27:07It's not about how I feel.
27:10It's about figuring out what's best for Cora.
27:14If I thank you for everything that you're doing.
27:16Don't do that, please, Robert.
27:19No, it's something I forget to do.
27:22Or I can be a real asshole like that sometimes.
27:24Just taking everyone around me for granted.
27:28How did Cora seem to you?
27:33She's scared of me.
27:35She didn't use the word scared exactly.
27:40It can't be easy.
27:43Losing her mother, seeing them treat me like a suspect.
27:47They're not calling you a suspect, are they?
27:49That's where this is headed.
27:51You know, I have no alibi.
27:52I was home alone that night until I spoke to you.
27:56Sorry.
27:56I can understand having you around.
28:00Like, make her a little more comfortable right now.
28:04I'm gonna come by as often as I can.
28:07But I, I don't think it's a good idea for me to stay here.
28:11Yeah.
28:12Okay.
28:13Okay.
28:26Good afternoon.
28:27Hey, Mr. Shea.
28:28Oh, Sam, you changed your hair.
28:30I like it.
28:32Hey.
28:33Hi.
28:33We didn't think you'd be coming in yet.
28:35We would have gotten more prepared.
28:36Uh, I'm just coming in to grab a few things.
28:38I didn't want to disrupt the flow.
28:40Hi, you're the boss.
28:41You can do whatever you want.
28:43I just thought you might need some more time.
28:44Yeah, I don't want to make a big deal of it here at the office.
28:47I am so deeply, deeply sorry for your loss.
28:50I can't even imagine.
28:52There are no words.
28:53No words.
28:54Okay.
28:55You've said it.
28:56Love you.
28:59Thank you for that.
29:03Some detectives were here earlier, asking a few questions about the timing of that night.
29:08I told them I was already gone by then, so I couldn't help them.
29:12Yeah, they're just ticking boxes, trying to establish their timeline.
29:16Right.
29:17We will have to postpone the Middle East trip.
29:19Of course.
29:20There's too much going on right now for you to worry about that.
29:22They don't want me to leave town.
29:28If there's anything I need to know, you would tell me, right?
29:34Yes.
29:43Hey.
29:45Hey.
29:47We're trying to reach you.
29:48Yeah.
29:48It's not a great time.
29:52You going somewhere?
29:53I mean, you're not, like, leaving, right?
29:56No.
29:57I'm just grabbing stuff in case I have to work from home.
29:59I'm, like, maybe going to my friends to help.
30:02Who's helping you?
30:04What?
30:05I said, who's helping you?
30:10This is your loss, too.
30:13Okay.
30:15Jordan, I think what would be most helpful right now is your discretion.
30:23Okay?
30:23Yeah.
30:24Sure.
30:25Okay.
31:25Oh, ma'am.
31:26Ma'am.
31:27Ma'am.
31:28Ma'am.
31:29Are you smoking again?
31:30What?
31:31Yes.
31:32It's not a cigarette.
31:33It's an emotional crutch.
31:36I don't understand why we had to have this memorial so quickly.
31:40Because Robert wanted to get it over with, I think.
31:44Oh, shh, shh, shh.
31:44Here they come.
31:45Um, will you just hold this one?
31:46What?
31:47Please, please, please, hold it.
31:47Hold it, hold it.
31:48Hey, guys.
31:50Aunt Ellie, you're smoking?
31:54It's, uh, it's a bad habit, but it doesn't make her a bad person.
31:57Oh, thank you, Howard.
31:59Well, uh, we'll save two seats for you.
32:08Now they think I smoke.
32:09Oh, I'm sorry, but I don't think we should have brought them.
32:12Howard said we shouldn't shield them from grief.
32:14Oh, well, Robert's family planned this, so there's not gonna be a lot of grief.
32:17We'll get elegance and waspy denial.
32:35When does the bride come out?
32:37It's not a wedding, it's a funeral.
32:39Actually, it's a memorial.
32:41Because there's no body.
32:43We don't believe in shielding them from grief.
32:46Yes, I heard.
32:49Isn't that crazy?
32:50Does this smell like something?
32:53It's rose pulp.
32:54We had the paper made from linen and rose petals from Nancy's garden.
33:00That's so lovely.
33:02You just smashed up her roses and, yes, of course.
33:07You are so kind to come.
33:09Oh, no, please.
33:11Oh, no, please.
33:12Such beautiful little girls.
33:15I'm so sorry you couldn't find childcare on such short notice.
33:47No.
33:50No.
33:51No.
33:52You're up.
33:52No.
33:54No.
33:57No.
34:00No.
34:02No.
34:02No.
34:14No.
34:14No.
34:26Mearing a museum with Star preview
34:26She walks in beauty Like the night of cloudless climes and starry
34:33skies And all that's best of dark and bright Meet
34:38in her aspect And her eyes
34:42thus mellowed to that tender light
34:48which heaven to gaudy day denies
34:53one shade the more
34:56one ray the less
35:06it was lovely don't get me wrong it just wasn't her
35:10yeah yeah okay runs a tight ship mm-hmm you know she made me send her that
35:17Byron poem for approval and then she told me no jokes no tears yeah did you
35:25see that guy in the denim jacket at the church yesterday no I don't think I saw
35:31him why you don't think anybody from Nancy's family would have come right
35:39no Ellie they wouldn't have dared right
35:45hey so um well Howard had this thought was a favor really to ask okay we wanted to
35:54know if it was possible maybe Marcus could volunteer with you because we
35:58thought if he saw some real suffering in the world he could maybe get some
36:02perspective and then yes yes yes yes I will find something for him if he's
36:07willing thank you so much Ellie that is very
36:10married they found him breaking footage of David Haji Boyet also known as D.H. Boyet there he is we
36:19can confirm has been officially made no fucking why that's the guy yeah that's what they're saying
36:26boy yet do you know how would I know him why did you ask me that
36:35I'm sorry I shouldn't assume no I have never met this person mom's listed on his
36:41website as one of his patrons you know she supported artists he is a painter D.H. Boyet
36:48also known as David there's Kit right on the sheet do you think this is the guy I
36:56think we need to be very careful to not rush to judgment let's let them talk to
37:00damn oh my god L.A. artist D.H. Boyet was named a person of interest what oh my god
37:09what
37:14Ellie oh shit oh D.H. Boyet she just put this one up didn't she right before she
37:21died that's him is that mom
37:30hey hey Robert dad what are you doing
37:36stop
37:36stop
37:38Robert where are you going
37:45dad stop dad dad stay here please stop it Robert
37:50you have to stop you have to take a beat
37:54Robert what are you doing can we talk about this inside I just want you to
38:00take a beat I want you to take a breath
38:06Robert please please stop it
38:07she never belonged to me
38:08I always wanted to be all mine but she never was there was always a piece of her that wouldn't
38:14be and I always fucking knew it
38:16Robert I think that they have people watching you
38:18I don't give a fuck
38:19I understand that you're angry you need to calm down
38:22hey don't tell me how I should feel Jesus Christ Elanon you don't know everything all right she's my fucking
38:31wife
38:47whiz
38:47does he have an alibi David yeah the guy she was sleeping with kind of he was maybe at this
38:54art event or some sort but he left early honestly they don't have a lot of information I just I
39:00don't think it's him she only
39:02told you his first name we have nothing to go on it could absolutely be him she would have told
39:07me
39:07if he was black she hardly told you anything i know but i am her best and only black friend
39:12this would have come up okay i gave the police the name david what if it's not the stubby person
39:23we still don't know who killed our best friend
39:29i've never seen robert that angry oh he he has a temper especially when he drinks
39:37or when he's jealous no he you know he loved her more than anything
39:43anger isn't the opposite of love sometimes it's the truest expression of it
39:49you can't see it because robert is your my what my friend he's your friend you and robert have
40:01connection yes her name is nancy outside of nancy and nancy knew it too
40:10what are you saying
40:13you're not the only person she confided in
40:40i'm sorry i'm gonna frighten you how did you get in here someone propped up the door i should have
40:48texted yes so give me
41:09look i um
41:14i owe you an apology the way that i was behaving and what i said was cruel
41:22she was my wife but uh i know you guys were everything to each other
41:31i'm sorry
41:35thank you
41:40i don't think i realized how much i needed to hear that from you
41:45are you gonna tell me why you're so dressed up
41:48this is dressed up to you this is how i leave the house after sundown
41:55where are you going you know
41:58nancy loves the ballet and how i don't you hate it i don't hate it i just i find it
42:06what's that french
42:07expression it's fucking boring and that's not french my legs don't fit in the seats what
42:17anyways we're supposed to go to the opening tonight
42:22and i don't know what to do i'm just banging around the big empty house alone i can't sleep i'm
42:29just
42:30walking around looking for her but she's not there so i was thinking that i don't know maybe at the
42:38ballet
42:39i i could you could feel her with you yeah
42:47yeah exactly do you think that's possible i don't know what's possible anymore
42:57okay she's just here
43:02you know we were all just here playing stupid
43:07fucking card games and now she's just gone forever and it's like i i can't
43:14it doesn't make any sense so what why shouldn't i be able to go to a place that she loved
43:19so much and and feel her
43:24i think you have to try
43:29but will you try with me
43:35you want me to go yeah no why not uh i can't i just can't i mean the optics
43:47fuck the optics who cares about the optics i do you should we can't just
43:52get dressed up and have a night out on the town together i'm sorry
43:59i'm sorry i'm sorry it was it was a stupid idea i'm sorry
44:39don't blame me
44:41don't see you
44:54don't
44:55but
45:16My mother has this expression she loves.
45:21Have more than you show, say less than you know.
45:27It was advice I took to heart, guarding not only what we had, but how I felt.
45:36Sometimes I hid it so well, I couldn't even see it myself.
45:49Miss Boucher.
45:52Thought you were worried about the optics?
45:54I was.
45:56But then I remembered that French expression, fuck the optics.
46:02Right.
46:03Shall we?
46:30I hope this isn't inappropriate, but...
46:33The boss's daughter cleans up real nice.
46:37Just try to give me a usable shot this time, okay?
46:58I'm sorry.
47:01I'm sorry.
47:29Don't I can just get away with my eyes?
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